<h2><SPAN name="THE_COMMA" id="THE_COMMA"></SPAN>THE COMMA</h2>
<p><b>V. The comma indicates a short pause in a sentence. It is used when we
wish to separate words that stand together, and at the same time to
stop as little as possible the flow of the sentence.</b></p>
<div class="blockquot"><p>When the earl reached his own province, he found that
preparations had been made to repel him.</p>
<p>Though it is difficult, or almost impossible, to reclaim a
savage, bred from his youth to war and the chase, to the
restraints and the duties of civilized life, nothing is more
easy or common than to find men who have been educated in
all the habits and comforts of improved society, willing to
exchange them for the wild labours of the hunter and the
fisher.</p>
</div>
<p><b>VI. Where there is no danger of obscurity, the subject must not be
separated from the predicate by any point.</b></p>
<div class="blockquot"><p>The eminence of your station gave you a commanding prospect
of your duty.</p>
</div>
<p><span class='pagenum'><SPAN name="Page_20" id="Page_20"></SPAN></span></p>
<p><b>VII. When the subject is long, a comma may be placed after it.</b></p>
<div class="blockquot"><p>To say that he endured without a murmur the misfortune that
now came upon him, is to say only what his previous life
would have led us to expect.</p>
</div>
<p>In every sentence the subject, whether expressed in one word or in
several words, must be grasped as a whole; and, when the subject is
long, one is often assisted in doing this by having a point to mark
its termination. The eye at once observes the separating line. Note
the corresponding pause in the reading of such sentences.</p>
<p><b>VIII. When the subject consists of several parts, <i>e.g.</i>, of several
nouns, a comma is placed after the last part.</b></p>
<div class="blockquot"><p>A few daring jests, a brawl, and a fatal stab, make up the
life of Marlowe.</p>
<p>Time, money, and friends, were needed to carry on the work.</p>
</div>
<p>This rule will appear reasonable if we consider an apparent exception
to it. When the last noun sums up all the others, or marks the highest
point of a climax, no comma is placed after it.</p>
<div class="blockquot"><p>Freedom, honour, religion was at stake.</p>
</div>
<p><span class='pagenum'><SPAN name="Page_21" id="Page_21"></SPAN></span></p>
<p>If "religion" be regarded as marking the highest point of a climax,
the predicate is read with "religion," and with it alone. When so
great a thing as religion is said to be at stake, everything else is
dropped out of sight, or is held to be included. But write the three
names as if they were of equal importance; the comma should then be
inserted:</p>
<div class="blockquot"><p>Freedom, honour, and religion, were at stake.</p>
</div>
<p>But it is not necessary to use a point in such a sentence as this:
"Time and tide wait for no man." For we see without the aid of a point
that the predicate is to be read with the two nouns equally.</p>
<p>The principle might be applied also in cases like the following,
though few writers carry it so far:</p>
<div class="blockquot"><p>It was the act of a high-spirited, generous, just nation.</p>
<p>It was the act of a high-spirited, generous, and just,
nation.</p>
</div>
<p><b><SPAN name="IX" id="IX"></SPAN>IX. Dependent clauses are generally separated from the rest of the
sentence in<span class='pagenum'><SPAN name="Page_22" id="Page_22"></SPAN></span> which they occur. The usual point is the comma.</b></p>
<div class="blockquot"><p>Be his motives what they may, he must soon disperse his
followers.</p>
<p>This relation of your army to the crown will, if I am not
greatly mistaken, become a serious dilemma in your politics.</p>
</div>
<p>Of course, this rule must be qualified by the rules for the stronger
points, especially by those for the semicolon and the colon. It is
often necessary to separate the clause from the rest of the sentence
by a strong point.</p>
<p><span class="smcap">Exceptions.</span>—<b>(I) No point is needed if either the dependent clause or
the principal clause be short.</b></p>
<div class="blockquot"><p>He would be shocked if he were to know the truth.</p>
</div>
<p>But if the dependent clause be inserted parenthetically, it is marked
off by commas or the other marks of parenthesis, however short it may
be. (See <SPAN href="#X">Rule X.</SPAN>)</p>
<p>If the sentence last quoted were inverted, a comma would be placed
after the dependent clause.</p>
<div class="blockquot"><p>If he were to know the truth, he would be shocked.</p>
</div>
<p><span class='pagenum'><SPAN name="Page_23" id="Page_23"></SPAN></span></p>
