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Opal Serpent

<h2>CHAPTER II</h2> DEBORAH JUNK, DUENNA Number forty-five Gwynne Street was a second-hand bookshop, and much of the stock was almost as old as the building itself. A weather-stained board of faded blue bore in tarnished gold lettering the name of its owner, and under this were two broad windows divided by a squat door, open on week-days from eight in the morning until eight at night. Within the shop was dark and had a musty odor. On either side of the quaint old house was a butcher's and a baker's, flaunting places of business, raw in their newness. Between the first-named establishment and the bookshop a low, narrow passage led to a small backyard and to a flight of slimy steps, down which clients who did not wish to be seen could arrive at a kind of cellar to transact business with Mr. Norman. This individual combined two distinct trades. On the ground floor he sold second-hand books; in the cellar he bought jewels and gave money on the same to needy people. In the shop, pale youths, untidy, abstracted old men, spectacled girls, and all varieties of the pundit caste were to be seen poring over ancient volumes or exchanging words with the proprietor. But to the cellar came fast young men, aged spendthrifts, women of no reputation and some who were very respectable indeed. These usually came at night, and in the cellar transactions would take [Pg 20] place which involved much money exchanging hands. In the daytime Mr. Norman was an innocent bookseller, but after seven he retired to the cellar and became as genuine a pawnbroker as could be found in London. Touching books he was easy enough to deal with, but a Shylock as regards jewels and money lent. With his bookish clients he passed for a dull shopkeeper who knew little about literature; but in the underground establishment he was spoken of, by those who came to pawn, as a usurer of the worst. In an underhand way he did a deal of business. Aaron Norman—such was the name over the shop—looked like a man with a past—a miserable past, for in his one melancholy eye and twitching, nervous mouth could be read sorrow and apprehension. His face was pale, and he had an odd habit of glancing over his left shoulder, as though he expected to be tapped thereon by a police officer. Sixty years had rounded his shoulders and weakened his back, so that his one eye was almost constantly on the ground. Suffering had scored marks on his forehead and weary lines round his thin-lipped mouth. When he spoke he did so in a low, hesitating voice, and when he looked up, which was seldom, his eye revealed a hunted look like that of a wearied beast fearful lest it should be dragged from its lair. It was this strange-looking man that Paul Beecot encountered in the doorway of the Gwynne Street shop the day after his meeting with Hay. Many a visit had Paul paid to that shop, and not always to buy books. Norman knew him very well, and, recognizing him in a fleeting look as he passed through the doorway, smiled weakly. Behind the counter stood Bart Tawsey, the lean underling, who was much sharper with buyers than was his master, but after a disappointed glance in his direction Paul addressed himself to the bookseller. [Pg 21] "I wish to see you particularly," he said, with his eager air. "I am going out on important business," said Norman, "but if you will not be very long—" "It's about a brooch I wish to pawn." The old man's mouth became hard and his eyes sharper. "I can't attend to that now, Mr. Beecot," he said, and his voice rang out louder than usual. "After seven." "It's only six now," said Paul, looking over his shoulder at a church clock which could be seen clearly in the pale summer twilight. "I can't wait." "Well, then, as you are an old customer—of books," said Aaron, with emphasis, "I'll stretch a point. You can go below at a quarter to seven, and I'll come round through the outside passage to see you. Meantime, I must go about my business," and he went away with his head hanging and his solitary eye searching the ground as usual. Paul, in spite of his supposed hurry, was not ill-pleased that Aaron had gone out and that there was an idle hour before him. He stepped lightly into the shop, and, under the flaring gas—which was lighted, so dark was the interior of the shop in spite of the luminous gloaming—he encountered the smile of Barty. Paul, who was sensitive and proudly reticent, grew red. He knew well enough that his apparent admiration of Sylvia Norman had attracted the notice of Bart and of the red-armed wench, Deborah Junk, who was the factotum of the household. Not that he minded, for both these servants were devoted to Sylvia, and knowing that she returned the feelings of Paul said nothing about the position to Aaron. Beecot could not afford to make enemies of the pair, and had no wish to do so. They were coarse-grained and common, but loyal and kindly of heart. "Got any new books, Bart?" asked Beecot, coming [Pg 22] forward with roving eyes, for he hoped to see Sylvia glide out of the darkness to bless his hungry eyes. "No, sir. We never get new books," replied Bart, smartly. "Leastways there's a batch of second-hand novels published last year. But bless you, Mr. Beecot, there ain't nothing new about them 'cept the bindings." "You are severe, Bart. I hope to be a novelist myself." "We need one, sir. For the most part them as write now ain't novelists, if that means telling anything as is new. But I must go upstairs, sir. Miss Sylvia said I was to tell her when you came." "Oh, yes—er—er—that is—she wants to see a photograph of my old home. I promised to show it to her." Paul took a parcel out of his pocket. "Can't I go up?" "No, sir. 