<p><SPAN name="17"></SPAN> </p>
<p> </p>
<h3>XVII</h3>
<h3>THE RENAISSANCE AT CHARLEROI<br/> </h3>
<p>Grandemont Charles was a little Creole gentleman, aged
thirty-four, with a bald spot on the top of his head and the
manners of a prince. By day he was a clerk in a cotton broker's
office in one of those cold, rancid mountains of oozy brick,
down near the levee in New Orleans. By night, in his
three-story-high <i>chambre garnier</i> in the old French Quarter he
was again the last male descendant of the Charles family, that
noble house that had lorded it in France, and had pushed its
way smiling, rapiered, and courtly into Louisiana's early and
brilliant days. Of late years the Charleses had subsided into
the more republican but scarcely less royally carried
magnificence and ease of plantation life along the Mississippi.
Perhaps Grandemont was even Marquis de Brassé. There
was that title in the family. But a Marquis on seventy-five
dollars per month! <i>Vraiment!</i> Still, it has been done
on less.</p>
<p>Grandemont had saved out of his salary the sum of six hundred
dollars. Enough, you would say, for any man to marry on. So,
after a silence of two years on that subject, he reopened that
most hazardous question to Mlle. Adèle Fauquier, riding
down to Meade d'Or, her father's plantation. Her answer was
the same that it had been any time during the last ten years:
"First find my brother, Monsieur Charles."</p>
<p>This time he had stood before her, perhaps discouraged by a
love so long and hopeless, being dependent upon a contingency
so unreasonable, and demanded to be told in simple words
whether she loved him or no.</p>
<p>Adèle looked at him steadily out of her gray eyes
that betrayed no secrets and answered, a little more softly:</p>
<p>"Grandemont, you have no right to ask that question unless you
can do what I ask of you. Either bring back brother Victor to
us or the proof that he died."</p>
<p>Somehow, though five times thus rejected, his heart was not so
heavy when he left. She had not denied that she loved. Upon
what shallow waters can the bark of passion remain afloat! Or,
shall we play the doctrinaire, and hint that at thirty-four the
tides of life are calmer and cognizant of many sources instead
of but one—as at four-and-twenty?</p>
<p>Victor Fauquier would never be found. In those early days of
his disappearance there was money to the Charles name, and
Grandemont had spent the dollars as if they were picayunes in
trying to find the lost youth. Even then he had had small hope
of success, for the Mississippi gives up a victim from its oily
tangles only at the whim of its malign will.</p>
<p>A thousand times had Grandemont conned in his mind the scene of
Victor's disappearance. And, at each time that Adèle had
set her stubborn but pitiful alternative against his suit, still
clearer it repeated itself in his brain.</p>
<p>The boy had been the family favourite; daring, winning,
reckless. His unwise fancy had been captured by a girl on the
plantation—the daughter of an overseer. Victor's family was in
ignorance of the intrigue, as far as it had gone. To save them
the inevitable pain that his course promised, Grandemont strove
to prevent it. Omnipotent money smoothed the way. The overseer
and his daughter left, between a sunset and dawn, for an
undesignated bourne. Grandemont was confident that this stroke
would bring the boy to reason. He rode over to Meade d'Or to
talk with him. The two strolled out of the house and grounds,
crossed the road, and, mounting the levee, walked its broad
path while they conversed. A thunder-cloud was hanging,
imminent, above, but, as yet, no rain fell. At Grandemont's
disclosure of his interference in the clandestine romance,
Victor attacked him, in a wild and sudden fury. Grandemont,
though of slight frame, possessed muscles of iron. He caught
the wrists amid a shower of blows descending upon him, bent the
lad backward and stretched him upon the levee path. In a little
while the gust of passion was spent, and he was allowed to
rise. Calm now, but a powder mine where he had been but a whiff
of the tantrums, Victor extended his hand toward the dwelling
house of Meade d'Or.</p>
<p>"You and they," he cried, "have conspired to destroy my
happiness. None of you shall ever look upon my face again."</p>
<p>Turning, he ran swiftly down the levee, disappearing in the
darkness. Grandemont followed as well as he could, calling to
him, but in vain. For longer than an hour he pursued the
search. Descending the side of the levee, he penetrated the
rank density of weeds and willows that undergrew the trees
until the river's edge, shouting Victor's name. There was never
an answer, though once he thought he heard a bubbling scream
from the dun waters sliding past. Then the storm broke, and he
returned to the house drenched and dejected.</p>
<p>There he explained the boy's absence sufficiently, he thought,
not speaking of the tangle that had led to it, for he hoped
that Victor would return as soon as his anger had cooled.
