<SPAN name="CH8"><!-- CH8 --></SPAN>
<h2>CHAPTER VIII</h2>
<p>That was Friday afternoon. All that evening, and most of
Saturday and Sunday, Mr. Holcombe sat on the floor, with his eye to
the reflecting mirror and his note-book beside him. I have it
before me.</p>
<p>On the first page is the "dog meat—two dollars" entry. On
the next, the description of what occurred on Sunday night, March
fourth, and Monday morning, the fifth. Following that came a
sketch, made with a carbon sheet, of the torn paper found behind
the wash-stand:</p>
<br/>
<p style="text-align: center;"><ANTIMG style=
"width: 384px; height: 361px;" alt="Torn Paper" src=
"images/jb001.jpg"></p>
<p>And then came the entries for Friday, Saturday and Sunday.
Friday evening:</p>
<p>6:30—Eating hearty supper.</p>
<p>7:00—Lights cigarette and paces floor. Notice that when
Mrs. P. knocks, he goes to desk and pretends to be writing.</p>
<p>8:00—Is examining book. Looks like a railway guide.</p>
<p>8:30—It is a steamship guide.</p>
<p>8:45—Tailor's boy brings box. Gives boy fifty cents.
Query. Where does he get money, now that J.B. is gone?</p>
<p>9:00—Tries on new suit, brown.</p>
<p>9:30—Has been spending a quarter of an hour on his knees
looking behind furniture and examining base-board.</p>
<p>10:00—He has the key to the onyx clock. Has hidden it
twice, once up the chimney flue, once behind base-board.</p>
<p>10:15—He has just thrown key or similar small article
outside window into yard.</p>
<p>11:00—Has gone to bed. Light burning. Shall sleep here on
floor.</p>
<p>11:30—He can not sleep. Is up walking the floor and
smoking.</p>
<p>2:00 A.M.—Saturday. Disturbance below. He had had
nightmare and was calling "Jennie!" He got up, took a drink, and is
now reading.</p>
<p>8:00 A.M.—Must have slept. He is shaving.</p>
<p>12:00 M.—Nothing this morning. He wrote for four hours,
sometimes reading aloud what he had written.</p>
<p>2:00 P.M.—He has a visitor, a man. Can not hear
all—word now and then. "Llewellyn is the very man." "Devil of
a risk—" "We'll see you through." "Lost the slip—"
"Didn't go to the hotel. She went to a private house." "Eliza
Shaeffer."</p>
<p>Who went to a private house? Jennie Brice?</p>
<p>2:30—Can not hear. Are whispering. The visitor has given
Ladley roll of bills.</p>
<p>4:00—Followed the visitor, a tall man with a pointed
beard. He went to the Liberty Theater. Found it was Bronson,
business manager there. Who is Llewellyn, and who is Eliza
Shaeffer?</p>
<p><SPAN name="note-book"><!-- Note Anchor book --></SPAN>4:15—Had
Mrs. P. bring telephone book: six Llewellyns in the book; no Eliza
Shaeffer. Ladley appears more cheerful since Bronson's visit. He
has bought all the evening papers and is searching for something.
Has not found it.</p>
<p>7:00—Ate well. Have asked Mrs. P. to take my place here,
while I interview the six Llewellyns.</p>
<p>11:00—Mrs. P. reports a quiet evening. He read and smoked.
Has gone to bed. Light burning. Saw five Llewellyns. None of them
knew Bronson or Ladley. Sixth—a lawyer—out at revival
meeting. Went to the church and walked home with him. He knows
something. Acknowledged he knew Bronson. Had met Ladley. Did not
believe Mrs. Ladley dead. Regretted I had not been to the meeting.
Good sermon. Asked me for a dollar for missions.</p>
<p>9:00 A.M.—Sunday. Ladley in bad shape. Apparently been
drinking all night. Can not eat. Sent out early for papers, and has
searched them all. Found entry on second page, stared at it, then
flung the paper away. Have sent out for same paper.</p>
<p>10:00 A.M.—Paper says: "Body of woman washed ashore
yesterday at Sewickley. Much mutilated by flood débris."
Ladley in bed, staring at ceiling. Wonder if he sees tube? He is
ghastly.</p>
<p>That is the last entry in the note-book for that day. Mr.
