<h3><SPAN name="ACT_III" id="ACT_III"></SPAN>ACT III.</h3>
<div class="blockquot"><p class="hang"><i>The same decorations as in the first Act.</i> </p>
</div>
<h4><span class="smcap">Scene I.</span></h4>
<p class="c">JOHN, GODLER, TRÉVELÉ.</p>
<p class="c">(<span class="smcap">Godler</span> <i>is sitting down</i>, <span class="smcap">Trévelé</span> <i>standing</i>. <span class="smcap">John</span> <i>is walking about in
great agitation</i>.)</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>And then?</p>
<p class="charct"><span class="smcap">John</span> (<i>sitting down</i>).</p>
<p>Then, just as I was going to start for my sister's house, and everybody
thought me gone, for I had no wish to sleep in this house, suddenly I
was seized with the idea of concealing myself, and following my wife if
she went out, so as to convince myself, and if she deceived me to
disgrace her publicly. This morning I saw her go out veiled, take a cab,
and alight at that house in the Champs Elysées. It was very clear. I
went to fetch a Commissary of Police, who lives close by that house. He
hesitated at first, but the fear of a greater misfortune, of a crime
that I was resolved to commit, decided him to go; and on the refusal of
Mr. Nourvady to open the door, they forced it open.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>And the Countess was there?</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Yes.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>With Nourvady?<SPAN name="page_072" id="page_072"></SPAN></p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Yes.</p>
<p class="charct"><span class="smcap">Godler</span> (<i>after a little while</i>).</p>
<p>And you are convinced?...</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Her hair undone, her arms bare, her dress-body opened! And such
effrontery! such impudence! (<i>Rising, and putting his head in his
hands.</i>) I witnessed it, I witnessed it. That man has done all in his
power to exonerate her, to save her. He has given his word of honour
that there has never been anything between them. It was not through any
gentlemanly feeling, for he who comes to your house, takes you warmly by
the hand, and appropriates, steals, and buys your wife, such a one has
nothing of the true gentleman in him. But I do not know why I mention
that man! After all, it is not he who is guilty; he has done his work as
a man, as we have all done, and as we all do. He has met a beautiful
creature, coquettish, fond of luxury, ruined, heartless, destitute of
womanly feeling; heedless of her good name, her husband, or her child;
without the least gratitude, or the least remembrance, even, of all I
have done for her. He has offered to buy her, and she has consented. He
has paid her a million; that is dear;—for what is a woman who sells
herself really worth? As to me, I paid her with my name, with my
mother's death and curse, that is still dearer. My mother saw clearly:
she is avenged. I have no right to complain.</p>
<p>(<i>He sits down weeping, his head in his hands.</i>)</p>
<p class="charct"><span class="smcap">Godler</span> (<i>much moved</i>).</p>
<p>My poor old friend!<SPAN name="page_073" id="page_073"></SPAN></p>
<p class="charct"><span class="smcap">John.</span></p>
<p>I beg your pardon. It is not to tell you all this that I have asked you
to come here; but, after all, I have no one else now. Here am I, alone
in the world. You are my friends—you have said so at least; and then
again you did not come to my house to take her away, did you? Never
mind, let us try to put my ideas a little in order. I do not know very
well what I am about, you can understand that. However, you are
convinced that I am an honest man? That is the reason I wanted to see
you. You must tell me that you esteem me still. I may have been easily
smitten, very stupid. I was so young then! Alas! I feel a hundred years
old to-day. I may have been foolish to marry a creature unworthy of me;
but you believe me, you know me incapable of all connivance with her;
you feel certain that I have no hand in all this disgusting money
affair? and when I have gone away, when I am dead, for it will certainly
kill me in one way or another, you will take care to say, to affirm
strongly, to swear to it even, that I was ignorant of the whole thing. I
shall have lost my mother, my faith, my fortune, my life, for that
woman; so be it, but at least I have preserved my honour!</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>Rely on us, my dear friend, and understand that we think you the most
upright man in the world; that we esteem you for your honourableness,
and sympathise with you in your great misfortune.</p>
<p>(<span class="smcap">Trévelé</span>, <i>on his part, takes John warmly by the hand</i>.)</p>
<p class="charct"><span class="smcap">Trévelé</span> (<i>aside</i>).</p>
<p>Poor fellow!</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Then, you understand why I have raised this scandal<SPAN name="page_074" id="page_074"></SPAN> instead of
provoking the man. If I had been killed, a suspicion would always have
rested on me. Mr. Nourvady paid the debts of my wife; they would have
said that I did not find this enough, that I had asked for more, that he
had refused me, that then I had quarrelled with him, that he had killed
me, and that he had done right. If, on the contrary, I had killed him,
they would have said worse things still; that I had waited until he had
paid all household debts and had given my wife a fortune (for she has a
splendid mansion), a million for her own use; and having arranged all
that, and after all these disgraceful artifices, I had killed this
generous lover; and that this was my way of settling with my creditors,
and setting up my establishment again. This is why I have acted in this
way. I wanted to raise an unmistakable scandal, well-spread abroad, from
which it would be reported that she is a wretch and I an honest man ...
