Ogres, hillmen, and both fairies and fools abound by forest and town in this book by Juliana Horatia Gatty Ewing. Designed to cultivate imagination, character, and leave a strong moral when finished, she blends humor with short parables and rustic settings. This audiobook was completed by volunteers for an Eagle Scout project coordinated by Joseph Jones.
These 22 stories are told by the Goblin to the King Vikram. King Vikram faces many difficulties in bringing the vetala to the tantric. Each time Vikram tries to capture the vetala, it tells a story that ends with a riddle. If Vikram cannot answer the question correctly, the vampire consents to remain in captivity. If the king answers the question correctly, the vampire would escape and return to his tree. In some variations, the king is required to speak if he knows the answer, else his head will burst.
This work is taken form baital pachisi and One of its oldest recensions is found incorporated in the Katha-Sarit-Sagara ("Ocean of the Streams of Story"), a work in Sanskrit compiled in the 11th century by Somadeva. (Wikipedia)
The Angels of Mons is a popular legend about a group of angels who supposedly protected members of the British army in the Battle of Mons at the outset of World War I. The story is fictitious, developed through a combination of a patriotic short story by Arthur Machen, rumours, mass hysteria and urban legend, claimed visions after the battle and also possibly deliberately seeded propaganda.
Published in 1903, Gawayne and the Green Knight is a modern-language retelling of Sir Gawain and the Green Knight, a 14th-century verse romance following a young knight of the Round Table. During Christmas celebrations, a mysterious, entirely green knight presents a challenge to King Arthur's court: that any may strike the stranger a single blow with his green axe, provided he assent to receiving the same a year later. Gawayne accepts the challenge, and its unexpected outcome leads to a great test of his courage and knighthood. A significant addition to this version is the Lady Elfinhart, whose back-story and romance with Gawayne are tightly interwoven with the plot.
Charlton Miner Lewis' version of Gawayne and the Green Knight, a late 14th century alliterative romance, is written in modern language telling the story of the Green Knight's challenge to Gawayne, and the romance between Sir Gawayne and Lady Elfinheart. The name Gawayne is often also spelled Gawain.
Friedrich de la Motte Fouque, also the author of Undine, was a German Romantic writer whose stories were filled with knights, damsels in distress, evil enchantments, and the struggle of good against overpowering evil. 'My strength is as the strength of ten, Because my heart is pure.' Fouque blends the Romantic love for nature and ancient chivalry while telling a powerful story about a young man who yearns for that which he can never attain.
Eric, artist for the king, has created a marvelous painting of a royal wedding. It is finished except for the face of the queen, which appeared to him in a dream. When he awoke, he had forgotten the form of the features. Obsessed with recapturing this vision, he goes on a quest to find the woman because he cannot paint another stroke until he sees those eyes again. During his journey, he discovers much more, perhaps even the true meaning of his dream and of his life.
"The Fall of the Nibelungs" is Margaret Armour's plain prose translation from the middle high German of the "Nibelungenlied", a poetic saga of uncertain authorship written about the year 1200. The story is believed by many to be based on the destruction of the Burgundians, a Germanic tribe, in 436 by mercenary Huns recruited for the task by the Roman general Flavius Aëtius. The introduction to the 1908 edition summarizes the story, "And so 'the discord of two women,' to quote Carlyle, 'is as a little spark of evil passion, which ere long enlarges itself into a crime; foul murder is done; and now the sin rolls on like a devouring fire, till the guilty and the innocent are alike encircled with it, and a whole land is ashes, and a whole race is swept away.'", a story not for the faint of heart
Twenty-year-old Mary Alice is bored with her home life and envious of the beautiful, poised, popular girls she sees at parties. At her mother's advice, she reluctantly visits her Godmother in New York, who teaches Mary Alice a little homemade "magic" and the one great Secret that will put her at ease with other people. How can Mary Alice learn to use these gifts to bring happiness into her own life and other lives? Although this charming novelette is subtitled "A True Fairy Story," it reveals that most of the "magic" in life can be found within ourselves.
Jacob Abbott wrote many historical books for children. He was careful to ensure historical accuracy, and as he said himself in the preface to this book "Whatever of interest ... these stories may possess is due solely to the facts themselves which are recorded in them, and to their being brought together in a plain, simple, and connected narrative."
This is the story of Romulus, the founding of Rome and the early years of its history, written in a way both readable and enjoyable for adults and children alike.
