<h3 align="CENTER">Chapter 9</h3>
<p>Mrs. Wilcox cannot be accused of giving Margaret much
information about life. And Margaret, on the other hand, has
made a fair show of modesty, and has pretended to an inexperience
that she certainly did not feel. She had kept house for over ten
years; she had entertained, almost with distinction; she had
brought up a charming sister, and was bringing up a brother.
Surely, if experience is attainable, she had attained it.<br/>
Yet the little luncheon-party that she gave in Mrs. Wilcox's
honour was not a success. The new friend did not blend with the
"one or two delightful people" who had been asked to meet her,
and the atmosphere was one of polite bewilderment. Her tastes
were simple, her knowledge of culture slight, and she was not
interested in the New English Art Club, nor in the dividing-line
between Journalism and Literature, which was started as a
conversational hare. The delightful people darted after it with
cries of joy, Margaret leading them, and not till the meal was
half over did they realize that the principal guest had taken no
part in the chase. There was no common topic. Mrs. Wilcox,
whose life had been spent in the service of husband and sons, had
little to say to strangers who had never shared it, and whose age
was half her own. Clever talk alarmed her, and withered her
delicate imaginings; it was the social; counterpart of a
motorcar, all jerks, and she was a wisp of hay, a flower. Twice
she deplored the weather, twice criticized the train service on
the Great Northern Railway. They vigorously assented, and rushed
on, and when she inquired whether there was any news of Helen,
her hostess was too much occupied in placing Rothenstein to
answer. The question was repeated: "I hope that your sister is
safe in Germany by now." Margaret checked herself and said, "Yes,
thank you; I heard on Tuesday." But the demon of vociferation was
in her, and the next moment she was off again.<br/>
"Only on Tuesday, for they live right away at Stettin. Did
you ever know any one living at Stettin?"<br/>
"Never," said Mrs. Wilcox gravely, while her neighbour, a
young man low down in the Education Office, began to discuss what
people who lived at Stettin ought to look like. Was there such a
thing as Stettininity? Margaret swept on.<br/>
"People at Stettin drop things into boats out of overhanging
warehouses. At least, our cousins do, but aren't particularly
rich. The town isn't interesting, except for a clock that rolls
its eyes, and the view of the Oder, which truly is something
special. Oh, Mrs. Wilcox, you would love the Oder! The river,
or rather rivers--there seem to be dozens of them--are intense
blue, and the plain they run through an intensest green."<br/>
"Indeed! That sounds like a most beautiful view, Miss
Schlegel."<br/>
"So I say, but Helen, who will muddle things, says no, it's
like music. The course of the Oder is to be like music. It's
obliged to remind her of a symphonic poem. The part by the
landing-stage is in B minor, if I remember rightly, but lower
down things get extremely mixed. There is a slodgy theme in
several keys at once, meaning mud-banks, and another for the
navigable canal, and the exit into the Baltic is in C sharp
major, pianissimo."<br/>
"What do the overhanging warehouses make of that?" asked the
man, laughing.<br/>
"They make a great deal of it," replied Margaret,
unexpectedly rushing off on a new track. "I think it's
affectation to compare the Oder to music, and so do you, but the
overhanging warehouses of Stettin take beauty seriously, which we
don't, and the average Englishman doesn't, and despises all who
do. Now don't say 'Germans have no taste,' or I shall scream.
They haven't. But--but--such a tremendous but!--they take
poetry seriously. They do take poetry seriously.<br/>
"Is anything gained by that?"<br/>
"Yes, yes. The German is always on the lookout for beauty.
He may miss it through stupidity, or misinterpret it, but he is
always asking beauty to enter his life, and I believe that in the
end it will come. At Heidelberg I met a fat veterinary surgeon
whose voice broke with sobs as he repeated some mawkish poetry.
So easy for me to laugh--I, who never repeat poetry, good or bad,
and cannot remember one fragment of verse to thrill myself with.
