<p><SPAN name="chap02"></SPAN></p>
<h3> CHAPTER II <br/> FROM THE WILHELMSTRASSE </h3>
<p>"It would be wiser to talk in German," the
woman said. "In these times French or
English speech in Berlin——" she finished, with
a lifting of her shapely bare shoulders,
sufficiently eloquent. The waiter speeded his task
of refilling the man's glass and discreetly
withdrew.</p>
<p>"Oh, I'll talk in German quick enough," the
man assented, draining his thin half bubble of
glass down to the last fizzing residue in the
stem. "Only just show me you've got the right
to hear, and the good fat bank-notes to pay;
that's all." He propped his sharp chin on a
hand that shook slightly, and pushed his lean
flushed face nearer hers. An owlish caution
fought the wine fancies in his shifting lynx
eyes under reddened lids; also there was
admiration for the milk-white skin and ripe lips
of the woman by his side. For an instant—half
the time of a breath—a flash of loathing
made the woman's eyes tigerish; but at once
they changed again to mild bantering.</p>
<p>"So? Friend Billy Capper, of Brussels, has
a touch of the spy fever himself, and distrusts
an old pal?" She laughed softly, and one slim
hand toyed with a heavy gold locket on her
bosom. "Friend Billy Capper forgets old
times and old faces—forgets even the matter
of the Lord Fisher letters——"</p>
<p>"Chop it, Louisa!" The man called Capper
lapsed into brusk English as he banged the
stem of his wineglass on the damask. "No
sense in raking that up again—just because I
ask you a fair question—ask you to identify
yourself in your new job."</p>
<p>"We go no further, Billy Capper," she
returned, speaking swiftly in German; "not
another word between us unless you obey my
rule, and talk this language. Why did you get
that message through to me to meet you here
in the Café Riche to-night if you did not trust
me? Why did you have me carry your offer
to—to headquarters and come here ready to talk
business if it was only to hum and haw about
my identifying myself?"</p>
<p>The tenseness of exaggerated concentration
on Capper's gaunt face began slowly to
dissolve. First the thin line of shaven lips
flickered and became weak at down-drawn corners;
then the frown faded from about the eyes, and
the beginnings of tears gathered there.
Shrewdness and the stamp of cunning sped
entirely, and naught but weakness remained.</p>
<p>"Louisa—Louisa, old pal; don't be hard on
poor Billy Capper," he mumbled. "I'm down,
girl—away down again. Since they kicked me
out at Brussels I haven't had a shilling to bless
myself with. Can't go back to England—you
know that; the French won't have me, and here
I am, my dinner clothes my only stock in trade
left, and you even having to buy the wine." A
tear of self-pity slipped down the hard drain
of his cheek and splashed on his hand. "But
I'll show 'em, Louisa! They can't kick me out
of the Brussels shop like a dog and not pay for
it! I know too much, I do!"</p>
<p>"And what you know about the Brussels
shop you want to sell to the—Wilhelmstrasse?"
the woman asked tensely.</p>
<p>"Yes, if the Wilhelmstrasse is willing to pay
well for it," Capper answered, his lost cunning
returning in a bound.</p>
<p>"I am authorized to judge how much your
information is worth," his companion declared,
leveling a cold glance into Capper's eyes.
"You can tell me what you know, and depend
on me to pay well, or—we part at once."</p>
<p>"But, Louisa"—again the whine—"how do I
know you're what you say? You've flown high
since you and I worked together in the Brussels
shop. The Wilhelmstrasse—most perfect spy
machine in the world! How I'd like to be in
your shoes, Louisa!"</p>
<p>She detached the heavy gold locket from the
chain on her bosom, with a quick twist of slim
fingers had one side of the case open, then laid
the locket before him, pointing to a place on
the bevel of the case. Capper swept up the
trinket, looked searchingly for an instant at
the spot the woman had designated, and
returned the locket to her hand.</p>
<p>"Your number in the Wilhelmstrasse," he
whispered in awe. "Genuine, no doubt. Saw
the same sort of mark once before in Rome.
