<SPAN name="startofbook"></SPAN>
<h1>THE SACRED FOUNT</h1>
<p class="c"><b>BY</b></p>
<h2>HENRY JAMES</h2>
<h3><SPAN name="I" id="I"></SPAN>I</h3>
<p class="nind"><span class="letter">I</span>T was an occasion, I felt—the prospect of a large party—to look out
at the station for others, possible friends and even possible enemies,
who might be going. Such premonitions, it was true, bred fears when they
failed to breed hopes, though it was to be added that there were
sometimes, in the case, rather happy ambiguities. One was glowered at,
in the compartment, by people who on the morrow, after breakfast, were
to prove charming; one was spoken to first by people whose sociability
was subsequently to show as bleak; and one built with confidence on
others who were never to reappear at all—who were only going to
Birmingham. As soon as I saw Gilbert Long, some way up the platform,
however, I knew him as an element. It was not so much that the wish was
father to the thought as that I remembered having already more than once
met him at Newmarch. He was a friend<SPAN name="page_002" id="page_002"></SPAN> of the house—he wouldn't be going
to Birmingham. I so little expected him, at the same time, to recognise
me that I stopped short of the carriage near which he stood—I looked
for a seat that wouldn't make us neighbours.</p>
<p>I had met him at Newmarch only—a place of a charm so special as to
create rather a bond among its guests; but he had always, in the
interval, so failed to know me that I could only hold him as stupid
unless I held him as impertinent. He was stupid in fact, and in that
character had no business at Newmarch; but he had also, no doubt, his
system, which he applied without discernment. I wondered, while I saw my
things put into my corner, what Newmarch could see in him—for it always
had to see something before it made a sign. His good looks, which were
striking, perhaps paid his way—his six feet and more of stature, his
low-growing, tight-curling hair, his big, bare, blooming face. He was a
fine piece of human furniture—he made a small party seem more numerous.
This, at least, was the impression of him that had revived before I
stepped out again to the platform, and it armed me only at first with
surprise when I saw him come down to me as if for a greeting. If he had
decided at last to treat me as an acquaintance made, it was none the
less a case for letting him come all the way. That, accordingly, was
what he did, and with so clear a conscience, I hasten to add, that<SPAN name="page_003" id="page_003"></SPAN> at
the end of a minute we were talking together quite as with the tradition
of prompt intimacy. He was good-looking enough, I now again saw, but not
such a model of it as I had seemed to remember; on the other hand his
manners had distinctly gained in ease. He referred to our previous
encounters and common contacts—he was glad I was going; he peeped into
my compartment and thought it better than his own. He called a porter,
the next minute, to shift his things, and while his attention was so
taken I made out some of the rest of the contingent, who were finding or
had already found places.</p>
<p>This lasted till Long came back with his porter, as well as with a lady
unknown to me and to whom he had apparently mentioned that our carriage
would pleasantly accommodate her. The porter carried in fact her
dressing-bag, which he put upon a seat and the bestowal of which left
the lady presently free to turn to me with a reproach: "I don't think it
very nice of you not to speak to me." I stared, then caught at her
identity through her voice; after which I reflected that she might
easily have thought me the same sort of ass as I had thought Long. For
she was simply, it appeared, Grace Brissenden. We had, the three of us,
the carriage to ourselves, and we journeyed together for more than an
hour, during which, in my corner, I had my companions opposite. We began
at first<SPAN name="page_004" id="page_004"></SPAN> by talking a little, and then as the train—a fast one—ran
straight and proportionately bellowed, we gave up the effort to compete
with its music. Meantime, however, we had exchanged with each other a
fact or two to turn over in silence. Brissenden was coming later—not,
indeed, that that was such a fact. But his wife was informed—she knew
about the numerous others; she had mentioned, while we waited, people
and things: that Obert, <span class="smcap">R.A.</span>, was somewhere in the train, that her
husband was to bring on Lady John, and that Mrs. Froome and Lord Lutley
were in the wondrous new fashion—and their servants too, like a single
household—starting, travelling, arriving together. It came back to me
as I sat there that when she mentioned Lady John as in charge of
Brissenden the other member of our trio had expressed interest and
surprise—expressed it so as to have made her reply with a smile:
"Didn't you really know?" This passage had taken place on the platform
while, availing ourselves of our last minute, we hung about our door.</p>
<p>"Why in the world <i>should</i> I know?"</p>
<p>To which, with good nature, she had simply returned: "Oh, it's only that
I thought you always did!" And they both had looked at me a little
oddly, as if appealing from each other. "What in the world does she
mean?" Long might have seemed to ask; while Mrs. Brissenden conveyed<SPAN name="page_005" id="page_005"></SPAN>
with light profundity: "<i>You</i> know why he should as well as I, don't
you?" In point of fact I didn't in the least; and what afterwards struck
me much more as the beginning of my anecdote was a word dropped by Long
after someone had come up to speak to her. I had then given him his cue
by alluding to my original failure to place her. What in the world, in
the year or two, had happened to her? She had changed so extraordinarily
for the better. How could a woman who had been plain so long become
pretty so late?</p>
<p>It was just what he had been wondering. "I didn't place her at first
myself. She had to speak to me. But I hadn't seen her since her
marriage, which was—wasn't it?—four or five years ago. She's amazing
for her age."</p>
<p>"What then <i>is</i> her age?"</p>
<p>"Oh—two or three-and-forty."</p>
<p>"She's prodigious for that. But can it be so great?"</p>
<p>"Isn't it easy to count?" he asked. "Don't you remember, when poor Briss
married her, how immensely she was older? What was it they called it?—a
case of child-stealing. Everyone made jokes. Briss isn't yet thirty."
