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<h2> CHAPTER XX. DIANA A NIGHT-WATCH IN THE CHAMBER OF DEATH </h2>
<h3> He stepped into the room, and thrilled to hear the quiet voice beside the bed: 'Who is it?' </h3>
<p>Apologies and excuses were on his tongue. The vibration of those grave
tones checked them.</p>
<p>'It is you,' she said.</p>
<p>She sat in shadow, her hands joined on her lap. An unopened book was under
the lamp.</p>
<p>He spoke in an underbreath: 'I have just come. I was not sure I should
find you here. Pardon.'</p>
<p>'There is a chair.'</p>
<p>He murmured thanks and entered into the stillness, observing her.</p>
<p>'You have been watching.... You must be tired.'</p>
<p>'No.'</p>
<p>'An hour was asked, only one.'</p>
<p>'I could not leave him.'</p>
<p>'Watchers are at hand to relieve you'</p>
<p>'It is better for him to have me.'</p>
<p>The chord of her voice told him of the gulf she had sunk in during the
night. The thought of her endurance became a burden.</p>
<p>He let fall his breath for patience, and tapped the floor with his foot.</p>
<p>He feared to discompose her by speaking. The silence grew more fearful, as
the very speech of Death between them.</p>
<p>'You came. I thought it right to let you know instantly. I hoped you would
come to-morrow.'</p>
<p>'I could not delay.'</p>
<p>'You have been sitting alone here since eleven!'</p>
<p>'I have not found it long.'</p>
<p>'You must want some refreshment... tea?'</p>
<p>'I need nothing.'</p>
<p>'It can be made ready in a few minutes.'</p>
<p>'I could not eat or drink.'</p>
<p>He tried to brush away the impression of the tomb in the heavily-curtained
chamber by thinking of the summer-morn outside; he spoke of it, the rosy
sky, the dewy grass, the piping birds. She listened, as one hearing of a
quitted sphere.</p>
<p>Their breathing in common was just heard if either drew a deeper breath.
At moments his eyes wandered and shut. Alternately in his mind Death had
vaster meanings and doubtfuller; Life cowered under the shadow or outshone
it. He glanced from her to the figure in the bed, and she seemed
swallowed.</p>
<p>He said: 'It is time for you to have rest. You know your room. I will stay
till the servants are up.'</p>
<p>She replied: 'No, let this night with him be mine.'</p>
<p>'I am not intruding...?'</p>
<p>'If you wish to remain...'</p>
<p>No traces of weeping were on her face. The lampshade revealed it
colourless, and lustreless her eyes. She was robed in black. She held her
hands clasped.</p>
<p>'You have not suffered?'</p>
<p>'Oh, no.'</p>
<p>She said it without sighing: nor was her speech mournful, only brief.</p>
<p>'You have seen death before?'</p>
<p>'I sat by my father four nights. I was a girl then. I cried till I had no
more tears.'</p>
<p>He felt a burning pressure behind his eyeballs.</p>
<p>'Death is natural,' he said.</p>
<p>'It is natural to the aged. When they die honoured...'</p>
<p>She looked where the dead man lay. 'To sit beside the young, cut off from
their dear opening life...!' A little shudder swept over her. 'Oh! that!'</p>
<p>'You were very good to come. We must all thank you for fulfilling his
wish.'</p>
<p>'He knew it would be my wish.'</p>
<p>Her hands pressed together.</p>
<p>'He lies peacefully!'</p>
<p>'I have raised the lamp on him, and wondered each time. So changeless he
lies. But so like a sleep that will wake. We never see peace but in the
features of the dead. Will you look? They are beautiful. They have a
heavenly sweetness.'</p>
<p>The desire to look was evidently recurrent with her. Dacier rose.</p>
<p>Their eyes fell together on the dead man, as thoughtfully as Death allows
to the creatures of sensation.</p>
<p>'And after?' he said in low tones.</p>
<p>'I trust to my Maker,' she replied. 'Do you see a change since he breathed
his last?'</p>
<p>'Not any.'</p>
<p>'You were with him?'</p>
<p>'Not in the room. Two minutes later.'</p>