and besides, before doing anything else, I must pay back his money.</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>According to the light in which you place the situation, I understand
now what, with the habits of our set, I did not take in directly; from
the point of view in which you place the thing, you have nothing else to
do,—whatever may happen.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>What do you mean by whatever may happen?</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>We never know! The human heart....</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>You believe me so weak, so much in love, and so base as to<SPAN name="page_075" id="page_075"></SPAN> pardon this
woman after what she has done! You know perfectly well that you despise
me. It is my fault. My past weakness gives you the right to believe
anything of me.</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>I believe nothing, I suppose nothing, but the whole thing appears to me
very obscure, and passion, perhaps, has made you see things that do not
exist. All I know is, that yesterday, in this house, Nourvady, before
leaving us, spoke a long while in a low tone to the Countess. I heard
nothing, but Trévelé was relating all sorts of nonsense to me, and I was
supposed to be listening to it....</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>Continue.</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>I looked unperceived at the Countess de Hun. Not only did she not listen
with interest to her interlocutor, but two or three times her attitude
and looks were indicative of anger. She threw something violently out of
this window. I do not know what—a note, a trinket, a ring perhaps; and
when Nourvady took leave of her, she said,—The insolent fellow! (<i>To</i>
<span class="smcap">Trévelé</span>.) Is it true?</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>It is quite true....</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>She changed her mind afterwards. Night brings counsel: and she is only
all the more guilty, as she knew very well what she was doing. Do not
speak of her any more, I shall have to think enough about it for the
rest of my life, which fortunately will not be long. At present I am
going away, as I have no money, and must go and look for some.<SPAN name="page_076" id="page_076"></SPAN></p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>My dear fellow!...</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>You understand, without my telling you, that I ask you for none, and
that I should accept none. I confide in you because you are the only
persons that I can consider at all as friends in our station, where one
has so few; and what you do not give me out of friendship, you give me
in esteem and compassion.</p>
<p>(<span class="smcap">Godler</span> <i>and</i> <span class="smcap">Trévelé</span> <i>take him warmly by the hand</i>.)</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>But the Countess, where is she?</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>She is, no doubt, in her house in the Champs Elysées.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>Then she will not come here?</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Yes, she can come here. The house is hers; she can live here as much as
she likes. It is I who am not at home here, and who come only to make my
last preparations for departure.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>And Raoul? Your son?</p>
<p class="charct"><span class="smcap">John</span> (<i>with a bitter laugh</i>).</p>
<p>Are you quite sure that he is my son?</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>Do not let your anger mislead you.<SPAN name="page_077" id="page_077"></SPAN></p>
<p class="charct"><span class="smcap">John.</span></p>
<p>In any case he is the son of that woman; I do not wish to see him any
more. He can live with her, that she may bring him up in her new life.