Afterward, when the threat was made good and they saw his face
no more, he found it difficult to alter his explanations of
that night, and there clung a certain mystery to the boy's
reasons for vanishing as well as to the manner of it.</p>
<p>It was on that night that Grandemont first perceived a new and
singular expression in Adèle's eyes whenever she looked
at him. And through the years following that expression was always
there. He could not read it, for it was born of a thought she
would never otherwise reveal.</p>
<p>Perhaps, if he had known that Adèle had stood at the
gate on that unlucky night, where she had followed, lingering,
to await the return of her brother and lover, wondering why they
had chosen so tempestuous an hour and so black a spot to hold
converse—if he had known that a sudden flash of lightning had
revealed to her sight that short, sharp struggle as Victor was
sinking under his hands, he might have explained everything,
and she—</p>
<p>I know what she would have done. But one thing is clear—there
was something besides her brother's disappearance between
Grandemont's pleadings for her hand and Adèle's "yes."
Ten years had passed, and what she had seen during the space of
that lightning flash remained an indelible picture. She had
loved her brother, but was she holding out for the solution of
that mystery or for the "Truth"? Women have been known to
reverence it, even as an abstract principle. It is said there
have been a few who, in the matter of their affections, have
considered a life to be a small thing as compared with a lie.
That I do not know. But, I wonder, had Grandemont cast himself
at her feet crying that his hand had sent Victor to the bottom
of that inscrutable river, and that he could no longer sully
his love with a lie, I wonder if—I wonder what she would have
done!</p>
<p>But, Grandemont Charles, Arcadian little gentleman, never
guessed the meaning of that look in Adèle's eyes; and from
this last bootless payment of his devoirs he rode away as rich as
ever in honour and love, but poor in hope.</p>
<p>That was in September. It was during the first winter month
that Grandemont conceived his idea of the <i>renaissance</i>.
Since Adèle would never be his, and wealth without her
were useless trumpery, why need he add to that hoard of slowly
harvested dollars? Why should he even retain that hoard?</p>
<p>Hundreds were the cigarettes he consumed over his claret,
sitting at the little polished tables in the Royal street
cafés while thinking over his plan. By and by
he had it perfect. It would cost, beyond doubt,
all the money he had, but—<i>le jeu
vaut la chandelle</i>—for some hours he would be once more a
Charles of Charleroi. Once again should the nineteenth of
January, that most significant day in the fortunes of the house
of Charles, be fittingly observed. On that date the French king
had seated a Charles by his side at table; on that date Armand
Charles, Marquis de Brassé, landed, like a brilliant
meteor, in New Orleans; it was the date of his mother's wedding;
of Grandemont's birth. Since Grandemont could remember until the
breaking up of the family that anniversary had been the synonym
for feasting, hospitality, and proud commemoration.</p>
<p>Charleroi was the old family plantation, lying some twenty
miles down the river. Years ago the estate had been sold to
discharge the debts of its too-bountiful owners. Once again it
had changed hands, and now the must and mildew of litigation
had settled upon it. A question of heirship was in the courts,
and the dwelling house of Charleroi, unless the tales told of
