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<h1>OPERATION INTERSTELLAR</h1>
<p><i>By</i><br/>
<span class="smcap">George O. Smith</span></p>
<p>CENTURY PUBLICATIONS<br/>
Chicago</p>
<p>Published by Century Publications, 139 N. Clark St., Chicago 2, Ill.<br/>
<i>Printed in the United States of America</i></p>
<p>Characters and situations in this book are fictional and any<br/>
similarity to actual persons or places is purely coincidental.</p>
<p>Permission to use some of the refrains from the ballad:</p>
<p>THE CYCLOTRONIST'S NIGHTMARE</p>
<p>by Arthur Roberts<br/>
of<br/>
The State University of Iowa<br/>
was graciously granted, and is hereby acknowledged<br/>
with sincere appreciation.</p>
<p>Cover by Malcolm Smith</p>
<p><i>Copyright 1950, Century Publications</i></p>
<p>[Transcriber's Note: Extensive research did not uncover any<br/>
evidence that the U.S. copyright on this publication was renewed.]</p>
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<h2>CONTENTS</h2>
<div class="center">
<table border="0" cellpadding="4" cellspacing="0" summary="Contents">
<tr><td align="left"><SPAN href="#CHAPTER_1">CHAPTER 1</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_2">CHAPTER 2</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_3">CHAPTER 3</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_4">CHAPTER 4</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_5">CHAPTER 5</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_6">CHAPTER 6</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_7">CHAPTER 7</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_8">CHAPTER 8</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_9">CHAPTER 9</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_10">CHAPTER 10</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_11">CHAPTER 11</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_12">CHAPTER 12</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_13">CHAPTER 13</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_14">CHAPTER 14</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_15">CHAPTER 15</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_16">CHAPTER 16</SPAN></td></tr>
<tr><td align="left"><SPAN href="#CHAPTER_17">CHAPTER 17</SPAN></td></tr>
</table></div>
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<h2><SPAN name="CHAPTER_1" id="CHAPTER_1">CHAPTER 1</SPAN></h2>
<p>Paul Grayson walked the city street slowly. He was sauntering towards
the spaceport, but he was in no hurry. He had allowed himself plenty of
time to breathe the fresh spring air, to listen to the myriad of sounds
made by his fellow men, and to revel in the grand freedom that being
out in the open gave him. Soon enough he would be breathing canned air,
pungent with the odor of compressor oil and the tang of the greenery
used to replenish the oxygen, unable to walk freely more than a few
dozen steps, and unable to see what lies beyond his viewports.</p>
<p>Occasionally his eyes looked along the low southern sky towards Alpha
Centauri. Proxima, of course, could not be resolved by the naked eye,
much less the stinking little overheated mote that rotated about
Proxima. Obviously unfit for human life and patently incapable of
spawning life of its own, it was Paul Grayson's destination, and would
be his home for a few days or a few weeks depending entirely upon
whether things went good or bad.</p>
<p>Only during the last four out of two thousand millions of years of its
life had this planet been useful. Man needed a place to stand; not
to move the earth with Archimedes's lever but to survey the galaxy.
Proxima Centauri I was the only planet in the trinary and as bad as it
was, it was useful for a space station.</p>
<p>In an hour, Paul Grayson would be locked in a capsule of metal hurling
himself through space towards Proxima I. He was looking forward to ten
days cooped up in a spacecraft of the type furnished by the Bureau of
Astrogation to its engineers which was a far cry from the sumptuous
craft run by the Big Brass. His confines would be lined with functional
scientific equipment; his air supply would be medically acceptable but
aesthetically horrible; and his vision limited to the cabin, for beyond
the viewports would be only the formless, endless, abysmal blackness of
absolutely nothing while the ship mounted into multiples of the speed
of light.</p>
<p>Then days in a building filled to the dome with power equipment and
radio gear; timing mechanism and recorders; and a refrigerator set-up
that struggled with the awesome heat poured into Proxima I by its
close-by luminary but which succeeded only in lowering the temperature
to the point where the potting compound in the transformers did not run
out, where the calibrating resistors would not change their values,
where the recording machines would still make a record.</p>
<p>And then again more days in the ship before it returned to earth. Call
it thirty days and understand why Paul Grayson sauntered along killing
time in the fresh air before taking off.</p>
<p>Paul grinned. Four years ago he had arrived a full hour early and
wasted the hour in the smelly ship instead of filling his lungs with
clean fresh air. Never again. He would arrive a full five minutes
before check-in time.</p>
<p>He heard some radio music, its tone stripped of high frequencies from
its passage through the slit of a partially-opened window. He sniffed
the air and laughed because someone was cooking corned beef and
cabbage. Then he was out of the range of the radio music. Paul liked
music. He hummed a tune as he walked, and then as the fancy struck him,
he started to sing. It was faint singing; it would not have carried
more than a few feet, but it sufficed for Paul. It was a refrain from
an early atomic-age ballad:</p>
<div class="poetry">
<div class="stanza">
<div class="verse">"<i>Round and round and round go the deuterons</i></div>
<div class="verse"><i>Round and round the magnet swings them</i></div>
<div class="verse"><i>Round and round and round go the deuterons</i></div>
<div class="verse"><i>Smack! In the target goes the ion beam!</i>"</div>
</div></div>
<p>Paul stopped his song because the interesting click of high heels on
the sidewalk pointed to the approach of someone who might view <i>a
cappella</i> singing as an indication of inebriation.</p>
<p>She was coming towards him, walking on the same side of the sidewalk.
