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<h2> XIII. AUNT JANE </h2>
<p><span>P</span>ETER approached the shanty-boat cautiously but there was no sign of
danger. Indeed, finding Buddy gone, the five men who had come to the boat
were quite satisfied to get Booge. Four were but little interested in
helping Briggles pick up a small boy, and nobody wanted Peter, but Booge,
being a tramp and having assaulted a bearer of a court order, was a
desirable capture. Booge, when he felt reasonably sure Peter had reached
safety, ended his half-joking parley abruptly, and said he was willing to
accompany his captors in peace. He was satisfied he would not be given
much more than six months in the county jail for the assault, and six
months would carry him through the winter, into good, warm, summer
weather. There was nothing to be gained by a struggle against five men
except more trouble.</p>
<p>Once more in his cabin, Peter put Buddy to bed in the dark, and ate his
much delayed supper. Buddy seemed to take the flight as a matter of no
moment. Flights, he probably thought, were a part of every small boy's
life, and he dropped asleep the moment he was tucked in the bunk. Peter,
however, did not sleep. He had much to think over. When an hour had
elapsed he lighted his lamp, knowing it could not be seen from any
distance, and set to work preparing to leave the boat forever. He had few
portable belongings worth carrying away. What food was left he made into a
parcel. He cut, with his jack-knife, strips from one of his blankets to
wind about his legs, and sliced off other pieces in which to tie his feet,
for his shoes were thin and worn through in places. He cut a hole in the
center of what was left of the blanket, making a serape of it for Buddy.
Later he cut a similar hole in the other blanket for himself. All Buddy's
toys he stored away under the bunk, with his shotgun. Then he baked a corn
cake and stowed pieces of it in his pockets. He was ready for his flight.
His sister Jane should afford a refuge for him and the boy.</p>
<p>Long before sunrise he awakened Buddy and fed him, ate his own breakfast,
tied his feet in the pieces of blanket and left the shanty-boat. They were
two strange looking objects as Peter worked his way down the slough,
taking care to avoid the snow patches and keeping to that part of the ice
blown clear by the wind. Peter had dressed Buddy and himself for comfort
and not for show. The blue serape enveloped Buddy and hung below his feet
as Peter carried him, and both Peter and Buddy had strips of blanket tied
over their heads to protect their ears. Peter, in his own gray blanket,
tied about the waist with seine twine, looked like an untidy friar, his
feet huge gray paws.</p>
<p>A quarter of a mile below the shanty-boat Peter turned and crossed the
island, and, issuing on the other side, the whole broad river lay before
him. It was still dark as he began his long tramp across the river, and on
the vast field of ice it was frigidly cold. There the wind had a clearer
sweep than in the protected slough, and one could understand why Peter had
risked the return to the boat for additional garments after having once
fled from it. The wind carried the snow in low white clouds, lifting it
from one drift to deposit it in another, piling it high against every
obstruction on the ice. Without their blanket serapes it would have been
impossible for Peter, hardened as he was, to withstand the cold of the
long journey he had planned.</p>
<p>For a quarter of a mile, after leaving the island, Peter had to struggle
over the rough hummocks that had been drift ice until the river closed,
but beyond that the going was smoother. In places the ice was so glassy
that he could not walk, but had to slide his feet along without lifting
them. The wind cut his face like a knife and the blowing snow gathered on
his eye lashes, and Buddy grew heavier and heavier in his arms. He could
have carried him all day pickaback, but he did not dare risk that mode
lest he slip and fall backward on the little fellow. His arms and back
ached with the strain, but still he kept on, making straight across the
river, and not until he had passed the middle did he set Buddy down. Then,
believing he was beyond the jurisdiction of an Iowa court order, he
rested, sitting flat on the ice with Buddy in his lap.</p>
<p>“I can walk, Uncle Peter,” said Buddy.</p>
<p>“Uncle Peter will carry you awhile yet, Buddy,” said Peter. “By and by,
when he gets tired again he'll let you walk. Uncle Peter is in a hurry
now.”</p>
<p>He lifted the boy again and plodded on, and when he reached the roughly
wooded Illinois shore he pushed in among the grapevine festooned trees
until he was well hidden from the river. There he made a fire and rested
until he and Buddy were warmed through. Then out upon the river again and,
keeping close to the bank, up stream. Here he was sheltered from the
cutting wind, and the walking was surer, for the sand had blown upon the
