<h3 align="center">Chapter LIX</h3>
<p>When Robert Lloyd entered the factory that morning he experienced
one of those revulsions which come to man in common with all
creation. As the wind can swerve from south to east, and its swerving
be a part of the universal scheme of things, so the inconsistency of
a human soul can be an integral part of its consistency. Robert,
entering Lloyd's, flushed with triumph over his workmen, filled also
with rage whenever he thought of poor Risley, became suddenly, to all
appearances, another man. However, he was the same man, only he had
come under some hidden law of growth. All at once, as he stood there
amidst those whirring and clamping machines, and surveyed those bowed
and patient backs and swaying arms of labor, standing aside to allow
a man bending before a heavy rack of boots to push it to another
department, he realized that his triumph was gone.</p>
<p>Not a man or woman in the factory looked at him. All continued
working with a sort of patient fierceness, as if storming a
citadel—as, indeed, they were in one sense—and waging
incessant and in the end hopeless warfare against the destructive
forces of life. Robert stood in the midst of them, these
fellow-beings who had bowed to his will, and saw, as if by some
divine revelation, in his foes his brothers and sisters. He saw
Ellen's fair head before her machine, and she seemed the key-note of
a heart-breaking yet ineffable harmony of creation which he heard for
the first time. He was a man whom triumph did not exalt as much as it
humiliated. Who was he to make these men and women do his bidding?
They were working as hard as they had worked for full pay. Without
doubt he would not gain as much comparatively, but he was going to
lose nothing actually, and he would not work as these men worked. He
saw himself as he never could have seen himself had the strike
continued; and yet, after all, he was not a woman, to be carried away
by a sudden wave of generous sentiment and enthusiasm, for his
business instincts were too strong, inherited and developed by the
force of example. He could not forget that this had been his uncle's
factory.</p>
<p>He shut his mouth hard, and stood looking at the scene of toil,
then he resolved what to do.</p>
<p>He spoke to Flynn, who could not believe his ears, and asked him
over.</p>
<p>“I beg your pardon, sir,” he said.</p>
<p>“Go and speak to the engineer, and tell him to shut
down,” said Robert.</p>
<p>“You ain't going to turn them out, after all?” gasped
Flynn. He was deadly white.</p>
<p>“No, I am not. I only want to speak to them,” replied
Robert, shortly.</p>
<p>When the roar of machinery had ceased, Robert stood before the
employés, whose faces had taken on an expression of murder and
menace. They anticipated the worst by this order.</p>
<p>“I want to say to you all,” said Robert, in a loud,
clear voice, “that I realize it will be hard for you to make
both ends meet with the cut of ten per cent. I will make it five
instead of ten per cent., although I shall actually lose by so doing
unless business improves. I will, however, try it as long as
possible. If the hard times continue, and it becomes a sheer
impossibility for me to employ you on these terms without abandoning
the plant altogether, I will approach you again, and trust that you
will support me in any measures I am forced to take. And, on the
contrary, should business improve, I promise that your wages shall be
raise to the former standard at once.”</p>
<p>The speech was so straightforward that it sounded almost boyish.
Robert, indeed, looked very young as he stood there, for a generous
and pitying impulse does tend to make a child of a man. The workmen
stared at him a minute, then there was a queer little broken chorus
of “Thank ye's,” with two or three shrill crows of
cheers.</p>
<p>Robert went from room to room, repeating his short speech, then
work recommenced.</p>
<p>“He's the right sort, after all,” said Granville Joy
to John Sargent, and his tone had a quality of heroism in it. He was
very thin and pale. He had suffered privations, and now came
additional worry of mind. He could not help thinking that this might
bring about an understanding between Robert and Ellen, and yet he
paid his spiritual dues at any cost.</p>
<p>“It's no more than he ought to do,” growled a man at
Granville's right. “S'pose he does lose a little
money?”</p>
<p>“It ain't many out of the New Testament that are going to
lose a little for the sake of their fellow-men, I can tell you
that,” said John Sargent. He was cutting away deftly and
swiftly, and thinking with satisfaction of the money which he would
be able to send his sister, and also how the Atkins family would be
no longer so pinched. He was a man who would never come under the
grindstone of the pessimism of life for his own necessities, but
lately the necessities of others had almost forced him there. Now and
then he glanced across the room at Maria, whose narrow shoulders he
could see bent painfully over her work. He was in love with Maria,
but no one suspected it, least of all Maria herself.</p>
<p>“Lord! don't talk about the New Testament. Them days is
past,” growled the man on the other side of Joy.</p>
<p>“They ain't past for me,” said John Sargent, stoutly.
A dark flush rose to his cheek as if he were making a confession of
love.</p>
<p>“Lord! don't preach,” said the other man, with a
sneer.</p>
<p>Ellen had stopped work with the rest when Robert addressed them.
