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Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension

<h2>Supernatural & Occult Fiction</h2> <h4>This is a volume in the Arno Press collection</h4> <h2>Supernatural & Occult Fiction</h2> <h4>Advisory Editors R. Reginald Douglas Menville</h4> See last pages of this volume for a complete list of titles. <hr style="width: 65%;" /> <h1>THE MUMMY AND MISS NITOCRIS</h1> <h3>A PHANTASY OF THE FOURTH DIMENSION</h3> <h4>BY</h4> <h2>GEORGE GRIFFITH</h2> AUTHOR OF "THE ANGEL OF THE REVOLUTION," "A HONEYMOON IN SPACE," "AN ISLAND LOVE STORY," "A MAYFAIR MAGICIAN," ETC., ETC. <div class="figcenter"><ANTIMG src="images/img006.jpg" alt="publishers mark" title="publishers mark" /></div> T. WERNER LAURIE CLIFFORD'S INN, FLEET STREET LONDON ARNO PRESS A New York Times Company 1976 Editorial Supervision: MARIE STARECK Reprint Edition 1976 by Arno Press Inc. Reprinted from a copy in The Library of the University of California, Riverside <h4>SUPERNATURAL AND OCCULT FICTION</h4> ISBN for complete set: O-405-08107-3 See last pages of this volume for titles. Manufactured in the United States of America <h5>Library of Congress Cataloging in Publication Data</h5> Griffith, George Chetwynd. The mummy and Miss Nitocris. (Supernatural and occult fiction) Reprint of the 1906? ed. published by T. W. Laurie, London. I. Title. II. Series. PZ3.G88Mu7 [PR4728.083] 823'.8 75-46273 ISBN 0-405-08131-6 <hr style="width: 65%;" /> <h2>FOREWORD</h2> Certain it should be that, beyond and about this World of Length, and Breadth, and Thickness, there is another World, or State of Existence, consisting of these and another dimension of which only those beings who are privileged to enter or dwell in it can have any conception. Now, if this postulate be granted, it follows that a dweller in this State would be freed from those conditions of Time and Space which bind those beings who are confined within the limits of Tri-Dimensional Space, or Existence. For example, he would be able to make himself visible or invisible to us at will by entering into or withdrawing himself from this State, and returning into that of Four Dimensions, whither our eyes could not follow him—even though he might be close to us in our sense of nearness. Moreover, he could be in two or more places at once, and cause two bodies to occupy the same space—which to us is inconceivable. Stranger still, he might be both alive and dead at the same time—since Past, Present, and Future would be all one to him; the world without beginning or end ...—From the "Geometrical Possibilities," of Abd'el Kasir, of Cordoba, circa. 1050 A.D. <hr style="width: 65%;" /> <h2>CONTENTS</h2> <div class='center'> <table border="0" cellpadding="2" cellspacing="0" summary="Contents"> <tr><td align='right'>CHAP.</td><td align='left'> </td><td align='right'>PAGE</td></tr> <tr><td align='right'>I.</td><td align='left'>INTRODUCES THE MUMMY</td><td align='right'>1</td></tr> <tr><td align='right'>II.</td><td align='left'>BACK TO THE PAST</td><td align='right'>15</td></tr> <tr><td align='right'>III.</td><td align='left'>THE DEATH-BRIDAL OF NITOCRIS</td><td align='right'>27</td></tr> <tr><td align='right'>IV.</td><td align='left'>THIEVES IN THE NIGHT</td><td align='right'>36</td></tr> <tr><td align='right'>V.</td><td align='left'>ACROSS THE THRESHOLD</td><td align='right'>47</td></tr> <tr><td align='right'>VI.</td><td align='left'>THE LAW OF SELECTION</td><td align='right'>60</td></tr> <tr><td align='right'>VII.</td><td align='left'>MOSTLY POSSIBILITIES</td><td align='right'>70</td></tr> <tr><td align='right'>VIII.</td><td align='left'>MISS BRENDA ARRIVES, AND PHADRIG THE EGYPTIAN PROPHESIES</td><td align='right'>79</td></tr> <tr><td align='right'>IX.</td><td align='left'>"THE WILDERNESS," WIMBLEDON COMMON</td><td align='right'>95</td></tr> <tr><td align='right'>X.</td><td align='left'>THE STAGE FILLS</td><td align='right'>101</td></tr> <tr><td align='right'>XI.</td><td align='left'>THE MARVELS OF PHADRIG</td><td align='right'>115</td></tr> <tr><td align='right'>XII.</td><td align='left'>CONTROVERSY AND CONFIDENCES</td><td align='right'>138</td></tr> <tr><td align='right'>XIII.</td><td align='left'>OVER THE TEA AND THE TOAST</td><td align='right'>157</td></tr> <tr><td align='right'>XIV.</td><td align='left'>"SUPPOSED IMPOSSIBILITIES"</td><td align='right'>164</td></tr> <tr><td align='right'>XV.</td><td align='left'>THE ADVANCEMENT OF NITOCRIS—THE RESOLVE OF OSCAROVITCH</td><td align='right'>176</td></tr> <tr><td align='right'>XVI.</td><td align='left'>THE MYSTERY OF PRINCE ZASTROW</td><td align='right'>185</td></tr> <tr><td align='right'>XVII.</td><td align='left'>M. NICOL HENDRY</td><td align='right'>199</td></tr> <tr><td align='right'>XVIII.</td><td align='left'>MURDER BY SUGGESTION</td><td align='right'>210</td></tr> <tr><td align='right'>XIX.</td><td align='left'>THE HORUS STONE</td><td align='right'>220</td></tr> <tr><td align='right'>XX.</td><td align='left'>THROUGH THE CENTURIES</td><td align='right'>237</td></tr> <tr><td align='right'>XXI.