Our narrator, Bob, knows George Bowring from school days. Their lives, dreams and misfortunes are parallel until George marries the woman Bob loves. But still, their friendship endures, despite numerous tensions over the years. The two men go on a fishing trip to Wales, George promising Bob he will see mountains. One of these mountains is the infamous, supposedly haunted Cader Idris. Will George regret taking his friend on the trip?
"Strange Tales from a Chinese Studio" (or "Strange Tales of Liaozhai") is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society.
A Medley of Weatherlore is a compilation of poems, sayings, and bits of folklore for each month of the year.
This epic poem is about Alfred the Great's defense of Christian England against the pagan Viking invaders. The decisive battle is fought in sight of a white horse mark made on a hill, after which the poem is named. As the white horse mark must be continually maintained by weeding to be clearly seen, Chesterton sees it as a symbol of the continual struggle to maintain the Christian culture and values for which Alfred the Great fought.
Bulfinch’s Mythology, first published in 1855, is one of the most popular collections of mythology of all time. It consists of three volumes: The Age of Fable, The Age of Chivalry, and Legends of Charlemagne. This is a recording of the tenth edition of the first volume, The Age of Fable. It contains many Greek and Roman myths, including simplified versions of The Iliad and The Odyssey, as well as a selection of Norse and “eastern” myths. Thomas Bulfinch’s goal was to make the ancient myths accessible to a wide audience, and so it is suitable for children.
These Norwegian tales of elemental mountain, forest and sea spirits, have been handed down by hinds and huntsmen, wood choppers and fisher folk. They are men who led a hard and lonely life amid primitive surroundings. The Norwegian Fairy Book has an appeal for one and all, since it is a book in which the mirror of fairy-tale reflects human yearnings and aspirations, human loves, ambitions and disillusionments, in an imaginatively glamored, yet not distorted form. [from the book's preface]
During an expedition in the Canary Islands, an archeologist discovers a cave containing tablets with unknown writing. When translated, they tell the tale of decline and fall of Atlantis, which for centuries had been the center of the world. The tablets’ author, Deucalion, chronicles the usurpation of Atlantis’ throne by force, the oppressive rule of Empress Phorenice, the inevitable rebellion and ultimate destruction of Atlantis, the Lost Continent.
Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories.
Many of the books were illustrated by Henry J. Ford, Lancelot Speed, and G. P. Jacomb Hood also contributed some illustrations.
The tales in the Grey Fairy Book are derived from many countries — Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world. They have been translated and adapted by Mrs. Dent, Mrs. Lang, Miss Eleanor Sellar, Miss Blackley, and Miss Hang. 'The Three Sons of Hali' is from the last century 'Cabinet des Fees,' a very large collection. The French author may have had some Oriental original before him in parts; at all events he copied the Eastern method of putting tale within tale, like the Eastern balls of carved ivory. The stories, as usual, illustrate the method of popular fiction. A certain number of incidents are shaken into many varying combinations, like the fragments of coloured glass in the kaleidoscope. Probably the possible combinations, like possible musical combinations, are not unlimited in number, but children may be less sensitive in the matter of fairies than Mr. John Stuart Mill was as regards music.
This book, subtitled "How and Why Tales from Brazilian Folk-Lore", is a collection of short stories, most of them etiologial myths from Brazilian Indian Folklore.
Notorious pirates who are the scourge of the seven seas, and on land; ghost stories which scare voyagers in the jungles and the ice caps; two ships located in a fatal fight volleying broadsides as if their life depends upon it (which it does); and mysteries on land and the ocean… Sir Arthur Conan Doyle takes you on a journey with 12 tales as unique and mysterious from one another as were ever collected about those pirates we have come to love…and fear. With enough imagination, cunning and murder to entertain everyone from a salty dog to Ahab’s wife.
A collection of folk stories and fairy tales from Southern Nigeria gathered by Elphinstone Dayrell, deputy commissioner of the region when the book was published.
Henryk Sienkiewicz won the Nobel Prize for Literature in 1905, but as he wrote in Polish many English-speakers are unfamiliar with his work. This short story collection is a sampler of five myths and legends which he collected. The "Life and Death" of the title is a Hindu legend, the rest of Polish stories. All are short and together form a little taste of this great author who is too often unknown to English readers.
