<h3>ELIZABETH INCHBALD.</h3>
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<p class="heading">[BORN 1756. DIED 1821.]<br/>
CUNNINGHAM.</p>
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daughter of a small farmer in Suffolk, of the name of Simpson.
Having lost her father in her infancy, she was left under the care of
her mother, who continued to manage the farm; and in the pleasant
seclusion of this cottage home, Miss Simpson was presented with abundant
opportunities of gratifying her literary propensities. So sensibly had
her imagination been wrought upon by the tales of fictitious grief and
happiness she had met with in the course of her desultory reading, that
she formed the romantic resolution of visiting the metropolis, the scene
of many of the stories which had so powerfully excited her sympathies.
This intention did not, as may be supposed, meet with the approbation of
her friends; but so fixed was her determination to accomplish, <i>� tout
prix</i>, the object she had in view, that she seized an opportunity of
eloping from her home entirely without the knowledge of her family.
Early one morning in February 1772, she left Staningfield for London,
and with a few necessary articles of apparel packed in a band-box,
walked, or rather ran, a distance of two miles to the place from which
the coach set out for the metropolis.</p>
<p>This step, in a girl of sixteen years of age, did not augur very
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favourably of her future conduct or respectability; but the subsequent
tenor of her life affords additional proof that very admirable results
will often arise out of indifferent and even reprehensible beginnings.
On her arrival at London, she sought a distant relation who lived in the
Strand; but on reaching the house, was, to her great mortification,
informed that she had retired from business, and was settled in North
Wales. It was near ten o'clock at night, and her distress at this
disappointment moved the compassion of the people of whom she had made
her inquiries, who kindly accommodated her with a lodging. This
civility, however, awakened her suspicions. She had read in "Clarissa
Harlowe," of various modes of seduction practised in London, and feared
that similar intentions were being meditated against her. A short time
after her arrival, therefore, observing that she had awakened their
curiosity, our young heroine seized her band-box, and, without uttering
a single word, rushed out of the house, and left them to their
conjectures that she was either a maniac or an impostor.</p>
<p>Her necessities drove her to the stage, where she met with considerable
success, and performed principal characters when she was only eighteen
years of age. After a residence of four years in Edinburgh with her
husband, Mr Inchbald, also an actor of some celebrity, she returned to
London, where she acted for several years at Covent Garden. Soon after
she became an authoress. Her first piece, the comedy entitled "I'll Tell
you What," was at first rejected by Colman of Haymarket, but finally
approved and brought out with considerable success in 1785. In 1789 she
retired from the stage, and devoted herself from that time entirely to
literature. She wrote a number of popular dramatic pieces, and edited a
new edition of "The British Theatre," and other dramatic collections;
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but it is to her two novels, "Nature and Art," and "The Simple Story,"
that she chiefly owes her reputation. She died at Kensington in 1821.</p>
<p>The mind of this authoress had an original cast, and her literary style
was peculiar, terse, pointed, and impressive. By exemplary industry and
prudence, she had raised herself into a state of comfortable
independence; but she had a liberal heart, and deprived herself of many
enjoyments in order to provide for relations who stood in need of her
assistance. She was animated, cheerful, and intelligent in conversation,
and her remarks were not taken on trust, but were the effects of acute
penetration. She was very handsome in youth, and retained much of her
beauty and elegance till her death.</p>
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