</td><td align='left'>WHAT HAPPENED AT TRELITZ</td><td align='right'>251</td></tr> <tr><td align='right'>XXII.</td><td align='left'>A TRIP ON THE SOUND</td><td align='right'>260</td></tr> <tr><td align='right'>XXIII.</td><td align='left'>THE DISAPPEARANCE OF THE PROFESSOR</td><td align='right'>274</td></tr> <tr><td align='right'>XXIV.</td><td align='left'>THE LUST THAT WAS—AND IS</td><td align='right'>281</td></tr> <tr><td align='right'>XXV.</td><td align='left'>THE PASSING OF PHADRIG</td><td align='right'>290</td></tr> <tr><td align='right'>XXVI.</td><td align='left'>CAPTAIN MERILL'S COMMISSION</td><td align='right'>304</td></tr> <tr><td align='right'>XXVII.</td><td align='left'>THE BRIDAL OF OSCAROVITCH</td><td align='right'>307</td></tr> <tr><td> </td><td align='left'>EPILOGUE</td><td align='right'>312</td></tr> </table></div> [Pg 1] <hr style="width: 65%;" /> <h1>THE MUMMY AND MISS NITOCRIS</h1> <h2>CHAPTER I</h2> <h3>INTRODUCES THE MUMMY</h3> "Oh, what a perfectly lovely mummy! Just fancy!—the poor thing—dead how many years? Something like five thousand, isn't it? And doesn't she look just like me! I mean, wouldn't she, if we had both been dead as long?" As she said this, Miss Nitocris Marmion, the golden-haired, black-eyed daughter of one of the most celebrated mathematicians and physicists in Europe, stood herself up beside the mummy-case which her father had received that morning from Memphis. "Look!" she continued. "I am almost the same height. Just a little taller, perhaps, but you see her hair is nearly as fair as mine. Of course, you don't know what colour her eyes are—just fancy, Dad! they have been shut for nearly five thousand[Pg 2] years, perhaps a little more—because I think they counted by dynasties then—and yet look at the features! Just imagine me dead!" "Just imagine yourself shutting the door on the other side, my dear Niti," said the Professor, who had risen from the chair, and was facing his daughter and the Mummy. "I don't want to banish you too unceremoniously, but I really have a lot of work to do to-night, and, as you might know, Bachelor of Science of London as you are, I have got to worry out as best I can, if I can do it at all, this problem that Hartley sent me about the Forty-seventh Proposition of the first book of Euclid." "Oh yes," she said, going to his side and putting her hand on to his shoulder as he stood facing the Mummy; "I have reason enough to remember that. And what does Professor Hartley say about it?" "He says, my dear Niti," said the Professor, in a voice which had something like a note of awe in it, "that when Pythagoras thought out that problem—which, of course, is not Euclid's at all—he almost saw across the horizon of the world that we live in." "But that," she interrupted, "would be something like looking across the edge of time into eternity, and that—well, of course, that is quite impossible, even to you, Dad, or Mr Hartley. What does he mean?" "He doesn't quite mean that, dear," replied the Professor, still staring straight at the motionless[Pg 3] Mummy as though he half expected the lips which had not spoken for fifty centuries to answer the question that was shaping itself in his mind. "What Hartley means, dear, is this—that when Pythagoras thought out that proposition he had almost reached the border which divides the world of three dimensions from the world of four." "Which, as our dear old friend Euclid would say, is impossible; because you know, Dad, if that were possible, everything else would be. Come, now, Annie is bringing up your whisky and soda. Put away your problems and take your night-cap, and do get to bed in something like respectable time. Don't worry your dear old head about forty-seventh propositions and fourth dimensions and mummies and that sort of thing, even if this Mummy does happen to look a bit like me. Now, good night, and remember that the night-cap is to be a night-cap, and when you've put it on you really must go to bed. You've been thinking a great deal too much this week. Good-night, Dad." "Good-night, Niti, dear. Don't trouble your head about my thinking. Sufficient unto the brain are the thoughts thereof. Sometimes they are more than sufficient. Good-night. Sleep well and don't dream, if you can help it." "And don't you dream, Dad, especially about that wretched proposition. Just have another pipe, and drink your whisky and go to bed. There's something in your eyes that says you want a long night's rest. Good-night now, and sleep well."