Her most famous work, Granny's Wonderful Chair, was published in 1856 and it is still in print to this day. It is a richly imaginative book of fairy stories and has been translated into many languages. This work, read as a child by Frances Hodgson Burnett, inspired the writings of Little Saint Elizabeth and Other Stories
A collection of Fairy Tales from Richard Le Gallienne.
A collection of legends and myths of the Hawaiian islands and their 'strange people' as told by His Majesty King Kalakaua, the last king of Hawaii. Introduction, including a history, geography and social and religious commentary on the islands by R.M. Daggett, United States Minister to the Hawaiian Islands 1882-1885.
Fyodor Dostoevesky's "The Crocodile," first published in 1865 in the magazine "Epoch," is the story of Ivan Matveitch, a young man who gets swallowed by a crocodile, and survives. What will life be like for him, inside the crocodile? How will his marriage with Elena Ivanovna fare?
Some have a slight historical value; some are useful as giving point to certain great moral truths; others are products solely of the fancy, and are intended only to amuse. Some are derived from very ancient sources, and are current in the literature of many lands; some have come to us through the ballads and folk tales of the English people; a few are of quite recent origin (Excerpt from text)
The most complete set of the epic Norse eddas, or poems. It contains in beautiful verse the pagan beliefs of the Old Norse. Luckily in this work both the Elder Eddas of Saemund Sigfusson and the Younger Eddas of Snorre Sturleson are presented, and you may find a version of the Nibelunglied that you aren't as familiar with. Numerous authors including Tolkien and Martin have acknowledge their debt to and appreciation for these traditional works.
The Publishers have asked me to authorise a new edition, in my own name, of this little book—now long out of print—which was written by me thirty-five years ago under the initials J.T.K.
In acceding to their request I wish to say that the book as now published is merely a word-for-word reprint of my early effort to help to popularise the Arthur legends.
It is little else than an abridgment of Sir Thomas Malory’s version of them as printed by Caxton—with a few additions from Geoffrey of Monmouth and other sources—and an endeavour to arrange the many tales into a more or less consecutive story.
Homeric Hymns are thirty-three poems each paying homage to a certain Greek god. Only a few of the poems are more than 250 lines while the rest are about a dozen lines each. They are written in Homeric style and traditionally attributed to Homer but their true provenance is unknown. The Epigrams are a series of fragments on disparate topics including sailors, children and potters and are similarly attributed to Homer although it appears Hesiod and others wrote some of them. Finally, Battle of Frogs and Mice is a light-weight parody -- literally, at one-fiftieth the number of lines -- of Homer's famous battle of Greeks and Trojans epic, Illiad.
This is a collection of stories collected over thousands of years by various authors, translators and scholars. The are an amalgam of mythology and folk tales from the Indian sub-continent, Persia, and Arabia. No original manuscript has ever been found for the collection, but several versions date the collection's genesis to somewhere between AD 800-900. The stories are wound together under the device of a long series of cliff-hangers told by Shahrazad to her husband Shahryar, to prevent him from executing her. Many tales that have become independently famous come from the Book, among them Ali Baba and the Forty Thieves, and the voyages of Sinbad the Sailor. This collection comes from the first of sixteen volumes translated by Burton.
(Based on Wikipedia article)
"Now I suppose most people will think I am but entertaining myself with a toy, and using much the same kind of licence in expounding the poets’ fables which the poets themselves did in inventing them; and it is true that if I had a mind to vary and relieve my severer studies with some such exercise of pleasure for my own or my reader’s recreation, I might very fairly indulge in it. But that is not my meaning. Not but that I know very well what pliant stuff fable is made of, how freely it will follow any way you please to draw it, and how easily with a little dexterity and discourse of wit meanings which it was never meant to bear may be plausibly put upon it. Neither have I forgotten that there has been old abuse of the thing in practice; that many, wishing only to gain the sanction and reverence of antiquity for doctrines and inventions of their own, have tried to twist the fables of the poets into that sense; and that this is neither a modern vanity nor a rare one, but old of standing and frequent in use; that Chrysippus long ago, interpreting the oldest poets after the manner of an interpreter of dreams, made them out to be Stoics; and that the Alchemists more absurdly still have discovered in the pleasant and sportive fictions of the transformation of bodies, allusion to experiments of the furnace."