Her step was quick and lithe, and the slight breeze outlined her frock
against her body, revealing and at the same time concealing just enough
to quicken the pulse and awaken the interest. Paul was thirty and
unmarried, and experienced enough to catalogue her shrewdly.</p>
<p>No crude attempt at pick-up would work on this woman. She was sure
of herself and obviously could not want for admirers. It would take
careful strategy over a period of time to get to first base with a
woman like her; an inept campaigner would be called out on strikes. And
Paul Grayson had to be on the way to Centauri within the hour, which
automatically eliminated the initial step in any plausible scheme to
wrangle an introduction.</p>
<p>Paul Grayson grinned ruefully. It seemed to him that when he had hours
to spend and nothing to do, the streets were barren of presentable
women while the most interesting specimens of womanhood smiled and
offered their charms when he was en route towards some schedule that
could not be delayed.</p>
<p>This was woman enough to make a man forget his timetables—almost.</p>
<p>She came forward, her face lighted by the street lamp that Paul had
just passed. Blue-eyed and fair-skinned, her hurried route was on
collision course with his and with a minute shake of his head because
he had neither the time nor the inclination to attempt anything as
crude as striking up an acquaintance by barring her path, Paul angled
his course aside.</p>
<p>She angled too.</p>
<p>"Hello," she said brightly. "I thought you'd be along sooner."</p>
<p>Paul Grayson gulped. Obviously she mistook him for someone else and
a faint feeling of jealousy ran through him for the lucky man who
owned her affections. The street lamp behind him must have cast heavy
shadows across his face making identification difficult. He opened his
mouth to explain away the mistake, but the girl came up to him, hardly
slackening her pace until the last possible moment. Then instead of
speaking, Paul found his parted mouth met by hers. Her lips were warm.
Her arms came around him in a quick embrace, and his arms instinctively
closed about her waist.</p>
<p>Paul kissed back, cheerfully accepting the pleasure of the error with a
sort of devilish glee.</p>
<p>Then he stepped back.</p>
<p>"I'm sorry," he said, "that I am not the guy you thought I was."</p>
<p>She looked up at him with a blink. Her expression changed to surprise,
and then her mouth opened in a scream as her eyes flicked away from him
and centered over his left shoulder.</p>
<p>Paul started to whirl, but someone dropped the north pole on the back
of his skull. It chilled him completely. Her scream rang in his ears
as he fell forward. Vaguely he felt the silk of her dress against his
outstretched hands, and then against his cheek just before the sidewalk
rose up to grind against his face. Something pulled at his coat.</p>
<p>Then he felt nothing more. Only the frightened scream of the woman that
rang in his ears, shrill, angry, fearful, and never ending——</p>
<p>----until Paul realized that the siren wail was not her scream but the
ringing of his own ears, and that the girl was sitting a-sprawl on the
sidewalk with his head between her thighs. She was rubbing the nape of
his neck with her fingertips, quietly erasing the pain bit by bit.</p>
<p>The threshold of ringing in his ears diminished and his field of vision
increased as the darting lights went away, and Paul Grayson then could
hear the sound of running feet and the babble of voices.</p>
<p>"What happened?"</p>
<p>"This man was clipped by a thug."</p>
<p>"You saw it?" came the voices in a mad garble of scrambled speeches.</p>
<p>"Right in front of my eyes."</p>
<p>The babble broke into many and varied subjects. Curiosity, both morbid
and Samaritan; anger both righteous and superficial, but both directed
at the things that make such happenings possible; suggestions both
sensible and absurd, and offers both welcome and ridiculous.</p>
<p>Paul groaned and tried to lift his hand to the raw spot on his chin
where the sidewalk had removed some hide.</p>
<p>The woman looked down at him and smiled in a wan, apprehensive manner.