He will avenge me one day. When he is twenty years old he will insult
her. Or something else may occur. The tribunal which will pronounce our
separation will order that the child shall be sent to college, or to
boarding school, from which his mother will have no power to take him.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>At his age! He will be very unhappy.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>All the better for him. He will suffer at an earlier age—he will
understand more easily.</p>
<p class="charct"><span class="smcap">A Servant</span> (<i>entering</i>).</p>
<p>Mr. Richard.</p>
<p class="charct"><span class="smcap">John</span> (<i>aside</i>).</p>
<p>It is not I who sent for him? Does he know anything?</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>Would you like us to leave you?</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>No. I have nothing to say that you may not hear.... unless you have
something else to do.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>No, nothing. (<i>To</i> <span class="smcap">Godler</span>.) Nor you, have you?<SPAN name="page_078" id="page_078"></SPAN></p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>I—no, nothing. (<i>To</i> <span class="smcap">Trévelé</span>, <i>combing his whiskers and pulling forward
his lock of hair</i>.) Florimonde is waiting for me.</p>
<p class="charct"><span class="smcap">Trévelé.</span></p>
<p>She is waiting for you with some one else. Be at ease, she will not be
weary waiting for you.</p>
<h4><span class="smcap">Scene II.</span></h4>
<p class="c">THE SAME PERSONS, RICHARD.</p>
<p class="charct"><span class="smcap">Richard</span> (<i>in a low voice to</i> <span class="smcap">John</span>).</p>
<p>I know all, Count.</p>
<p class="charct"><span class="smcap">John</span> (<i>aloud</i>).</p>
<p>These gentlemen also....</p>
<p class="charct"><span class="smcap">Richard</span> (<i>bowing</i>).</p>
<p>Your servant, gentlemen! (<i>To</i> <span class="smcap">John</span>.) I have received a note from the
Countess, who begged me to go at once to the Commissary of Police and
take a copy of the accusation, as the lawyer watching her interest, in
the law proceedings which will take place. She has appointed an
interview.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>In what place?</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Here. She knew very well that I would not go anywhere else.<SPAN name="page_079" id="page_079"></SPAN></p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Then she is here?</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Yes.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Have you seen her?</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>No; but the footman told me, and he is gone to inform her. I wanted to
see you in the meantime.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>And people already know it?</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Nothing; nothing at all. The Commissary has forbidden all communication
with the newspapers, and it is neither you, nor Mr. Nourvady, nor we—is
it not so, gentlemen? who would reveal the least circumstance in that
sad affair. The servants of the house in the Champs Elysées know what
took place, but they are ignorant of the name of the lady. The scandal
will be great enough at the time of the law proceedings. It is useless
to initiate the public beforehand.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>Ah! Well, you can see the affair is very simple. The Countess and I were
separated, or had a separation of property; now we have a separation of
the body, and we shall see each other no more; that is the whole of it.</p>
<p class="charct"><span class="smcap">The Lady's Maid</span> (<i>entering</i>).</p>
<p>The Countess de Hun sends me to say to Mr. Richard, that<SPAN name="page_080" id="page_080"></SPAN> when he has
finished speaking to the Count she will be glad to see him....</p>
<p class="charct"><span class="smcap">John</span> (<i>to the Lady's Maid</i>).</p>
<p>Say to the Countess that Mr. Richard will be with her in a few minutes.
(<i>The Lady's Maid goes away.</i>) Ah! she has audacity. When a woman has
once taken up the part of infamy and dishonour it is dreadful. (<i>To
Richard.</i>) Tell her especially that she has nothing to fear, nothing to
hope from me, of whom she will hear nothing more till we meet before the
tribunal that will try our case. Good bye, my dear Mr. Richard; you are
her lawyer and her friend; you ought, naturally and legally, to act in
her cause. I shall think no less of you for all you will be called upon
to say against me. Gentlemen, we can retire; give me a few minutes more.</p>
<p>(<i>All three go away.</i>)</p>
<h4><span class="smcap">Scene III.</span></h4>
<p class="c">RICHARD, afterwards LIONNETTE.</p>
<p class="charct"><span class="smcap">Richard</span> <i>is about to take up his hat. At the moment that he is thinking
of entering</i> <span class="smcap">Lionnette's</span> <i>apartment, she appears</i>.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I prefer to receive you here, my dear Mr. Richard, as we shall be left
alone and uninterrupted. My room, and my private reception-room, are in
disorder; they are packing my trunks—the servants are there, and we
could not talk privately. The reason I called you just now was, that the
Count might be aware that I was here, and that I was in a hurry to see
you. Have you been kind enough to do what I asked you?<SPAN name="page_081" id="page_081"></SPAN></p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Yes.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Then I have nothing more to tell you?</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>No. All that is then quite true?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Nothing on earth can be truer.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Notwithstanding yesterday?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Events have progressed, and I preferred to have done with it at once. I
was right. I am calmer now than I have ever been in my life. I know at
last what I want, and where I am going. It is a great deal, whatever one
may make of it. I have struggled hard against it, but it seems that I am
doomed to end in being a courtesan. Truly, I do not feel any inclination
that way. Frivolous, extravagant, but never depraved. However, they
willed it; it was inevitable; it was ordained; it was hereditary. My
dear Mr. Richard, I have to ask you for some information, because I am
still a little inexperienced in my new profession; but from the moment
one begins to do those things, they must be done openly, is it not so?
