<h2>CHAPTER XV.</h2>
<h3>VARIOUS PRECIOUS STONES—<i>continued</i>.</h3>
<h4><i>Zircon.</i></h4>
<p>Zircon appears to have been first discovered by Klaproth in 1789, in the
form of an earth, and six years later he found that the stone hyacinth
contained a similar substance, both having the formula, ZrSiO<sub>4</sub>, and
both having as their colouring agent ferric oxide. There are several
methods of obtaining the metallic element, zirconium; it is however with
the silicate of zirconium that we have to deal at the moment. This is
called zircon, ZrSiO<sub>4</sub>, or hyacinth when transparent or red, but when
smoke-coloured, or colourless, it is the jargoon, or jarcon, and is
found in silt and alluvial soils, limestone, gneiss, and various forms
of schist, in India, Australia, the Urals, and certain parts of America.
It is often combined with and found in juxtaposition to gold and certain
varieties of precious stones. The lines of cleavage are parallel to the
sides of the prism, and the crystals have an adamantine, or diamond
lustre, varying from the completely opaque to the transparent. In some
varieties the oxide of uranium is also present in traces. It
crystallises in the 3rd (tetragonal) system, with indistinct<span class="pagenum"><SPAN name="Page_99" id="Page_99">[Pg 99]</SPAN></span> cleavage.
Its specific gravity varies from 4.70 to 4.88, according to the specimen
and the locality.</p>
<p>This stone, like some of the others described, has a very wide range of
colour, going through reds, browns, greens, yellows, oranges, whites,
greys, blues from light to indigo, notwithstanding which it is somewhat
difficult to imitate scientifically, though its composition of 33 per
cent. of silica with 67 per cent. of zirconia (the oxide of zirconium),
is practically all it contains, apart from the colouring matter, such as
the metallic oxides of iron, uranium, etc. Its hardness is 7-1/2,
consequently it is untouched by a file, and so far, if one or perhaps
two of the three qualities of colour, hardness, and specific gravity,
are obtained in a chemically made zircon, the third is wanting. Under
the blowpipe, zircons are infusible, but the coloured stones when heated
strongly become heavier, and as they are contracting, their colour
fades, sometimes entirely, which changes are permanent, so that as they
possess the adamantine lustre, they are occasionally cut like a diamond,
and used as such, though their deficiency in fire and hardness, and
their high specific gravity, make them readily distinguishable from the
diamond.</p>
<p>On exposure to light the coloured zircon becomes more or less
decoloured; especially is this so in sunlight, for when the direct rays
of the sun fall upon it, the colours fade, and for a moment or two
occasional phosphorescence follows, as is the case when the stone is
warmed or heated in a dark room. The stone appears to be very
susceptible to brilliant light-rays, and in certain specimens which were
split for testing, one half of each being kept excluded from light for
purposes of<span class="pagenum"><SPAN name="Page_100" id="Page_100">[Pg 100]</SPAN></span> comparison, it was found that sunshine affected them most;
then brilliant acetylene gas, which was more effective still when tinted
yellow by being passed through yellow glass. The electric arc was not so
effective, but the electric light of the mercury-vapour lamp, though
causing little change at the first, after a few hours' exposure rapidly
bleached certain of the colours, whilst having no effect on others. Coal
gas with incandescent fibre mantle was slightly effective, whilst the
coal-gas, burned direct through an ordinary burner, affected very few of
the colours, even after twenty-four hours' exposure at a distance of
three feet. In all these cases, though the colours were slightly
improved by the stones being kept for a time in the dark, they failed to
recover their original strength, showing permanent loss of colour.</p>
<h4><i>The Silicates.</i></h4>
<p>The chief of these are the garnets, crystallising in the cubic system,
and anhydrous. The garnet is usually in the form of a rhombic
dodecahedron, or as a trisoctahedron (called also sometimes an
icosatetrahedron), or a mixture of the two, though the stones appear in
other cubic forms. In hardness they vary from 6-1/2 to 8-1/2. They
average from 40 to about 42 per cent. of silica, the other ingredients
being in fairly constant and definite proportions. They are vitreous and
resinous in their lustre and of great variety of colour, chiefly amongst
reds, purples, violets, greens, yellows and blacks, according to the
colouring matter present in their mass. There are many varieties which
are named in accordance with one or more of their constituents, the best
known being:<span class="pagenum"><SPAN name="Page_101" id="Page_101">[Pg 101]</SPAN></span> (A) The iron-alumina garnet, having the formula 6FeO,
3SiO<sub>2</sub> + 2Al<sub>2</sub>O<sub>3</sub>, 3SiO<sub>2</sub>. This is the "precious" garnet, or
almandine, sometimes called the "Oriental" garnet; these stones are
found in Great Britain, India, and South America, and are deep red and
transparent, of vitreous lustre. They get up well, but certain varieties