'Twouldn't be wise. The old man may come back, and if he knew as you'd been in his house," Bart jerked his head towards the ceiling, "he'd take a fit." "Why? He doesn't think I'm after the silver?" "Lor' bless you no, sir. It ain't that. What's valuable—silver and gold and jewels and such like—is down there." Bart nodded towards the floor. "But Mr. Norman don't like people coming into his private rooms. He's never let in anyone for years." "Perhaps he fears to lose the fairest jewel he has." Bart was what the Scotch call "quick in the uptake." "He don't think so much of her as he ought to, sir," said he, gloomily. "But I know he loves her, and wants to make her a great heiress. When he goes to the worms Miss Sylvia will have a pretty penny. I only hope," added Bart, looking slyly at Paul, "that he who has her to wife won't squander what the old man has worked for." Beecot colored still more at this direct hint, and [Pg 23] would have replied, but at this moment a large, red-faced, ponderous woman dashed into the shop from a side door. "There," said she, clapping her hands in a childish way, "I know'd his vice, an' I ses to Miss Sylvia, as is sittin' doing needlework, which she do do lovely, I ses 'That's him,' and she ses, with a lovely color, 'Oh, Deborah, jus' see, fur m'eart's abeating too loud for me t'ear 'is vice.' So I ses—" Here she became breathless and clapped her hands again, so as to prevent interruption. But Paul did interrupt her, knowing from experience that when once set going Deborah would go on until pulled up. "Can't I go up to Miss Norman?" he asked. "You may murder me, and slay me, and trample on my corp," said Deborah, solemnly, "but go up you can't. Master would send me to walk the streets if I dared to let you, innocent as you are, go up them stairs." Paul knew long ago how prejudiced the old man was in this respect. During all the six months he had known Sylvia he had never been permitted to mount the stairs in question. It was strange that Aaron should be so particular on this point, but connecting it with his downcast eye and frightened air, Paul concluded, though without much reason, that the old man had something to conceal. More, that he was frightened of someone. However, he did not argue the point, but suggested a meeting-place. "Can't I see her in the cellar?" he asked. "Mr. Norman said I could go down to wait for him." "Sir," said Deborah, plunging forward a step, like a stumbling 'bus horse, "don't tell me as you want to pawn." "Well, I do," replied Paul, softly, "but you needn't tell everyone." "It's only Bart," cried Deborah, casting a fierce [Pg 24] look in the direction of the slim, sharp-faced young man, "and if he was to talk I'd take his tongue out. That I would. I'm a-training him to be my husband, as I don't hold with the ready-made article, and married he shall be, by parsing and clark if he's a good boy and don't talk of what don't matter to him." "I ain't goin' to chatter," said Bart, with a wink. "Lor' bless you, sir, I've seen gentlemen as noble as yourself pawning things down there"—he nodded again towards the floor—"ah, and ladies too, but—" "Hold your tongue," cried Deborah, pitching herself across the floor like a ship in distress. "Your a-talking now of what you ain't a right to be a-talkin' of, drat you. Come this way, Mr. Beecot, to the place where old Nick have his home, for that he is when seven strikes." "You shouldn't speak of your master in that way," protested Paul. "Oh, shouldn't I," snorted the maid, with a snort surprisingly loud. "And who have a better right, sir? I've been here twenty year as servant and nuss and friend and 'umble well-wisher to Miss Sylvia, coming a slip of a girl at ten, which makes me thirty, I don't deny; not that it's too old to marry Bart, though he's but twenty, and makes up in wickedness for twice that age. I know master, and when the sun's up there ain't a better man living, but turn on the gas and he's an old Nick. Bart, attend to your business and don't open them long ears of yours too wide. I won't have a listening husband, I can tell you. This way, sir. Mind the steps." By this time Deborah had convoyed Paul to a dark corner behind the counter and jerked back a trap door. Here he saw a flight of wooden steps which led downwards into darkness. But Miss Junk snatched up a lantern on the top step, and having lighted it dropped down, holding it above her red and touzelled [Pg 25] head. Far below her voice was heard crying to Beecot to "Come on"; therefore he followed as quickly as he could, and soon found himself in the cellar. All around was dark, but Deborah lighted a couple of flaring gas-jets, and then turned, with her arms akimbo, on the visitor. "Now then, sir, you and me must have a talk, confidential like," said she in her breathless way. "It's pawning is it? By which I knows that you ain't brought that overbearing pa of yours to his knees." Paul sat down in a