Ah! well, here are the title-deeds of some property I have acquired.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Dearly?<SPAN name="page_082" id="page_082"></SPAN></p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Yes, very dearly.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>And the price is paid?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>It is paid.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Is it true?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Paid or not paid, here are the title-deeds. (<i>Putting them on the table,
and beginning to totter.</i>) Then I possess, too, over and above all my
paid debts—for they are paid—I am possessor, also, of a million in
gold, quite new: it is superb to look at.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Sit down, you look as if you were going to fall. You are quite pale; the
blood has rushed to your heart.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>with a great effort</i>).</p>
<p>Do not be afraid, I am quite strong. I cannot eternally keep a million
in gold ... however beautiful it may be ... it is an incumbrance, and
then it might be stolen from me ... and money ... is everything in this
world! Without reckoning that in cash this million will yield nothing
... and I want it to produce something.... I should like, then, to place
it out in the best way possible. You must place it for me in safety,
where it cannot be touched, like the little income that remains to the
Count; so that I, too, may not want bread in my old age. I am such a
spendthrift. I count entirely on you for that.<SPAN name="page_083" id="page_083"></SPAN></p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>And where is this million?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>It is over there, in my house, the house that I ... bought—in a coffer
that I have even forgotten to shut; that is to say ... there are pieces
of gold lying in all directions ... on the table ... on the carpet. The
Commissary of Police opened his eyes!... If the footmen have taken some,
say nothing about it.... I am rich ... for there is also in a cabinet a
will of Mr. Nourvady, who, in the event of his death, leaves me all his
fortune: forty millions. That is worth something! But death is like
everything else in this world, it must not too surely be reckoned on.</p>
<p class="charct"><span class="smcap">Richard</span> (<i>aside</i>.)</p>
<p>Poor creature!</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>You already have my power of attorney, from the time that my affairs got
into confusion. It will enable you to take possession of my house and of
my capital during my absence. There ought also to be some jewels, a
great many jewels, in the drawers; I have not the least idea which,
however; I have never opened them—I have not even thought of them! You
will deposit them all in your house I do not want them in travelling ...
and then, I shall have plenty of others given to me—now; I shall have
all I can wish for given to me.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>And you are going away with Mr. Nourvady?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>We start this very day.<SPAN name="page_084" id="page_084"></SPAN></p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>It is positively arranged?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I think so; I have not seen him again, but I want absolutely to start
to-day.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>And where will you meet?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I suppose they will come for me here.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Quite openly?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Quite openly; at least, if they have not already had enough of me ...
that may happen ... anything may come to pass.... That would be strange.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Do you love Mr. Nourvady, then?</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>hoping to deceive</i> <span class="smcap">Richard</span>).</p>
<p>Madly, and for a long time past. I struggled against it. And then,
candidly, in the position in which I was, it was the only thing to do.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>And your husband?</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>sincere</i>).</p>
<p><SPAN name="page_085" id="page_085"></SPAN>Oh! he! that is another thing; I hate him ... oh, yes! I hate him
<i>well</i> ... without doubt....</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>And your child?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I see at what you are aiming, my dear Mr. Richard ... you want to touch
my tender feelings. Feel my hands, they are cold; listen to my voice, it
does not tremble; if you put your hand on my heart, you would feel that
I have not one pulsation more than ordinarily. You still hope there is
some remedy for what has happened ... there is none ... there can never
be any. If there were any I should reject it. Would you like me to open
my heart to you? I merit what has happened. I often condemned my mother,
because the guilty always accuse some one else of the faults that they
commit; but I am no better than she was. There is too great a mixture in
me, and I should be foolish to attempt to discover what I am. I am
simply and logically what I was destined to be. I shall not be the first
woman who was proud of her disgrace, especially in these times; and what
difference will that make to the world? I ought to have been economical
or ugly! These two men who hate each other, and are equally resolved to
be the ruin of me, are yet better than I, for they love, though one