are so subject to defects in their substance, brought about by pressure,
volcanic action, and other causes, some of which are not yet known, that
their quality often becomes much depreciated in consequence. This
inferior variety of the iron-alumina garnet is called the "common"
garnet, and has little lustre, being sometimes opaque. The perfect
qualities, or almandine, as described above, are favourite stones with
jewellers, who mount great quantities of them.</p>
<p>The second variety is the (B) lime-iron garnet, formula, 6CaO,3SiO<sub>2</sub> +
2Fe<sub>2</sub>O<sub>3</sub>,3SiO<sub>2</sub>. The chief of this class is the melanite,
sometimes dull, yet often vitreous; it is mostly found in volcanic
rocks, such as tuff; this variety is very popular with jewellers for
mourning ornaments, for as it is a beautiful velvet-black in colour and
quite opaque, it is pre-eminent for this purpose, being considerably
less brittle than jet, though heavier. Another variety is the
"topazolite," both yellow and green. The "aplome" is greenish-yellow,
yellowish-green, brown, and usually opaque. A further form of lime-iron
garnet is the "pyreneite," first found in the Pyrenees Mountains, hence
its name.</p>
<p>The (C) lime-chrome garnets—6CaO,3SiO<sub>2</sub> + 2Cr<sub>2</sub>O<sub>3</sub>, 3SiO<sub>2</sub>—the
chief of which is "uwarowite." This is of a magnificent emerald green
colour, translucent at edges<span class="pagenum"><SPAN name="Page_102" id="Page_102">[Pg 102]</SPAN></span> and of a vitreous lustre. When heated on
the borax bead it gives an equally beautiful green, which is, however,
rather more inclined to chrome than emerald. This is an extremely rare
stone in fine colour, though cloudy and imperfect specimens are often
met with, but seldom are large stones found without flaws and of the
pure colour, which rivals that of the emerald in beauty.</p>
<p>The fourth variety (D) is the lime-alumina garnet, its formula
being—6CaO,3SiO<sub>2</sub> + 2Al<sub>2</sub>O<sub>3</sub>,3SiO<sub>2</sub>. Like the others, it has a
number of sub-varieties, the chief being the "cinnamon stone," which is
one of great beauty and value when perfect. This stone is almost always
transparent when pure, which property is usually taken as one of the
tests of its value, for the slightest admixture or presence of other
substances cloud it, probably to opacity, in accordance with the
quantity of impurity existent. This variety is composed of the oxides of
aluminium and silicon with lime. In colour it ranges from a beautiful
yellowish-orange deepening towards the red to a pure and beautiful red.</p>
<p>"Romanzovite" is another beautiful variety, the colour of which ranges
through browns to black. Another important variety is the "succinite,"
which gets up well and is a favourite with jewellers because of its
beautiful, amber-like colour, without possessing any of the drawbacks of
amber.</p>
<p>(E) The magnesia-alumina garnet—6MgO,3SiO<sub>2</sub> +
2Al<sub>2</sub>O<sub>3</sub>,3SiO<sub>2</sub>—is somewhat rare, the most frequently found being
of a strong crimson colour and transparent. This variety is called
"pyrope," the deeper and richer tints being designated "carbuncle," from
the Latin <i>carbunculus</i>,<span class="pagenum"><SPAN name="Page_103" id="Page_103">[Pg 103]</SPAN></span> a little coal, because when this beautiful
variety of the "noble" garnet is held up between the eyes and the sun,
it is no longer a deep, blood-red, but has exactly the appearance of a
small piece of live or glowing coal, the scarlet portion of its
colour-mixture being particularly evident. The ancient Greeks called it
anthrax, which name is sometimes used in medicine to-day with reference
to the severe boil-like inflammation which, from its burning and
redness, is called a carbuncle, though it is more usual to apply the
word "anthrax" to the malignant cattle-disease which is occasionally
passed on to man by means of wool, hair, blood-clots, etc., etc., and
almost always ends fatally. A great deal of mystery and superstition has
always existed in connexion with this stone—the invisibility of the
bearer of the egg-carbuncle laid by a goldfinch, for instance.</p>
<p>(F) The manganese-alumina garnet—6MnO,3SiO<sub>2</sub> +
2Al{2}O<sub>3</sub>,3SiO<sub>2</sub>—is usually found in a crystalline or granular
form, and mostly in granite and in the interstices of the plates, or
laminæ, of rocks called schist. One variety of this, which is a deep
hyacinth in colour, though often of a brown-tinted red, is called
"spessartine," or "spessartite," from the district in which it is
chiefly found, though its distribution is a fairly wide one.</p>
<h4><i>The Lapis-Lazuli.</i></h4>
<p>The lapis-lazuli, sometimes called "azure stone," is almost always blue,
though often containing streaks of white and gold colour, the latter of
which are due to the presence of minute specks or veins of iron pyrites,
the former and colourless streaks being due to free lime,<span class="pagenum"><SPAN name="Page_104" id="Page_104">[Pg 104]</SPAN></span> calcite, and
other substances which have become more or less blended with the blue
colour of the stone. It has a vitreous lustre, crystallises in the 1st,
or cubic system, and is a complex substance, varying considerably in its