"You're all right?"</p>
<p>Paul struggled to sit up and made it with her help. The wave of pain
rose and localized in his head at about forty degrees right latitude.
It made him want to carry his head at an angle with his neck ducked
down below the level of the knot of pain. Hands helped him to his feet,
led him across the sidewalk while he became stronger by the moment.</p>
<p>He shook his head to clear it and winced as the motion caused the knot
of pain to vibrate nastily. "What happened?" he asked in a quavering
voice. It sounded like someone else's voice to him, and surprised at
the sound of it he repeated the question. It still sounded like someone
else's voice and while he was wondering if his voice would sound like
that for the rest of his life, the girl explained what had happened.</p>
<p>Paul missed most of it, but then asked another question: "Did you see
him?"</p>
<p>"No," she said. Her voice was regretful, yet tinted with a dash of
amusement. "He sort of rose out of the shadow behind you—you're a
tall man, you know. All I saw was a ragged silhouette. He hit you. You
fell. I screamed. He grabbed at your wallet——" Her voice trailed away
unhappily.</p>
<p>Paul smiled. "Nothing in it but personal papers all replaceable. Not
more than a few dollars. I'd have handed it over rather than get this
clip on the skull. Too bad you couldn't see him."</p>
<p>The touch of amusement came again. "I had my eyes closed, sort of."</p>
<p>Paul smiled again. Inwardly he was welcoming the footpad to the
contents of his wallet and accepting the bop on the bean as the price
to pay for an introduction to the girl.</p>
<p>Someone in the crowd said: "You'd better come inside until you feel all
right."</p>
<p>Paul shook his head and was happy to find that the knot inside had
diminished to a faint pinpoint. His voice was sounding more like his
own, too. "I've got to go," he said.</p>
<p>"But——"</p>
<p>The wail of sirens came and a police car dashed to the curb. It spilled
policemen from all doors, who came warily. "What's going on here?"
demanded the sergeant.</p>
<p>Paul explained.</p>
<p>"You'd better come to the station and lodge a complaint."</p>
<p>Paul shook his head. "I'm Paul Grayson of the Bureau of Astrogation,"
he said. "I could prove it but the crook has my identification
papers. I'm due to take off for space within—" Paul looked at his
watch—"within forty minutes," he finished.</p>
<p>"We'll require a complaint."</p>
<p>"Can't you take it?" pleaded Paul. "Good Lord, man, I can't identify a
criminal that clipped me from behind. Hell, the only contact I had with
him was hitting the back of my head against his blackjack."</p>
<p>The sergeant looked at the woman. "You can't help?"</p>
<p>"Not much more. He was just a blurred shadow to me, he looked like any
other man wearing dark clothing—which can be changed all too easily."</p>
<p>The sergeant went to the police car and spoke to the main office over
the radio. He returned in a moment. "The lieutenant says we're to run
you over to the spaceport and take depositions en route. That'll save
time for you, and it will get the dope for our records that we must
have. You too, Miss—?"</p>
<p>"I'm Nora Phillips. I'll go along, of course. Will you have one of your
men keep an eye out for a tall man who should have been passing here
by now. He's overdue. He will be Tommy Morgan; we had a date but I
came out to meet him on his way to my home. Tell him what happened and
explain that I'll return home as soon as this matter is taken care of."</p>
<p>The sergeant smiled. "Toby, you take this stand and ask everybody that
comes along if he's Mr. Morgan. Then explain."</p>
<p>"Right."</p>
<p>The ride, so far as official information went, was strictly a waste of
time. Paul made a mental note of Nora Phillips' address and telephone
number and decided that the incident called for good reason to renew
the acquaintance. The sergeant made it easy by telling them: "When
you return from your trip, Mr. Grayson, I'll ask you to come in to
the station and make a formal complaint. You'll be there too, Miss
Phillips."</p>
<p>"I'll be glad to help," she told them. Then she turned to Paul. "You're
with Astrogation?"</p>
<p>He nodded.</p>
<p>"But why Proxima? I've heard it was a completely useless place."</p>
<p>Paul shook his head. "We want to measure the distance to better
accuracy than heliocentric parallax will permit us," he said. "We know
the speed of light to a fine decimal, and we can measure time to even
a finer degree. So we started a radio beam towards Centauri four years
ago, and it will be arriving in not-too-long a time. Then we'll have
the distance to a nice detail of perfection."</p>
<p>Nora thought for a moment. "I suppose you're ultimately aiming at
Neosol," she suggested.</p>
<p>"That's the idea."</p>
<p>"But Neosol is a hundred light years away—"</p>
<p>"One hundred and forty-three at the last count," Paul corrected.</p>
<p>"So it will take a hundred and forty—"</p>
<p>"No," he smiled. "Less than three years from now. You see, seven light
years is the greatest distance that separates the stars between here
and Neosol. We've got a nice network of radio beams criss-crossing the
pathway between here and Neosol. Oh," he admitted with a smile, "the
triangulation beams will be arriving from now until a hundred years
from now, but they're mostly check-beams, and the final beam from Earth
to Neoterra will take the full time. But in the meantime we can refine
our space charts using the network of beams once they start to arrive.
