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<p> </p>
<p> </p>
<h3>CHAPTER XXII</h3>
<h2><i>SOMEBODY IN THE ROOM WITH THE COFFIN</i></h2>
<p> </p>
<p>When we returned, a 'young' gentleman had arrived. We saw
him in the parlour as we passed the window. It was simply a
glance, but such a one as suffices to make a photograph, which
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we can study afterwards, at our leisure. I remember him at this
moment—a man of six-and-thirty—dressed in a grey travelling
suit, not over-well made; light-haired, fat-faced, and clumsy;
and he looked both dull and cunning, and not at all like a
gentleman.</p>
<p>Branston met us, announced the arrival, and handed me the
stranger's credentials. My cousin and I stopped in the passage to
read them.</p>
<p>'<i>That's</i> your uncle Silas's,' said Lady Knollys, touching one
of the two letters with the tip of her finger.</p>
<p>'Shall we have lunch, Miss?'</p>
<p>'Certainly.' So Branston departed.</p>
<p>'Read it with me, Cousin Monica,' I said. And a very curious
letter it was. It spoke as follows:—</p>
<p> </p>
<p>'How can I thank my beloved niece for remembering her
aged and forlorn kinsman at such a moment of anguish?'</p>
<p>I had written a note of a few, I dare say, incoherent words
by the next post after my dear father's death.</p>
<p>'It is, however, in the hour of bereavement that we most
value the ties that are broken, and yearn for the sympathy of
kindred.'</p>
<p>Here came a little distich of French verse, of which I could
only read <i>ciel</i> and <i>l'amour</i>.</p>
<p>'Our quiet household here is clouded with a new sorrow. How
inscrutable are the ways of Providence! I—though a few years
younger—how much the more infirm—how shattered in energy
and in mind—how mere a burden—how entirely <i>de trop</i>—am
spared to my sad place in a world where I can be no longer useful,
where I have but one business—prayer, but one hope—the
tomb; and he—apparently so robust—the centre of so much
good—so necessary to you—so necessary, alas! to me—is taken!
He is gone to his rest—for us, what remains but to bow our
heads, and murmur, "His will be done"? I trace these lines
with a trembling hand, while tears dim my old eyes. I did not
think that any earthly event could have moved me so profoundly.
From the world I have long stood aloof. I once led a
life of pleasure—alas! of wickedness—as I now do one of austerity;
but as I never was rich, so my worst enemy will allow I
never was avaricious. My sins, I thank my Maker, have been of
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a more reducible kind, and have succumbed to the discipline
which Heaven has provided. To earth and its interests, as well
as to its pleasures, I have long been dead. For the few remaining
years of my life I ask but quiet—an exemption from the agitations
and distractions of struggle and care, and I trust to the
Giver of all Good for my deliverance—well knowing, at the
same time, that whatever befalls will, under His direction,
prove best. Happy shall I be, my dearest niece, if in your most
interesting and, in some respects, forlorn situation, I can be of
any use to you. My present religious adviser—of whom I ventured
to ask counsel on your behalf—states that I ought to send
some one to represent me at the melancholy ceremony of reading
the will which my beloved and now happy brother has, no doubt,
left behind; and the idea that the experience and professional
knowledge possessed by the gentleman whom I have selected
may possibly be of use to you, my dearest niece, determines me
to place him at your disposal. He is the junior partner in the
firm of Archer and Sleigh, who conduct any little business which
I may have from time to time; may I entreat your hospitality
for him during a brief stay at Knowl? I write, even for a moment,
upon these small matters of business with an effort—a
painful one, but necessary. Alas! my brother! The cup of bitterness
is now full. Few and evil must the remainder of my old
days be. Yet, while they last, I remain always for my beloved
niece, that which all her wealth and splendour cannot purchase—a
loving and faithful kinsman and friend,</p>
<p class="signature">S<small>ILAS</small> R<small>UTHYN</small>.'</p>
<p> </p>
<p>'Is not it a kind letter?' I said, while tears stood in my eyes.</p>
<p>'Yes,' answered Lady Knollys, drily.</p>
<p>'But don't you think it so, really?'</p>
<p>'Oh! kind, very kind,' she answered in the same tone, 'and
perhaps a little cunning.'</p>
<p>'Cunning!—how?'</p>
<p>'Well, you know I'm a peevish old Tabby, and of course I
scratch now and then, and see in the dark. I dare say Silas is
sorry, but I don't think he is in sackcloth and ashes. He has
reason to be sorry and anxious, and I say I think he is both;
and you know he pities you very much, and also himself a good
deal; and he wants money, and you—his beloved niece—have a
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great deal—and altogether it is an affectionate and prudent letter:
and he has sent his attorney here to make a note of the
will; and you are to give the gentleman his meals and lodging;
and Silas, very thoughtfully, invites you to confide your difficulties
and troubles to <i>his</i> solicitor. It is very kind, but not imprudent.'</p>
<p>'Oh, Cousin Monica, don't you think at such a moment it is
hardly natural that he should form such petty schemes, even
were he capable at other times of practising so low? Is it not
judging him hardly? and you, you know, so little acquainted
with him.'</p>
<p>'I told you, dear, I'm a cross old thing—and there's an end;
and I really don't care two pence about him; and of the two
I'd much rather he were no relation of ours.'</p>
<p>Now, was not this prejudice? I dare say in part it was. So,
too, was my vehement predisposition in his favour. I am afraid
we women are factionists; we always take a side, and nature has
formed us for advocates rather than judges; and I think the
function, if less dignified, is more amiable.</p>
<p>I sat alone at the drawing-room window, at nightfall, awaiting
my cousin Monica's entrance.</p>
<p>Feverish and frightened I felt that night. It was a sympathy,
I fancy, with the weather. The sun had set stormily. Though the
air was still, the sky looked wild and storm-swept. The crowding
clouds, slanting in the attitude of flight, reflected their own
sacred aspect upon my spirits. My grief darkened with a wild
presaging of danger, and a sense of the supernatural fell upon
me. It was the saddest and most awful evening that had come
since my beloved father's death.</p>
<p>All kinds of shapeless fears environed me in silence. For the
first time, dire misgivings about the form of faith affrighted me.