No, I bethought myself, he wouldn't be; but I hadn't remembered the
difference as so great. What I had mainly remembered was that she had
been rather ugly. At present she was rather handsome. Long, however, as
to this,<SPAN name="page_006" id="page_006"></SPAN> didn't agree. "I'm bound to say I don't quite call it beauty."</p>
<p>"Oh, I only speak of it as relative. She looks so well—and somehow so
'fine.' Why else shouldn't we have recognised her?"</p>
<p>"Why indeed? But it isn't a thing with which beauty has to do." He had
made the matter out with an acuteness for which I shouldn't have given
him credit. "What has happened to her is simply that—well, that nothing
has."</p>
<p>"Nothing has happened? But, my dear man, she has been married. That's
supposed to be something."</p>
<p>"Yes, but she has been married so little and so stupidly. It must be
desperately dull to be married to poor Briss. His comparative youth
doesn't, after all, make more of him. He's nothing but what he is. Her
clock has simply stopped. She looks no older—that's all."</p>
<p>"Ah, and a jolly good thing too, when you start where she did. But I
take your discrimination," I added, "as just. The only thing is that if
a woman doesn't grow older she may be said to grow younger; and if she
grows younger she may be supposed to grow prettier. That's all—except,
of course, that it strikes me as charming also for Brissenden himself.
<i>He</i> had the face, I seem to recall, of a baby; so that if his wife did
<SPAN name="page_007" id="page_007"></SPAN>flaunt her fifty years——!"</p>
<p>"Oh," Long broke in, "it wouldn't have mattered to him if she had.
That's the awfulness, don't you see? of the married state. People have
to get used to each other's charms as well as to their faults. He
wouldn't have noticed. It's only you and I who do, and the charm of it
is for <i>us</i>."</p>
<p>"What a lucky thing then," I laughed, "that, with Brissenden so out of
it and relegated to the time-table's obscure hereafter, it should be you
and I who enjoy her!" I had been struck in what he said with more things
than I could take up, and I think I must have looked at him, while he
talked, with a slight return of my first mystification. He talked as I
had never heard him—less and less like the heavy Adonis who had so
often "cut" me; and while he did so I was proportionately more conscious
of the change in him. He noticed in fact after a little the vague
confusion of my gaze and asked me—with complete good nature—why I
stared at him so hard. I sufficiently disembroiled myself to reply that
I could only be fascinated by the way he made his points; to which
he—with the same sociability—made answer that he, on the contrary,
more than suspected me, clever and critical as I was, of amusement at
his artless prattle. He stuck none the less to his idea that what we had
been discussing was lost on Brissenden. "Ah, then I hope," I said, "that
at least Lady John isn't!"<SPAN name="page_008" id="page_008"></SPAN></p>
<p>"Oh, Lady John——!" And he turned away as if there were either too much
or too little to say about her.</p>
<p>I found myself engaged again with Mrs. Briss while he was occupied with
a newspaper-boy—and engaged, oddly, in very much the free view of him
that he and I had just taken of herself. She put it to me frankly that
she had never seen a man so improved: a confidence that I met with
alacrity, as it showed me that, under the same impression, I had not
been astray. She had only, it seemed, on seeing him, made him out with a
great effort. I took in this confession, but I repaid it. "He hinted to
me that he had not known you more easily."</p>
<p>"More easily than you did? Oh, nobody does that; and, to be quite
honest, I've got used to it and don't mind. People talk of our changing
every seven years, but they make me feel as if I changed every seven
minutes. What will you have, at any rate, and how can I help it? It's
the grind of life, the wear and tear of time and misfortune. And, you
know, I'm ninety-three."</p>
<p>"How young you must feel," I answered, "to care to talk of your age! I
envy you, for nothing would induce me to let you know mine. You look,
you see, just twenty-five."</p>
<p>It evidently too, what I said, gave her pleasure—a pleasure that she
caught and held. "Well, you can't say I dress it."<SPAN name="page_009" id="page_009"></SPAN></p>
<p>"No, you dress, I make out, ninety-three. If you <i>would</i> only dress
twenty-five you'd look fifteen."</p>
<p>"Fifteen in a schoolroom charade!" She laughed at this happily enough.
