<h2><SPAN name="chap20"></SPAN>XX<br/> PAST ONE AT ROONEY’S</h2>
<p>Only on the lower East Side of New York do the houses of Capulet and Montagu
survive. There they do not fight by the book of arithmetic. If you but bite
your thumb at an upholder of your opposing house you have work cut out for your
steel. On Broadway you may drag your man along a dozen blocks by his nose, and
he will only bawl for the watch; but in the domain of the East Side Tybalts and
Mercutios you must observe the niceties of deportment to the wink of any
eyelash and to an inch of elbow room at the bar when its patrons include foes
of your house and kin.</p>
<p>So, when Eddie McManus, known to the Capulets as Cork McManus, drifted into
Dutch Mike’s for a stein of beer, and came upon a bunch of Montagus
making merry with the suds, he began to observe the strictest parliamentary
rules. Courtesy forbade his leaving the saloon with his thirst unslaked;
caution steered him to a place at the bar where the mirror supplied the
cognizance of the enemy’s movements that his indifferent gaze seemed to
disdain; experience whispered to him that the finger of trouble would be busy
among the chattering steins at Dutch Mike’s that night. Close by his side
drew Brick Cleary, his Mercutio, companion of his perambulations. Thus they
stood, four of the Mulberry Hill Gang and two of the Dry Dock Gang, minding
their P’s and Q’s so solicitously that Dutch Mike kept one eye on
his customers and the other on an open space beneath his bar in which it was
his custom to seek safety whenever the ominous politeness of the rival
associations congealed into the shapes of bullets and cold steel.</p>
<p>But we have not to do with the wars of the Mulberry Hills and the Dry Docks. We
must to Rooney’s, where, on the most blighted dead branch of the tree of
life, a little pale orchid shall bloom.</p>
<p>Overstrained etiquette at last gave way. It is not known who first overstepped
the bounds of punctilio; but the consequences were immediate. Buck Malone, of
the Mulberry Hills, with a Dewey-like swiftness, got an eight-inch gun swung
round from his hurricane deck. But McManus’s simile must be the torpedo.
He glided in under the guns and slipped a scant three inches of knife blade
between the ribs of the Mulberry Hill cruiser. Meanwhile Brick Cleary, a
devotee to strategy, had skimmed across the lunch counter and thrown the switch
of the electrics, leaving the combat to be waged by the light of gunfire alone.
Dutch Mike crawled from his haven and ran into the street crying for the watch
instead of for a Shakespeare to immortalize the Cimmerian shindy.</p>
<p>The cop came, and found a prostrate, bleeding Montagu supported by three
distrait and reticent followers of the House. Faithful to the ethics of the
gangs, no one knew whence the hurt came. There was no Capulet to be seen.</p>
<p>“Raus mit der interrogatories,” said Buck Malone to the officer.
“Sure I know who done it. I always manages to get a bird’s eye view
of any guy that comes up an’ makes a show case for a hardware store out
of me. No. I’m not telling you his name. I’ll settle with um
meself. Wow—ouch! Easy, boys! Yes, I’ll attend to his case meself.
I’m not making any complaint.”</p>
<p>At midnight McManus strolled around a pile of lumber near an East Side dock,
and lingered in the vicinity of a certain water plug. Brick Cleary drifted
casually to the trysting place ten minutes later. “He’ll maybe not
croak,” said Brick; “and he won’t tell, of course. But Dutch
Mike did. He told the police he was tired of having his place shot up.
It’s unhandy just now, because Tim Corrigan’s in Europe for a
week’s end with Kings. He’ll be back on the <i>Kaiser Williams</i>
next Friday. You’ll have to duck out of sight till then. Tim’ll fix
it up all right for us when he comes back.”</p>
<p>This goes to explain why Cork McManus went into Rooney’s one night and
there looked upon the bright, stranger face of Romance for the first time in
his precarious career.</p>
<p>Until Tim Corrigan should return from his jaunt among Kings and Princes and
hold up his big white finger in private offices, it was unsafe for Cork in any
of the old haunts of his gang. So he lay, perdu, in the high rear room of a
Capulet, reading pink sporting sheets and cursing the slow paddle wheels of the
<i>Kaiser Wilhelm</i>.</p>
<p>It was on Thursday evening that Cork’s seclusion became intolerable to
him. Never a hart panted for water fountain as he did for the cool touch of a
drifting stein, for the firm security of a foot-rail in the hollow of his shoe
and the quiet, hearty challenges of friendship and repartee along and across
the shining bars. But he must avoid the district where he was known. The cops
were looking for him everywhere, for news was scarce, and the newspapers were
harping again on the failure of the police to suppress the gangs. If they got
him before Corrigan came back, the big white finger could not be uplifted; it
would be too late then. But Corrigan would be home the next day, so he felt
sure there would be small danger in a little excursion that night among the
crass pleasures that represented life to him.</p>
<p>At half-past twelve McManus stood in a darkish cross-town street looking up at
the name “Rooney’s,” picked out by incandescent lights
against a signboard over a second-story window. He had heard of the place as a
tough “hang-out”; with its frequenters and its locality he was
unfamiliar. Guided by certain unerring indications common to all such resorts,
he ascended the stairs and entered the large room over the café.</p>
<p>Here were some twenty or thirty tables, at this time about half-filled with
Rooney’s guests. Waiters served drinks. At one end a human pianola with