[Pg 4] She pulled his head down and kissed him twice on his grey, thin cheek, and then, with a wave of her hand and a laughing nod towards the Mummy, vanished through the closing study door to go and dream her dreams, which were not very likely to be of mummies and fourth dimensional problems, and left her father to dream his. Then a couple of lines from one of "B.V.'s" poems, which had been running in his head all the evening, came back to him, and he murmured half-unconsciously: "'Was it hundreds of years ago, my love, Was it thousands of miles away...?'" "And why should it not be? Why should you, who were once Ma-Rimōn, priest of Amen-Ra, in the City of Memphis—you who almost stood upon the threshold of the Inmost Sanctuary of Knowledge: you who, if your footsteps had not turned aside into the way of temptation and trodden the black path of Sin, might even now be dwelling on the Shores of Everlasting Peace in the Land of Amenti—dost thou dare to ask such a question?" The sudden change of the pronoun seemed to him to put the Clock of Time back indefinitely. He was standing by his desk still facing the Mummy just as his daughter had left him after saying "good-night." He was not a man to be easily astonished. Not only was he one of the best-read amateur Egyptologists in Europe, but he was also an ex-President of the Royal Society,[Pg 5] a Member of the Psychical Research Society, and, moreover, Chairman of a recently appointed Commission on Comparative Insanity, the object of whose labours was to determine, if possible, what proportion of people outside asylums were mad or sane according to a standard which, somehow, no one had thought of inventing before—the standard of common-sense. The voice, strangely like his daughter's and his dead wife's also, appeared to come from nowhere and yet from everywhere, and it had a faint and far-away echo in it which harmonised most marvellously with other echoes which seemed to come up out of the depths of his own soul. Where had he heard it before? Somewhere, certainly. There was no possibility of mistaking tones which were so irresistibly familiar, and, moreover, why did they bring back to him such distinct memories of tragedies long forgotten, even by him? Why did they instantly draw before the windows of his soul a long panorama of vast cities, splendid palaces, sombre temples, and towering tombs, in which he saw all these and more with an infinitely greater vividness of form and light and colour than he had ever been able to do in his most inspired hours of dream or study? Had the voice really come from those long-silenced lips of the Mummy of Nitocris, that daughter of the Pharaohs who had so terribly avenged her outraged love, and after whom he had named the only child of his marriage?[Pg 6] "It is certainly very strange," he said, going to his writing-table and taking up his pipe. "I know that voice, or at least I seem to know it, and it is very like Niti's and her mother's; but where can it have come from? Hardly from your lips, my long-dead Royal Egypt," he went on, going up to the mummy-case and peering through his spectacles into the rigid features. He put up his hand and tapped the tightly-drawn lips very gently, then turned away with a smile, saying aloud to himself: "No, no, I must have been allowing what they call my scientific imagination to play tricks with me. Perhaps I have been worrying a little too much about this confounded fourth dimension problem,—and yet the thing is exceedingly fascinating. If the hand of Science could only reach across the frontier line! If we could only see out of the world of length and breadth and thickness into that other world of these and something else, how many puzzles would be solved, how many impossibilities would become possible, and how many of the miracles which those old Egyptian adepts so seriously claimed to work would look like the merest commonplaces! Ah well, now for the realities. I suppose that's Annie with the whisky." As he turned round the door opened, and he beheld a very strange sight, one which, to a man who had had a less stern mental training than he had had, would have been nothing less than[Pg 7] terrifying. His daughter came in with a little silver tray on which there was a small decanter of whisky, a glass, and a syphon of soda-water. "Annie has gone to the post, and I thought I might as well bring this myself," said Miss Nitocris, walking to the table and putting the tray down on the corner of it. Beside her stood another figure as familiar now to his eyes as her's was, dressed and tired and jewelled in a fashion equally familiar. Save for the difference in dress, Nitocris, the daughter of Rameses, was the exact counterpart in feature, stature, and colouring of Nitocris, the daughter of Professor Marmion. In her hands she carried a slender, long-necked jar of brilliantly enamelled earthenware and a golden flagon richly chased, and glittering with jewels, and these she put down on the table in exactly the same place as the other Nitocris had put her tray on, and as she did so he heard the voice again, saying: "Time was, is now, and ever shall be to those for whom Time has ceased to be—which is a riddle that Ma-Rimōn may even now learn, since his soul has been purified and his spirit strengthened by earnest devotion through many lives to the search for the True Knowledge." Both voices had spoken together, the one in English and the other in the ancient tongue of Khem, yet he had heard each syllable separately and comprehended both utterances