"Your compliment to my taste is odd. I know, at all events," she went
on, "what's the difference in Mr. Long."</p>
<p>"Be so good then, for my relief, as to name it."</p>
<p>"Well, a very clever woman has for some time past——"</p>
<p>"Taken"—this beginning was of course enough—"a particular interest in
him? Do you mean Lady John?" I inquired; and, as she evidently did, I
rather demurred. "Do you call Lady John a very clever woman?"</p>
<p>"Surely. That's why I kindly arranged that, as she was to take, I
happened to learn, the next train, Guy should come with her."</p>
<p>"You arranged it?" I wondered. "She's not so clever as you then."</p>
<p>"Because you feel that <i>she</i> wouldn't, or couldn't? No doubt she
wouldn't have made the same point of it—for more than one reason. Poor
Guy hasn't pretensions—has nothing but his youth and his beauty. But
that's precisely why I'm sorry for him and try whenever I can to give
him a lift. Lady John's company <i>is</i>, you see, a lift."</p>
<p>"You mean it has so unmistakably been one to Long?"<SPAN name="page_010" id="page_010"></SPAN></p>
<p>"Yes—it has positively given him a mind and a tongue. <i>That's</i> what has
come over him."</p>
<p>"Then," I said, "it's a most extraordinary case—such as one really has
never met."</p>
<p>"Oh, but," she objected, "it happens."</p>
<p>"Ah, so very seldom! Yes—I've positively never met it. Are you very
sure," I insisted, "that Lady John is the influence?"</p>
<p>"I don't mean to say, of course," she replied, "that he looks fluttered
if you mention her, that he doesn't in fact look as blank as a
pickpocket. But that proves nothing—or rather, as they're known to be
always together, and she from morning till night as pointed as a
hat-pin, it proves just what one sees. One simply takes it in."</p>
<p>I turned the picture round. "They're scarcely together when she's
together with Brissenden."</p>
<p>"Ah, that's only once in a way. It's a thing that from time to time such
people—don't you know?—make a particular point of: they cultivate, to
cover their game, the appearance of other little friendships. It puts
outsiders off the scent, and the real thing meanwhile goes on. Besides,
you yourself acknowledge the effect. If she hasn't made him clever, what
has she made him? She has given him, steadily, more and more intellect."</p>
<p>"Well, you may be right," I laughed, "though you speak as if it were
cod-liver oil. Does she administer it, as a daily dose, by the spoonful?
or<SPAN name="page_011" id="page_011"></SPAN> only as a drop at a time? Does he take it in his food? Is he
supposed to know? The difficulty for me is simply that if I've seen the
handsome grow ugly and the ugly handsome, the fat grow thin and the thin
fat, the short grow long and the long short; if I've even, likewise,
seen the clever, as I've too fondly, at least, supposed them, grow
stupid: so have I <i>not</i> seen—no, not once in all my days—the stupid
grow clever."</p>
<p>It was a question, none the less, on which she could perfectly stand up.
"All I can say is then that you'll have, the next day or two, an
interesting new experience."</p>
<p>"It <i>will</i> be interesting," I declared while I thought—"and all the
more if I make out for myself that Lady John <i>is</i> the agent."</p>
<p>"You'll make it out if you talk to her—that is, I mean, if you make
<i>her</i> talk. You'll see how she <i>can</i>."</p>
<p>"She keeps her wit then," I asked, "in spite of all she pumps into
others?"</p>
<p>"Oh, she has enough for two!"</p>
<p>"I'm immensely struck with yours," I replied, "as well as with your
generosity. I've seldom seen a woman take so handsome a view of
another."</p>
<p>"It's because I like to be kind!" she said with the best faith in the
world; to which I could only return, as we entered the train, that it
was a kindness<SPAN name="page_012" id="page_012"></SPAN> Lady John would doubtless appreciate. Long rejoined us,
and we ran, as I have said, our course; which, as I have also noted,
seemed short to me in the light of such a blaze of suggestion. To each
of my companions—and the fact stuck out of them—something
unprecedented had happened.<SPAN name="page_013" id="page_013"></SPAN></p>
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