Holcombe called me in great excitement shortly after ten and showed
me the item. Neither of us doubted for a moment that it was Jennie
Brice who had been found. He started for Sewickley that same
afternoon, and he probably communicated with the police before he
left. For once or twice I saw Mr. Graves, the detective, sauntering
past the house.</p>
<p>Mr. Ladley ate no dinner. He went out at four, and I had Mr.
Reynolds follow him. But they were both back in a half-hour. Mr.
Reynolds reported that Mr. Ladley had bought some headache tablets
and some bromide powders to make him sleep.</p>
<p>Mr. Holcombe came back that evening. He thought the body was
that of Jennie Brice, but the head was gone. He was much depressed,
and did not immediately go back to the periscope. I asked if the
head had been cut off or taken off by a steamer; he was afraid the
latter, as a hand was gone, too.</p>
<p>It was about eleven o'clock that night that the door-bell rang.
It was Mr. Graves, with a small man behind him. I knew the man; he
lived in a shanty-boat not far from my house—a curious affair
with shelves full of dishes and tinware. In the spring he would be
towed up the Monongahela a hundred miles or so and float down,
tying up at different landings and selling his wares. Timothy Senft
was his name. We called him Tim.</p>
<p>Mr. Graves motioned me to be quiet. Both of us knew that behind
the parlor door Ladley was probably listening.</p>
<p>"Sorry to get you up, Mrs. Pitman," said Mr. Graves, "but this
man says he has bought beer here to-day. That won't do, Mrs.
Pitman."</p>
<p>"Beer! I haven't such a thing in the house. Come in and look," I
snapped. And the two of them went back to the kitchen.</p>
<p>"Now," said Mr. Graves, when I had shut the door, "where's the
dog's-meat man?"</p>
<p>"Up-stairs."</p>
<p>"Bring him quietly."</p>
<p>I called Mr. Holcombe, and he came eagerly, note-book and all.
"Ah!" he said, when he saw Tim. "So you've turned up!"</p>
<p>"Yes, sir."</p>
<p>"It seems, Mr. Dog's—Mr. Holcombe," said Mr. Graves, "that
you are right, partly, anyhow. Tim here <i>did</i> help a man with
a boat that night—"</p>
<p>"Threw him a rope, sir," Tim broke in. "He'd got out in the
current, and what with the ice, and his not knowing much about a
boat, he'd have kept on to New Orleans if I hadn't caught
him—or Kingdom Come."</p>
<p>"Exactly. And what time did you say this was?"</p>
<p>"Between three and four last Sunday night—or Monday
morning. He said he couldn't sleep and went out in a boat, meaning
to keep in close to shore. But he got drawn out in the
current."</p>
<p>"Where did you see him first?"</p>
<p>"By the Ninth Street bridge."</p>
<p>"Did you hail him?"</p>
<p>"He saw my light and hailed me. I was making fast to a coal
barge after one of my ropes had busted."</p>
<p>"You threw the line to him there?"</p>
<p>"No, sir. He tried to work in to shore. I ran along River Avenue
to below the Sixth Street bridge. He got pretty close in there and
I threw him a rope. He was about done up."</p>
<p>"Would you know him again?"</p>
<p>"Yes, sir. He gave me five dollars, and said to say nothing
about it. He didn't want anybody to know he had been such a
fool."</p>
<p>They took him quietly up stairs then and let him look through
the periscope. <i>He identified Mr. Ladley absolutely</i>.</p>
<p>When Tim and Mr. Graves had gone, Mr. Holcombe and I were left
alone in the kitchen. Mr. Holcombe leaned over and patted Peter as
he lay in his basket.</p>
<p>"We've got him, old boy," he said. "The chain is just about
complete. He'll never kick you again."</p>
<p>But Mr. Holcombe was wrong, not about kicking
Peter,—although I don't believe Mr. Ladley ever did that
again,—but in thinking we had him.</p>
<p>I washed that next morning, Monday, but all the time I was
rubbing and starching and hanging out, my mind was with Jennie
Brice. The sight of Molly Maguire, next door, at the window,
rubbing and brushing at the fur coat, only made things worse.</p>
<p>At noon when the Maguire youngsters came home from school, I
bribed Tommy, the youngest, into the kitchen, with the promise of a
doughnut.</p>
<p>"I see your mother has a new fur coat," I said, with the plate
of doughnuts just beyond his reach.</p>
<p>"Yes'm."</p>
<p>"She didn't buy it?"</p>
<p>"She didn't buy it. Say, Mrs. Pitman, gimme that doughnut."</p>