perfectly. He felt a cold grip of fear at his heart as he looked[Pg 8] towards the mummy-case, and, as his fear had warned him, it was empty. Then he looked at his daughter, and as their eyes met, she said in the most commonplace tones: "My dear Dad, what is the matter with you? If advanced people like ourselves believed in any such nonsense, I should be inclined to say that you had seen a ghost; but I suppose it's only that silly fourth dimension puzzle that's worrying you. Now, look here, you must really take your whisky and go to bed. If you go on bothering any longer about 'N to the fourth,' you will have one of your bad headaches to-morrow and won't be able to finish your address for the Institute." She put her hand out and took up the decanter. It passed without any apparent resistance through the jar. She lifted it from the same place, and poured out the usual modicum of whisky into the glass, which was standing just where the flagon was. Then she pressed the trigger of the syphon, and the familiar hiss of the soda-water brought the Professor, as he thought, back to his senses. But no! There could be no doubt about it. There in material form on the corner of his table was a point-blank, tangible contradiction of the universally accepted axiom that two bodies cannot occupy the same space, and that, come from somewhere or nowhere, there were two plainly material objects through which his daughter's hand, without her even knowing it, had passed as easily as it[Pg 9] would have done through a little cloud of steam. Happily she had no idea of what he had seen and heard, and so for her sake he made a strong effort to control himself, and said as steadily as he could: "Thank you, Niti, it is very good of you. Yes, I think I am a little tired to-night. Good-night now, and I promise you that I will be off very soon; I will just have one more pipe, and drink my whisky, and then I really will go. Good-night, little woman. We'll have a talk about the Mummy in the morning." As soon as his daughter had closed the door, Professor Marmion returned to his writing-table. The decanter of whisky, the tumbler, and the syphon of soda-water were still standing on the corner of the table, occupying the same space as the enamelled flagon of wine and the drinking goblet which the long-dead other-self of Miss Nitocris had placed on the little silver salver. He looked about the room anxiously, with a feeling nearer akin to physical dread than he had ever experienced before; but his worst fears were not fulfilled. Nitocris the Queen had vanished and the Mummy was back in its case, blind, rigid, and silent, as it had been for fifty centuries. For several moments he looked at the hard, grey, fixed features of the woman who had once been Nitocris, Queen of Middle Egypt, half expecting, after what he had seen, or thought he had seen, that the soul would return, that the long-closed eyes would open again, and that the long-silent[Pg 10] lips would speak to him. But no! For all the answer that he got he might as well have been looking upon the granite features of the Sphinx itself. He turned away again towards the table, and murmured: "Ah well! I suppose it was only an hallucination, after all. One of these strange pranks that the over-strained intellect sometimes plays with us. Perhaps I have been thinking too much lately. And now I really think I had better follow Niti's advice, and take my night-cap and go to bed." But as he put out his hand to take the whisky decanter he stopped and pulled it back. "What on earth is the matter with me?" he said, putting his hand to his head. "That decanter is mine—it is the same, and yet it is standing in just the same place as that other thing—and I remember that, too. Look here, Franklin Marmion, my friend, if you were not a rather over-worked man I should think you had had a good deal too much to drink. Two bodies cannot occupy the same space. It is ridiculous, impossible!" As he said the last word, his voice rose a little, and, as it seemed, an echo came back from one of the corners of the room: "Impossible, impossible?" There seemed to be a sarcastic note of interrogation after the last word. "Eh? What was that?" and he looked round at the mummy-case. Her long-dead Majesty was still reclining in it, silent and impassive.