<p>'Who...?'</p>
<p>'My father. His niece, Lady Cathairn.'</p>
<p>'If our lives are lengthened we outlive most of those we would have to
close our eyes. He had a dear sister.'</p>
<p>'She died some years back.'</p>
<p>'I helped to comfort him for that loss.'</p>
<p>'He told me you did.'</p>
<p>The lamp was replaced on the table.</p>
<p>'For a moment, when I withdraw the light from him, I feel sadness. As if
the light we lend to anything were of value to him now!'</p>
<p>She bowed her head deeply. Dacier left her meditation undisturbed. The
birds on the walls outside were audible, tweeting, chirping.</p>
<p>He went to the window-curtains and tried the shutter-bars. It seemed to
him that daylight would be cheerfuller for her. He had a thirst to behold
her standing bathed in daylight.</p>
<p>'Shall I open them?' he asked her.</p>
<p>'I would rather the lamp,' she said.</p>
<p>They sat silently until she drew her watch from her girdle. 'My train
starts at half-past six. It is a walk of thirty-five minutes to the
station. I did it last night in that time.'</p>
<p>'You walked here in the dark alone?'</p>
<p>'There was no fly to be had. The station-master sent one of his porters
with me. We had a talk on the road. I like those men.'</p>
<p>Dacier read the hour by the mantelpiece clock. 'If you must really go by
the early train, I will drive you.'</p>
<p>'No, I will walk; I prefer it.'</p>
<p>'I will order your breakfast at once.'</p>
<p>He turned on his heel. She stopped him. 'No, I have no taste for eating or
drinking.'</p>
<p>'Pray...' said he, in visible distress.</p>
<p>She shook her head. 'I could not. I have twenty minutes longer. I can find
my way to the station; it is almost a straight road out of the
park-gates.'</p>
<p>His heart swelled with anger at the household for they treatment she had
been subjected to, judging by her resolve not to break bread in the house.</p>
<p>They resumed their silent sitting. The intervals for a word to pass
between them were long, and the ticking of the time-piece fronting the
death-bed ruled the chamber, scarcely varied.</p>
<p>The lamp was raised for the final look, the leave-taking.</p>
<p>Dacier buried his face, thinking many things—the common multitude in
insurrection.</p>
<p>'A servant should be told to come now,' she said. 'I have only to put on
my bonnet and I am ready.'</p>
<p>'You will take no...?'</p>
<p>'Nothing.'</p>
<p>'It is not too late for a carriage to be ordered.'</p>
<p>'No—the walk!'</p>
<p>They separated.</p>
<p>He roused the two women in the dressing-room, asleep with heads against
the wall. Thence he sped to his own room for hat and overcoat, and a
sprinkle of cold water. Descending the stairs, he beheld his companion
issuing from the chamber of death. Her lips were shut, her eyelids
nervously tremulous.</p>
<p>They were soon in the warm sweet open air, and they walked without an
interchange of a syllable through the park into the white hawthorn lane,
glad to breathe. Her nostrils took long draughts of air, but of the change
of, scene she appeared scarcely sensible.</p>
<p>At the park-gates, she said: 'There is no necessity four your coming.'</p>
<p>His answer was: 'I think of myself. I gain something every step I walk
with you.'</p>
<p>'To-day is Thursday,' said she. 'The funeral is...?'</p>
<p>'Monday has been fixed. According to his directions, he will lie in the
churchyard of his village—not in the family vault.'</p>
<p>'I know,' she said hastily. 'They are privileged who follow him and see
the coffin lowered. He spoke of this quiet little resting-place.'</p>
<p>'Yes, it's a good end. I do not wonder at his wish for the honour you have
done him. I could wish it too. But more living than dead—that is a
natural wish.'</p>
<p>'It is not to be called an honour.'</p>
<p>'I should feel it so-an honour to me.'</p>
<p>'It is a friend's duty. The word is too harsh; it was his friend's desire.
