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<h1> TWELVE STORIES AND A DREAM </h1>
<p><br/></p>
<h2> By H. G. Wells </h2>
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<h3> Contents </h3>
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<p><SPAN href="#link2H_4_0001"> 1. FILMER </SPAN></p>
<p><SPAN href="#link2H_4_0002"> 2. THE MAGIC SHOP </SPAN></p>
<p><SPAN href="#link2H_4_0003"> 3. THE VALLEY OF SPIDERS </SPAN></p>
<p><SPAN href="#link2H_4_0004"> 4. THE TRUTH ABOUT PYECRAFT </SPAN></p>
<p><SPAN href="#link2H_4_0005"> 5. MR. SKELMERSDALE IN FAIRYLAND </SPAN></p>
<p><SPAN href="#link2H_4_0006"> 6. THE STORY OF THE INEXPERIENCED GHOST</SPAN></p>
<p><SPAN href="#link2H_4_0007"> 7. JIMMY GOGGLES THE GOD </SPAN></p>
<p><SPAN href="#link2H_4_0008"> 8. THE NEW ACCELERATOR </SPAN></p>
<p><SPAN href="#link2H_4_0009"> 9. MR. LEDBETTER'S VACATION </SPAN></p>
<p><SPAN href="#link2H_4_0010"> 10. THE STOLEN BODY </SPAN></p>
<p><SPAN href="#link2H_4_0011"> 11. MR. BRISHER'S TREASURE </SPAN></p>
<p><SPAN href="#link2H_4_0012"> 12. MISS WINCHELSEA'S HEART </SPAN></p>
<p><SPAN href="#link2H_4_0013"> 13. A DREAM OF ARMAGEDDON </SPAN></p>
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<h2> 1. FILMER </h2>
<p>In truth the mastery of flying was the work of thousands of men—this
man a suggestion and that an experiment, until at last only one vigorous
intellectual effort was needed to finish the work. But the inexorable
injustice of the popular mind has decided that of all these thousands, one
man, and that a man who never flew, should be chosen as the discoverer,
just as it has chosen to honour Watt as the discoverer of steam and
Stephenson of the steam-engine. And surely of all honoured names none is
so grotesquely and tragically honoured as poor Filmer's, the timid,
intellectual creature who solved the problem over which the world had hung
perplexed and a little fearful for so many generations, the man who
pressed the button that has changed peace and warfare and well-nigh every
condition of human life and happiness. Never has that recurring wonder of
the littleness of the scientific man in the face of the greatness of his
science found such an amazing exemplification. Much concerning Filmer is,
and must remain, profoundly obscure—Filmers attract no Boswells—but
the essential facts and the concluding scene are clear enough, and there
are letters, and notes, and casual allusions to piece the whole together.
And this is the story one makes, putting this thing with that, of Filmer's
life and death.</p>
<p>The first authentic trace of Filmer on the page of history is a document
in which he applies for admission as a paid student in physics to the
Government laboratories at South Kensington, and therein he describes
himself as the son of a “military bootmaker” (“cobbler” in the vulgar
tongue) of Dover, and lists his various examination proofs of a high
proficiency in chemistry and mathematics. With a certain want of dignity
he seeks to enhance these attainments by a profession of poverty and
disadvantages, and he writes of the laboratory as the “gaol” of his
ambitions, a slip which reinforces his claim to have devoted himself
exclusively to the exact sciences. The document is endorsed in a manner
that shows Filmer was admitted to this coveted opportunity; but until
quite recently no traces of his success in the Government institution
could be found.</p>
<p>It has now, however, been shown that in spite of his professed zeal for
research, Filmer, before he had held this scholarship a year, was tempted,
by the possibility of a small increase in his immediate income, to abandon
it in order to become one of the nine-pence-an-hour computers employed by
a well-known Professor in his vicarious conduct of those extensive
researches of his in solar physics—researches which are still a
matter of perplexity to astronomers. Afterwards, for the space of seven
years, save for the pass lists of the London University, in which he is
seen to climb slowly to a double first class B.Sc., in mathematics and
chemistry, there is no evidence of how Filmer passed his life. No one
knows how or where he lived, though it seems highly probable that he
continued to support himself by teaching while he prosecuted the studies
necessary for this distinction. And then, oddly enough, one finds him
mentioned in the correspondence of Arthur Hicks, the poet.</p>
<p>“You remember Filmer,” Hicks writes to his friend Vance; “well, HE hasn't
altered a bit, the same hostile mumble and the nasty chin—how CAN a
man contrive to be always three days from shaving?—and a sort of
furtive air of being engaged in sneaking in front of one; even his coat
and that frayed collar of his show no further signs of the passing years.
He was writing in the library and I sat down beside him in the name of
God's charity, whereupon he deliberately insulted me by covering up his
memoranda. It seems he has some brilliant research on hand that he
suspects me of all people—with a Bodley Booklet a-printing!—of
stealing. He has taken remarkable honours at the University—he went
through them with a sort of hasty slobber, as though he feared I might
interrupt him before he had told me all—and he spoke of taking his
D.Sc. as one might speak of taking a cab. And he asked what I was doing—with
a sort of comparative accent, and his arm was spread nervously, positively
a protecting arm, over the paper that hid the precious idea—his one
hopeful idea.</p>
<p>“'Poetry,' he said, 'Poetry. And what do you profess to teach in it,
Hicks?'</p>
<p>“The thing's a Provincial professorling in the very act of budding, and I
thank the Lord devoutly that but for the precious gift of indolence I also
might have gone this way to D.Sc. and destruction...”</p>
<p>A curious little vignette that I am inclined to think caught Filmer in or
near the very birth of his discovery. Hicks was wrong in anticipating a
provincial professorship for Filmer. Our next glimpse of him is lecturing
on “rubber and rubber substitutes,” to the Society of Arts—he had
become manager to a great plastic-substance manufactory—and at that
time, it is now known, he was a member of the Aeronautical Society, albeit
he contributed nothing to the discussions of that body, preferring no
doubt to mature his great conception without external assistance. And
within two years of that paper before the Society of Arts he was hastily
taking out a number of patents and proclaiming in various undignified ways
the completion of the divergent inquiries which made his flying machine
possible. The first definite statement to that effect appeared in a
halfpenny evening paper through the agency of a man who lodged in the same
house with Filmer. His final haste after his long laborious secret
patience seems to have been due to a needless panic, Bootle, the notorious
American scientific quack, having made an announcement that Filmer
interpreted wrongly as an anticipation of his idea.</p>
<p>Now what precisely was Filmer's idea? Really a very simple one. Before his
time the pursuit of aeronautics had taken two divergent lines, and had
developed on the one hand balloons—large apparatus lighter than air,
easy in ascent, and comparatively safe in descent, but floating helplessly
before any breeze that took them; and on the other, flying machines that
flew only in theory—vast flat structures heavier than air, propelled
and kept up by heavy engines and for the most part smashing at the first
descent. But, neglecting the fact that the inevitable final collapse
rendered them impossible, the weight of the flying machines gave them this
theoretical advantage, that they could go through the air against a wind,
a necessary condition if aerial navigation was to have any practical
value. It is Filmer's particular merit that he perceived the way in which
the contrasted and hitherto incompatible merits of balloon and heavy
flying machine might be combined in one apparatus, which should be at
choice either heavier or lighter than air. He took hints from the
contractile bladders of fish and the pneumatic cavities of birds. He
devised an arrangement of contractile and absolutely closed balloons which
when expanded could lift the actual flying apparatus with ease, and when
retracted by the complicated “musculature” he wove about them, were
withdrawn almost completely into the frame; and he built the large
framework which these balloons sustained, of hollow, rigid tubes, the air
in which, by an ingenious contrivance, was automatically pumped out as the
apparatus fell, and which then remained exhausted so long as the aeronaut
desired. There were no wings or propellers to his machine, such as there
had been to all previous aeroplanes, and the only engine required was the
compact and powerful little appliance needed to contract the balloons. He
perceived that such an apparatus as he had devised might rise with frame
exhausted and balloons expanded to a considerable height, might then
contract its balloons and let the air into its frame, and by an adjustment
of its weights slide down the air in any desired direction. As it fell it
would accumulate velocity and at the same time lose weight, and the
momentum accumulated by its down-rush could be utilised by means of a
shifting of its weights to drive it up in the air again as the balloons
expanded. This conception, which is still the structural conception of all
successful flying machines, needed, however, a vast amount of toil upon
its details before it could actually be realised, and such toil Filmer—as
he was accustomed to tell the numerous interviewers who crowded upon him
in the heyday of his fame—“ungrudgingly and unsparingly gave.” His
particular difficulty was the elastic lining of the contractile balloon.
He found he needed a new substance, and in the discovery and manufacture
of that new substance he had, as he never failed to impress upon the
interviewers, “performed a far more arduous work than even in the actual
achievement of my seemingly greater discovery.”</p>
<p>But it must not be imagined that these interviews followed hard upon
Filmer's proclamation of his invention. An interval of nearly five years
elapsed during which he timidly remained at his rubber factory—he
seems to have been entirely dependent on his small income from this source—making
misdirected attempts to assure a quite indifferent public that he really
HAD invented what he had invented. He occupied the greater part of his
leisure in the composition of letters to the scientific and daily press,
and so forth, stating precisely the net result of his contrivances, and
demanding financial aid. That alone would have sufficed for the
suppression of his letters. He spent such holidays as he could arrange in
unsatisfactory interviews with the door-keepers of leading London papers—he
was singularly not adapted for inspiring hall-porters with confidence—and
he positively attempted to induce the War Office to take up his work with
him. There remains a confidential letter from Major-General Volleyfire to
the Earl of Frogs. “The man's a crank and a bounder to boot,” says the
Major-General in his bluff, sensible, army way, and so left it open for
the Japanese to secure, as they subsequently did, the priority in this
side of warfare—a priority they still to our great discomfort
retain.</p>
<p>And then by a stroke of luck the membrane Filmer had invented for his
contractile balloon was discovered to be useful for the valves of a new
oil-engine, and he obtained the means for making a trial model of his
invention. He threw up his rubber factory appointment, desisted from all
further writing, and, with a certain secrecy that seems to have been an
inseparable characteristic of all his proceedings, set to work upon the
apparatus. He seems to have directed the making of its parts and collected
most of it in a room in Shoreditch, but its final putting together was
done at Dymchurch, in Kent. He did not make the affair large enough to
carry a man, but he made an extremely ingenious use of what were then
called the Marconi rays to control its flight. The first flight of this
first practicable flying machine took place over some fields near Burford
Bridge, near Hythe, in Kent, and Filmer followed and controlled its flight
upon a specially constructed motor tricycle.</p>
<p>The flight was, considering all things, an amazing success. The apparatus
was brought in a cart from Dymchurch to Burford Bridge, ascended there to
a height of nearly three hundred feet, swooped thence very nearly back to
Dymchurch, came about in its sweep, rose again, circled, and finally sank
uninjured in a field behind the Burford Bridge Inn. At its descent a
curious thing happened. Filmer got off his tricycle, scrambled over the
intervening dyke, advanced perhaps twenty yards towards his triumph, threw
out his arms in a strange gesticulation, and fell down in a dead faint.
Every one could then recall the ghastliness of his features and all the
evidences of extreme excitement they had observed throughout the trial,
things they might otherwise have forgotten. Afterwards in the inn he had
an unaccountable gust of hysterical weeping.</p>
<p>Altogether there were not twenty witnesses of this affair, and those for
the most part uneducated men. The New Romney doctor saw the ascent but not
the descent, his horse being frightened by the electrical apparatus on
Filmer's tricycle and giving him a nasty spill. Two members of the Kent
constabulary watched the affair from a cart in an unofficial spirit, and a
grocer calling round the Marsh for orders and two lady cyclists seem
almost to complete the list of educated people. There were two reporters
present, one representing a Folkestone paper and the other being a
fourth-class interviewer and “symposium” journalist, whose expenses down,
Filmer, anxious as ever for adequate advertisement—and now quite
realising the way in which adequate advertisement may be obtained—had
paid. The latter was one of those writers who can throw a convincing air
of unreality over the most credible events, and his half-facetious account
of the affair appeared in the magazine page of a popular journal. But,
happily for Filmer, this person's colloquial methods were more convincing.
He went to offer some further screed upon the subject to Banghurst, the
proprietor of the New Paper, and one of the ablest and most unscrupulous
men in London journalism, and Banghurst instantly seized upon the
situation. The interviewer vanishes from the narrative, no doubt very
doubtfully remunerated, and Banghurst, Banghurst himself, double chin,
grey twill suit, abdomen, voice, gestures and all, appears at Dymchurch,
following his large, unrivalled journalistic nose. He had seen the whole
thing at a glance, just what it was and what it might be.</p>
<p>At his touch, as it were, Filmer's long-pent investigations exploded into
fame. He instantly and most magnificently was a Boom. One turns over the
files of the journals of the year 1907 with a quite incredulous
recognition of how swift and flaming the boom of those days could be. The
July papers know nothing of flying, see nothing in flying, state by a most
effective silence that men never would, could or should fly. In August
flying and Filmer and flying and parachutes and aerial tactics and the
Japanese Government and Filmer and again flying, shouldered the war in
Yunnan and the gold mines of Upper Greenland off the leading page. And
Banghurst had given ten thousand pounds, and, further, Banghurst was
giving five thousand pounds, and Banghurst had devoted his well-known,
magnificent (but hitherto sterile) private laboratories and several acres
of land near his private residence on the Surrey hills to the strenuous
and violent completion—Banghurst fashion—of the life-size
practicable flying machine. Meanwhile, in the sight of privileged
multitudes in the walled-garden of the Banghurst town residence in Fulham,
Filmer was exhibited at weekly garden parties putting the working model
through its paces. At enormous initial cost, but with a final profit, the
New Paper presented its readers with a beautiful photographic souvenir of
the first of these occasions.</p>
<p>Here again the correspondence of Arthur Hicks and his friend Vance comes
to our aid.</p>
<p>“I saw Filmer in his glory,” he writes, with just the touch of envy
natural to his position as a poet passe. “The man is brushed and shaved,
dressed in the fashion of a Royal-Institution-Afternoon Lecturer, the very
newest shape in frock-coats and long patent shoes, and altogether in a
state of extraordinary streakiness between an owlish great man and a
scared abashed self-conscious bounder cruelly exposed. He hasn't a touch
of colour in the skin of his face, his head juts forward, and those queer
little dark amber eyes of his watch furtively round him for his fame. His
clothes fit perfectly and yet sit upon him as though he had bought them
ready-made. He speaks in a mumble still, but he says, you perceive
indistinctly, enormous self-assertive things, he backs into the rear of
groups by instinct if Banghurst drops the line for a minute, and when he
walks across Banghurst's lawn one perceives him a little out of breath and
going jerky, and that his weak white hands are clenched. His is a state of
tension—horrible tension. And he is the Greatest Discoverer of This
or Any Age—the Greatest Discoverer of This or Any Age! What strikes
one so forcibly about him is that he didn't somehow quite expect it ever,
at any rate, not at all like this. Banghurst is about everywhere, the
energetic M.C. of his great little catch, and I swear he will have every
one down on his lawn there before he has finished with the engine; he had
bagged the prime minister yesterday, and he, bless his heart! didn't look
particularly outsize, on the very first occasion. Conceive it! Filmer! Our
obscure unwashed Filmer, the Glory of British science! Duchesses crowd
upon him, beautiful, bold peeresses say in their beautiful, clear loud
voices—have you noticed how penetrating the great lady is becoming
nowadays?—'Oh, Mr. Filmer, how DID you do it?'</p>
<p>“Common men on the edge of things are too remote for the answer. One
imagines something in the way of that interview, 'toil ungrudgingly and
unsparingly given, Madam, and, perhaps—I don't know—but
perhaps a little special aptitude.'”</p>
<p>So far Hicks, and the photographic supplement to the New Paper is in
sufficient harmony with the description. In one picture the machine swings
down towards the river, and the tower of Fulham church appears below it
through a gap in the elms, and in another, Filmer sits at his guiding
batteries, and the great and beautiful of the earth stand around him, with
Banghurst massed modestly but resolutely in the rear. The grouping is
oddly apposite. Occluding much of Banghurst, and looking with a pensive,
speculative expression at Filmer, stands the Lady Mary Elkinghorn, still
beautiful, in spite of the breath of scandal and her eight-and-thirty
years, the only person whose face does not admit a perception of the
camera that was in the act of snapping them all.</p>
<p>So much for the exterior facts of the story, but, after all, they are very
exterior facts. About the real interest of the business one is necessarily
very much in the dark. How was Filmer feeling at the time? How much was a
certain unpleasant anticipation present inside that very new and
fashionable frock-coat? He was in the halfpenny, penny, six-penny, and
more expensive papers alike, and acknowledged by the whole world as “the
Greatest Discoverer of This or Any Age.” He had invented a practicable
flying machine, and every day down among the Surrey hills the life-sized
model was getting ready. And when it was ready, it followed as a clear
inevitable consequence of his having invented and made it—everybody
in the world, indeed, seemed to take it for granted; there wasn't a gap
anywhere in that serried front of anticipation—that he would proudly
and cheerfully get aboard it, ascend with it, and fly.</p>
<p>But we know now pretty clearly that simple pride and cheerfulness in such
an act were singularly out of harmony with Filmer's private constitution.
It occurred to no one at the time, but there the fact is. We can guess
with some confidence now that it must have been drifting about in his mind
a great deal during the day, and, from a little note to his physician
complaining of persistent insomnia, we have the soundest reason for
supposing it dominated his nights,—the idea that it would be after
all, in spite of his theoretical security, an abominably sickening,
uncomfortable, and dangerous thing for him to flap about in nothingness a
thousand feet or so in the air. It must have dawned upon him quite early
in the period of being the Greatest Discoverer of This or Any Age, the
vision of doing this and that with an extensive void below. Perhaps
somewhen in his youth he had looked down a great height or fallen down in
some excessively uncomfortable way; perhaps some habit of sleeping on the
wrong side had resulted in that disagreeable falling nightmare one knows,
and given him his horror; of the strength of that horror there remains now
not a particle of doubt.</p>
<p>Apparently he had never weighed this duty of flying in his earlier days of
research; the machine had been his end, but now things were opening out
beyond his end, and particularly this giddy whirl up above there. He was a
Discoverer and he had Discovered. But he was not a Flying Man, and it was
only now that he was beginning to perceive clearly that he was expected to
fly. Yet, however much the thing was present in his mind he gave no
expression to it until the very end, and meanwhile he went to and fro from
Banghurst's magnificent laboratories, and was interviewed and lionised,
and wore good clothes, and ate good food, and lived in an elegant flat,
enjoying a very abundant feast of such good, coarse, wholesome Fame and
Success as a man, starved for all his years as he had been starved, might
be reasonably expected to enjoy.</p>
<p>After a time, the weekly gatherings in Fulham ceased. The model had failed
one day just for a moment to respond to Filmer's guidance, or he had been
distracted by the compliments of an archbishop. At any rate, it suddenly
dug its nose into the air just a little too steeply as the archbishop was
sailing through a Latin quotation for all the world like an archbishop in
a book, and it came down in the Fulham Road within three yards of a 'bus
horse. It stood for a second perhaps, astonishing and in its attitude
astonished, then it crumpled, shivered into pieces, and the 'bus horse was
incidentally killed.</p>
<p>Filmer lost the end of the archiepiscopal compliment. He stood up and
stared as his invention swooped out of sight and reach of him. His long,
white hands still gripped his useless apparatus. The archbishop followed
his skyward stare with an apprehension unbecoming in an archbishop.</p>
<p>Then came the crash and the shouts and uproar from the road to relieve
Filmer's tension. “My God!” he whispered, and sat down.</p>
<p>Every one else almost was staring to see where the machine had vanished,
or rushing into the house.</p>
<p>The making of the big machine progressed all the more rapidly for this.
Over its making presided Filmer, always a little slow and very careful in
his manner, always with a growing preoccupation in his mind. His care over
the strength and soundness of the apparatus was prodigious. The slightest
doubt, and he delayed everything until the doubtful part could be
replaced. Wilkinson, his senior assistant, fumed at some of these delays,
which, he insisted, were for the most part unnecessary. Banghurst
magnified the patient certitude of Filmer in the New Paper, and reviled it
bitterly to his wife, and MacAndrew, the second assistant, approved
Filmer's wisdom. “We're not wanting a fiasco, man,” said MacAndrew. “He's
perfectly well advised.”</p>
<p>And whenever an opportunity arose Filmer would expound to Wilkinson and
MacAndrew just exactly how every part of the flying machine was to be
controlled and worked, so that in effect they would be just as capable,
and even more capable, when at last the time came, of guiding it through
the skies.</p>
<p>Now I should imagine that if Filmer had seen fit at this stage to define
just what he was feeling, and to take a definite line in the matter of his
ascent, he might have escaped that painful ordeal quite easily. If he had
had it clearly in his mind he could have done endless things. He would
surely have found no difficulty with a specialist to demonstrate a weak
heart, or something gastric or pulmonary, to stand in his way—that
is the line I am astonished he did not take,—or he might, had he
been man enough, have declared simply and finally that he did not intend
to do the thing. But the fact is, though the dread was hugely present in
his mind, the thing was by no means sharp and clear. I fancy that all
through this period he kept telling himself that when the occasion came he
would find himself equal to it. He was like a man just gripped by a great
illness, who says he feels a little out of sorts, and expects to be better
presently. Meanwhile he delayed the completion of the machine, and let the
assumption that he was going to fly it take root and flourish exceedingly
about him. He even accepted anticipatory compliments on his courage. And,
barring this secret squeamishness, there can be no doubt he found all the
praise and distinction and fuss he got a delightful and even intoxicating
draught.</p>
<p>The Lady Mary Elkinghorn made things a little more complicated for him.</p>
<p>How THAT began was a subject of inexhaustible speculation to Hicks.
Probably in the beginning she was just a little “nice” to him with that
impartial partiality of hers, and it may be that to her eyes, standing out
conspicuously as he did ruling his monster in the upper air, he had a
distinction that Hicks was not disposed to find. And somehow they must
have had a moment of sufficient isolation, and the great Discoverer a
moment of sufficient courage for something just a little personal to be
mumbled or blurted. However it began, there is no doubt that it did begin,
and presently became quite perceptible to a world accustomed to find in
the proceedings of the Lady Mary Elkinghorn a matter of entertainment. It
complicated things, because the state of love in such a virgin mind as
Filmer's would brace his resolution, if not sufficiently, at any rate
considerably towards facing a danger he feared, and hampered him in such
attempts at evasion as would otherwise be natural and congenial.</p>
<p>It remains a matter for speculation just how the Lady Mary felt for Filmer
and just what she thought of him. At thirty-eight one may have gathered
much wisdom and still be not altogether wise, and the imagination still
functions actively enough in creating glamours and effecting the
impossible. He came before her eyes as a very central man, and that always
counts, and he had powers, unique powers as it seemed, at any rate in the
air. The performance with the model had just a touch of the quality of a
potent incantation, and women have ever displayed an unreasonable
disposition to imagine that when a man has powers he must necessarily have
Power. Given so much, and what was not good in Filmer's manner and
appearance became an added merit. He was modest, he hated display, but
given an occasion where TRUE qualities are needed, then—then one
would see!</p>
<p>The late Mrs. Bampton thought it wise to convey to Lady Mary her opinion
that Filmer, all things considered, was rather a “grub.” “He's certainly
not a sort of man I have ever met before,” said the Lady Mary, with a
quite unruffled serenity. And Mrs. Bampton, after a swift, imperceptible
glance at that serenity, decided that so far as saying anything to Lady
Mary went, she had done as much as could be expected of her. But she said
a great deal to other people.</p>
<p>And at last, without any undue haste or unseemliness, the day dawned, the
great day, when Banghurst had promised his public—the world in fact—that
flying should be finally attained and overcome. Filmer saw it dawn,
watched even in the darkness before it dawned, watched its stars fade and
the grey and pearly pinks give place at last to the clear blue sky of a
sunny, cloudless day. He watched it from the window of his bedroom in the
new-built wing of Banghurst's Tudor house. And as the stars were
overwhelmed and the shapes and substances of things grew into being out of
the amorphous dark, he must have seen more and more distinctly the festive
preparations beyond the beech clumps near the green pavilion in the outer
park, the three stands for the privileged spectators, the raw, new fencing
of the enclosure, the sheds and workshops, the Venetian masts and
fluttering flags that Banghurst had considered essential, black and limp
in the breezeless dawn, and amidst all these things a great shape covered
with tarpauling. A strange and terrible portent for humanity was that
shape, a beginning that must surely spread and widen and change and
dominate all the affairs of men, but to Filmer it is very doubtful whether
it appeared in anything but a narrow and personal light. Several people
heard him pacing in the small hours—for the vast place was packed
with guests by a proprietor editor who, before all understood compression.
And about five o'clock, if not before, Filmer left his room and wandered
out of the sleeping house into the park, alive by that time with sunlight
and birds and squirrels and the fallow deer. MacAndrew, who was also an
early riser, met him near the machine, and they went and had a look at it
together.</p>
<p>It is doubtful if Filmer took any breakfast, in spite of the urgency of
Banghurst. So soon as the guests began to be about in some number he seems
to have retreated to his room. Thence about ten he went into the
shrubbery, very probably because he had seen the Lady Mary Elkinghorn
there. She was walking up and down, engaged in conversation with her old
school friend, Mrs. Brewis-Craven, and although Filmer had never met the
latter lady before, he joined them and walked beside them for some time.
There were several silences in spite of the Lady Mary's brilliance. The
situation was a difficult one, and Mrs. Brewis-Craven did not master its
difficulty. “He struck me,” she said afterwards with a luminous
self-contradiction, “as a very unhappy person who had something to say,
and wanted before all things to be helped to say it. But how was one to
help him when one didn't know what it was?”</p>
<p>At half-past eleven the enclosures for the public in the outer park were
crammed, there was an intermittent stream of equipages along the belt
which circles the outer park, and the house party was dotted over the lawn
and shrubbery and the corner of the inner park, in a series of brilliantly
attired knots, all making for the flying machine. Filmer walked in a group
of three with Banghurst, who was supremely and conspicuously happy, and
Sir Theodore Hickle, the president of the Aeronautical Society. Mrs.
Banghurst was close behind with the Lady Mary Elkinghorn, Georgina Hickle,
and the Dean of Stays. Banghurst was large and copious in speech, and such
interstices as he left were filled in by Hickle with complimentary remarks
to Filmer. And Filmer walked between them saying not a word except by way
of unavoidable reply. Behind, Mrs. Banghurst listened to the admirably
suitable and shapely conversation of the Dean with that fluttered
attention to the ampler clergy ten years of social ascent and ascendency
had not cured in her; and the Lady Mary watched, no doubt with an entire
confidence in the world's disillusionment, the drooping shoulders of the
sort of man she had never met before.</p>
<p>There was some cheering as the central party came into view of the
enclosures, but it was not very unanimous nor invigorating cheering. They
were within fifty yards of the apparatus when Filmer took a hasty glance
over his shoulder to measure the distance of the ladies behind them, and
decided to make the first remark he had initiated since the house had been
left. His voice was just a little hoarse, and he cut in on Banghurst in
mid-sentence on Progress.</p>
<p>“I say, Banghurst,” he said, and stopped.</p>
<p>“Yes,” said Banghurst.</p>
<p>“I wish—” He moistened his lips. “I'm not feeling well.”</p>
<p>Banghurst stopped dead. “Eh?” he shouted.</p>
<p>“A queer feeling.” Filmer made to move on, but Banghurst was immovable. “I
don't know. I may be better in a minute. If not—perhaps... MacAndrew—”</p>
<p>“You're not feeling WELL?” said Banghurst, and stared at his white face.</p>
<p>“My dear!” he said, as Mrs. Banghurst came up with them, “Filmer says he
isn't feeling WELL.”</p>
<p>“A little queer,” exclaimed Filmer, avoiding the Lady Mary's eyes. “It may
pass off—”</p>
<p>There was a pause.</p>
<p>It came to Filmer that he was the most isolated person in the world.</p>
<p>“In any case,” said Banghurst, “the ascent must be made. Perhaps if you
were to sit down somewhere for a moment—”</p>
<p>“It's the crowd, I think,” said Filmer.</p>
<p>There was a second pause. Banghurst's eye rested in scrutiny on Filmer,
and then swept the sample of public in the enclosure.</p>
<p>“It's unfortunate,” said Sir Theodore Hickle; “but still—I suppose—Your
assistants—Of course, if you feel out of condition and disinclined—”</p>
<p>“I don't think Mr. Filmer would permit THAT for a moment,” said Lady Mary.</p>
<p>“But if Mr. Filmer's nerve is run—It might even be dangerous for him
to attempt—” Hickle coughed.</p>
<p>“It's just because it's dangerous,” began the Lady Mary, and felt she had
made her point of view and Filmer's plain enough.</p>
<p>Conflicting motives struggled for Filmer.</p>
<p>“I feel I ought to go up,” he said, regarding the ground. He looked up and
met the Lady Mary's eyes. “I want to go up,” he said, and smiled whitely
at her. He turned towards Banghurst. “If I could just sit down somewhere
for a moment out of the crowd and sun—”</p>
<p>Banghurst, at least, was beginning to understand the case. “Come into my
little room in the green pavilion,” he said. “It's quite cool there.” He
took Filmer by the arm.</p>
<p>Filmer turned his face to the Lady Mary Elkinghorn again. “I shall be all
right in five minutes,” he said. “I'm tremendously sorry—”</p>
<p>The Lady Mary Elkinghorn smiled at him. “I couldn't think—” he said
to Hickle, and obeyed the compulsion of Banghurst's pull.</p>
<p>The rest remained watching the two recede.</p>
<p>“He is so fragile,” said the Lady Mary.</p>
<p>“He's certainly a highly nervous type,” said the Dean, whose weakness it
was to regard the whole world, except married clergymen with enormous
families, as “neurotic.”</p>
<p>“Of course,” said Hickle, “it isn't absolutely necessary for him to go up
because he has invented—”</p>
<p>“How COULD he avoid it?” asked the Lady Mary, with the faintest shadow of
scorn.</p>
<p>“It's certainly most unfortunate if he's going to be ill now,” said Mrs.
Banghurst a little severely.</p>
<p>“He's not going to be ill,” said the Lady Mary, and certainly she had met
Filmer's eye.</p>
<p>“YOU'LL be all right,” said Banghurst, as they went towards the pavilion.
“All you want is a nip of brandy. It ought to be you, you know. You'll be—you'd
get it rough, you know, if you let another man—”</p>
<p>“Oh, I want to go,” said Filmer. “I shall be all right. As a matter of
fact I'm almost inclined NOW—. No! I think I'll have that nip of
brandy first.”</p>
<p>Banghurst took him into the little room and routed out an empty decanter.
He departed in search of a supply. He was gone perhaps five minutes.</p>
<p>The history of those five minutes cannot be written. At intervals Filmer's
face could be seen by the people on the easternmost of the stands erected
for spectators, against the window pane peering out, and then it would
recede and fade. Banghurst vanished shouting behind the grand stand, and
presently the butler appeared going pavilionward with a tray.</p>
<p>The apartment in which Filmer came to his last solution was a pleasant
little room very simply furnished with green furniture and an old bureau—for
Banghurst was simple in all his private ways. It was hung with little
engravings after Morland and it had a shelf of books. But as it happened,
Banghurst had left a rook rifle he sometimes played with on the top of the
desk, and on the corner of the mantelshelf was a tin with three or four
cartridges remaining in it. As Filmer went up and down that room wrestling
with his intolerable dilemma he went first towards the neat little rifle
athwart the blotting-pad and then towards the neat little red label</p>
<p>“.22 LONG.”</p>
<p>The thing must have jumped into his mind in a moment.</p>
<p>Nobody seems to have connected the report with him, though the gun, being
fired in a confined space, must have sounded loud, and there were several
people in the billiard-room, separated from him only by a lath-and-plaster
partition. But directly Banghurst's butler opened the door and smelt the
sour smell of the smoke, he knew, he says, what had happened. For the
servants at least of Banghurst's household had guessed something of what
was going on in Filmer's mind.</p>
<p>All through that trying afternoon Banghurst behaved as he held a man
should behave in the presence of hopeless disaster, and his guests for the
most part succeeded in not insisting upon the fact—though to conceal
their perception of it altogether was impossible—that Banghurst had
been pretty elaborately and completely swindled by the deceased. The
public in the enclosure, Hicks told me, dispersed “like a party that has
been ducking a welsher,” and there wasn't a soul in the train to London,
it seems, who hadn't known all along that flying was a quite impossible
thing for man. “But he might have tried it,” said many, “after carrying
the thing so far.”</p>
<p>In the evening, when he was comparatively alone, Banghurst broke down and
went on like a man of clay. I have been told he wept, which must have made
an imposing scene, and he certainly said Filmer had ruined his life, and
offered and sold the whole apparatus to MacAndrew for half-a-crown. “I've
been thinking—” said MacAndrew at the conclusion of the bargain, and
stopped.</p>
<p>The next morning the name of Filmer was, for the first time, less
conspicuous in the New Paper than in any other daily paper in the world.
The rest of the world's instructors, with varying emphasis, according to
their dignity and the degree of competition between themselves and the New
Paper, proclaimed the “Entire Failure of the New Flying Machine,” and
“Suicide of the Impostor.” But in the district of North Surrey the
reception of the news was tempered by a perception of unusual aerial
phenomena.</p>
<p>Overnight Wilkinson and MacAndrew had fallen into violent argument on the
exact motives of their principal's rash act.</p>
<p>“The man was certainly a poor, cowardly body, but so far as his science
went he was NO impostor,” said MacAndrew, “and I'm prepared to give that
proposition a very practical demonstration, Mr. Wilkinson, so soon as
we've got the place a little more to ourselves. For I've no faith in all
this publicity for experimental trials.”</p>
<p>And to that end, while all the world was reading of the certain failure of
the new flying machine, MacAndrew was soaring and curvetting with great
amplitude and dignity over the Epsom and Wimbledon divisions; and
Banghurst, restored once more to hope and energy, and regardless of public
security and the Board of Trade, was pursuing his gyrations and trying to
attract his attention, on a motor car and in his pyjamas—he had
caught sight of the ascent when pulling up the blind of his bedroom window—equipped,
among other things, with a film camera that was subsequently discovered to
be jammed. And Filmer was lying on the billiard table in the green
pavilion with a sheet about his body.</p>
<p><SPAN name="link2H_4_0002" id="link2H_4_0002"></SPAN></p>
<br/>
<h2> 2. THE MAGIC SHOP </h2>
<p>I had seen the Magic Shop from afar several times; I had passed it once or
twice, a shop window of alluring little objects, magic balls, magic hens,
wonderful cones, ventriloquist dolls, the material of the basket trick,
packs of cards that LOOKED all right, and all that sort of thing, but
never had I thought of going in until one day, almost without warning, Gip
hauled me by my finger right up to the window, and so conducted himself
that there was nothing for it but to take him in. I had not thought the
place was there, to tell the truth—a modest-sized frontage in Regent
Street, between the picture shop and the place where the chicks run about
just out of patent incubators, but there it was sure enough. I had fancied
it was down nearer the Circus, or round the corner in Oxford Street, or
even in Holborn; always over the way and a little inaccessible it had
been, with something of the mirage in its position; but here it was now
quite indisputably, and the fat end of Gip's pointing finger made a noise
upon the glass.</p>
<p>“If I was rich,” said Gip, dabbing a finger at the Disappearing Egg, “I'd
buy myself that. And that”—which was The Crying Baby, Very Human—“and
that,” which was a mystery, and called, so a neat card asserted, “Buy One
and Astonish Your Friends.”</p>
<p>“Anything,” said Gip, “will disappear under one of those cones. I have
read about it in a book.</p>
<p>“And there, dadda, is the Vanishing Halfpenny—, only they've put it
this way up so's we can't see how it's done.”</p>
<p>Gip, dear boy, inherits his mother's breeding, and he did not propose to
enter the shop or worry in any way; only, you know, quite unconsciously he
lugged my finger doorward, and he made his interest clear.</p>
<p>“That,” he said, and pointed to the Magic Bottle.</p>
<p>“If you had that?” I said; at which promising inquiry he looked up with a
sudden radiance.</p>
<p>“I could show it to Jessie,” he said, thoughtful as ever of others.</p>
<p>“It's less than a hundred days to your birthday, Gibbles,” I said, and
laid my hand on the door-handle.</p>
<p>Gip made no answer, but his grip tightened on my finger, and so we came
into the shop.</p>
<p>It was no common shop this; it was a magic shop, and all the prancing
precedence Gip would have taken in the matter of mere toys was wanting. He
left the burthen of the conversation to me.</p>
<p>It was a little, narrow shop, not very well lit, and the door-bell pinged
again with a plaintive note as we closed it behind us. For a moment or so
we were alone and could glance about us. There was a tiger in papier-mache
on the glass case that covered the low counter—a grave, kind-eyed
tiger that waggled his head in a methodical manner; there were several
crystal spheres, a china hand holding magic cards, a stock of magic
fish-bowls in various sizes, and an immodest magic hat that shamelessly
displayed its springs. On the floor were magic mirrors; one to draw you
out long and thin, one to swell your head and vanish your legs, and one to
make you short and fat like a draught; and while we were laughing at these
the shopman, as I suppose, came in.</p>
<p>At any rate, there he was behind the counter—a curious, sallow, dark
man, with one ear larger than the other and a chin like the toe-cap of a
boot.</p>
<p>“What can we have the pleasure?” he said, spreading his long, magic
fingers on the glass case; and so with a start we were aware of him.</p>
<p>“I want,” I said, “to buy my little boy a few simple tricks.”</p>
<p>“Legerdemain?” he asked. “Mechanical? Domestic?”</p>
<p>“Anything amusing?” said I.</p>
<p>“Um!” said the shopman, and scratched his head for a moment as if
thinking. Then, quite distinctly, he drew from his head a glass ball.
“Something in this way?” he said, and held it out.</p>
<p>The action was unexpected. I had seen the trick done at entertainments
endless times before—it's part of the common stock of conjurers—but
I had not expected it here.</p>
<p>“That's good,” I said, with a laugh.</p>
<p>“Isn't it?” said the shopman.</p>
<p>Gip stretched out his disengaged hand to take this object and found merely
a blank palm.</p>
<p>“It's in your pocket,” said the shopman, and there it was!</p>
<p>“How much will that be?” I asked.</p>
<p>“We make no charge for glass balls,” said the shopman politely. “We get
them,”—he picked one out of his elbow as he spoke—“free.” He
produced another from the back of his neck, and laid it beside its
predecessor on the counter. Gip regarded his glass ball sagely, then
directed a look of inquiry at the two on the counter, and finally brought
his round-eyed scrutiny to the shopman, who smiled.</p>
<p>“You may have those too,” said the shopman, “and, if you DON'T mind, one
from my mouth. SO!”</p>
<p>Gip counselled me mutely for a moment, and then in a profound silence put
away the four balls, resumed my reassuring finger, and nerved himself for
the next event.</p>
<p>“We get all our smaller tricks in that way,” the shopman remarked.</p>
<p>I laughed in the manner of one who subscribes to a jest. “Instead of going
to the wholesale shop,” I said. “Of course, it's cheaper.”</p>
<p>“In a way,” the shopman said. “Though we pay in the end. But not so
heavily—as people suppose.... Our larger tricks, and our daily
provisions and all the other things we want, we get out of that hat... And
you know, sir, if you'll excuse my saying it, there ISN'T a wholesale
shop, not for Genuine Magic goods, sir. I don't know if you noticed our
inscription—the Genuine Magic shop.” He drew a business-card from
his cheek and handed it to me. “Genuine,” he said, with his finger on the
word, and added, “There is absolutely no deception, sir.”</p>
<p>He seemed to be carrying out the joke pretty thoroughly, I thought.</p>
<p>He turned to Gip with a smile of remarkable affability. “You, you know,
are the Right Sort of Boy.”</p>
<p>I was surprised at his knowing that, because, in the interests of
discipline, we keep it rather a secret even at home; but Gip received it
in unflinching silence, keeping a steadfast eye on him.</p>
<p>“It's only the Right Sort of Boy gets through that doorway.”</p>
<p>And, as if by way of illustration, there came a rattling at the door, and
a squeaking little voice could be faintly heard. “Nyar! I WARN 'a go in
there, dadda, I WARN 'a go in there. Ny-a-a-ah!” and then the accents of a
down-trodden parent, urging consolations and propitiations. “It's locked,
Edward,” he said.</p>
<p>“But it isn't,” said I.</p>
<p>“It is, sir,” said the shopman, “always—for that sort of child,” and
as he spoke we had a glimpse of the other youngster, a little, white face,
pallid from sweet-eating and over-sapid food, and distorted by evil
passions, a ruthless little egotist, pawing at the enchanted pane. “It's
no good, sir,” said the shopman, as I moved, with my natural helpfulness,
doorward, and presently the spoilt child was carried off howling.</p>
<p>“How do you manage that?” I said, breathing a little more freely.</p>
<p>“Magic!” said the shopman, with a careless wave of the hand, and behold!
sparks of coloured fire flew out of his fingers and vanished into the
shadows of the shop.</p>
<p>“You were saying,” he said, addressing himself to Gip, “before you came
in, that you would like one of our 'Buy One and Astonish your Friends'
boxes?”</p>
<p>Gip, after a gallant effort, said “Yes.”</p>
<p>“It's in your pocket.”</p>
<p>And leaning over the counter—he really had an extraordinarily long
body—this amazing person produced the article in the customary
conjurer's manner. “Paper,” he said, and took a sheet out of the empty hat
with the springs; “string,” and behold his mouth was a string-box, from
which he drew an unending thread, which when he had tied his parcel he bit
off—and, it seemed to me, swallowed the ball of string. And then he
lit a candle at the nose of one of the ventriloquist's dummies, stuck one
of his fingers (which had become sealing-wax red) into the flame, and so
sealed the parcel. “Then there was the Disappearing Egg,” he remarked, and
produced one from within my coat-breast and packed it, and also The Crying
Baby, Very Human. I handed each parcel to Gip as it was ready, and he
clasped them to his chest.</p>
<p>He said very little, but his eyes were eloquent; the clutch of his arms
was eloquent. He was the playground of unspeakable emotions. These, you
know, were REAL Magics. Then, with a start, I discovered something moving
about in my hat—something soft and jumpy. I whipped it off, and a
ruffled pigeon—no doubt a confederate—dropped out and ran on
the counter, and went, I fancy, into a cardboard box behind the
papier-mache tiger.</p>
<p>“Tut, tut!” said the shopman, dexterously relieving me of my headdress;
“careless bird, and—as I live—nesting!”</p>
<p>He shook my hat, and shook out into his extended hand two or three eggs, a
large marble, a watch, about half-a-dozen of the inevitable glass balls,
and then crumpled, crinkled paper, more and more and more, talking all the
time of the way in which people neglect to brush their hats INSIDE as well
as out, politely, of course, but with a certain personal application. “All
sorts of things accumulate, sir.... Not YOU, of course, in particular....
Nearly every customer.... Astonishing what they carry about with them....”
The crumpled paper rose and billowed on the counter more and more and
more, until he was nearly hidden from us, until he was altogether hidden,
and still his voice went on and on. “We none of us know what the fair
semblance of a human being may conceal, sir. Are we all then no better
than brushed exteriors, whited sepulchres—”</p>
<p>His voice stopped—exactly like when you hit a neighbour's gramophone
with a well-aimed brick, the same instant silence, and the rustle of the
paper stopped, and everything was still....</p>
<p>“Have you done with my hat?” I said, after an interval.</p>
<p>There was no answer.</p>
<p>I stared at Gip, and Gip stared at me, and there were our distortions in
the magic mirrors, looking very rum, and grave, and quiet....</p>
<p>“I think we'll go now,” I said. “Will you tell me how much all this comes
to?....</p>
<p>“I say,” I said, on a rather louder note, “I want the bill; and my hat,
please.”</p>
<p>It might have been a sniff from behind the paper pile....</p>
<p>“Let's look behind the counter, Gip,” I said. “He's making fun of us.”</p>
<p>I led Gip round the head-wagging tiger, and what do you think there was
behind the counter? No one at all! Only my hat on the floor, and a common
conjurer's lop-eared white rabbit lost in meditation, and looking as
stupid and crumpled as only a conjurer's rabbit can do. I resumed my hat,
and the rabbit lolloped a lollop or so out of my way.</p>
<p>“Dadda!” said Gip, in a guilty whisper.</p>
<p>“What is it, Gip?” said I.</p>
<p>“I DO like this shop, dadda.”</p>
<p>“So should I,” I said to myself, “if the counter wouldn't suddenly extend
itself to shut one off from the door.” But I didn't call Gip's attention
to that. “Pussy!” he said, with a hand out to the rabbit as it came
lolloping past us; “Pussy, do Gip a magic!” and his eyes followed it as it
squeezed through a door I had certainly not remarked a moment before. Then
this door opened wider, and the man with one ear larger than the other
appeared again. He was smiling still, but his eye met mine with something
between amusement and defiance. “You'd like to see our show-room, sir,” he
said, with an innocent suavity. Gip tugged my finger forward. I glanced at
the counter and met the shopman's eye again. I was beginning to think the
magic just a little too genuine. “We haven't VERY much time,” I said. But
somehow we were inside the show-room before I could finish that.</p>
<p>“All goods of the same quality,” said the shopman, rubbing his flexible
hands together, “and that is the Best. Nothing in the place that isn't
genuine Magic, and warranted thoroughly rum. Excuse me, sir!”</p>
<p>I felt him pull at something that clung to my coat-sleeve, and then I saw
he held a little, wriggling red demon by the tail—the little
creature bit and fought and tried to get at his hand—and in a moment
he tossed it carelessly behind a counter. No doubt the thing was only an
image of twisted indiarubber, but for the moment—! And his gesture
was exactly that of a man who handles some petty biting bit of vermin. I
glanced at Gip, but Gip was looking at a magic rocking-horse. I was glad
he hadn't seen the thing. “I say,” I said, in an undertone, and indicating
Gip and the red demon with my eyes, “you haven't many things like THAT
about, have you?”</p>
<p>“None of ours! Probably brought it with you,” said the shopman—also
in an undertone, and with a more dazzling smile than ever. “Astonishing
what people WILL carry about with them unawares!” And then to Gip, “Do you
see anything you fancy here?”</p>
<p>There were many things that Gip fancied there.</p>
<p>He turned to this astonishing tradesman with mingled confidence and
respect. “Is that a Magic Sword?” he said.</p>
<p>“A Magic Toy Sword. It neither bends, breaks, nor cuts the fingers. It
renders the bearer invincible in battle against any one under eighteen.