<p>In the first form of this example, "he would be shocked" is a
definite, finished statement, the necessary qualification to which
should follow with as little pause as possible. But in the inverted
form, the first part of the sentence—"if he were to know the
truth"—is not a finished statement, and the mind may pause for a
moment before going on to the consequence, knowing that the
consequence must follow.</p>
<p><b>(2) No point is needed if there be a very close grammatical connection
between the dependent clause and some word or words preceding it.</b></p>
<div class="blockquot"><p>They had so long brooded over their own distresses that they
knew nothing of how the world was changing around them.</p>
</div>
<p>Note that by the word "so" the clause "that they knew nothing" is
joined very closely to the previous part of the sentence; and that the
two clauses "that they knew nothing" and "how the world was changing
around them," are even more closely joined to one another by the
pre<span class='pagenum'><SPAN name="Page_24" id="Page_24"></SPAN></span>position "of." For the same reason, where the object is a clause,
there is no point before it.</p>
<div class="blockquot"><p>He confessed to us that he had not thought over the matter.</p>
</div>
<p>A useful distinction will afterwards be drawn between the different
kinds of relative clauses. (<SPAN href="#XIV">Rule XIV.</SPAN>)</p>
<p><b><SPAN name="X" id="X"></SPAN>X. Words thrown in so as to interrupt slightly the flow of a sentence
are marked off by commas.</b></p>
<div class="blockquot"><p>He resolved, therefore, to visit the prisoner early in the
morning.</p>
<p>This, I think, is the right view of the case.</p>
<p>The first ideas of beauty formed by the mind are, in all
probability, derived from colours.</p>
</div>
<p>The following are some of the words and phrases that come under this
rule: <i>therefore</i>, <i>too</i>, <i>indeed</i>, <i>however</i>, <i>moreover</i>, <i>then</i>,
<i>accordingly</i>, <i>consequently</i>; <i>in short</i>, <i>in fine</i>, <i>in truth</i>, <i>in
fact</i>, <i>to a certain extent</i>, <i>all things considered</i>.</p>
<p>This rule of high pointing should be applied very sparingly, and might
really be restricted to cases like the "I think" of the second
example. Nowadays the tendency is against<span class='pagenum'><SPAN name="Page_25" id="Page_25"></SPAN></span> the pointing of such words
as "therefore" and "indeed."</p>
<p>Where the words thrown in make a very distinct break in the sentence,
they should be pointed off by means of the dash or of brackets.</p>
<p><b>XI. Where two parts of a sentence have some words in common, which are
not expressed for each of them, but are given only when the words in
which they differ have been separately stated, the second part is
marked off by commas.</b></p>
<div class="blockquot"><p>His classification is different from, and more comprehensive
than, any other which we have met.</p>
<p>This foundation is a nursing-mother of lay, as distinguished
from religious, oratorios.</p>
</div>
<p>These examples come within the principle of <SPAN href="#X">Rule X.</SPAN></p>
<p><b>XII. When words are common to two or more parts of a sentence, and are
expressed only in one part, a comma is often used to show that they
are omitted in the other parts.</b></p>
<div class="blockquot"><p>London is the capital of England; Paris, of France; Berlin,
of Germany.</p>
<p>In the worst volume of elder date, the historian<span class='pagenum'><SPAN name="Page_26" id="Page_26"></SPAN></span> may find
something to assist or direct his enquiries; the
antiquarian, something to elucidate what requires
illustration; the philologist, something to insert in the
margin of his dictionary.</p>
</div>
<p>Though many writers constantly punctuate contracted sentences in this
way, it is well not to insert the comma when the meaning is equally
clear without it. It is unnecessary in the following sentence:</p>
<div class="blockquot"><p>Saul hath slain his thousands, and David his ten thousands.</p>
</div>
<p><b><SPAN name="XIII" id="XIII"></SPAN>XIII. Words placed out of their natural position in the sentence are
often followed by a comma.</b></p>
<p>(1) The object is usually placed after the verb; when placed at the
beginning of the sentence, it should be separated from the subject by
a comma, unless the meaning would otherwise be perfectly clear and be
readily seized.</p>
<div class="blockquot"><p>The proportions of belief and of unbelief in the human mind
in such cases, no human judgment can determine.</p>
</div>
