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<h3>CHAPTER LII</h3>
<h2><i>THE PICTURE OF A WOLF</i></h2>
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<p>I went down that evening to the sitting-room which had been
assigned to Milly and me, in search of a book—my good Mary
Quince always attending me. The door was a little open, and I
was startled by the light of a candle proceeding from the fireside,
together with a considerable aroma of tobacco and brandy.</p>
<p>On my little work-table, which he had drawn beside the
hearth, lay Dudley's pipe, his brandy-flask, and an empty tumbler;
and he was sitting with one foot on the fender, his elbow
on his knee, and his head resting in his hand, weeping. His back
being a little toward the door, he did not perceive us; and we
saw him rub his knuckles in his eyes, and heard the sounds of
his selfish lamentation.</p>
<p>Mary and I stole away quietly, leaving him in possession,
wondering when he was to leave the house, according to the
sentence which I had heard pronounced upon him.</p>
<p>I was delighted to see old 'Giblets' quietly strapping his
luggage in the hall, and heard from him in a whisper that he
was to leave that evening by rail—he did not know whither.</p>
<p>About half an hour afterwards, Mary Quince, going out to
reconnoitre, heard from old Wyat in the lobby that he had just
started to meet the train.</p>
<p>Blessed be heaven for that deliverance! An evil spirit had
been cast out, and the house looked lighter and happier. It
was not until I sat down in the quiet of my room that the
scenes and images of that agitating day began to move before
my memory in orderly procession, and for the first time I
appreciated, with a stunning sense of horror and a perfect rapture
of thanksgiving, the value of my escape and the immensity
of the danger which had threatened me. It may have been
miserable weakness—I think it was. But I was young, nervous,
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and afflicted with a troublesome sort of conscience, which occasionally
went mad, and insisted, in small things as well as great,
upon sacrifices which my reason now assures me were absurd.
Of Dudley I had a perfect horror; and yet had that system
of solicitation, that dreadful and direct appeal to my compassion,
that placing of my feeble girlhood in the seat of the arbiter
of my aged uncle's hope or despair, been long persisted
in, my resistance might have been worn out—who can tell?—and
I self-sacrificed! Just as criminals in Germany are teased,
and watched, and cross-examined, year after year, incessantly,
into a sort of madness; and worn out with the suspense, the
iteration, the self-restraint, and insupportable fatigue, they at
last cut all short, accuse themselves, and go infinitely relieved
to the scaffold—you may guess, then, for me, nervous, self-diffident,
and alone, how intense was the comfort of knowing that
Dudley was actually married, and the harrowing importunity
which had just commenced for ever silenced.</p>
<p>That night I saw my uncle. I pitied him, though I feared him.
I was longing to tell him how anxious I was to help him, if
only he could point out the way. It was in substance what I had
already said, but now strongly urged. He brightened; he sat up
perpendicularly in his chair with a countenance, not weak or
fatuous now, but resolute and searching, and which contracted
into dark thought or calculation as I talked.</p>
<p>I dare say I spoke confusedly enough. I was always nervous
in his presence; there was, I fancy, something mesmeric in the
odd sort of influence which, without effort, he exercised over
my imagination.</p>
<p>Sometimes this grew into a dismal panic, and Uncle Silas—polished,
mild—seemed unaccountably horrible to me. Then it
was no longer an accidental fascination of electro-biology. It
was something more. His nature was incomprehensible by me.
He was without the nobleness, without the freshness, without
the softness, without the frivolities of such human nature as I
had experienced, either within myself or in other persons. I
instinctively felt that appeals to sympathies or feelings could no
more affect him than a marble monument. He seemed to accommodate
his conversation to the moral structure of others, just
as spirits are said to assume the shape of mortals. There were the
sensualities of the gourmet for his body, and there ended his
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human nature, as it seemed to me. Through that semi-transparent
structure I thought I could now and then discern the light
or the glare of his inner life. But I understood it not.</p>
<p>He never scoffed at what was good or noble—his hardest critic
could not nail him to one such sentence; and yet, it seemed
somehow to me that his unknown nature was a systematic blasphemy
against it all. If fiend he was, he was yet something higher
than the garrulous, and withal feeble, demon of Goethe. He assumed
the limbs and features of our mortal nature. He shrouded
his own, and was a profoundly reticent Mephistopheles. Gentle
he had been to me—kindly he had nearly always spoken; but
it seemed like the mild talk of one of those goblins of the desert,
whom Asiatic superstition tells of, who appear in friendly shapes
to stragglers from the caravan, beckon to them from afar, call
them by their names, and lead them where they are found no
more. Was, then, all his kindness but a phosphoric radiance
covering something colder and more awful than the grave?</p>
<p>'It is very noble of you, Maud—it is angelic; your sympathy
with a ruined and despairing old man. But I fear you will recoil.