Half-a-crown to seven and sixpence, according to size. These panoplies on
cards are for juvenile knights-errant and very useful—shield of
safety, sandals of swiftness, helmet of invisibility.”</p>
<p>“Oh, daddy!” gasped Gip.</p>
<p>I tried to find out what they cost, but the shopman did not heed me. He
had got Gip now; he had got him away from my finger; he had embarked upon
the exposition of all his confounded stock, and nothing was going to stop
him. Presently I saw with a qualm of distrust and something very like
jealousy that Gip had hold of this person's finger as usually he has hold
of mine. No doubt the fellow was interesting, I thought, and had an
interestingly faked lot of stuff, really GOOD faked stuff, still—</p>
<p>I wandered after them, saying very little, but keeping an eye on this
prestidigital fellow. After all, Gip was enjoying it. And no doubt when
the time came to go we should be able to go quite easily.</p>
<p>It was a long, rambling place, that show-room, a gallery broken up by
stands and stalls and pillars, with archways leading off to other
departments, in which the queerest-looking assistants loafed and stared at
one, and with perplexing mirrors and curtains. So perplexing, indeed, were
these that I was presently unable to make out the door by which we had
come.</p>
<p>The shopman showed Gip magic trains that ran without steam or clockwork,
just as you set the signals, and then some very, very valuable boxes of
soldiers that all came alive directly you took off the lid and said—.
I myself haven't a very quick ear and it was a tongue-twisting sound, but
Gip—he has his mother's ear—got it in no time. “Bravo!” said
the shopman, putting the men back into the box unceremoniously and handing
it to Gip. “Now,” said the shopman, and in a moment Gip had made them all
alive again.</p>
<p>“You'll take that box?” asked the shopman.</p>
<p>“We'll take that box,” said I, “unless you charge its full value. In which
case it would need a Trust Magnate—”</p>
<p>“Dear heart! NO!” and the shopman swept the little men back again, shut
the lid, waved the box in the air, and there it was, in brown paper, tied
up and—WITH GIP'S FULL NAME AND ADDRESS ON THE PAPER!</p>
<p>The shopman laughed at my amazement.</p>
<p>“This is the genuine magic,” he said. “The real thing.”</p>
<p>“It's a little too genuine for my taste,” I said again.</p>
<p>After that he fell to showing Gip tricks, odd tricks, and still odder the
way they were done. He explained them, he turned them inside out, and
there was the dear little chap nodding his busy bit of a head in the
sagest manner.</p>
<p>I did not attend as well as I might. “Hey, presto!” said the Magic
Shopman, and then would come the clear, small “Hey, presto!” of the boy.
But I was distracted by other things. It was being borne in upon me just
how tremendously rum this place was; it was, so to speak, inundated by a
sense of rumness. There was something a little rum about the fixtures
even, about the ceiling, about the floor, about the casually distributed
chairs. I had a queer feeling that whenever I wasn't looking at them
straight they went askew, and moved about, and played a noiseless
puss-in-the-corner behind my back. And the cornice had a serpentine design
with masks—masks altogether too expressive for proper plaster.</p>
<p>Then abruptly my attention was caught by one of the odd-looking
assistants. He was some way off and evidently unaware of my presence—I
saw a sort of three-quarter length of him over a pile of toys and through
an arch—and, you know, he was leaning against a pillar in an idle
sort of way doing the most horrid things with his features! The particular
horrid thing he did was with his nose. He did it just as though he was
idle and wanted to amuse himself. First of all it was a short, blobby
nose, and then suddenly he shot it out like a telescope, and then out it
flew and became thinner and thinner until it was like a long, red,
flexible whip. Like a thing in a nightmare it was! He flourished it about
and flung it forth as a fly-fisher flings his line.</p>
<p>My instant thought was that Gip mustn't see him. I turned about, and there
was Gip quite preoccupied with the shopman, and thinking no evil. They
were whispering together and looking at me. Gip was standing on a little
stool, and the shopman was holding a sort of big drum in his hand.</p>
<p>“Hide and seek, dadda!” cried Gip. “You're He!”</p>
<p>And before I could do anything to prevent it, the shopman had clapped the
big drum over him. I saw what was up directly. “Take that off,” I cried,
“this instant! You'll frighten the boy. Take it off!”</p>
<p>The shopman with the unequal ears did so without a word, and held the big
cylinder towards me to show its emptiness. And the little stool was
vacant! In that instant my boy had utterly disappeared?...</p>
<p>You know, perhaps, that sinister something that comes like a hand out of
the unseen and grips your heart about. You know it takes your common self
away and leaves you tense and deliberate, neither slow nor hasty, neither
angry nor afraid. So it was with me.</p>
<p>I came up to this grinning shopman and kicked his stool aside.</p>
<p>“Stop this folly!” I said. “Where is my boy?”</p>
<p>“You see,” he said, still displaying the drum's interior, “there is no
deception—-”</p>
<p>I put out my hand to grip him, and he eluded me by a dexterous movement. I
snatched again, and he turned from me and pushed open a door to escape.
“Stop!” I said, and he laughed, receding. I leapt after him—into
utter darkness.</p>
<p>THUD!</p>
<p>“Lor' bless my 'eart! I didn't see you coming, sir!”</p>
<p>I was in Regent Street, and I had collided with a decent-looking working
man; and a yard away, perhaps, and looking a little perplexed with
himself, was Gip. There was some sort of apology, and then Gip had turned
and come to me with a bright little smile, as though for a moment he had
missed me.</p>
<p>And he was carrying four parcels in his arm!</p>
<p>He secured immediate possession of my finger.</p>
<p>For the second I was rather at a loss. I stared round to see the door of
the magic shop, and, behold, it was not there! There was no door, no shop,
nothing, only the common pilaster between the shop where they sell
pictures and the window with the chicks!...</p>
<p>I did the only thing possible in that mental tumult; I walked straight to
the kerbstone and held up my umbrella for a cab.</p>
<p>“'Ansoms,” said Gip, in a note of culminating exultation.</p>
<p>I helped him in, recalled my address with an effort, and got in also.
Something unusual proclaimed itself in my tail-coat pocket, and I felt and
discovered a glass ball. With a petulant expression I flung it into the
street.</p>
<p>Gip said nothing.</p>
<p>For a space neither of us spoke.</p>
<p>“Dada!” said Gip, at last, “that WAS a proper shop!”</p>
<p>I came round with that to the problem of just how the whole thing had
seemed to him. He looked completely undamaged—so far, good; he was
neither scared nor unhinged, he was simply tremendously satisfied with the
afternoon's entertainment, and there in his arms were the four parcels.</p>
<p>Confound it! what could be in them?</p>
<p>“Um!” I said. “Little boys can't go to shops like that every day.”</p>
<p>He received this with his usual stoicism, and for a moment I was sorry I
was his father and not his mother, and so couldn't suddenly there, coram
publico, in our hansom, kiss him. After all, I thought, the thing wasn't
so very bad.</p>
<p>But it was only when we opened the parcels that I really began to be
reassured. Three of them contained boxes of soldiers, quite ordinary lead
soldiers, but of so good a quality as to make Gip altogether forget that
originally these parcels had been Magic Tricks of the only genuine sort,
and the fourth contained a kitten, a little living white kitten, in
excellent health and appetite and temper.</p>
<p>I saw this unpacking with a sort of provisional relief. I hung about in
the nursery for quite an unconscionable time....</p>
<p>That happened six months ago. And now I am beginning to believe it is all
right. The kitten had only the magic natural to all kittens, and the
soldiers seem as steady a company as any colonel could desire. And Gip—?</p>
<p>The intelligent parent will understand that I have to go cautiously with
Gip.</p>
<p>But I went so far as this one day. I said, “How would you like your
soldiers to come alive, Gip, and march about by themselves?”</p>
<p>“Mine do,” said Gip. “I just have to say a word I know before I open the
lid.”</p>
<p>“Then they march about alone?”</p>
<p>“Oh, QUITE, dadda. I shouldn't like them if they didn't do that.”</p>
<p>I displayed no unbecoming surprise, and since then I have taken occasion
to drop in upon him once or twice, unannounced, when the soldiers were
about, but so far I have never discovered them performing in anything like
a magical manner.</p>
<p>It's so difficult to tell.</p>
<p>There's also a question of finance. I have an incurable habit of paying
bills. I have been up and down Regent Street several times, looking for
that shop. I am inclined to think, indeed, that in that matter honour is
satisfied, and that, since Gip's name and address are known to them, I may
very well leave it to these people, whoever they may be, to send in their
bill in their own time.</p>
<p><SPAN name="link2H_4_0003" id="link2H_4_0003"></SPAN></p>
<br/>
<h2> 3. THE VALLEY OF SPIDERS </h2>
<p>Towards mid-day the three pursuers came abruptly round a bend in the
torrent bed upon the sight of a very broad and spacious valley. The
difficult and winding trench of pebbles along which they had tracked the
fugitives for so long, expanded to a broad slope, and with a common
impulse the three men left the trail, and rode to a little eminence set
with olive-dun trees, and there halted, the two others, as became them, a
little behind the man with the silver-studded bridle.</p>
<p>For a space they scanned the great expanse below them with eager eyes. It
spread remoter and remoter, with only a few clusters of sere thorn bushes
here and there, and the dim suggestions of some now waterless ravine, to
break its desolation of yellow grass. Its purple distances melted at last
into the bluish slopes of the further hills—hills it might be of a
greener kind—and above them invisibly supported, and seeming indeed
to hang in the blue, were the snowclad summits of mountains that grew
larger and bolder to the north-westward as the sides of the valley drew
together. And westward the valley opened until a distant darkness under
the sky told where the forests began. But the three men looked neither
east nor west, but only steadfastly across the valley.</p>
<p>The gaunt man with the scarred lip was the first to speak. “Nowhere,” he
said, with a sigh of disappointment in his voice. “But after all, they had
a full day's start.”</p>
<p>“They don't know we are after them,” said the little man on the white
horse.</p>
<p>“SHE would know,” said the leader bitterly, as if speaking to himself.</p>
<p>“Even then they can't go fast. They've got no beast but the mule, and all
to-day the girl's foot has been bleeding—-”</p>
<p>The man with the silver bridle flashed a quick intensity of rage on him.
“Do you think I haven't seen that?” he snarled.</p>
<p>“It helps, anyhow,” whispered the little man to himself.</p>
<p>The gaunt man with the scarred lip stared impassively. “They can't be over
the valley,” he said. “If we ride hard—”</p>
<p>He glanced at the white horse and paused.</p>
<p>“Curse all white horses!” said the man with the silver bridle, and turned
to scan the beast his curse included.</p>
<p>The little man looked down between the melancholy ears of his steed.</p>
<p>“I did my best,” he said.</p>
<p>The two others stared again across the valley for a space. The gaunt man
passed the back of his hand across the scarred lip.</p>
<p>“Come up!” said the man who owned the silver bridle, suddenly. The little
man started and jerked his rein, and the horse hoofs of the three made a
multitudinous faint pattering upon the withered grass as they turned back
towards the trail....</p>
<p>They rode cautiously down the long slope before them, and so came through
a waste of prickly, twisted bushes and strange dry shapes of horny
branches that grew amongst the rocks, into the levels below. And there the
trail grew faint, for the soil was scanty, and the only herbage was this
scorched dead straw that lay upon the ground. Still, by hard scanning, by
leaning beside the horses' necks and pausing ever and again, even these
white men could contrive to follow after their prey.</p>
<p>There were trodden places, bent and broken blades of the coarse grass, and
ever and again the sufficient intimation of a footmark. And once the
leader saw a brown smear of blood where the half-caste girl may have trod.
And at that under his breath he cursed her for a fool.</p>
<p>The gaunt man checked his leader's tracking, and the little man on the
white horse rode behind, a man lost in a dream. They rode one after
another, the man with the silver bridle led the way, and they spoke never
a word. After a time it came to the little man on the white horse that the
world was very still. He started out of his dream. Besides the little
noises of their horses and equipment, the whole great valley kept the
brooding quiet of a painted scene.</p>
<p>Before him went his master and his fellow, each intently leaning forward
to the left, each impassively moving with the paces of his horse; their
shadows went before them—still, noiseless, tapering attendants; and
nearer a crouched cool shape was his own. He looked about him. What was it
had gone? Then he remembered the reverberation from the banks of the gorge
and the perpetual accompaniment of shifting, jostling pebbles. And,
moreover—? There was no breeze. That was it! What a vast, still
place it was, a monotonous afternoon slumber. And the sky open and blank,
except for a sombre veil of haze that had gathered in the upper valley.</p>
<p>He straightened his back, fretted with his bridle, puckered his lips to
whistle, and simply sighed. He turned in his saddle for a time, and stared
at the throat of the mountain gorge out of which they had come. Blank!
Blank slopes on either side, with never a sign of a decent beast or tree—much
less a man. What a land it was! What a wilderness! He dropped again into
his former pose.</p>
<p>It filled him with a momentary pleasure to see a wry stick of purple black
flash out into the form of a snake, and vanish amidst the brown. After
all, the infernal valley WAS alive. And then, to rejoice him still more,
came a little breath across his face, a whisper that came and went, the
faintest inclination of a stiff black-antlered bush upon a little crest,
the first intimations of a possible breeze. Idly he wetted his finger, and
held it up.</p>
<p>He pulled up sharply to avoid a collision with the gaunt man, who had
stopped at fault upon the trail. Just at that guilty moment he caught his
master's eye looking towards him.</p>
<p>For a time he forced an interest in the tracking. Then, as they rode on
again, he studied his master's shadow and hat and shoulder, appearing and
disappearing behind the gaunt man's nearer contours. They had ridden four
days out of the very limits of the world into this desolate place, short
of water, with nothing but a strip of dried meat under their saddles, over
rocks and mountains, where surely none but these fugitives had ever been
before—for THAT!</p>
<p>And all this was for a girl, a mere wilful child! And the man had whole
cityfuls of people to do his basest bidding—girls, women! Why in the
name of passionate folly THIS one in particular? asked the little man, and
scowled at the world, and licked his parched lips with a blackened tongue.
It was the way of the master, and that was all he knew. Just because she
sought to evade him....</p>
<p>His eye caught a whole row of high plumed canes bending in unison, and
then the tails of silk that hung before his neck flapped and fell. The
breeze was growing stronger. Somehow it took the stiff stillness out of
things—and that was well.</p>
<p>“Hullo!” said the gaunt man.</p>
<p>All three stopped abruptly.</p>
<p>“What?” asked the master. “What?”</p>
<p>“Over there,” said the gaunt man, pointing up the valley.</p>
<p>“What?”</p>
<p>“Something coming towards us.”</p>
<p>And as he spoke a yellow animal crested a rise and came bearing down upon
them. It was a big wild dog, coming before the wind, tongue out, at a
steady pace, and running with such an intensity of purpose that he did not
seem to see the horsemen he approached. He ran with his nose up,
following, it was plain, neither scent nor quarry. As he drew nearer the
little man felt for his sword. “He's mad,” said the gaunt rider.</p>
<p>“Shout!” said the little man, and shouted.</p>
<p>The dog came on. Then when the little man's blade was already out, it
swerved aside and went panting by them and past. The eyes of the little
man followed its flight. “There was no foam,” he said. For a space the man
with the silver-studded bridle stared up the valley. “Oh, come on!” he
cried at last. “What does it matter?” and jerked his horse into movement
again.</p>
<p>The little man left the insoluble mystery of a dog that fled from nothing
but the wind, and lapsed into profound musings on human character. “Come
on!” he whispered to himself. “Why should it be given to one man to say
'Come on!' with that stupendous violence of effect. Always, all his life,
the man with the silver bridle has been saying that. If <i>I</i> said it—!”
thought the little man. But people marvelled when the master was disobeyed
even in the wildest things. This half-caste girl seemed to him, seemed to
every one, mad—blasphemous almost. The little man, by way of
comparison, reflected on the gaunt rider with the scarred lip, as stalwart
as his master, as brave and, indeed, perhaps braver, and yet for him there
was obedience, nothing but to give obedience duly and stoutly...</p>
<p>Certain sensations of the hands and knees called the little man back to
more immediate things. He became aware of something. He rode up beside his
gaunt fellow. “Do you notice the horses?” he said in an undertone.</p>
<p>The gaunt face looked interrogation.</p>
<p>“They don't like this wind,” said the little man, and dropped behind as
the man with the silver bridle turned upon him.</p>
<p>“It's all right,” said the gaunt-faced man.</p>
<p>They rode on again for a space in silence. The foremost two rode downcast
upon the trail, the hindmost man watched the haze that crept down the
vastness of the valley, nearer and nearer, and noted how the wind grew in
strength moment by moment. Far away on the left he saw a line of dark
bulks—wild hog perhaps, galloping down the valley, but of that he
said nothing, nor did he remark again upon the uneasiness of the horses.</p>
<p>And then he saw first one and then a second great white ball, a great
shining white ball like a gigantic head of thistle-down, that drove before
the wind athwart the path. These balls soared high in the air, and dropped
and rose again and caught for a moment, and hurried on and passed, but at
the sight of them the restlessness of the horses increased.</p>
<p>Then presently he saw that more of these drifting globes—and then
soon very many more—were hurrying towards him down the valley.</p>
<p>They became aware of a squealing. Athwart the path a huge boar rushed,
turning his head but for one instant to glance at them, and then hurling
on down the valley again. And at that, all three stopped and sat in their
saddles, staring into the thickening haze that was coming upon them.</p>
<p>“If it were not for this thistle-down—” began the leader.</p>
<p>But now a big globe came drifting past within a score of yards of them. It
was really not an even sphere at all, but a vast, soft, ragged, filmy
thing, a sheet gathered by the corners, an aerial jelly-fish, as it were,
but rolling over and over as it advanced, and trailing long, cobwebby
threads and streamers that floated in its wake.</p>
<p>“It isn't thistle-down,” said the little man.</p>
<p>“I don't like the stuff,” said the gaunt man.</p>
<p>And they looked at one another.</p>
<p>“Curse it!” cried the leader. “The air's full of it up there. If it keeps
on at this pace long, it will stop us altogether.”</p>
<p>An instinctive feeling, such as lines out a herd of deer at the approach
of some ambiguous thing, prompted them to turn their horses to the wind,
ride forward for a few paces, and stare at that advancing multitude of
floating masses. They came on before the wind with a sort of smooth
swiftness, rising and falling noiselessly, sinking to earth, rebounding
high, soaring—all with a perfect unanimity, with a still, deliberate
assurance.</p>
<p>Right and left of the horsemen the pioneers of this strange army passed.
At one that rolled along the ground, breaking shapelessly and trailing out
reluctantly into long grappling ribbons and bands, all three horses began
to shy and dance. The master was seized with a sudden unreasonable
impatience. He cursed the drifting globes roundly. “Get on!” he cried;
“get on! What do these things matter? How CAN they matter? Back to the
trail!” He fell swearing at his horse and sawed the bit across its mouth.</p>
<p>He shouted aloud with rage. “I will follow that trail, I tell you!” he
cried. “Where is the trail?”</p>
<p>He gripped the bridle of his prancing horse and searched amidst the grass.
A long and clinging thread fell across his face, a grey streamer dropped
about his bridle-arm, some big, active thing with many legs ran down the
back of his head. He looked up to discover one of those grey masses
anchored as it were above him by these things and flapping out ends as a
sail flaps when a boat comes, about—but noiselessly.</p>
<p>He had an impression of many eyes, of a dense crew of squat bodies, of
long, many-jointed limbs hauling at their mooring ropes to bring the thing
down upon him. For a space he stared up, reining in his prancing horse
with the instinct born of years of horsemanship. Then the flat of a sword
smote his back, and a blade flashed overhead and cut the drifting balloon
of spider-web free, and the whole mass lifted softly and drove clear and
away.</p>
<p>“Spiders!” cried the voice of the gaunt man. “The things are full of big
spiders! Look, my lord!”</p>
<p>The man with the silver bridle still followed the mass that drove away.</p>
<p>“Look, my lord!”</p>
<p>The master found himself staring down at a red, smashed thing on the
ground that, in spite of partial obliteration, could still wriggle
unavailing legs. Then when the gaunt man pointed to another mass that bore
down upon them, he drew his sword hastily. Up the valley now it was like a
fog bank torn to rags. He tried to grasp the situation.</p>
<p>“Ride for it!” the little man was shouting. “Ride for it down the valley.”</p>
<p>What happened then was like the confusion of a battle. The man with the
silver bridle saw the little man go past him slashing furiously at
imaginary cobwebs, saw him cannon into the horse of the gaunt man and hurl
it and its rider to earth. His own horse went a dozen paces before he
could rein it in. Then he looked up to avoid imaginary dangers, and then
back again to see a horse rolling on the ground, the gaunt man standing
and slashing over it at a rent and fluttering mass of grey that streamed
and wrapped about them both. And thick and fast as thistle-down on waste
land on a windy day in July, the cobweb masses were coming on.</p>
<p>The little man had dismounted, but he dared not release his horse. He was
endeavouring to lug the struggling brute back with the strength of one
arm, while with the other he slashed aimlessly, The tentacles of a second
grey mass had entangled themselves with the struggle, and this second grey
mass came to its moorings, and slowly sank.</p>
<p>The master set his teeth, gripped his bridle, lowered his head, and
spurred his horse forward. The horse on the ground rolled over, there were
blood and moving shapes upon the flanks, and the gaunt man, suddenly
leaving it, ran forward towards his master, perhaps ten paces. His legs
were swathed and encumbered with grey; he made ineffectual movements with
his sword. Grey streamers waved from him; there was a thin veil of grey
across his face. With his left hand he beat at something on his body, and
suddenly he stumbled and fell. He struggled to rise, and fell again, and
suddenly, horribly, began to howl, “Oh—ohoo, ohooh!”</p>
<p>The master could see the great spiders upon him, and others upon the
ground.</p>
<p>As he strove to force his horse nearer to this gesticulating, screaming
grey object that struggled up and down, there came a clatter of hoofs, and
the little man, in act of mounting, swordless, balanced on his belly
athwart the white horse, and clutching its mane, whirled past. And again a
clinging thread of grey gossamer swept across the master's face. All about
him, and over him, it seemed this drifting, noiseless cobweb circled and
drew nearer him....</p>
<p>To the day of his death he never knew just how the event of that moment
happened. Did he, indeed, turn his horse, or did it really of its own
accord stampede after its fellow? Suffice it that in another second he was
galloping full tilt down the valley with his sword whirling furiously
overhead. And all about him on the quickening breeze, the spiders'
airships, their air bundles and air sheets, seemed to him to hurry in a
conscious pursuit.</p>
<p>Clatter, clatter, thud, thud—the man with the silver bridle rode,
heedless of his direction, with his fearful face looking up now right, now
left, and his sword arm ready to slash. And a few hundred yards ahead of
him, with a tail of torn cobweb trailing behind him, rode the little man
on the white horse, still but imperfectly in the saddle. The reeds bent
before them, the wind blew fresh and strong, over his shoulder the master
could see the webs hurrying to overtake....</p>
<p>He was so intent to escape the spiders' webs that only as his horse
gathered together for a leap did he realise the ravine ahead. And then he
realised it only to misunderstand and interfere. He was leaning forward on
his horse's neck and sat up and back all too late.</p>
<p>But if in his excitement he had failed to leap, at any rate he had not
forgotten how to fall. He was horseman again in mid-air. He came off clear
with a mere bruise upon his shoulder, and his horse rolled, kicking
spasmodic legs, and lay still. But the master's sword drove its point into
the hard soil, and snapped clean across, as though Chance refused him any
longer as her Knight, and the splintered end missed his face by an inch or
so.</p>
<p>He was on his feet in a moment, breathlessly scanning the onrushing
spider-webs. For a moment he was minded to run, and then thought of the
ravine, and turned back. He ran aside once to dodge one drifting terror,
and then he was swiftly clambering down the precipitous sides, and out of
the touch of the gale.</p>
<p>There under the lee of the dry torrent's steeper banks he might crouch,
and watch these strange, grey masses pass and pass in safety till the wind
fell, and it became possible to escape. And there for a long time he
crouched, watching the strange, grey, ragged masses trail their streamers
across his narrowed sky.</p>
<p>Once a stray spider fell into the ravine close beside him—a full
foot it measured from leg to leg, and its body was half a man's hand—and
after he had watched its monstrous alacrity of search and escape for a
little while, and tempted it to bite his broken sword, he lifted up his
iron-heeled boot and smashed it into a pulp. He swore as he did so, and
for a time sought up and down for another.</p>
<p>Then presently, when he was surer these spider swarms could not drop into
the ravine, he found a place where he could sit down, and sat and fell
into deep thought and began after his manner to gnaw his knuckles and bite
his nails. And from this he was moved by the coming of the man with the
white horse.</p>
<p>He heard him long before he saw him, as a clattering of hoofs, stumbling
footsteps, and a reassuring voice. Then the little man appeared, a rueful
figure, still with a tail of white cobweb trailing behind him. They
approached each other without speaking, without a salutation. The little
man was fatigued and shamed to the pitch of hopeless bitterness, and came
to a stop at last, face to face with his seated master. The latter winced
a little under his dependant's eye. “Well?” he said at last, with no
pretence of authority.</p>
<p>“You left him?”</p>
<p>“My horse bolted.”</p>
<p>“I know. So did mine.”</p>
<p>He laughed at his master mirthlessly.</p>
<p>“I say my horse bolted,” said the man who once had a silver-studded
bridle.</p>
<p>“Cowards both,” said the little man.</p>
<p>The other gnawed his knuckle through some meditative moments, with his eye
on his inferior.</p>
<p>“Don't call me a coward,” he said at length.</p>
<p>“You are a coward like myself.”</p>
<p>“A coward possibly. There is a limit beyond which every man must fear.
That I have learnt at last. But not like yourself. That is where the
difference comes in.”</p>
<p>“I never could have dreamt you would have left him. He saved your life two
minutes before.... Why are you our lord?”</p>
<p>The master gnawed his knuckles again, and his countenance was dark.</p>
<p>“No man calls me a coward,” he said. “No. A broken sword is better than
none.... One spavined white horse cannot be expected to carry two men a
four days' journey. I hate white horses, but this time it cannot be
helped. You begin to understand me?... I perceive that you are minded, on
the strength of what you have seen and fancy, to taint my reputation. It
is men of your sort who unmake kings. Besides which—I never liked
you.”</p>
<p>“My lord!” said the little man.</p>
<p>“No,” said the master. “NO!”</p>
<p>He stood up sharply as the little man moved. For a minute perhaps they
faced one another. Overhead the spiders' balls went driving. There was a
quick movement among the pebbles; a running of feet, a cry of despair, a
gasp and a blow....</p>
<p>Towards nightfall the wind fell. The sun set in a calm serenity, and the
man who had once possessed the silver bridle came at last very cautiously
and by an easy slope out of the ravine again; but now he led the white
horse that once belonged to the little man. He would have gone back to his
horse to get his silver-mounted bridle again, but he feared night and a
quickening breeze might still find him in the valley, and besides he
disliked greatly to think he might discover his horse all swathed in
cobwebs and perhaps unpleasantly eaten.</p>
<p>And as he thought of those cobwebs and of all the dangers he had been
through, and the manner in which he had been preserved that day, his hand
sought a little reliquary that hung about his neck, and he clasped it for
a moment with heartfelt gratitude. As he did so his eyes went across the
valley.</p>
<p>“I was hot with passion,” he said, “and now she has met her reward. They
also, no doubt—”</p>
<p>And behold! Far away out of the wooded slopes across the valley, but in
the clearness of the sunset distinct and unmistakable, he saw a little
spire of smoke.</p>
<p>At that his expression of serene resignation changed to an amazed anger.
Smoke? He turned the head of the white horse about, and hesitated. And as
he did so a little rustle of air went through the grass about him. Far
away upon some reeds swayed a tattered sheet of grey. He looked at the
cobwebs; he looked at the smoke.</p>
<p>“Perhaps, after all, it is not them,” he said at last.</p>
<p>But he knew better.</p>
<p>After he had stared at the smoke for some time, he mounted the white
horse.</p>
<p>As he rode, he picked his way amidst stranded masses of web. For some
reason there were many dead spiders on the ground, and those that lived
feasted guiltily on their fellows. At the sound of his horse's hoofs they
fled.</p>
<p>Their time had passed. From the ground without either a wind to carry them
or a winding sheet ready, these things, for all their poison, could do him
little evil. He flicked with his belt at those he fancied came too near.
Once, where a number ran together over a bare place, he was minded to
dismount and trample them with his boots, but this impulse he overcame.
Ever and again he turned in his saddle, and looked back at the smoke.</p>
<p>“Spiders,” he muttered over and over again. “Spiders! Well, well.... The
next time I must spin a web.”</p>
<p><SPAN name="link2H_4_0004" id="link2H_4_0004"></SPAN></p>
<br/>
<h2> 4. THE TRUTH ABOUT PYECRAFT </h2>
<p>He sits not a dozen yards away. If I glance over my shoulder I can see
him. And if I catch his eye—and usually I catch his eye—it
meets me with an expression.</p>
<p>It is mainly an imploring look—and yet with suspicion in it.</p>
<p>Confound his suspicion! If I wanted to tell on him I should have told long
ago. I don't tell and I don't tell, and he ought to feel at his ease. As
if anything so gross and fat as he could feel at ease! Who would believe
me if I did tell?</p>
<p>Poor old Pyecraft! Great, uneasy jelly of substance! The fattest clubman
in London.</p>
<p>He sits at one of the little club tables in the huge bay by the fire,
stuffing. What is he stuffing? I glance judiciously and catch him biting
at a round of hot buttered tea-cake, with his eyes on me. Confound him!—with
his eyes on me!</p>
<p>That settles it, Pyecraft! Since you WILL be abject, since you WILL behave
as though I was not a man of honour, here, right under your embedded eyes,
I write the thing down—the plain truth about Pyecraft. The man I
helped, the man I shielded, and who has requited me by making my club
unendurable, absolutely unendurable, with his liquid appeal, with the
perpetual “don't tell” of his looks.</p>
<p>And, besides, why does he keep on eternally eating?</p>
<p>Well, here goes for the truth, the whole truth, and nothing but the truth!</p>
<p>Pyecraft—. I made the acquaintance of Pyecraft in this very
smoking-room. I was a young, nervous new member, and he saw it. I was
sitting all alone, wishing I knew more of the members, and suddenly he
came, a great rolling front of chins and abdomina, towards me, and grunted
and sat down in a chair close by me and wheezed for a space, and scraped
for a space with a match and lit a cigar, and then addressed me. I forget
what he said—something about the matches not lighting properly, and
afterwards as he talked he kept stopping the waiters one by one as they
went by, and telling them about the matches in that thin, fluty voice he
has. But, anyhow, it was in some such way we began our talking.</p>
<p>He talked about various things and came round to games. And thence to my
figure and complexion. “YOU ought to be a good cricketer,” he said. I
suppose I am slender, slender to what some people would call lean, and I
suppose I am rather dark, still—I am not ashamed of having a Hindu
great-grandmother, but, for all that, I don't want casual strangers to see
through me at a glance to HER. So that I was set against Pyecraft from the
beginning.</p>
<p>But he only talked about me in order to get to himself.</p>
<p>“I expect,” he said, “you take no more exercise than I do, and probably
you eat no less.” (Like all excessively obese people he fancied he ate
nothing.) “Yet,”—and he smiled an oblique smile—“we differ.”</p>
<p>And then he began to talk about his fatness and his fatness; all he did
for his fatness and all he was going to do for his fatness; what people
had advised him to do for his fatness and what he had heard of people
doing for fatness similar to his. “A priori,” he said, “one would think a
question of nutrition could be answered by dietary and a question of
assimilation by drugs.” It was stifling. It was dumpling talk. It made me
feel swelled to hear him.</p>
<p>One stands that sort of thing once in a way at a club, but a time came
when I fancied I was standing too much. He took to me altogether too
conspicuously. I could never go into the smoking-room but he would come
wallowing towards me, and sometimes he came and gormandised round and
about me while I had my lunch. He seemed at times almost to be clinging to
me. He was a bore, but not so fearful a bore as to be limited to me; and
from the first there was something in his manner—almost as though he
knew, almost as though he penetrated to the fact that I MIGHT—that
there was a remote, exceptional chance in me that no one else presented.</p>
<p>“I'd give anything to get it down,” he would say—“anything,” and
peer at me over his vast cheeks and pant.</p>
<p>Poor old Pyecraft! He has just gonged, no doubt to order another buttered
tea-cake!</p>
<p>He came to the actual thing one day. “Our Pharmacopoeia,” he said, “our
Western Pharmacopoeia, is anything but the last word of medical science.
In the East, I've been told—”</p>
<p>He stopped and stared at me. It was like being at an aquarium.</p>
<p>I was quite suddenly angry with him. “Look here,” I said, “who told you
about my great-grandmother's recipes?”</p>
<p>“Well,” he fenced.</p>
<p>“Every time we've met for a week,” I said, “and we've met pretty often—you've
given me a broad hint or so about that little secret of mine.”</p>
<p>“Well,” he said, “now the cat's out of the bag, I'll admit, yes, it is so.
I had it—”</p>
<p>“From Pattison?”</p>
<p>“Indirectly,” he said, which I believe was lying, “yes.”</p>
<p>“Pattison,” I said, “took that stuff at his own risk.”</p>
<p>He pursed his mouth and bowed.</p>
<p>“My great-grandmother's recipes,” I said, “are queer things to handle. My
father was near making me promise—”</p>
<p>“He didn't?”</p>
<p>“No. But he warned me. He himself used one—once.”</p>
<p>“Ah!... But do you think—? Suppose—suppose there did happen to
be one—”</p>
<p>“The things are curious documents,” I said.</p>
<p>“Even the smell of 'em.... No!”</p>
<p>But after going so far Pyecraft was resolved I should go farther. I was
always a little afraid if I tried his patience too much he would fall on
me suddenly and smother me. I own I was weak. But I was also annoyed with
Pyecraft. I had got to that state of feeling for him that disposed me to
say, “Well, TAKE the risk!” The little affair of Pattison to which I have
alluded was a different matter altogether. What it was doesn't concern us
now, but I knew, anyhow, that the particular recipe I used then was safe.
The rest I didn't know so much about, and, on the whole, I was inclined to
doubt their safety pretty completely.</p>
<p>Yet even if Pyecraft got poisoned—</p>
<p>I must confess the poisoning of Pyecraft struck me as an immense
undertaking.</p>
<p>That evening I took that queer, odd-scented sandalwood box out of my safe
and turned the rustling skins over. The gentleman who wrote the recipes
for my great-grandmother evidently had a weakness for skins of a
miscellaneous origin, and his handwriting was cramped to the last degree.
Some of the things are quite unreadable to me—though my family, with
its Indian Civil Service associations, has kept up a knowledge of
Hindustani from generation to generation—and none are absolutely
plain sailing. But I found the one that I knew was there soon enough, and
sat on the floor by my safe for some time looking at it.</p>
<p>“Look here,” said I to Pyecraft next day, and snatched the slip away from
his eager grasp.</p>
<p>“So far as I—can make it out, this is a recipe for Loss of Weight.
(“Ah!” said Pyecraft.) I'm not absolutely sure, but I think it's that. And
if you take my advice you'll leave it alone. Because, you know—I
blacken my blood in your interest, Pyecraft—my ancestors on that
side were, so far as I can gather, a jolly queer lot. See?”</p>
<p>“Let me try it,” said Pyecraft.</p>
<p>I leant back in my chair. My imagination made one mighty effort and fell
flat within me. “What in Heaven's name, Pyecraft,” I asked, “do you think
you'll look like when you get thin?”</p>
<p>He was impervious to reason. I made him promise never to say a word to me
about his disgusting fatness again whatever happened—never, and then
I handed him that little piece of skin.</p>
<p>“It's nasty stuff,” I said.</p>
<p>“No matter,” he said, and took it.</p>
<p>He goggled at it. “But—but—” he said.</p>
<p>He had just discovered that it wasn't English.</p>
<p>“To the best of my ability,” I said, “I will do you a translation.”</p>
<p>I did my best. After that we didn't speak for a fortnight. Whenever he
approached me I frowned and motioned him away, and he respected our
compact, but at the end of a fortnight he was as fat as ever. And then he
got a word in.</p>
<p>“I must speak,” he said. “It isn't fair. There's something wrong. It's
done me no good. You're not doing your great-grandmother justice.”</p>
<p>“Where's the recipe?”</p>
<p>He produced it gingerly from his pocket-book.</p>
<p>I ran my eye over the items. “Was the egg addled?” I asked.</p>
<p>“No. Ought it to have been?”</p>
<p>“That,” I said, “goes without saying in all my poor dear
great-grandmother's recipes. When condition or quality is not specified
you must get the worst. She was drastic or nothing.... And there's one or
two possible alternatives to some of these other things. You got FRESH
rattlesnake venom.”</p>
<p>“I got a rattlesnake from Jamrach's. It cost—it cost—”</p>
<p>“That's your affair, anyhow. This last item—”</p>
<p>“I know a man who—”</p>
<p>“Yes. H'm. Well, I'll write the alternatives down. So far as I know the
language, the spelling of this recipe is particularly atrocious.
By-the-bye, dog here probably means pariah dog.”</p>
<p>For a month after that I saw Pyecraft constantly at the club and as fat
and anxious as ever. He kept our treaty, but at times he broke the spirit
of it by shaking his head despondently. Then one day in the cloakroom he
said, “Your great-grandmother—”</p>
<p>“Not a word against her,” I said; and he held his peace.</p>
<p>I could have fancied he had desisted, and I saw him one day talking to
three new members about his fatness as though he was in search of other
recipes. And then, quite unexpectedly, his telegram came.</p>
<p>“Mr. Formalyn!” bawled a page-boy under my nose, and I took the telegram
and opened it at once.</p>
<p>“For Heaven's sake come.—Pyecraft.”</p>
<p>“H'm,” said I, and to tell the truth I was so pleased at the
rehabilitation of my great grandmother's reputation this evidently
promised that I made a most excellent lunch.</p>
<p>I got Pyecraft's address from the hall porter. Pyecraft inhabited the
upper half of a house in Bloomsbury, and I went there so soon as I had
done my coffee and Trappistine. I did not wait to finish my cigar.</p>
<p>“Mr. Pyecraft?” said I, at the front door.</p>
<p>They believed he was ill; he hadn't been out for two days.</p>
<p>“He expects me,” said I, and they sent me up.</p>
<p>I rang the bell at the lattice-door upon the landing.</p>
<p>“He shouldn't have tried it, anyhow,” I said to myself. “A man who eats
like a pig ought to look like a pig.”</p>
<p>An obviously worthy woman, with an anxious face and a carelessly placed
cap, came and surveyed me through the lattice.</p>
<p>I gave my name and she let me in in a dubious fashion.</p>
<p>“Well?” said I, as we stood together inside Pyecraft's piece of the
landing.</p>
<p>“'E said you was to come in if you came,” she said, and regarded me,
making no motion to show me anywhere. And then, confidentially, “'E's
locked in, sir.”</p>
<p>“Locked in?”</p>
<p>“Locked himself in yesterday morning and 'asn't let any one in since, sir.
And ever and again SWEARING. Oh, my!”</p>
<p>I stared at the door she indicated by her glances.</p>
<p>“In there?” I said.</p>
<p>“Yes, sir.”</p>
<p>“What's up?”</p>
<p>She shook her head sadly, “'E keeps on calling for vittles, sir. 'EAVY
vittles 'e wants. I get 'im what I can. Pork 'e's 'ad, sooit puddin',
sossiges, noo bread. Everythink like that. Left outside, if you please,
and me go away. 'E's eatin', sir, somethink AWFUL.”</p>
<p>There came a piping bawl from inside the door: “That Formalyn?”</p>
<p>“That you, Pyecraft?” I shouted, and went and banged the door.</p>
<p>“Tell her to go away.”</p>
<p>I did.</p>
<p>Then I could hear a curious pattering upon the door, almost like some one
feeling for the handle in the dark, and Pyecraft's familiar grunts.</p>
<p>“It's all right,” I said, “she's gone.”</p>
<p>But for a long time the door didn't open.</p>
<p>I heard the key turn. Then Pyecraft's voice said, “Come in.”</p>
<p>I turned the handle and opened the door. Naturally I expected to see
Pyecraft.</p>
<p>Well, you know, he wasn't there!</p>
<p>I never had such a shock in my life. There was his sitting-room in a state
of untidy disorder, plates and dishes among the books and writing things,
and several chairs overturned, but Pyecraft—</p>
<p>“It's all right, o' man; shut the door,” he said, and then I discovered
him.</p>
<p>There he was right up close to the cornice in the corner by the door, as
though some one had glued him to the ceiling. His face was anxious and
angry. He panted and gesticulated. “Shut the door,” he said. “If that
woman gets hold of it—”</p>
<p>I shut the door, and went and stood away from him and stared.</p>
<p>“If anything gives way and you tumble down,” I said, “you'll break your
neck, Pyecraft.”</p>
<p>“I wish I could,” he wheezed.</p>
<p>“A man of your age and weight getting up to kiddish gymnastics—”</p>
<p>“Don't,” he said, and looked agonised.</p>
<p>“I'll tell you,” he said, and gesticulated.</p>
<p>“How the deuce,” said I, “are you holding on up there?”</p>
<p>And then abruptly I realised that he was not holding on at all, that he
was floating up there—just as a gas-filled bladder might have
floated in the same position. He began a struggle to thrust himself away
from the ceiling and to clamber down the wall to me. “It's that
prescription,” he panted, as he did so. “Your great-gran—”</p>
<p>He took hold of a framed engraving rather carelessly as he spoke and it
gave way, and he flew back to the ceiling again, while the picture smashed
onto the sofa. Bump he went against the ceiling, and I knew then why he
was all over white on the more salient curves and angles of his person. He
tried again more carefully, coming down by way of the mantel.</p>
<p>It was really a most extraordinary spectacle, that great, fat,
apoplectic-looking man upside down and trying to get from the ceiling to
the floor. “That prescription,” he said. “Too successful.”</p>
<p>“How?”</p>
<p>“Loss of weight—almost complete.”</p>
<p>And then, of course, I understood.</p>
<p>“By Jove, Pyecraft,” said I, “what you wanted was a cure for fatness! But
you always called it weight. You would call it weight.”</p>
<p>Somehow I was extremely delighted. I quite liked Pyecraft for the time.
“Let me help you!” I said, and took his hand and pulled him down. He
kicked about, trying to get a foothold somewhere. It was very like holding
a flag on a windy day.</p>
<p>“That table,” he said, pointing, “is solid mahogany and very heavy. If you
can put me under that—-”</p>
<p>I did, and there he wallowed about like a captive balloon, while I stood
on his hearthrug and talked to him.</p>
<p>I lit a cigar. “Tell me,” I said, “what happened?”</p>
<p>“I took it,” he said.</p>
<p>“How did it taste?”</p>
<p>“Oh, BEASTLY!”</p>
<p>I should fancy they all did. Whether one regards the ingredients or the
probable compound or the possible results, almost all of my
great-grandmother's remedies appear to me at least to be extraordinarily
uninviting. For my own part—</p>
<p>“I took a little sip first.”</p>
<p>“Yes?”</p>
<p>“And as I felt lighter and better after an hour, I decided to take the
draught.”</p>
<p>“My dear Pyecraft!”</p>
<p>“I held my nose,” he explained. “And then I kept on getting lighter and
lighter—and helpless, you know.”</p>
<p>He gave way to a sudden burst of passion. “What the goodness am I to DO?”
he said.</p>
<p>“There's one thing pretty evident,” I said, “that you mustn't do. If you
go out of doors, you'll go up and up.” I waved an arm upward. “They'd have
to send Santos-Dumont after you to bring you down again.”</p>
<p>“I suppose it will wear off?”</p>
<p>I shook my head. “I don't think you can count on that,” I said.</p>
<p>And then there was another burst of passion, and he kicked out at adjacent
chairs and banged the floor. He behaved just as I should have expected a
great, fat, self-indulgent man to behave under trying circumstances—that
is to say, very badly. He spoke of me and my great-grandmother with an
utter want of discretion.</p>
<p>“I never asked you to take the stuff,” I said.</p>
<p>And generously disregarding the insults he was putting upon me, I sat down
in his armchair and began to talk to him in a sober, friendly fashion.</p>
<p>I pointed out to him that this was a trouble he had brought upon himself,
and that it had almost an air of poetical justice. He had eaten too much.