All right. Now, listen, Louisa. What I'm
going to tell you about where Brussells stands
in this—this business that's brewing will make
the German general staff sit up." The woman
inclined her head toward Capper's. He,
looking not at her but out over the rich plain of
brocades, broadcloths and gleaming shoulders,
began in a monotone:</p>
<p>"When the war comes—the day the war
starts, French artillerymen will be behind the
guns at Namur. The English——"</p>
<p>The Hungarian orchestra of forty strings
swept into a wild gipsy chant. Dissonances,
fierce and barbaric, swept like angry tides over
the brilliant floor, of the café. Still Capper
talked on, and the woman called Louisa bent
her jewel-starred head to listen. Her face, the
face of a fine animal, was set in rapt attention.</p>
<p>"You mark my words," he finished, "when
the German army enters Brussels proof of
what I'm telling you will be there. Yes, in a
pigeonhole of the foreign-office safe those joint
plans between England and Belgium for resisting
invasion from the eastern frontier. If the
Germans strike as swiftly as I think they will
the foreign-office Johnnies will be so flustered
in moving out they'll forget these papers I'm
telling you about. Then your Wilhelmstrasse
will know they've paid for the truth when they
paid Billy Capper."</p>
<p>Capper eagerly reached for his glass, and,
finding it empty, signaled the waiter.</p>
<p>"I'll buy this one, Louisa," he said
grandiloquently. "Can't have a lady buying me wine
all night." He gave the order. "You're going
to slip me some bank-notes to-night—right
now, aren't you, Louisa, old pal?" Capper
anxiously honed his cheeks with a hand that
trembled. The woman's eyes were narrowed
in thought.</p>
<p>"If I give you anything to-night, Billy
Capper, you'll get drunker than you are now, and
how do I know you won't run to the first
English secret-service man you meet and blab?"</p>
<p>"Louisa! Louisa! Don't say that!" Great
fear and great yearning sat in Capper's filmed
eyes. "You know I'm honest, Louisa! You
wouldn't milk me this way—take all the info
I've got and then throw me over like a dog!" Cold
scorn was in her glance.</p>
<p>"Maybe I might manage to get you a position—with
the Wilhelmstrasse." She named the
great secret-service office under her breath.
"You can't go back to England, to be sure; but
you might be useful in the Balkans, where
you're not known, or even in Egypt. You have
your good points, Capper; you're a sly little
weasel—when you're sober. Perhaps——"</p>
<p>"Yes, yes; get me a job with the Wilhelmstrasse,
Louisa!" Capper was babbling in an
agony of eagerness. "You know my work.
You can vouch for me, and you needn't mention
that business of the Lord Fisher letters;
you were tarred pretty much with the same
brush there, Louisa. But, come, be a good
sport; pay me at least half of what you think
my info's worth, and I'll take the rest out in
salary checks, if you get me that job. I'm
broke, Louisa!" His voice cracked in a sob.
"Absolutely stony broke!"</p>
<p>She sat toying with the stem of her wineglass
while Capper's clasped hands on the table
opened and shut themselves without his
volition. Finally she made a swift move of one
hand to her bodice, withdrew it with a bundle
of notes crinkling between the fingers.</p>
<p>"Three hundred marks now, Billy Capper,"
she said. The man echoed the words lovingly.
"Three hundred now, and my promise to try
to get a number for you with—my people.
That's fair?"</p>
<p>"Fair as can be, Louisa." He stretched out
clawlike fingers to receive the thin sheaf of
notes she counted from her roll. "Here comes
the wine—the wine I'm buying. We'll drink
to my success at landing a job with—your
people."</p>
<p>"For me no more to-night," the woman
answered. "My cape, please." She rose.</p>
<p>"But, I say!" Capper protested. "Just one
more bottle—the bottle I'm buying. See, here
it is all proper and cooled. Marks the end of
my bad luck, so it does. You won't refuse to
drink with me to my good luck that's coming?"</p>
<p>"Your good luck is likely to stop short with
that bottle, Billy Capper," she said, her lips
parting in a smile half scornful. "You know
how wine has played you before. Better stop
now while luck's with you."</p>
<p>"Hanged if I do!" he answered stubbornly.
"After these months of hand to mouth and
begging for a nasty pint of ale in a common
pub—leave good wine when it's right under my
nose? Not me!" Still protesting against her
refusal to drink with him the wine he would
pay for himself—the man made that a point of
injured honor—Capper grudgingly helped
place the cape of web lace over his companion's
white shoulders, and accompanied her to her
taxi.</p>
<p>"If you're here this time to-morrow night—and
sober," were her farewell words, "I may
bring you your number in the—you
understand; that and your commission to duty."</p>
<p>"God bless you, Louisa, girl!" Capper
stammered thickly. "I'll not fail you."</p>
<p>He watched the taxi trundle down the brilliant
mirror of Unter den Linden, a sardonic
smile twisting his lips. Then he turned back
to the world of light and perfume and wine—the
world from which he had been barred these
many months and for which the starved body
of him had cried out in agony. His glass stood
brimming; money crinkled in his pocket; there
were eyes for him and fair white shoulders.