Le Morte d’Arthur (spelled Le Morte Darthur in the first printing and also in some modern editions, Middle French for la mort d’Arthur, “the death of Arthur”) is Sir Thomas Malory’s compilation of some French and English Arthurian romances. The book contains some of Malory’s own original material (the Gareth story) and retells the older stories in light of Malory’s own views and interpretations. First published in 1485 by William Caxton, Le Morte d’Arthur is perhaps the best-known work of English-language Arthurian literature today. Many modern Arthurian writers have used Malory as their source, including T. H. White for his popular The Once and Future King.
Idylls of the King, published between 1856 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom. The whole work recounts Arthur's attempt and failure to lift up mankind and create a perfect kingdom, from his coming to power to his death at the hands of the traitor Mordred. Individual poems detail the deeds of various knights, including Lancelot, Geraint, Galahad, and Balin and Balan, and also Merlin and the Lady of the Lake.
Conan the Cimmerian pursues the beautiful and deadly pirate Valeria after she kills a Stygian only to find himself cornered by a dragon. Apparently this dragon doesn’t know who he’s messing with. The pair then encounters the city of Xuchotl with its warring factions and ancient secrets. Swordplay and sorcery ensue. – Red Nails is Howard’s final Conan story and was published in the July, August, September and October 1936 issues of Weird Tales magazine
This is a collection of Fairy and Folk tales. The poet William Butler Yeats collected them from around the Western part of Ireland and translated them near the end of the 1800s.
The tales included in this little book of translations are derived mainly from the "Lays" of Marie de France. I do not profess them to be a complete collection of her stories in verse. The ascription varies. Poems which were included in her work but yesterday are withdrawn to-day, and new matter suggested by scholars to take the place of the old. I believe it to be, however, a far fuller version of Marie's "Lays" than has yet appeared, to my knowledge, in English. Marie's poems are concerned chiefly with love. To complete my book I have added two famous mediaeval stories on the same excellent theme. This, then, may be regarded as a volume of French romances, dealing, generally, with one aspect of mediaeval life.
This is a collection of myths--mostly Greek with a smattering of others from the east--written in a clear and easy-to-read style. Lang complemented each myth with poetry by other authors who, like her, were inspired by these ancient stories of the gods. Lang chose these stories because they portrayed heroic gods, faithfully and blindly worshipped by man. Ultimately, however, these gods demonstrated the same frailties as humans, and were found to be just as corrupt. Still, as Lang said, in spite of this these myths portrayed "a wonderful humanity that strikes a vibrant cord . . . ." This is significant to a deeper understanding of the collection as it was published in 1914 against the backdrop of the first world war, the war to end all wars--a war that doomed millions of common men to suffer "Promethean agonies," and die on battlefields in a most un-heroic way. As you listen to the narration, compare the gods of myth--with all their human frailties--to the 20th century, god-like European leaders who traded the wonderful innocence of humanity for the notion of "a noble cause."
Once on a time there was a poor husbandman who had so many children that he hadn’t much of either food or clothing to give them. Pretty children they all were, but the prettiest was the youngest daughter, who was so lovely there was no end to her loveliness.
So one day, ’twas on a Thursday evening late at the fall of the year, the weather was so wild and rough outside, and it was so cruelly dark, and rain fell and wind blew, till the walls of the cottage shook again. There they all sat round the fire, busy with this thing and that. But just then, all at once something gave three taps on the window-pane. Then the father went out to see what was the matter; and, when he got out of doors, what should he see but a great big White Bear.
“Good-evening to you!” said the White Bear.
“The same to you!” said the man.
“Will you give me your youngest daughter? If you will, I’ll make you as rich as you are now poor,” said the Bear. (from the book)
This collection of old Scandinavian fairy tales will enchant you with stories of trolls, enchanted castles, princesses and a White Bear
The British Isles, in particular Wales, are renowned for legend and folklore. The author, an American journalist working in Europe, was appointed Consul to Wales and thus began his fascination with Welsh folklore. He became a renowned authority and published several books on the subject. This work is more of a scholarly discussion on the origins and geography than a narration of the stories.
Remember the story of the Ant and the Grasshopper? the Fox and the Sour Grapes? The Boy who Cried Wolf? These wonderful tales and hundreds more have been passed down to us over the centuries. The man credited with writing them, Aesop, was an Ancient Greek slave born about 620 B.C. Aesop is known as a fabulist or story teller credited with a number of fables shining glaringly true light on our human foibles now collectively known as Aesop's Fables. Although no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales are characterized by animals and inanimate objects that speak, solve problems, and generally have human characteristics. Scattered details of Aesop's life can be found in ancient sources, including Aristotle, Herodotus, and Plutarch. An ancient literary work called The Aesop Romance tells an episodic, probably highly fictional version of his life, including the traditional description of him as a strikingly ugly slave who by his cleverness acquires freedom and becomes an adviser to kings and city-states. A later tradition depicts Aesop as a black Ethiopian. But whatever his history, the fables depict truths about human behavior, our strengths and weakness that have remained true for 2500 years.