This he disputed, and for a time we argued the point.</p>
<p>He became noisy and violent, so I desisted from this aspect of his lesson.
“And then,” said I, “you committed the sin of euphuism. You called it not
Fat, which is just and inglorious, but Weight. You—”</p>
<p>He interrupted to say he recognised all that. What was he to DO?</p>
<p>I suggested he should adapt himself to his new conditions. So we came to
the really sensible part of the business. I suggested that it would not be
difficult for him to learn to walk about on the ceiling with his hands—</p>
<p>“I can't sleep,” he said.</p>
<p>But that was no great difficulty. It was quite possible, I pointed out, to
make a shake-up under a wire mattress, fasten the under things on with
tapes, and have a blanket, sheet, and coverlet to button at the side. He
would have to confide in his housekeeper, I said; and after some
squabbling he agreed to that. (Afterwards it was quite delightful to see
the beautifully matter-of-fact way with which the good lady took all these
amazing inversions.) He could have a library ladder in his room, and all
his meals could be laid on the top of his bookcase. We also hit on an
ingenious device by which he could get to the floor whenever he wanted,
which was simply to put the British Encyclopaedia (tenth edition) on the
top of his open shelves. He just pulled out a couple of volumes and held
on, and down he came. And we agreed there must be iron staples along the
skirting, so that he could cling to those whenever he wanted to get about
the room on the lower level.</p>
<p>As we got on with the thing I found myself almost keenly interested. It
was I who called in the housekeeper and broke matters to her, and it was I
chiefly who fixed up the inverted bed. In fact, I spent two whole days at
his flat. I am a handy, interfering sort of man with a screw-driver, and I
made all sorts of ingenious adaptations for him—ran a wire to bring
his bells within reach, turned all his electric lights up instead of down,
and so on. The whole affair was extremely curious and interesting to me,
and it was delightful to think of Pyecraft like some great, fat blow-fly,
crawling about on his ceiling and clambering round the lintels of his
doors from one room to another, and never, never, never coming to the club
any more....</p>
<p>Then, you know, my fatal ingenuity got the better of me. I was sitting by
his fire drinking his whisky, and he was up in his favourite corner by the
cornice, tacking a Turkey carpet to the ceiling, when the idea struck me.
“By Jove, Pyecraft!” I said, “all this is totally unnecessary.”</p>
<p>And before I could calculate the complete consequences of my notion I
blurted it out. “Lead underclothing,” said I, and the mischief was done.</p>
<p>Pyecraft received the thing almost in tears. “To be right ways up again—”
he said. I gave him the whole secret before I saw where it would take me.
“Buy sheet lead,” I said, “stamp it into discs. Sew 'em all over your
underclothes until you have enough. Have lead-soled boots, carry a bag of
solid lead, and the thing is done! Instead of being a prisoner here you
may go abroad again, Pyecraft; you may travel—”</p>
<p>A still happier idea came to me. “You need never fear a shipwreck. All you
need do is just slip off some or all of your clothes, take the necessary
amount of luggage in your hand, and float up in the air—”</p>
<p>In his emotion he dropped the tack-hammer within an ace of my head. “By
Jove!” he said, “I shall be able to come back to the club again.”</p>
<p>The thing pulled me up short. “By Jove!” I said faintly. “Yes. Of course—you
will.”</p>
<p>He did. He does. There he sits behind me now, stuffing—as I live!—a
third go of buttered tea-cake. And no one in the whole world knows—except
his housekeeper and me—that he weighs practically nothing; that he
is a mere boring mass of assimilatory matter, mere clouds in clothing,
niente, nefas, the most inconsiderable of men. There he sits watching
until I have done this writing. Then, if he can, he will waylay me. He
will come billowing up to me....</p>
<p>He will tell me over again all about it, how it feels, how it doesn't
feel, how he sometimes hopes it is passing off a little. And always
somewhere in that fat, abundant discourse he will say, “The secret's
keeping, eh? If any one knew of it—I should be so ashamed.... Makes
a fellow look such a fool, you know. Crawling about on a ceiling and all
that....”</p>
<p>And now to elude Pyecraft, occupying, as he does, an admirable strategic
position between me and the door.</p>
<p><SPAN name="link2H_4_0005" id="link2H_4_0005"></SPAN></p>
<br/>
<h2> 5. MR. SKELMERSDALE IN FAIRYLAND </h2>
<p>“There's a man in that shop,” said the Doctor, “who has been in
Fairyland.”</p>
<p>“Nonsense!” I said, and stared back at the shop. It was the usual village
shop, post-office, telegraph wire on its brow, zinc pans and brushes
outside, boots, shirtings, and potted meats in the window. “Tell me about
it,” I said, after a pause.</p>
<p>“<i>I</i> don't know,” said the Doctor. “He's an ordinary sort of lout—Skelmersdale
is his name. But everybody about here believes it like Bible truth.”</p>
<p>I reverted presently to the topic.</p>
<p>“I know nothing about it,” said the Doctor, “and I don't WANT to know. I
attended him for a broken finger—Married and Single cricket match—and
that's when I struck the nonsense. That's all. But it shows you the sort
of stuff I have to deal with, anyhow, eh? Nice to get modern sanitary
ideas into a people like this!”</p>
<p>“Very,” I said in a mildly sympathetic tone, and he went on to tell me
about that business of the Bonham drain. Things of that kind, I observe,
are apt to weigh on the minds of Medical Officers of Health. I was as
sympathetic as I knew how, and when he called the Bonham people “asses,” I
said they were “thundering asses,” but even that did not allay him.</p>
<p>Afterwards, later in the summer, an urgent desire to seclude myself, while
finishing my chapter on Spiritual Pathology—it was really, I
believe, stiffer to write than it is to read—took me to Bignor. I
lodged at a farmhouse, and presently found myself outside that little
general shop again, in search of tobacco. “Skelmersdale,” said I to myself
at the sight of it, and went in.</p>
<p>I was served by a short, but shapely, young man, with a fair downy
complexion, good, small teeth, blue eyes, and a languid manner. I
scrutinised him curiously. Except for a touch of melancholy in his
expression, he was nothing out of the common. He was in the shirt-sleeves
and tucked-up apron of his trade, and a pencil was thrust behind his
inoffensive ear. Athwart his black waistcoat was a gold chain, from which
dangled a bent guinea.</p>
<p>“Nothing more to-day, sir?” he inquired. He leant forward over my bill as
he spoke.</p>
<p>“Are you Mr. Skelmersdale?” said I.</p>
<p>“I am, sir,” he said, without looking up.</p>
<p>“Is it true that you have been in Fairyland?”</p>
<p>He looked up at me for a moment with wrinkled brows, with an aggrieved,
exasperated face. “O SHUT it!” he said, and, after a moment of hostility,
eye to eye, he went on adding up my bill. “Four, six and a half,” he said,
after a pause. “Thank you, Sir.”</p>
<p>So, unpropitiously, my acquaintance with Mr. Skelmersdale began.</p>
<p>Well, I got from that to confidence—through a series of toilsome
efforts. I picked him up again in the Village Room, where of a night I
went to play billiards after my supper, and mitigate the extreme seclusion
from my kind that was so helpful to work during the day. I contrived to
play with him and afterwards to talk with him. I found the one subject to
avoid was Fairyland. On everything else he was open and amiable in a
commonplace sort of way, but on that he had been worried—it was a
manifest taboo. Only once in the room did I hear the slightest allusion to
his experience in his presence, and that was by a cross-grained farm hand
who was losing to him. Skelmersdale had run a break into double figures,
which, by the Bignor standards, was uncommonly good play. “Steady on!”
said his adversary. “None of your fairy flukes!”</p>
<p>Skelmersdale stared at him for a moment, cue in hand, then flung it down
and walked out of the room.</p>
<p>“Why can't you leave 'im alone?” said a respectable elder who had been
enjoying the game, and in the general murmur of disapproval the grin of
satisfied wit faded from the ploughboy's face.</p>
<p>I scented my opportunity. “What's this joke,” said I, “about Fairyland?”</p>
<p>“'Tain't no joke about Fairyland, not to young Skelmersdale,” said the
respectable elder, drinking. A little man with rosy cheeks was more
communicative. “They DO say, sir,” he said, “that they took him into
Aldington Knoll an' kep' him there a matter of three weeks.”</p>
<p>And with that the gathering was well under weigh. Once one sheep had
started, others were ready enough to follow, and in a little time I had at
least the exterior aspect of the Skelmersdale affair. Formerly, before he
came to Bignor, he had been in that very similar little shop at Aldington
Corner, and there whatever it was did happen had taken place. The story
was clear that he had stayed out late one night on the Knoll and vanished
for three weeks from the sight of men, and had returned with “his cuffs as
clean as when he started,” and his pockets full of dust and ashes. He
returned in a state of moody wretchedness that only slowly passed away,
and for many days he would give no account of where it was he had been.
The girl he was engaged to at Clapton Hill tried to get it out of him, and
threw him over partly because he refused, and partly because, as she said,
he fairly gave her the “'ump.” And then when, some time after, he let out
to some one carelessly that he had been in Fairyland and wanted to go
back, and when the thing spread and the simple badinage of the countryside
came into play, he threw up his situation abruptly, and came to Bignor to
get out of the fuss. But as to what had happened in Fairyland none of
these people knew. There the gathering in the Village Room went to pieces
like a pack at fault. One said this, and another said that.</p>
<p>Their air in dealing with this marvel was ostensibly critical and
sceptical, but I could see a considerable amount of belief showing through
their guarded qualifications. I took a line of intelligent interest,
tinged with a reasonable doubt of the whole story.</p>
<p>“If Fairyland's inside Aldington Knoll,” I said, “why don't you dig it
out?”</p>
<p>“That's what I says,” said the young ploughboy.</p>
<p>“There's a-many have tried to dig on Aldington Knoll,” said the
respectable elder, solemnly, “one time and another. But there's none as
goes about to-day to tell what they got by digging.”</p>
<p>The unanimity of vague belief that surrounded me was rather impressive; I
felt there must surely be SOMETHING at the root of so much conviction, and
the already pretty keen curiosity I felt about the real facts of the case
was distinctly whetted. If these real facts were to be got from any one,
they were to be got from Skelmersdale himself; and I set myself,
therefore, still more assiduously to efface the first bad impression I had
made and win his confidence to the pitch of voluntary speech. In that
endeavour I had a social advantage. Being a person of affability and no
apparent employment, and wearing tweeds and knickerbockers, I was
naturally classed as an artist in Bignor, and in the remarkable code of
social precedence prevalent in Bignor an artist ranks considerably higher
than a grocer's assistant. Skelmersdale, like too many of his class, is
something of a snob; he had told me to “shut it,” only under sudden,
excessive provocation, and with, I am certain, a subsequent repentance; he
was, I knew, quite glad to be seen walking about the village with me. In
due course, he accepted the proposal of a pipe and whisky in my rooms
readily enough, and there, scenting by some happy instinct that there was
trouble of the heart in this, and knowing that confidences beget
confidences, I plied him with much of interest and suggestion from my real
and fictitious past. And it was after the third whisky of the third visit
of that sort, if I remember rightly, that a propos of some artless
expansion of a little affair that had touched and left me in my teens,
that he did at last, of his own free will and motion, break the ice. “It
was like that with me,” he said, “over there at Aldington. It's just that
that's so rum. First I didn't care a bit and it was all her, and
afterwards, when it was too late, it was, in a manner of speaking, all
me.”</p>
<p>I forbore to jump upon this allusion, and so he presently threw out
another, and in a little while he was making it as plain as daylight that
the one thing he wanted to talk about now was this Fairyland adventure he
had sat tight upon for so long. You see, I'd done the trick with him, and
from being just another half-incredulous, would-be facetious stranger, I
had, by all my wealth of shameless self-exposure, become the possible
confidant. He had been bitten by the desire to show that he, too, had
lived and felt many things, and the fever was upon him.</p>
<p>He was certainly confoundedly allusive at first, and my eagerness to clear
him up with a few precise questions was only equalled and controlled by my
anxiety not to get to this sort of thing too soon. But in another meeting
or so the basis of confidence was complete; and from first to last I think
I got most of the items and aspects—indeed, I got quite a number of
times over almost everything that Mr. Skelmersdale, with his very limited
powers of narration, will ever be able to tell. And so I come to the story
of his adventure, and I piece it all together again. Whether it really
happened, whether he imagined it or dreamt it, or fell upon it in some
strange hallucinatory trance, I do not profess to say. But that he
invented it I will not for one moment entertain. The man simply and
honestly believes the thing happened as he says it happened; he is
transparently incapable of any lie so elaborate and sustained, and in the
belief of the simple, yet often keenly penetrating, rustic minds about him
I find a very strong confirmation of his sincerity. He believes—and
nobody can produce any positive fact to falsify his belief. As for me,
with this much of endorsement, I transmit his story—I am a little
old now to justify or explain.</p>
<p>He says he went to sleep on Aldington Knoll about ten o'clock one night—it
was quite possibly Midsummer night, though he has never thought of the
date, and he cannot be sure within a week or so—and it was a fine
night and windless, with a rising moon. I have been at the pains to visit
this Knoll thrice since his story grew up under my persuasions, and once I
went there in the twilight summer moonrise on what was, perhaps, a similar
night to that of his adventure. Jupiter was great and splendid above the
moon, and in the north and northwest the sky was green and vividly bright
over the sunken sun. The Knoll stands out bare and bleak under the sky,
but surrounded at a little distance by dark thickets, and as I went up
towards it there was a mighty starting and scampering of ghostly or quite
invisible rabbits. Just over the crown of the Knoll, but nowhere else, was
a multitudinous thin trumpeting of midges. The Knoll is, I believe, an
artificial mound, the tumulus of some great prehistoric chieftain, and
surely no man ever chose a more spacious prospect for a sepulchre.
Eastward one sees along the hills to Hythe, and thence across the Channel
to where, thirty miles and more perhaps, away, the great white lights by
Gris Nez and Boulogne wink and pass and shine. Westward lies the whole
tumbled valley of the Weald, visible as far as Hindhead and Leith Hill,
and the valley of the Stour opens the Downs in the north to interminable
hills beyond Wye. All Romney Marsh lies southward at one's feet, Dymchurch
and Romney and Lydd, Hastings and its hill are in the middle distance, and
the hills multiply vaguely far beyond where Eastbourne rolls up to Beachy
Head.</p>
<p>And out upon all this it was that Skelmersdale wandered, being troubled in
his earlier love affair, and as he says, “not caring WHERE he went.” And
there he sat down to think it over, and so, sulking and grieving, was
overtaken by sleep. And so he fell into the fairies' power.</p>
<p>The quarrel that had upset him was some trivial matter enough between
himself and the girl at Clapton Hill to whom he was engaged. She was a
farmer's daughter, said Skelmersdale, and “very respectable,” and no doubt
an excellent match for him; but both girl and lover were very young and
with just that mutual jealousy, that intolerantly keen edge of criticism,
that irrational hunger for a beautiful perfection, that life and wisdom do
presently and most mercifully dull. What the precise matter of quarrel was
I have no idea. She may have said she liked men in gaiters when he hadn't
any gaiters on, or he may have said he liked her better in a different
sort of hat, but however it began, it got by a series of clumsy stages to
bitterness and tears. She no doubt got tearful and smeary, and he grew
dusty and drooping, and she parted with invidious comparisons, grave
doubts whether she ever had REALLY cared for him, and a clear certainty
she would never care again. And with this sort of thing upon his mind he
came out upon Aldington Knoll grieving, and presently, after a long
interval, perhaps, quite inexplicably, fell asleep.</p>
<p>He woke to find himself on a softer turf than ever he had slept on before,
and under the shade of very dark trees that completely hid the sky.
Always, indeed, in Fairyland the sky is hidden, it seems. Except for one
night when the fairies were dancing, Mr. Skelmersdale, during all his time
with them, never saw a star. And of that night I am in doubt whether he
was in Fairyland proper or out where the rings and rushes are, in those
low meadows near the railway line at Smeeth.</p>
<p>But it was light under these trees for all that, and on the leaves and
amidst the turf shone a multitude of glow-worms, very bright and fine. Mr.
Skelmersdale's first impression was that he was SMALL, and the next that
quite a number of people still smaller were standing all about him. For
some reason, he says, he was neither surprised nor frightened, but sat up
quite deliberately and rubbed the sleep out of his eyes. And there all
about him stood the smiling elves who had caught him sleeping under their
privileges and had brought him into Fairyland.</p>
<p>What these elves were like I have failed to gather, so vague and imperfect
is his vocabulary, and so unobservant of all minor detail does he seem to
have been. They were clothed in something very light and beautiful, that
was neither wool, nor silk, nor leaves, nor the petals of flowers. They
stood all about him as he sat and waked, and down the glade towards him,
down a glow-worm avenue and fronted by a star, came at once that Fairy
Lady who is the chief personage of his memory and tale. Of her I gathered
more. She was clothed in filmy green, and about her little waist was a
broad silver girdle. Her hair waved back from her forehead on either side;
there were curls not too wayward and yet astray, and on her brow was a
little tiara, set with a single star. Her sleeves were some sort of open
sleeves that gave little glimpses of her arms; her throat, I think, was a
little displayed, because he speaks of the beauty of her neck and chin.
There was a necklace of coral about her white throat, and in her breast a
coral-coloured flower. She had the soft lines of a little child in her
chin and cheeks and throat. And her eyes, I gather, were of a kindled
brown, very soft and straight and sweet under her level brows. You see by
these particulars how greatly this lady must have loomed in Mr.
Skelmersdale's picture. Certain things he tried to express and could not
express; “the way she moved,” he said several times; and I fancy a sort of
demure joyousness radiated from this Lady.</p>
<p>And it was in the company of this delightful person, as the guest and
chosen companion of this delightful person, that Mr. Skelmersdale set out
to be taken into the intimacies of Fairyland. She welcomed him gladly and
a little warmly—I suspect a pressure of his hand in both of hers and
a lit face to his. After all, ten years ago young Skelmersdale may have
been a very comely youth. And once she took his arm, and once, I think,
she led him by the hand adown the glade that the glow-worms lit.</p>
<p>Just how things chanced and happened there is no telling from Mr.
Skelmersdale's disarticulated skeleton of description. He gives little
unsatisfactory glimpses of strange corners and doings, of places where
there were many fairies together, of “toadstool things that shone pink,”
of fairy food, of which he could only say “you should have tasted it!” and
of fairy music, “like a little musical box,” that came out of nodding
flowers. There was a great open place where fairies rode and raced on
“things,” but what Mr. Skelmersdale meant by “these here things they
rode,” there is no telling. Larvae, perhaps, or crickets, or the little
beetles that elude us so abundantly. There was a place where water
splashed and gigantic king-cups grew, and there in the hotter times the
fairies bathed together. There were games being played and dancing and
much elvish love-making, too, I think, among the moss-branch thickets.
There can be no doubt that the Fairy Lady made love to Mr. Skelmersdale,
and no doubt either that this young man set himself to resist her. A time
came, indeed, when she sat on a bank beside him, in a quiet, secluded
place “all smelling of vi'lets,” and talked to him of love.</p>
<p>“When her voice went low and she whispered,” said Mr. Skelmersdale, “and
laid 'er 'and on my 'and, you know, and came close with a soft, warm
friendly way she 'ad, it was as much as I could do to keep my 'ead.”</p>
<p>It seems he kept his head to a certain limited unfortunate extent. He saw
“'ow the wind was blowing,” he says, and so, sitting there in a place all
smelling of violets, with the touch of this lovely Fairy Lady about him,
Mr. Skelmersdale broke it to her gently—that he was engaged!</p>
<p>She had told him she loved him dearly, that he was a sweet human lad for
her, and whatever he would ask of her he should have—even his
heart's desire.</p>
<p>And Mr. Skelmersdale, who, I fancy, tried hard to avoid looking at her
little lips as they just dropped apart and came together, led up to the
more intimate question by saying he would like enough capital to start a
little shop. He'd just like to feel, he said, he had money enough to do
that. I imagine a little surprise in those brown eyes he talked about, but
she seemed sympathetic for all that, and she asked him many questions
about the little shop, “laughing like” all the time. So he got to the
complete statement of his affianced position, and told her all about
Millie.</p>
<p>“All?” said I.</p>
<p>“Everything,” said Mr. Skelmersdale, “just who she was, and where she
lived, and everything about her. I sort of felt I 'ad to all the time, I
did.”</p>
<p>“'Whatever you want you shall have,' said the Fairy Lady. 'That's as good
as done. You SHALL feel you have the money just as you wish. And now, you
know—YOU MUST KISS ME.'”</p>
<p>And Mr. Skelmersdale pretended not to hear the latter part of her remark,
and said she was very kind. That he really didn't deserve she should be so
kind. And—</p>
<p>The Fairy Lady suddenly came quite close to him and whispered, “Kiss me!”</p>
<p>“And,” said Mr. Skelmersdale, “like a fool, I did.”</p>
<p>There are kisses and kisses, I am told, and this must have been quite the
other sort from Millie's resonant signals of regard. There was something
magic in that kiss; assuredly it marked a turning point. At any rate, this
is one of the passages that he thought sufficiently important to describe
most at length. I have tried to get it right, I have tried to disentangle
it from the hints and gestures through which it came to me, but I have no
doubt that it was all different from my telling and far finer and sweeter,
in the soft filtered light and the subtly stirring silences of the fairy
glades. The Fairy Lady asked him more about Millie, and was she very
lovely, and so on—a great many times. As to Millie's loveliness, I
conceive him answering that she was “all right.” And then, or on some such
occasion, the Fairy Lady told him she had fallen in love with him as he
slept in the moonlight, and so he had been brought into Fairyland, and she
had thought, not knowing of Millie, that perhaps he might chance to love
her. “But now you know you can't,” she said, “so you must stop with me
just a little while, and then you must go back to Millie.” She told him
that, and you know Skelmersdale was already in love with her, but the pure
inertia of his mind kept him in the way he was going. I imagine him
sitting in a sort of stupefaction amidst all these glowing beautiful
things, answering about his Millie and the little shop he projected and
the need of a horse and cart.... And that absurd state of affairs must
have gone on for days and days. I see this little lady, hovering about him
and trying to amuse him, too dainty to understand his complexity and too
tender to let him go. And he, you know, hypnotised as it were by his
earthly position, went his way with her hither and thither, blind to
everything in Fairyland but this wonderful intimacy that had come to him.
It is hard, it is impossible, to give in print the effect of her radiant
sweetness shining through the jungle of poor Skelmersdale's rough and
broken sentences. To me, at least, she shone clear amidst the muddle of
his story like a glow-worm in a tangle of weeds.</p>
<p>There must have been many days of things while all this was happening—and
once, I say, they danced under the moonlight in the fairy rings that stud
the meadows near Smeeth—but at last it all came to an end. She led
him into a great cavernous place, lit by a red nightlight sort of thing,
where there were coffers piled on coffers, and cups and golden boxes, and
a great heap of what certainly seemed to all Mr. Skelmersdale's senses—coined
gold. There were little gnomes amidst this wealth, who saluted her at her
coming, and stood aside. And suddenly she turned on him there with
brightly shining eyes.</p>
<p>“And now,” she said, “you have been kind to stay with me so long, and it
is time I let you go. You must go back to your Millie. You must go back to
your Millie, and here—just as I promised you—they will give
you gold.”</p>
<p>“She choked like,” said Mr. Skelmersdale. “At that, I had a sort of
feeling—” (he touched his breastbone) “as though I was fainting
here. I felt pale, you know, and shivering, and even then—I 'adn't a
thing to say.”</p>
<p>He paused. “Yes,” I said.</p>
<p>The scene was beyond his describing. But I know that she kissed him
good-bye.</p>
<p>“And you said nothing?”</p>
<p>“Nothing,” he said. “I stood like a stuffed calf. She just looked back
once, you know, and stood smiling like and crying—I could see the
shine of her eyes—and then she was gone, and there was all these
little fellows bustling about me, stuffing my 'ands and my pockets and the
back of my collar and everywhere with gold.”</p>
<p>And then it was, when the Fairy Lady had vanished, that Mr. Skelmersdale
really understood and knew. He suddenly began plucking out the gold they
were thrusting upon him, and shouting out at them to prevent their giving
him more. “'I don't WANT yer gold,' I said. 'I 'aven't done yet. I'm not
going. I want to speak to that Fairy Lady again.' I started off to go
after her and they held me back. Yes, stuck their little 'ands against my
middle and shoved me back. They kept giving me more and more gold until it
was running all down my trouser legs and dropping out of my 'ands. 'I
don't WANT yer gold,' I says to them, 'I want just to speak to the Fairy
Lady again.'”</p>
<p>“And did you?”</p>
<p>“It came to a tussle.”</p>
<p>“Before you saw her?”</p>
<p>“I didn't see her. When I got out from them she wasn't anywhere to be
seen.”</p>
<p>So he ran in search of her out of this red-lit cave, down a long grotto,
seeking her, and thence he came out in a great and desolate place athwart
which a swarm of will-o'-the-wisps were flying to and fro. And about him
elves were dancing in derision, and the little gnomes came out of the cave
after him, carrying gold in handfuls and casting it after him, shouting,
“Fairy love and fairy gold! Fairy love and fairy gold!”</p>
<p>And when he heard these words, came a great fear that it was all over, and
he lifted up his voice and called to her by her name, and suddenly set
himself to run down the slope from the mouth of the cavern, through a
place of thorns and briers, calling after her very loudly and often. The
elves danced about him unheeded, pinching him and pricking him, and the
will-o'-the-wisps circled round him and dashed into his face, and the
gnomes pursued him shouting and pelting him with fairy gold. As he ran
with all this strange rout about him and distracting him, suddenly he was
knee-deep in a swamp, and suddenly he was amidst thick twisted roots, and
he caught his foot in one and stumbled and fell....</p>
<p>He fell and he rolled over, and in that instant he found himself sprawling
upon Aldington Knoll, all lonely under the stars.</p>
<p>He sat up sharply at once, he says, and found he was very stiff and cold,
and his clothes were damp with dew. The first pallor of dawn and a chilly
wind were coming up together. He could have believed the whole thing a
strangely vivid dream until he thrust his hand into his side pocket and
found it stuffed with ashes. Then he knew for certain it was fairy gold
they had given him. He could feel all their pinches and pricks still,
though there was never a bruise upon him. And in that manner, and so
suddenly, Mr. Skelmersdale came out of Fairyland back into this world of
men. Even then he fancied the thing was but the matter of a night until he
returned to the shop at Aldington Corner and discovered amidst their
astonishment that he had been away three weeks.</p>
<p>“Lor'! the trouble I 'ad!” said Mr. Skelmersdale.</p>
<p>“How?”</p>
<p>“Explaining. I suppose you've never had anything like that to explain.”</p>
<p>“Never,” I said, and he expatiated for a time on the behaviour of this
person and that. One name he avoided for a space.</p>
<p>“And Millie?” said I at last.</p>
<p>“I didn't seem to care a bit for seeing Millie,” he said.</p>
<p>“I expect she seemed changed?”</p>
<p>“Every one was changed. Changed for good. Every one seemed big, you know,
and coarse. And their voices seemed loud. Why, the sun, when it rose in
the morning, fair hit me in the eye!”</p>
<p>“And Millie?”</p>
<p>“I didn't want to see Millie.”</p>
<p>“And when you did?”</p>
<p>“I came up against her Sunday, coming out of church. 'Where you been?' she
said, and I saw there was a row. <i>I</i> didn't care if there was. I
seemed to forget about her even while she was there a-talking to me. She
was just nothing. I couldn't make out whatever I 'ad seen in 'er ever, or
what there could 'ave been. Sometimes when she wasn't about, I did get
back a little, but never when she was there. Then it was always the other
came up and blotted her out.... Anyow, it didn't break her heart.”</p>
<p>“Married?” I asked.</p>
<p>“Married 'er cousin,” said Mr. Skelmersdale, and reflected on the pattern
of the tablecloth for a space.</p>
<p>When he spoke again it was clear that his former sweetheart had clean
vanished from his mind, and that the talk had brought back the Fairy Lady
triumphant in his heart. He talked of her—soon he was letting out
the oddest things, queer love secrets it would be treachery to repeat. I
think, indeed, that was the queerest thing in the whole affair, to hear
that neat little grocer man after his story was done, with a glass of
whisky beside him and a cigar between his fingers, witnessing, with sorrow
still, though now, indeed, with a time-blunted anguish, of the
inappeasable hunger of the heart that presently came upon him. “I couldn't
eat,” he said, “I couldn't sleep. I made mistakes in orders and got mixed
with change. There she was day and night, drawing me and drawing me. Oh, I
wanted her. Lord! how I wanted her! I was up there, most evenings I was up
there on the Knoll, often even when it rained. I used to walk over the
Knoll and round it and round it, calling for them to let me in. Shouting.
Near blubbering I was at times. Daft I was and miserable. I kept on saying
it was all a mistake. And every Sunday afternoon I went up there, wet and
fine, though I knew as well as you do it wasn't no good by day. And I've
tried to go to sleep there.”</p>
<p>He stopped sharply and decided to drink some whisky.</p>
<p>“I've tried to go to sleep there,” he said, and I could swear his lips
trembled. “I've tried to go to sleep there, often and often. And, you
know, I couldn't, sir—never. I've thought if I could go to sleep
there, there might be something. But I've sat up there and laid up there,
and I couldn't—not for thinking and longing. It's the longing....
I've tried—”</p>
<p>He blew, drank up the rest of his whisky spasmodically, stood up suddenly
and buttoned his jacket, staring closely and critically at the cheap
oleographs beside the mantel meanwhile. The little black notebook in which
he recorded the orders of his daily round projected stiffly from his
breast pocket. When all the buttons were quite done, he patted his chest
and turned on me suddenly. “Well,” he said, “I must be going.”</p>
<p>There was something in his eyes and manner that was too difficult for him
to express in words. “One gets talking,” he said at last at the door, and
smiled wanly, and so vanished from my eyes. And that is the tale of Mr.
Skelmersdale in Fairyland just as he told it to me.</p>
<p><SPAN name="link2H_4_0006" id="link2H_4_0006"></SPAN></p>
<br/>
<h2> 6. THE STORY OF THE INEXPERIENCED GHOST </h2>
<p>The scene amidst which Clayton told his last story comes back very vividly
to my mind. There he sat, for the greater part of the time, in the corner
of the authentic settle by the spacious open fire, and Sanderson sat
beside him smoking the Broseley clay that bore his name. There was Evans,
and that marvel among actors, Wish, who is also a modest man. We had all
come down to the Mermaid Club that Saturday morning, except Clayton, who
had slept there overnight—which indeed gave him the opening of his
story. We had golfed until golfing was invisible; we had dined, and we
were in that mood of tranquil kindliness when men will suffer a story.
When Clayton began to tell one, we naturally supposed he was lying. It may
be that indeed he was lying—of that the reader will speedily be able
to judge as well as I. He began, it is true, with an air of matter-of-fact
anecdote, but that we thought was only the incurable artifice of the man.</p>
<p>“I say!” he remarked, after a long consideration of the upward rain of
sparks from the log that Sanderson had thumped, “you know I was alone here
last night?”</p>
<p>“Except for the domestics,” said Wish.</p>
<p>“Who sleep in the other wing,” said Clayton. “Yes. Well—” He pulled
at his cigar for some little time as though he still hesitated about his
confidence. Then he said, quite quietly, “I caught a ghost!”</p>
<p>“Caught a ghost, did you?” said Sanderson. “Where is it?”</p>
<p>And Evans, who admires Clayton immensely and has been four weeks in
America, shouted, “CAUGHT a ghost, did you, Clayton? I'm glad of it! Tell
us all about it right now.”</p>
<p>Clayton said he would in a minute, and asked him to shut the door.</p>
<p>He looked apologetically at me. “There's no eavesdropping of course, but
we don't want to upset our very excellent service with any rumours of
ghosts in the place. There's too much shadow and oak panelling to trifle
with that. And this, you know, wasn't a regular ghost. I don't think it
will come again—ever.”</p>
<p>“You mean to say you didn't keep it?” said Sanderson.</p>
<p>“I hadn't the heart to,” said Clayton.</p>
<p>And Sanderson said he was surprised.</p>
<p>We laughed, and Clayton looked aggrieved. “I know,” he said, with the
flicker of a smile, “but the fact is it really WAS a ghost, and I'm as
sure of it as I am that I am talking to you now. I'm not joking. I mean
what I say.”</p>
<p>Sanderson drew deeply at his pipe, with one reddish eye on Clayton, and
then emitted a thin jet of smoke more eloquent than many words.</p>
<p>Clayton ignored the comment. “It is the strangest thing that has ever
happened in my life. You know, I never believed in ghosts or anything of
the sort, before, ever; and then, you know, I bag one in a corner; and the
whole business is in my hands.”</p>
<p>He meditated still more profoundly, and produced and began to pierce a
second cigar with a curious little stabber he affected.</p>
<p>“You talked to it?” asked Wish.</p>
<p>“For the space, probably, of an hour.”</p>
<p>“Chatty?” I said, joining the party of the sceptics.</p>
<p>“The poor devil was in trouble,” said Clayton, bowed over his cigar-end
and with the very faintest note of reproof.</p>
<p>“Sobbing?” some one asked.</p>
<p>Clayton heaved a realistic sigh at the memory. “Good Lord!” he said;
“yes.” And then, “Poor fellow! yes.”</p>
<p>“Where did you strike it?” asked Evans, in his best American accent.</p>
<p>“I never realised,” said Clayton, ignoring him, “the poor sort of thing a
ghost might be,” and he hung us up again for a time, while he sought for
matches in his pocket and lit and warmed to his cigar.</p>
<p>“I took an advantage,” he reflected at last.</p>
<p>We were none of us in a hurry. “A character,” he said, “remains just the
same character for all that it's been disembodied. That's a thing we too
often forget. People with a certain strength or fixity of purpose may have
ghosts of a certain strength and fixity of purpose—most haunting
ghosts, you know, must be as one-idea'd as monomaniacs and as obstinate as
mules to come back again and again. This poor creature wasn't.” He
suddenly looked up rather queerly, and his eye went round the room. “I say
it,” he said, “in all kindliness, but that is the plain truth of the case.
Even at the first glance he struck me as weak.”</p>
<p>He punctuated with the help of his cigar.</p>
<p>“I came upon him, you know, in the long passage. His back was towards me
and I saw him first. Right off I knew him for a ghost. He was transparent
and whitish; clean through his chest I could see the glimmer of the little
window at the end. And not only his physique but his attitude struck me as
being weak. He looked, you know, as though he didn't know in the slightest
whatever he meant to do. One hand was on the panelling and the other
fluttered to his mouth. Like—SO!”</p>
<p>“What sort of physique?” said Sanderson.</p>
<p>“Lean. You know that sort of young man's neck that has two great flutings
down the back, here and here—so! And a little, meanish head with
scrubby hair—And rather bad ears. Shoulders bad, narrower than the
hips; turn-down collar, ready-made short jacket, trousers baggy and a
little frayed at the heels. That's how he took me. I came very quietly up
the staircase. I did not carry a light, you know—the candles are on
the landing table and there is that lamp—and I was in my list
slippers, and I saw him as I came up. I stopped dead at that—taking
him in. I wasn't a bit afraid. I think that in most of these affairs one
is never nearly so afraid or excited as one imagines one would be. I was
surprised and interested. I thought, 'Good Lord! Here's a ghost at last!
And I haven't believed for a moment in ghosts during the last
five-and-twenty years.'”</p>
<p>“Um,” said Wish.</p>
<p>“I suppose I wasn't on the landing a moment before he found out I was
there. He turned on me sharply, and I saw the face of an immature young
man, a weak nose, a scrubby little moustache, a feeble chin. So for an
instant we stood—he looking over his shoulder at me and regarded one
another. Then he seemed to remember his high calling. He turned round,
drew himself up, projected his face, raised his arms, spread his hands in
approved ghost fashion—came towards me. As he did so his little jaw
dropped, and he emitted a faint, drawn-out 'Boo.' No, it wasn't—not
a bit dreadful. I'd dined. I'd had a bottle of champagne, and being all
alone, perhaps two or three—perhaps even four or five—whiskies,
so I was as solid as rocks and no more frightened than if I'd been
assailed by a frog. 'Boo!' I said. 'Nonsense. You don't belong to THIS
place. What are you doing here?'</p>
<p>“I could see him wince. 'Boo-oo,' he said.</p>
<p>“'Boo—be hanged! Are you a member?' I said; and just to show I
didn't care a pin for him I stepped through a corner of him and made to
light my candle. 'Are you a member?' I repeated, looking at him sideways.</p>
<p>“He moved a little so as to stand clear of me, and his bearing became
crestfallen. 'No,' he said, in answer to the persistent interrogation of
my eye; 'I'm not a member—I'm a ghost.'</p>
<p>“'Well, that doesn't give you the run of the Mermaid Club. Is there any
one you want to see, or anything of that sort?' and doing it as steadily
as possible for fear that he should mistake the carelessness of whisky for
the distraction of fear, I got my candle alight. I turned on him, holding
it. 'What are you doing here?' I said.</p>
<p>“He had dropped his hands and stopped his booing, and there he stood,
abashed and awkward, the ghost of a weak, silly, aimless young man. 'I'm
haunting,' he said.</p>
<p>“'You haven't any business to,' I said in a quiet voice.</p>
<p>“'I'm a ghost,' he said, as if in defence.</p>
<p>“'That may be, but you haven't any business to haunt here. This is a
respectable private club; people often stop here with nursemaids and
children, and, going about in the careless way you do, some poor little
mite could easily come upon you and be scared out of her wits. I suppose
you didn't think of that?'</p>
<p>“'No, sir,' he said, 'I didn't.'</p>
<p>“'You should have done. You haven't any claim on the place, have you?
Weren't murdered here, or anything of that sort?'</p>
<p>“'None, sir; but I thought as it was old and oak-panelled—'</p>
<p>“'That's NO excuse.' I regarded him firmly. 'Your coming here is a
mistake,' I said, in a tone of friendly superiority. I feigned to see if I
had my matches, and then looked up at him frankly. 'If I were you I
wouldn't wait for cock-crow—I'd vanish right away.'</p>
<p>“He looked embarrassed. 'The fact IS, sir—' he began.</p>
<p>“'I'd vanish,' I said, driving it home.</p>
<p>“'The fact is, sir, that—somehow—I can't.'</p>
<p>“'You CAN'T?'</p>
<p>“'No, sir. There's something I've forgotten. I've been hanging about here
since midnight last night, hiding in the cupboards of the empty bedrooms
and things like that. I'm flurried. I've never come haunting before, and
it seems to put me out.'</p>
<p>“'Put you out?'</p>
<p>“'Yes, sir. I've tried to do it several times, and it doesn't come off.
There's some little thing has slipped me, and I can't get back.'</p>
<p>“That, you know, rather bowled me over. He looked at me in such an abject
way that for the life of me I couldn't keep up quite the high, hectoring
vein I had adopted. 'That's queer,' I said, and as I spoke I fancied I
heard some one moving about down below. 'Come into my room and tell me
more about it,' I said. 'I didn't, of course, understand this,' and I
tried to take him by the arm. But, of course, you might as well have tried
to take hold of a puff of smoke! I had forgotten my number, I think;
anyhow, I remember going into several bedrooms—it was lucky I was
the only soul in that wing—until I saw my traps. 'Here we are,' I
said, and sat down in the arm-chair; 'sit down and tell me all about it.
It seems to me you have got yourself into a jolly awkward position, old
chap.'</p>
<p>“Well, he said he wouldn't sit down! he'd prefer to flit up and down the
room if it was all the same to me. And so he did, and in a little while we
were deep in a long and serious talk. And presently, you know, something
of those whiskies and sodas evaporated out of me, and I began to realise
just a little what a thundering rum and weird business it was that I was
in. There he was, semi-transparent—the proper conventional phantom,
and noiseless except for his ghost of a voice—flitting to and fro in
that nice, clean, chintz-hung old bedroom. You could see the gleam of the
copper candlesticks through him, and the lights on the brass fender, and
the corners of the framed engravings on the wall,—and there he was
telling me all about this wretched little life of his that had recently
ended on earth. He hadn't a particularly honest face, you know, but being
transparent, of course, he couldn't avoid telling the truth.”</p>
<p>“Eh?” said Wish, suddenly sitting up in his chair.</p>
<p>“What?” said Clayton.</p>
<p>“Being transparent—couldn't avoid telling the truth—I don't
see it,” said Wish.</p>
<p>“<i>I</i> don't see it,” said Clayton, with inimitable assurance. “But it
IS so, I can assure you nevertheless. I don't believe he got once a nail's
breadth off the Bible truth. He told me how he had been killed—he
went down into a London basement with a candle to look for a leakage of
gas—and described himself as a senior English master in a London
private school when that release occurred.”</p>
<p>“Poor wretch!” said I.</p>
<p>“That's what I thought, and the more he talked the more I thought it.
There he was, purposeless in life and purposeless out of it. He talked of
his father and mother and his schoolmaster, and all who had ever been
anything to him in the world, meanly. He had been too sensitive, too
nervous; none of them had ever valued him properly or understood him, he
said. He had never had a real friend in the world, I think; he had never
had a success. He had shirked games and failed examinations. 'It's like
that with some people,' he said; 'whenever I got into the examination-room
or anywhere everything seemed to go.' Engaged to be married of course—to
another over-sensitive person, I suppose—when the indiscretion with
the gas escape ended his affairs. 'And where are you now?' I asked. 'Not
in—?'</p>
<p>“He wasn't clear on that point at all. The impression he gave me was of a
sort of vague, intermediate state, a special reserve for souls too
non-existent for anything so positive as either sin or virtue. <i>I</i>
don't know. He was much too egotistical and unobservant to give me any
clear idea of the kind of place, kind of country, there is on the Other
Side of Things. Wherever he was, he seems to have fallen in with a set of
kindred spirits: ghosts of weak Cockney young men, who were on a footing
of Christian names, and among these there was certainly a lot of talk
about 'going haunting' and things like that. Yes—going haunting!
They seemed to think 'haunting' a tremendous adventure, and most of them
funked it all the time. And so primed, you know, he had come.”</p>
<p>“But really!” said Wish to the fire.</p>
<p>“These are the impressions he gave me, anyhow,” said Clayton, modestly. “I
may, of course, have been in a rather uncritical state, but that was the
sort of background he gave to himself. He kept flitting up and down, with
his thin voice going talking, talking about his wretched self, and never a
word of clear, firm statement from first to last. He was thinner and
sillier and more pointless than if he had been real and alive. Only then,
you know, he would not have been in my bedroom here—if he HAD been
alive. I should have kicked him out.”</p>
<p>“Of course,” said Evans, “there ARE poor mortals like that.”</p>
<p>“And there's just as much chance of their having ghosts as the rest of
us,” I admitted.</p>
<p>“What gave a sort of point to him, you know, was the fact that he did seem
within limits to have found himself out. The mess he had made of haunting
had depressed him terribly. He had been told it would be a 'lark'; he had
come expecting it to be a 'lark,' and here it was, nothing but another
failure added to his record! He proclaimed himself an utter out-and-out
failure. He said, and I can quite believe it, that he had never tried to
do anything all his life that he hadn't made a perfect mess of—and
through all the wastes of eternity he never would. If he had had sympathy,
perhaps—. He paused at that, and stood regarding me. He remarked
that, strange as it might seem to me, nobody, not any one, ever, had given
him the amount of sympathy I was doing now. I could see what he wanted
straight away, and I determined to head him off at once. I may be a brute,
you know, but being the Only Real Friend, the recipient of the confidences
of one of these egotistical weaklings, ghost or body, is beyond my
physical endurance. I got up briskly. 'Don't you brood on these things too
much,' I said. 'The thing you've got to do is to get out of this get out
of this—sharp. You pull yourself together and TRY.' 'I can't,' he
said. 'You try,' I said, and try he did.”</p>
<p>“Try!” said Sanderson. “HOW?”</p>
<p>“Passes,” said Clayton.</p>
<p>“Passes?”</p>
<p>“Complicated series of gestures and passes with the hands. That's how he
had come in and that's how he had to get out again. Lord! what a business
I had!”</p>
<p>“But how could ANY series of passes—?” I began.</p>
<p>“My dear man,” said Clayton, turning on me and putting a great emphasis on
certain words, “you want EVERYTHING clear. <i>I</i> don't know HOW. All I
know is that you DO—that HE did, anyhow, at least. After a fearful
time, you know, he got his passes right and suddenly disappeared.”</p>
<p>“Did you,” said Sanderson, slowly, “observe the passes?”</p>
<p>“Yes,” said Clayton, and seemed to think. “It was tremendously queer,” he
said. “There we were, I and this thin vague ghost, in that silent room, in
this silent, empty inn, in this silent little Friday-night town. Not a
sound except our voices and a faint panting he made when he swung. There
was the bedroom candle, and one candle on the dressing-table alight, that
was all—sometimes one or other would flare up into a tall, lean,
astonished flame for a space. And queer things happened. 'I can't,' he
said; 'I shall never—!' And suddenly he sat down on a little chair
at the foot of the bed and began to sob and sob. Lord! what a harrowing,
whimpering thing he seemed!</p>
<p>“'You pull yourself together,' I said, and tried to pat him on the back,
and... my confounded hand went through him! By that time, you know, I
wasn't nearly so—massive as I had been on the landing. I got the
queerness of it full. I remember snatching back my hand out of him, as it
were, with a little thrill, and walking over to the dressing-table. 'You
pull yourself together,' I said to him, 'and try.' And in order to
encourage and help him I began to try as well.”</p>
<p>“What!” said Sanderson, “the passes?”</p>
<p>“Yes, the passes.”</p>
<p>“But—” I said, moved by an idea that eluded me for a space.</p>
<p>“This is interesting,” said Sanderson, with his finger in his pipe-bowl.