ice in many places, but his progress was slow for all that. About noon he
halted again and made a fire and ate, and then went on. Toward four
o'clock, coming abreast of a tall, lightning scarred sycamore, Peter
plunged into the brush until he came to a clearing on the edge of a small
slough. Here stood an old log cattle shed, and here, with a fire burning
on the dirt floor, they spent the night, Buddy huddled in Peter's arms,
with his back to the fire.</p>
<p>They had covered half the distance to Riverbank.</p>
<p>“Where are we going now, Uncle Peter?” asked Buddy the next morning.</p>
<p>“I guess we won't go nowhere to-day,” said Peter. “We ain't likely to be
bothered here, this time of the year, so we'll just make a good fire and
stay right here and be comfortable, and to-night we 're going to start
over across to your Aunt Jane's house.”</p>
<p>“Is Aunt Jane's house like this house?” asked Buddy.</p>
<p>“Well, it's quite considerable better,” said Peter. “You'll see what it's
like when you get to it. If everything turns out the way I hope it will,
you and me will live at Aunt Jane's quite some time.”</p>
<p>Not until well toward nine o'clock did Peter awaken Buddy that night. He
was haunted by the fear that, once he touched Iowa soil, every eye would
be watching for him and every hand eager to tear Buddy from him. If,
however, he could get Buddy safely into Jane's care Peter believed he
could make a fight against Briggles or any other man, for Jane's house was
a home—there was a woman in it—Peter meant to time his trip to
reach Jane's in the early morning.</p>
<p>The moon was full and bright, glaring bright on the river, as Peter
started, and the cold was benumbing.</p>
<p>The long, diagonal course across the river brought Peter and Buddy to the
Iowa shore some three miles below Riverbank, just before sunrise. On shore
new difficulties met him. A road ran along the shore, but Peter's
destination lay straight back in the hills, and two miles of sandy farm
land, in frozen furrows, crossed by many barbed wire fences, lay between
Peter and the foot of the hills. The sun came up while he was still
struggling across the plowed land, and by the time he reached the road
that led up the hillside it was glaring day. Twice early farmers, bound to
town, passed him as he trudged along the winding road, staring at him
curiously, and Peter dropped to the creek bed that followed the road. Here
he could hide if he heard an approaching team. Just below his sister's
house the road crossed the creek and here Peter climbed the bank. A wind
had risen with the sun and Peter's blanket flapped against his legs. At
his sister's gate he paused behind a mass of leafless elderberry bushes,
and deposited Buddy on the low bank that edged the road.</p>
<p>“Now, you stay right here, Buddy,” said Peter to the boy, “and just sort
of look at the landscape over there whilst I run up and tell your Aunt
Jane you're coming. She don't like to be surprised.”</p>
<p>“But I don't want to look at the landscape, Uncle Peter,” Buddy
complained. “I want to go with you.”</p>
<p>“It ain't much of a landscape, and that's a fact,” said Peter, glancing at
the bare clay bank across the creek, “and if it wasn't very important that
I should speak to your Aunt Jane first I wouldn't ask you to wait here. I
know just how a boy feels about waiting. My goodness! Did I see a squirrel
over there? A little gray squirrel with a big bushy tail?”</p>
<p>“No,” said Buddy.</p>
<p>“Well, you just keep a sharp eye on that clay bank, and maybe you will.
Maybe you'll see a little jumpy rabbit.”</p>
<p>“I don't want to see a rabbit. I want to go with you,” said Buddy.</p>
<p>Peter looked at the house. It was hardly more than a weather-beaten
shanty. Its fence, once an army of white pickets, was now but a
tumble-down affair of rotting posts and stringers with a loose picket here
and there, and the door yard was cluttered with tin cans and wood ashes.
The woodshed, as free from paint as the house, was well filled with stove
wood, for Peter had filled it in the early fall. Beyond the woodshed the
garden—Peter worked it for his sister each spring—was
indicated by the rows of cabbage stalks with their few frozen leaves still
clinging to them. The whole place was run down and slip-shod, but it was a
house, and it held a woman.</p>
<p>“Goodness me!” said Peter. “Of course you don't want to look for rabbits!
I've got that jack-knife I bought for you right here in my pocket, and <i>now</i>
I guess you'll want to wait here for Uncle Peter! You will if Uncle Peter
opens the big blade and gets you a stick to whittle.”</p>
<p>“I want to whittle,” said Buddy promptly. “I want to whittle a funny cat.”</p>
<p>Peter looked about for a stick.</p>
<p>“There!” he said. “There's a stick, but if I was you I'd make a funny
snake out of it. That stick don't look like it would make a cat. You make
a snake, and if it don't turn out to be a snake, maybe it'll be a sword.