Who were these Swedenborgians who had got about him—no one
could tell how—and held him so fast to the close of his life?
Who was this bilious, bewigged, black-eyed Doctor Bryerly,
whom none of us quite liked and all a little feared; who seemed
to rise out of the ground, and came and went, no one knew
whence or whither, exercising, as I imagined, a mysterious authority
over him? Was it all good and true, or a heresy and a
witchcraft? Oh, my beloved father! was it all well with you?</p>
<p>When Lady Knollys entered, she found me in floods of tears,
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walking distractedly up and down the room. She kissed me in
silence; she walked back and forward with me, and did her best
to console me.</p>
<p>'I think, Cousin Monica, I would wish to see him once more.
Shall we go up?'</p>
<p>'Unless you really wish it very much, I think, darling, you
had better not mind it. It is happier to recollect them as they
were; there's a change, you know, darling, and there is seldom
any comfort in the sight.'</p>
<p>'But I do wish it <i>very</i> much. Oh! won't you come with me?'</p>
<p>And so I persuaded her, and up we went hand in hand, in
the deepening twilight; and we halted at the end of the dark
gallery, and I called Mrs. Rusk, growing frightened.</p>
<p>'Tell her to let us in, Cousin Monica,' I whispered.</p>
<p>'She wishes to see him, my lady—does she?' enquired Mrs.
Rusk, in an under-tone, and with a mysterious glance at me, as
she softly fitted the key to the lock.</p>
<p>'Are you quite sure, Maud, dear?'</p>
<p>'Yes, yes.'</p>
<p>But when Mrs. Rusk entered bearing the candle, whose beam
mixed dismally with the expiring twilight, disclosing a great
black coffin standing upon trestles, near the foot of which she
took her stand, gazing sternly into it, I lost heart again altogether
and drew back.</p>
<p>'No, Mrs. Rusk, she won't; and I am very glad, dear,' she
added to me. 'Come, Mrs. Rusk, come away. Yes, darling,' she
continued to me, 'it is much better for you;' and she hurried
me away, and down-stairs again. But the awful outlines of that
large black coffin remained upon my imagination with a new
and terrible sense of death.</p>
<p>I had no more any wish to see him. I felt a horror even of
the room, and for more than an hour after a kind of despair
and terror, such as I have never experienced before or since
at the idea of death.</p>
<p>Cousin Monica had had her bed placed in my room, and Mary
Quince's moved to the dressing-room adjoining it. For the first
time the superstitious awe that follows death, but not immediately,
visited me. The idea of seeing my father enter the room,
or open the door and look in, haunted me. After Lady Knollys
and I were in bed, I could not sleep. The wind sounded mournfully
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outside, and the small sounds, the rattlings, and strainings
that responded from within, constantly startled me, and
simulated the sounds of steps, of doors opening, of knockings,
and so forth, rousing me with a palpitating heart as often as I
fell into a doze.</p>
<p>At length the wind subsided, and these ambiguous noises
abated, and I, fatigued, dropped into a quiet sleep. I was awakened
by a sound in the gallery—which I could not define. A considerable
time had passed, for the wind was now quite lulled.
I sat up in my bed a good deal scared, listening breathlessly
for I knew not what.</p>
<p>I heard a step moving stealthily along the gallery. I called my
cousin Monica softly; and we both heard the door of the room
in which my father's body lay unlocked, some one furtively
enter, and the door shut.</p>
<p>'What can it be? Good Heavens, Cousin Monica, do you
hear it?'</p>
<p>'Yes, dear; and it is two o'clock.'</p>
<p>Everyone at Knowl was in bed at eleven. We knew very well
that Mrs. Rusk was rather nervous, and would not, for worlds,
go alone, and at such an hour, to the room. We called Mary
Quince. We all three listened, but we heard no other sound. I
set these things down here because they made so terrible an
impression upon me at the time.</p>
<p>It ended by our peeping out, all three in a body, upon the
gallery. Through each window in the perspective came its blue
sheet of moonshine; but the door on which our attention was
fixed was in the shade, and we thought we could discern the
glare of a candle through the key-hole. While in whispers we
were debating this point together, the door opened, the dusky
light of a candle emerged, the shadow of a figure crossed it
within, and in another moment the mysterious Doctor
Bryerly—angular,
ungainly, in the black cloth coat that fitted little
better than a coffin—issued from the chamber, candle in hand;
murmuring, I suppose, a prayer—it sounded like a farewell—
stepped cautiously upon the gallery floor, shutting and locking
the door upon the dead; and then having listened for a second,
the saturnine figure, casting a gigantic and distorted shadow
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upon the ceiling and side-wall from the lowered candle, strode
lightly down the long dark passage, away from us.</p>
<p>I can only speak for myself, and I can honestly say that I felt
as much frightened as if I had just seen a sorcerer stealing
from his unhallowed business. I think Cousin Monica was also
affected in the same way, for she turned the key on the inside
of the door when we entered. I do not think one of us believed
at the moment that what we had seen was a Doctor Bryerly of
flesh and blood, and yet the first thing we spoke of in the
morning was Doctor Bryerly's arrival. The mind is a different
organ by night and by day.</p>
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