“You mean to say this ghost of yours gave away—”</p>
<p>“Did his level best to give away the whole confounded barrier? YES.”</p>
<p>“He didn't,” said Wish; “he couldn't. Or you'd have gone there too.”</p>
<p>“That's precisely it,” I said, finding my elusive idea put into words for
me.</p>
<p>“That IS precisely it,” said Clayton, with thoughtful eyes upon the fire.</p>
<p>For just a little while there was silence.</p>
<p>“And at last he did it?” said Sanderson.</p>
<p>“At last he did it. I had to keep him up to it hard, but he did it at last—rather
suddenly. He despaired, we had a scene, and then he got up abruptly and
asked me to go through the whole performance, slowly, so that he might
see. 'I believe,' he said, 'if I could SEE I should spot what was wrong at
once.' And he did. '<i>I</i> know,' he said. 'What do you know?' said I. '<i>I</i>
know,' he repeated. Then he said, peevishly, 'I CAN'T do it if you look at
me—I really CAN'T; it's been that, partly, all along. I'm such a
nervous fellow that you put me out.' Well, we had a bit of an argument.
Naturally I wanted to see; but he was as obstinate as a mule, and suddenly
I had come over as tired as a dog—he tired me out. 'All right,' I
said, '<i>I</i> won't look at you,' and turned towards the mirror, on the
wardrobe, by the bed.</p>
<p>“He started off very fast. I tried to follow him by looking in the
looking-glass, to see just what it was had hung. Round went his arms and
his hands, so, and so, and so, and then with a rush came to the last
gesture of all—you stand erect and open out your arms—and so,
don't you know, he stood. And then he didn't! He didn't! He wasn't! I
wheeled round from the looking-glass to him. There was nothing, I was
alone, with the flaring candles and a staggering mind. What had happened?
Had anything happened? Had I been dreaming?... And then, with an absurd
note of finality about it, the clock upon the landing discovered the
moment was ripe for striking ONE. So!—Ping! And I was as grave and
sober as a judge, with all my champagne and whisky gone into the vast
serene. Feeling queer, you know—confoundedly QUEER! Queer! Good
Lord!”</p>
<p>He regarded his cigar-ash for a moment. “That's all that happened,” he
said.</p>
<p>“And then you went to bed?” asked Evans.</p>
<p>“What else was there to do?”</p>
<p>I looked Wish in the eye. We wanted to scoff, and there was something,
something perhaps in Clayton's voice and manner, that hampered our desire.</p>
<p>“And about these passes?” said Sanderson.</p>
<p>“I believe I could do them now.”</p>
<p>“Oh!” said Sanderson, and produced a penknife and set himself to grub the
dottel out of the bowl of his clay.</p>
<p>“Why don't you do them now?” said Sanderson, shutting his pen-knife with a
click.</p>
<p>“That's what I'm going to do,” said Clayton.</p>
<p>“They won't work,” said Evans.</p>
<p>“If they do—” I suggested.</p>
<p>“You know, I'd rather you didn't,” said Wish, stretching out his legs.</p>
<p>“Why?” asked Evans.</p>
<p>“I'd rather he didn't,” said Wish.</p>
<p>“But he hasn't got 'em right,” said Sanderson, plugging too much tobacco
in his pipe.</p>
<p>“All the same, I'd rather he didn't,” said Wish.</p>
<p>We argued with Wish. He said that for Clayton to go through those gestures
was like mocking a serious matter. “But you don't believe—?” I said.
Wish glanced at Clayton, who was staring into the fire, weighing something
in his mind. “I do—more than half, anyhow, I do,” said Wish.</p>
<p>“Clayton,” said I, “you're too good a liar for us. Most of it was all
right. But that disappearance... happened to be convincing. Tell us, it's
a tale of cock and bull.”</p>
<p>He stood up without heeding me, took the middle of the hearthrug, and
faced me. For a moment he regarded his feet thoughtfully, and then for all
the rest of the time his eyes were on the opposite wall, with an intent
expression. He raised his two hands slowly to the level of his eyes and so
began....</p>
<p>Now, Sanderson is a Freemason, a member of the lodge of the Four Kings,
which devotes itself so ably to the study and elucidation of all the
mysteries of Masonry past and present, and among the students of this
lodge Sanderson is by no means the least. He followed Clayton's motions
with a singular interest in his reddish eye. “That's not bad,” he said,
when it was done. “You really do, you know, put things together, Clayton,
in a most amazing fashion. But there's one little detail out.”</p>
<p>“I know,” said Clayton. “I believe I could tell you which.”</p>
<p>“Well?”</p>
<p>“This,” said Clayton, and did a queer little twist and writhing and thrust
of the hands.</p>
<p>“Yes.”</p>
<p>“That, you know, was what HE couldn't get right,” said Clayton. “But how
do YOU—?”</p>
<p>“Most of this business, and particularly how you invented it, I don't
understand at all,” said Sanderson, “but just that phase—I do.” He
reflected. “These happen to be a series of gestures—connected with a
certain branch of esoteric Masonry. Probably you know. Or else—HOW?”
He reflected still further. “I do not see I can do any harm in telling you
just the proper twist. After all, if you know, you know; if you don't, you
don't.”</p>
<p>“I know nothing,” said Clayton, “except what the poor devil let out last
night.”</p>
<p>“Well, anyhow,” said Sanderson, and placed his churchwarden very carefully
upon the shelf over the fireplace. Then very rapidly he gesticulated with
his hands.</p>
<p>“So?” said Clayton, repeating.</p>
<p>“So,” said Sanderson, and took his pipe in hand again.</p>
<p>“Ah, NOW,” said Clayton, “I can do the whole thing—right.”</p>
<p>He stood up before the waning fire and smiled at us all. But I think there
was just a little hesitation in his smile. “If I begin—” he said.</p>
<p>“I wouldn't begin,” said Wish.</p>
<p>“It's all right!” said Evans. “Matter is indestructible. You don't think
any jiggery-pokery of this sort is going to snatch Clayton into the world
of shades. Not it! You may try, Clayton, so far as I'm concerned, until
your arms drop off at the wrists.”</p>
<p>“I don't believe that,” said Wish, and stood up and put his arm on
Clayton's shoulder. “You've made me half believe in that story somehow,
and I don't want to see the thing done!”</p>
<p>“Goodness!” said I, “here's Wish frightened!”</p>
<p>“I am,” said Wish, with real or admirably feigned intensity. “I believe
that if he goes through these motions right he'll GO.”</p>
<p>“He'll not do anything of the sort,” I cried. “There's only one way out of
this world for men, and Clayton is thirty years from that. Besides... And
such a ghost! Do you think—?”</p>
<p>Wish interrupted me by moving. He walked out from among our chairs and
stopped beside the tole and stood there. “Clayton,” he said, “you're a
fool.”</p>
<p>Clayton, with a humorous light in his eyes, smiled back at him. “Wish,” he
said, “is right and all you others are wrong. I shall go. I shall get to
the end of these passes, and as the last swish whistles through the air,
Presto!—this hearthrug will be vacant, the room will be blank
amazement, and a respectably dressed gentleman of fifteen stone will plump
into the world of shades. I'm certain. So will you be. I decline to argue
further. Let the thing be tried.”</p>
<p>“NO,” said Wish, and made a step and ceased, and Clayton raised his hands
once more to repeat the spirit's passing.</p>
<p>By that time, you know, we were all in a state of tension—largely
because of the behaviour of Wish. We sat all of us with our eyes on
Clayton—I, at least, with a sort of tight, stiff feeling about me as
though from the back of my skull to the middle of my thighs my body had
been changed to steel. And there, with a gravity that was imperturbably
serene, Clayton bowed and swayed and waved his hands and arms before us.
As he drew towards the end one piled up, one tingled in one's teeth. The
last gesture, I have said, was to swing the arms out wide open, with the
face held up. And when at last he swung out to this closing gesture I
ceased even to breathe. It was ridiculous, of course, but you know that
ghost-story feeling. It was after dinner, in a queer, old shadowy house.
Would he, after all—?</p>
<p>There he stood for one stupendous moment, with his arms open and his
upturned face, assured and bright, in the glare of the hanging lamp. We
hung through that moment as if it were an age, and then came from all of
us something that was half a sigh of infinite relief and half a reassuring
“NO!” For visibly—he wasn't going. It was all nonsense. He had told
an idle story, and carried it almost to conviction, that was all!... And
then in that moment the face of Clayton, changed.</p>
<p>It changed. It changed as a lit house changes when its lights are suddenly
extinguished. His eyes were suddenly eyes that were fixed, his smile was
frozen on his lips, and he stood there still. He stood there, very gently
swaying.</p>
<p>That moment, too, was an age. And then, you know, chairs were scraping,
things were falling, and we were all moving. His knees seemed to give, and
he fell forward, and Evans rose and caught him in his arms....</p>
<p>It stunned us all. For a minute I suppose no one said a coherent thing. We
believed it, yet could not believe it.... I came out of a muddled
stupefaction to find myself kneeling beside him, and his vest and shirt
were torn open, and Sanderson's hand lay on his heart....</p>
<p>Well—the simple fact before us could very well wait our convenience;
there was no hurry for us to comprehend. It lay there for an hour; it lies
athwart my memory, black and amazing still, to this day. Clayton had,
indeed, passed into the world that lies so near to and so far from our
own, and he had gone thither by the only road that mortal man may take.
But whether he did indeed pass there by that poor ghost's incantation, or
whether he was stricken suddenly by apoplexy in the midst of an idle tale—as
the coroner's jury would have us believe—is no matter for my
judging; it is just one of those inexplicable riddles that must remain
unsolved until the final solution of all things shall come. All I
certainly know is that, in the very moment, in the very instant, of
concluding those passes, he changed, and staggered, and fell down before
us—dead!</p>
<p><SPAN name="link2H_4_0007" id="link2H_4_0007"></SPAN></p>
<br/>
<h2> 7. JIMMY GOGGLES THE GOD </h2>
<p>“It isn't every one who's been a god,” said the sunburnt man. “But it's
happened to me. Among other things.”</p>
<p>I intimated my sense of his condescension.</p>
<p>“It don't leave much for ambition, does it?” said the sunburnt man.</p>
<p>“I was one of those men who were saved from the Ocean Pioneer. Gummy! how
time flies! It's twenty years ago. I doubt if you'll remember anything of
the Ocean Pioneer?”</p>
<p>The name was familiar, and I tried to recall when and where I had read it.
The Ocean Pioneer? “Something about gold dust,” I said vaguely, “but the
precise—”</p>
<p>“That's it,” he said. “In a beastly little channel she hadn't no business
in—dodging pirates. It was before they'd put the kybosh on that
business. And there'd been volcanoes or something and all the rocks was
wrong. There's places about by Soona where you fair have to follow the
rocks about to see where they're going next. Down she went in twenty
fathoms before you could have dealt for whist, with fifty thousand pounds
worth of gold aboard, it was said, in one form or another.”</p>
<p>“Survivors?”</p>
<p>“Three.”</p>
<p>“I remember the case now,” I said. “There was something about salvage—”</p>
<p>But at the word salvage the sunburnt man exploded into language so
extraordinarily horrible that I stopped aghast. He came down to more
ordinary swearing, and pulled himself up abruptly. “Excuse me,” he said,
“but—salvage!”</p>
<p>He leant over towards me. “I was in that job,” he said. “Tried to make
myself a rich man, and got made a god instead. I've got my feelings—</p>
<p>“It ain't all jam being a god,” said the sunburnt man, and for some time
conversed by means of such pithy but unprogressive axioms. At last he took
up his tale again.</p>
<p>“There was me,” said the sunburnt man, “and a seaman named Jacobs, and
Always, the mate of the Ocean Pioneer. And him it was that set the whole
thing going. I remember him now, when we was in the jolly-boat, suggesting
it all to our minds just by one sentence. He was a wonderful hand at
suggesting things. 'There was forty thousand pounds,' he said, 'on that
ship, and it's for me to say just where she went down.' It didn't need
much brains to tumble to that. And he was the leader from the first to the
last. He got hold of the Sanderses and their brig; they were brothers, and
the brig was the Pride of Banya, and he it was bought the diving-dress—a
second-hand one with a compressed air apparatus instead of pumping. He'd
have done the diving too, if it hadn't made him sick going down. And the
salvage people were mucking about with a chart he'd cooked up, as solemn
as could be, at Starr Race, a hundred and twenty miles away.</p>
<p>“I can tell you we was a happy lot aboard that brig, jokes and drink and
bright hopes all the time. It all seemed so neat and clean and
straightforward, and what rough chaps call a 'cert.' And we used to
speculate how the other blessed lot, the proper salvagers, who'd started
two days before us, were getting on, until our sides fairly ached. We all
messed together in the Sanderses' cabin—it was a curious crew, all
officers and no men—and there stood the diving-dress waiting its
turn. Young Sanders was a humorous sort of chap, and there certainly was
something funny in the confounded thing's great fat head and its stare,
and he made us see it too. 'Jimmie Goggles,' he used to call it, and talk
to it like a Christian. Asked if he was married, and how Mrs. Goggles was,
and all the little Goggleses. Fit to make you split. And every blessed day
all of us used to drink the health of Jimmy Goggles in rum, and unscrew
his eye and pour a glass of rum in him, until, instead of that nasty
mackintosheriness, he smelt as nice in his inside as a cask of rum. It was
jolly times we had in those days, I can tell you—little suspecting,
poor chaps! what was a-coming.</p>
<p>“We weren't going to throw away our chances by any blessed hurry, you
know, and we spent a whole day sounding our way towards where the Ocean
Pioneer had gone down, right between two chunks of ropy grey rock—lava
rocks that rose nearly out of the water. We had to lay off about half a
mile to get a safe anchorage, and there was a thundering row who should
stop on board. And there she lay just as she had gone down, so that you
could see the top of the masts that was still standing perfectly
distinctly. The row ending in all coming in the boat. I went down in the
diving-dress on Friday morning directly it was light.</p>
<p>“What a surprise it was! I can see it all now quite distinctly. It was a
queer-looking place, and the light was just coming. People over here think
every blessed place in the tropics is a flat shore and palm trees and
surf, bless 'em! This place, for instance, wasn't a bit that way. Not
common rocks they were, undermined by waves; but great curved banks like
ironwork cinder heaps, with green slime below, and thorny shrubs and
things just waving upon them here and there, and the water glassy calm and
clear, and showing you a kind of dirty grey-black shine, with huge flaring
red-brown weeds spreading motionless, and crawling and darting things
going through it. And far away beyond the ditches and pools and the heaps
was a forest on the mountain flank, growing again after the fires and
cinder showers of the last eruption. And the other way forest, too, and a
kind of broken—what is it?—ambytheatre of black and rusty
cinders rising out of it all, and the sea in a kind of bay in the middle.</p>
<p>“The dawn, I say, was just coming, and there wasn't much colour about
things, and not a human being but ourselves anywhere in sight up or down
the channel. Except the Pride of Banya, lying out beyond a lump of rocks
towards the line of the sea.</p>
<p>“Not a human being in sight,” he repeated, and paused.</p>
<p>“I don't know where they came from, not a bit. And we were feeling so safe
that we were all alone that poor young Sanders was a-singing. I was in
Jimmy Goggles, all except the helmet. 'Easy,' says Always, 'there's her
mast.' And after I'd had just one squint over the gunwale, I caught up the
bogey and almost tipped out as old Sanders brought the boat round. When
the windows were screwed and everything was all right, I shut the valve
from the air belt in order to help my sinking, and jumped overboard, feet
foremost—for we hadn't a ladder. I left the boat pitching, and all
of them staring down into the water after me, as my head sank down into
the weeds and blackness that lay about the mast. I suppose nobody, not the
most cautious chap in the world, would have bothered about a lookout at
such a desolate place. It stunk of solitude.</p>
<p>“Of course you must understand that I was a greenhorn at diving. None of
us were divers. We'd had to muck about with the thing to get the way of
it, and this was the first time I'd been deep. It feels damnable. Your
ears hurt beastly. I don't know if you've ever hurt yourself yawning or
sneezing, but it takes you like that, only ten times worse. And a pain
over the eyebrows here—splitting—and a feeling like influenza
in the head. And it isn't all heaven in your lungs and things. And going
down feels like the beginning of a lift, only it keeps on. And you can't
turn your head to see what's above you, and you can't get a fair squint at
what's happening to your feet without bending down something painful. And
being deep it was dark, let alone the blackness of the ashes and mud that
formed the bottom. It was like going down out of the dawn back into the
night, so to speak.</p>
<p>“The mast came up like a ghost out of the black, and then a lot of fishes,
and then a lot of flapping red seaweed, and then whack I came with a kind
of dull bang on the deck of the Ocean Pioneer, and the fishes that had
been feeding on the dead rose about me like a swarm of flies from road
stuff in summer time. I turned on the compressed air again—for the
suit was a bit thick and mackintoshery after all, in spite of the rum—and
stood recovering myself. It struck coolish down there, and that helped
take off the stuffiness a bit.</p>
<p>“When I began to feel easier, I started looking about me. It was an
extraordinary sight. Even the light was extraordinary, a kind of
reddy-coloured twilight, on account of the streamers of seaweed that
floated up on either side of the ship. And far overhead just a moony, deep
green-blue. The deck of the ship, except for a slight list to starboard,
was level, and lay all dark and long between the weeds, clear except where
the masts had snapped when she rolled, and vanishing into black night
towards the forecastle. There wasn't any dead on the decks, most were in
the weeds alongside, I suppose; but afterwards I found two skeletons lying
in the passengers' cabins, where death had come to them. It was curious to
stand on that deck and recognise it all, bit by bit; a place against the
rail where I'd been fond of smoking by starlight, and the corner where an
old chap from Sydney used to flirt with a widow we had aboard. A
comfortable couple they'd been, only a month ago, and now you couldn't
have got a meal for a baby crab off either of them.</p>
<p>“I've always had a bit of a philosophical turn, and I dare say I spent the
best part of five minutes in such thoughts before I went below to find
where the blessed dust was stored. It was slow work hunting, feeling it
was for the most part, pitchy dark, with confusing blue gleams down the
companion. And there were things moving about, a dab at my glass once, and
once a pinch at my leg. Crabs, I expect. I kicked a lot of loose stuff
that puzzled me, and stooped and picked up something all knobs and spikes.
What do you think? Backbone! But I never had any particular feeling for
bones. We had talked the affair over pretty thoroughly, and Always knew
just where the stuff was stowed. I found it that trip. I lifted a box one
end an inch or more.”</p>
<p>He broke off in his story. “I've lifted it,” he said, “as near as that!
Forty thousand pounds worth of pure gold! Gold! I shouted inside my helmet
as a kind of cheer and hurt my ears. I was getting confounded stuffy and
tired by this time—I must have been down twenty-five minutes or more—and
I thought this was good enough. I went up the companion again, and as my
eyes came up flush with the deck, a thundering great crab gave a kind of
hysterical jump and went scuttling off sideways. Quite a start it gave me.
I stood up clear on deck and shut the valve behind the helmet to let the
air accumulate to carry me up again—I noticed a kind of whacking
from above, as though they were hitting the water with an oar, but I
didn't look up. I fancied they were signalling me to come up.</p>
<p>“And then something shot down by me—something heavy, and stood
a-quiver in the planks. I looked, and there was a long knife I'd seen
young Sanders handling. Thinks I, he's dropped it, and I was still calling
him this kind of fool and that—for it might have hurt me serious—when
I began to lift and drive up towards the daylight. Just about the level of
the top spars of the Ocean Pioneer, whack! I came against something
sinking down, and a boot knocked in front of my helmet. Then something
else, struggling frightful. It was a big weight atop of me, whatever it
was, and moving and twisting about. I'd have thought it a big octopus, or
some such thing, if it hadn't been for the boot. But octopuses don't wear
boots. It was all in a moment, of course. I felt myself sinking down
again, and I threw my arms about to keep steady, and the whole lot rolled
free of me and shot down as I went up—”</p>
<p>He paused.</p>
<p>“I saw young Sanders's face, over a naked black shoulder, and a spear
driven clean through his neck, and out of his mouth and neck what looked
like spirts of pink smoke in the water. And down they went clutching one
another, and turning over, and both too far gone to leave go. And in
another second my helmet came a whack, fit to split, against the niggers'
canoe. It was niggers! Two canoes full.</p>
<p>“It was lively times, I tell you! Overboard came Always with three spears
in him. There was the legs of three or four black chaps kicking about me
in the water. I couldn't see much, but I saw the game was up at a glance,
gave my valve a tremendous twist, and went bubbling down again after poor
Always, in as awful a state of scare and astonishment as you can well
imagine. I passed young Sanders and the nigger going up again and
struggling still a bit, and in another moment I was standing in the dim
again on the deck of the Ocean Pioneer.</p>
<p>“'Gummy,' thinks I, 'here's a fix!' Niggers? At first I couldn't see
anything for it but Stifle below or Stabs above. I didn't properly
understand how much air there was to last me, but I didn't feel like
standing very much more of it down below. I was hot and frightfully heady—quite
apart from the blue funk I was in. We'd never repined with these beastly
natives, filthy Papuan beasts. It wasn't any good, coming up where I was,
but I had to do something. On the spur of the moment, I clambered over the
side of the brig and landed among the weeds, and set off through the
darkness as fast as I could. I just stopped once and knelt, and twisted
back my head in the helmet and had a look up. It was a most extraordinary
bright green-blue above, and the two canoes and the boat floating there
very small and distant like a kind of twisted H. And it made me feel sick
to squint up at it, and think what the pitching and swaying of the three
meant.</p>
<p>“It was just about the most horrible ten minutes I ever had, blundering
about in that darkness, pressure something awful, like being buried in
sand, pain across the chest, sick with funk, and breathing nothing as it
seemed but the smell of rum and mackintosh. Gummy! After a bit, I found
myself going up a steepish sort of slope. I had another squint to see if
anything was visible of the canoes and boats, and then kept on. I stopped
with my head a foot from the surface, and tried to see where I was going,
but, of course, nothing was to be seen but the reflection of the bottom.
Then out I dashed like knocking my head through a mirror. Directly I got
my eyes out of the water, I saw I'd come up a kind of beach near the
forest. I had a look round, but the natives and the brig were both hidden
by a big, hummucky heap of twisted lava, the born fool in me suggested a
run for the woods. I didn't take the helmet off, but eased open one of the
windows, and, after a bit of a pant, went on out of the water. You'd
hardly imagine how clean and light the air tasted.</p>
<p>“Of course, with four inches of lead in your boot soles, and your head in
a copper knob the size of a football, and been thirty-five minutes under
water, you don't break any records running. I ran like a ploughboy going
to work. And half way to the trees I saw a dozen niggers or more, coming
out in a gaping, astonished sort of way to meet me.</p>
<p>“I just stopped dead, and cursed myself for all the fools out of London. I
had about as much chance of cutting back to the water as a turned turtle.
I just screwed up my window again to leave my hands free, and waited for
them. There wasn't anything else for me to do.</p>
<p>“But they didn't come on very much. I began to suspect why. 'Jimmy
Goggles,' I says, 'it's your beauty does it.' I was inclined to be a
little light-headed, I think, with all these dangers about and the change
in the pressure of the blessed air. 'Who're ye staring at?' I said, as if
the savages could hear me. 'What d'ye take me for? I'm hanged if I don't
give you something to stare at,' I said, and with that I screwed up the
escape valve and turned on the compressed air from the belt, until I was
swelled out like a blown frog. Regular imposing it must have been. I'm
blessed if they'd come on a step; and presently one and then another went
down on their hands and knees. They didn't know what to make of me, and
they was doing the extra polite, which was very wise and reasonable of
them. I had half a mind to edge back seaward and cut and run, but it
seemed too hopeless. A step back and they'd have been after me. And out of
sheer desperation I began to march towards them up the beach, with slow,
heavy steps, and waving my blown-out arms about, in a dignified manner.
And inside of me I was singing as small as a tomtit.</p>
<p>“But there's nothing like a striking appearance to help a man over a
difficulty,—I've found that before and since. People like ourselves,
who're up to diving-dresses by the time we're seven, can scarcely imagine
the effect of one on a simple-minded savage. One or two of these niggers
cut and run, the others started in a great hurry trying to knock their
brains out on the ground. And on I went as slow and solemn and
silly-looking and artful as a jobbing plumber. It was evident they took me
for something immense.</p>
<p>“Then up jumped one and began pointing, making extraordinary gestures to
me as he did so, and all the others began sharing their attention between
me and something out at sea. 'What's the matter now?' I said. I turned
slowly on account of my dignity, and there I saw, coming round a point,
the poor old Pride of Banya towed by a couple of canoes. The sight fairly
made me sick. But they evidently expected some recognition, so I waved my
arms in a striking sort of non-committal manner. And then I turned and
stalked on towards the trees again. At that time I was praying like mad, I
remember, over and over again: 'Lord help me through with it! Lord help me
through with it!' It's only fools who know nothing of dangers can afford
to laugh at praying.</p>
<p>“But these niggers weren't going to let me walk through and away like
that. They started a kind of bowing dance about me, and sort of pressed me
to take a pathway that lay through the trees. It was clear to me they
didn't take me for a British citizen, whatever else they thought of me,
and for my own part I was never less anxious to own up to the old country.</p>
<p>“You'd hardly believe it, perhaps, unless you're familiar with savages,
but these poor misguided, ignorant creatures took me straight to their
kind of joss place to present me to the blessed old black stone there. By
this time I was beginning to sort of realise the depth of their ignorance,
and directly I set eyes on this deity I took my cue. I started a baritone
howl, 'wow-wow,' very long on one note, and began waving my arms about a
lot, and then very slowly and ceremoniously turned their image over on its
side and sat down on it. I wanted to sit down badly, for diving-dresses
ain't much wear in the tropics. Or, to put it different like, they're a
sight too much. It took away their breath, I could see, my sitting on
their joss, but in less time than a minute they made up their minds and
were hard at work worshipping me. And I can tell you I felt a bit relieved
to see things turning out so well, in spite of the weight on my shoulders
and feet.</p>
<p>“But what made me anxious was what the chaps in the canoes might think
when they came back. If they'd seen me in the boat before I went down, and
without the helmet on—for they might have been spying and hiding
since over night—they would very likely take a different view from
the others. I was in a deuce of a stew about that for hours, as it seemed,
until the shindy of the arrival began.</p>
<p>“But they took it down—the whole blessed village took it down. At
the cost of sitting up stiff and stern, as much like those sitting
Egyptian images one sees as I could manage, for pretty nearly twelve
hours, I should guess at least, on end, I got over it. You'd hardly think
what it meant in that heat and stink. I don't think any of them dreamt of
the man inside. I was just a wonderful leathery great joss that had come
up with luck out of the water. But the fatigue! the heat! the beastly
closeness! the mackintosheriness and the rum! and the fuss! They lit a
stinking fire on a kind of lava slab there was before me, and brought in a
lot of gory muck—the worst parts of what they were feasting on
outside, the Beasts—and burnt it all in my honour. I was getting a
bit hungry, but I understand now how gods manage to do without eating,
what with the smell of burnt offerings about them. And they brought in a
lot of the stuff they'd got off the brig and, among other stuff, what I
was a bit relieved to see, the kind of pneumatic pump that was used for
the compressed air affair, and then a lot of chaps and girls came in and
danced about me something disgraceful. It's extraordinary the different
ways different people have of showing respect. If I'd had a hatchet handy
I'd have gone for the lot of them—they made me feel that wild. All
this time I sat as stiff as company, not knowing anything better to do.
And at last, when nightfall came, and the wattle joss-house place got a
bit too shadowy for their taste—all these here savages are afraid of
the dark, you know—and I started a sort of 'Moo' noise, they built
big bonfires outside and left me alone in peace in the darkness of my hut,
free to unscrew my windows a bit and think things over, and feel just as
bad as I liked. And, Lord! I was sick.</p>
<p>“I was weak and hungry, and my mind kept on behaving like a beetle on a
pin, tremendous activity and nothing done at the end of it. Come round
just where it was before. There was sorrowing for the other chaps, beastly
drunkards certainly, but not deserving such a fate, and young Sanders with
the spear through his neck wouldn't go out of my mind. There was the
treasure down there in the Ocean Pioneer, and how one might get it and
hide it somewhere safer, and get away and come back for it. And there was
the puzzle where to get anything to eat. I tell you I was fair rambling. I
was afraid to ask by signs for food, for fear of behaving too human, and
so there I sat and hungered until very near the dawn. Then the village got
a bit quiet, and I couldn't stand it any longer, and I went out and got
some stuff like artichokes in a bowl and some sour milk. What was left of
these I put away among the other offerings, just to give them a hint of my
tastes. And in the morning they came to worship, and found me sitting up
stiff and respectable on their previous god, just as they'd left me
overnight. I'd got my back against the central pillar of the hut, and,
practically, I was asleep. And that's how I became a god among the heathen—a
false god no doubt, and blasphemous, but one can't always pick and choose.</p>
<p>“Now, I don't want to crack myself up as a god beyond my merits, but I
must confess that while I was god to these people they was extraordinary
successful. I don't say there's anything in it, mind you. They won a
battle with another tribe—I got a lot of offerings I didn't want
through it—they had wonderful fishing, and their crop of pourra was
exceptional fine. And they counted the capture of the brig among the
benefits I brought 'em. I must say I don't think that was a poor record
for a perfectly new hand. And, though perhaps you'd scarcely credit it, I
was the tribal god of those beastly savages for pretty nearly four
months....</p>
<p>“What else could I do, man? But I didn't wear that diving-dress all the
time. I made 'em rig me up a sort of holy of holies, and a deuce of a time
I had too, making them understand what it was I wanted them to do. That
indeed was the great difficulty—making them understand my wishes. I
couldn't let myself down by talking their lingo badly—even if I'd
been able to speak at all—and I couldn't go flapping a lot of
gestures at them. So I drew pictures in sand and sat down beside them and
hooted like one o'clock. Sometimes they did the things I wanted all right,
and sometimes they did them all wrong. They was always very willing,
certainly. All the while I was puzzling how I was to get the confounded
business settled. Every night before the dawn I used to march out in full
rig and go off to a place where I could see the channel in which the Ocean
Pioneer lay sunk, and once even, one moonlight night, I tried to walk out
to her, but the weeds and rocks and dark clean beat me. I didn't get back
till full day, and then I found all those silly niggers out on the beach
praying their sea-god to return to them. I was that vexed and tired,
messing and tumbling about, and coming up and going down again, I could
have punched their silly heads all round when they started rejoicing. I'm
hanged if I like so much ceremony.</p>
<p>“And then came the missionary. That missionary! It was in the afternoon,
and I was sitting in state in my outer temple place, sitting on that old
black stone of theirs when he came. I heard a row outside and jabbering,
and then his voice speaking to an interpreter. 'They worship stocks and
stones,' he said, and I knew what was up, in a flash. I had one of my
windows out for comfort, and I sang out straight away on the spur of the
moment. 'Stocks and stones!' I says. 'You come inside,' I says, 'and I'll
punch your blooming head.' There was a kind of silence and more jabbering,
and in he came, Bible in hand, after the manner of them—a little
sandy chap in specks and a pith helmet. I flatter myself that me sitting
there in the shadows, with my copper head and my big goggles, struck him a
bit of a heap at first. 'Well,' I says, 'how's the trade in calico?' for I
don't hold with missionaries.</p>
<p>“I had a lark with that missionary. He was a raw hand, and quite
outclassed with a man like me. He gasped out who was I, and I told him to
read the inscription at my feet if he wanted to know. Down he goes to
read, and his interpreter, being of course as superstitious as any of
them, took it as an act of worship and plumped down like a shot. All my
people gave a howl of triumph, and there wasn't any more business to be
done in my village after that journey, not by the likes of him.</p>
<p>“But, of course, I was a fool to choke him off like that. If I'd had any
sense I should have told him straight away of the treasure and taken him
into Co. I've no doubt he'd have come into Co. A child, with a few hours
to think it over, could have seen the connection between my diving-dress
and the loss of the Ocean Pioneer. A week after he left I went out one
morning and saw the Motherhood, the salver's ship from Starr Race, towing
up the channel and sounding. The whole blessed game was up, and all my
trouble thrown away. Gummy! How wild I felt! And guying it in that
stinking silly dress! Four months!”</p>
<p>The sunburnt man's story degenerated again. “Think of it,” he said, when
he emerged to linguistic purity once more. “Forty thousand pounds worth of
gold.”</p>
<p>“Did the little missionary come back?” I asked.</p>
<p>“Oh, yes! Bless him! And he pledged his reputation there was a man inside
the god, and started out to see as much with tremendous ceremony. But
there wasn't—he got sold again. I always did hate scenes and
explanations, and long before he came I was out of it all—going home
to Banya along the coast, hiding in bushes by day, and thieving food from
the villages by night. Only weapon, a spear. No clothes, no money.
Nothing. My face was my fortune, as the saying is. And just a squeak of
eight thousand pounds of gold—fifth share. But the natives cut up
rusty, thank goodness, because they thought it was him had driven their
luck away.”</p>
<p><SPAN name="link2H_4_0008" id="link2H_4_0008"></SPAN></p>
<br/>
<h2> 8. THE NEW ACCELERATOR </h2>
<p>Certainly, if ever a man found a guinea when he was looking for a pin it
is my good friend Professor Gibberne. I have heard before of investigators
overshooting the mark, but never quite to the extent that he has done. He
has really, this time at any rate, without any touch of exaggeration in
the phrase, found something to revolutionise human life. And that when he
was simply seeking an all-round nervous stimulant to bring languid people
up to the stresses of these pushful days. I have tasted the stuff now
several times, and I cannot do better than describe the effect the thing
had on me. That there are astonishing experiences in store for all in
search of new sensations will become apparent enough.</p>
<p>Professor Gibberne, as many people know, is my neighbour in Folkestone.
Unless my memory plays me a trick, his portrait at various ages has
already appeared in The Strand Magazine—I think late in 1899; but I
am unable to look it up because I have lent that volume to some one who
has never sent it back. The reader may, perhaps, recall the high forehead
and the singularly long black eyebrows that give such a Mephistophelian
touch to his face. He occupies one of those pleasant little detached
houses in the mixed style that make the western end of the Upper Sandgate
Road so interesting. His is the one with the Flemish gables and the
Moorish portico, and it is in the little room with the mullioned bay
window that he works when he is down here, and in which of an evening we
have so often smoked and talked together. He is a mighty jester, but,
besides, he likes to talk to me about his work; he is one of those men who
find a help and stimulus in talking, and so I have been able to follow the
conception of the New Accelerator right up from a very early stage. Of
course, the greater portion of his experimental work is not done in
Folkestone, but in Gower Street, in the fine new laboratory next to the
hospital that he has been the first to use.</p>
<p>As every one knows, or at least as all intelligent people know, the
special department in which Gibberne has gained so great and deserved a
reputation among physiologists is the action of drugs upon the nervous
system. Upon soporifics, sedatives, and anaesthetics he is, I am told,
unequalled. He is also a chemist of considerable eminence, and I suppose
in the subtle and complex jungle of riddles that centres about the
ganglion cell and the axis fibre there are little cleared places of his
making, little glades of illumination, that, until he sees fit to publish
his results, are still inaccessible to every other living man. And in the
last few years he has been particularly assiduous upon this question of
nervous stimulants, and already, before the discovery of the New
Accelerator, very successful with them. Medical science has to thank him
for at least three distinct and absolutely safe invigorators of unrivalled
value to practising men. In cases of exhaustion the preparation known as
Gibberne's B Syrup has, I suppose, saved more lives already than any
lifeboat round the coast.</p>
<p>“But none of these little things begin to satisfy me yet,” he told me
nearly a year ago. “Either they increase the central energy without
affecting the nerves or they simply increase the available energy by
lowering the nervous conductivity; and all of them are unequal and local
in their operation. One wakes up the heart and viscera and leaves the
brain stupefied, one gets at the brain champagne fashion and does nothing
good for the solar plexus, and what I want—and what, if it's an
earthly possibility, I mean to have—is a stimulant that stimulates
all round, that wakes you up for a time from the crown of your head to the
tip of your great toe, and makes you go two—or even three—to
everybody else's one. Eh? That's the thing I'm after.”</p>
<p>“It would tire a man,” I said.</p>
<p>“Not a doubt of it. And you'd eat double or treble—and all that. But
just think what the thing would mean. Imagine yourself with a little phial
like this”—he held up a little bottle of green glass and marked his
points with it—“and in this precious phial is the power to think
twice as fast, move twice as quickly, do twice as much work in a given
time as you could otherwise do.”</p>
<p>“But is such a thing possible?”</p>
<p>“I believe so. If it isn't, I've wasted my time for a year. These various
preparations of the hypophosphites, for example, seem to show that
something of the sort... Even if it was only one and a half times as fast
it would do.”</p>
<p>“It WOULD do,” I said.</p>
<p>“If you were a statesman in a corner, for example, time rushing up against
you, something urgent to be done, eh?”</p>
<p>“He could dose his private secretary,” I said.</p>
<p>“And gain—double time. And think if YOU, for example, wanted to
finish a book.”</p>
<p>“Usually,” I said, “I wish I'd never begun 'em.”</p>
<p>“Or a doctor, driven to death, wants to sit down and think out a case. Or
a barrister—or a man cramming for an examination.”</p>
<p>“Worth a guinea a drop,” said I, “and more to men like that.”</p>
<p>“And in a duel, again,” said Gibberne, “where it all depends on your
quickness in pulling the trigger.”</p>
<p>“Or in fencing,” I echoed.</p>
<p>“You see,” said Gibberne, “if I get it as an all-round thing it will
really do you no harm at all—except perhaps to an infinitesimal
degree it brings you nearer old age. You will just have lived twice to
other people's once—”</p>
<p>“I suppose,” I meditated, “in a duel—it would be fair?”</p>
<p>“That's a question for the seconds,” said Gibberne.</p>
<p>I harked back further. “And you really think such a thing IS possible?” I
said.</p>
<p>“As possible,” said Gibberne, and glanced at something that went throbbing
by the window, “as a motor-bus. As a matter of fact—”</p>
<p>He paused and smiled at me deeply, and tapped slowly on the edge of his
desk with the green phial. “I think I know the stuff.... Already I've got
something coming.” The nervous smile upon his face betrayed the gravity of
his revelation. He rarely talked of his actual experimental work unless
things were very near the end. “And it may be, it may be—I shouldn't
be surprised—it may even do the thing at a greater rate than twice.”</p>
<p>“It will be rather a big thing,” I hazarded.</p>
<p>“It will be, I think, rather a big thing.”</p>
<p>But I don't think he quite knew what a big thing it was to be, for all
that.</p>
<p>I remember we had several talks about the stuff after that. “The New
Accelerator” he called it, and his tone about it grew more confident on
each occasion. Sometimes he talked nervously of unexpected physiological
results its use might have, and then he would get a little unhappy; at
others he was frankly mercenary, and we debated long and anxiously how the
preparation might be turned to commercial account. “It's a good thing,”
said Gibberne, “a tremendous thing. I know I'm giving the world something,
and I think it only reasonable we should expect the world to pay. The
dignity of science is all very well, but I think somehow I must have the
monopoly of the stuff for, say, ten years. I don't see why ALL the fun in
life should go to the dealers in ham.”</p>
<p>My own interest in the coming drug certainly did not wane in the time. I
have always had a queer little twist towards metaphysics in my mind. I
have always been given to paradoxes about space and time, and it seemed to
me that Gibberne was really preparing no less than the absolute
acceleration of life. Suppose a man repeatedly dosed with such a
preparation: he would live an active and record life indeed, but he would
be an adult at eleven, middle-aged at twenty-five, and by thirty well on
the road to senile decay. It seemed to me that so far Gibberne was only
going to do for any one who took his drug exactly what Nature has done for
the Jews and Orientals, who are men in their teens and aged by fifty, and
quicker in thought and act than we are all the time. The marvel of drugs
has always been great to my mind; you can madden a man, calm a man, make
him incredibly strong and alert or a helpless log, quicken this passion
and allay that, all by means of drugs, and here was a new miracle to be
added to this strange armoury of phials the doctors use! But Gibberne was
far too eager upon his technical points to enter very keenly into my
aspect of the question.</p>
<p>It was the 7th or 8th of August when he told me the distillation that
would decide his failure or success for a time was going forward as we
talked, and it was on the 10th that he told me the thing was done and the
New Accelerator a tangible reality in the world. I met him as I was going
up the Sandgate Hill towards Folkestone—I think I was going to get
my hair cut, and he came hurrying down to meet me—I suppose he was
coming to my house to tell me at once of his success. I remember that his
eyes were unusually bright and his face flushed, and I noted even then the
swift alacrity of his step.</p>
<p>“It's done,” he cried, and gripped my hand, speaking very fast; “it's more
than done. Come up to my house and see.”</p>
<p>“Really?”</p>
<p>“Really!” he shouted. “Incredibly! Come up and see.”</p>
<p>“And it does—twice?</p>
<p>“It does more, much more. It scares me. Come up and see the stuff. Taste
it! Try it! It's the most amazing stuff on earth.” He gripped my arm and,
walking at such a pace that he forced me into a trot, went shouting with
me up the hill. A whole char-a-banc-ful of people turned and stared at us
in unison after the manner of people in chars-a-banc. It was one of those
hot, clear days that Folkestone sees so much of, every colour incredibly
bright and every outline hard. There was a breeze, of course, but not so
much breeze as sufficed under these conditions to keep me cool and dry. I
panted for mercy.</p>
<p>“I'm not walking fast, am I?” cried Gibberne, and slackened his pace to a
quick march.</p>
<p>“You've been taking some of this stuff,” I puffed.</p>
<p>“No,” he said. “At the utmost a drop of water that stood in a beaker from
which I had washed out the last traces of the stuff. I took some last
night, you know. But that is ancient history, now.”</p>
<p>“And it goes twice?” I said, nearing his doorway in a grateful
perspiration.</p>
<p>“It goes a thousand times, many thousand times!” cried Gibberne, with a
dramatic gesture, flinging open his Early English carved oak gate.</p>
<p>“Phew!” said I, and followed him to the door.</p>
<p>“I don't know how many times it goes,” he said, with his latch-key in his
hand.</p>
<p>“And you—”</p>
<p>“It throws all sorts of light on nervous physiology, it kicks the theory
of vision into a perfectly new shape!... Heaven knows how many thousand
times. We'll try all that after—The thing is to try the stuff now.”</p>
<p>“Try the stuff?” I said, as we went along the passage.</p>
<p>“Rather,” said Gibberne, turning on me in his study. “There it is in that
little green phial there! Unless you happen to be afraid?”</p>
<p>I am a careful man by nature, and only theoretically adventurous. I WAS
afraid. But on the other hand there is pride.</p>
<p>“Well,” I haggled. “You say you've tried it?”</p>
<p>“I've tried it,” he said, “and I don't look hurt by it, do I? I don't even
look livery and I FEEL—”</p>
<p>I sat down. “Give me the potion,” I said. “If the worst comes to the worst
it will save having my hair cut, and that I think is one of the most
hateful duties of a civilised man. How do you take the mixture?”</p>
<p>“With water,” said Gibberne, whacking down a carafe.</p>
<p>He stood up in front of his desk and regarded me in his easy chair; his
manner was suddenly affected by a touch of the Harley Street specialist.
“It's rum stuff, you know,” he said.</p>
<p>I made a gesture with my hand.</p>
<p>“I must warn you in the first place as soon as you've got it down to shut
your eyes, and open them very cautiously in a minute or so's time. One
still sees. The sense of vision is a question of length of vibration, and
not of multitude of impacts; but there's a kind of shock to the retina, a
nasty giddy confusion just at the time, if the eyes are open. Keep 'em
shut.”</p>
<p>“Shut,” I said. “Good!”</p>
<p>“And the next thing is, keep still. Don't begin to whack about. You may
fetch something a nasty rap if you do. Remember you will be going several
thousand times faster than you ever did before, heart, lungs, muscles,
brain—everything—and you will hit hard without knowing it. You
won't know it, you know. You'll feel just as you do now. Only everything
in the world will seem to be going ever so many thousand times slower than
it ever went before. That's what makes it so deuced queer.”</p>
<p>“Lor',” I said. “And you mean—”</p>
<p>“You'll see,” said he, and took up a little measure. He glanced at the
material on his desk. “Glasses,” he said, “water. All here. Mustn't take
too much for the first attempt.”</p>
<p>The little phial glucked out its precious contents.</p>
<p>“Don't forget what I told you,” he said, turning the contents of the
measure into a glass in the manner of an Italian waiter measuring whisky.