ghostly powdered and laced Charleses haunting its unechoing
chambers were true, stood uninhabited.</p>
<p>Grandemont found the solicitor in chancery who held the keys
pending the decision. He proved to be an old friend of the
family. Grandemont explained briefly that he desired to rent
the house for two or three days. He wanted to give a dinner at
his old home to a few friends. That was all.</p>
<p>"Take it for a week—a month, if you will," said the solicitor;
"but do not speak to me of rental." With a sigh he concluded:
"The dinners I have eaten under that roof, <i>mon fils</i>!"</p>
<p>There came to many of the old, established dealers in
furniture, china, silverware, decorations and household
fittings at their stores on Canal, Chartres, St. Charles, and
Royal Streets, a quiet young man with a little bald spot on the
top of his head, distinguished manners, and the eye of a
<i>connoisseur</i>, who explained what he wanted. To hire the
complete and elegant equipment of a dining-room, hall,
reception-room, and cloak-rooms. The goods were to be packed
and sent, by boat, to the Charleroi landing, and would be
returned within three or four days. All damage or loss to be
promptly paid for.</p>
<p>Many of those old merchants knew Grandemont by sight, and the
Charleses of old by association. Some of them were of Creole
stock and felt a thrill of responsive sympathy with the
magnificently indiscreet design of this impoverished clerk who
would revive but for a moment the ancient flame of glory with
the fuel of his savings.</p>
<p>"Choose what you want," they said to him. "Handle everything
carefully. See that the damage bill is kept low, and the
charges for the loan will not oppress you."</p>
<p>To the wine merchants next; and here a doleful slice was lopped
from the six hundred. It was an exquisite pleasure to
Grandemont once more to pick among the precious vintages. The
champagne bins lured him like the abodes of sirens, but these
he was forced to pass. With his six hundred he stood before
them as a child with a penny stands before a French doll. But
he bought with taste and discretion of other wines—Chablis,
Moselle, Château d'Or, Hochheimer, and port of right age and
pedigree.</p>
<p>The matter of the cuisine gave him some studious hours until he
suddenly recollected André—André, their old
<i>chef</i>—the most sublime master of French Creole cookery
in the Mississippi Valley. Perhaps he was yet somewhere about
the plantation. The solicitor had told him that the place was
still being cultivated, in accordance with a compromise agreement
between the litigants.</p>
<p>On the next Sunday after the thought Grandemont rode,
horseback, down to Charleroi. The big, square house with its
two long ells looked blank and cheerless with its closed
shutters and doors.</p>
<p>The shrubbery in the yard was ragged and riotous. Fallen leaves
from the grove littered the walks and porches. Turning down the
lane at the side of the house, Grandemont rode on to the
quarters of the plantation hands. He found the workers just
streaming back from church, careless, happy, and bedecked in
gay yellows, reds, and blues.</p>
<p>Yes, André was still there; his wool a little grayer;
his mouth as wide; his laughter as ready as ever. Grandemont told
him of his plan, and the old <i>chef</i> swayed with pride and
delight. With a sigh of relief, knowing that he need have no
further concern until the serving of that dinner was announced,
he placed in André's hands a liberal sum for the cost of
it, giving <i>carte blanche</i> for its creation.</p>
<p>Among the blacks were also a number of the old house servants.