ingredients in accordance with the locality in which it is found, its
matrix, and the general geological formation of the surrounding
substances, which may, by the penetration of moisture, be brought to
bear upon the stone, thus influencing to a great extent its chemical
composition. So that we find the stone composed of about a quarter of
its substance of alumina, or oxide of aluminium, silica to the extent of
almost half, the remainder being lime, soda, sulphur, and occasionally
traces of copper and iron. It is mostly found in granite and certain
crystalline limestone rocks, in fairly large masses. It is of great
antiquity, figuring extensively in ancient Egyptian history, both in its
form as a stone and ground up into a pigment for the decoration of
sacred and royal vessels and appointments. When so ground, it forms the
stable and magnificent colour, <i>genuine</i> ultramarine, which is the
finest and purest blue on the artist's palette, but owing to its
extremely high price its use is not in very great demand, especially as
many excellent chemical substitutes of equal permanence are obtainable
at little cost.</p>
<h4><i>The Turquoise.</i></h4>
<p>The turquoise is a pseudomorph (see Chapter IV., "Cleavage.") In colour
it is blue or greenish-blue, sometimes opaque, varying between that and
feeble translucency, though it should be said that in all forms, even
those considered opaque, a thin cutting of the stone<span class="pagenum"><SPAN name="Page_105" id="Page_105">[Pg 105]</SPAN></span> appears almost
transparent, so that the usual classing of it among the opaque stones
must be done with this reservation. In composition it contains about 20
per cent. of water, about a third of its substance being phosphoric
acid, or phosphorus-pentoxide; sometimes nearly half of it is alumina,
with small quantities of iron in the form of variously coloured oxides,
with oxide of manganese. The great proportion of water, which it seems
to take up during formation, is mostly obtained in the cavities of
weathered and moisture-decomposing rocks. Its average formula may be
said to be Al<sub>2</sub>O<sub>3</sub>P<sub>2</sub>O<sub>5</sub> + 5H<sub>2</sub>O, and sometimes Al<sub>2</sub>O<sub>3</sub>
FeOP<sub>2</sub>O<sub>5</sub> + 5H<sub>2</sub>O. It must therefore follow that when the stone is
heated, this water will separate and be given off in steam, which is
found to be the case. The water comes off rapidly, the colour of the
stone altering meanwhile from its blue or blue-green to brown. If the
heat is continued sufficiently long, this brown will deepen to black,
while the flame is turned green. This is one of the tests for turquoise,
but as the stone is destroyed in the process, the experiment should be
made on a splinter from it.</p>
<p>This stone is of very ancient origin, and many old turquoise deposits,
now empty, have been discovered in various places. History records a
magnificent turquoise being offered in Russia for about £800 a few
centuries ago, which is a very high price for these comparatively common
stones.</p>
<p>Owing to the presence of phosphorus in bones, it is not uncommon to
find, in certain caves which have been the resort of wild animals, or
into which animals have fallen, that bones in time become subjected to
the oozing<span class="pagenum"><SPAN name="Page_106" id="Page_106">[Pg 106]</SPAN></span> and moisture of their surroundings; alumina, as well as the
oxides of copper, manganese and iron, are often washed across and over
these bones lying on the cave floor, so that in time, this silt acts on
the substance of the bones, forming a variety of turquoise of exactly
the same composition as that just described, and of the same colour. So
that around the bones there eventually appears a beautiful turquoise
casing; the bone centre is also coloured like its casing, though not
entirely losing its bony characteristics, so that it really forms a kind
of ossified turquoise, surrounded by real turquoise, and this is called
the "bone turquoise" or "odontolite."</p>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_107" id="Page_107">[Pg 107]</SPAN></span></p>
<h2>INDEX</h2>
<p>Adamantine lustre, <SPAN href='#Page_28'>28</SPAN><br/>
<span style="margin-left: 1em;">glimmering, <SPAN href='#Page_29'>29</SPAN></span><br/>
<span style="margin-left: 1em;">glinting, or glistening, <SPAN href='#Page_29'>29</SPAN></span><br/>
<span style="margin-left: 1em;">lustreless, <SPAN href='#Page_29'>29</SPAN></span><br/>
<span style="margin-left: 1em;">shining, <SPAN href='#Page_29'>29</SPAN></span><br/>
<span style="margin-left: 1em;">splendent, <SPAN href='#Page_29'>29</SPAN></span><br/>
<br/>
Agate, <SPAN href='#Page_11'>11</SPAN><br/>
<br/>
Almandine, <SPAN href='#Page_101'>101</SPAN><br/>
<br/>
Amethyst, <SPAN href='#Page_11'>11</SPAN><br/>
<span style="margin-left: 1em;">oriental, <SPAN href='#Page_85'>85</SPAN></span><br/>
<span style="margin-left: 1em;">sapphire, <SPAN href='#Page_85'>85</SPAN></span><br/>
<br/>
Amorphous stones and their characteristics, <SPAN href='#Page_23'>23</SPAN><br/>
<br/>
Analysis, <SPAN href='#Page_5'>5</SPAN><br/>
<br/>
Aplome, <SPAN href='#Page_101'>101</SPAN><br/>
<br/>