And each time one of the triangulation check-beams gets home, we'll be
able to refine the charts even more. But there's no sense in waiting
for a century and a half."</p>
<p>The sergeant looked at Paul. "You're certain you can fly with that bump
on the head?"</p>
<p>"Sure."</p>
<p>"Why not let someone else take it."</p>
<p>Paul shook his head. "It's my job," he said quickly.</p>
<p>"But there must be someone else that can do it. What if you died?"</p>
<p>"Oh, there are others trained in this sort of job in that case."</p>
<p>"Why not let one of them take it, then?"</p>
<p>Paul shook his head again. "I'm all right," he said. He realized that
his insistence was too vigorous and that his reasons were too lame.
But he could not let them know why it was so important that Paul
Grayson go in person. If Haedaecker got wind of what Paul carried in
his spacecraft, there would be hell to pay. He thought of a plausible
excuse. "Most of them aren't on earth right now."</p>
<p>"Couldn't you call one of them?"</p>
<p>Paul smiled ruefully. "They're outside of the solar system."</p>
<p>The sergeant nodded. "The Z-wave can't cross interstellar space," he
said. It was a statement thrown in to display his knowledge to the
technician from the Bureau of Astrogation, and also a leader for more
conversation.</p>
<p>Paul did not bite.</p>
<p>"That's Haedaecker's Theory," added the sergeant. "Isn't it?" he added
after another moment of silence.</p>
<p>"Haedaecker's Theory is that the Z-wave propagates only in a region
under the influence of solar activity," explained Paul. He looked out
of the police car and saw the spaceport only a few moments away. Then
he talked volubly to fill in the time so that he could be off without
further questioning. Haedaecker had plenty of evidence to support his
theory, but they all were missing one point that was as plain as the
nose on Haedaecker's face.</p>
<p>"We can talk with ease from the Zero Laboratory on Pluto to the Solar
Lab on Mercury, to the boys who are working in the poisonous atmosphere
of Jupiter, to the extra-terran paleontologists who are combing Venus,"
said Paul. "And the Radiation Laboratory sent a gang to try the five
planets of Sirius. Again they got the Z-wave working after a bit of
fiddling with the tuning. But we've not been able to get so much
as a whisper from Sol to Proxima Centauri via Z-wave. What started
Haedaecker thinking was the experiment they tried about ten years ago."
Paul went on before anybody could interrupt.</p>
<p>"No one can measure the velocity of the Z-wave, you know. So they
started a spacecraft running right away from Sol. So long as they
were within a fair radius, the Z-wave went both ways easily. But once
they went into superdrive and raced away from Sol and got out beyond
the orbit of Pluto by quite a bit, they lost contact completely. They
made some measurements but these were quite unsuccessful. All we know
is that we can use the Z-wave for speech for a long distance beyond
the orbit of Pluto, but beyond some distance that might lie between
ten times that orbit and—I think they tried it at a light month—the
Z-wave dies out abruptly. It falls off like a cliff, you know. There's
no apparent attenuation of the Z-wave so long as it is strong enough to
get there. Beyond that, there is not even the whisper of a signal. It's
a peculiar thing, but we know very little about the Z-wave, and—"</p>
<p>The driver brought the police car to a screeching halt. "Here you are,
folks," he chirped.</p>
<p>Paul got out of the car quickly. "I'll be back," he told the sergeant.
"I'll call you." And then to Nora Phillips he added, "I'll call you,
too."</p>
<p>"Do," she said pointedly. "I'd like to know more about the Z-wave."</p>
<p>Paul nodded amiably. He did not voice his inner thought: <i>So would I,
Baby!</i></p>
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