“Sit with the eyes tightly shut and in absolute stillness for two
minutes,” he said. “Then you will hear me speak.”</p>
<p>He added an inch or so of water to the little dose in each glass.</p>
<p>“By-the-by,” he said, “don't put your glass down. Keep it in your hand and
rest your hand on your knee. Yes—so. And now—”</p>
<p>He raised his glass.</p>
<p>“The New Accelerator,” I said.</p>
<p>“The New Accelerator,” he answered, and we touched glasses and drank, and
instantly I closed my eyes.</p>
<p>You know that blank non-existence into which one drops when one has taken
“gas.” For an indefinite interval it was like that. Then I heard Gibberne
telling me to wake up, and I stirred and opened my eyes. There he stood as
he had been standing, glass still in hand. It was empty, that was all the
difference.</p>
<p>“Well?” said I.</p>
<p>“Nothing out of the way?”</p>
<p>“Nothing. A slight feeling of exhilaration, perhaps. Nothing more.”</p>
<p>“Sounds?”</p>
<p>“Things are still,” I said. “By Jove! yes! They ARE still. Except the sort
of faint pat, patter, like rain falling on different things. What is it?”</p>
<p>“Analysed sounds,” I think he said, but I am not sure. He glanced at the
window. “Have you ever seen a curtain before a window fixed in that way
before?”</p>
<p>I followed his eyes, and there was the end of the curtain, frozen, as it
were, corner high, in the act of flapping briskly in the breeze.</p>
<p>“No,” said I; “that's odd.”</p>
<p>“And here,” he said, and opened the hand that held the glass. Naturally I
winced, expecting the glass to smash. But so far from smashing it did not
even seem to stir; it hung in mid-air—motionless.</p>
<p>“Roughly speaking,” said Gibberne, “an object in these latitudes falls 16
feet in the first second. This glass is falling 16 feet in a second now.
Only, you see, it hasn't been falling yet for the hundredth part of a
second. That gives you some idea of the pace of my Accelerator.” And he
waved his hand round and round, over and under the slowly sinking glass.
Finally, he took it by the bottom, pulled it down, and placed it very
carefully on the table. “Eh?” he said to me, and laughed.</p>
<p>“That seems all right,” I said, and began very gingerly to raise myself
from my chair. I felt perfectly well, very light and comfortable, and
quite confident in my mind. I was going fast all over. My heart, for
example, was beating a thousand times a second, but that caused me no
discomfort at all. I looked out of the window. An immovable cyclist, head
down and with a frozen puff of dust behind his driving-wheel, scorched to
overtake a galloping char-a-banc that did not stir. I gaped in amazement
at this incredible spectacle. “Gibberne,” I cried, “how long will this
confounded stuff last?”</p>
<p>“Heaven knows!” he answered. “Last time I took it I went to bed and slept
it off. I tell you, I was frightened. It must have lasted some minutes, I
think—it seemed like hours. But after a bit it slows down rather
suddenly, I believe.”</p>
<p>I was proud to observe that I did not feel frightened—I suppose
because there were two of us. “Why shouldn't we go out?” I asked.</p>
<p>“Why not?”</p>
<p>“They'll see us.”</p>
<p>“Not they. Goodness, no! Why, we shall be going a thousand times faster
than the quickest conjuring trick that was ever done. Come along! Which
way shall we go? Window, or door?”</p>
<p>And out by the window we went.</p>
<p>Assuredly of all the strange experiences that I have ever had, or
imagined, or read of other people having or imagining, that little raid I
made with Gibberne on the Folkestone Leas, under the influence of the New
Accelerator, was the strangest and maddest of all. We went out by his gate
into the road, and there we made a minute examination of the statuesque
passing traffic. The tops of the wheels and some of the legs of the horses
of this char-a-banc, the end of the whip-lash and the lower jaw of the
conductor—who was just beginning to yawn—were perceptibly in
motion, but all the rest of the lumbering conveyance seemed still. And
quite noiseless except for a faint rattling that came from one man's
throat! And as parts of this frozen edifice there were a driver, you know,
and a conductor, and eleven people! The effect as we walked about the
thing began by being madly queer, and ended by being disagreeable. There
they were, people like ourselves and yet not like ourselves, frozen in
careless attitudes, caught in mid-gesture. A girl and a man smiled at one
another, a leering smile that threatened to last for evermore; a woman in
a floppy capelline rested her arm on the rail and stared at Gibberne's
house with the unwinking stare of eternity; a man stroked his moustache
like a figure of wax, and another stretched a tiresome stiff hand with
extended fingers towards his loosened hat. We stared at them, we laughed
at them, we made faces at them, and then a sort of disgust of them came
upon us, and we turned away and walked round in front of the cyclist
towards the Leas.</p>
<p>“Goodness!” cried Gibberne, suddenly; “look there!”</p>
<p>He pointed, and there at the tip of his finger and sliding down the air
with wings flapping slowly and at the speed of an exceptionally languid
snail—was a bee.</p>
<p>And so we came out upon the Leas. There the thing seemed madder than ever.
The band was playing in the upper stand, though all the sound it made for
us was a low-pitched, wheezy rattle, a sort of prolonged last sigh that
passed at times into a sound like the slow, muffled ticking of some
monstrous clock. Frozen people stood erect, strange, silent,
self-conscious-looking dummies hung unstably in mid-stride, promenading
upon the grass. I passed close to a little poodle dog suspended in the act
of leaping, and watched the slow movement of his legs as he sank to earth.
“Lord, look here!” cried Gibberne, and we halted for a moment before a
magnificent person in white faint-striped flannels, white shoes, and a
Panama hat, who turned back to wink at two gaily dressed ladies he had
passed. A wink, studied with such leisurely deliberation as we could
afford, is an unattractive thing. It loses any quality of alert gaiety,
and one remarks that the winking eye does not completely close, that under
its drooping lid appears the lower edge of an eyeball and a little line of
white. “Heaven give me memory,” said I, “and I will never wink again.”</p>
<p>“Or smile,” said Gibberne, with his eye on the lady's answering teeth.</p>
<p>“It's infernally hot, somehow,” said I. “Let's go slower.”</p>
<p>“Oh, come along!” said Gibberne.</p>
<p>We picked our way among the bath-chairs in the path. Many of the people
sitting in the chairs seemed almost natural in their passive poses, but
the contorted scarlet of the bandsmen was not a restful thing to see. A
purple-faced little gentleman was frozen in the midst of a violent
struggle to refold his newspaper against the wind; there were many
evidences that all these people in their sluggish way were exposed to a
considerable breeze, a breeze that had no existence so far as our
sensations went. We came out and walked a little way from the crowd, and
turned and regarded it. To see all that multitude changed, to a picture,
smitten rigid, as it were, into the semblance of realistic wax, was
impossibly wonderful. It was absurd, of course; but it filled me with an
irrational, an exultant sense of superior advantage. Consider the wonder
of it! All that I had said, and thought, and done since the stuff had
begun to work in my veins had happened, so far as those people, so far as
the world in general went, in the twinkling of an eye. “The New
Accelerator—” I began, but Gibberne interrupted me.</p>
<p>“There's that infernal old woman!” he said.</p>
<p>“What old woman?”</p>
<p>“Lives next door to me,” said Gibberne. “Has a lapdog that yaps. Gods! The
temptation is strong!”</p>
<p>There is something very boyish and impulsive about Gibberne at times.
Before I could expostulate with him he had dashed forward, snatched the
unfortunate animal out of visible existence, and was running violently
with it towards the cliff of the Leas. It was most extraordinary. The
little brute, you know, didn't bark or wriggle or make the slightest sign
of vitality. It kept quite stiffly in an attitude of somnolent repose, and
Gibberne held it by the neck. It was like running about with a dog of
wood. “Gibberne,” I cried, “put it down!” Then I said something else. “If
you run like that, Gibberne,” I cried, “you'll set your clothes on fire.
Your linen trousers are going brown as it is!”</p>
<p>He clapped his hand on his thigh and stood hesitating on the verge.
“Gibberne,” I cried, coming up, “put it down. This heat is too much! It's
our running so! Two or three miles a second! Friction of the air!”</p>
<p>“What?” he said, glancing at the dog.</p>
<p>“Friction of the air,” I shouted. “Friction of the air. Going too fast.
Like meteorites and things. Too hot. And, Gibberne! Gibberne! I'm all over
pricking and a sort of perspiration. You can see people stirring slightly.
I believe the stuff's working off! Put that dog down.”</p>
<p>“Eh?” he said.</p>
<p>“It's working off,” I repeated. “We're too hot and the stuff's working
off! I'm wet through.”</p>
<p>He stared at me. Then at the band, the wheezy rattle of whose performance
was certainly going faster. Then with a tremendous sweep of the arm he
hurled the dog away from him and it went spinning upward, still inanimate,
and hung at last over the grouped parasols of a knot of chattering people.
Gibberne was gripping my elbow. “By Jove!” he cried. “I believe—it
is! A sort of hot pricking and—yes. That man's moving his
pocket-handkerchief! Perceptibly. We must get out of this sharp.”</p>
<p>But we could not get out of it sharply enough. Luckily, perhaps! For we
might have run, and if we had run we should, I believe, have burst into
flames. Almost certainly we should have burst into flames! You know we had
neither of us thought of that.... But before we could even begin to run
the action of the drug had ceased. It was the business of a minute
fraction of a second. The effect of the New Accelerator passed like the
drawing of a curtain, vanished in the movement of a hand. I heard
Gibberne's voice in infinite alarm. “Sit down,” he said, and flop, down
upon the turf at the edge of the Leas I sat—scorching as I sat.
There is a patch of burnt grass there still where I sat down. The whole
stagnation seemed to wake up as I did so, the disarticulated vibration of
the band rushed together into a blast of music, the promenaders put their
feet down and walked their ways, the papers and flags began flapping,
smiles passed into words, the winker finished his wink and went on his way
complacently, and all the seated people moved and spoke.</p>
<p>The whole world had come alive again, was going as fast as we were, or
rather we were going no faster than the rest of the world. It was like
slowing down as one comes into a railway station. Everything seemed to
spin round for a second or two, I had the most transient feeling of
nausea, and that was all. And the little dog which had seemed to hang for
a moment when the force of Gibberne's arm was expended fell with a swift
acceleration clean through a lady's parasol!</p>
<p>That was the saving of us. Unless it was for one corpulent old gentleman
in a bath-chair, who certainly did start at the sight of us and afterwards
regarded us at intervals with a darkly suspicious eye, and, finally, I
believe, said something to his nurse about us, I doubt if a solitary
person remarked our sudden appearance among them. Plop! We must have
appeared abruptly. We ceased to smoulder almost at once, though the turf
beneath me was uncomfortably hot. The attention of every one—including
even the Amusements' Association band, which on this occasion, for the
only time in its history, got out of tune—was arrested by the
amazing fact, and the still more amazing yapping and uproar caused by the
fact that a respectable, over-fed lap-dog sleeping quietly to the east of
the bandstand should suddenly fall through the parasol of a lady on the
west—in a slightly singed condition due to the extreme velocity of
its movements through the air. In these absurd days, too, when we are all
trying to be as psychic, and silly, and superstitious as possible! People
got up and trod on other people, chairs were overturned, the Leas
policeman ran. How the matter settled itself I do not know—we were
much too anxious to disentangle ourselves from the affair and get out of
range of the eye of the old gentleman in the bath-chair to make minute
inquiries. As soon as we were sufficiently cool and sufficiently recovered
from our giddiness and nausea and confusion of mind to do so we stood up
and, skirting the crowd, directed our steps back along the road below the
Metropole towards Gibberne's house. But amidst the din I heard very
distinctly the gentleman who had been sitting beside the lady of the
ruptured sunshade using quite unjustifiable threats and language to one of
those chair-attendants who have “Inspector” written on their caps. “If you
didn't throw the dog,” he said, “who DID?”</p>
<p>The sudden return of movement and familiar noises, and our natural anxiety
about ourselves (our clothe's were still dreadfully hot, and the fronts of
the thighs of Gibberne's white trousers were scorched a drabbish brown),
prevented the minute observations I should have liked to make on all these
things. Indeed, I really made no observations of any scientific value on
that return. The bee, of course, had gone. I looked for that cyclist, but
he was already out of sight as we came into the Upper Sandgate Road or
hidden from us by traffic; the char-a-banc, however, with its people now
all alive and stirring, was clattering along at a spanking pace almost
abreast of the nearer church.</p>
<p>We noted, however, that the window-sill on which we had stepped in getting
out of the house was slightly singed, and that the impressions of our feet
on the gravel of the path were unusually deep.</p>
<p>So it was I had my first experience of the New Accelerator. Practically we
had been running about and saying and doing all sorts of things in the
space of a second or so of time. We had lived half an hour while the band
had played, perhaps, two bars. But the effect it had upon us was that the
whole world had stopped for our convenient inspection. Considering all
things, and particularly considering our rashness in venturing out of the
house, the experience might certainly have been much more disagreeable
than it was. It showed, no doubt, that Gibberne has still much to learn
before his preparation is a manageable convenience, but its practicability
it certainly demonstrated beyond all cavil.</p>
<p>Since that adventure he has been steadily bringing its use under control,
and I have several times, and without the slightest bad result, taken
measured doses under his direction; though I must confess I have not yet
ventured abroad again while under its influence. I may mention, for
example, that this story has been written at one sitting and without
interruption, except for the nibbling of some chocolate, by its means. I
began at 6.25, and my watch is now very nearly at the minute past the
half-hour. The convenience of securing a long, uninterrupted spell of work
in the midst of a day full of engagements cannot be exaggerated. Gibberne
is now working at the quantitative handling of his preparation, with
especial reference to its distinctive effects upon different types of
constitution. He then hopes to find a Retarder with which to dilute its
present rather excessive potency. The Retarder will, of course, have the
reverse effect to the Accelerator; used alone it should enable the patient
to spread a few seconds over many hours of ordinary time,—and so to
maintain an apathetic inaction, a glacier-like absence of alacrity, amidst
the most animated or irritating surroundings. The two things together must
necessarily work an entire revolution in civilised existence. It is the
beginning of our escape from that Time Garment of which Carlyle speaks.
While this Accelerator will enable us to concentrate ourselves with
tremendous impact upon any moment or occasion that demands our utmost
sense and vigour, the Retarder will enable us to pass in passive
tranquillity through infinite hardship and tedium. Perhaps I am a little
optimistic about the Retarder, which has indeed still to be discovered,
but about the Accelerator there is no possible sort of doubt whatever. Its
appearance upon the market in a convenient, controllable, and assimilable
form is a matter of the next few months. It will be obtainable of all
chemists and druggists, in small green bottles, at a high but, considering
its extraordinary qualities, by no means excessive price. Gibberne's
Nervous Accelerator it will be called, and he hopes to be able to supply
it in three strengths: one in 200, one in 900, and one in 2000,
distinguished by yellow, pink, and white labels respectively.</p>
<p>No doubt its use renders a great number of very extraordinary things
possible; for, of course, the most remarkable and, possibly, even criminal
proceedings may be effected with impunity by thus dodging, as it were,
into the interstices of time. Like all potent preparations it will be
liable to abuse. We have, however, discussed this aspect of the question
very thoroughly, and we have decided that this is purely a matter of
medical jurisprudence and altogether outside our province. We shall
manufacture and sell the Accelerator, and, as for the consequences—we
shall see.</p>
<p><SPAN name="link2H_4_0009" id="link2H_4_0009"></SPAN></p>
<br/>
<h2> 9. MR. LEDBETTER'S VACATION </h2>
<p>My friend, Mr. Ledbetter, is a round-faced little man, whose natural
mildness of eye is gigantically exaggerated when you catch the beam
through his glasses, and whose deep, deliberate voice irritates irritable
people. A certain elaborate clearness of enunciation has come with him to
his present vicarage from his scholastic days, an elaborate clearness of
enunciation and a certain nervous determination to be firm and correct
upon all issues, important and unimportant alike. He is a sacerdotalist
and a chess player, and suspected by many of the secret practice of the
higher mathematics—creditable rather than interesting things. His
conversation is copious and given much to needless detail. By many,
indeed, his intercourse is condemned, to put it plainly, as “boring,” and
such have even done me the compliment to wonder why I countenance him.
But, on the other hand, there is a large faction who marvel at his
countenancing such a dishevelled, discreditable acquaintance as myself.
Few appear to regard our friendship with equanimity. But that is because
they do not know of the link that binds us, of my amiable connection via
Jamaica with Mr. Ledbetter's past.</p>
<p>About that past he displays an anxious modesty. “I do not KNOW what I
should do if it became known,” he says; and repeats, impressively, “I do
not know WHAT I should do.” As a matter of fact, I doubt if he would do
anything except get very red about the ears. But that will appear later;
nor will I tell here of our first encounter, since, as a general rule—though
I am prone to break it—the end of a story should come after, rather
than before, the beginning. And the beginning of the story goes a long way
back; indeed, it is now nearly twenty years since Fate, by a series of
complicated and startling manoeuvres, brought Mr. Ledbetter, so to speak,
into my hands.</p>
<p>In those days I was living in Jamaica, and Mr. Ledbetter was a
schoolmaster in England. He was in orders, and already recognisably the
same man that he is to-day: the same rotundity of visage, the same or
similar glasses, and the same faint shadow of surprise in his resting
expression. He was, of course, dishevelled when I saw him, and his collar
less of a collar than a wet bandage, and that may have helped to bridge
the natural gulf between us—but of that, as I say, later.</p>
<p>The business began at Hithergate-on-Sea, and simultaneously with Mr.
Ledbetter's summer vacation. Thither he came for a greatly needed rest,
with a bright brown portmanteau marked “F. W. L.”, a new white-and-black
straw hat, and two pairs of white flannel trousers. He was naturally
exhilarated at his release from school—for he was not very fond of
the boys he taught. After dinner he fell into a discussion with a
talkative person established in the boarding-house to which, acting on the
advice of his aunt, he had resorted. This talkative person was the only
other man in the house. Their discussion concerned the melancholy
disappearance of wonder and adventure in these latter days, the prevalence
of globe-trotting, the abolition of distance by steam and electricity, the
vulgarity of advertisement, the degradation of men by civilisation, and
many such things. Particularly was the talkative person eloquent on the
decay of human courage through security, a security Mr. Ledbetter rather
thoughtlessly joined him in deploring. Mr. Ledbetter, in the first delight
of emancipation from “duty,” and being anxious, perhaps, to establish a
reputation for manly conviviality, partook, rather more freely than was
advisable, of the excellent whisky the talkative person produced. But he
did not become intoxicated, he insists.</p>
<p>He was simply eloquent beyond his sober wont, and with the finer edge gone
from his judgment. And after that long talk of the brave old days that
were past forever, he went out into moonlit Hithergate—alone and up
the cliff road where the villas cluster together.</p>
<p>He had bewailed, and now as he walked up the silent road he still
bewailed, the fate that had called him to such an uneventful life as a
pedagogue's. What a prosaic existence he led, so stagnant, so colourless!
Secure, methodical, year in year out, what call was there for bravery? He
thought enviously of those roving, mediaeval days, so near and so remote,
of quests and spies and condottieri and many a risky blade-drawing
business. And suddenly came a doubt, a strange doubt, springing out of
some chance thought of tortures, and destructive altogether of the
position he had assumed that evening.</p>
<p>Was he—Mr. Ledbetter—really, after all, so brave as he
assumed? Would he really be so pleased to have railways, policemen, and
security vanish suddenly from the earth?</p>
<p>The talkative man had spoken enviously of crime. “The burglar,” he said,
“is the only true adventurer left on earth. Think of his single-handed
fight against the whole civilised world!” And Mr. Ledbetter had echoed his
envy. “They DO have some fun out of life,” Mr. Ledbetter had said. “And
about the only people who do. Just think how it must feel to wire a lawn!”
And he had laughed wickedly. Now, in this franker intimacy of
self-communion he found himself instituting a comparison between his own
brand of courage and that of the habitual criminal. He tried to meet these
insidious questionings with blank assertion. “I could do all that,” said
Mr. Ledbetter. “I long to do all that. Only I do not give way to my
criminal impulses. My moral courage restrains me.” But he doubted even
while he told himself these things.</p>
<p>Mr. Ledbetter passed a large villa standing by itself. Conveniently
situated above a quiet, practicable balcony was a window, gaping black,
wide open. At the time he scarcely marked it, but the picture of it came
with him, wove into his thoughts. He figured himself climbing up that
balcony, crouching—plunging into that dark, mysterious interior.
“Bah! You would not dare,” said the Spirit of Doubt. “My duty to my
fellow-men forbids,” said Mr. Ledbetter's self-respect.</p>
<p>It was nearly eleven, and the little seaside town was already very still.
The whole world slumbered under the moonlight. Only one warm oblong of
window-blind far down the road spoke of waking life. He turned and came
back slowly towards the villa of the open window. He stood for a time
outside the gate, a battlefield of motives. “Let us put things to the
test,” said Doubt. “For the satisfaction of these intolerable doubts, show
that you dare go into that house. Commit a burglary in blank. That, at any
rate, is no crime.” Very softly he opened and shut the gate and slipped
into the shadow of the shrubbery. “This is foolish,” said Mr. Ledbetter's
caution. “I expected that,” said Doubt. His heart was beating fast, but he
was certainly not afraid. He was NOT afraid. He remained in that shadow
for some considerable time.</p>
<p>The ascent of the balcony, it was evident, would have to be done in a
rush, for it was all in clear moonlight, and visible from the gate into
the avenue. A trellis thinly set with young, ambitious climbing roses made
the ascent ridiculously easy. There, in that black shadow by the stone
vase of flowers, one might crouch and take a closer view of this gaping
breach in the domestic defences, the open window. For a while Mr.
Ledbetter was as still as the night, and then that insidious whisky tipped
the balance. He dashed forward. He went up the trellis with quick,
convulsive movements, swung his legs over the parapet of the balcony, and
dropped panting in the shadow even as he had designed. He was trembling
violently, short of breath, and his heart pumped noisily, but his mood was
exultation. He could have shouted to find he was so little afraid.</p>
<p>A happy line that he had learnt from Wills's “Mephistopheles” came into
his mind as he crouched there. “I feel like a cat on the tiles,” he
whispered to himself. It was far better than he had expected—this
adventurous exhilaration. He was sorry for all poor men to whom burglary
was unknown. Nothing happened. He was quite safe. And he was acting in the
bravest manner!</p>
<p>And now for the window, to make the burglary complete! Must he dare do
that? Its position above the front door defined it as a landing or
passage, and there were no looking-glasses or any bedroom signs about it,
or any other window on the first floor, to suggest the possibility of a
sleeper within. For a time he listened under the ledge, then raised his
eyes above the sill and peered in. Close at hand, on a pedestal, and a
little startling at first, was a nearly life-size gesticulating bronze. He
ducked, and after some time he peered again. Beyond was a broad landing,
faintly gleaming; a flimsy fabric of bead curtain, very black and sharp,
against a further window; a broad staircase, plunging into a gulf of
darkness below; and another ascending to the second floor. He glanced
behind him, but the stillness of the night was unbroken. “Crime,” he
whispered, “crime,” and scrambled softly and swiftly over the sill into
the house. His feet fell noiselessly on a mat of skin. He was a burglar
indeed!</p>
<p>He crouched for a time, all ears and peering eyes. Outside was a
scampering and rustling, and for a moment he repented of his enterprise. A
short “miaow,” a spitting, and a rush into silence, spoke reassuringly of
cats. His courage grew. He stood up. Every one was abed, it seemed. So
easy is it to commit a burglary, if one is so minded. He was glad he had
put it to the test. He determined to take some petty trophy, just to prove
his freedom from any abject fear of the law, and depart the way he had
come.</p>
<p>He peered about him, and suddenly the critical spirit arose again.
Burglars did far more than such mere elementary entrance as this: they
went into rooms, they forced safes. Well—he was not afraid. He could
not force safes, because that would be a stupid want of consideration for
his hosts. But he would go into rooms—he would go upstairs. More: he
told himself that he was perfectly secure; an empty house could not be
more reassuringly still. He had to clench his hands, nevertheless, and
summon all his resolution before he began very softly to ascend the dim
staircase, pausing for several seconds between each step. Above was a
square landing with one open and several closed doors; and all the house
was still. For a moment he stood wondering what would happen if some
sleeper woke suddenly and emerged. The open door showed a moonlit bedroom,
the coverlet white and undisturbed. Into this room he crept in three
interminable minutes and took a piece of soap for his plunder—his
trophy. He turned to descend even more softly than he had ascended. It was
as easy as—</p>
<p>Hist!...</p>
<p>Footsteps! On the gravel outside the house—and then the noise of a
latchkey, the yawn and bang of a door, and the spitting of a match in the
hall below. Mr. Ledbetter stood petrified by the sudden discovery of the
folly upon which he had come. “How on earth am I to get out of this?” said
Mr. Ledbetter.</p>
<p>The hall grew bright with a candle flame, some heavy object bumped against
the umbrella-stand, and feet were ascending the staircase. In a flash Mr.
Ledbetter realised that his retreat was closed. He stood for a moment, a
pitiful figure of penitent confusion. “My goodness! What a FOOL I have
been!” he whispered, and then darted swiftly across the shadowy landing
into the empty bedroom from which he had just come. He stood listening—quivering.
The footsteps reached the first-floor landing.</p>
<p>Horrible thought! This was possibly the latecomer's room! Not a moment was
to be lost! Mr. Ledbetter stooped beside the bed, thanked Heaven for a
valance, and crawled within its protection not ten seconds too soon. He
became motionless on hands and knees. The advancing candle-light appeared
through the thinner stitches of the fabric, the shadows ran wildly about,
and became rigid as the candle was put down.</p>
<p>“Lord, what a day!” said the newcomer, blowing noisily, and it seemed he
deposited some heavy burthen on what Mr. Ledbetter, judging by the feet,
decided to be a writing-table. The unseen then went to the door and locked
it, examined the fastenings of the windows carefully and pulled down the
blinds, and returning sat down upon the bed with startling ponderosity.</p>
<p>“WHAT a day!” he said. “Good Lord!” and blew again, and Mr. Ledbetter
inclined to believe that the person was mopping his face. His boots were
good stout boots; the shadows of his legs upon the valance suggested a
formidable stoutness of aspect. After a time he removed some upper
garments—a coat and waistcoat, Mr. Ledbetter inferred—and
casting them over the rail of the bed remained breathing less noisily, and
as it seemed cooling from a considerable temperature. At intervals he
muttered to himself, and once he laughed softly. And Mr. Ledbetter
muttered to himself, but he did not laugh. “Of all the foolish things,”
said Mr. Ledbetter. “What on earth am I to do now?”</p>
<p>His outlook was necessarily limited. The minute apertures between the
stitches of the fabric of the valance admitted a certain amount of light,
but permitted no peeping. The shadows upon this curtain, save for those
sharply defined legs, were enigmatical, and intermingled confusingly with
the florid patterning of the chintz. Beneath the edge of the valance a
strip of carpet was visible, and, by cautiously depressing his eye, Mr.
Ledbetter found that this strip broadened until the whole area of the
floor came into view. The carpet was a luxurious one, the room spacious,
and, to judge by the castors and so forth of the furniture, well equipped.</p>
<p>What he should do he found it difficult to imagine. To wait until this
person had gone to bed, and then, when he seemed to be sleeping, to creep
to the door, unlock it, and bolt headlong for that balcony seemed the only
possible thing to do. Would it be possible to jump from the balcony? The
danger of it! When he thought of the chances against him, Mr. Ledbetter
despaired. He was within an ace of thrusting forth his head beside the
gentleman's legs, coughing if necessary to attract his attention, and
then, smiling, apologising and explaining his unfortunate intrusion by a
few well-chosen sentences. But he found these sentences hard to choose.
“No doubt, sir, my appearance is peculiar,” or, “I trust, sir, you will
pardon my somewhat ambiguous appearance from beneath you,” was about as
much as he could get.</p>
<p>Grave possibilities forced themselves on his attention. Suppose they did
not believe him, what would they do to him? Would his unblemished high
character count for nothing? Technically he was a burglar, beyond dispute.
Following out this train of thought, he was composing a lucid apology for
“this technical crime I have committed,” to be delivered before sentence
in the dock, when the stout gentleman got up and began walking about the
room. He locked and unlocked drawers, and Mr. Ledbetter had a transient
hope that he might be undressing. But, no! He seated himself at the
writing-table, and began to write and then tear up documents. Presently
the smell of burning cream-laid paper mingled with the odour of cigars in
Mr. Ledbetter's nostrils.</p>
<p>“The position I had assumed,” said Mr. Ledbetter when he told me of these
things, “was in many respects an ill-advised one. A transverse bar beneath
the bed depressed my head unduly, and threw a disproportionate share of my
weight upon my hands. After a time, I experienced what is called, I
believe, a crick in the neck. The pressure of my hands on the
coarsely-stitched carpet speedily became painful. My knees, too, were
painful, my trousers being drawn tightly over them. At that time I wore
rather higher collars than I do now—two and a half inches, in fact—and
I discovered what I had not remarked before, that the edge of the one I
wore was frayed slightly under the chin. But much worse than these things
was an itching of my face, which I could only relieve by violent grimacing—I
tried to raise my hand, but the rustle of the sleeve alarmed me. After a
time I had to desist from this relief also, because—happily in time—I
discovered that my facial contortions were shifting my glasses down my
nose. Their fall would, of course, have exposed me, and as it was they
came to rest in an oblique position of by no means stable equilibrium. In
addition I had a slight cold, and an intermittent desire to sneeze or
sniff caused me inconvenience. In fact, quite apart from the extreme
anxiety of my position, my physical discomfort became in a short time very
considerable indeed. But I had to stay there motionless, nevertheless.”</p>
<p>After an interminable time, there began a chinking sound. This deepened
into a rhythm: chink, chink, chink—twenty-five chinks—a rap on
the writing-table, and a grunt from the owner of the stout legs. It dawned
upon Mr. Ledbetter that this chinking was the chinking of gold. He became
incredulously curious as it went on. His curiosity grew. Already, if that
was the case, this extraordinary man must have counted some hundreds of
pounds. At last Mr. Ledbetter could resist it no longer, and he began very
cautiously to fold his arms and lower his head to the level of the floor,
in the hope of peeping under the valance. He moved his feet, and one made
a slight scraping on the floor. Suddenly the chinking ceased. Mr.
Ledbetter became rigid. After a while the chinking was resumed. Then it
ceased again, and everything was still, except Mr. Ledbetter's heart—that
organ seemed to him to be beating like a drum.</p>
<p>The stillness continued. Mr. Ledbetter's head was now on the floor, and he
could see the stout legs as far as the shins. They were quite still. The
feet were resting on the toes and drawn back, as it seemed, under the
chair of the owner. Everything was quite still, everything continued
still. A wild hope came to Mr. Ledbetter that the unknown was in a fit or
suddenly dead, with his head upon the writing-table....</p>
<p>The stillness continued. What had happened? The desire to peep became
irresistible. Very cautiously Mr. Ledbetter shifted his hand forward,
projected a pioneer finger, and began to lift the valance immediately next
his eye. Nothing broke the stillness. He saw now the stranger's knees, saw
the back of the writing-table, and then—he was staring at the barrel
of a heavy revolver pointed over the writing-table at his head.</p>
<p>“Come out of that, you scoundrel!” said the voice of the stout gentleman
in a tone of quiet concentration. “Come out. This side, and now. None of
your hanky-panky—come right out, now.”</p>
<p>Mr. Ledbetter came right out, a little reluctantly perhaps, but without
any hanky-panky, and at once, even as he was told.</p>
<p>“Kneel,” said the stout gentleman, “and hold up your hands.”</p>
<p>The valance dropped again behind Mr. Ledbetter, and he rose from all-fours
and held up his hands. “Dressed like a parson,” said the stout gentleman.
“I'm blest if he isn't! A little chap, too! You SCOUNDREL! What the deuce
possessed you to come here to-night? What the deuce possessed you to get
under my bed?”</p>
<p>He did not appear to require an answer, but proceeded at once to several
very objectionable remarks upon Mr. Ledbetter's personal appearance. He
was not a very big man, but he looked strong to Mr. Ledbetter: he was as
stout as his legs had promised, he had rather delicately-chiselled small
features distributed over a considerable area of whitish face, and quite a
number of chins. And the note of his voice had a sort of whispering
undertone.</p>
<p>“What the deuce, I say, possessed you to get under my bed?”</p>
<p>Mr. Ledbetter, by an effort, smiled a wan propitiatory smile. He coughed.
“I can quite understand—” he said.</p>
<p>“Why! What on earth? It's SOAP! No!—you scoundrel. Don't you move
that hand.”</p>
<p>“It's soap,” said Mr. Ledbetter. “From your washstand. No doubt it—”</p>
<p>“Don't talk,” said the stout man. “I see it's soap. Of all incredible
things.”</p>
<p>“If I might explain—”</p>
<p>“Don't explain. It's sure to be a lie, and there's no time for
explanations. What was I going to ask you? Ah! Have you any mates?”</p>
<p>“In a few minutes, if you—”</p>
<p>“Have you any mates? Curse you. If you start any soapy palaver I'll shoot.
Have you any mates?”</p>
<p>“No,” said Mr. Ledbetter.</p>
<p>“I suppose it's a lie,” said the stout man. “But you'll pay for it if it
is. Why the deuce didn't you floor me when I came upstairs? You won't get
a chance to now, anyhow. Fancy getting under the bed! I reckon it's a fair
cop, anyhow, so far as you are concerned.”</p>
<p>“I don't see how I could prove an alibi,” remarked Mr. Ledbetter, trying
to show by his conversation that he was an educated man. There was a
pause. Mr. Ledbetter perceived that on a chair beside his captor was a
large black bag on a heap of crumpled papers, and that there were torn and
burnt papers on the table. And in front of these, and arranged
methodically along the edge were rows and rows of little yellow rouleaux—a
hundred times more gold than Mr. Ledbetter had seen in all his life
before. The light of two candles, in silver candlesticks, fell upon these.
The pause continued. “It is rather fatiguing holding up my hands like
this,” said Mr. Ledbetter, with a deprecatory smile.</p>
<p>“That's all right,” said the fat man. “But what to do with you I don't
exactly know.”</p>
<p>“I know my position is ambiguous.”</p>
<p>“Lord!” said the fat man, “ambiguous! And goes about with his own soap,
and wears a thundering great clerical collar. You ARE a blooming burglar,
you are—if ever there was one!”</p>
<p>“To be strictly accurate,” said Mr. Ledbetter, and suddenly his glasses
slipped off and clattered against his vest buttons.</p>
<p>The fat man changed countenance, a flash of savage resolution crossed his
face, and something in the revolver clicked. He put his other hand to the
weapon. And then he looked at Mr. Ledbetter, and his eye went down to the
dropped pince-nez.</p>
<p>“Full-cock now, anyhow,” said the fat man, after a pause, and his breath
seemed to catch. “But I'll tell you, you've never been so near death
before. Lord! I'M almost glad. If it hadn't been that the revolver wasn't
cocked you'd be lying dead there now.”</p>
<p>Mr. Ledbetter said nothing, but he felt that the room was swaying.</p>
<p>“A miss is as good as a mile. It's lucky for both of us it wasn't. Lord!”
He blew noisily. “There's no need for you to go pale-green for a little
thing like that.”</p>
<p>“If I can assure you, sir—” said Mr. Ledbetter, with an effort.</p>
<p>“There's only one thing to do. If I call in the police, I'm bust—a
little game I've got on is bust. That won't do. If I tie you up and leave
you again, the thing may be out to-morrow. Tomorrow's Sunday, and Monday's
Bank Holiday—I've counted on three clear days. Shooting you's murder—and
hanging; and besides, it will bust the whole blooming kernooze. I'm hanged
if I can think what to do—I'm hanged if I can.”</p>
<p>“Will you permit me—”</p>
<p>“You gas as much as if you were a real parson, I'm blessed if you don't.
Of all the burglars you are the—Well! No!—I WON'T permit you.
There isn't time. If you start off jawing again, I'll shoot right in your
stomach. See? But I know now-I know now! What we're going to do first, my
man, is an examination for concealed arms—an examination for
concealed arms. And look here! When I tell you to do a thing, don't start
off at a gabble—do it brisk.”</p>
<p>And with many elaborate precautions, and always pointing the pistol at Mr.
Ledbetter's head, the stout man stood him up and searched him for weapons.
“Why, you ARE a burglar!” he said “You're a perfect amateur. You haven't
even a pistol-pocket in the back of your breeches. No, you don't! Shut up,
now.”</p>
<p>So soon as the issue was decided, the stout man made Mr. Ledbetter take
off his coat and roll up his shirt-sleeves, and, with the revolver at one
ear, proceed with the packing his appearance had interrupted. From the
stout man's point of view that was evidently the only possible
arrangement, for if he had packed, he would have had to put down the
revolver. So that even the gold on the table was handled by Mr. Ledbetter.
This nocturnal packing was peculiar. The stout man's idea was evidently to
distribute the weight of the gold as unostentatiously as possible through
his luggage. It was by no means an inconsiderable weight. There was, Mr.
Ledbetter says, altogether nearly L18,000 in gold in the black bag and on
the table. There were also many little rolls of L5 bank-notes. Each
rouleau of L25 was wrapped by Mr. Ledbetter in paper. These rouleaux were
then put neatly in cigar boxes and distributed between a travelling trunk,
a Gladstone bag, and a hatbox. About L600 went in a tobacco tin in a
dressing-bag. L10 in gold and a number of L5 notes the stout man pocketed.
Occasionally he objurgated Mr. Ledbetter's clumsiness, and urged him to
hurry, and several times he appealed to Mr. Ledbetter's watch for
information.</p>
<p>Mr. Ledbetter strapped the trunk and bag, and returned the stout man the
keys. It was then ten minutes to twelve, and until the stroke of midnight
the stout man made him sit on the Gladstone bag, while he sat at a
reasonably safe distance on the trunk and held the revolver handy and
waited. He appeared to be now in a less aggressive mood, and having
watched Mr. Ledbetter for some time, he offered a few remarks.</p>
<p>“From your accent I judge you are a man of some education,” he said,
lighting a cigar. “No—DON'T begin that explanation of yours. I know
it will be long-winded from your face, and I am much too old a liar to be
interested in other men's lying. You are, I say, a person of education.
You do well to dress as a curate. Even among educated people you might
pass as a curate.”</p>
<p>“I AM a curate,” said Mr. Ledbetter, “or, at least—”</p>
<p>“You are trying to be. I know. But you didn't ought to burgle. You are not
the man to burgle. You are, if I may say it—the thing will have been
pointed out to you before—a coward.”</p>
<p>“Do you know,” said Mr. Ledbetter, trying to get a final opening, “it was
that very question—”</p>
<p>The stout man waved him into silence.</p>
<p>“You waste your education in burglary. You should do one of two things.
Either you should forge or you should embezzle. For my own part, I
embezzle. Yes; I embezzle. What do you think a man could be doing with all
this gold but that? Ah! Listen! Midnight!... Ten. Eleven. Twelve. There is
something very impressive to me in that slow beating of the hours. Time—space;
what mysteries they are! What mysteries.... It's time for us to be moving.
Stand up!”</p>
<p>And then kindly, but firmly, he induced Mr. Ledbetter to sling the
dressing bag over his back by a string across his chest, to shoulder the
trunk, and, overruling a gasping protest, to take the Gladstone bag in his
disengaged hand. So encumbered, Mr. Ledbetter struggled perilously
downstairs. The stout gentleman followed with an overcoat, the hatbox, and
the revolver, making derogatory remarks about Mr. Ledbetter's strength,
and assisting him at the turnings of the stairs.</p>
<p>“The back door,” he directed, and Mr. Ledbetter staggered through a
conservatory, leaving a wake of smashed flower-pots behind him. “Never
mind the crockery,” said the stout man; “it's good for trade. We wait here
until a quarter past. You can put those things down. You have!”</p>
<p>Mr. Ledbetter collapsed panting on the trunk. “Last night,” he gasped, “I
was asleep in my little room, and I no more dreamt—”</p>
<p>“There's no need for you to incriminate yourself,” said the stout
gentleman, looking at the lock of the revolver. He began to hum. Mr.
Ledbetter made to speak, and thought better of it.</p>
<p>There presently came the sound of a bell, and Mr. Ledbetter was taken to
the back door and instructed to open it. A fair-haired man in yachting
costume entered. At the sight of Mr. Ledbetter he started violently and
clapped his hand behind him. Then he saw the stout man. “Bingham!” he
cried, “who's this?”</p>
<p>“Only a little philanthropic do of mine—burglar I'm trying to
reform. Caught him under my bed just now. He's all right. He's a frightful
ass. He'll be useful to carry some of our things.”</p>
<p>The newcomer seemed inclined to resent Mr. Ledbetter's presence at first,
but the stout man reassured him.</p>
<p>“He's quite alone. There's not a gang in the world would own him. No!—don't
start talking, for goodness' sake.”</p>
<p>They went out into the darkness of the garden with the trunk still bowing
Mr. Ledbetter's shoulders. The man in the yachting costume walked in front
with the Gladstone bag and a pistol; then came Mr. Ledbetter like Atlas;
Mr. Bingham followed with the hat-box, coat, and revolver as before. The
house was one of those that have their gardens right up to the cliff. At
the cliff was a steep wooden stairway, descending to a bathing tent dimly
visible on the beach. Below was a boat pulled up, and a silent little man
with a black face stood beside it. “A few moments' explanation,” said Mr.
Ledbetter; “I can assure you—” Somebody kicked him, and he said no
more.</p>
<p>They made him wade to the boat, carrying the trunk, they pulled him aboard
by the shoulders and hair, they called him no better name than “scoundrel”
and “burglar” all that night. But they spoke in undertones so that the
general public was happily unaware of his ignominy. They hauled him aboard
a yacht manned by strange, unsympathetic Orientals, and partly they thrust
him and partly he fell down a gangway into a noisome, dark place, where he
was to remain many days—how many he does not know, because he lost
count among other things when he was seasick. They fed him on biscuits and
incomprehensible words; they gave him water to drink mixed with
unwished-for rum. And there were cockroaches where they put him, night and
day there were cockroaches, and in the night-time there were rats. The
Orientals emptied his pockets and took his watch—but Mr. Bingham,
being appealed to, took that himself. And five or six times the five
Lascars—if they were Lascars—and the Chinaman and the negro
who constituted the crew, fished him out and took him aft to Bingham and
his friend to play cribbage and euchre and three-anded whist, and to
listen to their stories and boastings in an interested manner.</p>
<p>Then these principals would talk to him as men talk to those who have
lived a life of crime. Explanations they would never permit, though they
made it abundantly clear to him that he was the rummiest burglar they had
ever set eyes on. They said as much again and again. The fair man was of a
taciturn disposition and irascible at play; but Mr. Bingham, now that the
evident anxiety of his departure from England was assuaged, displayed a
vein of genial philosophy. He enlarged upon the mystery of space and time,
and quoted Kant and Hegel—or, at least, he said he did. Several
times Mr. Ledbetter got as far as: “My position under your bed, you know—,”
but then he always had to cut, or pass the whisky, or do some such
intervening thing. After his third failure, the fair man got quite to look
for this opening, and whenever Mr. Ledbetter began after that, he would
roar with laughter and hit him violently on the back. “Same old start,
same old story; good old burglar!” the fair-haired man would say.</p>
<p>So Mr. Ledbetter suffered for many days, twenty perhaps; and one evening
he was taken, together with some tinned provisions, over the side and put
ashore on a rocky little island with a spring. Mr. Bingham came in the
boat with him, giving him good advice all the way, and waving his last
attempts at an explanation aside.</p>
<p>“I am really NOT a burglar,” said Mr. Ledbetter.</p>
<p>“You never will be,” said Mr. Bingham. “You'll never make a burglar. I'm
glad you are beginning to see it. In choosing a profession a man must
study his temperament. If you don't, sooner or later you will fail.
Compare myself, for example. All my life I have been in banks—I have
got on in banks. I have even been a bank manager. But was I happy? No. Why
wasn't I happy? Because it did not suit my temperament. I am too
adventurous—too versatile. Practically I have thrown it over. I do
not suppose I shall ever manage a bank again. They would be glad to get
me, no doubt; but I have learnt the lesson of my temperament—at
last.... No! I shall never manage a bank again.</p>
<p>“Now, your temperament unfits you for crime—just as mine unfits me
for respectability. I know you better than I did, and now I do not even
recommend forgery. Go back to respectable courses, my man. YOUR lay is the
philanthropic lay—that is your lay. With that voice—the
Association for the Promotion of Snivelling among the Young—something
in that line. You think it over.</p>
<p>“The island we are approaching has no name apparently—at least,
there is none on the chart. You might think out a name for it while you
are there—while you are thinking about all these things. It has
quite drinkable water, I understand. It is one of the Grenadines—one
of the Windward Islands. Yonder, dim and blue, are others of the
Grenadines. There are quantities of Grenadines, but the majority are out
of sight. I have often wondered what these islands are for—now, you
see, I am wiser. This one at least is for you. Sooner or later some simple
native will come along and take you off. Say what you like about us then—abuse
us, if you like—we shan't care a solitary Grenadine! And here—here
is half a sovereign's worth of silver. Do not waste that in foolish
dissipation when you return to civilisation. Properly used, it may give
you a fresh start in life. And do not—Don't beach her, you beggars,
he can wade!—Do not waste the precious solitude before you in
foolish thoughts. Properly used, it may be a turning-point in your career.
Waste neither money nor time. You will die rich. I'm sorry, but I must ask
you to carry your tucker to land in your arms. No; it's not deep. Curse
that explanation of yours! There's not time. No, no, no! I won't listen.