[Pg 11] "Oh, this won't do at all! Hartley and the fourth dimension be hanged! It strikes me that this way madness lies if you only go far enough. I'll have that night-cap at once and go to bed." He put out his hand, took hold of the whisky decanter, and as he drew back his arm he saw that instead he held the enamelled flagon in his grasp. "Well, well," he said, looking at it half-angrily, "if it is to be, it must be." He put out his left hand and took hold of the goblet, tilted the flagon, and out of the curved lip there fell a thin stream of wine, which glittered with a pale ruby radiance in the light of the electric cluster that hung above his writing-desk. He set the flagon down, and as he raised the goblet to his lips, he heard his own voice saying in the ancient language of Khem: "As was, and is, and ever shall be; ever, yet never—never, yet ever. Nitocris the Queen, in the name of Nebzec I greet thee! From thy hands I take the gift of the Perfect Knowledge!" As he drained the goblet he turned towards the mummy-case. It might have been fancy, it might have been the effect of that miraculous old wine of Cos which, if he had really drunk it, must now be more than thirty centuries old: it might have been the result of the hard thinking that he had been doing now for several days and half-nights; but he certainly thought that the Queen's head suddenly became endowed with life, that the eyes opened,[Pg 12] and the grey of the parchment skin softened into a delicate olive tinge with a faint rosy blush showing through it. The brown, shrivelled lips seemed to fill out, grow red, and smile. The eyelids lifted, and the eyes of the Nitocris of old looked down on him for a moment. He shook his head and looked, and there was the Mummy just as it had been when he opened the case. "Really, this is strange, almost to the point of bewilderment," he went on. "I wonder if there is any more of that wine left?" He took up the flagon and poured out another goblet, filled and drank it. "Yes," he continued, speaking as though under some strange exultation of the mind rather than of the senses, "yes, that is the wine of Cos. I drank it. I, Ma-Rimōn, the priest-student of the Higher Mysteries; I, whose feet faltered on the threshold of the Place of the Elect, and whose heart failed him at the portal of the Sanctuary, even though Amen-Ra was beckoning me to cross it." "Good heavens, what nonsense I am talking! Whatever there was in that wine or wherever it came from, I think it is quite time I was off, not to old Egypt, but the Land of Nod. It seems to—no, it has not got into my head; in fact I am beginning to see that, after all, Hartley might very possibly be right about that forty-seventh proposition. Well, I will do as the Russians say, take my thoughts to bed with me, since the morning is wiser than the evening. It is all[Pg 13] very mysterious. I certainly hope that Annie won't find these things here in the morning when she comes to clear up. I wonder what the Museum would give me for them if they were not, as I think they are, the unsubstantial fabric of a vision?" When he got into his room and turned the electric light on, he stood under the cluster and held up his closed hand so that the light fell upon a curiously engraved scarab set in a heavy gold ring which had been given to him on his last birthday by Lord Lester Leighton, a wealthy and accomplished young nobleman who had devoted his learned leisure to Egyptian exploration and research. It was he who had sent the Mummy of Queen Nitocris to the house on Wimbledon Common instead of adding it to his own collection—not altogether unselfishly, it must be confessed, for he was very much in love with the other Nitocris who was still in the flesh. "Now," he said, fingering the scarab, "if I was not dreaming, and if by some mysterious means Her Highness's promise is to be actually fulfilled, I ought to be able to take this ring off without opening my hand. Certainly, any fourth dimensional being could do it." As he spoke he pulled at the setting of the scarab—and, to his amazement, the ring came off whole. There was no scar on his finger—no break in the ring. "Good heavens!" he exclaimed, staring with something like fear in his eyes, first at his hand,[Pg 14] and then at the ring. "Then it is true!" He was silent for a full minute; then he put the ring down on the dressing-table and whispered: "What a terrible power—and what an awful responsibility! Well, thank God, I am a fairly honest man!" As he undressed he was conscious of a curious sense of reminiscence which he had never experienced before. His brain was not only perfectly clear, but almost abnormally active, and yet the current of his thoughts appeared to be turned backward instead of forward. The things of his own life, the life that he was then living, seemed to drift behind him. The facts which he had learned in his long and minute study of Egyptian history came up in his mind, no longer as facts learned from books and monuments, wall-paintings, and hieroglyphics, but as living entities. He seemed to know, not by memory, but of immediate knowledge. It was the difference between the reading of the story, say, of a battle, and actually taking part in it. He got into bed, and turned over on his right side, saying: "Well, this is all very extraordinary. I wonder what it all means? Thank goodness, I am sleepy enough, and sleep is the best of all medicines. I should not wonder if I were to dream of Memphis again to-night. A wonderfully beautiful mummy that, quite unique—and Nitocris, too. Good-night, Nitocris, my royal mistress that might have been! Good-night!"[Pg 15] <hr style="width: 65%;" /> <div style="break-after:column;"></div>

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