Billy Capper, discredited spy, had come to his
own once more.</p>
<p><br/></p>
<p>The orchestra was booming a rag-time, and
the chorus on the stage of the Winter Garden
came plunging to the footlights, all in line,
their black legs kicking out from the skirts
like thrusting spindles in some marvelous
engine of stagecraft. They screeched the
final line of a Germanized coon song, the
cymbals clanged "Zam-m-m!" and folk about
the clustered tables pattered applause.
Captain Woodhouse, at a table by himself, pulled
a wafer of a watch from his waistcoat pocket,
glanced at its face and looked back at the
rococo entrance arches, through which the
late-comers were streaming.</p>
<p>"Henry Sherman, do you think Kitty ought
to see this sort of thing? It's positively
indecent!"</p>
<p>The high-pitched nasal complaint came from
a table a little to the right of the one where
Woodhouse was sitting.</p>
<p>"There, there, mother! Now, don't go taking
all the joy outa life just because you're seeing
something that would make the minister back
in Kewanee roll his eyes in horror. This is
Germany, mother!"</p>
<p>Out of the tail of his eye, Woodhouse could
see the family group wherein Mrs. Grundy had
sat down to make a fourth. A blocky little
man with a red face and a pinky-bald head,
whose clothes looked as if they had been
whipsawed out of the bolt; a comfortably stout
matron wearing a bonnet which even to the
untutored masculine eye betrayed its
provincialism; a slim slip of a girl of about
nineteen with a face like a choir boy's—these were
the American tourists whose voices had
attracted Woodhouse's attention. He played an
amused eavesdropper, all the more interested
because they were Americans, and since a
certain day on the Calais-Paris express, a week
or so gone, he'd had reason to be interested in
all Americans.</p>
<p>"I'm surprised at you, Henry, defending
such an exhibition as this," the matron's high
complaint went on, "when you were mighty
shocked at the bare feet of those innocent
Greek dancers the Ladies' Aid brought to give
an exhibition on Mrs. Peck's lawn."</p>
<p>"Well, mother, that was different," the
genial little chap answered. "Kewanee's a good
little town, and should stay proper. Berlin,
from what I can see, is a pretty bad big
town—and don't care." He pulled a heavy watch
from his waistcoat pocket and consulted it.
"Land's sakes, mother; seven o'clock back
home, and the bell's just ringing for
Wednesday-night prayer meeting! Maybe since it's
prayer-meeting night we might be passing our
time better than by looking at this—ah—exhibition."</p>
<p>There was a scraping of chairs, then:</p>
<p>"Henry, I tell you he does look like Albert
Downs—the living image!" This from the
woman, sotto voce.</p>
<p>"Sh! mother! What would Albert Downs
be doing in Berlin?" The daughter was reproving.</p>
<p>"Well, Kitty, they say curiosity once killed
a cat; but I'm going to have a better look. I'd
swear——"</p>
<p>Woodhouse was slightly startled when he saw
the woman from America utilize the clumsy
subterfuge of a dropped handkerchief to step
into a position whence she could look at his
face squarely. Also he was annoyed. He did
not care to be stared at under any circumstances,
particularly at this time. The alert
and curious lady saw his flush of annoyance,
flushed herself, and joined her husband and
daughter.</p>
<p>"Well, if I didn't know Albert Downs had a
livery business which he couldn't well leave,"
floated back the hoarse whisper, "I'd say that
was him setting right there in that chair."</p>
<p>"Come, mother, bedtime and after—in
Berlin," was the old gentleman's admonition.
Woodhouse heard their retreating footsteps,
and laughed in spite of his temporary chagrin
at the American woman's curiosity. He was
just reaching for his watch a second time when
a quick step sounded on the gravel behind him.