Asters, or asteriated stones, <SPAN href='#Page_82'>82</SPAN>, <SPAN href='#Page_87'>87</SPAN>-91<br/>
<br/>
Azure-stone, <SPAN href='#Page_103'>103</SPAN><br/>
<br/>
<br/>
Beryl, <SPAN href='#Page_10'>10</SPAN>, <SPAN href='#Page_94'>94</SPAN><br/>
<span style="margin-left: 1em;">colours of, in dichroscope, <SPAN href='#Page_34'>34</SPAN></span><br/>
<br/>
Beryllium, <SPAN href='#Page_10'>10</SPAN><br/>
<br/>
Bezils, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Black stones, list of, <SPAN href='#Page_79'>79</SPAN><br/>
<br/>
Blue sapphire, composition of the, <SPAN href='#Page_10'>10</SPAN><br/>
<span style="margin-left: 1em;">stones, list of, <SPAN href='#Page_77'>77</SPAN></span><br/>
<br/>
Bone-turquoise, <SPAN href='#Page_106'>106</SPAN><br/>
<br/>
Break, as opposed to cleavage, <SPAN href='#Page_19'>19</SPAN><br/>
<br/>
Brilliant-cut stones, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Brown stones, list of, <SPAN href='#Page_76'>76</SPAN><br/>
<br/>
Building up of crystals, <SPAN href='#Page_13'>13</SPAN><br/>
<br/>
Burnt, or pinked topaz, <SPAN href='#Page_92'>92</SPAN><br/>
<br/>
<br/>
Cabochon-cut stones, <SPAN href='#Page_64'>64</SPAN><br/>
<span style="margin-left: 1em;">(the double), <SPAN href='#Page_65'>65</SPAN></span><br/>
<span style="margin-left: 1em;">(the hollow), <SPAN href='#Page_65'>65</SPAN></span><br/>
<br/>
Carbonate series, <SPAN href='#Page_11'>11</SPAN><br/>
<br/>
Carbuncle, <SPAN href='#Page_102'>102</SPAN>, <SPAN href='#Page_103'>103</SPAN><br/>
<br/>
<span class="pagenum"><SPAN name="Page_108" id="Page_108">[Pg 108]</SPAN></span>Cat of Egypt, <SPAN href='#Page_89'>89</SPAN><br/>
<br/>
Cat's eye stones, <SPAN href='#Page_82'>82</SPAN>, <SPAN href='#Page_87'>87</SPAN>-91<br/>
<span style="margin-left: 1em;">list of (see "Chatoyant Stones"), <SPAN href='#Page_78'>78</SPAN></span><br/>
<br/>
Ceylonese cat's eye (see "Cat's eye")<br/>
<br/>
Change of colour (not to be confused with "Play of colour" and "Opalescence,"
which see; see also "Fire"), <SPAN href='#Page_36'>36</SPAN><br/>
<br/>
Characteristics of precious stones, <SPAN href='#Page_1'>1</SPAN>, <SPAN href='#Page_3'>3</SPAN><br/>
<br/>
Chatoyant stones, list of, <SPAN href='#Page_78'>78</SPAN><br/>
<br/>
Chemical illustration of formation of precious stones, <SPAN href='#Page_8'>8</SPAN><br/>
<br/>
Chloride of palladium in dichroscope, <SPAN href='#Page_34'>34</SPAN><br/>
<br/>
Chrysoberyl, <SPAN href='#Page_88'>88</SPAN><br/>
<br/>
Chrysolite, <SPAN href='#Page_11'>11</SPAN><br/>
<span style="margin-left: 1em;">ordinary, or "noble", <SPAN href='#Page_85'>85</SPAN></span><br/>
<span style="margin-left: 1em;">oriental, <SPAN href='#Page_85'>85</SPAN></span><br/>
<br/>
Cinnamon stone, <SPAN href='#Page_102'>102</SPAN><br/>
<br/>
Claims of precious stones, <SPAN href='#Page_4'>4</SPAN><br/>
<br/>
Cleavage affecting tests, <SPAN href='#Page_43'>43</SPAN><br/>
<span style="margin-left: 1em;">and "cleavage" as opposed to "break", <SPAN href='#Page_19'>19</SPAN>, <SPAN href='#Page_22'>22</SPAN></span><br/>
<br/>
Colour, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_28'>28</SPAN>, <SPAN href='#Page_30'>30</SPAN>, <SPAN href='#Page_32'>32</SPAN><br/>
<br/>
Colourless stones, list of, <SPAN href='#Page_75'>75</SPAN><br/>
<br/>
Colours and characteristics of the various opals, <SPAN href='#Page_35'>35</SPAN>, <SPAN href='#Page_36'>36</SPAN><br/>
<span style="margin-left: 1em;">of precious stones, list of, <SPAN href='#Page_75'>75</SPAN>-79</span><br/>
<br/>
Common garnet, <SPAN href='#Page_101'>101</SPAN><br/>
<span style="margin-left: 1em;">opal, <SPAN href='#Page_35'>35</SPAN></span><br/>
<br/>
Composite crystals, <SPAN href='#Page_13'>13</SPAN><br/>
<br/>
Composition of paste, or strass, for imitation stones, <SPAN href='#Page_71'>71</SPAN><br/>
<br/>
Composition of precious stones, <SPAN href='#Page_7'>7</SPAN><br/>
<br/>
Converted stones, <SPAN href='#Page_72'>72</SPAN><br/>
<br/>
Corundum, <SPAN href='#Page_82'>82</SPAN><br/>
<br/>
Crown portion of stones, <SPAN href='#Page_65'>65</SPAN>, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Crystalline structure, physical properties, of <SPAN href='#Page_13'>13</SPAN><br/>
<br/>
Crystallography, <SPAN href='#Page_14'>14</SPAN><br/>
<br/>
Crystals, axes of symmetry, <SPAN href='#Page_15'>15</SPAN><br/>
<span style="margin-left: 1em;">groups of, <SPAN href='#Page_15'>15</SPAN>, <SPAN href='#Page_16'>16</SPAN></span><br/>
<span style="margin-left: 1em;">planes of symmetry, <SPAN href='#Page_15'>15</SPAN></span><br/>
<span style="margin-left: 1em;">systems of, <SPAN href='#Page_16'>16</SPAN></span><br/>
<span style="margin-left: 2em;">(1) Cubic—isometric, monometric, regular, <SPAN href='#Page_16'>16</SPAN></span><br/>
<span style="margin-left: 2em;">(2) Hexagonal—rhombohedral, <SPAN href='#Page_16'>16</SPAN></span><br/>
<span style="margin-left: 2em;">(3) Tetragonal—quadratic, square prismatic, dimetric, pyramidal, <SPAN href='#Page_16'>16</SPAN></span><br/>
<span style="margin-left: 2em;">(4) Rhombic—orthorhombic, prismatic, trimetric, <SPAN href='#Page_16'>16</SPAN></span><br/>
<span style="margin-left: 2em;">(5) Monoclinic—clinorhombic, monosymmetric, oblique, <SPAN href='#Page_16'>16</SPAN>, <SPAN href='#Page_17'>17</SPAN></span><br/>