I tell you frankly that less than twenty thousand pounds
will not extricate me from the quag of ruin in which I am
entangled—lost!'</p>
<p>'Recoil! Far from it. I'll do it. There must be some way.'</p>
<p>'Enough, my fair young protectress—celestial enthusiast,
enough. Though you do not, yet I recoil. I could not bring myself
to accept this sacrifice. What signifies, even to me, my extrication?
I lie a mangled wretch, with fifty mortal wounds on
my crown; what avails the healing of one wound, when there
are so many beyond all cure? Better to let me perish where I fall;
and reserve your money for the worthier objects whom, perhaps,
hereafter may avail to save.'</p>
<p>'But I <i>will</i> do this. I must. I cannot see you suffer with the
power in my hands unemployed to help you,' I exclaimed.</p>
<p>'Enough, dear Maud; the will is here—enough: there is balm
in your compassion and good-will. Leave me, ministering angel;
for the present I cannot. If you <i>will</i>, we can talk of it again.
Good-night.'</p>
<p>And so we parted.</p>
<p>The attorney from Feltram, I afterwards heard, was with him
nearly all that night, trying in vain to devise by their joint
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ingenuity any means by which I might tie myself up. But there
were none. I could not bind myself.</p>
<p>I was myself full of the hope of helping him. What was this
sum to me, great as it seemed? Truly nothing. I could have
spared it, and never felt the loss.</p>
<p>I took up a large quarto with coloured prints, one of the few
books I had brought with me from dear old Knowl. Too much
excited to hope for sleep in bed, I opened it, and turned over
the leaves, my mind still full of Uncle Silas and the sum I hoped
to help him with.</p>
<p>Unaccountably one of those coloured engravings arrested my
attention. It represented the solemn solitude of a lofty forest;
a girl, in Swiss costume, was flying in terror, and as she fled
flinging a piece of meat behind her which she had taken from
a little market-basket hanging upon her arm. Through the glade
a pack of wolves were pursuing her.</p>
<p>The narrative told, that on her return homeward with her
marketing, she had been chased by wolves, and barely escaped by
flying at her utmost speed, from time to time retarding, as she
did so, the pursuit, by throwing, piece by piece, the contents of
her basket, in her wake, to be devoured and fought for by the
famished beasts of prey.</p>
<p>This print had seized my imagination. I looked with a curious
interest on the print: something in the disposition of the trees,
their great height, and rude boughs, interlacing, and the awful
shadow beneath, reminded me of a portion of the Windmill
Wood where Milly and I had often rambled. Then I looked at
the figure of the poor girl, flying for her life, and glancing terrified
over her shoulder. Then I gazed on the gaping, murderous
pack, and the hoary brute that led the van; and then I leaned
back in my chair, and I thought—perhaps some latent association
suggested what seemed a thing so unlikely—of a fine print
in my portfolio from Vandyke's noble picture of Belisarius. Idly
I traced with my pencil, as I leaned back, on an envelope that
lay upon the table, this little inscription. It was mere fiddling;
and, absurd as it looked, there was nothing but an honest meaning
in it:—'20,000<i>l</i>. Date Obolum Belisario!' My dear father
had translated the little Latin inscription for me, and I had
written it down as a sort of exercise of memory; and also,
perhaps, as expressive of that sort of compassion which my
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uncle's fall and miserable fate excited invariably in me. So I
threw this queer little memorandum upon the open leaf of the
book, and again the flight, the pursuit, and the bait to stay it,
engaged my eye. And I heard a voice near the hearthstone, as
I thought, say, in a stern whisper, 'Fly the fangs of Belisarius!'</p>
<p>'What's that?' said I, turning sharply to Mary Quince.</p>
<p>Mary rose from her work at the fireside, staring at me with
that odd sort of frown that accompanies fear and curiosity.</p>
<p>'You spoke? Did you speak?' I said, catching her by the
arm, very much frightened myself.</p>
<p>'No, Miss; no, dear!' answered she, plainly thinking that I
was a little wrong in my head.</p>
<p>There could be no doubt it was a trick of the imagination, and
yet to this hour I could recognise that clear stern voice among a
thousand, were it to speak again.</p>
<p>Jaded after a night of broken sleep and much agitation, I was
summoned next morning to my uncle's room.</p>
<p>He received me <i>oddly</i>, I thought. His manner had changed,
and made an uncomfortable impression upon me. He was gentle,
kind, smiling, submissive, as usual; but it seemed to me that
he experienced henceforth toward me the same half-superstitous
repulsion which I had always felt from him. Dream, or voice,
or vision—which had done it? There seemed to be an unconscious
antipathy and fear. When he thought I was not looking,
his eyes were sometimes grimly fixed for a moment upon me.
When I looked at him, his eyes were upon the book before him;
and when he spoke, a person not heeding what he uttered
would have fancied that he was reading aloud from it.</p>
<p>There was nothing tangible but this shrinking from the encounter
of our eyes. I said he was kind as usual. He was even
more so. But there was this new sign of our silently repellant
natures. Dislike it could not be. He knew I longed to serve him.