He turned. A woman of ripe beauty had her
hand outstretched in welcome. She was the
one Billy Capper had called Louisa. Captain
Woodhouse rose and grasped her hand warmly.</p>
<p>"Ah! So good of you! I've been expecting——"</p>
<p>"Yes, I'm late. I could not come
earlier." Salutation and answer were in German,
fluently spoken on the part of each.</p>
<p>"You will not be followed?" Woodhouse
asked, assisting her to sit. She laughed
shortly.</p>
<p>"Hardly, when a bottle of champagne is my
rival. The man will be well entertained—too
well."</p>
<p>"I have been thinking," Woodhouse continued
gravely, "that a place hardly as public
as this would have been better for our
meeting. Perhaps——"</p>
<p>"You fear the English agents? Pah! They
have ears for keyholes only; they do not expect
to use them in a place where there is light and
plenty of people. You know their clumsiness." Woodhouse
nodded. His eyes traveled slowly
over the bold beauty of the woman's face.</p>
<p>"The man Capper will do for the stalking
horse—a willing nag," went on the woman
in a half whisper across the table. "You know
the ways of the Wilhelmstrasse. Capper is
what we call 'the target.' The English suspect
him. They will catch him; you get his number
and do the work in safety. We have one man
to draw their fire, another to accomplish the
deed. We'll let the English bag him at Malta—a
word placed in the right direction will fix
that—and you'll go on to Alexandria to do the
real work."</p>
<p>"Good, good!" Woodhouse agreed.</p>
<p>"The Wilhelmstrasse will give him a number,
and send him on this mission on my recommendation;
I had that assurance before ever I
met the fellow to-night. They—the big
people—know little Capper's reputation, and, as a
matter of fact, I think they are convinced he's
a little less dangerous working for the
Wilhelmstrasse than against it. At Malta the
arrest—the firing squad at dawn—and the English
are convinced they've nipped something big in
the bud, whereas they've only put out of the
way a dangerous little weasel who's ready to
bite any hand that feeds him."</p>
<p>Woodhouse's level glance never left the eyes
of the woman called Louisa; it was alert,
appraising.</p>
<p>"But if there should be some slip-up at
Malta," he interjected. "If somehow this
Capper should get through to Alexandria, wouldn't
that make it somewhat embarrassing for me?"</p>
<p>"Not at all, my dear Woodhouse," she caught
him up, with a little pat on his hand. "His
instructions will be only to report to So-and-so
at Alexandria; he will not have the slightest
notion what work he is to do there. You can
slip in unsuspected by the English, and the
trick will be turned."</p>
<p>For a minute Woodhouse sat watching the
cavortings of a dancer on the stage. Finally
he put a question judiciously:</p>
<p>"The whole scheme, then, is——"</p>
<p>"This," she answered quickly. "Captain
Woodhouse—the real Woodhouse, you know—is
to be transferred from his present post at
Wady Halfa, on the Nile, to Gibraltar—transfer
is to be announced in the regular way
within a week. As a member of the signal
service he will have access to the signal tower
on the Rock when he takes his new post, and
that, as you know, will be very important."</p>
<p>"Very important!" Woodhouse echoed dryly.</p>
<p>"This Woodhouse arrives in Alexandria to
await the steamer from Suez to Gib. He has
no friends there—that much we know. Three
men of the Wilhelmstrasse are waiting there,
whose business it is to see that the real
Woodhouse does not take the boat for Gib. They
expect a man from Berlin to come to them,
bearing a number from the Wilhelmstrasse—the
man who is to impersonate Woodhouse and
as such take his place in the garrison on the
Rock. There are two others of the Wilhelmstrasse
at Gibraltar already; they, too, are
eagerly awaiting the arrival of 'Woodhouse'
from Alexandria. Capper, with a number, will
start from Berlin for Alexandria. Capper will
never arrive in Alexandria. You will."</p>
<p>"With a number—the number expected?" the
man asked.</p>
<p>"If you are clever en route—yes," she
answered, with a smile. "Wine, remember, is
Billy Capper's best friend—and worst enemy."</p>
<p>"Then I will hear from you as to the time
and route of departure for Alexandria?"</p>
<p>"To the very hour, yes. And, now, dear
friend——"</p>
<p>Interruption came suddenly from the stage.
The manager, in shirt-sleeves and with hair
wildly rumpled over his eyes, came prancing
out from the wings. He held up a pudgy hand
to check the orchestra. Hundreds about the
tables rose in a gust of excitement, of
questioning wonder.</p>
<p>"<i>Herren!</i>" The stage manager's bellow
carried to the farthest arches of the Winter
Garden. "News just published by the general
staff: Russia has mobilized five divisions on
the frontier of East Prussia and Galicia!"</p>
<p>Not a sound save the sharp catching of
breath over all the acre of tables. Then the
stage manager nodded to the orchestra leader,
and in a fury the brass mouths began to bray.
Men climbed on table tops, women stood on
chairs, and all—all sang in tremendous chorus:</p>
<p>"<i>Deutschland, Deutschland üeber alles!</i>"</p>
<p><br/><br/><br/></p>
<div style="break-after:column;"></div><br />