Overboard you go!”</p>
<p>And the falling night found Mr. Ledbetter—the Mr. Ledbetter who had
complained that adventure was dead—sitting beside his cans of food,
his chin resting upon his drawn-up knees, staring through his glasses in
dismal mildness over the shining, vacant sea.</p>
<p>He was picked up in the course of three days by a negro fisherman and
taken to St. Vincent's, and from St. Vincent's he got, by the expenditure
of his last coins, to Kingston, in Jamaica. And there he might have
foundered. Even nowadays he is not a man of affairs, and then he was a
singularly helpless person. He had not the remotest idea what he ought to
do. The only thing he seems to have done was to visit all the ministers of
religion he could find in the place to borrow a passage home. But he was
much too dirty and incoherent—and his story far too incredible for
them. I met him quite by chance. It was close upon sunset, and I was
walking out after my siesta on the road to Dunn's Battery, when I met him—I
was rather bored, and with a whole evening on my hands—luckily for
him. He was trudging dismally towards the town. His woebegone face and the
quasi-clerical cut of his dust-stained, filthy costume caught my humour.
Our eyes met. He hesitated. “Sir,” he said, with a catching of the breath,
“could you spare a few minutes for what I fear will seem an incredible
story?”</p>
<p>“Incredible!” I said.</p>
<p>“Quite,” he answered eagerly. “No one will believe it, alter it though I
may. Yet I can assure you, sir—”</p>
<p>He stopped hopelessly. The man's tone tickled me. He seemed an odd
character. “I am,” he said, “one of the most unfortunate beings alive.”</p>
<p>“Among other things, you haven't dined?” I said, struck with an idea.</p>
<p>“I have not,” he said solemnly, “for many days.”</p>
<p>“You'll tell it better after that,” I said; and without more ado led the
way to a low place I knew, where such a costume as his was unlikely to
give offence. And there—with certain omissions which he subsequently
supplied—I got his story. At first I was incredulous, but as the
wine warmed him, and the faint suggestion of cringing which his
misfortunes had added to his manner disappeared, I began to believe. At
last, I was so far convinced of his sincerity that I got him a bed for the
night, and next day verified the banker's reference he gave me through my
Jamaica banker. And that done, I took him shopping for underwear and such
like equipments of a gentleman at large. Presently came the verified
reference. His astonishing story was true. I will not amplify our
subsequent proceedings. He started for England in three days' time.</p>
<p>“I do not know how I can possibly thank you enough,” began the letter he
wrote me from England, “for all your kindness to a total stranger,” and
proceeded for some time in a similar strain. “Had it not been for your
generous assistance, I could certainly never have returned in time for the
resumption of my scholastic duties, and my few minutes of reckless folly
would, perhaps, have proved my ruin. As it is, I am entangled in a tissue
of lies and evasions, of the most complicated sort, to account for my
sunburnt appearance and my whereabouts. I have rather carelessly told two
or three different stories, not realising the trouble this would mean for
me in the end. The truth I dare not tell. I have consulted a number of
law-books in the British Museum, and there is not the slightest doubt that
I have connived at and abetted and aided a felony. That scoundrel Bingham
was the Hithergate bank manager, I find, and guilty of the most flagrant
embezzlement. Please, please burn this letter when read—I trust you
implicitly. The worst of it is, neither my aunt nor her friend who kept
the boarding-house at which I was staying seem altogether to believe a
guarded statement I have made them practically of what actually happened.
They suspect me of some discreditable adventure, but what sort of
discreditable adventure they suspect me of, I do not know. My aunt says
she would forgive me if I told her everything. I have—I have told
her MORE than everything, and still she is not satisfied. It would never
do to let them know the truth of the case, of course, and so I represent
myself as having been waylaid and gagged upon the beach. My aunt wants to
know WHY they waylaid and gagged me, why they took me away in their yacht.
I do not know. Can you suggest any reason? I can think of nothing. If,
when you wrote, you could write on TWO sheets so that I could show her
one, and on that one if you could show clearly that I really WAS in
Jamaica this summer, and had come there by being removed from a ship, it
would be of great service to me. It would certainly add to the load of my
obligation to you—a load that I fear I can never fully repay.
Although if gratitude...” And so forth. At the end he repeated his request
for me to burn the letter.</p>
<p>So the remarkable story of Mr. Ledbetter's Vacation ends. That breach with
his aunt was not of long duration. The old lady had forgiven him before
she died.</p>
<p><SPAN name="link2H_4_0010" id="link2H_4_0010"></SPAN></p>
<br/>
<h2> 10. THE STOLEN BODY </h2>
<p>Mr. Bessel was the senior partner in the firm of Bessel, Hart, and Brown,
of St. Paul's Churchyard, and for many years he was well known among those
interested in psychical research as a liberal-minded and conscientious
investigator. He was an unmarried man, and instead of living in the
suburbs, after the fashion of his class, he occupied rooms in the Albany,
near Piccadilly. He was particularly interested in the questions of
thought transference and of apparitions of the living, and in November,
1896, he commenced a series of experiments in conjunction with Mr. Vincey,
of Staple Inn, in order to test the alleged possibility of projecting an
apparition of one's self by force of will through space.</p>
<p>Their experiments were conducted in the following manner: At a
pre-arranged hour Mr. Bessel shut himself in one of his rooms in the
Albany and Mr. Vincey in his sitting-room in Staple Inn, and each then
fixed his mind as resolutely as possible on the other. Mr. Bessel had
acquired the art of self-hypnotism, and, so far as he could, he attempted
first to hypnotise himself and then to project himself as a “phantom of
the living” across the intervening space of nearly two miles into Mr.
Vincey's apartment. On several evenings this was tried without any
satisfactory result, but on the fifth or sixth occasion Mr. Vincey did
actually see or imagine he saw an apparition of Mr. Bessel standing in his
room. He states that the appearance, although brief, was very vivid and
real. He noticed that Mr. Bessel's face was white and his expression
anxious, and, moreover, that his hair was disordered. For a moment Mr.
Vincey, in spite of his state of expectation, was too surprised to speak
or move, and in that moment it seemed to him as though the figure glanced
over its shoulder and incontinently vanished.</p>
<p>It had been arranged that an attempt should be made to photograph any
phantasm seen, but Mr. Vincey had not the instant presence of mind to snap
the camera that lay ready on the table beside him, and when he did so he
was too late. Greatly elated, however, even by this partial success, he
made a note of the exact time, and at once took a cab to the Albany to
inform Mr. Bessel of this result.</p>
<p>He was surprised to find Mr. Bessel's outer door standing open to the
night, and the inner apartments lit and in an extraordinary disorder. An
empty champagne magnum lay smashed upon the floor; its neck had been
broken off against the inkpot on the bureau and lay beside it. An
octagonal occasional table, which carried a bronze statuette and a number
of choice books, had been rudely overturned, and down the primrose paper
of the wall inky fingers had been drawn, as it seemed for the mere
pleasure of defilement. One of the delicate chintz curtains had been
violently torn from its rings and thrust upon the fire, so that the smell
of its smouldering filled the room. Indeed the whole place was disarranged
in the strangest fashion. For a few minutes Mr. Vincey, who had entered
sure of finding Mr. Bessel in his easy chair awaiting him, could scarcely
believe his eyes, and stood staring helplessly at these unanticipated
things.</p>
<p>Then, full of a vague sense of calamity, he sought the porter at the
entrance lodge. “Where is Mr. Bessel?” he asked. “Do you know that all the
furniture is broken in Mr. Bessel's room?” The porter said nothing, but,
obeying his gestures, came at once to Mr. Bessel's apartment to see the
state of affairs. “This settles it,” he said, surveying the lunatic
confusion. “I didn't know of this. Mr. Bessel's gone off. He's mad!”</p>
<p>He then proceeded to tell Mr. Vincey that about half an hour previously,
that is to say, at about the time of Mr. Bessel's apparition in Mr.
Vincey's rooms, the missing gentleman had rushed out of the gates of the
Albany into Vigo Street, hatless and with disordered hair, and had
vanished into the direction of Bond Street. “And as he went past me,” said
the porter, “he laughed—a sort of gasping laugh, with his mouth open
and his eyes glaring—I tell you, sir, he fair scared me!—like
this.”</p>
<p>According to his imitation it was anything but a pleasant laugh. “He waved
his hand, with all his fingers crooked and clawing—like that. And he
said, in a sort of fierce whisper, 'LIFE!' Just that one word, 'LIFE!'”</p>
<p>“Dear me,” said Mr. Vincey. “Tut, tut,” and “Dear me!” He could think of
nothing else to say. He was naturally very much surprised. He turned from
the room to the porter and from the porter to the room in the gravest
perplexity. Beyond his suggestion that probably Mr. Bessel would come back
presently and explain what had happened, their conversation was unable to
proceed. “It might be a sudden toothache,” said the porter, “a very sudden
and violent toothache, jumping on him suddenly-like and driving him wild.
I've broken things myself before now in such a case...” He thought. “If it
was, why should he say 'LIFE' to me as he went past?”</p>
<p>Mr. Vincey did not know. Mr. Bessel did not return, and at last Mr.
Vincey, having done some more helpless staring, and having addressed a
note of brief inquiry and left it in a conspicuous position on the bureau,
returned in a very perplexed frame of mind to his own premises in Staple
Inn. This affair had given him a shock. He was at a loss to account for
Mr. Bessel's conduct on any sane hypothesis. He tried to read, but he
could not do so; he went for a short walk, and was so preoccupied that he
narrowly escaped a cab at the top of Chancery Lane; and at last—a
full hour before his usual time—he went to bed. For a considerable
time he could not sleep because of his memory of the silent confusion of
Mr. Bessel's apartment, and when at length he did attain an uneasy slumber
it was at once disturbed by a very vivid and distressing dream of Mr.
Bessel.</p>
<p>He saw Mr. Bessel gesticulating wildly, and with his face white and
contorted. And, inexplicably mingled with his appearance, suggested
perhaps by his gestures, was an intense fear, an urgency to act. He even
believes that he heard the voice of his fellow experimenter calling
distressfully to him, though at the time he considered this to be an
illusion. The vivid impression remained though Mr. Vincey awoke. For a
space he lay awake and trembling in the darkness, possessed with that
vague, unaccountable terror of unknown possibilities that comes out of
dreams upon even the bravest men. But at last he roused himself, and
turned over and went to sleep again, only for the dream to return with
enhanced vividness.</p>
<p>He awoke with such a strong conviction that Mr. Bessel was in overwhelming
distress and need of help that sleep was no longer possible. He was
persuaded that his friend had rushed out to some dire calamity. For a time
he lay reasoning vainly against this belief, but at last he gave way to
it. He arose, against all reason, lit his gas, and dressed, and set out
through the deserted streets—deserted, save for a noiseless
policeman or so and the early news carts—towards Vigo Street to
inquire if Mr. Bessel had returned.</p>
<p>But he never got there. As he was going down Long Acre some unaccountable
impulse turned him aside out of that street towards Covent Garden, which
was just waking to its nocturnal activities. He saw the market in front of
him—a queer effect of glowing yellow lights and busy black figures.
He became aware of a shouting, and perceived a figure turn the corner by
the hotel and run swiftly towards him. He knew at once that it was Mr.
Bessel. But it was Mr. Bessel transfigured. He was hatless and
dishevelled, his collar was torn open, he grasped a bone-handled
walking-cane near the ferrule end, and his mouth was pulled awry. And he
ran, with agile strides, very rapidly. Their encounter was the affair of
an instant. “Bessel!” cried Vincey.</p>
<p>The running man gave no sign of recognition either of Mr. Vincey or of his
own name. Instead, he cut at his friend savagely with the stick, hitting
him in the face within an inch of the eye. Mr. Vincey, stunned and
astonished, staggered back, lost his footing, and fell heavily on the
pavement. It seemed to him that Mr. Bessel leapt over him as he fell. When
he looked again Mr. Bessel had vanished, and a policeman and a number of
garden porters and salesmen were rushing past towards Long Acre in hot
pursuit.</p>
<p>With the assistance of several passers-by—for the whole street was
speedily alive with running people—Mr. Vincey struggled to his feet.
He at once became the centre of a crowd greedy to see his injury. A
multitude of voices competed to reassure him of his safety, and then to
tell him of the behaviour of the madman, as they regarded Mr. Bessel. He
had suddenly appeared in the middle of the market screaming “LIFE! LIFE!”
striking left and right with a blood-stained walking-stick, and dancing
and shouting with laughter at each successful blow. A lad and two women
had broken heads, and he had smashed a man's wrist; a little child had
been knocked insensible, and for a time he had driven every one before
him, so furious and resolute had his behaviour been. Then he made a raid
upon a coffee stall, hurled its paraffin flare through the window of the
post office, and fled laughing, after stunning the foremost of the two
policemen who had the pluck to charge him.</p>
<p>Mr. Vincey's first impulse was naturally to join in the pursuit of his
friend, in order if possible to save him from the violence of the
indignant people. But his action was slow, the blow had half stunned him,
and while this was still no more than a resolution came the news, shouted
through the crowd, that Mr. Bessel had eluded his pursuers. At first Mr.
Vincey could scarcely credit this, but the universality of the report, and
presently the dignified return of two futile policemen, convinced him.
After some aimless inquiries he returned towards Staple Inn, padding a
handkerchief to a now very painful nose.</p>
<p>He was angry and astonished and perplexed. It appeared to him indisputable
that Mr. Bessel must have gone violently mad in the midst of his
experiment in thought transference, but why that should make him appear
with a sad white face in Mr. Vincey's dreams seemed a problem beyond
solution. He racked his brains in vain to explain this. It seemed to him
at last that not simply Mr. Bessel, but the order of things must be
insane. But he could think of nothing to do. He shut himself carefully
into his room, lit his fire—it was a gas fire with asbestos bricks—and,
fearing fresh dreams if he went to bed, remained bathing his injured face,
or holding up books in a vain attempt to read, until dawn. Throughout that
vigil he had a curious persuasion that Mr. Bessel was endeavouring to
speak to him, but he would not let himself attend to any such belief.</p>
<p>About dawn, his physical fatigue asserted itself, and he went to bed and
slept at last in spite of dreaming. He rose late, unrested and anxious,
and in considerable facial pain. The morning papers had no news of Mr.
Bessel's aberration—it had come too late for them. Mr. Vincey's
perplexities, to which the fever of his bruise added fresh irritation,
became at last intolerable, and, after a fruitless visit to the Albany, he
went down to St. Paul's Churchyard to Mr. Hart, Mr. Bessel's partner, and,
so far as Mr. Vincey knew, his nearest friend.</p>
<p>He was surprised to learn that Mr. Hart, although he knew nothing of the
outbreak, had also been disturbed by a vision, the very vision that Mr.
Vincey had seen—Mr. Bessel, white and dishevelled, pleading
earnestly by his gestures for help. That was his impression of the import
of his signs. “I was just going to look him up in the Albany when you
arrived,” said Mr. Hart. “I was so sure of something being wrong with
him.”</p>
<p>As the outcome of their consultation the two gentlemen decided to inquire
at Scotland Yard for news of their missing friend. “He is bound to be laid
by the heels,” said Mr. Hart. “He can't go on at that pace for long.” But
the police authorities had not laid Mr. Bessel by the heels. They
confirmed Mr. Vincey's overnight experiences and added fresh
circumstances, some of an even graver character than those he knew—a
list of smashed glass along the upper half of Tottenham Court Road, an
attack upon a policeman in Hampstead Road, and an atrocious assault upon a
woman. All these outrages were committed between half-past twelve and a
quarter to two in the morning, and between those hours—and, indeed,
from the very moment of Mr. Bessel's first rush from his rooms at
half-past nine in the evening—they could trace the deepening
violence of his fantastic career. For the last hour, at least from before
one, that is, until a quarter to two, he had run amuck through London,
eluding with amazing agility every effort to stop or capture him.</p>
<p>But after a quarter to two he had vanished. Up to that hour witnesses were
multitudinous. Dozens of people had seen him, fled from him or pursued
him, and then things suddenly came to an end. At a quarter to two he had
been seen running down the Euston Road towards Baker Street, flourishing a
can of burning colza oil and jerking splashes of flame therefrom at the
windows of the houses he passed. But none of the policemen on Euston Road
beyond the Waxwork Exhibition, nor any of those in the side streets down
which he must have passed had he left the Euston Road, had seen anything
of him. Abruptly he disappeared. Nothing of his subsequent doings came to
light in spite of the keenest inquiry.</p>
<p>Here was a fresh astonishment for Mr. Vincey. He had found considerable
comfort in Mr. Hart's conviction: “He is bound to be laid by the heels
before long,” and in that assurance he had been able to suspend his mental
perplexities. But any fresh development seemed destined to add new
impossibilities to a pile already heaped beyond the powers of his
acceptance. He found himself doubting whether his memory might not have
played him some grotesque trick, debating whether any of these things
could possibly have happened; and in the afternoon he hunted up Mr. Hart
again to share the intolerable weight on his mind. He found Mr. Hart
engaged with a well-known private detective, but as that gentleman
accomplished nothing in this case, we need not enlarge upon his
proceedings.</p>
<p>All that day Mr. Bessel's whereabouts eluded an unceasingly active
inquiry, and all that night. And all that day there was a persuasion in
the back of Vincey's mind that Mr. Bessel sought his attention, and all
through the night Mr. Bessel with a tear-stained face of anguish pursued
him through his dreams. And whenever he saw Mr. Bessel in his dreams he
also saw a number of other faces, vague but malignant, that seemed to be
pursuing Mr. Bessel.</p>
<p>It was on the following day, Sunday, that Mr. Vincey recalled certain
remarkable stories of Mrs. Bullock, the medium, who was then attracting
attention for the first time in London. He determined to consult her. She
was staying at the house of that well-known inquirer, Dr. Wilson Paget,
and Mr. Vincey, although he had never met that gentleman before, repaired
to him forthwith with the intention of invoking her help. But scarcely had
he mentioned the name of Bessel when Doctor Paget interrupted him. “Last
night—just at the end,” he said, “we had a communication.”</p>
<p>He left the room, and returned with a slate on which were certain words
written in a handwriting, shaky indeed, but indisputably the handwriting
of Mr. Bessel!</p>
<p>“How did you get this?” said Mr. Vincey. “Do you mean—?”</p>
<p>“We got it last night,” said Doctor Paget. With numerous interruptions
from Mr. Vincey, he proceeded to explain how the writing had been
obtained. It appears that in her seances, Mrs. Bullock passes into a
condition of trance, her eyes rolling up in a strange way under her
eyelids, and her body becoming rigid. She then begins to talk very
rapidly, usually in voices other than her own. At the same time one or
both of her hands may become active, and if slates and pencils are
provided they will then write messages simultaneously with and quite
independently of the flow of words from her mouth. By many she is
considered an even more remarkable medium than the celebrated Mrs. Piper.
It was one of these messages, the one written by her left hand, that Mr.
Vincey now had before him. It consisted of eight words written
disconnectedly: “George Bessel... trial excavn.... Baker Street... help...
starvation.” Curiously enough, neither Doctor Paget nor the two other
inquirers who were present had heard of the disappearance of Mr. Bessel—the
news of it appeared only in the evening papers of Saturday—and they
had put the message aside with many others of a vague and enigmatical sort
that Mrs. Bullock has from time to time delivered.</p>
<p>When Doctor Paget heard Mr. Vincey's story, he gave himself at once with
great energy to the pursuit of this clue to the discovery of Mr. Bessel.
It would serve no useful purpose here to describe the inquiries of Mr.
Vincey and himself; suffice it that the clue was a genuine one, and that
Mr. Bessel was actually discovered by its aid.</p>
<p>He was found at the bottom of a detached shaft which had been sunk and
abandoned at the commencement of the work for the new electric railway
near Baker Street Station. His arm and leg and two ribs were broken. The
shaft is protected by a hoarding nearly 20 feet high, and over this,
incredible as it seems, Mr. Bessel, a stout, middle-aged gentleman, must
have scrambled in order to fall down the shaft. He was saturated in colza
oil, and the smashed tin lay beside him, but luckily the flame had been
extinguished by his fall. And his madness had passed from him altogether.
But he was, of course, terribly enfeebled, and at the sight of his
rescuers he gave way to hysterical weeping.</p>
<p>In view of the deplorable state of his flat, he was taken to the house of
Dr. Hatton in Upper Baker Street. Here he was subjected to a sedative
treatment, and anything that might recall the violent crisis through which
he had passed was carefully avoided. But on the second day he volunteered
a statement.</p>
<p>Since that occasion Mr. Bessel has several times repeated this statement—to
myself among other people—varying the details as the narrator of
real experiences always does, but never by any chance contradicting
himself in any particular. And the statement he makes is in substance as
follows.</p>
<p>In order to understand it clearly it is necessary to go back to his
experiments with Mr. Vincey before his remarkable attack. Mr. Bessel's
first attempts at self-projection, in his experiments with Mr. Vincey,
were, as the reader will remember, unsuccessful. But through all of them
he was concentrating all his power and will upon getting out of the body—“willing
it with all my might,” he says. At last, almost against expectation, came
success. And Mr. Bessel asserts that he, being alive, did actually, by an
effort of will, leave his body and pass into some place or state outside
this world.</p>
<p>The release was, he asserts, instantaneous. “At one moment I was seated in
my chair, with my eyes tightly shut, my hands gripping the arms of the
chair, doing all I could to concentrate my mind on Vincey, and then I
perceived myself outside my body—saw my body near me, but certainly
not containing me, with the hands relaxing and the head drooping forward
on the breast.”</p>
<p>Nothing shakes him in his assurance of that release. He describes in a
quiet, matter-of-fact way the new sensation he experienced. He felt he had
become impalpable—so much he had expected, but he had not expected
to find himself enormously large. So, however, it would seem he became. “I
was a great cloud—if I may express it that way—anchored to my
body. It appeared to me, at first, as if I had discovered a greater self
of which the conscious being in my brain was only a little part. I saw the
Albany and Piccadilly and Regent Street and all the rooms and places in
the houses, very minute and very bright and distinct, spread out below me
like a little city seen from a balloon. Every now and then vague shapes
like drifting wreaths of smoke made the vision a little indistinct, but at
first I paid little heed to them. The thing that astonished me most, and
which astonishes me still, is that I saw quite distinctly the insides of
the houses as well as the streets, saw little people dining and talking in
the private houses, men and women dining, playing billiards, and drinking
in restaurants and hotels, and several places of entertainment crammed
with people. It was like watching the affairs of a glass hive.”</p>
<p>Such were Mr. Bessel's exact words as I took them down when he told me the
story. Quite forgetful of Mr. Vincey, he remained for a space observing
these things. Impelled by curiosity, he says, he stooped down, and, with
the shadowy arm he found himself possessed of, attempted to touch a man
walking along Vigo Street. But he could not do so, though his finger
seemed to pass through the man. Something prevented his doing this, but
what it was he finds it hard to describe. He compares the obstacle to a
sheet of glass.</p>
<p>“I felt as a kitten may feel,” he said, “when it goes for the first time
to pat its reflection in a mirror.” Again and again, on the occasion when
I heard him tell this story, Mr. Bessel returned to that comparison of the
sheet of glass. Yet it was not altogether a precise comparison, because,
as the reader will speedily see, there were interruptions of this
generally impermeable resistance, means of getting through the barrier to
the material world again. But, naturally, there is a very great difficulty
in expressing these unprecedented impressions in the language of everyday
experience.</p>
<p>A thing that impressed him instantly, and which weighed upon him
throughout all this experience, was the stillness of this place—he
was in a world without sound.</p>
<p>At first Mr. Bessel's mental state was an unemotional wonder. His thought
chiefly concerned itself with where he might be. He was out of the body—out
of his material body, at any rate—but that was not all. He believes,
and I for one believe also, that he was somewhere out of space, as we
understand it, altogether. By a strenuous effort of will he had passed out
of his body into a world beyond this world, a world undreamt of, yet lying
so close to it and so strangely situated with regard to it that all things
on this earth are clearly visible both from without and from within in
this other world about us. For a long time, as it seemed to him, this
realisation occupied his mind to the exclusion of all other matters, and
then he recalled the engagement with Mr. Vincey, to which this astonishing
experience was, after all, but a prelude.</p>
<p>He turned his mind to locomotion in this new body in which he found
himself. For a time he was unable to shift himself from his attachment to
his earthly carcass. For a time this new strange cloud body of his simply
swayed, contracted, expanded, coiled, and writhed with his efforts to free
himself, and then quite suddenly the link that bound him snapped. For a
moment everything was hidden by what appeared to be whirling spheres of
dark vapour, and then through a momentary gap he saw his drooping body
collapse limply, saw his lifeless head drop sideways, and found he was
driving along like a huge cloud in a strange place of shadowy clouds that
had the luminous intricacy of London spread like a model below.</p>
<p>But now he was aware that the fluctuating vapour about him was something
more than vapour, and the temerarious excitement of his first essay was
shot with fear. For he perceived, at first indistinctly, and then suddenly
very clearly, that he was surrounded by FACES! that each roll and coil of
the seeming cloud-stuff was a face. And such faces! Faces of thin shadow,
faces of gaseous tenuity. Faces like those faces that glare with
intolerable strangeness upon the sleeper in the evil hours of his dreams.
Evil, greedy eyes that were full of a covetous curiosity, faces with knit
brows and snarling, smiling lips; their vague hands clutched at Mr. Bessel
as he passed, and the rest of their bodies was but an elusive streak of
trailing darkness. Never a word they said, never a sound from the mouths
that seemed to gibber. All about him they pressed in that dreamy silence,
passing freely through the dim mistiness that was his body, gathering ever
more numerously about him. And the shadowy Mr. Bessel, now suddenly
fear-stricken, drove through the silent, active multitude of eyes and
clutching hands.</p>
<p>So inhuman were these faces, so malignant their staring eyes, and shadowy,
clawing gestures, that it did not occur to Mr. Bessel to attempt
intercourse with these drifting creatures. Idiot phantoms, they seemed,
children of vain desire, beings unborn and forbidden the boon of being,
whose only expressions and gestures told of the envy and craving for life
that was their one link with existence.</p>
<p>It says much for his resolution that, amidst the swarming cloud of these
noiseless spirits of evil, he could still think of Mr. Vincey. He made a
violent effort of will and found himself, he knew not how, stooping
towards Staple Inn, saw Vincey sitting attentive and alert in his
arm-chair by the fire.</p>
<p>And clustering also about him, as they clustered ever about all that lives
and breathes, was another multitude of these vain voiceless shadows,
longing, desiring, seeking some loophole into life.</p>
<p>For a space Mr. Bessel sought ineffectually to attract his friend's
attention. He tried to get in front of his eyes, to move the objects in
his room, to touch him. But Mr. Vincey remained unaffected, ignorant of
the being that was so close to his own. The strange something that Mr.
Bessel has compared to a sheet of glass separated them impermeably.</p>
<p>And at last Mr. Bessel did a desperate thing. I have told how that in some
strange way he could see not only the outside of a man as we see him, but
within. He extended his shadowy hand and thrust his vague black fingers,
as it seemed, through the heedless brain.</p>
<p>Then, suddenly, Mr. Vincey started like a man who recalls his attention
from wandering thoughts, and it seemed to Mr. Bessel that a little
dark-red body situated in the middle of Mr. Vincey's brain swelled and
glowed as he did so. Since that experience he has been shown anatomical
figures of the brain, and he knows now that this is that useless
structure, as doctors call it, the pineal eye. For, strange as it will
seem to many, we have, deep in our brains—where it cannot possibly
see any earthly light—an eye! At the time this, with the rest of the
internal anatomy of the brain, was quite new to him. At the sight of its
changed appearance, however, he thrust forth his finger, and, rather
fearful still of the consequences, touched this little spot. And instantly
Mr. Vincey started, and Mr. Bessel knew that he was seen.</p>
<p>And at that instant it came to Mr. Bessel that evil had happened to his
body, and behold! a great wind blew through all that world of shadows and
tore him away. So strong was this persuasion that he thought no more of
Mr. Vincey, but turned about forthwith, and all the countless faces drove
back with him like leaves before a gale. But he returned too late. In an
instant he saw the body that he had left inert and collapsed—lying,
indeed, like the body of a man just dead—had arisen, had arisen by
virtue of some strength and will beyond his own. It stood with staring
eyes, stretching its limbs in dubious fashion.</p>
<p>For a moment he watched it in wild dismay, and then he stooped towards it.
But the pane of glass had closed against him again, and he was foiled. He
beat himself passionately against this, and all about him the spirits of
evil grinned and pointed and mocked. He gave way to furious anger. He
compares himself to a bird that has fluttered heedlessly into a room and
is beating at the window-pane that holds it back from freedom.</p>
<p>And behold! the little body that had once been his was now dancing with
delight. He saw it shouting, though he could not hear its shouts; he saw
the violence of its movements grow. He watched it fling his cherished
furniture about in the mad delight of existence, rend his books apart,
smash bottles, drink heedlessly from the jagged fragments, leap and smite
in a passionate acceptance of living. He watched these actions in
paralysed astonishment. Then once more he hurled himself against the
impassable barrier, and then with all that crew of mocking ghosts about
him, hurried back in dire confusion to Vincey to tell him of the outrage
that had come upon him.</p>
<p>But the brain of Vincey was now closed against apparitions, and the
disembodied Mr. Bessel pursued him in vain as he hurried out into Holborn
to call a cab. Foiled and terror-stricken, Mr. Bessel swept back again, to
find his desecrated body whooping in a glorious frenzy down the Burlington
Arcade....</p>
<p>And now the attentive reader begins to understand Mr. Bessel's
interpretation of the first part of this strange story. The being whose
frantic rush through London had inflicted so much injury and disaster had
indeed Mr. Bessel's body, but it was not Mr. Bessel. It was an evil spirit
out of that strange world beyond existence, into which Mr. Bessel had so
rashly ventured. For twenty hours it held possession of him, and for all
those twenty hours the dispossessed spirit-body of Mr. Bessel was going to
and fro in that unheard-of middle world of shadows seeking help in vain.
He spent many hours beating at the minds of Mr. Vincey and of his friend
Mr. Hart. Each, as we know, he roused by his efforts. But the language
that might convey his situation to these helpers across the gulf he did
not know; his feeble fingers groped vainly and powerlessly in their
brains. Once, indeed, as we have already told, he was able to turn Mr.
Vincey aside from his path so that he encountered the stolen body in its
career, but he could not make him understand the thing that had happened:
he was unable to draw any help from that encounter....</p>
<p>All through those hours the persuasion was overwhelming in Mr. Bessel's
mind that presently his body would be killed by its furious tenant, and he
would have to remain in this shadow-land for evermore. So that those long
hours were a growing agony of fear. And ever as he hurried to and fro in
his ineffectual excitement, innumerable spirits of that world about him
mobbed him and confused his mind. And ever an envious applauding multitude
poured after their successful fellow as he went upon his glorious career.</p>
<p>For that, it would seem, must be the life of these bodiless things of this
world that is the shadow of our world. Ever they watch, coveting a way
into a mortal body, in order that they may descend, as furies and
frenzies, as violent lusts and mad, strange impulses, rejoicing in the
body they have won. For Mr. Bessel was not the only human soul in that
place. Witness the fact that he met first one, and afterwards several
shadows of men, men like himself, it seemed, who had lost their bodies
even it may be as he had lost his, and wandered, despairingly, in that
lost world that is neither life nor death. They could not speak because
that world is silent, yet he knew them for men because of their dim human
bodies, and because of the sadness of their faces.</p>
<p>But how they had come into that world he could not tell, nor where the
bodies they had lost might be, whether they still raved about the earth,
or whether they were closed forever in death against return. That they
were the spirits of the dead neither he nor I believe. But Doctor Wilson
Paget thinks they are the rational souls of men who are lost in madness on
the earth.</p>
<p>At last Mr. Bessel chanced upon a place where a little crowd of such
disembodied silent creatures was gathered, and thrusting through them he
saw below a brightly-lit room, and four or five quiet gentlemen and a
woman, a stoutish woman dressed in black bombazine and sitting awkwardly
in a chair with her head thrown back. He knew her from her portraits to be
Mrs. Bullock, the medium. And he perceived that tracts and structures in
her brain glowed and stirred as he had seen the pineal eye in the brain of
Mr. Vincey glow. The light was very fitful; sometimes it was a broad
illumination, and sometimes merely a faint twilight spot, and it shifted
slowly about her brain. She kept on talking and writing with one hand. And
Mr. Bessel saw that the crowding shadows of men about him, and a great
multitude of the shadow spirits of that shadowland, were all striving and
thrusting to touch the lighted regions of her brain. As one gained her
brain or another was thrust away, her voice and the writing of her hand
changed. So that what she said was disorderly and confused for the most
part; now a fragment of one soul's message, and now a fragment of
another's, and now she babbled the insane fancies of the spirits of vain
desire. Then Mr. Bessel understood that she spoke for the spirit that had
touch of her, and he began to struggle very furiously towards her. But he
was on the outside of the crowd and at that time he could not reach her,
and at last, growing anxious, he went away to find what had happened
meanwhile to his body. For a long time he went to and fro seeking it in
vain and fearing that it must have been killed, and then he found it at
the bottom of the shaft in Baker Street, writhing furiously and cursing
with pain. Its leg and an arm and two ribs had been broken by its fall.
Moreover, the evil spirit was angry because his time had been so short and
because of the painmaking violent movements and casting his body about.</p>
<p>And at that Mr. Bessel returned with redoubled earnestness to the room
where the seance was going on, and so soon as he had thrust himself within
sight of the place he saw one of the men who stood about the medium
looking at his watch as if he meant that the seance should presently end.
At that a great number of the shadows who had been striving turned away
with gestures of despair. But the thought that the seance was almost over
only made Mr. Bessel the more earnest, and he struggled so stoutly with
his will against the others that presently he gained the woman's brain. It
chanced that just at that moment it glowed very brightly, and in that
instant she wrote the message that Doctor Wilson Paget preserved. And then
the other shadows and the cloud of evil spirits about him had thrust Mr.
Bessel away from her, and for all the rest of the seance he could regain
her no more.</p>
<p>So he went back and watched through the long hours at the bottom of the
shaft where the evil spirit lay in the stolen body it had maimed, writhing
and cursing, and weeping and groaning, and learning the lesson of pain.
And towards dawn the thing he had waited for happened, the brain glowed
brightly and the evil spirit came out, and Mr. Bessel entered the body he
had feared he should never enter again. As he did so, the silence—the
brooding silence—ended; he heard the tumult of traffic and the
voices of people overhead, and that strange world that is the shadow of
our world—the dark and silent shadows of ineffectual desire and the
shadows of lost men—vanished clean away.</p>
<p>He lay there for the space of about three hours before he was found. And
in spite of the pain and suffering of his wounds, and of the dim damp
place in which he lay; in spite of the tears—wrung from him by his
physical distress—his heart was full of gladness to know that he was
nevertheless back once more in the kindly world of men.</p>
<p><SPAN name="link2H_4_0011" id="link2H_4_0011"></SPAN></p>
<br/>
<h2> 11. MR. BRISHER'S TREASURE </h2>
<p>“You can't be TOO careful WHO you marry,” said Mr. Brisher, and pulled
thoughtfully with a fat-wristed hand at the lank moustache that hides his
want of chin.</p>
<p>“That's why—” I ventured.</p>
<p>“Yes,” said Mr. Brisher, with a solemn light in his bleary, blue-grey
eyes, moving his head expressively and breathing alcohol INTIMATELY at me.
“There's lots as 'ave 'ad a try at me—many as I could name in this
town—but none 'ave done it—none.”</p>
<p>I surveyed the flushed countenance, the equatorial expansion, the masterly
carelessness of his attire, and heaved a sigh to think that by reason of
the unworthiness of women he must needs be the last of his race.</p>
<p>“I was a smart young chap when I was younger,” said Mr. Brisher. “I 'ad my
work cut out. But I was very careful—very. And I got through...”</p>
<p>He leant over the taproom table and thought visibly on the subject of my
trustworthiness. I was relieved at last by his confidence.</p>
<p>“I was engaged once,” he said at last, with a reminiscent eye on the
shuv-a'penny board.</p>
<p>“So near as that?”</p>
<p>He looked at me. “So near as that. Fact is—” He looked about him,
brought his face close to mine, lowered his voice, and fenced off an
unsympathetic world with a grimy hand. “If she ain't dead or married to
some one else or anything—I'm engaged still. Now.” He confirmed this
statement with nods and facial contortions. “STILL,” he said, ending the
pantomime, and broke into a reckless smile at my surprise. “ME!”</p>
<p>“Run away,” he explained further, with coruscating eyebrows. “Come 'ome.</p>
<p>“That ain't all.</p>
<p>“You'd 'ardly believe it,” he said, “but I found a treasure. Found a
regular treasure.”</p>
<p>I fancied this was irony, and did not, perhaps, greet it with proper
surprise. “Yes,” he said, “I found a treasure. And come 'ome. I tell you I
could surprise you with things that has happened to me.” And for some time
he was content to repeat that he had found a treasure—and left it.</p>
<p>I made no vulgar clamour for a story, but I became attentive to Mr.
Brisher's bodily needs, and presently I led him back to the deserted lady.</p>
<p>“She was a nice girl,” he said—a little sadly, I thought. “AND
respectable.”</p>
<p>He raised his eyebrows and tightened his mouth to express extreme
respectability—beyond the likes of us elderly men.</p>
<p>“It was a long way from 'ere. Essex, in fact. Near Colchester. It was when
I was up in London—in the buildin' trade. I was a smart young chap
then, I can tell you. Slim. 'Ad best clo'es 's good as anybody. 'At—SILK
'at, mind you.” Mr. Brisher's hand shot above his head towards the
infinite to indicate it silk hat of the highest. “Umbrella—nice
umbrella with a 'orn 'andle. Savin's. Very careful I was....”</p>
<p>He was pensive for a little while, thinking, as we must all come to think
sooner or later, of the vanished brightness of youth. But he refrained, as
one may do in taprooms, from the obvious moral.</p>
<p>“I got to know 'er through a chap what was engaged to 'er sister. She was
stopping in London for a bit with an aunt that 'ad a 'am an' beef shop.
This aunt was very particular—they was all very particular people,
all 'er people was—and wouldn't let 'er sister go out with this
feller except 'er other sister, MY girl that is, went with them. So 'e
brought me into it, sort of to ease the crowding. We used to go walks in
Battersea Park of a Sunday afternoon. Me in my topper, and 'im in 'is; and
the girl's—well—stylish. There wasn't many in Battersea Park
'ad the larf of us. She wasn't what you'd call pretty, but a nicer girl I
never met. <i>I</i> liked 'er from the start, and, well—though I say
it who shouldn't—she liked me. You know 'ow it is, I dessay?”</p>
<p>I pretended I did.</p>
<p>“And when this chap married 'er sister—'im and me was great friends—what
must 'e do but arst me down to Colchester, close by where She lived.
Naturally I was introjuced to 'er people, and well, very soon, her and me
was engaged.”</p>
<p>He repeated “engaged.”</p>
<p>“She lived at 'ome with 'er father and mother, quite the lady, in a very
nice little 'ouse with a garden—and remarkable respectable people
they was. Rich you might call 'em a'most. They owned their own 'ouse—got
it out of the Building Society, and cheap because the chap who had it
before was a burglar and in prison—and they 'ad a bit of free'old
land, and some cottages and money 'nvested—all nice and tight: they
was what you'd call snug and warm. I tell you, I was On. Furniture too.
Why! They 'ad a pianner. Jane—'er name was Jane—used to play
it Sundays, and very nice she played too. There wasn't 'ardly a 'im toon
in the book she COULDN'T play...</p>
<p>“Many's the evenin' we've met and sung 'ims there, me and 'er and the
family.</p>
<p>“'Er father was quite a leadin' man in chapel. You should ha' seen him
Sundays, interruptin' the minister and givin' out 'ims. He had gold
spectacles, I remember, and used to look over 'em at you while he sang
hearty—he was always great on singing 'earty to the Lord—and
when HE got out o' toon 'arf the people went after 'im—always. 'E
was that sort of man. And to walk be'ind 'im in 'is nice black clo'es—'is
'at was a brimmer—made one regular proud to be engaged to such a
father-in-law. And when the summer came I went down there and stopped a
fortnight.</p>
<p>“Now, you know there was a sort of Itch,” said Mr. Brisher. “We wanted to
marry, me and Jane did, and get things settled. But 'E said I 'ad to get a
proper position first. Consequently there was a Itch. Consequently, when I
went down there, I was anxious to show that I was a good useful sort of
chap like. Show I could do pretty nearly everything like. See?”</p>
<p>I made a sympathetic noise.</p>
<p>“And down at the bottom of their garden was a bit of wild part like. So I
says to 'im, 'Why don't you 'ave a rockery 'ere?' I says. 'It 'ud look
nice.'</p>
<p>“'Too much expense,' he says.</p>
<p>“'Not a penny,' says I. 'I'm a dab at rockeries. Lemme make you one.' You
see, I'd 'elped my brother make a rockery in the beer garden be'ind 'is
tap, so I knew 'ow to do it to rights. 'Lemme make you one,' I says. 'It's
'olidays, but I'm that sort of chap, I 'ate doing nothing,' I says. 'I'll
make you one to rights.' And the long and the short of it was, he said I
might.</p>
<p>“And that's 'ow I come on the treasure.”</p>
<p>“What treasure?” I asked.</p>
<p>“Why!” said Mr. Brisher, “the treasure I'm telling you about, what's the
reason why I never married.”</p>
<p>“What!—a treasure—dug up?”</p>
<p>“Yes—buried wealth—treasure trove. Come out of the ground.
What I kept on saying—regular treasure....” He looked at me with
unusual disrespect.</p>
<p>“It wasn't more than a foot deep, not the top of it,” he said. “I'd 'ardly
got thirsty like, before I come on the corner.”</p>
<p>“Go on,” I said. “I didn't understand.”</p>
<p>“Why! Directly I 'it the box I knew it was treasure. A sort of instinct
told me. Something seemed to shout inside of me—'Now's your chance—lie
low.' It's lucky I knew the laws of treasure trove or I'd 'ave been
shoutin' there and then. I daresay you know—”</p>
<p>“Crown bags it,” I said, “all but one per cent. Go on. It's a shame. What
did you do?”</p>
<p>“Uncovered the top of the box. There wasn't anybody in the garden or about
like. Jane was 'elping 'er mother do the 'ouse. I WAS excited—I tell
you. I tried the lock and then gave a whack at the hinges. Open it came.
Silver coins—full! Shining. It made me tremble to see 'em. And jest
then—I'm blessed if the dustman didn't come round the back of the
'ouse. It pretty nearly gave me 'eart disease to think what a fool I was
to 'ave that money showing. And directly after I 'eard the chap next door—'e
was 'olidaying, too—I 'eard him watering 'is beans. If only 'e'd
looked over the fence!”</p>
<p>“What did you do?”</p>
<p>“Kicked the lid on again and covered it up like a shot, and went on
digging about a yard away from it—like mad. And my face, so to
speak, was laughing on its own account till I had it hid. I tell you I was
regular scared like at my luck. I jest thought that it 'ad to be kep'
close and that was all. 'Treasure,' I kep' whisperin' to myself,
'Treasure' and ''undreds of pounds, 'undreds, 'undreds of pounds.'
Whispering to myself like, and digging like blazes. It seemed to me the
box was regular sticking out and showing, like your legs do under the
sheets in bed, and I went and put all the earth I'd got out of my 'ole for
the rockery slap on top of it. I WAS in a sweat. And in the midst of it
all out toddles 'er father. He didn't say anything to me, jest stood
behind me and stared, but Jane tole me afterwards when he went indoors, 'e
says, 'That there jackanapes of yours, Jane'—he always called me a
jackanapes some'ow—'knows 'ow to put 'is back into it after all.'
Seemed quite impressed by it, 'e did.”</p>
<p>“How long was the box?” I asked, suddenly.</p>
<p>“'Ow long?” said Mr. Brisher.</p>
<p>“Yes—in length?”</p>
<p>“Oh! 'bout so-by-so.” Mr. Brisher indicated a moderate-sized trunk.</p>
<p>“FULL?” said I.</p>
<p>“Full up of silver coins—'arf-crowns, I believe.”</p>
<p>“Why!” I cried, “that would mean—hundreds of pounds.”</p>
<p>“Thousands,” said Mr. Brisher, in a sort of sad calm. “I calc'lated it
out.”</p>
<p>“But how did they get there?”</p>
<p>“All I know is what I found. What I thought at the time was this. The chap
who'd owned the 'ouse before 'er father 'd been a regular slap-up burglar.
What you'd call a 'igh-class criminal. Used to drive 'is trap—like
Peace did.” Mr. Brisher meditated on the difficulties of narration and
embarked on a complicated parenthesis. “I don't know if I told you it'd
been a burglar's 'ouse before it was my girl's father's, and I knew 'e'd
robbed a mail train once, I did know that. It seemed to me—”</p>
<p>“That's very likely,” I said. “But what did you do?”</p>
<p>“Sweated,” said Mr. Brisher. “Regular run orf me. All that morning,” said
Mr. Brisher, “I was at it, pretending to make that rockery and wondering
what I should do. I'd 'ave told 'er father p'r'aps, only I was doubtful of
'is honesty—I was afraid he might rob me of it like, and give it up
to the authorities—and besides, considering I was marrying into the
family, I thought it would be nicer like if it came through me. Put me on
a better footing, so to speak. Well, I 'ad three days before me left of my
'olidays, so there wasn't no hurry, so I covered it up and went on
digging, and tried to puzzle out 'ow I was to make sure of it. Only I
couldn't.</p>
<p>“I thought,” said Mr. Brisher, “AND I thought. Once I got regular doubtful
whether I'd seen it or not, and went down to it and 'ad it uncovered
again, just as her ma came out to 'ang up a bit of washin' she'd done.