<span style="margin-left: 2em;">(6) Triclinic—anorthic, asymmetric, <SPAN href='#Page_16'>16</SPAN>, <SPAN href='#Page_17'>17</SPAN></span><br/>
<span style="margin-left: 1em;">treatment of, <SPAN href='#Page_14'>14</SPAN></span><br/>
<br/>
<span class="pagenum"><SPAN name="Page_109" id="Page_109">[Pg 109]</SPAN></span>Culasse portion of stones, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Cullinan diamond (see also "Stars of Africa"), <SPAN href='#Page_22'>22</SPAN>, <SPAN href='#Page_64'>64</SPAN>, <SPAN href='#Page_68'>68</SPAN>, <SPAN href='#Page_80'>80</SPAN><br/>
<br/>
Cutting of precious stones, <SPAN href='#Page_3'>3</SPAN>, <SPAN href='#Page_4'>4</SPAN>, <SPAN href='#Page_62'>62</SPAN><br/>
<br/>
Cymophane, <SPAN href='#Page_90'>90</SPAN><br/>
<br/>
<br/>
Definition of a precious stone, <SPAN href='#Page_1'>1</SPAN><br/>
<br/>
Diamond, characteristics of the, <SPAN href='#Page_80'>80</SPAN><br/>
<span style="margin-left: 1em;">composition of the, <SPAN href='#Page_10'>10</SPAN></span><br/>
<span style="margin-left: 1em;">(sapphire), <SPAN href='#Page_86'>86</SPAN></span><br/>
<span style="margin-left: 1em;">unique, <SPAN href='#Page_10'>10</SPAN></span><br/>
<span style="margin-left: 1em;">(zircon), <SPAN href='#Page_99'>99</SPAN></span><br/>
<br/>
Diaphaneity, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Diaphanous stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Dichroscope, <SPAN href='#Page_33'>33</SPAN><br/>
<span style="margin-left: 1em;">how to make a, <SPAN href='#Page_33'>33</SPAN></span><br/>
<span style="margin-left: 1em;">how to use a, <SPAN href='#Page_34'>34</SPAN></span><br/>
<br/>
Dimorphism in precious stones, <SPAN href='#Page_25'>25</SPAN><br/>
<br/>
Double cabochon-cut stones, <SPAN href='#Page_65'>65</SPAN><br/>
<span style="margin-left: 1em;">refraction (see "Refraction")</span><br/>
<br/>
Doublets, <SPAN href='#Page_72'>72</SPAN><br/>
<br/>
<br/>
Electric and magnetic influences, <SPAN href='#Page_57'>57</SPAN><br/>
<span style="margin-left: 1em;">experiments with precious stones and pithball and electroscope, <SPAN href='#Page_57'>57</SPAN></span><br/>
<span style="margin-left: 1em;">experiments with tourmaline, <SPAN href='#Page_58'>58</SPAN>, <SPAN href='#Page_59'>59</SPAN></span><br/>
<br/>
Emerald, <SPAN href='#Page_10'>10</SPAN>, <SPAN href='#Page_11'>11</SPAN>, <SPAN href='#Page_95'>95</SPAN>, <SPAN href='#Page_96'>96</SPAN><br/>
<span style="margin-left: 1em;">oriental, <SPAN href='#Page_85'>85</SPAN></span><br/>
<br/>
En cabochon-cut stones, <SPAN href='#Page_64'>64</SPAN><br/>
<br/>
Experiments to show electric polarity, <SPAN href='#Page_58'>58</SPAN>, <SPAN href='#Page_59'>59</SPAN><br/>
<br/>
<br/>
Facets in stones, description of the, <SPAN href='#Page_67'>67</SPAN>, <SPAN href='#Page_68'>68</SPAN><br/>
<br/>
Feminine stones, <SPAN href='#Page_85'>85</SPAN><br/>
<br/>
Fire in stones (see also "Change of Colour," "Opalescence," and "Play of
Colour"), <SPAN href='#Page_36'>36</SPAN>, <SPAN href='#Page_37'>37</SPAN><br/>
<br/>
Fire opal, <SPAN href='#Page_35'>35</SPAN><br/>
<br/>
Flame-coloured stones, list of, <SPAN href='#Page_76'>76</SPAN><br/>
<br/>
Flaws, <SPAN href='#Page_63'>63</SPAN><br/>
<br/>
Formation of precious stones, <SPAN href='#Page_5'>5</SPAN>, <SPAN href='#Page_8'>8</SPAN><br/>
<span style="margin-left: 1em;">chemical illustration of, <SPAN href='#Page_8'>8</SPAN>, <SPAN href='#Page_9'>9</SPAN></span><br/>
<br/>
<br/>
Garnet, <SPAN href='#Page_11'>11</SPAN>, <SPAN href='#Page_100'>100</SPAN><br/>
<br/>
Garnets<br/>
<span style="margin-left: 1em;">(A) iron-alumina (called also almandine and precious
or oriental garnet), <SPAN href='#Page_101'>101</SPAN></span><br/>
<span class="pagenum"><SPAN name="Page_110" id="Page_110">[Pg 110]</SPAN></span><span style="margin-left: 2em;">sub-variety, common garnet, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 1em;">(B) lime-iron, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 2em;">sub-variety aplome, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 3em;">melanite, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 3em;">pyreneite, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 3em;">topazolite, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 1em;">(C) lime-chrome, <SPAN href='#Page_101'>101</SPAN>, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 2em;">sub-variety uwarowite, <SPAN href='#Page_101'>101</SPAN>, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 1em;">(D) lime-alumina, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 2em;">sub-variety cinnamon stone, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 3em;">romanzovite, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 3em;">succinite, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 1em;">(E) magnesia-alumina, <SPAN href='#Page_102'>102</SPAN>, <SPAN href='#Page_103'>103</SPAN></span><br/>
<span style="margin-left: 2em;">sub-variety carbuncle, or anthrax, <SPAN href='#Page_102'>102</SPAN>, <SPAN href='#Page_103'>103</SPAN></span><br/>
<span style="margin-left: 3em;">noble, <SPAN href='#Page_103'>103</SPAN></span><br/>