suffers and the other desires; whereas I desire nothing more, I can
suffer no more, and this disclosure of affairs will appear quite natural
to those who knew me. It is horrible; it is monstrous ... it is all
that, and I tell it to you because I have no one now to deceive, thank
God! And, apart from that, I am going into vice that I like no better
than anything else, as I entered into marriage and motherhood, without
considering why. I have no heart! no heart! that is at the bottom of it
all. A creature of luxury and pleasure. You ask me, then, why I do not
kill myself—why I do not put an end to myself—that is the word? That
would be done more quickly, and would simplify<SPAN name="page_086" id="page_086"></SPAN> everything. Yesterday I
was ready to die to avoid dishonour. To-day, what good would it do? I am
dishonoured. What do you want me to destroy in myself? Nothing has any
more life in me, and it seems that I can still bestow pleasure,
love—happiness may be. You say to yourself that all that is impossible,
because you call to mind your mother, your wife, your children. Yes,
there are, indeed, mothers, wives, children ... and, again, there are
some beings who have the same forms, and bear the same names, but who
are not in any degree the same thing. What do you want still to know?</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>I do not dispute; only embrace your child for the last time.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Why disturb him? he is playing no doubt.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>I am going to look for him.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>No, I beg of you. (<span class="smcap">Richard</span> <i>walks towards the room</i>.) I do not wish it.</p>
<p>(<span class="smcap">The Footman</span> <i>appears</i>.)</p>
<p class="charct"><span class="smcap">The Footman.</span></p>
<p>Mr. Nourvady would like to know if the Countess de Hun can receive him.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>in a natural tone.</i>)</p>
<p>Certainly! (<i>To</i> <span class="smcap">Richard</span>.) Good bye, my dear Mr. Richard ... I will
write if I have any instructions to give you. My kind regards to your
<SPAN name="page_087" id="page_087"></SPAN>wife ... if she knows nothing yet.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Do not remain long here, that will be more prudent.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I am going away directly.</p>
<p>(<span class="smcap">The Footman</span> <i>lets</i> <span class="smcap">Nourvady</span> <i>pass, and goes away</i>.)</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>You excuse me, Madam?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>For what?</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>For coming here to look for you.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Wherever I may be, have you not the right to come there; I was waiting
for you. I said so, a moment ago, to Mr. Richard, who knows all.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Good-bye, Countess.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>giving him her hand with an involuntary and visible
emotion</i>).</p>
<p>Adieu, my dear Richard.</p>
<p class="charct"><span class="smcap">Richard</span> (<i>bowing coldly to</i> <span class="smcap">Nourvady</span>).</p>
<p><SPAN name="page_088" id="page_088"></SPAN>Sir.... (<i>He goes away.</i>)</p>
<h4><span class="smcap">Scene IV.</span></h4>
<p class="c">LIONNETTE, NOURVADY, afterwards RAOUL.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>You appear quite distressed.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>It is on your account.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I thought nothing ever troubled you! It is the scene of this morning
that has unnerved you.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>In the first place....</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>The fact is that you were hurt at the way in which the Commissary
entered; and your millions were powerless. As to me, I am quite myself
again. You love me still?</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>You ask me that?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>One never knows. The heart is so changeable. You see, this morning I did
not love you; it is not five o'clock, and I love you. (<i>She rings twice
violently.</i>)</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>You are feverish; you, too....<SPAN name="page_089" id="page_089"></SPAN></p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>That will go off.... (<i>To the Lady's Maid, who has entered</i>) Bring me my
things to go out.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>Is your husband in this house?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Yes.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>Have you seen him?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>No.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>It is, nevertheless, to see you, that he has come back here.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>No more than that I came here to meet him. We were living here; we are
both going away, each his own way. We come to get what we want. It is
evident that he and I would very much prefer, at this moment, to be
somewhere else. It is you who ought not to be here; but, since this
morning, it is strange we are all in places where we ought not to be.
(<i>To the Lady's Maid, who comes back.</i>) That will do; put them down
there.</p>
<p>(<i>The maid, puts down a hat, gloves, and a travelling cloak, and goes
away.</i>)</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>I went back to your house, hoping to find you there. You had gone away.