He did not ask it so much as he sanctioned it. For to him what has my
sitting beside him been!'</p>
<p>'He had the prospective happiness.'</p>
<p>'He knew well that my soul would be with him—as it was last night.
But he knew it would be my poor human happiness to see him with my eyes,
touch him with my hand, before he passed from our sight.'</p>
<p>Dacier exclaimed: 'How you can love!'</p>
<p>'Is the village church to be seen?' she asked.</p>
<p>'To the right of those elms; that is the spire. The black spot below is a
yew. You love with the whole heart when you love.'</p>
<p>'I love my friends,' she replied.</p>
<p>'You tempt me to envy those who are numbered among them.'</p>
<p>'They are not many.'</p>
<p>'They should be grateful!'</p>
<p>'You have some acquaintance with them all.'</p>
<p>'And an enemy? Had you ever one? Do you know of one?'</p>
<p>'Direct and personal designedly? I think not. We give that title to those
who are disinclined to us and add a dash of darker colour to our errors.
Foxes have enemies in the dogs; heroines of melodramas have their
persecuting villains. I suppose that conditions of life exist where one
meets the original complexities. The bad are in every rank. The
inveterately malignant I have not found. Circumstances may combine to make
a whisper as deadly as a blow, though not of such evil design. Perhaps if
we lived at a Court of a magnificent despot we should learn that we are
less highly civilized than we imagine ourselves; but that is a fire to the
passions, and the extreme is not the perfect test. Our civilization counts
positive gains—unless you take the melodrama for the truer picture
of us. It is always the most popular with the English.—And look,
what a month June is! Yesterday morning I was with Lady Dunstane on her
heights, and I feel double the age. He was fond of this wild country. We
think it a desert, a blank, whither he has gone, because we will strain to
see in the utter dark, and nothing can come of that but the bursting of
the eyeballs.'</p>
<p>Dacier assented: 'There's no use in peering beyond the limits.'</p>
<p>'No,' said she; 'the effect is like the explaining of things to a dull
head—the finishing stroke to the understanding! Better continue to
brood. We get to some unravelment if we are left to our own efforts. I
quarrel with no priest of any denomination. That they should quarrel among
themselves is comprehensible in their wisdom, for each has the specific.
But they show us their way of solving the great problem, and we ought to
thank them, though one or the other abominate us. You are advised to talk
with Lady Dunstane on these themes.</p>
<p>She is perpetually in the antechamber of death, and her soul is
perennially sunshine.—See the pretty cottage under the laburnum
curls! Who lives there?'</p>
<p>'His gamekeeper, Simon Rofe.'</p>
<p>'And what a playground for the children, that bit of common by their
garden-palings! and the pond, and the blue hills over the furzes. I hope
those people will not be turned out.'</p>
<p>Dacier could not tell. He promised to do his best for them.</p>
<p>'But,' said she, 'you are the lord here now.'</p>
<p>'Not likely to be the tenant. Incomes are wanted to support even small
estates.'</p>
<p>'The reason is good for courting the income.'</p>
<p>He disliked the remark; and when she said presently:</p>
<p>'Those windmills make the landscape homely,' he rejoined: 'They remind one
of our wheeling London gamins round the cab from the station.'</p>
<p>'They remind you,' said she, and smiled at the chance discordant trick he
had, remembering occasions when it had crossed her.</p>
<p>'This is homelier than Rovio,' she said; 'quite as nice in its way.'</p>
<p>'You do not gather flowers here.'</p>
<p>'Because my friend has these at her feet.'</p>
<p>'May one petition without a rival, then, for a souvenir?'</p>
<p>'Certainly, if you care to have a common buttercup.'</p>
<p>They reached the station, five minutes in advance of the train. His coming
manoeuvre was early detected, and she drew from her pocket the little book
he had seen lying unopened on the table, and said: 'I shall have two good
hours for reading.'</p>
<p>'You will not object?... I must accompany you to town. Permit it, I beg.