<span style="margin-left: 3em;">pyrope, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 1em;">(F) manganese-alumina, <SPAN href='#Page_103'>103</SPAN></span><br/>
<span style="margin-left: 2em;">sub-variety spessartine, or spessartite, <SPAN href='#Page_103'>103</SPAN></span><br/>
<br/>
Girdle portion of a stone, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Glimmering, in lustre, definition of, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Glinting, or glistening in lustre, definition of, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
<i>Goutte de suif</i>-cut stones, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Great Mogul diamond, <SPAN href='#Page_64'>64</SPAN><br/>
<br/>
Green stones, list of, <SPAN href='#Page_78'>78</SPAN><br/>
<br/>
Groups of crystals (see "Crystals")<br/>
<br/>
<br/>
Hardness, physical properties of, <SPAN href='#Page_39'>39</SPAN><br/>
<span style="margin-left: 1em;">table of, <SPAN href='#Page_39'>39</SPAN>, <SPAN href='#Page_40'>40</SPAN>, <SPAN href='#Page_41'>41</SPAN></span><br/>
<br/>
Heat indexes, <SPAN href='#Page_54'>54</SPAN><br/>
<span style="margin-left: 1em;">physical properties of, <SPAN href='#Page_52'>52</SPAN></span><br/>
<br/>
Hollow-cabochon, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Hyacinth, ordinary (a form of zircon), <SPAN href='#Page_85'>85</SPAN>, <SPAN href='#Page_98'>98</SPAN><br/>
<span style="margin-left: 1em;">oriental, <SPAN href='#Page_85'>85</SPAN></span><br/>
<br/>
Hyalite (opal), <SPAN href='#Page_35'>35</SPAN><br/>
<br/>
Hydrophane (opal), <SPAN href='#Page_35'>35</SPAN><br/>
<br/>
<br/>
Imitations and tests of precious stones, <SPAN href='#Page_70'>70</SPAN><br/>
<br/>
Indigo sapphires, <SPAN href='#Page_86'>86</SPAN><br/>
<br/>
Ink sapphires, <SPAN href='#Page_85'>85</SPAN><br/>
<br/>
Iridescence, and cause of, <SPAN href='#Page_37'>37</SPAN>, <SPAN href='#Page_38'>38</SPAN><br/>
<br/>
Iron-alumina garnets, <SPAN href='#Page_101'>101</SPAN><br/>
<br/>
<br/>
Jacinth, oriental, <SPAN href='#Page_85'>85</SPAN><br/>
<br/>
<span class="pagenum"><SPAN name="Page_111" id="Page_111">[Pg 111]</SPAN></span>Jarcon, or jargoon, <SPAN href='#Page_98'>98</SPAN><br/>
<br/>
<br/>
Koh-i-nûr, <SPAN href='#Page_64'>64</SPAN><br/>
<br/>
<br/>
Lapis-lazuli, <SPAN href='#Page_103'>103</SPAN><br/>
<br/>
Light, physical properties of, <SPAN href='#Page_26'>26</SPAN><br/>
<br/>
Lime-alumina garnets, <SPAN href='#Page_102'>102</SPAN><br/>
<span style="margin-left: 1em;">cinnamon stone, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 1em;">romanzovite, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 1em;">succinite, <SPAN href='#Page_102'>102</SPAN></span><br/>
<br/>
Lime-chrome garnets, <SPAN href='#Page_101'>101</SPAN>, <SPAN href='#Page_102'>102</SPAN><br/>
<span style="margin-left: 1em;">uwarowite, <SPAN href='#Page_101'>101</SPAN>, <SPAN href='#Page_102'>102</SPAN></span><br/>
<br/>
Lime-iron garnets, <SPAN href='#Page_101'>101</SPAN><br/>
<span style="margin-left: 1em;">aplome, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 1em;">pyreneite, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 1em;">topazolite, <SPAN href='#Page_101'>101</SPAN></span><br/>
<br/>
List of stones according to colour, <SPAN href='#Page_75'>75</SPAN>-79<br/>
<span style="margin-left: 1em;">hardness, <SPAN href='#Page_39'>39</SPAN>-41</span><br/>
<span style="margin-left: 1em;">specific gravity, <SPAN href='#Page_48'>48</SPAN>-50</span><br/>
<br/>
Lustre, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Lustreless, definition of, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Lynx-eye stones, <SPAN href='#Page_87'>87</SPAN><br/>
<br/>
<br/>
Magnesia-alumina garnets, <SPAN href='#Page_102'>102</SPAN>, <SPAN href='#Page_103'>103</SPAN><br/>
<span style="margin-left: 1em;">carbuncle, or anthrax, <SPAN href='#Page_102'>102</SPAN></span><br/>
<span style="margin-left: 1em;">noble, <SPAN href='#Page_103'>103</SPAN></span><br/>
<span style="margin-left: 1em;">pyrope, <SPAN href='#Page_102'>102</SPAN></span><br/>
<br/>
Magnetic and electric influences, <SPAN href='#Page_57'>57</SPAN>-61<br/>
<br/>
Malachite, <SPAN href='#Page_11'>11</SPAN><br/>
<br/>
Manganese-alumina garnets, <SPAN href='#Page_103'>103</SPAN><br/>
<span style="margin-left: 1em;">spessartine, or spessartite, <SPAN href='#Page_103'>103</SPAN></span><br/>
<br/>
Masculine stones, <SPAN href='#Page_85'>85</SPAN><br/>
<br/>
Melanite, <SPAN href='#Page_101'>101</SPAN><br/>
<br/>
Menilite (opal), <SPAN href='#Page_36'>36</SPAN><br/>
<br/>
Metallic-lustre stones, <SPAN href='#Page_28'>28</SPAN>, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Mohs's table of hardness, <SPAN href='#Page_39'>39</SPAN>-41<br/>
<br/>
<br/>
Noble garnet, <SPAN href='#Page_103'>103</SPAN><br/>
<span style="margin-left: 1em;">or precious opal, <SPAN href='#Page_35'>35</SPAN></span><br/>
<br/>
Non-diaphanous stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
<br/>
Odontolite, <SPAN href='#Page_106'>106</SPAN><br/>
<br/>
Olivine corundum (see "Chrysolite"), <SPAN href='#Page_85'>85</SPAN><br/>
<br/>
Opal, <SPAN href='#Page_11'>11</SPAN><br/>
<span style="margin-left: 1em;">varieties of, <SPAN href='#Page_35'>35</SPAN>, <SPAN href='#Page_36'>36</SPAN></span><br/>
<br/>