<p>"Oh, so the coat washed in!"</p>
<p>"No'm. Pap found it, down by the Point, on a cake of ice. He
thought it was a dog, and rowed out for it."</p>
<p>Well, I hadn't wanted the coat, as far as that goes; I'd managed
well enough without furs for twenty years or more. But it was a
satisfaction to know that it had not floated into Mrs. Maguire's
kitchen and spread itself at her feet, as one may say. However,
that was not the question, after all. The real issue was that if it
was Jennie Brice's coat, and was found across the river on a cake
of ice, then one of two things was certain: either Jennie Brice's
body wrapped in the coat had been thrown into the water, out in the
current, or she herself, hoping to incriminate her husband, had
flung her coat into the river.</p>
<p>I told Mr. Holcombe, and he interviewed Joe Maguire that
afternoon. The upshot of it was that Tommy had been correctly
informed. Joe had witnesses who had lined up to see him rescue a
dog, and had beheld his return in triumph with a wet and soggy fur
coat. At three o'clock Mrs. Maguire, instructed by Mr. Graves,
brought the coat to me for identification, turning it about for my
inspection, but refusing to take her hands off it.</p>
<p>"If her husband says to me that he wants it back, well and
good," she said, "but I don't give it up to nobody but him. Some
folks I know of would be glad enough to have it."</p>
<p>I was certain it was Jennie Brice's coat, but the maker's name
had been ripped out. With Molly holding one arm and I the other, we
took it to Mr. Ladley's door and knocked. He opened it,
grumbling.</p>
<p>"I have asked you not to interrupt me," he said, with his pen in
his hand. His eyes fell on the coat. "What's that?" he asked,
changing color.</p>
<p>"I think it's Mrs. Ladley's fur coat," I said.</p>
<p>He stood there looking at it and thinking. Then: "It can't be
hers," he said. "She wore hers when she went away."</p>
<p>"Perhaps she dropped it in the water."</p>
<p>He looked at me and smiled. "And why would she do that?" he
asked mockingly. "Was it out of fashion?"</p>
<p>"That's Mrs. Ladley's coat," I persisted, but Molly Maguire
jerked it from me and started away. He stood there looking at me
and smiling in his nasty way.</p>
<p>"This excitement is telling on you, Mrs. Pitman," he said
coolly. "You're too emotional for detective work." Then he went in
and shut the door.</p>
<p>When I went down-stairs, Molly Maguire was waiting in the
kitchen, and had the audacity to ask me if I thought the coat
needed a new lining!</p>
<p>It was on Monday evening that the strangest event in years
happened to me. I went to my sister's house! And the fact that I
was admitted at a side entrance made it even stranger. It happened
in this way:</p>
<p>Supper was over, and I was cleaning up, when an automobile came
to the door. It was Alma's car. The chauffeur gave me a note:</p>
<p>"DEAR MRS PITMAN—I am not at all well, and very anxious. Will<br/>
you come to see me at once? My mother is out to dinner, and I am<br/>
alone. The car will bring you. Cordially,<br/>
"LIDA HARVEY."<br/></p>
<p>I put on my best dress at once and got into the limousine. Half
the neighborhood was out watching. I leaned back in the upholstered
seat, fairly quivering with excitement. This was Alma's car; that
was Alma's card-case; the little clock had her monogram on it. Even
the flowers in the flower holder, yellow tulips, reminded me of
Alma—a trifle showy, but good to look at! And I was going to
her house!</p>
<p>I was not taken to the main entrance, but to a side door. The
queer dream-like feeling was still there. In this back hall,
relegated from the more conspicuous part of the house, there were
even pieces of furniture from the old home, and my father's
picture, in an oval gilt frame, hung over my head. I had not seen a
picture of him for twenty years. I went over and touched it
gently.</p>
<p>"Father, father!" I said.</p>
<p>Under it was the tall hall chair that I had climbed over as a
child, and had stood on many times, to see myself in the mirror
above. The chair was newly finished and looked the better for its
age. I glanced in the old glass. The chair had stood time better
than I. I was a middle-aged woman, lined with poverty and care,
shabby, prematurely gray, a little hard. I had thought my father an
old man when that picture was taken, and now I was even older.