My blood boils--well, I'm half German, so put it down to
patriotism--when I listen to the tasteful contempt of the average
islander for things Teutonic, whether they're Böcklin or my
veterinary surgeon. 'Oh, Böcklin,' they say; 'he strains
after beauty, he peoples Nature with gods too consciously.' Of
course Böcklin strains, because he wants something--beauty
and all the other intangible gifts that are floating about the
world. So his landscapes don't come off, and Leader's do."<br/>
"I am not sure that I agree. Do you?" said he, turning to
Mrs. Wilcox.<br/>
She replied: "I think Miss Schlegel puts everything
splendidly"; and a chill fell on the conversation.<br/>
"Oh, Mrs. Wilcox, say something nicer than that. It's such a
snub to be told you put things splendidly."<br/>
"I do not mean it as a snub. Your last speech interested me
so much. Generally people do not seem quite to like Germany. I
have long wanted to hear what is said on the other side."<br/>
"The other side? Then you do disagree. Oh, good! Give us
your side."<br/>
"I have no side. But my husband"--her voice softened, the
chill increased--"has very little faith in the Continent, and our
children have all taken after him."<br/>
"On what grounds? Do they feel that the Continent is in bad
form?"<br/>
Mrs. Wilcox had no idea; she paid little attention to
grounds. She was not intellectual, nor even alert, and it was
odd that, all the same, she should give the idea of greatness.
Margaret, zigzagging with her friends over Thought and Art, was
conscious of a personality that transcended their own and dwarfed
their activities. There was no bitterness in Mrs. Wilcox; there
was not even criticism; she was lovable, and no ungracious or
uncharitable word had passed her lips. Yet she and daily life
were out of focus: one or the other must show blurred. And at
lunch she seemed more out of focus than usual, and nearer the
line that divides life from a life that may be of greater
importance.<br/>
"You will admit, though, that the Continent--it seems silly
to speak of 'the Continent,' but really it is all more like
itself than any part of it is like England. England is unique.
Do have another jelly first. I was going to say that the
Continent, for good or for evil, is interested in ideas. Its
Literature and Art have what one might call the kink of the
unseen about them, and this persists even through decadence and
affectation. There is more liberty of action in England, but for
liberty of thought go to bureaucratic Prussia. People will there
discuss with humility vital questions that we here think
ourselves too good to touch with tongs."<br/>
"I do not want to go to Prussian" said Mrs. Wilcox--"not even
to see that interesting view that you were describing. And for
discussing with humility I am too old. We never discuss anything
at Howards End."<br/>
"Then you ought to!" said Margaret. "Discussion keeps a
house alive. It cannot stand by bricks and mortar alone."<br/>
"It cannot stand without them," said Mrs. Wilcox,
unexpectedly catching on to the thought, and rousing, for the
first and last time, a faint hope in the breasts of the
delightful people. "It cannot stand without them, and I
sometimes think--But I cannot expect your generation to agree,
for even my daughter disagrees with me here."<br/>
"Never mind us or her. Do say!"<br/>
"I sometimes think that it is wiser to leave action and
discussion to men."<br/>
There was a little silence.<br/>
"One admits that the arguments against the suffrage are
extraordinarily strong," said a girl opposite, leaning forward
and crumbling her bread.<br/>
"Are they? I never follow any arguments. I am only too
thankful not to have a vote myself."<br/>
"We didn't mean the vote, though, did we?" supplied
Margaret. "Aren't we differing on something much wider, Mrs.
Wilcox? Whether women are to remain what they have been since
the dawn of history; or whether, since men have moved forward so
far, they too may move forward a little now. I say they may. I
would even admit a biological change."<br/>
"I don't know, I don't know."<br/>
"I must be getting back to my overhanging warehouse," said
the man. "They've turned disgracefully strict.<br/>
Mrs. Wilcox also rose.<br/>
"Oh, but come upstairs for a little. Miss Quested plays. Do
you like MacDowell? Do you mind him only having two noises? If
you must really go, I'll see you out. Won't you even have
coffee?"<br/>
They left the dining-room, closing the door behind them, and
as Mrs. Wilcox buttoned up her jacket, she said: "What an
interesting life you all lead in London!"<br/>
"No, we don't," said Margaret, with a sudden revulsion. "We
lead the lives of gibbering monkeys. Mrs. Wilcox--really--We
have something quiet and stable at the bottom. We really have.
All my friends have. Don't pretend you enjoyed lunch, for you
loathed it, but forgive me by coming again, alone, or by asking
me to you."<br/>
"I am used to young people," said Mrs. Wilcox, and with each
word she spoke the outlines of known things grew dim. "I hear a
great deal of chatter at home, for we, like you, entertain a
great deal. With us it is more sport and politics, but--I
enjoyed my lunch very much, Miss Schlegel, dear, and am not
pretending, and only wish I could have joined in more. For one
thing, I'm not particularly well just today. For another, you
younger people move so quickly that it dazes me. Charles is the
same, Dolly the same. But we are all in the same boat, old and
young. I never forget that."<br/>
They were silent for a moment. Then, with a newborn emotion,
they shook hands. The conversation ceased suddenly when Margaret
re-entered the dining-room: her friends had been talking over her
new friend, and had dismissed her as uninteresting.</p>
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