Jumps again! Afterwards I was just thinking I'd 'ave another go at it,
when Jane comes to tell me dinner was ready. 'You'll want it,' she said,
'seeing all the 'ole you've dug.'</p>
<p>“I was in a regular daze all dinner, wondering whether that chap next door
wasn't over the fence and filling 'is pockets. But in the afternoon I got
easier in my mind—it seemed to me it must 'ave been there so long it
was pretty sure to stop a bit longer—and I tried to get up a bit of
a discussion to dror out the old man and see what 'E thought of treasure
trove.”</p>
<p>Mr. Brisher paused, and affected amusement at the memory.</p>
<p>“The old man was a scorcher,” he said; “a regular scorcher.”</p>
<p>“What!” said I; “did he—?”</p>
<p>“It was like this,” explained Mr. Brisher, laying a friendly hand on my
arm and breathing into my face to calm me. “Just to dror 'im out, I told a
story of a chap I said I knew—pretendin', you know—who'd found
a sovring in a novercoat 'e'd borrowed. I said 'e stuck to it, but I said
I wasn't sure whether that was right or not. And then the old man began.
Lor'! 'e DID let me 'ave it!” Mr. Brisher affected an insincere amusement.
“'E was, well—what you might call a rare 'and at Snacks. Said that
was the sort of friend 'e'd naturally expect me to 'ave. Said 'e'd
naturally expect that from the friend of a out-of-work loafer who took up
with daughters who didn't belong to 'im. There! I couldn't tell you 'ARF
'e said. 'E went on most outrageous. I stood up to 'im about it, just to
dror 'im out. 'Wouldn't you stick to a 'arf-sov', not if you found it in
the street?' I says. 'Certainly not,' 'e says; 'certainly I wouldn't.'
'What! not if you found it as a sort of treasure?' 'Young man,' 'e says,
'there's 'i'er 'thority than mine—Render unto Caesar'—what is
it? Yes. Well, he fetched up that. A rare 'and at 'itting you over the 'ed
with the Bible, was the old man. And so he went on. 'E got to such Snacks
about me at last I couldn't stand it. I'd promised Jane not to answer 'im
back, but it got a bit TOO thick. I—I give it 'im...”</p>
<p>Mr. Brisher, by means of enigmatical facework, tried to make me think he
had had the best of that argument, but I knew better.</p>
<p>“I went out in a 'uff at last. But not before I was pretty sure I 'ad to
lift that treasure by myself. The only thing that kep' me up was thinking
'ow I'd take it out of 'im when I 'ad the cash.”</p>
<p>There was a lengthy pause.</p>
<p>“Now, you'd 'ardly believe it, but all them three days I never 'ad a
chance at the blessed treasure, never got out not even a 'arf-crown. There
was always a Somethink—always.</p>
<p>“'Stonishing thing it isn't thought of more,” said Mr. Brisher. “Finding
treasure's no great shakes. It's gettin' it. I don't suppose I slep' a
wink any of those nights, thinking where I was to take it, what I was to
do with it, 'ow I was to explain it. It made me regular ill. And days I
was that dull, it made Jane regular 'uffy. 'You ain't the same chap you
was in London,' she says, several times. I tried to lay it on 'er father
and 'is Snacks, but bless you, she knew better. What must she 'ave but
that I'd got another girl on my mind! Said I wasn't True. Well, we had a
bit of a row. But I was that set on the Treasure, I didn't seem to mind a
bit Anything she said.</p>
<p>“Well, at last I got a sort of plan. I was always a bit good at planning,
though carrying out isn't so much in my line. I thought it all out and
settled on a plan. First, I was going to take all my pockets full of these
'ere 'arf-crowns—see?—and afterwards as I shall tell.</p>
<p>“Well, I got to that state I couldn't think of getting at the Treasure
again in the daytime, so I waited until the night before I had to go, and
then, when everything was still, up I gets and slips down to the back
door, meaning to get my pockets full. What must I do in the scullery but
fall over a pail! Up gets 'er father with a gun—'e was a light
sleeper was 'er father, and very suspicious and there was me: 'ad to
explain I'd come down to the pump for a drink because my water-bottle was
bad. 'E didn't let me off a Snack or two over that bit, you lay a bob.”</p>
<p>“And you mean to say—” I began.</p>
<p>“Wait a bit,” said Mr. Brisher. “I say, I'd made my plan. That put the
kybosh on one bit, but it didn't 'urt the general scheme not a bit. I went
and I finished that rockery next day, as though there wasn't a Snack in
the world; cemented over the stones, I did, dabbed it green and
everythink. I put a dab of green just to show where the box was. They all
came and looked at it, and sai 'ow nice it was—even 'e was a bit
softer like to see it, and all he said was, 'It's a pity you can't always
work like that, then you might get something definite to do,' he says.</p>
<p>“'Yes,' I says—I couldn't 'elp it—'I put a lot in that
rockery,' I says, like that. See? 'I put a lot in that rockery'—meaning—”</p>
<p>“I see,” said I—for Mr. Brisher is apt to overelaborate his jokes.</p>
<p>“<i>'E</i> didn't,” said Mr. Brisher. “Not then, anyhow.</p>
<p>“Ar'ever—after all that was over, off I set for London.... Orf I set
for London.”</p>
<p>Pause.</p>
<p>“On'y I wasn't going to no London,” said Mr. Brisher, with sudden
animation, and thrusting his face into mine. “No fear! What do YOU think?</p>
<p>“I didn't go no further than Colchester—not a yard.</p>
<p>“I'd left the spade just where I could find it. I'd got everything planned
and right. I 'ired a little trap in Colchester, and pretended I wanted to
go to Ipswich and stop the night, and come back next day, and the chap I
'ired it from made me leave two sovrings on it right away, and off I set.</p>
<p>“I didn't go to no Ipswich neither.</p>
<p>“Midnight the 'orse and trap was 'itched by the little road that ran by
the cottage where 'e lived—not sixty yards off, it wasn't—and
I was at it like a good 'un. It was jest the night for such games—overcast—but
a trifle too 'ot, and all round the sky there was summer lightning and
presently a thunderstorm. Down it came. First big drops in a sort of
fizzle, then 'ail. I kep'on. I whacked at it—I didn't dream the old
man would 'ear. I didn't even trouble to go quiet with the spade, and the
thunder and lightning and 'ail seemed to excite me like. I shouldn't
wonder if I was singing. I got so 'ard at it I clean forgot the thunder
and the 'orse and trap. I precious soon got the box showing, and started
to lift it....”</p>
<p>“Heavy?” I said.</p>
<p>“I couldn't no more lift it than fly. I WAS sick. I'd never thought of
that I got regular wild—I tell you, I cursed. I got sort of
outrageous. I didn't think of dividing it like for the minute, and even
then I couldn't 'ave took money about loose in a trap. I hoisted one end
sort of wild like, and over the whole show went with a tremenjous noise.
Perfeck smash of silver. And then right on the heels of that, Flash!
Lightning like the day! and there was the back door open and the old man
coming down the garden with 'is blooming old gun. He wasn't not a 'undred
yards away!</p>
<p>“I tell you I was that upset—I didn't think what I was doing. I
never stopped-not even to fill my pockets. I went over the fence like a
shot, and ran like one o'clock for the trap, cussing and swearing as I
went. I WAS in a state....</p>
<p>“And will you believe me, when I got to the place where I'd left the 'orse
and trap, they'd gone. Orf! When I saw that I 'adn't a cuss left for it. I
jest danced on the grass, and when I'd danced enough I started off to
London.... I was done.”</p>
<p>Mr. Brisher was pensive for an interval. “I was done,” he repeated, very
bitterly.</p>
<p>“Well?” I said.</p>
<p>“That's all,” said Mr. Brisher.</p>
<p>“You didn't go back?”</p>
<p>“No fear. I'd 'ad enough of THAT blooming treasure, any'ow for a bit.
Besides, I didn't know what was done to chaps who tried to collar a
treasure trove. I started off for London there and then....”</p>
<p>“And you never went back?”</p>
<p>“Never.”</p>
<p>“But about Jane? Did you write?”</p>
<p>“Three times, fishing like. And no answer. We'd parted in a bit of a 'uff
on account of 'er being jealous. So that I couldn't make out for certain
what it meant.</p>
<p>“I didn't know what to do. I didn't even know whether the old man knew it
was me. I sort of kep' an eye open on papers to see when he'd give up that
treasure to the Crown, as I hadn't a doubt 'e would, considering 'ow
respectable he'd always been.”</p>
<p>“And did he?”</p>
<p>Mr. Brisher pursed his mouth and moved his head slowly from side to side.
“Not 'IM,” he said.</p>
<p>“Jane was a nice girl,” he said, “a thorough nice girl mind you, if
jealous, and there's no knowing I mightn't 'ave gone back to 'er after a
bit. I thought if he didn't give up the treasure I might 'ave a sort of
'old on 'im.... Well, one day I looks as usual under Colchester—and
there I saw 'is name. What for, d'yer think?”</p>
<p>I could not guess.</p>
<p>Mr. Brisher's voice sank to a whisper, and once more he spoke behind his
hand. His manner was suddenly suffused with a positive joy. “Issuing
counterfeit coins,” he said. “Counterfeit coins!”</p>
<p>“You don't mean to say—?”</p>
<p>“Yes-It. Bad. Quite a long case they made of it. But they got 'im, though
he dodged tremenjous. Traced 'is 'aving passed, oh!—nearly a dozen
bad 'arf-crowns.”</p>
<p>“And you didn't—?”</p>
<p>“No fear. And it didn't do 'IM much good to say it was treasure trove.”</p>
<p><SPAN name="link2H_4_0012" id="link2H_4_0012"></SPAN></p>
<br/>
<h2> 12. MISS WINCHELSEA'S HEART </h2>
<p>Miss Winchelsea was going to Rome. The matter had filled her mind for a
month or more, and had overflowed so abundantly into her conversation that
quite a number of people who were not going to Rome, and who were not
likely to go to Rome, had made it a personal grievance against her. Some
indeed had attempted quite unavailingly to convince her that Rome was not
nearly such a desirable place as it was reported to be, and others had
gone so far as to suggest behind her back that she was dreadfully “stuck
up” about “that Rome of hers.” And little Lily Hardhurst had told her
friend Mr. Binns that so far as she was concerned Miss Winchelsea might
“go to her old Rome and stop there; SHE (Miss Lily Hardhurst) wouldn't
grieve.” And the way in which Miss Winchelsea put herself upon terms of
personal tenderness with Horace and Benvenuto Cellini and Raphael and
Shelley and Keats—if she had been Shelley's widow she could not have
professed a keener interest in his grave—was a matter of universal
astonishment. Her dress was a triumph of tactful discretion, sensible, but
not too “touristy”—Miss Winchelsea, had a great dread of being
“touristy”—and her Baedeker was carried in a cover of grey to hide
its glaring red. She made a prim and pleasant little figure on the Charing
Cross platform, in spite of her swelling pride, when at last the great day
dawned, and she could start for Rome. The day was bright, the Channel
passage would be pleasant, and all the omens promised well. There was the
gayest sense of adventure in this unprecedented departure.</p>
<p>She was going with two friends who had been fellow-students with her at
the training college, nice honest girls both, though not so good at
history and literature as Miss Winchelsea. They both looked up to her
immensely, though physically they had to look down, and she anticipated
some pleasant times to be spent in “stirring them up” to her own pitch of
aesthetic and historical enthusiasm. They had secured seats already, and
welcomed her effusively at the carriage door. In the instant criticism of
the encounter she noted that Fanny had a slightly “touristy” leather
strap, and that Helen had succumbed to a serge jacket with side pockets,
into which her hands were thrust. But they were much too happy with
themselves and the expedition for their friend to attempt any hint at the
moment about these things. As soon as the first ecstasies were over—Fanny's
enthusiasm was a little noisy and crude, and consisted mainly in emphatic
repetitions of “Just FANCY! we're going to Rome, my dear!—Rome!”—they
gave their attention to their fellow-travellers. Helen was anxious to
secure a compartment to themselves, and, in order to discourage intruders,
got out and planted herself firmly on the step. Miss Winchelsea peeped out
over her shoulder, and made sly little remarks about the accumulating
people on the platform, at which Fanny laughed gleefully.</p>
<p>They were travelling with one of Mr. Thomas Gunn's parties—fourteen
days in Rome for fourteen pounds. They did not belong to the personally
conducted party of course—Miss Winchelsea had seen to that—but
they travelled with it because of the convenience of that arrangement. The
people were the oddest mixture, and wonderfully amusing. There was a
vociferous red-faced polyglot personal conductor in a pepper-and-salt
suit, very long in the arms and legs and very active. He shouted
proclamations. When he wanted to speak to people he stretched out an arm
and held them until his purpose was accomplished. One hand was full of
papers, tickets, counterfoils of tourists. The people of the personally
conducted party were, it seemed, of two sorts; people the conductor wanted
and could not find, and people he did not want and who followed him in a
steadily growing tail up and down the platform. These people seemed,
indeed, to think that their one chance of reaching Rome lay in keeping
close to him. Three little old ladies were particularly energetic in his
pursuit, and at last maddened him to the pitch of clapping them into a
carriage and daring them to emerge again. For the rest of the time, one,
two, or three of their heads protruded from the window wailing enquiries
about “a little wickerwork box” whenever he drew near. There was a very
stout man with a very stout wife in shiny black; there was a little old
man like an aged hostler.</p>
<p>“What CAN such people want in Rome?” asked Miss Winchelsea. “What can it
mean to them?” There was a very tall curate in a very small straw hat, and
a very short curate encumbered by a long camera stand. The contrast amused
Fanny very much. Once they heard some one calling for “Snooks.” “I always
thought that name was invented by novelists,” said Miss Winchelsea.
“Fancy! Snooks. I wonder which IS Mr. Snooks.” Finally they picked out a
very stout and resolute little man in a large check suit. “If he isn't
Snooks, he ought to be,” said Miss Winchelsea.</p>
<p>Presently the conductor discovered Helen's attempt at a corner in
carriages. “Room for five,” he bawled with a parallel translation on his
fingers. A party of four together—mother, father, and two daughters—blundered
in, all greatly excited. “It's all right, Ma, you let me,” said one of the
daughters, hitting her mother's bonnet with a handbag she struggled to put
in the rack. Miss Winchelsea detested people who banged about and called
their mother “Ma.” A young man travelling alone followed. He was not at
all “touristy” in his costume, Miss Winchelsea observed; his Gladstone bag
was of good pleasant leather with labels reminiscent of Luxembourg and
Ostend, and his boots, though brown, were not vulgar. He carried an
overcoat on his arm. Before these people had properly settled in their
places, came an inspection of tickets and a slamming of doors, and behold!
they were gliding out of Charing Cross station on their way to Rome.</p>
<p>“Fancy!” cried Fanny, “we are going to Rome, my dear! Rome! I don't seem
to believe it, even now.”</p>
<p>Miss Winchelsea suppressed Fanny's emotions with a little smile, and the
lady who was called “Ma” explained to people in general why they had “cut
it so close” at the station. The two daughters called her “Ma” several
times, toned her down in a tactless effective way, and drove her at last
to the muttered inventory of a basket of travelling requisites. Presently
she looked up. “Lor'!” she said, “I didn't bring THEM!” Both the daughters
said “Oh, Ma!” but what “them” was did not appear. Presently Fanny
produced Hare's Walks in Rome, a sort of mitigated guide-book very popular
among Roman visitors; and the father of the two daughters began to examine
his books of tickets minutely, apparently in a search after English words.
When he had looked at the tickets for a long time right way up, he turned
them upside down. Then he produced a fountain pen and dated them with
considerable care. The young man, having completed an unostentatious
survey of his fellow travellers, produced a book and fell to reading. When
Helen and Fanny were looking out of the window at Chiselhurst—the
place interested Fanny because the poor dear Empress of the French used to
live there—Miss Winchelsea took the opportunity to observe the book
the young man held. It was not a guide-book, but a little thin volume of
poetry—BOUND. She glanced at his face—it seemed a refined
pleasant face to her hasty glance. He wore a little gilt pince-nez. “Do
you think she lives there now?” said Fanny, and Miss Winchelsea's
inspection came to an end.</p>
<p>For the rest of the journey Miss Winchelsea talked little, and what she
said was as pleasant and as stamped with refinement as she could make it.
Her voice was always low and clear and pleasant, and she took care that on
this occasion it was particularly low and clear and pleasant. As they came
under the white cliffs the young man put his book of poetry away, and when
at last the train stopped beside the boat, he displayed a graceful
alacrity with the impedimenta of Miss Winchelsea and her friends. Miss
Winchelsea hated nonsense, but she was pleased to see the young man
perceived at once that they were ladies, and helped them without any
violent geniality; and how nicely he showed that his civilities were to be
no excuse for further intrusions. None of her little party had been out of
England before, and they were all excited and a little nervous at the
Channel passage. They stood in a little group in a good place near the
middle of the boat—the young man had taken Miss Winchelsea's
carry-all there and had told her it was a good place—and they
watched the white shores of Albion recede and quoted Shakespeare and made
quiet fun of their fellow travellers in the English way.</p>
<p>They were particularly amused at the precautions the bigger-sized people
had taken against the little waves—cut lemons and flasks prevailed,
one lady lay full-length in a deck chair with a handkerchief over her
face, and a very broad resolute man in a bright brown “touristy” suit
walked all the way from England to France along the deck, with his legs as
widely apart as Providence permitted. These were all excellent
precautions, and, nobody was ill. The personally conducted party pursued
the conductor about the deck with enquiries in a manner that suggested to
Helen's mind the rather vulgar image of hens with a piece of bacon peel,
until at last he went into hiding below. And the young man with the thin
volume of poetry stood at the stern watching England receding, looking
rather lonely and sad to Miss Winchelsea's eye.</p>
<p>And then came Calais and tumultuous novelties, and the young man had not
forgotten Miss Winchelsea's hold-all and the other little things. All
three girls, though they had passed government examinations in French to
any extent, were stricken with a dumb shame of their accents, and the
young man was very useful. And he did not intrude. He put them in a
comfortable carriage and raised his hat and went away. Miss Winchelsea
thanked him in her best manner—a pleasing, cultivated manner—and
Fanny said he was “nice” almost before he was out of earshot. “I wonder
what he can be,” said Helen. “He's going to Italy, because I noticed green
tickets in his book.” Miss Winchelsea almost told them of the poetry, and
decided not to do so. And presently the carriage windows seized hold upon
them and the young man was forgotten. It made them feel that they were
doing an educated sort of thing to travel through a country whose
commonest advertisements were in idiomatic French, and Miss Winchelsea
made unpatriotic comparisons because there were weedy little sign-board
advertisements by the rail side instead of the broad hoardings that deface
the landscape in our land. But the north of France is really uninteresting
country, and after a time Fanny reverted to Hare's Walks and Helen
initiated lunch. Miss Winchelsea awoke out of a happy reverie; she had
been trying to realise, she said, that she was actually going to Rome, but
she perceived at Helen's suggestion that she was hungry, and they lunched
out of their baskets very cheerfully. In the afternoon they were tired and
silent until Helen made tea. Miss Winchelsea might have dozed, only she
knew Fanny slept with her mouth open; and as their fellow passengers were
two rather nice critical-looking ladies of uncertain age—who knew
French well enough to talk it—she employed herself in keeping Fanny
awake. The rhythm of the train became insistent, and the streaming
landscape outside became at last quite painful to the eye. They were
already dreadfully tired of travelling before their night's stoppage came.</p>
<p>The stoppage for the night was brightened by the appearance of the young
man, and his manners were all that could be desired and his French quite
serviceable. His coupons availed for the same hotel as theirs, and by
chance as it seemed he sat next Miss Winchelsea at the table d'hote. In
spite of her enthusiasm for Rome, she had thought out some such
possibility very thoroughly, and when he ventured to make a remark upon
the tediousness of travelling—he let the soup and fish go by before
he did this—she did not simply assent to his proposition, but
responded with another. They were soon comparing their journeys, and Helen
and Fanny were cruelly overlooked in the conversation. It was to be the
same journey, they found; one day for the galleries at Florence—“from
what I hear,” said the young man, “it is barely enough,”—and the
rest at Rome. He talked of Rome very pleasantly; he was evidently quite
well read, and he quoted Horace about Soracte. Miss Winchelsea had “done”
that book of Horace for her matriculation, and was delighted to cap his
quotation. It gave a sort of tone to things, this incident—a touch
of refinement to mere chatting. Fanny expressed a few emotions, and Helen
interpolated a few sensible remarks, but the bulk of the talk on the
girls' side naturally fell to Miss Winchelsea.</p>
<p>Before they reached Rome this young man was tacitly of their party. They
did not know his name nor what he was, but it seemed he taught, and Miss
Winchelsea had a shrewd idea he was an extension lecturer. At any rate he
was something of that sort, something gentlemanly and refined without
being opulent and impossible. She tried once or twice to ascertain whether
he came from Oxford or Cambridge, but he missed her timid importunities.
She tried to get him to make remarks about those places to see if he would
say “come up” to them instead of “go down”—she knew that was how you
told a 'Varsity man. He used the word “'Varsity”—not university—in
quite the proper way.</p>
<p>They saw as much of Mr. Ruskin's Florence as the brief time permitted; he
met them in the Pitti Gallery and went round with them, chatting brightly,
and evidently very grateful for their recognition. He knew a great deal
about art, and all four enjoyed the morning immensely. It was fine to go
round recognising old favourites and finding new beauties, especially
while so many people fumbled helplessly with Baedeker. Nor was he a bit of
a prig, Miss Winchelsea said, and indeed she detested prigs. He had a
distinct undertone of humour, and was funny, for example, without being
vulgar, at the expense of the quaint work of Beato Angelico. He had a
grave seriousness beneath it all, and was quick to seize the moral lessons
of the pictures. Fanny went softly among these masterpieces; she admitted
“she knew so little about them,” and she confessed that to her they were
“all beautiful.” Fanny's “beautiful” inclined to be a little monotonous,
Miss Winchelsea thought. She had been quite glad when the last sunny Alp
had vanished, because of the staccato of Fanny's admiration. Helen said
little, but Miss Winchelsea had found her a little wanting on the
aesthetic side in the old days and was not surprised; sometimes she
laughed at the young man's hesitating delicate little jests and sometimes
she didn't, and sometimes she seemed quite lost to the art about them in
the contemplation of the dresses of the other visitors.</p>
<p>At Rome the young man was with them intermittently. A rather “touristy”
friend of his took him away at times. He complained comically to Miss
Winchelsea. “I have only two short weeks in Rome,” he said, “and my friend
Leonard wants to spend a whole day at Tivoli, looking at a waterfall.”</p>
<p>“What is your friend Leonard?” asked Miss Winchelsea abruptly.</p>
<p>“He's the most enthusiastic pedestrian I ever met,” the young man replied,
amusingly, but a little unsatisfactorily, Miss Winchelsea thought. They
had some glorious times, and Fanny could not think what they would have
done without him. Miss Winchelsea's interest and Fanny's enormous capacity
for admiration were insatiable. They never flagged—through pictures
and sculpture galleries, immense crowded churches, ruins and museums,
Judas trees and prickly pears, wine carts and palaces, they admired their
way unflinchingly. They never saw a stone pine or a eucalyptus but they
named and admired it; they never glimpsed Soracte but they exclaimed.
Their common ways were made wonderful by imaginative play. “Here Caesar
may have walked,” they would say. “Raphael may have seen Soracte from this
very point.” They happened on the tomb of Bibulus. “Old Bibulus,” said the
young man. “The oldest monument of Republican Rome!” said Miss Winchelsea.</p>
<p>“I'm dreadfully stupid,” said Fanny, “but who WAS Bibulus?”</p>
<p>There was a curious little pause.</p>
<p>“Wasn't he the person who built the wall?” said Helen.</p>
<p>The young man glanced quickly at her and laughed. “That was Balbus,” he
said. Helen reddened, but neither he nor Miss Winchelsea threw any light
upon Fanny's ignorance about Bibulus.</p>
<p>Helen was more taciturn than the other three, but then she was always
taciturn, and usually she took care of the tram tickets and things like
that, or kept her eye on them if the young man took them, and told him
where they were when he wanted them. Glorious times they had, these young
people, in that pale brown cleanly city of memories that was once the
world. Their only sorrow was the shortness of the time. They said indeed
that the electric trams and the '70 buildings, and that criminal
advertisement that glares upon the Forum, outraged their aesthetic
feelings unspeakably; but that was only part of the fun. And indeed Rome
is such a wonderful place that it made Miss Winchelsea forget some of her
most carefully prepared enthusiasms at times, and Helen, taken unawares,
would suddenly admit the beauty of unexpected things. Yet Fanny and Helen
would have liked a shop window or so in the English quarter if Miss
Winchelsea's uncompromising hostility to all other English visitors had
not rendered that district impossible.</p>
<p>The intellectual and aesthetic fellowship of Miss Winchelsea and the
scholarly young man passed insensibly towards a deeper feeling. The
exuberant Fanny did her best to keep pace with their recondite admiration
by playing her “beautiful,” with vigour, and saying “Oh! LET'S go,” with
enormous appetite whenever a new place of interest was mentioned. But
Helen developed a certain want of sympathy towards the end, that
disappointed Miss Winchelsea a little. She refused to “see anything” in
the face of Beatrice Cenci—Shelley's Beatrice Cenci!—in the
Barberini gallery; and one day, when they were deploring the electric
trams, she said rather snappishly that “people must get about somehow, and
it's better than torturing horses up these horrid little hills.” She spoke
of the Seven Hills of Rome as “horrid little hills!”</p>
<p>And the day they went on the Palatine—though Miss Winchelsea did not
know of this—she remarked suddenly to Fanny, “Don't hurry like that,
my dear; THEY don't want us to overtake them. And we don't say the right
things for them when we DO get near.”</p>
<p>“I wasn't trying to overtake them,” said Fanny, slackening her excessive
pace; “I wasn't indeed.” And for a minute she was short of breath.</p>
<p>But Miss Winchelsea had come upon happiness. It was only when she came to
look back across an intervening tragedy that she quite realised how happy
she had been, pacing among the cypress-shadowed ruins, and exchanging the
very highest class of information the human mind can possess, the most
refined impressions it is possible to convey. Insensibly emotion crept
into their intercourse, sunning itself openly and pleasantly at last when
Helen's modernity was not too near. Insensibly their interest drifted from
the wonderful associations about them to their more intimate and personal
feelings. In a tentative way information was supplied; she spoke
allusively of her school, of her examination successes, of her gladness
that the days of “Cram” were over. He made it quite clear that he also was
a teacher. They spoke of the greatness of their calling, of the necessity
of sympathy to face its irksome details, of a certain loneliness they
sometimes felt.</p>
<p>That was in the Colosseum, and it was as far as they got that day, because
Helen returned with Fanny—she had taken her into the upper
galleries. Yet the private dreams of Miss Winchelsea, already vivid and
concrete enough, became now realistic in the highest degree. She figured
that pleasant young man, lecturing in the most edifying way to his
students, herself modestly prominent as his intellectual mate and helper;
she figured a refined little home, with two bureaus, with white shelves of
high-class books, and autotypes of the pictures of Rossetti and
Burne-Jones, with Morris's wall papers and flowers in pots of beaten
copper. Indeed she figured many things. On the Pincio the two had a few
precious moments together, while Helen marched Fanny off to see the muro
Torto, and he spoke at once plainly. He said he hoped their friendship was
only beginning, that he already found her company very precious to him,
that indeed it was more than that.</p>
<p>He became nervous, thrusting at his glasses with trembling fingers as
though he fancied his emotions made them unstable. “I should of course,”
he said, “tell you things about myself. I know it is rather unusual my
speaking to you like this. Only our meeting has been so accidental—or
providential—and I am snatching at things. I came to Rome expecting
a lonely tour... and I have been so very happy, so very happy. Quite
recently I found myself in a position—I have dared to think—.
And—”</p>
<p>He glanced over his shoulder and stopped. He said “Damn!” quite distinctly—and
she did not condemn him for that manly lapse into profanity. She looked
and saw his friend Leonard advancing. He drew nearer; he raised his hat to
Miss Winchelsea, and his smile was almost a grin. “I've been looking for
you everywhere, Snooks,” he said. “You promised to be on the Piazza steps
half an hour ago.”</p>
<p>Snooks! The name struck Miss Winchelsea like a blow in the face. She did
not hear his reply. She thought afterwards that Leonard must have
considered her the vaguest-minded person. To this day she is not sure
whether she was introduced to Leonard or not, nor what she said to him. A
sort of mental paralysis was upon her. Of all offensive surnames—Snooks!</p>
<p>Helen and Fanny were returning, there were civilities, and the young men
were receding. By a great effort she controlled herself to face the
enquiring eyes of her friends. All that afternoon she lived the life of a
heroine under the indescribable outrage of that name, chatting, observing,
with “Snooks” gnawing at her heart. From the moment that it first rang
upon her ears, the dream of her happiness was prostrate in the dust. All
the refinement she had figured was ruined and defaced by that cognomen's
unavoidable vulgarity.</p>
<p>What was that refined little home to her now, spite of autotypes, Morris
papers, and bureaus? Athwart it in letters of fire ran an incredible
inscription: “Mrs. Snooks.” That may seem a little thing to the reader,
but consider the delicate refinement of Miss Winchelsea's mind. Be as
refined as you can and then think of writing yourself down:—“Snooks.”
She conceived herself being addressed as Mrs. Snooks by all the people she
liked least, conceived the patronymic touched with a vague quality of
insult. She figured a card of grey and silver bearing “Winchelsea,”
triumphantly effaced by an arrow, Cupid's arrow, in favour of “Snooks.”
Degrading confession of feminine weakness! She imagined the terrible
rejoicings of certain girl friends, of certain grocer cousins from whom
her growing refinement had long since estranged her. How they would make
it sprawl across the envelope that would bring their sarcastic
congratulations. Would even his pleasant company compensate her for that?
“It is impossible,” she muttered; “impossible! SNOOKS!”</p>
<p>She was sorry for him, but not so sorry as she was for herself. For him
she had a touch of indignation. To be so nice, so refined, while all the
time he was “Snooks,” to hide under a pretentious gentility of demeanour
the badge sinister of his surname seemed a sort of treachery. To put it in
the language of sentimental science she felt he had “led her on.”</p>
<p>There were of course moments of terrible vacillation, a period even when
something almost like passion bid her throw refinement to the winds. And
there was something in her, an unexpurgated vestige of vulgarity, that
made a strenuous attempt at proving that Snooks was not so very bad a name
after all. Any hovering hesitation flew before Fanny's manner, when Fanny
came with an air of catastrophe to tell that she also knew the horror.
Fanny's voice fell to a whisper when she said SNOOKS. Miss Winchelsea
would not give him any answer when at last, in the Borghese, she could
have a minute with him; but she promised him a note.</p>
<p>She handed him that note in the little book of poetry he had lent her, the
little book that had first drawn them together. Her refusal was ambiguous,
allusive. She could no more tell him why she rejected him than she could
have told a cripple of his hump. He too must feel something of the
unspeakable quality of his name. Indeed he had avoided a dozen chances of
telling it, she now perceived. So she spoke of “obstacles she could not
reveal”—“reasons why the thing he spoke of was impossible.” She
addressed the note with a shiver, “E. K. Snooks.”</p>
<p>Things were worse than she had dreaded; he asked her to explain. How COULD
she explain? Those last two days in Rome were dreadful. She was haunted by
his air of astonished perplexity. She knew she had given him intimate
hopes, she had not the courage to examine her mind thoroughly for the
extent of her encouragement. She knew he must think her the most
changeable of beings. Now that she was in full retreat, she would not even
perceive his hints of a possible correspondence. But in that matter he did
a thing that seemed to her at once delicate and romantic. He made a
go-between of Fanny. Fanny could not keep the secret, and came and told
her that night under a transparent pretext of needed advice. “Mr. Snooks,”
said Fanny, “wants to write to me. Fancy! I had no idea. But should I let
him?” They talked it over long and earnestly, and Miss Winchelsea was
careful to keep the veil over her heart. She was already repenting his
disregarded hints. Why should she not hear of him sometimes—painful
though his name must be to her? Miss Winchelsea decided it might be
permitted, and Fanny kissed her good-night with unusual emotion. After she
had gone Miss Winchelsea sat for a long time at the window of her little
room. It was moonlight, and down the street a man sang “Santa Lucia” with
almost heart-dissolving tenderness.... She sat very still.</p>
<p>She breathed a word very softly to herself. The word was “SNOOKS.” Then
she got up with a profound sigh, and went to bed. The next morning he said
to her meaningly, “I shall hear of you through your friend.”</p>
<p>Mr. Snooks saw them off from Rome with that pathetic interrogative
perplexity still on his face, and if it had not been for Helen he would
have retained Miss Winchelsea's hold-all in his hand as a sort of
encyclopaedic keepsake. On their way back to England Miss Winchelsea on
six separate occasions made Fanny promise to write to her the longest of
long letters. Fanny, it seemed, would be quite near Mr. Snooks. Her new
school—she was always going to new schools—would be only five
miles from Steely Bank, and it was in the Steely Bank Polytechnic, and one
or two first-class schools, that Mr. Snooks did his teaching. He might
even see her at times. They could not talk much of him—she and Fanny
always spoke of “him,” never of Mr. Snooks,—because Helen was apt to
say unsympathetic things about him. Her nature had coarsened very much,
Miss Winchelsea perceived, since the old Training College days; she had
become hard and cynical. She thought he had a weak face, mistaking
refinement for weakness as people of her stamp are apt to do, and when she
heard his name was Snooks, she said she had expected something of the
sort. Miss Winchelsea was careful to spare her own feelings after that,
but Fanny was less circumspect.</p>
<p>The girls parted in London, and Miss Winchelsea returned, with a new
interest in life, to the Girls' High School in which she had been an
increasingly valuable assistant for the last three years. Her new interest
in life was Fanny as a correspondent, and to give her a lead she wrote her
a lengthy descriptive letter within a fortnight of her return. Fanny
answered, very disappointingly. Fanny indeed had no literary gift, but it
was new to Miss Winchelsea to find herself deploring the want of gifts in
a friend. That letter was even criticised aloud in the safe solitude of
Miss Winchelsea's study, and her criticism, spoken with great bitterness,
was “Twaddle!” It was full of just the things Miss Winchelsea's letter had
been full of, particulars of the school. And of Mr. Snooks, only this
much: “I have had a letter from Mr. Snooks, and he has been over to see me
on two Saturday afternoons running. He talked about Rome and you; we both
talked about you. Your ears must have burnt, my dear....”</p>
<p>Miss Winchelsea repressed a desire to demand more explicit information,
and wrote the sweetest long letter again. “Tell me all about yourself,
dear. That journey has quite refreshed our ancient friendship, and I do so
want to keep in touch with you.” About Mr. Snooks she simply wrote on the
fifth page that she was glad Fanny had seen him, and that if he SHOULD ask
after her, she was to be remembered to him VERY KINDLY (underlined). And
Fanny replied most obtusely in the key of that “ancient friendship,”
reminding Miss Winchelsea of a dozen foolish things of those old
schoolgirl days at the training college, and saying not a word about Mr.
Snooks!</p>
<p>For nearly a week Miss Winchelsea was so angry at the failure of Fanny as
a go-between that she could not write to her. And then she wrote less
effusively, and in her letter she asked point-blank, “Have you seen Mr.
Snooks?” Fanny's letter was unexpectedly satisfactory. “I HAVE seen Mr.
Snooks,” she wrote, and having once named him she kept on about him; it
was all Snooks—Snooks this and Snooks that. He was to give a public
lecture, said Fanny, among other things. Yet Miss Winchelsea, after the
first glow of gratification, still found this letter a little
unsatisfactory. Fanny did not report Mr. Snooks as saying anything about
Miss Winchelsea, nor as looking a little white and worn, as he ought to
have been doing. And behold! before she had replied, came a second letter
from Fanny on the same theme, quite a gushing letter, and covering six
sheets with her loose feminine hand.</p>
<p>And about this second letter was a rather odd little thing that Miss
Winchelsea only noticed as she re-read it the third time. Fanny's natural
femininity had prevailed even against the round and clear traditions of
the training college; she was one of those she-creatures born to make all
her m's and n's and u's and r's and e's alike, and to leave her o's and
a's open and her i's undotted. So that it was only after an elaborate
comparison of word with word that Miss Winchelsea felt assured Mr. Snooks
was not really “Mr. Snooks” at all! In Fanny's first letter of gush he was
Mr. “Snooks,” in her second the spelling was changed to Mr. “Senoks.” Miss
Winchelsea's hand positively trembled as she turned the sheet over—it
meant so much to her. For it had already begun to seem to her that even
the name of Mrs. Snooks might be avoided at too great a price, and
suddenly—this possibility! She turned over the six sheets, all
dappled with that critical name, and everywhere the first letter had the
form of an E! For a time she walked the room with a hand pressed upon her
heart.</p>
<p>She spent a whole day pondering this change, weighing a letter of inquiry
that should be at once discreet and effectual, weighing too what action
she should take after the answer came. She was resolved that if this
altered spelling was anything more than a quaint fancy of Fanny's, she
would write forthwith to Mr. Snooks. She had now reached a stage when the
minor refinements of behaviour disappear. Her excuse remained uninvented,
but she had the subject of her letter clear in her mind, even to the hint
that “circumstances in my life have changed very greatly since we talked
together.” But she never gave that hint. There came a third letter from
that fitful correspondent Fanny. The first line proclaimed her “the
happiest girl alive.”</p>
<p>Miss Winchelsea crushed the letter in her hand—the rest unread—and
sat with her face suddenly very still. She had received it just before
morning school, and had opened it when the junior mathematicians were well
under way. Presently she resumed reading with an appearance of great calm.
But after the first sheet she went on reading the third without
discovering the error:—“told him frankly I did not like his name,”
the third sheet began. “He told me he did not like it himself—you
know that sort of sudden frank way he has”—Miss Winchelsea did know.
“So I said 'Couldn't you change it?' He didn't see it at first. Well, you
know, dear, he had told me what it really meant; it means Sevenoaks, only
it has got down to Snooks—both Snooks and Noaks, dreadfully vulgar
surnames though they be, are really worn forms of Sevenoaks. So I said—even
I have my bright ideas at times—'if it got down from Sevenoaks to
Snooks, why not get it back from Snooks to Sevenoaks?' And the long and
the short of it is, dear, he couldn't refuse me, and he changed his
spelling there and then to Senoks for the bills of the new lecture. And
afterwards, when we are married, we shall put in the apostrophe and make
it Se'noks. Wasn't it kind of him to mind that fancy of mine, when many
men would have taken offence? But it is just like him all over; he is as
kind as he is clever. Because he knew as well as I did that I would have
had him in spite of it, had he been ten times Snooks. But he did it all
the same.”</p>
<p>The class was startled by the sound of paper being viciously torn, and
looked up to see Miss Winchelsea white in the face, and with some very
small pieces of paper clenched in one hand. For a few seconds they stared
at her stare, and then her expression changed back to a more familiar one.
“Has any one finished number three?” she asked in an even tone. She
remained calm after that. But impositions ruled high that day. And she
spent two laborious evenings writing letters of various sorts to Fanny,
before she found a decent congratulatory vein. Her reason struggled
hopelessly against the persuasion that Fanny had behaved in an exceedingly
treacherous manner.</p>
<p>One may be extremely refined and still capable of a very sore heart.
Certainly Miss Winchelsea's heart was very sore. She had moods of sexual
hostility, in which she generalised uncharitably about mankind. “He forgot
himself with me,” she said. “But Fanny is pink and pretty and soft and a
fool—a very excellent match for a Man.” And by way of a wedding
present she sent Fanny a gracefully bound volume of poetry by George
Meredith, and Fanny wrote back a grossly happy letter to say that it was
“ALL beautiful.” Miss Winchelsea hoped that some day Mr. Senoks might take
up that slim book and think for a moment of the donor. Fanny wrote several
times before and about her marriage, pursuing that fond legend of their
“ancient friendship,” and giving her happiness in the fullest detail. And
Miss Winchelsea wrote to Helen for the first time after the Roman journey,
saying nothing about the marriage, but expressing very cordial feelings.</p>
<p>They had been in Rome at Easter, and Fanny was married in the August
vacation. She wrote a garrulous letter to Miss Winchelsea, describing her
home-coming, and the astonishing arrangements of their “teeny weeny”
little house. Mr. Se'noks was now beginning to assume a refinement in Miss
Winchelsea's memory out of all proportion to the facts of the case, and
she tried in vain to imagine his cultured greatness in a “teeny weeny”
little house. “Am busy enamelling a cosey corner,” said Fanny, sprawling
to the end of her third sheet, “so excuse more.” Miss Winchelsea answered
in her best style, gently poking fun at Fanny's arrangements and hoping
intensely that Mr. Sen'oks might see the letter. Only this hope enabled
her to write at all, answering not only that letter but one in November
and one at Christmas.</p>
<p>The two latter communications contained urgent invitations for her to come
to Steely Bank on a Visit during the Christmas holidays. She tried to
think that HE had told her to ask that, but it was too much like Fanny's
opulent good-nature. She could not but believe that he must be sick of his
blunder by this time; and she had more than a hope that he would presently
write her a letter beginning “Dear Friend.” Something subtly tragic in the
separation was a great support to her, a sad misunderstanding. To have
been jilted would have been intolerable. But he never wrote that letter
beginning “Dear Friend.”</p>
<p>For two years Miss Winchelsea could not go to see her friends, in spite of
the reiterated invitations of Mrs. Sevenoaks—it became full
Sevenoaks in the second year. Then one day near the Easter rest she felt
lonely and without a soul to understand her in the world, and her mind ran
once more on what is called Platonic friendship. Fanny was clearly happy
and busy in her new sphere of domesticity, but no doubt HE had his lonely
hours. Did he ever think of those days in Rome—gone now beyond
recalling? No one had understood her as he had done; no one in all the
world. It would be a sort of melancholy pleasure to talk to him again, and
what harm could it do? Why should she deny herself? That night she wrote a
sonnet, all but the last two lines of the octave—which would not
come, and the next day she composed a graceful little note to tell Fanny
she was coming down.</p>
<p>And so she saw him again.</p>
<p>Even at the first encounter it was evident he had changed; he seemed
stouter and less nervous, and it speedily appeared that his conversation
had already lost much of its old delicacy. There even seemed a
justification for Helen's description of weakness in his face—in
certain lights it WAS weak. He seemed busy and preoccupied about his
affairs, and almost under the impression that Miss Winchelsea had come for
the sake of Fanny. He discussed his dinner with Fanny in an intelligent
way. They only had one good long talk together, and that came to nothing.
He did not refer to Rome, and spent some time abusing a man who had stolen
an idea he had had for a text-book. It did not seem a very wonderful idea
to Miss Winchelsea. She discovered he had forgotten the names of more than
half the painters whose work they had rejoiced over in Florence.</p>
<p>It was a sadly disappointing week, and Miss Winchelsea was glad when it
came to an end. Under various excuses she avoided visiting them again.
After a time the visitor's room was occupied by their two little boys, and
Fanny's invitations ceased. The intimacy of her letters had long since
faded away.</p>
<p><SPAN name="link2H_4_0013" id="link2H_4_0013"></SPAN></p>
<br/>
<h2> 13. A DREAM OF ARMAGEDDON </h2>
<p>The man with the white face entered the carriage at Rugby. He moved slowly
in spite of the urgency of his porter, and even while he was still on the
platform I noted how ill he seemed. He dropped into the corner over
against me with a sigh, made an incomplete attempt to arrange his
travelling shawl, and became motionless, with his eyes staring vacantly.
Presently he was moved by a sense of my observation, looked up at me, and
put out a spiritless hand for his newspaper. Then he glanced again in my
direction.</p>
<p>I feigned to read. I feared I had unwittingly embarrassed him, and in a
moment I was surprised to find him speaking.</p>
<p>“I beg your pardon?” said I.</p>
<p>“That book,” he repeated, pointing a lean finger, “is about dreams.”</p>
<p>“Obviously,” I answered, for it was Fortnum-Roscoe's Dream States, and the
title was on the cover. He hung silent for a space as if he sought words.
“Yes,” he said at last, “but they tell you nothing.” I did not catch his
meaning for a second.</p>
<p>“They don't know,” he added.</p>
<p>I looked a little more attentively at his face.</p>
<p>“There are dreams,” he said, “and dreams.”</p>
<p>That sort of proposition I never dispute.</p>
<p>“I suppose—” he hesitated. “Do you ever dream? I mean vividly.”</p>
<p>“I dream very little,” I answered. “I doubt if I have three vivid dreams
in a year.”</p>
<p>“Ah!” he said, and seemed for a moment to collect his thoughts.</p>
<p>“Your dreams don't mix with your memories?” he asked abruptly. “You don't
find yourself in doubt; did this happen or did it not?”</p>
<p>“Hardly ever. Except just for a momentary hesitation now and then. I
suppose few people do.”</p>
<p>“Does HE say—” he indicated the book.</p>
<p>“Says it happens at times and gives the usual explanation about intensity
of impression and the like to account for its not happening as a rule. I
suppose you know something of these theories—”</p>
<p>“Very little—except that they are wrong.”</p>
<p>His emaciated hand played with the strap of the window for a time. I
prepared to resume reading, and that seemed to precipitate his next
remark. He leant forward almost as though he would touch me.</p>
<p>“Isn't there something called consecutive dreaming—that goes on
night after night?”</p>
<p>“I believe there is. There are cases given in most books on mental
trouble.”</p>
<p>“Mental trouble! Yes. I dare say there are. It's the right place for them.