Now, you stay right here, and Uncle Peter won't be gone very long. I'm
going to put you right back in among these bushes, and don't you move.”</p>
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<p>“I won't,” said Buddy.</p>
<p>When Peter left the shanty-boat he had felt that he could walk up to Jane
with the front of a lion and demand shelter for himself and for Buddy all
the advantages of a home. From that distance it had seemed quite
reasonable, for he owned the house and the small plot of ground on which
it stood. Ownership ought to give some rights, and he had planned just
what he would say. He would tell Jane he had come. Then he would tell her
he had reformed, and how he had reformed, and that he was a changed man
and was going to work hard and make things comfortable for her, and give
up shanty-boating and the river and all the things he had loved. He would
say he now saw all these were bad for his character. Then, when she got
used to that, he would incidentally mention Buddy, and tell her what a
nice little fellow he was, and what a steadying effect the boy would have
on his shiftless life. Then he would get Buddy, and his sister would see
what a fine boy Buddy was, and wrap her arms around him, and weep. Peter
was sure she would weep. And there would be a home for Buddy with a woman
in it!</p>
<p>But if Jane objected—as she might—Peter meant to set his foot
down hard. It was his house and he could do what he wished with it. That
he had allowed Jane to possess it in single peace was well enough, but it
was his house. That would bring her to time—it——</p>
<p>The nearer he had approached the house, however, the more doubtful he had
become that Jane would welcome him and that she would, after a little
talk, order him to bring Buddy in. The closer he came to Jane the better
he recalled the many times he had fled precipitately after doing her
chores, and his many moist and mournful receptions.</p>
<p>Now he walked to the kitchen door and knocked, and Jane's voice bade him
enter. He took off his hat as he entered. His sister was sitting at the
kitchen table where, despite the lateness of the hour, she had evidently
just finished her breakfast. As she turned her head all Peter's optimism
fled, for Jane's eyes were red with weeping. When her sorrows pressed
heavily upon Jane she was a very fountain of tears. She threw up her hands
as she saw Peter.</p>
<p>“Oh, mercy me, Peter Lane!” she cried in a heart-broken voice. “Look what
you've come to at your time of life. Nothing to wear but old rags and
horse blankets on back and foot! It does seem as if nothing ever went
right for you since the day you were born. Just poverty and bad-health and
trouble, and one thing after another.” She wiped her eyes to make room in
them for fresh tears. “Every time I think of you, freezing to death in
that shanty-boat, and going hungry and cold, I—it makes me so
miserable—it makes me feel so bad—”</p>
<p>“Now, Jane,” said Peter uncomfortably, “don't cry! Don't do it! It ain't
so bad as all that. Every time I come to see you, you just cry and carry
on, and I tell you I don't need it done for me. I'm all right. I get along
somehow.”</p>
<p>“Never, never once, have I said an unkind word to you, Peter,” said Jane
damply. “You shouldn't upbraid me with it, for I know it ain't your fault
you turned out this way. I know you ain't got the health to go to work and
earn a living, if you wanted to. I do what I can to keep your house from
falling down on my head. When I think what would become of this house if
you didn't have me to do what I can to mend it up—the roof's leakin'
worse than ever.”</p>
<p>“As soon as spring comes, I'm going to get some shingles and shingle up
the leaky places,” said Peter. “Maybe I'll put a whole new roof on. Now,
just listen to what I want to say, please, Jane.”</p>
<p>“It's that makes me feel so awful bad, Peter,” said Jane, shaking her
head. “You mean so well, and you promise so much, and you see things so
big, and yet you ain't got money to buy shoes nor clothes nor anything,
and for all I know you might be lying sick without a bite to eat, and me
having all I can do to hold body and soul together in a house like this.
Time and again I've made up my mind to go and leave it, and I would if it
wasn't for you. I feel my duty by you, and I stay, but work in a house
like this wears me to the bone. It does. To the bone!”</p>
<p>It may have worn some one to the bone but not Jane. She was one of those
huge, flabby women who are naturally lazy; who sit thinking of the work
they have to do but do not do it; and who linger long over their meals and
weep into them. To Peter her tears were worse than Mrs. Potter's sharp
tongue, for Mrs. Potter's reproaches were single of motive, while Jane's
tears were too apt to be a mask for reproaches more cutting than Mrs.