clumsy mahogany chair, which stood near a plain deal table, and stared at the handmaiden. "I never told you about my father," he said, exhibiting surprise. "Oh, no, of course not"—Miss Junk tossed her head—"me being a babe an' a suckling, not fit to be told anything. But you told Miss Sylvia and she told me, as she tells everything to her Debby, God bless her for a pretty flower!" She pointed a coarse, red finger at Paul. "If you were a gay deceiver, Mr. Beecot, I'd trample on your corp this very minute if I was to die at Old Bailey for the doing of it." Seeing Deborah was breathless again, Paul seized his chance. "There is no reason you shouldn't know all about me, and—" "No, indeed, I should think not, begging your pardon, sir. But when you comes here six months back, I ses to Miss Sylvia, I ses, 'He's making eyes at you, my lily,' and she ses to me, she says, 'Oh, Debby, I love him, that I do.' And then I ses, ses I, 'My pretty, he looks a gent born and bred, but that's the wust kind, so we'll find out if he's a liar before you loses your dear heart to him.'" "But I'm not a liar—" began Paul, only to be cut short again. "As well I knows," burst out Miss Junk, her arms akimbo again. "Do you think, sir, as I'd ha' [Pg 26] let you come loving my pretty one and me not knowing if you was Judas or Jezebel? Not me, if I never drank my nightly drop of beer again. What you told Miss Sylvia of your frantic pa and your loving ma she told me. Pumping you may call it," shouted Deborah, emphasising again with the red finger, "but everything you told in your lover way she told her old silly Debby. I ses to Bart, if you loves me, Bart, go down to Wargrove, wherever it may be—if in England, which I doubt—and if he—meaning you—don't tell the truth, out he goes if I have the chucking of him myself and a police-court summings over it. So Bart goes to Wargrove, and he find out that you speaks true, which means that you're a gent, sir, if ever there was one, in spite of your frantic pa, so I hopes as you'll marry my flower, and make her happy—bless you," and Deborah spread a large pair of mottled arms over Paul's head. "It's all true," said he, good-naturedly; "my father and I don't get on well together, and I came to make a name in London. But for all you know, Deborah, I may be a scamp." "That you are not," she burst out. "Why, Bart's been follerin' you everywhere, and he and me, which is to be his lawful wife and master, knows all about you and that there place in Bloomsbury, and where you go and where you don't go. And let me tell you, sir," again she lifted her finger threateningly, "if you wasn't what you oughter be, never would you see my pretty one again. No, not if I had to wash the floor in your blue blood—for blue it is, if what Bart learned was true of them stone figgers in the church," and she gasped. Paul was silent for a few minutes, looking at the floor. He wondered that he had not guessed all this. Often it had seemed strange to him that so faithful and devoted a couple of retainers as Bart and [Pg 27] Deborah Junk should favor his wooing of Sylvia and keep it from their master, seeing that they knew nothing about him. But from the woman's story—which he saw no reason to disbelieve—the two had not rested until they had been convinced of his respectability and of the truth of his story. Thus they had permitted the wooing to continue, and Paul privately applauded them for their tact in so making sure of him without committing themselves to open speech. "All the same," he said aloud, and following his own thoughts, "it's strange that you should wish her to marry me." Miss Junk made a queer answer. "I'm glad enough to see her marry anyone respectable, let alone a gent, as you truly are, with stone figgers in churches and a handsome face, though rather dark for my liking. Mr. Beecot, twenty year ago, a slip of ten, I come to nuss the baby as was my loving angel upstairs, and her ma had just passed away to jine them as lives overhead playing harps. All these years I've never heard a young step on them stairs, save Miss Sylvia's and Bart's, him having come five years ago, and a brat he was. And would you believe it, Mr. Beecot, I know no more of the old man than you do. He's queer, and he's wrong altogether, and that frightened of being alone in the dark as you could make him a corp with a turnip lantern." "What is he afraid of?" "Ah," said Deborah, significantly, "what indeed? It may be police and it may be ghosts, but, ghosts or police, he never ses what he oughter say if he's a respectable man, which I sadly fear he ain't." "He may have his reasons to—" Miss Junk tossed her head and snorted again loudly. "Oh, yes—he has his reasons," she admitted, "and Old Bailey ones they are, I dessay. But there's somethin' 'anging over his head. Don't ask [Pg 28] me what it is, fur never shall you know, by reason of my being ignorant. But whatever it is, Mr. Beecot, it's something wicked, and shall I see my own pretty in trouble?" "How do you know there will be trouble?" interrupted Paul, anxiously. "I've heard him pray," said Miss Junk, mysteriously—"yes, you may look, for there ain't no prayer in the crafty eye of him—but pray he do, and asks to be kept from danger—" "Danger?" "Danger's the word, for I won't deceive you, no, not if you paid me better wages than the