Absalom, the former major domo, and a half-dozen of the younger
men, once waiters and attachés of the kitchen, pantry,
and other domestic departments crowded around to greet "M'shi
Grande." Absalom guaranteed to marshal, of these, a corps of
assistants that would perform with credit the serving of the
dinner.</p>
<p>After distributing a liberal largesse among the faithful,
Grandemont rode back to town well pleased. There were many
other smaller details to think of and provide for, but
eventually the scheme was complete, and now there remained only
the issuance of the invitations to his guests.</p>
<p>Along the river within the scope of a score of miles dwelt some
half-dozen families with whose princely hospitality that of the
Charleses had been contemporaneous. They were the proudest and
most august of the old régime. Their small circle had been
a brilliant one; their social relations close and warm; their
houses full of rare welcome and discriminating bounty. Those
friends, said Grandemont, should once more, if never again, sit
at Charleroi on a nineteenth of January to celebrate the festal
day of his house.</p>
<p>Grandemont had his cards of invitation engraved. They were
expensive, but beautiful. In one particular their good taste
might have been disputed; but the Creole allowed himself that
one feather in the cap of his fugacious splendour. Might he not
be allowed, for the one day of the <i>renaissance</i>, to be
"Grandemont du Puy Charles, of Charleroi"? He sent the
invitations out early in January so that the guests might not
fail to receive due notice.</p>
<p>At eight o'clock in the morning of the nineteenth, the lower
coast steamboat <i>River Belle</i> gingerly approached the long
unused landing at Charleroi. The bridge was lowered, and a
swarm of the plantation hands streamed along the rotting pier,
bearing ashore a strange assortment of freight. Great shapeless
bundles and bales and packets swathed in cloth and bound with
ropes; tubs and urns of palms, evergreens, and tropical
flowers; tables, mirrors, chairs, couches, carpets, and
pictures—all carefully bound and padded against the dangers of
transit.</p>
<p>Grandemont was among them, the busiest there. To the safe
conveyance of certain large hampers eloquent with printed
cautions to delicate handling he gave his superintendence, for
they contained the fragile china and glassware. The dropping of
one of those hampers would have cost him more than he could
have saved in a year.</p>
<p>The last article unloaded, the <i>River Belle</i> backed off and
continued her course down stream. In less than an hour
everything had been conveyed to the house. And came then
Absalom's task, directing the placing of the furniture and
wares. There was plenty of help, for that day was always a
holiday at Charleroi, and the Negroes did not suffer the old
traditions to lapse. Almost the entire population of the
quarters volunteered their aid. A score of piccaninnies were
sweeping at the leaves in the yard. In the big kitchen at the
rear André was lording it with his old-time magnificence
over his numerous sub-cooks and scullions. Shutters were flung
wide; dust spun in clouds; the house echoed to voices and the
tread of busy feet. The prince had come again, and Charleroi
woke from its long sleep.</p>
<p>The full moon, as she rose across the river that night and
peeped above the levee saw a sight that had long been missing
from her orbit. The old plantation house shed a soft and
alluring radiance from every window. Of its two-score rooms
only four had been refurnished—the larger reception chamber,
the dining hall, and two smaller rooms for the convenience of
the expected guests. But lighted wax candles were set in the
windows of every room.</p>
<p>The dining-hall was the <i>chef d'œuvre</i>. The long
table, set with twenty-five covers, sparkled like a winter
landscape with its snowy napery and china and the icy gleam
of crystal. The chaste beauty of the room had required small
adornment. The polished floor burned to a glowing ruby with
the reflection of candle light. The rich wainscoting reached
half way to the ceiling. Along and above this had been set
the relieving lightness of a few water-colour sketches of
fruit and flower.</p>
<p>The reception chamber was fitted in a simple but elegant style.
Its arrangement suggested nothing of the fact that on the
morrow the room would again be cleared and abandoned to the
dust and the spider. The entrance hall was imposing with palms
and ferns and the light of an immense candelabrum.</p>
<p>At seven o'clock Grandemont, in evening dress, with pearls—a
family passion—in his spotless linen, emerged from somewhere.
The invitations had specified eight as the dining hour. He drew
an armchair upon the porch, and sat there, smoking cigarettes
and half dreaming.</p>
<p>The moon was an hour high. Fifty years back from the gate stood
the house, under its noble grove. The road ran in front, and
then came the grass-grown levee and the insatiate river beyond.