<p>There is the same reason for inserting the comma in such cases as
there is for inserting<span class='pagenum'><SPAN name="Page_27" id="Page_27"></SPAN></span> it after a long subject. Moreover, there is
often need of some device to remove the ambiguities that are caused by
inversion. In English, the meaning of words is so greatly determined
by their position that, in altering the usual arrangement of a
sentence, there is risk of being misunderstood. The danger of
inserting the point in this case is that the object may be read with
the words going before, and not with its own verb. If there is a
possibility of this, the point should not be used.</p>
<p>Of course no point should be placed after the object in such a
sentence as the following:—"One I love, and the other I hate."</p>
<p>(2) An adverbial phrase, that is a phrase used as an adverb, is
usually placed after the verb; when it begins the sentence, a comma
follows it unless it is very short.</p>
<div class="blockquot"><p>From the ridge a little way to the east, one can easily
trace the windings of the river.</p>
<p>In order to gain his point, he did not hesitate to use
deception.</p>
<p>In ordinary circumstances I should have acted differently.</p>
</div>
<p>No point would be used in the above sentences,<span class='pagenum'><SPAN name="Page_28" id="Page_28"></SPAN></span> if the adverbial
phrases occurred in their usual position.</p>
<div class="blockquot"><p>He did not hesitate to use deception in order to gain his
point.</p>
</div>
<p>Nor is any point used when, as often happens in such sentences, the
verb precedes the subject.</p>
<div class="blockquot"><p>Not very far from the foot of the mountain lies the village
we hope to reach.</p>
</div>
<p>(3) An adjective phrase, that is a phrase used as an adjective, is
usually placed immediately after the word which it qualifies; when it
appears in any other place, a comma is often usefully placed before
it.</p>
<div class="blockquot"><p>A question was next put to the assembly, of supreme
importance at such a moment.</p>
</div>
<p>The phrase "of supreme importance at such a moment" is to be taken
along with "question"; the comma shows that it is not to be taken
along with "assembly." There is here a further reason for the point,
inasmuch as the phrase acquires from its position almost the
importance of an independent statement. But, where the connexion
between the adjective phrase and the<span class='pagenum'><SPAN name="Page_29" id="Page_29"></SPAN></span> substantive is very close, and
where there is no risk of ambiguity, no point is to be used. "The
morning was come of a mighty day"—such a sentence needs no point.
Observe also that co-ordinate adjective phrases take a comma before
them, wherever they are placed. (See next rule.)</p>
<p><b><SPAN name="XIV" id="XIV"></SPAN>XIV. Adjective clauses and contracted adjective clauses are marked off
by commas, if they are used parenthetically or co-ordinately; no point
is used if they are used restrictively.</b><SPAN name="FNanchor_1_1" id="FNanchor_1_1"></SPAN><SPAN href="#Footnote_1_1" class="fnanchor">[1]</SPAN></p>
<div class="blockquot"><p>The "Religio Laici," which borrows its title from the
"Religio Medici" of Browne, is almost the only work of
Dryden which can be considered as a voluntary effusion.</p>
<p>That sentiment of homely benevolence was worth all the
splendid sayings that are recorded of kings.</p>
<p>The advocates for this revolution, not satisfied with
exaggerating the vices of their ancient government, strike
at the fame of their country itself.</p>
<p>The ships bound on these voyages were not advertised.<span class='pagenum'><SPAN name="Page_30" id="Page_30"></SPAN></span></p>
<p>Chapter VII., where we stopped reading, is full of interest.</p>
<p>The chapter where we stopped reading is full of interest.</p>
</div>
<p>We must explain this distinction at some length; for, on the one hand,
it is hardly ever observed, and, on the other hand, almost every
sentence that we write furnishes an example of it.</p>
<div class="footnote"><p><SPAN name="Footnote_1_1" id="Footnote_1_1"></SPAN><SPAN href="#FNanchor_1_1"><span class="label">[1]</span></SPAN> To distinguish the different kinds of adjective clauses,
different names have been used: "co-ordinating" and "restrictive"
(Bain); "continuative" and "definitive," or "restrictive" (Mason).</p>
</div>
<p>Examine the first sentence which we have quoted. It contains both a
co-ordinate clause, "Which borrows its title," &c., and a restrictive
clause, "Which can be considered as a voluntary effusion." In