I supposed you were here. The servant<SPAN name="page_090" id="page_090"></SPAN> who announced me, and who,
evidently, knows nothing of all that has happened....</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>No one knows anything about it except the parties interested.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>The servant asked me if he were to announce me to the Count or Countess
de Hun. It was in that way that I knew that your husband was here at the
same time as you. I had a strong inclination to say to the man: Announce
me to your master.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>What could you have to say to him now?</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>He came to look for you in my house: I come to look for you in his. You
are a woman; you do not understand certain insults.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Do you think so?</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>That man forced my door; he even broke it. He insulted you before me,
who love you.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>You must remember he loves me too: that is his excuse.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>You defend him.<SPAN name="page_091" id="page_091"></SPAN></p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>while putting on her hat, mantle, and gloves</i>).</p>
<p>Ah! heaven help me, no! Well, what would you have said to him if they
had announced you to him as you said, and he had received you? But I
doubt if he would have received you after what is passed.</p>
<p class="charct"><span class="smcap">Nourvady.</span></p>
<p>If he had refused to receive me, I should have burst open his door in my
turn, and....</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Ah! I forbid you absolutely to provoke him at present.... If I were a
widow through you ... or if he killed you, you would not be able to
marry me ... and if, one day, we could legitimize the false position we
are going to hold, I should be very glad of it. Let us trust to
Providence, as my mother used to say. Apart from all that, I am
ready.... Let us start!...</p>
<p>(<i>At the moment that she turns round to go out</i> <span class="smcap">Raoul</span> <i>enters, and
throws himself into her arms to kiss her</i>.)</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>Mamma!</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>surprised and agitated</i>).</p>
<p>Ah! it is you. You frightened me!</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>Kiss me.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>kissing him coldly</i>).</p>
<p>You think then of embracing me to-day. (<i>With a sigh</i>) It is rather
late.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>Where are you going?<SPAN name="page_092" id="page_092"></SPAN></p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I am going out.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>When are you coming back?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I don't know.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>To-day?</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>To-day.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>Take me with you.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>It is impossible.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>Why? It is such fine weather.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>I am going too far. I shall send you some toys, you may be sure.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>I like better going with you.</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Impossible, I tell you. Go now; let me pass.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>No!<SPAN name="page_093" id="page_093"></SPAN></p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>You must, my child.</p>
<p class="charct"><span class="smcap">Nourvady</span> (<i>very agitated and very impatient during this scene, walks
from right to left to see if any one is coming.</i>)</p>
<p>Some one is coming.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>a little more harshly</i>).</p>
<p>Now, now, let me go.</p>
<p class="charct"><span class="smcap">Raoul.</span></p>
<p>No. (<i>He puts himself in front of his mother.</i>)</p>
<p class="charct"><span class="smcap">Nourvady</span> (<i>taking the child by the arm, and throwing him far from him</i>).</p>
<p>Leave us alone, then!</p>
<p>(<i>The child totters, falls, and remains motionless.</i> <span class="smcap">Lionnette</span> <i>stops,
looks with stupor on what has passed, recoils, covers her face with her
hands, utters a piercing cry, and rushes at</i> <span class="smcap">Nourvady</span>, <i>whom she seizes
by the throat as if to strangle him</i>.)</p>
<p class="charct"><span class="smcap">Lionnette.</span></p>
<p>Miserable wretch!</p>
<div class="blockquot"><p class="hang"><span class="smcap">Nourvady</span> (<i>whom she has struck on the shoulder, who feels himself
getting exhausted, but who will not defend himself, with a feeble
voice</i>).</p>
</div>
<p>You are hurting me.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>releasing him</i>).</p>
<p>Go away; go away! I shall strangle you. I shall kill you. My child! My
child!</p>
<p>(<i>She utters several cries, and throws herself in despair upon the
child.</i>)<SPAN name="page_094" id="page_094"></SPAN></p>
<p class="charct"><span class="smcap">Richard</span> (<i>who has entered during this scene, to</i> <span class="smcap">Nourvady</span>).</p>
<p>Go away, sir, go away, in the name of heaven! Enough of such
misfortunes, without that.</p>
<p>(<i>He makes</i> <span class="smcap">Nourvady</span> <i>go away</i>.)</p>
<p class="charct"><span class="smcap">Raoul</span> (<i>half raising himself up</i>).</p>
<p>There is nothing the matter ... Mamma.... Nothing, I assure you.</p>
<p>(<span class="smcap">Lionnette</span> <i>on her knees, with</i> <span class="smcap">Raoul's</span> <i>head on her breast, kissing him
with rapture, sobbing without power to stop herself</i>).</p>
<p class="charct"><span class="smcap">Richard</span> (<i>near her</i>).</p>
<p>Saved! You are saved!</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>with sobs, tremulously accentuating every word</i>).</p>
<p>Yes, yes, yes, saved! (<i>To</i> <span class="smcap">Richard</span>.) Ah! I was mad.... I was mad....
But when that man laid his hand on my child, it is awful what took
possession of me! I do not know how it was I did not kill him. What is
the use of a man struggling with a mother? For I am a mother. I am....