Just above the levee top a tiny red light was creeping down and
a tiny green one was creeping up. Then the passing steamers
saluted, and the hoarse din startled the drowsy silence of the
melancholy lowlands. The stillness returned, save for the
little voices of the night—the owl's recitative, the capriccio
of the crickets, the concerto of the frogs in the grass. The
piccaninnies and the dawdlers from the quarters had been
dismissed to their confines, and the melée of the day was
reduced to an orderly and intelligent silence. The six coloured
waiters, in their white jackets, paced, cat-footed, about the
table, pretending to arrange where all was beyond betterment.
Absalom, in black and shining pumps posed, superior, here and
there where the lights set off his grandeur. And Grandemont
rested in his chair, waiting for his guests.</p>
<p>He must have drifted into a dream—and an extravagant one—for
he was master of Charleroi and Adèle was his wife. She was
coming out to him now; he could hear her steps; he could feel
her hand upon his shoulder—</p>
<p>"<i>Pardon moi, M'shi Grande</i>"—it was Absalom's hand touching
him, it was Absalom's voice, speaking the <i>patois</i> of the
blacks—"but it is eight o'clock."</p>
<p>Eight o'clock. Grandemont sprang up. In the moonlight he could
see the row of hitching-posts outside the gate. Long ago the
horses of the guests should have stood there. They were vacant.</p>
<p>A chanted roar of indignation, a just, waxing bellow of affront
and dishonoured genius came from André's kitchen, filling
the house with rhythmic protest. The beautiful dinner, the pearl
of a dinner, the little excellent superb jewel of a dinner! But
one moment more of waiting and not even the thousand thunders
of black pigs of the quarter would touch it!</p>
<p>"They are a little late," said Grandemont, calmly. "They will
come soon. Tell André to hold back dinner. And ask him if,
by some chance, a bull from the pastures has broken, roaring, into
the house."</p>
<p>He seated himself again to his cigarettes. Though he had said
it, he scarcely believed Charleroi would entertain company that
night. For the first time in history the invitation of a
Charles had been ignored. So simple in courtesy and honour was
Grandemont, and, perhaps, so serenely confident in the prestige
of his name, that the most likely reasons for the vacant board
did not occur to him.</p>
<p>Charleroi stood by a road travelled daily by people from those
plantations whither his invitations had gone. No doubt even on
the day before the sudden reanimation of the old house they had
driven past and observed the evidences of long desertion and
decay. They had looked at the corpse of Charleroi and then at
Grandemont's invitations, and, though the puzzle or tasteless
hoax or whatever the thing meant left them perplexed, they
would not seek its solution by the folly of a visit to that
deserted house.</p>
<p>The moon was now above the grove, and the yard was pied with
deep shadows save where they lightened in the tender glow of
outpouring candle light. A crisp breeze from the river hinted
at the possibility of frost when the night should have become
older. The grass at one side of the steps was specked with the
white stubs of Grandemont's cigarettes. The cotton-broker's
clerk sat in his chair with the smoke spiralling above him. I
doubt that he once thought of the little fortune he had so
impotently squandered. Perhaps it was compensation enough for
him to sit thus at Charleroi for a few retrieved hours. Idly
his mind wandered in and out many fanciful paths of memory. He
smiled to himself as a paraphrased line of Scripture strayed
into his mind: "A certain <i>poor</i> man made a feast."</p>
<p>He heard the sound of Absalom coughing a note of summons.