distinguishing them we may begin by applying tests of almost a
mechanical nature.</p>
<p>(<i>a</i>) The first clause may be thrown into the form of an independent
statement; the second cannot. Thus: "The 'Religio Laici' borrows its
title from the 'Religio Medici' of Browne. It is almost the only
work," &c.; or, "The 'Religio Laici' (it borrows its title from the
'Religio Medici' of Browne) is almost the only work," &c. We cannot in
the same way destroy the close connexion of the second clause with
"the only work of Dryden."<span class='pagenum'><SPAN name="Page_31" id="Page_31"></SPAN></span></p>
<p>(<i>b</i>) The first clause may be omitted and still leave a complete and
intelligent sentence; if we were to omit the second clause, the
sentence would cease to have any meaning.</p>
<p>These tests may be practically useful; but they are rough and by no
means infallible. Let us see the reason for the distinction.</p>
<p>The name "Religio Laici" of itself tells us what thing is spoken
about. It is the name of one thing, and only of one thing. The clause
that follows informs us, indeed, of a fact concerning the poem; but
the information is given purely as information, not in order to keep
us from confounding this "Religio Laici" with some other "Religio
Laici" that did not borrow its title. "Work of Dryden," however, is
the name of a class, for Dryden wrote many works. Now the whole class
is not here in question; it must be limited, narrowed, or restricted,
to one part of it, namely Dryden's voluntary effusions; and it is thus
limited, narrowed, or restricted, by the relative clause "which can be
considered as a voluntary effusion."</p>
<p>Take another example, where the name in both cases is that of a class,
and note the difference<span class='pagenum'><SPAN name="Page_32" id="Page_32"></SPAN></span> of meaning which results from different
pointing:—"The houses in London which are badly built, ought to be
pulled down." "The houses in London" expresses a class of objects; the
relative clause limits the name to a smaller class, the badly built
houses; and the meaning is, that houses of this smaller class ought to
be pulled down. Now insert the comma:—"The houses in London, which
are badly built, ought to be pulled down." The class is not narrowed;
and the meaning is, that all houses in London, seeing they are badly
built, ought to be pulled down.</p>
<p>The difference between the two kinds of relative clauses being
understood, there will be no difficulty in applying the rule where an
adjective clause is contracted. Compare the fourth example given under
the rule with the following sentence:—"People not satisfied with
their present condition, should strive to alter it." In this sentence
"not satisfied" limits the general name "people"; the advice is given
only to one section of the people: the dissatisfied as distinguished
from the satisfied people.<span class='pagenum'><SPAN name="Page_33" id="Page_33"></SPAN></span></p>
<p>So a single adjective may be used co-ordinately:</p>
<div class="blockquot"><p>"What!" replied the Emperor, "you do not see it? It is my
star, brilliant."</p>
</div>
<p>This is a case where a dash would be more expressive.</p>
<p>Note that the rule applies only where the adjunct immediately follows
the substantive. If the adjunct is placed elsewhere, different
considerations apply. See <SPAN href="#XIII">Rule XIII.</SPAN> (3).</p>
<div class="blockquot"><p>Neither can any man marvel at the play of puppets, that
goeth behind the curtain and adviseth well of the motion.</p>
</div>
<p><b><SPAN name="XV" id="XV"></SPAN>XV. Words in apposition are generally marked off by commas.</b></p>
<div class="blockquot"><p>James Watt, the great improver of the steam-engine, died on
the 25th of August, 1819.</p>
</div>
<p>But where the words in apposition are used in a limiting or
distinguishing sense, the principle of <SPAN href="#XIV">Rule XIV.</SPAN> applies, and no point
is used. Thus we should write "Burns, the poet," "Dickens, the
novelist"; but, if we wished to distinguish them from another Burns
and another Dickens, we should omit the comma.</p>
<div class="blockquot"><p>It is of Pliny the naturalist, not of Pliny the
letter-writer, that we are now speaking.</p>
</div>
<p><span class='pagenum'><SPAN name="Page_34" id="Page_34"></SPAN></span></p>
<p>Again, where the general name precedes, we should in most cases use no
point, for the special name will be restrictive: "the poet Burns,"
"the novelist Dickens."</p>
<p>There is, perhaps, not much authority for the consistent carrying out
of this distinction; but it seems useful and logical. Some cases, such