Potter's out and out hard words. Jane did not weep continually; she had
the knack of weeping when tears would serve her purpose.</p>
<p>From time to time, as the spirit moved her, Jane went to town and did
plain sewing. She had had a husband (but had one no more) and he had left
her a little money which she had kept in the bank, drawing four per cent,
regularly. It did not amount to much, only a couple of hundred dollars a
year, but this she used most sparingly, leaving the greater part of the
interest to accumulate. Perhaps she was sincere in her mourning for Peter,
but she certainly did not want him in the house. As a provider Peter had
never been a success—he was too liberal—and in his periods of
financial stringency he had been known to ask Jane for money. Not that he
ever got it, but it was a thing to be guarded against. Jane guarded
against it with tears. In fifteen minutes of tearful reproaches she could
make Peter feel that he was the most worthless and cruel of men. She had
so often reduced him to that state that he had come to fall into it
naturally whenever he saw Jane, and he was usually only too glad to escape
from her presence again and go back to the river life. Tears proclaim
injustice, and a man like Peter, seeing them, falls easily into the belief
that he must be in the wrong, and very badly in the wrong. In flying from
Jane he fled from the self-incrimination she planted in him. Now he sighed
and took a seat on one of the kitchen chairs.</p>
<p>“Jane,” he said, “this house is my house, aint it?”</p>
<p>“You know it is, Peter,” she said reproachfully. “No need to remind me of
that, nor that I ain't any better than a pauper. If I was, it would be far
from me to stay here trying to hold the old boards together for you. Many
and many a time I wish you had health to live in this house, so I could go
somewhere and live like a human being, and let you take care of this
cow-pen—for it ain't no better than that—yourself. It would be
a blessed thing for me, Peter, if you ever got your health. I could go
then.”</p>
<p>Peter moved uneasily, and frowned at the fresh tears.</p>
<p>“I wisht you wouldn't cry, Jane,” he said. “I want to talk sort of
business to you this morning.” He paused, appalled by the effect his
revelation would be apt to have on Jane. It must be made, however, and he
plunged into it. “I've got a boy. I've got a little feller about three
years old that come to me one night when his ma died, and he ain't got
anybody in the world but me, Jane, to take care of him. I've had him some
months, down at my boat, and he's the cutest, nicest little tyke you ever
set eyes on. Why, he's—he's no more trouble 'round a place than a
little kitten or a pup or something like that. You'd be just tickled to
death with him. My first notion,” he said more slowly, “my first idee was
to have him and me come here, so you could be a sort of ma to him, and I
could be a sort of pa, so we'd make a sort of family, like. What he's got
to have is a good home, first of all, and a shanty-boat ain't that. I see
that. But I can see how easy-going I am, and how I might be an expense to
you, for awhile anyway, so I thought, maybe, if you would take the boy in—now
wait a minute, Jane! Wait a minute! You're bound to hear me out.”</p>
<p>His sister had forgotten her sorrows in open-mouthed amazement as Peter
talked, but as the startling proposal became clear she dabbled at her
eyes, and sniffled. Peter knew what was coming—a new torrent of
tears, an avalanche of sorrow.</p>
<p>“For Heaven's sake shut up for a minute 'til I get through!” he cried in
exasperation. “You ain't done nothing but weep over me since I was knee
high. Give me a rest for one time. I don't need weeping over. I'm all
right. Ain't I just said I'll go away again?”</p>
<p>“You never understand me,” wept Jane.</p>
<p>“Yes, I do, too!” said Peter angrily. “I understand you good. All you want
is to weep me out of house and home, and I know it. I'm a sort of old bum,
and I know that, too, but I've been fair to you right along, and all I get
for it is to be wept over, and I'm sick of it. You ain't a sister, you 're
a—a fountain. You 're an everlasting fountain. You let me come up
and saw your wood, and you weep; and you let me make your garden, and you
weep, and if you do give me a meal while I'm working for you it's so wept
into that my mouth tastes of salt for a week. I've put up with it just as
long as I'm going to.”</p>
<p>“I'll go,” said Jane, sniveling. “I'll go. I never thought to get such
unkind words from my brother!”</p>
<p>“Brother nothing!” said Peter, thoroughly exasperated. “What did you ever
give me but shoves, wrapped up in sorrow and grief? What did you ever do
but jump on me, and tear me to pieces, and pull me apart to show me how
worthless I was, whilst you let on you was mourning over me? I guess I've
had it done to me long enough to see through it, Jane, so you may as well
shut off the bawling. You ain't no sister—you 're a miser!”</p>
<p>“Peter Lane!”</p>
<p>“That's what you are, a miser!” said Peter, rising from his chair. “You
're a weeping miser, and you might as well know it. That's why you don't
want me 'round, you 're afraid I might cost you a nickel sometime. For two
cents I'd <i>put</i> you out of the house. You'd bawl some if you had to
pay rent.”</p>
<p>Peter should have felt a sense of shame, but he did not. In some
inexplicable way a huge weight seemed lifted from his chest. He felt big,
and strong, and efficient. It was a wonderful thing he had discovered. He,
who had for so many years, cringed before his sister's cruelty was making
her wince. He, Peter Lane, was not feeling worthless and mean. He was
talking out as other men do. He was having a rage, and yet he was so
self-controlled that he knew he could stop at any moment. He was not the
tool of his anger, the anger was his instrument. His pale eyes blazed, but
he ended with a scornful laugh.</p>
<p>Jane did not flare up. She dropped her head on her table and cried again,
but with real self-pity this time.</p>
<p>“Now, it ain't worth while to cry,” said Peter coldly. “I've said all I've
got to say on that subject. All I've got now is a business proposition,
and you can take it or not. If you want to take Buddy in and feed him and
sleep him and treat him white, the way he deserves, I'll pay you for it
just as soon as I earn some money, and I'm going to get work right away.