Opalescence (not to be confused with "Change of Colour" and "Play of Colour,"
<span class="pagenum"><SPAN name="Page_112" id="Page_112">[Pg 112]</SPAN></span>which see; see also "Fire"), <SPAN href='#Page_36'>36</SPAN>, <SPAN href='#Page_37'>37</SPAN><br/>
<br/>
Oriental amethyst, <SPAN href='#Page_85'>85</SPAN><br/>
<span style="margin-left: 1em;">cat's eye (see "Cat's eye")</span><br/>
<span style="margin-left: 1em;">emerald, <SPAN href='#Page_85'>85</SPAN></span><br/>
<span style="margin-left: 1em;">garnet, <SPAN href='#Page_101'>101</SPAN></span><br/>
<span style="margin-left: 1em;">topaz, <SPAN href='#Page_85'>85</SPAN></span><br/>
<br/>
Origin of precious stones, <SPAN href='#Page_7'>7</SPAN><br/>
<br/>
<br/>
Paste, or strass, for imitation stones, composition of, <SPAN href='#Page_71'>71</SPAN><br/>
<br/>
Pavilion portion of cut stones, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Pearly-lustre stones, <SPAN href='#Page_28'>28</SPAN>, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Peridot (see "Noble Chrysolite"), <SPAN href='#Page_85'>85</SPAN><br/>
<br/>
Pink-coloured stones, list of (see also Red), <SPAN href='#Page_77'>77</SPAN><br/>
<br/>
Pinked topaz, <SPAN href='#Page_92'>92</SPAN><br/>
<br/>
Phosphorescence, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_30'>30</SPAN><br/>
<br/>
Physical properties:—<br/>
<span style="margin-left: 1em;">A.—Crystalline structure, <SPAN href='#Page_13'>13</SPAN></span><br/>
<span style="margin-left: 1em;">B.—Cleavage, <SPAN href='#Page_19'>19</SPAN></span><br/>
<span style="margin-left: 1em;">C.—Light, <SPAN href='#Page_26'>26</SPAN></span><br/>
<span style="margin-left: 1em;">D.—Colour, <SPAN href='#Page_32'>32</SPAN></span><br/>
<span style="margin-left: 1em;">E.—Hardness, <SPAN href='#Page_39'>39</SPAN></span><br/>
<span style="margin-left: 1em;">F.—Specific gravity, <SPAN href='#Page_45'>45</SPAN></span><br/>
<span style="margin-left: 1em;">G.—Heat, <SPAN href='#Page_52'>52</SPAN></span><br/>
<span style="margin-left: 1em;">H.—Magnetic and electric influences, <SPAN href='#Page_57'>57</SPAN></span><br/>
<br/>
Play of colour (not to be confused with "Change of Colour" and "Opalescence,"
which see; see also "Fire"), <SPAN href='#Page_36'>36</SPAN>, <SPAN href='#Page_37'>37</SPAN><br/>
<br/>
Pleochroism, <SPAN href='#Page_33'>33</SPAN><br/>
<br/>
Polarisation, electric, <SPAN href='#Page_58'>58</SPAN>, <SPAN href='#Page_59'>59</SPAN><br/>
<span style="margin-left: 1em;">of light, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_27'>27</SPAN></span><br/>
<br/>
Polariscope, <SPAN href='#Page_27'>27</SPAN>, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Polishing precious stones, <SPAN href='#Page_3'>3</SPAN>, <SPAN href='#Page_4'>4</SPAN><br/>
<br/>
Polymorphism in precious stones, <SPAN href='#Page_25'>25</SPAN><br/>
<br/>
Precious, or noble opal, <SPAN href='#Page_35'>35</SPAN><br/>
<br/>
Pseudomorphism in precious stones, <SPAN href='#Page_23'>23</SPAN>, <SPAN href='#Page_24'>24</SPAN><br/>
<br/>
Pyreneite, <SPAN href='#Page_101'>101</SPAN><br/>
<br/>
Pyro-electricity, development and behaviour of, <SPAN href='#Page_58'>58</SPAN>-60<br/>
<br/>
Pyrope, <SPAN href='#Page_102'>102</SPAN><br/>
<br/>
<br/>
Qualities of precious stones, <SPAN href='#Page_1'>1</SPAN>, <SPAN href='#Page_3'>3</SPAN><br/>
<br/>
<br/>
Red and rose-coloured stones, list of (see also Pink), <SPAN href='#Page_76'>76</SPAN>, <SPAN href='#Page_77'>77</SPAN><br/>
<br/>
Reflection of light, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Refraction of heat, <SPAN href='#Page_52'>52</SPAN>-55<br/>
<span style="margin-left: 1em;">light, <SPAN href='#Page_26'>26</SPAN>, <SPAN href='#Page_27'>27</SPAN></span><br/>
<br/>
Reproduction of crystalline form, <SPAN href='#Page_20'>20</SPAN>, <SPAN href='#Page_21'>21</SPAN><br/>
<br/>
<span class="pagenum"><SPAN name="Page_113" id="Page_113">[Pg 113]</SPAN></span>Resinous lustre stones, <SPAN href='#Page_28'>28</SPAN>, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Rock-crystal, <SPAN href='#Page_11'>11</SPAN><br/>
<br/>
Romanzovite, <SPAN href='#Page_102'>102</SPAN><br/>
<br/>
Rose-coloured stones (see Red, above), <SPAN href='#Page_76'>76</SPAN>, <SPAN href='#Page_77'>77</SPAN><br/>
<br/>
Rose, or rosette-cut stones, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Rothschild's testing solution, <SPAN href='#Page_73'>73</SPAN><br/>
<br/>
Ruby, characteristics of, <SPAN href='#Page_83'>83</SPAN><br/>
<span style="margin-left: 1em;">composition of, <SPAN href='#Page_10'>10</SPAN></span><br/>
<br/>
<br/>
Sapphire, amethyst, <SPAN href='#Page_85'>85</SPAN><br/>
<span style="margin-left: 1em;">and its varieties, <SPAN href='#Page_84'>84</SPAN>, <SPAN href='#Page_85'>85</SPAN></span><br/>
<span style="margin-left: 1em;">cleared, <SPAN href='#Page_86'>86</SPAN></span><br/>
<span style="margin-left: 1em;">diamonds, <SPAN href='#Page_87'>87</SPAN></span><br/>
<span style="margin-left: 1em;">indigo, <SPAN href='#Page_86'>86</SPAN></span><br/>
<span style="margin-left: 1em;">ink, <SPAN href='#Page_85'>85</SPAN></span><br/>
<span style="margin-left: 1em;">the blue, composition of, <SPAN href='#Page_10'>10</SPAN>, <SPAN href='#Page_85'>85</SPAN></span><br/>