Oh! I felt it truly, from my heart, that that could never be. Richard,
you guessed rightly; yes. Right-minded people guess rightly!... They
want my father's letters; very well, they shall have them. You shall
sell everything; you shall pay—you must give that man back his
money;—there will be an end to it all. Go, and find my husband.
(<span class="smcap">Richard</span> <i>goes away</i>.) I want to see him before I die, for I am going to
die, I feel it.</p>
<p>(<i>She lets her head fall upon the couch, and half loses consciousness.</i>)</p>
<p class="charct"><span class="smcap">Raoul</span> (<i>jumping upon the couch, taking his mother's head in his arms,
and kissing it.</i>)</p>
<p><SPAN name="page_095" id="page_095"></SPAN>Mamma, mamma, mamma ... do not die, I beseech you.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>recovering consciousness</i>).</p>
<p>No, no, I shall live, for I love you!...</p>
<p>(<i>She covers him with kisses, and does not see</i> <span class="smcap">John</span>, <i>who enters with</i>
<span class="smcap">Richard</span>, <i>who is showing him the scene</i>. <span class="smcap">John</span> <i>starts back,
comprehending nothing yet</i>. <span class="smcap">Godler</span> <i>and</i> <span class="smcap">Trévelé</span> <i>look on and rejoin</i>
<span class="smcap">John</span>, <i>who cannot take his eyes off the picture of the mother and her
child</i>. <span class="smcap">Richard</span> <i>touches</i> <span class="smcap">Lionnette's</span> <i>shoulder, who turns round and
sees</i> <span class="smcap">John</span>.)</p>
<h4><span class="smcap">Scene V.</span></h4>
<p class="c">LIONNETTE, JOHN, RAOUL, RICHARD, GODLER, TRÉVELÉ.</p>
<p class="charct"><span class="smcap">Lionnette</span> <i>to</i> <span class="smcap">John</span> (<i>running to him and falling on her knees</i>).</p>
<p>Do not leave me any more. I will explain all to you. I understand, I see
it all clearly now! I am innocent, I swear to you! I swear to you! I
swear to you! We will live modestly in some quiet place, wherever you
like. What difference does that make now that my child has awakened my
soul in me?</p>
<p>(<i>She throws herself again on her son's neck</i>).</p>
<p class="charct"><span class="smcap">John</span> (<i>in the hands of</i> <span class="smcap">Godler</span> <i>and</i> <span class="smcap">Trévelé</span>).</p>
<p>My friends, my friends, I am losing my senses!</p>
<p class="charct"><span class="smcap">Godler.</span></p>
<p>You can, indeed, boast of having a true woman as a wife!</p>
<p class="charct"><span class="smcap">Trévelé</span> (<i>touching him</i>).</p>
<p>Go and kneel at her feet.<SPAN name="page_096" id="page_096"></SPAN></p>
<p>(<span class="smcap">Lionnette</span> <i>is sitting on the couch, supporting her son's head on her
knees, and her head thrown back, in an attitude of weariness and
contentment</i>. <span class="smcap">John</span> <i>throws himself on his knees before her, and kisses
the hand she has free. She holds out the other to</i> <span class="smcap">Richard</span>.)</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>to</i> <span class="smcap">Richard</span>).</p>
<p>It was just in time.</p>
<p class="charct"><span class="smcap">Richard.</span></p>
<p>Yes, the cry of a child! that is sufficient. When all is nearly lost,
God's way is all-powerful.</p>
<p class="charct"><span class="smcap">John.</span></p>
<p>I believe in you, and I love you.</p>
<p class="charct"><span class="smcap">Lionnette</span> (<i>with a long sigh of joy</i>).</p>
<p>Ah! how happy I am!</p>
<p class="charct"><span class="smcap">Godler</span> (<i>wiping his eyes</i>).</p>
<p>How foolish I am, at my age!</p>
<p class="charct"><span class="smcap">Trévelé</span> (<i>to</i> <span class="smcap">Godler</span>, <i>wiping his eyes, and trying to conceal his
emotion</i>).</p>
<p>Bring forward your lock of hair.</p>
<p><br/>
<br/></p>
<p class="c"><span class="smcap">Chateau de Salneuve</span>, <i>September</i>, 1880.</p>
<p><br/>
<br/></p>
<p class="c">FINIS.</p>
<hr class="full" />
<div style="break-after:column;"></div><br />