But what I mean—” He looked at his bony knuckles. “Is that sort of
thing always dreaming? IS it dreaming? Or is it something else? Mightn't
it be something else?”</p>
<p>I should have snubbed his persistent conversation but for the drawn
anxiety of his face. I remember now the look of his faded eyes and the
lids red-stained—perhaps you know that look.</p>
<p>“I'm not just arguing about a matter of opinion,” he said. “The thing's
killing me.”</p>
<p>“Dreams?”</p>
<p>“If you call them dreams. Night after night. Vivid!—so vivid... this—”
(he indicated the landscape that went streaming by the window) “seems
unreal in comparison! I can scarcely remember who I am, what business I am
on....”</p>
<p>He paused. “Even now—”</p>
<p>“The dream is always the same—do you mean?” I asked.</p>
<p>“It's over.”</p>
<p>“You mean?”</p>
<p>“I died.”</p>
<p>“Died?”</p>
<p>“Smashed and killed, and now, so much of me as that dream was, is dead.
Dead for ever. I dreamt I was another man, you know, living in a different
part of the world and in a different time. I dreamt that night after
night. Night after night I woke into that other life. Fresh scenes and
fresh happenings—until I came upon the last—”</p>
<p>“When you died?”</p>
<p>“When I died.”</p>
<p>“And since then—”</p>
<p>“No,” he said. “Thank God! That was the end of the dream....”</p>
<p>It was clear I was in for this dream. And after all, I had an hour before
me, the light was fading fast, and Fortnum-Roscoe has a dreary way with
him. “Living in a different time,” I said: “do you mean in some different
age?”</p>
<p>“Yes.”</p>
<p>“Past?”</p>
<p>“No, to come—to come.”</p>
<p>“The year three thousand, for example?”</p>
<p>“I don't know what year it was. I did when I was asleep, when I was
dreaming, that is, but not now—not now that I am awake. There's a
lot of things I have forgotten since I woke out of these dreams, though I
knew them at the time when I was—I suppose it was dreaming. They
called the year differently from our way of calling the year.... What DID
they call it?” He put his hand to his forehead. “No,” said he, “I forget.”</p>
<p>He sat smiling weakly. For a moment I feared he did not mean to tell me
his dream. As a rule I hate people who tell their dreams, but this struck
me differently. I proffered assistance even. “It began—” I
suggested.</p>
<p>“It was vivid from the first. I seemed to wake up in it suddenly. And it's
curious that in these dreams I am speaking of I never remembered this life
I am living now. It seemed as if the dream life was enough while it
lasted. Perhaps—But I will tell you how I find myself when I do my
best to recall it all. I don't remember anything dearly until I found
myself sitting in a sort of loggia looking out over the sea. I had been
dozing, and suddenly I woke up—fresh and vivid—not a bit
dream-like—because the girl had stopped fanning me.”</p>
<p>“The girl?”</p>
<p>“Yes, the girl. You must not interrupt or you will put me out.”</p>
<p>He stopped abruptly. “You won't think I'm mad?” he said.</p>
<p>“No,” I answered; “you've been dreaming. Tell me your dream.”</p>
<p>“I woke up, I say, because the girl had stopped fanning me. I was not
surprised to find myself there or anything of that sort, you understand. I
did not feel I had fallen into it suddenly. I simply took it up at that
point. Whatever memory I had of THIS life, this nineteenth-century life,
faded as I woke, vanished like a dream. I knew all about myself, knew that
my name was no longer Cooper but Hedon, and all about my position in the
world. I've forgotten a lot since I woke—there's a want of
connection—but it was all quite clear and matter of fact then.”</p>
<p>He hesitated again, gripping the window strap, putting his face forward
and looking up at me appealingly.</p>
<p>“This seems bosh to you?”</p>
<p>“No, no!” I cried. “Go on. Tell me what this loggia was like.”</p>
<p>“It was not really a loggia—I don't know what to call it. It faced
south. It was small. It was all in shadow except the semicircle above the
balcony that showed the sky and sea and the corner where the girl stood. I
was on a couch—it was a metal couch with light striped cushions-and
the girl was leaning over the balcony with her back to me. The light of
the sunrise fell on her ear and cheek. Her pretty white neck and the
little curls that nestled there, and her white shoulder were in the sun,
and all the grace of her body was in the cool blue shadow. She was dressed—how
can I describe it? It was easy and flowing. And altogether there she
stood, so that it came to me how beautiful and desirable she was, as
though I had never seen her before. And when at last I sighed and raised
myself upon my arm she turned her face to me—”</p>
<p>He stopped.</p>
<p>“I have lived three-and-fifty years in this world. I have had mother,
sisters, friends, wife, and daughters—all their faces, the play of
their faces, I know. But the face of this girl—it is much more real
to me. I can bring it back into memory so that I see it again—I
could draw it or paint it. And after all—”</p>
<p>He stopped—but I said nothing.</p>
<p>“The face of a dream—the face of a dream. She was beautiful. Not
that beauty which is terrible, cold, and worshipful, like the beauty of a
saint; nor that beauty that stirs fierce passions; but a sort of
radiation, sweet lips that softened into smiles, and grave grey eyes. And
she moved gracefully, she seemed to have part with all pleasant and
gracious things—”</p>
<p>He stopped, and his face was downcast and hidden. Then he looked up at me
and went on, making no further attempt to disguise his absolute belief in
the reality of his story.</p>
<p>“You see, I had thrown up my plans and ambitions, thrown up all I had ever
worked for or desired for her sake. I had been a master man away there in
the north, with influence and property and a great reputation, but none of
it had seemed worth having beside her. I had come to the place, this city
of sunny pleasures, with her, and left all those things to wreck and ruin
just to save a remnant at least of my life. While I had been in love with
her before I knew that she had any care for me, before I had imagined that
she would dare—that we should dare, all my life had seemed vain and
hollow, dust and ashes. It WAS dust and ashes. Night after night and
through the long days I had longed and desired—my soul had beaten
against the thing forbidden!</p>
<p>“But it is impossible for one man to tell another just these things. It's
emotion, it's a tint, a light that comes and goes. Only while it's there,
everything changes, everything. The thing is I came away and left them in
their Crisis to do what they could.”</p>
<p>“Left whom?” I asked, puzzled.</p>
<p>“The people up in the north there. You see—in this dream, anyhow—I
had been a big man, the sort of man men come to trust in, to group
themselves about. Millions of men who had never seen me were ready to do
things and risk things because of their confidence in me. I had been
playing that game for years, that big laborious game, that vague,
monstrous political game amidst intrigues and betrayals, speech and
agitation. It was a vast weltering world, and at last I had a sort of
leadership against the Gang—you know it was called the Gang—a
sort of compromise of scoundrelly projects and base ambitions and vast
public emotional stupidities and catchwords—the Gang that kept the
world noisy and blind year by year, and all the while that it was
drifting, drifting towards infinite disaster. But I can't expect you to
understand the shades and complications of the year—the year
something or other ahead. I had it all down to the smallest details—in
my dream. I suppose I had been dreaming of it before I awoke, and the
fading outline of some queer new development I had imagined still hung
about me as I rubbed my eyes. It was some grubby affair that made me thank
God for the sunlight. I sat up on the couch and remained looking at the
woman and rejoicing—rejoicing that I had come away out of all that
tumult and folly and violence before it was too late. After all, I
thought, this is life—love and beauty, desire and delight, are they
not worth all those dismal struggles for vague, gigantic ends? And I
blamed myself for having ever sought to be a leader when I might have
given my days to love. But then, thought I, if I had not spent my early
days sternly and austerely, I might have wasted myself upon vain and
worthless women, and at the thought all my being went out in love and
tenderness to my dear mistress, my dear lady, who had come at last and
compelled me—compelled me by her invincible charm for me—to
lay that life aside.</p>
<p>“'You are worth it,' I said, speaking without intending her to hear; 'you
are worth it, my dearest one; worth pride and praise and all things. Love!
to have YOU is worth them all together.' And at the murmur of my voice she
turned about.</p>
<p>“'Come and see,' she cried—I can hear her now—'come and see
the sunrise upon Monte Solaro.'</p>
<p>“I remember how I sprang to my feet and joined her at the balcony. She put
a white hand upon my shoulder and pointed towards great masses of
limestone, flushing, as it were, into life. I looked. But first I noted
the sunlight on her face caressing the lines of her cheeks and neck. How
can I describe to you the scene we had before us? We were at Capri—”</p>
<p>“I have been there,” I said. “I have clambered up Monte Solaro and drunk
vero Capri—muddy stuff like cider—at the summit.”</p>
<p>“Ah!” said the man with the white face; “then perhaps you can tell me—you
will know if this was indeed Capri. For in this life I have never been
there. Let me describe it. We were in a little room, one of a vast
multitude of little rooms, very cool and sunny, hollowed out of the
limestone of a sort of cape, very high above the sea. The whole island,
you know, was one enormous hotel, complex beyond explaining, and on the
other side there were miles of floating hotels, and huge floating stages
to which the flying machines came. They called it a pleasure city. Of
course, there was none of that in your time rather, I should say, IS none
of that NOW. Of course. Now!—yes.</p>
<p>“Well, this room of ours was at the extremity of the cape, so that one
could see east and west. Eastward was a great cliff—a thousand feet
high perhaps—coldly grey except for one bright edge of gold, and
beyond it the Isle of the Sirens, and a falling coast that faded and
passed into the hot sunrise. And when one turned to the west, distinct and
near was a little bay, a little beach still in shadow. And out of that
shadow rose Solaro straight and tall, flushed and golden crested, like a
beauty throned, and the white moon was floating behind her in the sky. And
before us from east to west stretched the many-tinted sea all dotted with
little sailing boats.</p>
<p>“To the eastward, of course, these little boats were grey and very minute
and clear, but to the westward they were little boats of gold—shining
gold—almost like little flames. And just below us was a rock with an
arch worn through it. The blue sea-water broke to green and foam all round
the rock, and a galley came gliding out of the arch.”</p>
<p>“I know that rock,” I said. “I was nearly drowned there. It is called the
Faraglioni.”</p>
<p>“I Faraglioni? Yes, she called it that,” answered the man with the white
face. “There was some story—but that—”</p>
<p>He put his hand to his forehead again. “No,” he said, “I forget that
story.”</p>
<p>“Well, that is the first thing I remember, the first dream I had, that
little shaded room and the beautiful air and sky and that dear lady of
mine, with her shining arms and her graceful robe, and how we sat and
talked in half whispers to one another. We talked in whispers not because
there was any one to hear, but because there was still such a freshness of
mind between us that our thoughts were a little frightened, I think, to
find themselves at last in words. And so they went softly.</p>
<p>“Presently we were hungry and we went from our apartment, going by a
strange passage with a moving floor, until we came to the great breakfast
room—there was a fountain and music. A pleasant and joyful place it
was, with its sunlight and splashing, and the murmur of plucked strings.
And we sat and ate and smiled at one another, and I would not heed a man
who was watching me from a table near by.</p>
<p>“And afterwards we went on to the dancing-hall. But I cannot describe that
hall. The place was enormous—larger than any building you have ever
seen—and in one place there was the old gate of Capri, caught into
the wall of a gallery high overhead. Light girders, stems and threads of
gold, burst from the pillars like fountains, streamed like an Aurora
across the roof and interlaced, like—like conjuring tricks. All
about the great circle for the dancers there were beautiful figures,
strange dragons, and intricate and wonderful grotesques bearing lights.
The place was inundated with artificial light that shamed the newborn day.
And as we went through the throng the people turned about and looked at
us, for all through the world my name and face were known, and how I had
suddenly thrown up pride and struggle to come to this place. And they
looked also at the lady beside me, though half the story of how at last
she had come to me was unknown or mistold. And few of the men who were
there, I know, but judged me a happy man, in spite of all the shame and
dishonour that had come upon my name.</p>
<p>“The air was full of music, full of harmonious scents, full of the rhythm
of beautiful motions. Thousands of beautiful people swarmed about the
hall, crowded the galleries, sat in a myriad recesses; they were dressed
in splendid colours and crowned with flowers; thousands danced about the
great circle beneath the white images of the ancient gods, and glorious
processions of youths and maidens came and went. We two danced, not the
dreary monotonies of your days—of this time, I mean—but dances
that were beautiful, intoxicating. And even now I can see my lady dancing—dancing
joyously. She danced, you know, with a serious face; she danced with a
serious dignity, and yet she was smiling at me and caressing me—smiling
and caressing with her eyes.</p>
<p>“The music was different,” he murmured. “It went—I cannot describe
it; but it was infinitely richer and more varied than any music that has
ever come to me awake.</p>
<p>“And then—it was when we had done dancing—a man came to speak
to me. He was a lean, resolute man, very soberly clad for that place, and
already I had marked his face watching me in the breakfasting hall, and
afterwards as we went along the passage I had avoided his eye. But now, as
we sat in a little alcove, smiling at the pleasure of all the people who
went to and fro across the shining floor, he came and touched me, and
spoke to me so that I was forced to listen. And he asked that he might
speak to me for a little time apart.</p>
<p>“'No,' I said. 'I have no secrets from this lady. What do you want to tell
me?'</p>
<p>“He said it was a trivial matter, or at least a dry matter, for a lady to
hear.</p>
<p>“'Perhaps for me to hear,' said I.</p>
<p>“He glanced at her, as though almost he would appeal to her. Then he asked
me suddenly if I had heard of a great and avenging declaration that
Evesham had made. Now, Evesham had always before been the man next to
myself in the leadership of that great party in the north. He was a
forcible, hard and tactless man, and only I had been able to control and
soften him. It was on his account even more than my own, I think, that the
others had been so dismayed at my retreat. So this question about what he
had done reawakened my old interest in the life I had put aside just for a
moment.</p>
<p>“'I have taken no heed of any news for many days,' I said. 'What has
Evesham been saying?'</p>
<p>“And with that the man began, nothing loath, and I must confess even I was
struck by Evesham's reckless folly in the wild and threatening words he
had used. And this messenger they had sent to me not only told me of
Evesham's speech, but went on to ask counsel and to point out what need
they had of me. While he talked, my lady sat a little forward and watched
his face and mine.</p>
<p>“My old habits of scheming and organising reasserted themselves. I could
even see myself suddenly returning to the north, and all the dramatic
effect of it. All that this man said witnessed to the disorder of the
party indeed, but not to its damage. I should go back stronger than I had
come. And then I thought of my lady. You see—how can I tell you?
There were certain peculiarities of our relationship—as things are I
need not tell you about that—which would render her presence with me
impossible. I should have had to leave her; indeed, I should have had to
renounce her clearly and openly, if I was to do all that I could do in the
north. And the man knew THAT, even as he talked to her and me, knew it as
well as she did, that my steps to duty were—first, separation, then
abandonment. At the touch of that thought my dream of a return was
shattered. I turned on the man suddenly, as he was imagining his eloquence
was gaining ground with me.</p>
<p>“'What have I to do with these things now?' I said. 'I have done with
them. Do you think I am coquetting with your people in coming here?'</p>
<p>“'No,' he said; 'but—'</p>
<p>“'Why cannot you leave me alone? I have done with these things. I have
ceased to be anything but a private man.'</p>
<p>“'Yes,' he answered. 'But have you thought?—this talk of war, these
reckless challenges, these wild aggressions—'</p>
<p>“I stood up.</p>
<p>“'No,' I cried. 'I won't hear you. I took count of all those things, I
weighed them—and I have come away.'</p>
<p>“He seemed to consider the possibility of persistence. He looked from me
to where the lady sat regarding us.</p>
<p>“'War,' he said, as if he were speaking to himself, and then turned slowly
from me and walked away. I stood, caught in the whirl of thoughts his
appeal had set going.</p>
<p>“I heard my lady's voice.</p>
<p>“'Dear,' she said; 'but if they have need of you—'</p>
<p>“She did not finish her sentence, she let it rest there. I turned to her
sweet face, and the balance of my mood swayed and reeled.</p>
<p>“'They want me only to do the thing they dare not do themselves,' I said.
'If they distrust Evesham they must settle with him themselves.'</p>
<p>“She looked at me doubtfully.</p>
<p>“'But war—' she said.</p>
<p>“I saw a doubt on her face that I had seen before, a doubt of herself and
me, the first shadow of the discovery that, seen strongly and completely,
must drive us apart for ever.</p>
<p>“Now, I was an older mind than hers, and I could sway her to this belief
or that.</p>
<p>“'My dear one,' I said, 'you must not trouble over these things. There
will be no war. Certainly there will be no war. The age of wars is past.
Trust me to know the justice of this case. They have no right upon me,
dearest, and no one has a right upon me. I have been free to choose my
life, and I have chosen this.'</p>
<p>“'But WAR—' she said.</p>
<p>“I sat down beside her. I put an arm behind her and took her hand in mine.
I set myself to drive that doubt away—I set myself to fill her mind
with pleasant things again. I lied to her, and in lying to her I lied also
to myself. And she was only too ready to believe me, only too ready to
forget.</p>
<p>“Very soon the shadow had gone again, and we were hastening to our
bathing-place in the Grotta del Bovo Marino, where it was our custom to
bathe every day. We swam and splashed one another, and in that buoyant
water I seemed to become something lighter and stronger than a man. And at
last we came out dripping and rejoicing and raced among the rocks. And
then I put on a dry bathing-dress, and we sat to bask in the sun, and
presently I nodded, resting my head against her knee, and she put her hand
upon my hair and stroked it softly and I dozed. And behold! as it were
with the snapping of the string of a violin, I was awakening, and I was in
my own bed in Liverpool, in the life of to-day.</p>
<p>“Only for a time I could not believe that all these vivid moments had been
no more than the substance of a dream.</p>
<p>“In truth, I could not believe it a dream for all the sobering reality of
things about me. I bathed and dressed as it were by habit, and as I shaved
I argued why I of all men should leave the woman I loved to go back to
fantastic politics in the hard and strenuous north. Even if Evesham did
force the world back to war, what was that to me? I was a man, with the
heart of a man, and why should I feel the responsibility of a deity for
the way the world might go?</p>
<p>“You know that is not quite the way I think about affairs, about my real
affairs. I am a solicitor, you know, with a point of view.</p>
<p>“The vision was so real, you must understand, so utterly unlike a dream
that I kept perpetually recalling little irrelevant details; even the
ornament of a book-cover that lay on my wife's sewing-machine in the
breakfast-room recalled with the utmost vividness the gilt line that ran
about the seat in the alcove where I had talked with the messenger from my
deserted party. Have you ever heard of a dream that had a quality like
that?”</p>
<p>“Like—?”</p>
<p>“So that afterwards you remembered little details you had forgotten.”</p>
<p>I thought. I had never noticed the point before, but he was right.</p>
<p>“Never,” I said. “That is what you never seem to do with dreams.”</p>
<p>“No,” he answered. “But that is just what I did. I am a solicitor, you
must understand, in Liverpool, and I could not help wondering what the
clients and business people I found myself talking to in my office would
think if I told them suddenly I was in love with a girl who would be born
a couple of hundred years or so hence, and worried about the politics of
my great-great-great-grandchildren. I was chiefly busy that day
negotiating a ninety-nine-year building lease. It was a private builder in
a hurry, and we wanted to tie him in every possible way. I had an
interview with him, and he showed a certain want of temper that sent me to
bed still irritated. That night I had no dream. Nor did I dream the next
night, at least, to remember.</p>
<p>“Something of that intense reality of conviction vanished. I began to feel
sure it WAS a dream. And then it came again.</p>
<p>“When the dream came again, nearly four days later, it was very different.
I think it certain that four days had also elapsed in the dream. Many
things had happened in the north, and the shadow of them was back again
between us, and this time it was not so easily dispelled. I began, I know,
with moody musings. Why, in spite of all, should I go back, go back for
all the rest of my days to toil and stress, insults and perpetual
dissatisfaction, simply to save hundreds of millions of common people,
whom I did not love, whom too often I could do no other than despise, from
the stress and anguish of war and infinite misrule? And after all I might
fail. THEY all sought their own narrow ends, and why should not I—why
should not I also live as a man? And out of such thoughts her voice
summoned me, and I lifted my eyes.</p>
<p>“I found myself awake and walking. We had come out above the Pleasure
City, we were near the summit of Monte Solaro and looking towards the bay.
It was the late afternoon and very clear. Far away to the left Ischia hung
in a golden haze between sea and sky, and Naples was coldly white against
the hills, and before us was Vesuvius with a tall and slender streamer
feathering at last towards the south, and the ruins of Torre dell'
Annunziata and Castellamare glittering and near.”</p>
<p>I interrupted suddenly: “You have been to Capri, of course?”</p>
<p>“Only in this dream,” he said, “only in this dream. All across the bay
beyond Sorrento were the floating palaces of the Pleasure City moored and
chained. And northward were the broad floating stages that received the
aeroplanes. Aeroplanes fell out of the sky every afternoon, each bringing
its thousands of pleasure-seekers from the uttermost parts of the earth to
Capri and its delights. All these things, I say, stretched below.</p>
<p>“But we noticed them only incidentally because of an unusual sight that
evening had to show. Five war aeroplanes that had long slumbered useless
in the distant arsenals of the Rhinemouth were manoeuvring now in the
eastward sky. Evesham had astonished the world by producing them and
others, and sending them to circle here and there. It was the threat
material in the great game of bluff he was playing, and it had taken even
me by surprise. He was one of those incredibly stupid energetic people who
seem sent by Heaven to create disasters. His energy to the first glance
seemed so wonderfully like capacity! But he had no imagination, no
invention, only a stupid, vast, driving force of will, and a mad faith in
his stupid idiot 'luck' to pull him through. I remember how we stood out
upon the headland watching the squadron circling far away, and how I
weighed the full meaning of the sight, seeing clearly the way things must
go. And then even it was not too late. I might have gone back, I think,
and saved the world. The people of the north would follow me, I knew,
granted only that in one thing I respected their moral standards. The east
and south would trust me as they would trust no other northern man. And I
knew I had only to put it to her and she would have let me go.... Not
because she did not love me!</p>
<p>“Only I did not want to go; my will was all the other way about. I had so
newly thrown off the incubus of responsibility: I was still so fresh a
renegade from duty that the daylight clearness of what I OUGHT to do had
no power at all to touch my will. My will was to live, to gather pleasures
and make my dear lady happy. But though this sense of vast neglected
duties had no power to draw me, it could make me silent and preoccupied,
it robbed the days I had spent of half their brightness and roused me into
dark meditations in the silence of the night. And as I stood and watched
Evesham's aeroplanes sweep to and fro—those birds of infinite ill
omen—she stood beside me watching me, perceiving the trouble indeed,
but not perceiving it clearly her eyes questioning my face, her expression
shaded with perplexity. Her face was grey because the sunset was fading
out of the sky. It was no fault of hers that she held me. She had asked me
to go from her, and again in the night time and with tears she had asked
me to go.</p>
<p>“At last it was the sense of her that roused me from my mood. I turned
upon her suddenly and challenged her to race down the mountain slopes.
'No,' she said, as if I jarred with her gravity, but I was resolved to end
that gravity, and made her run—no one can be very grey and sad who
is out of breath—and when she stumbled I ran with my hand beneath
her arm. We ran down past a couple of men, who turned back staring in
astonishment at my behaviour—they must have recognised my face. And
halfway down the slope came a tumult in the air, clang-clank, clang-clank,
and we stopped, and presently over the hill-crest those war things came
flying one behind the other.”</p>
<p>The man seemed hesitating on the verge of a description.</p>
<p>“What were they like?” I asked.</p>
<p>“They had never fought,” he said. “They were just like our ironclads are
nowadays; they had never fought. No one knew what they might do, with
excited men inside them; few even cared to speculate. They were great
driving things shaped like spearheads without a shaft, with a propeller in
the place of the shaft.”</p>
<p>“Steel?”</p>
<p>“Not steel.”</p>
<p>“Aluminium?”</p>
<p>“No, no, nothing of that sort. An alloy that was very common—as
common as brass, for example. It was called—let me see—.” He
squeezed his forehead with the fingers of one hand. “I am forgetting
everything,” he said.</p>
<p>“And they carried guns?”</p>
<p>“Little guns, firing high explosive shells. They fired the guns backwards,
out of the base of the leaf, so to speak, and rammed with the beak. That
was the theory, you know, but they had never been fought. No one could
tell exactly what was going to happen. And meanwhile I suppose it was very
fine to go whirling through the air like a flight of young swallows, swift
and easy. I guess the captains tried not to think too clearly what the
real thing would be like. And these flying war machines, you know, were
only one sort of the endless war contrivances that had been invented and
had fallen into abeyance during the long peace. There were all sorts of
these things that people were routing out and furbishing up; infernal
things, silly things; things that had never been tried; big engines,
terrible explosives, great guns. You know the silly way of these ingenious
sort of men who make these things; they turn 'em out as beavers build
dams, and with no more sense of the rivers they're going to divert and the
lands they're going to flood!</p>
<p>“As we went down the winding stepway to our hotel again, in the twilight,
I foresaw it all: I saw how clearly and inevitably things were driving for
war in Evesham's silly, violent hands, and I had some inkling of what war
was bound to be under these new conditions. And even then, though I knew
it was drawing near the limit of my opportunity, I could find no will to
go back.”</p>
<p>He sighed.</p>
<p>“That was my last chance.</p>
<p>“We didn't go into the city until the sky was full of stars, so we walked
out upon the high terrace, to and fro, and—she counselled me to go
back.</p>
<p>“'My dearest,' she said, and her sweet face looked up to me, 'this is
Death. This life you lead is Death. Go back to them, go back to your duty—.'</p>
<p>“She began to weep, saying, between her sobs, and clinging to my arm as
she said it, 'Go back—Go back.'</p>
<p>“Then suddenly she fell mute, and, glancing down at her face, I read in an
instant the thing she had thought to do. It was one of those moments when
one SEES.</p>
<p>“'No!' I said.</p>
<p>“'No?' she asked, in surprise, and I think a little fearful at the answer
to her thought.</p>
<p>“'Nothing,' I said, 'shall send me back. Nothing! I have chosen. Love, I
have chosen, and the world must go. Whatever happens I will live this life—I
will live for YOU! It—nothing shall turn me aside; nothing, my dear
one. Even if you died—even if you died—'</p>
<p>“'Yes,' she murmured, softly.</p>
<p>“'Then—I also would die.'</p>
<p>“And before she could speak again I began to talk, talking eloquently—as
I COULD do in that life—talking to exalt love, to make the life we
were living seem heroic and glorious; and the thing I was deserting
something hard and enormously ignoble that it was a fine thing to set
aside. I bent all my mind to throw that glamour upon it, seeking not only
to convert her but myself to that. We talked, and she clung to me, torn
too between all that she deemed noble and all that she knew was sweet. And
at last I did make it heroic, made all the thickening disaster of the
world only a sort of glorious setting to our unparalleled love, and we two
poor foolish souls strutted there at last, clad in that splendid delusion,
drunken rather with that glorious delusion, under the still stars.</p>
<p>“And so my moment passed.</p>
<p>“It was my last chance. Even as we went to and fro there, the leaders of
the south and east were gathering their resolve, and the hot answer that
shattered Evesham's bluffing for ever, took shape and waited. And all over
Asia, and the ocean, and the south, the air and the wires were throbbing
with their warnings to prepare—prepare.</p>
<p>“No one living, you know, knew what war was; no one could imagine, with
all these new inventions, what horror war might bring. I believe most
people still believed it would be a matter of bright uniforms and shouting
charges and triumphs and flags and bands—in a time when half the
world drew its food supply from regions ten thousand miles away—.”</p>
<p>The man with the white face paused. I glanced at him, and his face was
intent on the floor of the carriage. A little railway station, a string of
loaded trucks, a signal-box, and the back of a cottage, shot by the
carriage window, and a bridge passed with a clap of noise, echoing the
tumult of the train.</p>
<p>“After that,” he said, “I dreamt often. For three weeks of nights that
dream was my life. And the worst of it was there were nights when I could
not dream, when I lay tossing on a bed in THIS accursed life; and THERE—somewhere
lost to me—things were happening—momentous, terrible
things.... I lived at nights—my days, my waking days, this life I am
living now, became a faded, far-away dream, a drab setting, the cover of
the book.”</p>
<p>He thought.</p>
<p>“I could tell you all, tell you every little thing in the dream, but as to
what I did in the daytime—no. I could not tell—I do not
remember. My memory—my memory has gone. The business of life slips
from me—”</p>
<p>He leant forward, and pressed his hands upon his eyes. For a long time he
said nothing.</p>
<p>“And then?” said I.</p>
<p>“The war burst like a hurricane.”</p>
<p>He stared before him at unspeakable things.</p>
<p>“And then?” I urged again.</p>
<p>“One touch of unreality,” he said, in the low tone of a man who speaks to
himself, “and they would have been nightmares. But they were not
nightmares—they were not nightmares. NO!”</p>
<p>He was silent for so long that it dawned upon me that there was a danger
of losing the rest of the story. But he went on talking again in the same
tone of questioning self-communion.</p>
<p>“What was there to do but flight? I had not thought the war would touch
Capri—I had seemed to see Capri as being out of it all, as the
contrast to it all; but two nights after the whole place was shouting and
bawling, every woman almost and every other man wore a badge—Evesham's
badge—and there was no music but a jangling war-song over and over
again, and everywhere men enlisting, and in the dancing halls they were
drilling. The whole island was awhirl with rumours; it was said, again and
again, that fighting had begun. I had not expected this. I had seen so
little of the life of pleasure that I had failed to reckon with this
violence of the amateurs. And as for me, I was out of it. I was like a man
who might have prevented the firing of a magazine. The time had gone. I
was no one; the vainest stripling with a badge counted for more than I.
The crowd jostled us and bawled in our ears; that accursed song deafened
us; a woman shrieked at my lady because no badge was on her, and we two
went back to our own place again, ruffled and insulted—my lady white
and silent, and I aquiver with rage. So furious was I, I could have
quarrelled with her if I could have found one shade of accusation in her
eyes.</p>
<p>“All my magnificence had gone from me. I walked up and down our rock cell,
and outside was the darkling sea and a light to the southward that flared
and passed and came again.</p>
<p>“'We must get out of this place,' I said over and over. 'I have made my
choice, and I will have no hand in these troubles. I will have nothing of
this war. We have taken our lives out of all these things. This is no
refuge for us. Let us go.'</p>
<p>“And the next day we were already in flight from the war that covered the
world.</p>
<p>“And all the rest was Flight—all the rest was Flight.”</p>
<p>He mused darkly.</p>
<p>“How much was there of it?”</p>
<p>He made no answer.</p>
<p>“How many days?”</p>
<p>His face was white and drawn and his hands were clenched. He took no heed
of my curiosity.</p>
<p>I tried to draw him back to his story with questions.</p>
<p>“Where did you go?” I said.</p>
<p>“When?”</p>
<p>“When you left Capri.”</p>
<p>“Southwest,” he said, and glanced at me for a second. “We went in a boat.”</p>
<p>“But I should have thought an aeroplane?”</p>
<p>“They had been seized.”</p>
<p>I questioned him no more. Presently I thought he was beginning again. He
broke out in an argumentative monotone:</p>
<p>“But why should it be? If, indeed, this battle, this slaughter and stress
IS life, why have we this craving for pleasure and beauty? If there IS no
refuge, if there is no place of peace, and if all our dreams of quiet
places are a folly and a snare, why have we such dreams? Surely it was no
ignoble cravings, no base intentions, had brought us to this; it was Love
had isolated us. Love had come to me with her eyes and robed in her
beauty, more glorious than all else in life, in the very shape and colour
of life, and summoned me away. I had silenced all the voices, I had
answered all the questions—I had come to her. And suddenly there was
nothing but War and Death!”</p>
<p>I had an inspiration. “After all,” I said, “it could have been only a
dream.”</p>
<p>“A dream!” he cried, flaming upon me, “a dream—when even now—”</p>
<p>For the first time he became animated. A faint flush crept into his cheek.
He raised his open hand and clenched it, and dropped it to his knee. He
spoke, looking away from me, and for all the rest of the time he looked
away. “We are but phantoms,” he said, “and the phantoms of phantoms,
desires like cloud shadows and wills of straw that eddy in the wind; the
days pass, use and wont carry us through as a train carries the shadow of
its lights, so be it! But one thing is real and certain, one thing is no
dreamstuff, but eternal and enduring. It is the centre of my life, and all
other things about it are subordinate or altogether vain. I loved her,
that woman of a dream. And she and I are dead together!</p>
<p>“A dream! How can it be a dream, when it drenched a living life with
unappeasable sorrow, when it makes all that I have lived for and cared
for, worthless and unmeaning?</p>
<p>“Until that very moment when she was killed I believed we had still a
chance of getting away,” he said. “All through the night and morning that
we sailed across the sea from Capri to Salerno, we talked of escape. We
were full of hope, and it clung about us to the end, hope for the life
together we should lead, out of it all, out of the battle and struggle,
the wild and empty passions, the empty arbitrary 'thou shalt' and 'thou
shalt not' of the world. We were uplifted, as though our quest was a holy
thing, as though love for one another was a mission....</p>
<p>“Even when from our boat we saw the fair face of that great rock Capri—already
scarred and gashed by the gun emplacements and hiding-places that were to
make it a fastness—we reckoned nothing of the imminent slaughter,
though the fury of preparation hung about in puffs and clouds of dust at a
hundred points amidst the grey; but, indeed, I made a text of that and
talked. There, you know, was the rock, still beautiful, for all its scars,
with its countless windows and arches and ways, tier upon tier, for a
thousand feet, a vast carving of grey, broken by vine-clad terraces, and
lemon and orange groves, and masses of agave and prickly pear, and puffs
of almond blossom. And out under the archway that is built over the
Piccola Marina other boats were coming; and as we came round the cape and
within sight of the mainland, another little string of boats came into
view, driving before the wind towards the southwest. In a little while a
multitude had come out, the remoter just little specks of ultramarine in
the shadow of the eastward cliff.</p>
<p>“'It is love and reason,' I said, 'fleeing from all this madness, of war.'</p>
<p>“And though we presently saw a squadron of aeroplanes flying across the
southern sky we did not heed it. There it was—a line of little dots
in the sky—and then more, dotting the southeastern horizon, and then
still more, until all that quarter of the sky was stippled with blue
specks. Now they were all thin little strokes of blue, and now one and now
a multitude would heel and catch the sun and become short flashes of
light. They came rising and falling and growing larger, like some huge
flight of gulls or rooks, or such-like birds moving with a marvellous
uniformity, and ever as they drew nearer they spread over a greater width
of sky. The southward wing flung itself in an arrow-headed cloud athwart
the sun. And then suddenly they swept round to the eastward and streamed
eastward, growing smaller and smaller and clearer and clearer again until
they vanished from the sky. And after that we noted to the northward and
very high Evesham's fighting machines hanging high over Naples like an
evening swarm of gnats.</p>
<p>“It seemed to have no more to do with us than a flight of birds.</p>
<p>“Even the mutter of guns far away in the southeast seemed to us to signify
nothing....</p>
<p>“Each day, each dream after that, we were still exalted, still seeking
that refuge where we might live and love. Fatigue had come upon us, pain
and many distresses. For though we were dusty and stained by our toilsome
tramping, and half starved and with the horror of the dead men we had seen
and the flight of the peasants—for very soon a gust of fighting
swept up the peninsula—with these things haunting our minds it still
resulted only in a deepening resolution to escape. O, but she was brave
and patient! She who had never faced hardship and exposure had courage for
herself—and me. We went to and fro seeking an outlet, over a country
all commandeered and ransacked by the gathering hosts of war. Always we
went on foot. At first there were other fugitives, but we did not mingle
with them. Some escaped northward, some were caught in the torrent of
peasantry that swept along the main roads; many gave themselves into the
hands of the soldiery and were sent northward. Many of the men were
impressed. But we kept away from these things; we had brought no money to
bribe a passage north, and I feared for my lady at the hands of these
conscript crowds. We had landed at Salerno, and we had been turned back
from Cava, and we had tried to cross towards Taranto by a pass over Mount
Alburno, but we had been driven back for want of food, and so we had come
down among the marshes by Paestum, where those great temples stand alone.
I had some vague idea that by Paestum it might be possible to find a boat
or something, and take once more to sea. And there it was the battle
overtook us.</p>
<p>“A sort of soul-blindness had me. Plainly I could see that we were being
hemmed in; that the great net of that giant Warfare had us in its toils.
Many times we had seen the levies that had come down from the north going
to and fro, and had come upon them in the distance amidst the mountains
making ways for the ammunition and preparing the mounting of the guns.
Once we fancied they had fired at us, taking us for spies—at any
rate a shot had gone shuddering over us. Several times we had hidden in
woods from hovering aeroplanes.</p>
<p>“But all these things do not matter now, these nights of flight and
pain.... We were in an open place near those great temples at Paestum, at
last, on a blank stony place dotted with spiky bushes, empty and desolate
and so flat that a grove of eucalyptus far away showed to the feet of its
stems. How I can see it! My lady was sitting down under a bush, resting a
little, for she was very weak and weary, and I was standing up watching to
see if I could tell the distance of the firing that came and went. They
were still, you know, fighting far from each other, with those terrible
new weapons that had never before been used: guns that would carry beyond
sight, and aeroplanes that would do—What THEY would do no man could
foretell.</p>
<p>“I knew that we were between the two armies, and that they drew together.
I knew we were in danger, and that we could not stop there and rest!</p>
<p>“Though all these things were in my mind, they were in the background.
They seemed to be affairs beyond our concern. Chiefly, I was thinking of
my lady. An aching distress filled me. For the first time she had owned
herself beaten and had fallen a-weeping. Behind me I could hear her
sobbing, but I would not turn round to her because I knew she had need of
weeping, and had held herself so far and so long for me. It was well, I
thought, that she would weep and rest and then we would toil on again, for
I had no inkling of the thing that hung so near. Even now I can see her as
she sat there, her lovely hair upon her shoulder, can mark again the
deepening hollow of her cheek.</p>
<p>“'If we had parted,' she said, 'if I had let you go.'</p>
<p>“'No,' said I. 'Even now, I do not repent. I will not repent; I made my
choice, and I will hold on to the end.”</p>
<p>“And then—</p>
<p>“Overhead in the sky something flashed and burst, and all about us I heard
the bullets making a noise like a handful of peas suddenly thrown. They
chipped the stones about us, and whirled fragments from the bricks and
passed....”</p>
<p>He put his hand to his mouth, and then moistened his lips.</p>
<p>“At the flash I had turned about....</p>
<p>“You know—she stood up—</p>
<p>“She stood up; you know, and moved a step towards me—</p>
<p>“As though she wanted to reach me—</p>
<p>“And she had been shot through the heart.”</p>
<p>He stopped and stared at me. I felt all that foolish incapacity an
Englishman feels on such occasions. I met his eyes for a moment, and then
stared out of the window. For a long space we kept silence. When at last I
looked at him he was sitting back in his corner, his arms folded, and his
teeth gnawing at his knuckles.</p>
<p>He bit his nail suddenly, and stared at it.</p>
<p>“I carried her,” he said, “towards the temples, in my arms—as though
it mattered. I don't know why. They seemed a sort of sanctuary, you know,
they had lasted so long, I suppose.</p>
<p>“She must have died almost instantly. Only—I talked to her—all
the way.”</p>
<p>Silence again.</p>
<p>“I have seen those temples,” I said abruptly, and indeed he had brought
those still, sunlit arcades of worn sandstone very vividly before me.</p>
<p>“It was the brown one, the big brown one. I sat down on a fallen pillar
and held her in my arms.... Silent after the first babble was over. And
after a little while the lizards came out and ran about again, as though
nothing unusual was going on, as though nothing had changed.... It was
tremendously still there, the sun high, and the shadows still; even the
shadows of the weeds upon the entablature were still—in spite of the
thudding and banging that went all about the sky.</p>
<p>“I seem to remember that the aeroplanes came up out of the south, and that
the battle went away to the west. One aeroplane was struck, and overset
and fell. I remember that—though it didn't interest me in the least.
It didn't seem to signify. It was like a wounded gull, you know—flapping
for a time in the water. I could see it down the aisle of the temple—a
black thing in the bright blue water.</p>
<p>“Three or four times shells burst about the beach, and then that ceased.
Each time that happened all the lizards scuttled in and hid for a space.
That was all the mischief done, except that once a stray bullet gashed the
stone hard by—made just a fresh bright surface.</p>
<p>“As the shadows grew longer, the stillness seemed greater.</p>
<p>“The curious thing,” he remarked, with the manner of a man who makes a
trivial conversation, “is that I didn't THINK—I didn't think at all.
I sat with her in my arms amidst the stones—in a sort of lethargy—stagnant.</p>
<p>“And I don't remember waking up. I don't remember dressing that day. I
know I found myself in my office, with my letters all slit open in front
of me, and how I was struck by the absurdity of being there, seeing that
in reality I was sitting, stunned, in that Paestum temple with a dead
woman in my arms. I read my letters like a machine. I have forgotten what
they were about.”</p>
<p>He stopped, and there was a long silence.</p>
<p>Suddenly I perceived that we were running down the incline from Chalk Farm
to Euston. I started at this passing of time. I turned on him with a
brutal question, with the tone of Now or never.</p>
<p>“And did you dream again?”</p>
<p>“Yes.”</p>
<p>He seemed to force himself to finish. His voice was very low.</p>
<p>“Once more, and as it were only for a few instants. I seemed to have
suddenly awakened out of a great apathy, to have risen into a sitting
position, and the body lay there on the stones beside me. A gaunt body.
Not her, you know. So soon—it was not her....</p>
<p>“I may have heard voices. I do not know. Only I knew clearly that men were
coming into the solitude and that that was a last outrage.</p>
<p>“I stood up and walked through the temple, and then there came into sight—first
one man with a yellow face, dressed in a uniform of dirty white, trimmed
with blue, and then several, climbing to the crest of the old wall of the
vanished city, and crouching there. They were little bright figures in the
sunlight, and there they hung, weapon in hand, peering cautiously before
them.</p>
<p>“And further away I saw others and then more at another point in the wall.
It was a long lax line of men in open order.</p>
<p>“Presently the man I had first seen stood up and shouted a command, and
his men came tumbling down the wall and into the high weeds towards the
temple. He scrambled down with them and led them. He came facing towards
me, and when he saw me he stopped.</p>
<p>“At first I had watched these men with a mere curiosity, but when I had
seen they meant to come to the temple I was moved to forbid them. I
shouted to the officer.</p>
<p>“'You must not come here,' I cried, '<i>I</i> am here. I am here with my
dead.'</p>
<p>“He stared, and then shouted a question back to me in some unknown tongue.</p>
<p>“I repeated what I had said.</p>
<p>“He shouted again, and I folded my arms and stood still. Presently he
spoke to his men and came forward. He carried a drawn sword.</p>
<p>“I signed to him to keep away, but he continued to advance. I told him
again very patiently and clearly: 'You must not come here. These are old
temples and I am here with my dead.'</p>
<p>“Presently he was so close I could see his face clearly. It was a narrow
face, with dull grey eyes, and a black moustache. He had a scar on his
upper lip, and he was dirty and unshaven. He kept shouting unintelligible
things, questions perhaps, at me.</p>
<p>“I know now that he was afraid of me, but at the time that did not occur
to me. As I tried to explain to him he interrupted me in imperious tones,
bidding me, I suppose, stand aside.</p>
<p>“He made to go past me, And I caught hold of him.</p>
<p>“I saw his face change at my grip.</p>
<p>“'You fool,' I cried. 'Don't you know? She is dead!'</p>
<p>“He started back. He looked at me with cruel eyes. I saw a sort of
exultant resolve leap into them—delight. Then, suddenly, with a
scowl, he swept his sword back—SO—and thrust.”</p>
<p>He stopped abruptly. I became aware of a change in the rhythm of the
train. The brakes lifted their voices and the carriage jarred and jerked.
This present world insisted upon itself, became clamorous. I saw through
the steamy window huge electric lights glaring down from tall masts upon a
fog, saw rows of stationary empty carriages passing by, and then a
signal-box, hoisting its constellation of green and red into the murky
London twilight marched after them. I looked again at his drawn features.</p>
<p>“He ran me through the heart. It was with a sort of astonishment—no
fear, no pain—but just amazement, that I felt it pierce me, felt the
sword drive home into my body. It didn't hurt, you know. It didn't hurt at
all.”</p>
<p>The yellow platform lights came into the field of view, passing first
rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men
passed to and fro without.</p>
<p>“Euston!” cried a voice.</p>
<p>“Do you mean—?”</p>
<p>“There was no pain, no sting or smart. Amazement and then darkness
sweeping over everything. The hot, brutal face before me, the face of the
man who had killed me, seemed to recede. It swept out of existence—”</p>
<p>“Euston!” clamoured the voices outside; “Euston!”</p>
<p>The carriage door opened, admitting a flood of sound, and a porter stood
regarding us. The sounds of doors slamming, and the hoof-clatter of
cab-horses, and behind these things the featureless remote roar of the
London cobble-stones, came to my ears. A truckload of lighted lamps blazed
along the platform.</p>
<p>“A darkness, a flood of darkness that opened and spread and blotted out
all things.”</p>
<p>“Any luggage, sir?” said the porter.</p>
<p>“And that was the end?” I asked.</p>
<p>He seemed to hesitate. Then, almost inaudibly, he answered, “No.”</p>
<p>“You mean?”</p>
<p>“I couldn't get to her. She was there on the other side of the Temple—And
then—”</p>
<p>“Yes,” I insisted. “Yes?”</p>
<p>“Nightmares,” he cried; “nightmares indeed! My God! Great birds that
fought and tore.”</p>
<p><br/><br/><br/><br/></p>
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