"Father!" I whispered again, and fell to crying in the dimly
lighted hall.</p>
<p>Lida sent for me at once. I had only time to dry my eyes and
straighten my hat. Had I met Alma on the stairs, I would have
passed her without a word. She would not have known me. But I saw
no one.</p>
<p>Lida was in bed. She was lying there with a rose-shaded lamp
beside her, and a great bowl of spring flowers on a little stand at
her elbow. She sat up when I went in, and had a maid place a chair
for me beside the bed. She looked very childish, with her hair in a
braid on the pillow, and her slim young arms and throat bare.</p>
<p>"I'm so glad you came!" she said, and would not be satisfied
until the light was just right for my eyes, and my coat unfastened
and thrown open.</p>
<p>"I'm not really ill," she informed me. "I'm—I'm just tired
and nervous, and—and unhappy, Mrs. Pitman."</p>
<p>"I am sorry," I said. I wanted to lean over and pat her hand, to
draw the covers around her and mother her a little,—I had had
no one to mother for so long,—but I could not. She would have
thought it queer and presumptuous—or no, not that. She was
too sweet to have thought that.</p>
<p>"Mrs. Pitman," she said suddenly, "<i>who was</i> this Jennie
Brice?"</p>
<p>"She was an actress. She and her husband lived at my house."</p>
<p>"Was she—was she beautiful?"</p>
<p>"Well," I said slowly, "I never thought of that. She was
handsome, in a large way."</p>
<p>"Was she young?"</p>
<p>"Yes. Twenty-eight or so."</p>
<p>"That isn't very young," she said, looking relieved. "But I
don't think men like very young women. Do you?"</p>
<p>"I know one who does," I said, smiling. But she sat up in bed
suddenly and looked at me with her clear childish eyes.</p>
<br/>
<SPAN name="image-1"><!-- Image 1 --></SPAN>
<p style="text-align: center;"><ANTIMG style=
"width: 552px; height: 776px;" alt="She sat up in bed suddenly."
src="images/jb002.jpg"></p>
<p>"I don't want him to like me!" she flashed. "I—I want him
to hate me."</p>
<p>"Tut, tut! You want nothing of the sort."</p>
<p>"Mrs. Pitman," she said, "I sent for you because I'm nearly
crazy. Mr. Howell was a friend of that woman. He has acted like a
maniac since she disappeared. He doesn't come to see me, he has
given up his work on the paper, and I saw him to-day on the
street—he looks like a ghost."</p>
<p>That put me to thinking.</p>
<p>"He might have been a friend," I admitted. "Although, as far as
I know, he was never at the house but once, and then he saw both of
them."</p>
<p>"When was that?"</p>
<p>"Sunday morning, the day before she disappeared. They were
arguing something."</p>
<p>She was looking at me attentively. "You know more than you are
telling me, Mrs. Pitman," she said. "You—do you think Jennie
Brice is dead, and that Mr. Howell knows—who did it?"</p>
<p>"I think she is dead, and I think possibly Mr. Howell suspects
who did it. He does not <i>know</i>, or he would have told the
police."</p>
<p>"You do not think he was—was in love with Jennie Brice, do
you?"</p>
<p>"I'm certain of that," I said. "He is very much in love with a
foolish girl, who ought to have more faith in him than she
has."</p>
<p>She colored a little, and smiled at that, but the next moment
she was sitting forward, tense and questioning again.</p>
<p>"If that is true, Mrs. Pitman," she said, "who was the veiled
woman he met that Monday morning at daylight, and took across the
bridge to Pittsburgh? I believe it was Jennie Brice. If it was not,
who was it?"</p>
<p>"I don't believe he took any woman across the bridge at that
hour. Who says he did?"</p>
<p>"Uncle Jim saw him. He had been playing cards all night at one
of the clubs, and was walking home. He says he met Mr. Howell face
to face, and spoke to him. The woman was tall and veiled. Uncle Jim
sent for him, a day or two later, and he refused to explain. Then
they forbade him the house. Mama objected to him, anyhow, and he
only came on sufferance. He is a college man of good family, but
without any money at all save what he earns.. And now—"</p>
<p>I had had some young newspaper men with me, and I knew what they
got. They were nice boys, but they made fifteen dollars a week. I'm
afraid I smiled a little as I looked around the room, with its gray
grass-cloth walls, its toilet-table spread with ivory and gold, and
the maid in attendance in her black dress and white apron, collar
and cuffs. Even the little nightgown Lida was wearing would have
taken a week's salary or more. She saw my smile.</p>
<p>"It was to be his chance," she said. "If he made good, he was to
have something better. My Uncle Jim owns the paper, and he promised
me to help him. But—"</p>
<p>So Jim was running a newspaper! That was a curious career for
Jim to choose. Jim, who was twice expelled from school, and who
could never write a letter without a dictionary beside him! I had a
pang when I heard his name again, after all the years. For I had
written to Jim from Oklahoma, after Mr. Pitman died, asking for
money to bury him, and had never even had a reply.</p>
<p>"And you haven't seen him since?"</p>
<p>"Once. I—didn't hear from him, and I called him up.
