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<h1 id="id00008" style="margin-top: 11em">LOVE AT SECOND SIGHT</h1>
<p id="id00009">by ADA LEVERSON</p>
<h2 id="id00013" style="margin-top: 4em">CHAPTER I</h2>
<p id="id00014">An appalling crash, piercing shrieks, a loud, unequal quarrel on a
staircase, the sharp bang of a door….</p>
<p id="id00015">Edith started up from her restful corner on the blue sofa by the fire,
where she had been thinking about her guest, and rushed to the door.</p>
<p id="id00016">'Archie—Archie! Come here directly! What's that noise?'</p>
<p id="id00017">A boy of ten came calmly into the room.</p>
<p id="id00018">'It wasn't me that made the noise,' he said, 'it was Madame Frabelle.'</p>
<p id="id00019">His mother looked at him. He was a handsome, fair boy with clear grey
eyes that looked you straight in the face without telling you anything
at all, long eyelashes that softened, but gave a sly humour to his
glance, a round face, a very large forehead, and smooth straw-coloured
hair. Already at this early age he had the expressionless reserve of the
public school where he was to be sent, with something of the suave
superiority of the university for which he was intended. Edith thought
he inherited both of these traits from her.</p>
<p id="id00020"> * * * * *</p>
<p id="id00021">She gazed at him, wondering, as she had often wondered, at the
impossibility of guessing, even vaguely, what was really going on behind
that large brow. And he looked back observantly, but not expressively,
at her. She was a slim, fair, pretty woman, with more vividness and
character than usually goes with her type. Like the boy, she had
long-lashed grey eyes, and <i>blond-cendre</i> hair: her mouth and chin were
of the Burne-Jones order, and her charm, which was great but
unintentional, and generally unconscious, appealed partly to the senses
and partly to the intellect. She was essentially not one of those women
who irritate all their own sex by their power (and still more by their
fixed determination) to attract men; she was really and unusually
indifferent to general admiration. Still, that she was not a cold woman,
not incapable of passionate feeling, was obvious to any physiognomist;
the fully curved lips showed her generous and pleasure-loving
temperament, while the softly glancing, intelligent, smiling eyes spoke
fastidiousness and discrimination. Her voice was low and soft, with a
vibrating sound in it, and she laughed often and easily, being very
ready to see and enjoy the amusing side of life. But observation and
emotion alike were instinctively veiled by a quiet, reposeful manner, so
that she made herself further popular by appearing retiring. Edith
Ottley might so easily have been the centre of any group, and yet—she
was not! Women were grateful to her, and in return admitted that she was
pretty, unaffected and charming. Today she was dressed very simply in
dark blue and might have passed for Archie's elder sister.</p>
<p id="id00022">'It isn't anything. It wasn't my fault. It was her fault. Madame
Frabelle said <i>she</i> would teach me to take away her mandolin and use it
for a cricket bat. She needn't teach me; I know already.'</p>
<p id="id00023">'Now, Archie, you know perfectly well you've no right to go into her
room when she isn't there.'</p>
<p id="id00024">'How can I go in when she is there?… She won't let me. Besides, I
don't want to.'</p>
<p id="id00025">'It isn't nice of you; you ought not to go into her room without her
permission.'</p>
<p id="id00026">'It isn't her room; it's your room. At least, it's the spare room.'</p>
<p id="id00027">'Have you done any harm to the mandolin?'</p>
<p id="id00028">He paused a little, as he often did before answering, as if in absence
of mind, and then said, as though starting up from a reverie:</p>
<p id="id00029">'Er—no. No harm.'</p>
<p id="id00030">'Well, what have you done?'</p>
<p id="id00031">'I can mend it,' he answered.</p>
<p id="id00032">'Madame Frabelle has been very kind to you, Archie. I'm sorry you're not
behaving nicely to a guest in your mother's house. It isn't the act of a
gentleman.'</p>
<p id="id00033">'Oh. Well, there are a great many things in her room, Mother; some of
them are rather jolly.'</p>
<p id="id00034">'Go and say you're sorry, Archie. And you mustn't do it again.'</p>
<p id="id00035">'Will it be the act of a gentleman to say I'm sorry? It'll be the act of
a story-teller, you know.'</p>
<p id="id00036">'What! Aren't you sorry to have bothered her?'</p>
<p id="id00037">'I'm sorry she found it out,' he said, as he turned to the door.</p>
<p id="id00038">'These perpetual scenes and quarrels between my son and my guest are
most painful to me,' Edith said, with assumed solemnity.</p>
<p id="id00039">He looked grave. 'Well, she needn't have quarrelled.'</p>
<p id="id00040">'But isn't she very kind to you?'</p>
<p id="id00041">'Yes, she isn't bad sometimes. I like it when she tells me lies about
what her husband used to do—I mean stories. She's not a bad sort…. Is
she a homeless refugette, Mother?'</p>
<p id="id00042">'Not exactly that. She's a widow, and she's staying with us, and we must
be nice to her. Now, you won't forget again, will you?'</p>
<p id="id00043">'Right. But I can mend it.'</p>
<p id="id00044">'I think I'd better go up and see her,' said Edith.</p>
<p id="id00045">Archie politely opened the door for his mother.</p>
<p id="id00046">'I shouldn't, if I were you,' he said.</p>
<p id="id00047">Edith slowly went back to the fire.</p>
<p id="id00048">'Well, I'll leave her a little while, perhaps. Now do go and do
something useful.'</p>
<p id="id00049">'What, useful? Gracious! I haven't got much more of my holidays,<br/>
Mother.'<br/></p>
<p id="id00050">'That's no reason why you should spend your time in worrying everybody,
and smashing the musical instruments of guests that are under
your roof.'</p>
<p id="id00051">He looked up at the ceiling and smiled, as if pleased at this way of
putting it.</p>
<p id="id00052">'I suppose she's very glad to have a roof to her mouth—I mean to her
head,' he hurriedly corrected. 'But, Mother, she isn't poor. She has an
amber necklace. Besides, she gave Dilly sixpence the other day for not
being frightened of a cow. If she can afford to give a little girl
sixpence for every animal she says she isn't afraid of!'…</p>
<p id="id00053">'That only proves she's kind. And I didn't say she was poor; that's not
the point. We must be nice and considerate to anyone staying with
us—don't you see?'</p>
<p id="id00054">He became absent-minded again for a minute.</p>
<p id="id00055">'Well, I shouldn't be surprised if she'll be able to use it again,' he
said consolingly—'the mandolin, I mean. Besides, what's the good of it
anyway? I say, Mother, are all foreigners bad-tempered?'</p>
<p id="id00056">'Madame Frabelle is not a foreigner.'</p>
<p id="id00057">'I never said she was. But her husband was. He used to get into
frightful rages with her sometimes. She says he was a noble fellow. She
liked him awfully, but she says he never understood her. Do you suppose
she talked English to him?'</p>
<p id="id00058">'That's enough, Archie. Go and find something to do.'</p>
<p id="id00059">As he went out he turned round again and said:</p>
<p id="id00060">'Does father like her?'</p>
<p id="id00061">'Why, yes, of course he does.'</p>
<p id="id00062">'How funny!' said Archie. 'Well, I'll say I'm sorry … when I see her
again.'</p>
<p id="id00063">Edith kissed him, a proceeding that he bore heroically. He was kissable,
but she seldom gave way to the temptation. Then she went back to the
sofa. She wanted to go on thinking about that mystery, her guest.</p>
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