You shall not be worried to talk.'</p>
<p>'No; I came alone and return alone.'</p>
<p>'Fasting and unprotected! Are you determined to take away the worst
impression of us? Do not refuse me this favour.'</p>
<p>'As to fasting, I could not eat: and unprotected no woman is in England,
if she is a third-class traveller. That is my experience of the class; and
I shall return among my natural protectors—the most unselfishly
chivalrous to women in the whole world.'</p>
<p>He had set his heart on going with her, and he attempted eloquence in
pleading, but that exposed him to her humour; he was tripped.</p>
<p>'It is not denied that you belong to the knightly class,' she said; 'and
it is not necessary that you should wear armour and plumes to proclaim it;
and your appearance would be ample protection from the drunken sailors
travelling, you say, on this line; and I may be deplorably mistaken in
imagining that I could tame them. But your knightliness is due elsewhere;
and I commit myself to the fortune of war. It is a battle for women
everywhere; under the most favourable conditions among my dear common
English. I have not my maid with me, or else I should not dare.'</p>
<p>She paid for a third-class ticket, amused by Dacier's look of entreaty and
trouble.</p>
<p>'Of course I obey,' he murmured.</p>
<p>'I have the habit of exacting it in matters concerning my independence,'
she said; and it arrested some rumbling notions in his head as to a piece
of audacity on the starting of the train. They walked up and down the
platform till the bell rang and the train came rounding beneath an arch.</p>
<p>'Oh, by the way, may I ask?'—he said: 'was it your article in
Whitmonby's journal on a speech of mine last week?'</p>
<p>'The guilty writer is confessed.'</p>
<p>'Let me thank you.'</p>
<p>'Don't. But try to believe it written on public grounds—if the task
is not too great.'</p>
<p>'I may call?'</p>
<p>'You will be welcome.'</p>
<p>'To tell you of the funeral—the last of him.'</p>
<p>'Do not fail to come.'</p>
<p>She could have laughed to see him jumping on the steps of the third-class
carriages one after another to choose her company for her. In those
pre-democratic blissful days before the miry Deluge, the opinion of the
requirements of poor English travellers entertained by the Seigneur
Directors of the class above them, was that they differed from cattle in
stipulating for seats. With the exception of that provision to suit their
weakness, the accommodation extended to them resembled pens, and the seats
were emphatically seats of penitence, intended to grind the sitter for his
mean pittance payment and absence of aspiration to a higher state. Hard
angular wood, a low roof, a shabby square of window aloof, demanding of
him to quit the seat he insisted on having, if he would indulge in views
of the passing scenery,—such was the furniture of dens where a
refinement of castigation was practised on villain poverty by denying
leathers to the windows, or else buttons to the leathers, so that the
windows had either to be up or down, but refused to shelter and freshen
simultaneously.</p>
<p>Dacier selected a compartment occupied by two old women, a mother and babe
and little maid, and a labouring man. There he installed her, with an
eager look that she would not notice.</p>
<p>'You will want the window down,' he said.</p>
<p>She applied to her fellow-travellers for the permission; and struggling to
get the window down, he was irritated to animadvert on 'these carriages'
of the benevolent railway Company.</p>
<p>'Do not forget that the wealthy are well treated, or you may be unjust,'
said she, to pacify him.</p>
<p>His mouth sharpened its line while he tried arts and energies on the
refractory window. She told him to leave it. 'You can't breathe this
atmosphere!' he cried, and called to a porter, who did the work, remarking
that it was rather stiff.</p>
<p>The door was banged and fastened. Dacier had to hang on the step to see
her in the farewell. From the platform he saw the top of her bonnet; and
why she should have been guilty of this freak of riding in an unwholesome
carriage, tasked his power of guessing. He was too English even to have
taken the explanation, for he detested the distinguishing of the races in
his country, and could not therefore have comprehended her peculiar
tenacity of the sense of injury as long as enthusiasm did not arise to
obliterate it. He required a course of lessons in Irish.</p>
<p>Sauntering down the lane, he called at Simon Rofe's cottage, and spoke
very kindly to the gamekeeper's wife. That might please Diana. It was all
he could do at present.</p>
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