Grandemont stirred. This time he had not been asleep—only
drowsing.</p>
<p>"Nine o'clock, <i>M'shi Grande</i>," said Absalom in the uninflected
voice of a good servant who states a fact unqualified by
personal opinion.</p>
<p>Grandemont rose to his feet. In their time all the Charleses
had been proven, and they were gallant losers.</p>
<p>"Serve dinner," he said calmly. And then he checked Absalom's
movement to obey, for something clicked the gate latch and was
coming down the walk toward the house. Something that shuffled
its feet and muttered to itself as it came. It stopped in the
current of light at the foot of the steps and spake, in the
universal whine of the gadding mendicant.</p>
<p>"Kind sir, could you spare a poor, hungry man, out of luck, a
little to eat? And to sleep in the corner of a shed? For"—the
thing concluded, irrelevantly—"I can sleep now. There are no
mountains to dance reels in the night; and the copper kettles
are all scoured bright. The iron band is still around my ankle,
and a link, if it is your desire I should be chained."</p>
<p>It set a foot upon the step and drew up the rags that hung upon
the limb. Above the distorted shoe, caked with the dust of a
hundred leagues, they saw the link and the iron band. The
clothes of the tramp were wreaked to piebald tatters by sun and
rain and wear. A mat of brown, tangled hair and beard covered
his head and face, out of which his eyes stared distractedly.
Grandemont noticed that he carried in one hand a white, square
card.</p>
<p>"What is that?" he asked.</p>
<p>"I picked it up, sir, at the side of the road." The vagabond
handed the card to Grandemont. "Just a little to eat, sir. A
little parched corn, a <i>tartilla</i>, or a handful of beans.
Goat's meat I cannot eat. When I cut their throats they cry
like children."</p>
<p>Grandemont held up the card. It was one of his own invitations
to dinner. No doubt some one had cast it away from a passing
carriage after comparing it with the tenantless house of
Charleroi.</p>
<p>"From the hedges and highways bid them come," he said to
himself, softly smiling. And then to Absalom: "Send Louis to
me."</p>
<p>Louis, once his own body-servant, came promptly, in his white
jacket.</p>
<p>"This gentleman," said Grandemont, "will dine with me. Furnish
him with bath and clothes. In twenty minutes have him ready and
dinner served."</p>
<p>Louis approached the disreputable guest with the suavity due to
a visitor to Charleroi, and spirited him away to inner regions.</p>
<p>Promptly, in twenty minutes, Absalom announced dinner, and, a
moment later, the guest was ushered into the dining hall where
Grandemont waited, standing, at the head of the table. The
attentions of Louis had transformed the stranger into something
resembling the polite animal. Clean linen and an old evening
suit that had been sent down from town to clothe a waiter had
worked a miracle with his exterior. Brush and comb had
partially subdued the wild disorder of his hair. Now he might
have passed for no more extravagant a thing than one of those
<i>poseurs</i> in art and music who affect such oddity of guise. The
man's countenance and demeanour, as he approached the table,
exhibited nothing of the awkwardness or confusion to be
expected from his Arabian Nights change. He allowed Absalom to
seat him at Grandemont's right hand with the manner of one thus
accustomed to be waited upon.</p>
<p>"It grieves me," said Grandemont, "to be obliged to exchange
names with a guest. My own name is Charles."</p>
<p>"In the mountains," said the wayfarer, "they call me Gringo.
Along the roads they call me Jack."</p>
<p>"I prefer the latter," said Grandemont. "A glass of wine with
you, Mr. Jack."</p>
<p>Course after course was served by the supernumerous waiters.