A retelling of old Greek stories involving mythological heroes and their adventures. Tales include those of Prometheus, Io, Perseus and Theseus.
This is the Tale of Libussa, the mythical founder of the city of Prague. It chronicles the story of her parents and her birth, her elevation to the throne of Bohemia, and how she must fight for her true love. Musäus' famous version of the story is marked by the special poetry of his language and the beautiful, compelling setting and atmosphere.
The Life of Gargantua and of Pantagruel (in French, La vie de Gargantua et de Pantagruel) is a connected series of five novels written in the 16th century by François Rabelais. It is the story of two giants, a father (Gargantua) and his son (Pantagruel) and their adventures, written in an amusing, extravagant, satirical vein. There is much crudity and scatological humor as well as a large amount of violence. Long lists of vulgar insults fill several chapters.
All mythology and/or Hawthorne lovers unite!
Here is a delightful collection of charming stories from Greek Mythology. This collection features some very popular characters like our beloved Jason, Ulysses, King Pluto and Theseus (and of course, our favorite, Mr. Minotaur, too). Written in Hawthorne's interesting and beautiful style, these stories will be a great delight to read AND listen to.
Celtic Fairy Tales is a collection of 25 folk and fairy stories collected from Ireland and Scotland. At what I imagine is the Frontispiece, or the dedication page, is the phrase:
_SAY THIS /Three times, with your eyes shut_/
Mothuighim boladh an Éireannaigh bhinn bhreugaigh faoi m'fhóidín dúthaigh.
_And you will see/What you will see_
A loose translation of this Gaelic phrase is "I sense the smell of a sweet, enchanting Irishman around my dear homeplace."
Translation provided by www.irishgaelictranslator.com/
To get what we want is often the greatest curse of all. The fisherman here accidentally catches a mermaid in his net. He falls in love with the Mermaid and tells her that he wants to marry her. She tells him that he can only marry her if he sends away his soul. From a Witch, the Fisherman learns how to send his soul away. The Soul makes several attempts to persuade the Fisherman to take him back, eventually convincing him to do so with the tale of a beautiful dancer who lives nearby. Too late does the Fisherman discover that the soul which he sent out into the world without a heart has become evil. So be careful what you set your heart on. This story was first published in 1896 in the book A House of Pomegranates.
The most careless reader can hardly fail to see that many of the Tales in this volume have the same groundwork as those with which he has been familiar from his earliest youth. They are Nursery Tales, in fact, of the days when there were tales in nurseries--old wives' fables, which have faded away before the light of gas and the power of steam. (Excerpt from Popular Tales from the Norse.)
This poem celebrates Christmas by exploring the mystery of Christ's mission on earth: his death, resurrection, and second coming as judge of all human souls. Sir Gawain is cast in the role of Everyman. At the feast of the New Year, an unarmed green giant rides his green horse into the banqueting hall of King Arthur and challenges any member of the assembled company to behead him with a huge axe and then to submit to the same treatment from his victim the next year. Gawain volunteers to prevent Arthur from accepting this challenge, fairly confident that the challenger will be unfit to return the blow. However, when the green knight rides out of the hall carrying his severed head, Gawain must wait a year under what amounts to a sentence of death. At the end of this period his quest for the green knight leads him first through perilous adventures comparable to the life-threatening dangers confronting all mortals in their earthly sojourn and then, when his travels are at an end, through a series of temptations that represent allegorically the spiritual challenges determining not the time of death but the fortunes of the soul after death. The spot where Gawain then meets his foe closely resembles a graveyard superintended by the green knight, now converted, in effect, from a victim into a judge, as Christ was murdered by mankind but survived to be our judge at the end of time. A couple early footnotes may help in appreciating two details in the conclusion of the tale: First, Catholics believe that to perform the sacrament of Confession while intending to commit another sin deprives the priest's absolution of effect. Second, it was generally believed, in the Middle Ages and even today, that evil spirits cannot cross running water. This belief appears in "Tam o’Shanter," "The Legend of Sleepy Hollow," and The Lord of the Rings.