We—we met in the park. He said everything was all right, but
he couldn't tell me just then. The next day he resigned from the
paper and went away. Mrs. Pitman, it's driving me crazy! For they
have found a body, and they think it is hers. If it is, and he was
with her—"</p>
<p>"Don't be a foolish girl," I protested. "If he was with Jennie
Brice, she is still living, and if he was <i>not</i> with Jennie
Brice—"</p>
<p>"If it was <i>not</i> Jennie Brice, then I have a right to know
who it was," she declared. "He was not like himself when I met him.
He said such queer things: he talked about an onyx clock, and said
he had been made a fool of, and that no matter what came out, I was
always to remember that he had done what he did for the best, and
that—that he cared for me more than for anything in this
world or the next."</p>
<p>"That wasn't so foolish!" I couldn't help it; I leaned over and
drew her nightgown up over her bare white shoulder. "You won't help
anything or anybody by taking cold, my dear," I said. "Call your
maid and have her put a dressing-gown around you."</p>
<p>I left soon after. There was little I could do. But I comforted
her as best I could, and said good night. My heart was heavy as I
went down the stairs. For, twist things as I might, it was clear
that in some way the Howell boy was mixed up in the Brice case.
Poor little troubled Lida! Poor distracted boy!</p>
<p>I had a curious experience down-stairs. I had reached the foot
of the staircase and was turning to go back and along the hall to
the side entrance, when I came face to face with Isaac, the old
colored man who had driven the family carriage when I was a child,
and whom I had seen, at intervals since I came back, pottering
around Alma's house. The old man was bent and feeble; he came
slowly down the hall, with a bunch of keys in his hand. I had seen
him do the same thing many times.</p>
<p>He stopped when he saw me, and I shrank back from the light, but
he had seen me. "Miss Bess!" he said. "Foh Gawd's sake, Miss
Bess!"</p>
<p>"You are making a mistake, my friend," I said, quivering. "I am
not 'Miss Bess'!"</p>
<p>He came close to me and stared into my face. And from that he
looked at my cloth gloves, at my coat, and he shook his white head.
"I sure thought you was Miss Bess," he said, and made no further
effort to detain me. He led the way back to the door where the
machine waited, his head shaking with the palsy of age, muttering
as he went. He opened the door with his best manner, and stood
aside.</p>
<p>"Good night, ma'am," he quavered.</p>
<p>I had tears in my eyes. I tried to keep them back. "Good night,"
I said. "Good night, <i>Ikkie</i>."</p>
<p>It had slipped out, my baby name for old Isaac!</p>
<p>"Miss Bess!" he cried. "Oh, praise Gawd, it's Miss Bess
again!"</p>
<p>He caught my arm and pulled me back into the hall, and there he
held me, crying over me, muttering praises for my return, begging
me to come back, recalling little tender things out of the past
that almost killed me to hear again.</p>
<p>But I had made my bed and must lie in it. I forced him to swear
silence about my visit; I made him promise not to reveal my
identity to Lida; and I told him—Heaven forgive
me!—that I was well and prosperous and happy.</p>
<p>Dear old Isaac! I would not let him come to see me, but the next
day there came a basket, with six bottles of wine, and an old
daguerreotype of my mother, that had been his treasure. Nor was
that basket the last.</p>
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