Grandemont, inspired by the results of André's exquisite
skill in cookery and his own in the selection of wines became the
model host, talkative, witty, and genial. The guest was fitful
in conversation. His mind seemed to be sustaining a succession
of waves of dementia followed by intervals of comparative
lucidity. There was the glassy brightness of recent fever in
his eyes. A long course of it must have been the cause of his
emaciation and weakness, his distracted mind, and the dull
pallor that showed even through the tan of wind and sun.</p>
<p>"Charles," he said to Grandemont—for thus he seemed to
interpret his name—"you never saw the mountains dance, did
you?"</p>
<p>"No, Mr. Jack," answered Grandemont, gravely, "the spectacle
has been denied me. But, I assure you, I can understand it must
be a diverting sight. The big ones, you know, white with snow
on the tops, waltzing—<i>décolleté</i>, we may
say."</p>
<p>"You first scour the kettles," said Mr. Jack, leaning toward
him excitedly, "to cook the beans in the morning, and you lie
down on a blanket and keep quite still. Then they come out and
dance for you. You would go out and dance with them but you are
chained every night to the centre pole of the hut. You believe
the mountains dance, don't you, Charlie?"</p>
<p>"I contradict no traveller's tales," said Grandemont, with a
smile.</p>
<p>Mr. Jack laughed loudly. He dropped his voice to a confidential
whisper.</p>
<p>"You are a fool to believe it," he went on. "They don't really
dance. It's the fever in your head. It's the hard work and
the bad water that does it. You are sick for weeks and there
is no medicine. The fever comes on every evening, and then you
are as strong as two men. One night the <i>compania</i> are lying
drunk with <i>mescal</i>. They have brought back sacks of silver
dollars from a ride, and they drink to celebrate. In the night
you file the chain in two and go down the mountain. You walk
for miles—hundreds of them. By and by the mountains are all
gone, and you come to the prairies. They do not dance at night;
they are merciful, and you sleep. Then you come to the river,
and it says things to you. You follow it down, down, but you
can't find what you are looking for."</p>
<p>Mr. Jack leaned back in his chair, and his eyes slowly closed.
The food and wine had steeped him in a deep calm. The tense
strain had been smoothed from his face. The languor of
repletion was claiming him. Drowsily he spoke again.</p>
<p>"It's bad manners—I know—to go to sleep—at table—but—that
was—such a good dinner—Grande, old fellow."</p>
<p><i>Grande!</i> The owner of the name started and set down his glass.
How should this wretched tatterdemalion whom he had invited,
Caliph-like, to sit at his feet know his name?</p>
<p>Not at first, but soon, little by little, the suspicion, wild
and unreasonable as it was, stole into his brain. He drew out
his watch with hands that almost balked him by their trembling,
and opened the back case. There was a picture there—a
photograph fixed to the inner side.</p>
<p>Rising, Grandemont shook Mr. Jack by the shoulder. The weary
guest opened his eyes. Grandemont held the watch.</p>
<p>"Look at this picture, Mr. Jack. Have you ever—"</p>
<p>"<i>My sister Adèle</i>!"</p>
<p>The vagrant's voice rang loud and sudden through the room. He
started to his feet, but Grandemont's arms were about him, and
Grandemont was calling him "Victor!—Victor Fauquier! <i>Merci,
merci, mon Dieu!</i>"</p>
<p>Too far overcome by sleep and fatigue was the lost one to talk
that night. Days afterward, when the tropic <i>calentura</i> had
cooled in his veins, the disordered fragments he had spoken
were completed in shape and sequence. He told the story of his
angry flight, of toils and calamities on sea and shore, of his
ebbing and flowing fortune in southern lands, and of his latest
peril when, held a captive, he served menially in a stronghold
of bandits in the Sonora Mountains of Mexico. And of the fever
that seized him there and his escape and delirium, during which
he strayed, perhaps led by some marvellous instinct, back to
the river on whose bank he had been born. And of the proud and
stubborn thing in his blood that had kept him silent through
all those years, clouding the honour of one, though he knew it
not, and keeping apart two loving hearts. "What a thing is
love!" you may say. And if I grant it, you shall say, with me:
"What a thing is pride!"</p>
<p>On a couch in the reception chamber Victor lay, with a dawning
understanding in his heavy eyes and peace in his softened
countenance. Absalom was preparing a lounge for the transient
master of Charleroi, who, to-morrow, would be again the clerk
of a cotton-broker, but also—</p>
<p>"To-morrow," Grandemont was saying, as he stood by the couch of
his guest, speaking the words with his face shining as must
have shone the face of Elijah's charioteer when he announced
the glories of that heavenly journey—"To-morrow I will take
you to Her."</p>
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