<span style="margin-left: 1em;">water, <SPAN href='#Page_86'>86</SPAN></span><br/>
<br/>
Semi-diaphanous stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Shining, in lustre, definition of, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Silica group, composition of the, <SPAN href='#Page_11'>11</SPAN><br/>
<br/>
Silicates, <SPAN href='#Page_100'>100</SPAN><br/>
<br/>
Silky-lustre stones, <SPAN href='#Page_28'>28</SPAN>, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Single-refraction (see "Refraction")<br/>
<br/>
South African diamond (see "Cullinan Diamond")<br/>
<br/>
Specific gravity, <SPAN href='#Page_45'>45</SPAN><br/>
<br/>
Splendent, in lustre, definition of, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Splitting of the Cullinan diamond, <SPAN href='#Page_22'>22</SPAN><br/>
<br/>
Star-portion of stones, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Stars of Africa (see also "Cullinan Diamond"), <SPAN href='#Page_22'>22</SPAN>, <SPAN href='#Page_64'>64</SPAN>, <SPAN href='#Page_68'>68</SPAN><br/>
<br/>
Starting or splitting of stones on cleavage planes, <SPAN href='#Page_23'>23</SPAN><br/>
<br/>
Step-cut stones, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Stones arranged according to colour, <SPAN href='#Page_75'>75</SPAN>-79<br/>
<span style="margin-left: 1em;">hardness, <SPAN href='#Page_39'>39</SPAN>-41</span><br/>
<span style="margin-left: 1em;">specific gravity, <SPAN href='#Page_48'>48</SPAN>-50</span><br/>
<br/>
Strass for imitation stones, composition of, <SPAN href='#Page_71'>71</SPAN><br/>
<br/>
Sub-metallic in lustre, definition of, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
Sub-translucent stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Sub-transparent stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Succinite, <SPAN href='#Page_102'>102</SPAN><br/>
<br/>
Synthesis, <SPAN href='#Page_5'>5</SPAN><br/>
<br/>
Systems of crystals (see "Crystals")<br/>
<br/>
<br/>
Table-cut stones, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Tallow drops, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Teeth of stone, <SPAN href='#Page_65'>65</SPAN><br/>
<br/>
Testing by crystalline structure, <SPAN href='#Page_17'>17</SPAN><br/>
<span class="pagenum"><SPAN name="Page_114" id="Page_114">[Pg 114]</SPAN></span><span style="margin-left: 1em;">hardness, <SPAN href='#Page_40'>40</SPAN>, <SPAN href='#Page_43'>43</SPAN></span><br/>
<span style="margin-left: 2em;">with needles, <SPAN href='#Page_41'>41</SPAN></span><br/>
<span style="margin-left: 1em;">gems by dichroscope, <SPAN href='#Page_33'>33</SPAN>, <SPAN href='#Page_34'>34</SPAN></span><br/>
<span style="margin-left: 1em;">solution (Rothschild's), <SPAN href='#Page_73'>73</SPAN></span><br/>
<br/>
Tests of precious stones (general), <SPAN href='#Page_70'>70</SPAN><br/>
<br/>
Topaz, <SPAN href='#Page_11'>11</SPAN>, <SPAN href='#Page_91'>91</SPAN><br/>
<span style="margin-left: 1em;">colours of, in dichroscope, <SPAN href='#Page_34'>34</SPAN></span><br/>
<span style="margin-left: 1em;">oriental, <SPAN href='#Page_85'>85</SPAN></span><br/>
<br/>
Topazolite, <SPAN href='#Page_101'>101</SPAN><br/>
<br/>
Tourmaline, <SPAN href='#Page_96'>96</SPAN>, <SPAN href='#Page_97'>97</SPAN><br/>
<span style="margin-left: 1em;">electric experiments with, <SPAN href='#Page_58'>58</SPAN>, <SPAN href='#Page_59'>59</SPAN></span><br/>
<br/>
Translucent stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Transmission of heat, <SPAN href='#Page_52'>52</SPAN>-56<br/>
<span style="margin-left: 1em;">light, <SPAN href='#Page_26'>26</SPAN></span><br/>
<br/>
Transparent stones, <SPAN href='#Page_28'>28</SPAN><br/>
<br/>
Trap-cut stones, <SPAN href='#Page_66'>66</SPAN><br/>
<br/>
Tri-morphism in precious stones, <SPAN href='#Page_25'>25</SPAN><br/>
<br/>
Triplets, <SPAN href='#Page_72'>72</SPAN><br/>
<br/>
Turquoise, <SPAN href='#Page_104'>104</SPAN><br/>
<span style="margin-left: 1em;">(bone), <SPAN href='#Page_106'>106</SPAN></span><br/>
<span style="margin-left: 1em;">composition of the, <SPAN href='#Page_11'>11</SPAN></span><br/>
<span style="margin-left: 1em;">odontolite, <SPAN href='#Page_106'>106</SPAN></span><br/>
<br/>
<br/>
Uwarowite, <SPAN href='#Page_101'>101</SPAN>, <SPAN href='#Page_102'>102</SPAN><br/>
<br/>
<br/>
Violet stones, list of, <SPAN href='#Page_78'>78</SPAN><br/>
<br/>
Vitreous-lustre stones, <SPAN href='#Page_28'>28</SPAN>, <SPAN href='#Page_29'>29</SPAN><br/>
<br/>
<br/>
Water-sapphires, <SPAN href='#Page_86'>86</SPAN><br/>
<br/>
White (paste) stones, <SPAN href='#Page_71'>71</SPAN><br/>
<span style="margin-left: 1em;">stones, list of, <SPAN href='#Page_75'>75</SPAN></span><br/>
<br/>
<br/>
Yellow stones, list of, <SPAN href='#Page_76'>76</SPAN><br/>
<span style="margin-left: 1em;">topaz, <SPAN href='#Page_92'>92</SPAN></span><br/>
<br/>
<br/>
Zircon, <SPAN href='#Page_10'>10</SPAN>, <SPAN href='#Page_98'>98</SPAN><br/>
<span style="margin-left: 1em;">diamonds, <SPAN href='#Page_99'>99</SPAN></span><br/>
<br/>
Zirconium, <SPAN href='#Page_10'>10</SPAN><br/></p>
<hr style="width: 65%;" />
<p>LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,<br/>
GREAT WINDMILL STREET, W., AND DUKE STREET, STAMFORD STREET, S. E.<br/></p>
<div style="break-after:column;"></div><br />