as "Paul the Apostle," "William the Conqueror," "Thomas the Rhymer,"
"Peter the Hermit," present no difficulty. The name and the
descriptive title are blended together, and form as distinctly one
name as does "Roderick Random."</p>
<p><b>XVI. A conjunction marks a transition to something new—enforcing,
qualifying, or explaining, what has gone before, and is therefore
generally preceded by some point. The proper point before a
conjunction is determined by many circumstances: among others, by the
more or less close connexion of the things joined, by the number of
words, and by the use of points for other purposes in the same
sentence. To deal with the different conjunctions one by one, would
involve a repetition of much that is said<span class='pagenum'><SPAN name="Page_35" id="Page_35"></SPAN></span> in other rules. For
instance, <i>if</i>, <i>unless</i>, <i>though</i>, <i>for</i>, <i>because</i>, <i>since</i>, and the
like, will be pointed in accordance with <SPAN href="#IX">Rule IX.</SPAN> It will be well,
however, to lay down separate rules for the pointing of the common
conjunctions, <i>and</i> and <i>or</i>.</b></p>
<p><b>1. <i>AND.</i>—(a) Where "and" joins two single words, as a rule no point
is used.</b></p>
<div class="blockquot"><p>No work has been so much studied and discussed.</p>
</div>
<p>Compare this with the following sentence, where groups of words are
joined.</p>
<div class="blockquot"><p>The work has been much studied, and has been much discussed.</p>
</div>
<p>In the following sentence the insertion of a comma would change the
meaning.</p>
<div class="blockquot"><p>On this shelf you will put books and pamphlets published in
the present year.</p>
</div>
<p>As the sentence stands, "published in the present year" applies both
to books and to pamphlets: books published in the present year, and
pamphlets published in the present year. If there were a comma before
"and," the meaning<span class='pagenum'><SPAN name="Page_36" id="Page_36"></SPAN></span> would be: "On this shelf you will put books of any
date, and pamphlets of the present year."</p>
<p><b>(b) When "and" joins the separate words of a series of three or more
words, a comma is placed before it.</b></p>
<div class="blockquot"><p>Trees, and bridges, and houses, were swept down by the
flooded stream.</p>
</div>
<p><b>(c) But where the different words are intended to be combined quickly,
so as to present to the mind only one picture, they would be spoken
without any pause, and in writing must not be separated by any point.</b></p>
<div class="blockquot"><p>Whirling and boiling and roaring like thunder, the stream
came down upon them.</p>
</div>
<p><b>(d) Two of the words of the series may be more closely connected with
one another than with the other words of the series, and are,
therefore, not to be separated by any point.</b></p>
<p>In the following sentence, "all" qualifies both<span class='pagenum'><SPAN name="Page_37" id="Page_37"></SPAN></span> "tracts" and
"pamphlets," and thus joins them closely.</p>
<div class="blockquot"><p>My unbound books, and all my tracts and pamphlets, are to be
tied up with pink tape.</p>
</div>
<p><b>(e) When "and" occurs only between the two last words of the series,
the comma is usually inserted before it.</b></p>
<div class="blockquot"><p>Trumpets, drums, and kettle-drums, contended in noise with
the shouts of a numerous rabble.</p>
</div>
<p>Many writers omit this comma. But it seems useful in order to make the
previous rule (<i>d</i>) effective.</p>
<p><b>2. When "and" joins two phrases, a comma generally precedes it.</b></p>
<div class="blockquot"><p>The ceremony was performed in the accustomed manner, and
with due solemnity.</p>
</div>
<p>If, as in the following sentence, a preposition is common to two
phrases, and is not repeated in the second, no comma is used.</p>
<div class="blockquot"><p>With proper care and good instruments, the work may be
successfully carried out.</p>
</div>
<p><b>3. When "and" joins two clauses, the pre<span class='pagenum'><SPAN name="Page_38" id="Page_38"></SPAN></span>ceding point may be the
comma, the semicolon, or even the full stop. Which point is right in
any particular case, will depend upon considerations set out in other
rules.</b></p>
<p>The following example illustrates different cases:</p>
<div class="blockquot"><p>Within that charmed rock, so Torridge boatmen tell, sleeps
now the old Norse Viking in his leaden coffin, with all his
fairy treasure and his crown of gold; and, as the boy looks
at the spot, he fancies, and almost hopes, that the day may