Was it shame? Was there not a shade of horror in it?</p>
<p>'I have not slept,' said he. 'For me the night has passed in
thought, and the fruit of it is this—I <i>cannot</i>, Maud, accept your
noble offer.'</p>
<p>'I am <i>very</i> sorry,' exclaimed I, in all honesty.</p>
<p>'I know it, my dear niece, and appreciate your goodness; but
there are many reasons—none of them, I trust, ignoble—and
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which together render it impossible. No. It would be misunderstood—my
honour shall not be impugned.'</p>
<p>'But, sir, that could not be; you have never proposed it. It
would be all, from first to last, <i>my</i> doing.'</p>
<p>'True, dear Maud, but I know, alas! more of this evil and
slanderous world than your happy inexperience can do. Who
will receive our testimony? None—no, not one. The difficulty—the
insuperable moral difficulty is this—that I should expose
myself to the plausible imputation of having worked upon you,
unduly, for this end; and more, that I could not hold myself
quite free from blame. It is your voluntary goodness, Maud. But
you are young, inexperienced; and it is, I hold it, my duty to
stand between you and any dealing with your property at so
unripe an age. Some people may call this Quixotic. In my mind
it is an imperious mandate of conscience; and I peremptorily
refuse to disobey it, although within three weeks an execution
will be in this house!'</p>
<p>I did not quite know what an execution meant; but from two
harrowing novels, with whose distresses I was familiar, I knew
that it indicated some direful process of legal torture and spoliation.</p>
<p>'Oh, uncle I—oh, sir!—you cannot allow this to happen. What
will people say of me? And—and there is poor Milly—and
<i>everything</i>! Think what it will be.'</p>
<p>'It cannot be helped—<i>you</i> cannot help it, Maud. Listen to me.
There will be an execution here, I cannot say exactly how soon,
but, I think, in a little more than a fortnight. I must provide for
your comfort. You must leave. I have arranged that you shall
join Milly, for the present, in France, till I have time to look
about me. You had better, I think, write to your cousin, Lady
Knollys. She, with all her oddities, has a heart. Can you say,
Maud, that I have been kind?'</p>
<p>'You have never been anything but kind,' I exclaimed.</p>
<p>'That I've been self-denying when you made me a generous
offer?' he continued. 'That I now act to spare you pain? You
may tell her, not as a message from me, but as a fact, that I am
seriously thinking of vacating my guardianship—that I feel I
have done her an injustice, and that, so soon as my mind is a
little less tortured, I shall endeavour to effect a reconciliation
with her, and would wish ultimately to transfer the care of your
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person and education to <i>her</i>. You may say I have no longer an
interest even in vindicating my name. My son has wrecked himself
by a marriage. I forgot to tell you he stopped at Feltram,
and this morning wrote to pray a parting interview. If I grant it,
it shall be the last. I shall never see him or correspond with him
more.'</p>
<p>The old man seemed much overcome, and held his hankerchief
to his eyes.</p>
<p>'He and his wife are, I understand, about to emigrate; the
sooner the better,' he resumed, bitterly. 'Deeply, Maud, I regret
having tolerated his suit to you, even for a moment. Had
I thought it over, as I did the whole case last night, nothing
could have induced me to permit it. But I have lived for so long
like a monk in his cell, my wants and observation limited to
the narrow compass of this chamber, that my knowledge of the
world has died out with my youth and my hopes: and I did not,
as I ought to have done, consider many objections. Therefore,
dear Maud, on this one subject, I entreat, be silent; its discussion
can effect nothing now. I was wrong, and frankly ask
you to forget my mistake.'</p>
<p>I had been on the point of writing to Lady Knollys on this
odious subject, when, happily, it was set at rest by the disclosure
of yesterday; and being so, I could have no difficulty
in acceding to my uncle's request. He was conceding so much
that I could not withhold so trifling a concession in return.</p>
<p>'I hope Monica will continue to be kind to poor Milly after
I am gone.'</p>
<p>Here there were a few seconds of meditation.</p>
<p>'Maud, you will not, I think, refuse to convey the substance
of what I have just said in a letter to Lady Knollys, and perhaps
you would have no objection to let me see it when it is written.
It will prevent the possibility of its containing any misconception
of what I have just spoken: and, Maud, you won't forget
to say whether I have been kind. It would be a satisfaction to me
to know that Monica was assured that I never either teased or
bullied my young ward.'</p>
<p>With these words he dismissed me; and forthwith I completed
such a letter as would quite embody what he had said; and in
my own glowing terms, being in high good-humour with Uncle
Silas, recorded my estimate of his gentleness and good-nature;
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and when I submitted it to him, he expressed his admiration of
what he was pleased to call my cleverness in so exactly conveying
what he wished, and his gratitude for the handsome
terms in which I had spoken of my old guardian.</p>
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