Then she recommenced her stitching without a word. Her thoughts were
in confusion. She had so long held one attitude towards him that she
could not readily adjust herself to another. She was cramped with the
extreme narrowness of the enthusiasm of youth. At noontime she heard
all the talk which went on about him. She heard some praise him, and
some speak of him as simply doing his manifest duty, and some say
openly that he should have put the wages back upon the former
footing, and she did not know which was right. He did not come near
her, and she was very glad of that. She felt that she could not bear
it to have him speak to her before them all.</p>
<p>When she went home at night the news had preceded her. Fanny and
Andrew looked up eagerly when she entered. “I hear he has
compromised,” said Andrew, with doubtful eyes on the girl's
face.</p>
<p>“Yes; he has cut the wages five instead of ten per
cent.,” replied Ellen, and it was impossible to judge of her
feelings by her voice. She took off her hat and smoothed her
hair.</p>
<p>“Well, I am glad he has done that much,” said Fanny,
“but I won't say a word as long as you ain't hurt.”</p>
<p>With that she went into the kitchen, and Ellen and Andrew heard
the dishes rattle. “Your mother's been dreadful nervous,”
whispered Andrew. He looked at Ellen meaningly. Both of them thought
of poor Eva Tenny. Lately the reports with regard to her had been
more encouraging, but she was still in the asylum.</p>
<p>Suddenly, as they stood there, a swift shadow passed the window,
and they heard a shrill scream from up-stairs. It sounded like
“Mamma, mamma!” “It's Amabel!” cried Ellen.
She clutched her father by the arm. “Oh, what is it—who
is it?” she whispered, fearfully.</p>
<p>Andrew was suddenly white and horror-stricken. He took hold of
Ellen, and pushed her forcibly before him into the parlor. “You
stay in there till I call you,” he said, in a commanding voice,
the like of which the girl had never heard from him before; then he
shut the door, and she heard the key turn in the lock.</p>
<p>“Father, I can't stay in here,” cried Ellen. She ran
towards the other door into the front hall, but before she could
reach it she heard the key turn in that also. Andrew was convinced
that Eva had escaped from the asylum, and thus made sure of Ellen's
safety in case she was violent. Then he rushed out into the kitchen,
and there was Amabel clinging to her mother like a little wild thing,
and Fanny weeping aloud.</p>
<p>When Andrew entered Fanny flew to him. “O Andrew—O
Andrew!” she cried. “Eva's come out! She's well! she's
cured! She's as well as anybody! She is! She says so, and I know she
is! Only look at her!”</p>
<p>“Mamma, mamma!” gasped Amabel, in a strange, little,
pent voice, which did not sound like a child's. There was something
fairly inhuman about it. “Mamma,” as she said it, did not
sound like a word in any known language. It was like a cry of
universal childhood for its parent. Amabel clung to her mother, not
only with her slender little arms, but with her legs and breast and
neck; all her slim body became as a vine with tendrils of love and
growth around her mother.</p>
<p>As for Eva, she could not have enough of her. She was intoxicated
with the possession of this little creature of her own flesh and
blood.</p>
<p>“She's grown; she's grown so tall,” she said, in a
high, panting voice. It was all she could seem to realize—the
fact that the child had grown so tall—and it filled her at once
with ineffable pain and delight. She held the little thing so close
to her that the two seemed fairly one. “Mamma, mamma!”
said Amabel again.</p>
<p>“She has—grown so tall,” panted Eva.</p>
<p>Fanny went up to her and tried gently to loosen her grasp of the
little girl. In her heart she was not yet quite sure of her. This
fierceness of delight began to alarm her. “Of course she has
grown tall, Eva Tenny,” she said. “It's quite a while
since you were—taken sick.”</p>
<p>“I ain't sick now,” said Eva, in a steady voice.
“I'm cured now. The doctors say so. You needn't be afraid,
Fanny Brewster.”</p>
<p>“Mamma, mamma!” said Amabel. Eva bent down and kissed
the little, delicate face; then she looked at her sister and at
Andrew, and her own countenance seemed fairly illuminated. “I
'ain't <em>told</em> you all,” said she. Then she stopped and
hesitated.</p>
<p>“What is it, Eva?” asked Fanny, looking at her with
increasing courage. The tears were streaming openly down her cheeks.
“Oh, you poor girl, what have you been through?” she
said. “What is it?”</p>
<p>“I 'ain't got to go through anything more,” said Eva,
still with that rapt look over Amabel's little, fair head.
“He's—come back.”</p>
<p>“Eva Tenny!”</p>
<p>“Yes, he has,” Eva went on, with such an air of
inexpressible triumph that it had almost a religious quality in it.
“He has. He left her a long time ago. He—he wanted to
come back to me and Amabel, but he was ashamed, but finally he came
to the asylum, and then it all rolled off, all the trouble. The
doctors said I had been getting better, but they didn't know. It
was—Jim's comin' back. He's took me home, and I've come for
Amabel, and—he's got a job in Lloyd's, and he's bought me this
new hat and cape.” Eva flirted her free arm, and a sweep of
jetted silk gleamed, then she tossed her head consciously to display
a hat with a knot of pink roses. Then she kissed Amabel again.
“Mamma's come back,” she whispered.</p>
<p>“Mamma, mamma!” cried Amabel.</p>
<p>Andrew and Fanny looked at each other.</p>
<p>“Where is he?” asked Andrew, in a slow, halting
voice.</p>
<p>Eva glanced from one to the other defiantly. “He's outside,
waitin' in the road,” said she; “but he ain't comin' in
unless you treat him just the same as ever. I've set my veto on
that.” Eva's voice and manner as she said that were so
unmistakably her own that all Fanny's doubt of her sanity vanished.
She sobbed aloud.</p>
<p>“O God, I'm so thankful! She's come home, and she's all
right! O God, I'm so thankful!”</p>
<p>“What about Jim?” asked Eva, with her old, proud,
defiant look.</p>
<p>“Of course he's comin' in,” sobbed Fanny.
“Andrew, you go—”</p>
<p>But Andrew had already gone, unlocking the parlor door on his way.
“It's your aunt Eva, Ellen,” he said as he passed.
“She's come home cured, and your uncle Jim is out in the yard,
and I'm goin' to call him in. I guess you'd better go out and see
her.”</p>
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