If you won't do that you can take the house and have it, and I'm through
with you.”</p>
<p>He stood with his hat in his hand, waiting. It seemed to him that Jane was
waiting too long, that she was calculating the chances of getting her pay
if she took the boy, and Peter knew his past record did not suggest any
very strong probability of that.</p>
<p>“You'll get your money,” he said. “I'm going to look for a job as soon as
I go out from here. Don't you be afraid of that. You won't lose anything.”</p>
<p>Her reply came so suddenly that it startled</p>
<p>Peter. She jumped from her chair and stamped her foot angrily.</p>
<p>“Oh!” she cried, clinching her fists, while all her anger blazed in her
face. “Hain't you insulted me enough? Get out of my house! Don't you ever
come back!”</p>
<p>Peter put on his hat. He paused when his hand was on the door-knob, his
face deathly white.</p>
<p>“If you ever get sick, Jane,” he said, “you can leave word at George
Rapp's Livery stable. I'll come to you if you are sick,” and he went out,
closing the door softly.</p>
<p>Buddy was waiting where Peter had left him.</p>
<p>“I'm making a funny snake for you, Uncle Peter,” he said.</p>
<p>“Well, I should think you were!” said Peter, summoning all his
cheerfulness. “That's just the funniest old snake I ever did see, but you
better let Uncle Peter have your jack-knife now, Buddy. We'll get along.”</p>
<p>He gathered the boy, who obediently yielded the knife, into his arms.</p>
<p>“I'm going to see Aunt Jane, now,” said the boy contentedly.</p>
<p>“No, I guess we won't go see your Aunt Jane to-day, Buddy,” said Peter,
holding the boy close. “Put your head close up against Uncle Peter's
shoulder and he can carry you better. You ain't so heavy that way.”</p>
<p>Buddy put his head on Peter's shoulder and crooned one of Booge's verses
contentedly. They walked a long way in this manner, toward the town. From
time to time Peter shifted the boy from one shoulder to the other, and
once or twice he allowed him to walk, but not far. He wanted to feel Buddy
in his arms.</p>
<p>“I shouldn't wonder,” said Peter as they entered the outskirts of the
town, “if I had to go on a trip right soon. I can't seem to think of any
way out of it.”</p>
<p>“I like to go on trips with you, Uncle Peter,” said Buddy.</p>
<p>“Well, you see, Buddy-boy,” said Peter, “this here trip I can't take you
on, so I've got to leave you with a man—a man that looks a good deal
like that kazoozer man, but you mustn't be afraid of him, because all he
is going to do is to take you for a ride in a horse and buggy out to where
you'll stay. It may be some time before I see you again, but I want you
should remember me. I guess you will, won't you?”</p>
<p>“Yes, Uncle Peter.”</p>
<p>“That's right! You just remember Uncle Peter every day, but don't you
worry for him, and some day maybe I'll come and get you. I've got a lot of
work to do first that you wouldn't understand, such as building up a new
man from the ground to the top of his head, but I'll get it done some
time, and I'll come for you the first thing after I do. You want I should,
don't you?”</p>
<p>“Yes” said Buddy.</p>
<p>For the rest of the way to town Peter held the boy very close <i>in</i>
his arms, and did not think of his tired muscles at all. He was thinking
of his perfidy to the trusting child, for he was without money and without
it he could see nothing to do but deliver the boy to Briggles and the
Unknown.</p>
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