old man do give and he's as near as the paring of an inion. So I ses to Bart, if there's danger and trouble and Old Baileys about, the sooner Miss Sylvia have some dear man to give her a decent name and pertect her the more happy old Deborah will be. So I looked and looked for what you might call a fairy prince as I've heard tell of in pantomimes, and when you comes she loses her heart to you. So I ses, find out, Bart, what he is, and—" "Yes, yes, I see. Well, Deborah, you can depend upon my looking after your pretty mistress. If I were only reconciled with my father I would speak to Mr. Norman." "Don't, sir—don't!" cried the woman, fiercely, and making a clutch at Paul's arm; "he'll turn you out, he will, not being anxious fur anyone to have my flower, though love her as he oughter do, he don't, no," cried Deborah, "nor her ma before her, who died with a starvin' 'eart. But you run away with my sweetest and make her your own, though her pa swears thunderbolts as you may say. Take her from this place of wickedness and police-courts." And Deborah looked round the cellar with a shudder. Suddenly she started and held up her finger, nodding towards a narrow door at the side of the cellar. [Pg 29] "Master's footstep," she said in a harsh whisper. "I'd know it in a thousand—just like a thief's, ain't it?—stealing as you might say. Don't tell him you've seen me." "But Sylvia," cried Paul, catching her dress as she passed him. "Her you'll see, if I die for it," said Deborah, and whirled up the wooden steps in a silent manner surprising in so noisy a woman. Paul heard the trap-door drop with a stealthy creak. As a key grated in the lock of the outside door he glanced round the place to which he had penetrated for the first time. It was of the same size as the shop overhead, but the walls were of stone, green with slime and feathery with a kind of ghastly white fungus. Overhead, from the wooden roof, which formed the floor of the shop, hung innumerable spider's webs thick with dust. The floor was of large flags cracked in many places, and between the chinks in moist corners sprouted sparse, colorless grass. In the centre was a deal table, scored with queer marks and splotched with ink. Over this flared two gas-jets, which whistled shrilly. Against the wall, which was below the street, were three green painted safes fast locked: but the opposite wall had in it the narrow door aforesaid, and a wide grated window, the bars of which were rusty, though strong. The atmosphere of the place was cold and musty and suggestive of a charnel house. Certainly a strange place in which to transact business, but everything about Aaron Norman was strange. And he looked strange himself as he stepped in at the open door. Beyond, Paul could see the shallow flight of damp steps leading to the yard and the passage which gave admission from the street. Norman locked the door and came forward. He was as white as a sheet, and his face was thickly beaded with perspiration. His mouth twitched more [Pg 30] than usual, and his hands moved nervously. Twice as he advanced towards Paul, who rose to receive him, did he cast the odd look over his shoulder. Beecot fancifully saw in him a man who had committed some crime and was fearful lest it should be discovered, or lest the avenger should suddenly appear. Deborah's confidential talk had not been without its effects on the young man, and Paul beheld in Aaron a being of mystery. How such a man came to have such a daughter as Sylvia, Paul could not guess. "Here you are, Mr. Beecot," said Aaron, rubbing his hands as though the cold of the cellar struck to his bones. "Well?" "I want to pawn a brooch," said Beecot, slipping his hand into his breast pocket. "Wait," said Norman, throwing up his lean hand. "Let me tell you that I have taken a fancy to you, and I have watched you all the many times you have been here. Didn't you guess?" "No," said Paul, wondering if he was about to speak of Sylvia, and concluding that he guessed what was in the wind. "Well then, I have," said the pawnbroker, "and I think it's a pity a young man should pawn anything. Have you no money?" he asked. Paul reddened. "Very little," he said. "Little as it may be, live on that and don't pawn," said Aaron. "I speak against my own interests, but I like you, and perhaps I can lend you a few shillings." "I take money from no one, thank you all the same," said Beecot, throwing back his head, "but if you can lend me something on this brooch," and he pulled out the case from his pocket. "A friend of mine would have bought it, but as it belongs to my mother I prefer to pawn it so that I may get it again when I am rich." "Well, well," said Aaron, abruptly, and resuming [Pg 31] his downcast looks, "I shall do what I can. Let me see it." He stretched out his hand and took the case. Slowly opening it under the gas, he inspected its contents. Suddenly he gave a cry of alarm, and the case fell to the floor. "The Opal Serpent!—The Opal Serpent!" he cried, growing purple in the face, "keep off!—keep off!" He beat the air with his lean hands. "Oh—the Opal!" and he fell face downward on the slimy floor in a fit or a faint, but certainly unconscious. [Pg 32] Table of Contents <hr style="width: 65%;" /> <div style="break-after:column;"></div>

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