come when he shall have to do his duty against the invader
as boldly as the men of Devon did then. And past him, far
below, upon the soft south-eastern breeze, the stately ships
go sliding out to sea.</p>
</div>
<p><b><i>OR.</i>—The rules for the conjunction "and" apply with little change to
the conjunction "or"; but there are one or two special points to note.</b></p>
<p><b>(a) When "or" is preceded at no great distance by "either" or
"whether," the two words should be separated by no point.</b></p>
<div class="blockquot"><p>They must either yield this point or resign.</p>
<p>It does not matter whether we go or stay.</p>
</div>
<p>But a point is inserted if the words stand<span class='pagenum'><SPAN name="Page_39" id="Page_39"></SPAN></span> farther apart, or if each
is followed by a complete clause.</p>
<div class="blockquot"><p>Either this road leads to the town, or we have misunderstood
the directions.</p>
</div>
<p><b>(b) "Or," joining two alternatives, takes no point before it; but when
it joins two words that are used, not as real alternatives, but as
synonyms, a comma is inserted.</b></p>
<div class="blockquot"><p>England or France might be asked to join the alliance.</p>
</div>
<p>Here "or" is used as a real alternative conjecture, and therefore
without any point. In the following examples, the "or" joins
equivalent expressions:</p>
<div class="blockquot"><p>England, or the nation of shopkeepers, would never be asked
to join such an alliance.</p>
<p>We perceive, or are conscious of, nothing but changes, or
events.</p>
</div>
<p>As a reason for the insertion of the comma in these two examples, it
may be said that the repetition of an idea already expressed does for
a moment stop the flow of the sentence. A real alternative, on the
other hand, forms an essential part of it, and is within its current.<span class='pagenum'><SPAN name="Page_40" id="Page_40"></SPAN></span></p>
<p><b>XVII. In cases where no point would be used before a conjunction, a
comma is inserted if the conjunction be omitted.</b></p>
<div class="blockquot"><p>I pay this tribute to the memory of that noble, reverend,
learned, excellent person.</p>
</div>
<p>In the following examples no point occurs; for it cannot be said that
a conjunction is omitted. To insert the conjunction would be to
express a slightly different shade of meaning:</p>
<div class="blockquot"><p>A grand old man.</p>
<p>Three tall young soldiers.</p>
</div>
<p>"Old man" is virtually a single word and in fact many languages use
only a single word to express the idea.</p>
<p><b>XVIII. Where a comma would be used if the conjunction were expressed,
some stronger point may be used if it be omitted.</b></p>
<div class="blockquot"><p>Let us get an American revenue as we have got an American
Empire. English privileges have made it all that it is;
English privileges alone will make it all that it can be.</p>
</div>
<p><b>XIX. A comma is placed after a noun or a pronoun in the vocative case,
if a mark<span class='pagenum'><SPAN name="Page_41" id="Page_41"></SPAN></span> of exclamation be not used, or be reserved till the first
distinct pause in the sentence.</b></p>
<div class="blockquot"><p>Yet I own, my lord, that yours is not an uncommon character.</p>
<p>I am, Sir, yours truly, John Smith.</p>
<p>O Italy, gather thy blood into thy heart!</p>
<p>O Thou, who in the heavens dost dwell!</p>
</div>
<p>Whether a comma or a mark of exclamation ought to be used after the
vocative case, depends entirely on the degree of emphasis with which
the words would be spoken. If, in speaking, a slight pause would be
made, the comma, not the mark of exclamation, is the proper point.</p>
<p><b>XX. If a word be repeated in order to give it intensive force, a comma
follows it each time that it occurs; but, in the case of an adjective
repeated before a noun, not after the last expression of it.</b></p>
<div class="blockquot"><p>It was work, work, work, from morning till night.</p>
<p>He travelled a long, long way.</p>
</div>
<p>Dean Alford, in "The Queen's English," says that this mode of pointing
such expressions as "the wide wide world," "the deep deep sea,"<span class='pagenum'><SPAN name="Page_42" id="Page_42"></SPAN></span> makes
them absolute nonsense. The suggestion of a pause seems to us to bring
out more effectively the intensive force of the repetition. And we
doubt whether Dean Alford himself would have omitted the comma in our
first example.</p>
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<p><span class='pagenum'><SPAN name="Page_43" id="Page_43"></SPAN></span></p>
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