drugged eyes hammered the keys with automatic and furious unprecision. At
merciful intervals a waiter would roar or squeak a song—songs full of
“Mr. Johnsons” and “babes” and
“coons”—historical word guaranties of the genuineness of
African melodies composed by red waistcoated young gentlemen, natives of the
cotton fields and rice swamps of West Twenty-eighth Street.</p>
<p>For one brief moment you must admire Rooney with me as he receives, seats,
manipulates, and chaffs his guests. He is twenty-nine. He has
Wellington’s nose, Dante’s chin, the cheek-bones of an Iroquois,
the smile of Talleyrand, Corbett’s foot work, and the poise of an
eleven-year-old East Side Central Park Queen of the May. He is assisted by a
lieutenant known as Frank, a pudgy, easy chap, swell-dressed, who goes among
the tables seeing that dull care does not intrude. Now, what is there about
Rooney’s to inspire all this pother? It is more respectable by daylight;
stout ladies with children and mittens and bundles and unpedigreed dogs drop up
of afternoons for a stein and a chat. Even by gaslight the diversions are
melancholy i’ the mouth—drink and rag-time, and an occasional
surprise when the waiter swabs the suds from under your sticky glass. There is
an answer. Transmigration! The soul of Sir Walter Raleigh has traveled from
beneath his slashed doublet to a kindred home under Rooney’s visible
plaid waistcoat. Rooney’s is twenty years ahead of the times. Rooney has
removed the embargo. Rooney has spread his cloak upon the soggy crossing of
public opinion, and any Elizabeth who treads upon it is as much a queen as
another. Attend to the revelation of the secret. In Rooney’s ladies may
smoke!</p>
<p>McManus sat down at a vacant table. He paid for the glass of beer that he
ordered, tilted his narrow-brimmed derby to the back of his brick-dust head,
twined his feet among the rungs of his chair, and heaved a sigh of contentment
from the breathing spaces of his innermost soul; for this mud honey was
clarified sweetness to his taste. The sham gaiety, the hectic glow of
counterfeit hospitality, the self-conscious, joyless laughter, the wine-born
warmth, the loud music retrieving the hour from frequent whiles of awful and
corroding silence, the presence of well-clothed and frank-eyed beneficiaries of
Rooney’s removal of the restrictions laid upon the weed, the familiar
blended odors of soaked lemon peel, flat beer, and <i>peau
d’Espagne</i>—all these were manna to Cork McManus, hungry for his
week in the desert of the Capulet’s high rear room.</p>
<p>A girl, alone, entered Rooney’s, glanced around with leisurely swiftness,
and sat opposite McManus at his table. Her eyes rested upon him for two seconds
in the look with which woman reconnoitres all men whom she for the first time
confronts. In that space of time she will decide upon one of two
things—either to scream for the police, or that she may marry him later
on.</p>
<p>Her brief inspection concluded, the girl laid on the table a worn red morocco
shopping bag with the inevitable top-gallant sail of frayed lace handkerchief
flying from a corner of it. After she had ordered a small beer from the
immediate waiter she took from her bag a box of cigarettes and lighted one with
slightly exaggerated ease of manner. Then she looked again in the eyes of Cork
McManus and smiled.</p>
<p>Instantly the doom of each was sealed.</p>
<p>The unqualified desire of a man to buy clothes and build fires for a woman for
a whole lifetime at first sight of her is not uncommon among that humble
portion of humanity that does not care for Bradstreet or coats-of-arms or
Shaw’s plays. Love at first sight has occurred a time or two in high
life; but, as a rule, the extempore mania is to be found among unsophisticated
creatures such as the dove, the blue-tailed dingbat, and the ten-dollar-a-week
clerk. Poets, subscribers to all fiction magazines, and schatchens, take
notice.</p>
<p>With the exchange of the mysterious magnetic current came to each of them the
instant desire to lie, pretend, dazzle and deceive, which is the worst thing
about the hypocritical disorder known as love.</p>
<p>“Have another beer?” suggested Cork. In his circle the phrase was
considered to be a card, accompanied by a letter of introduction and
references.</p>
<p>“No, thanks,” said the girl, raising her eyebrows and choosing her
conventional words carefully. “I—merely dropped in for—a
slight refreshment.” The cigarette between her fingers seemed to require
explanation. “My aunt is a Russian lady,” she concluded, “and
we often have a post perannual cigarette after dinner at home.”</p>
<p>“Cheese it!” said Cork, whom society airs oppressed. “Your
fingers are as yellow as mine.”</p>
<p>“Say,” said the girl, blazing upon him with low-voiced indignation,
“what do you think I am? Say, who do you think you are talking to?
What?”</p>
<p>She was pretty to look at. Her eyes were big, brown, intrepid and bright. Under
her flat sailor hat, planted jauntily on one side, her crinkly, tawny hair
parted and was drawn back, low and massy, in a thick, pendant knot behind. The
roundness of girlhood still lingered in her chin and neck, but her cheeks and
fingers were thinning slightly. She looked upon the world with defiance,
suspicion, and sullen wonder. Her smart, short tan coat was soiled and
expensive. Two inches below her black dress dropped the lowest flounce of a
heliotrope silk underskirt.</p>
<p>“Beg your pardon,” said Cork, looking at her admiringly. “I
didn’t mean anything. Sure, it’s no harm to smoke, Maudy.”</p>
<p>“Rooney’s,” said the girl, softened at once by his amends,
“is the only place I know where a lady can smoke. Maybe it ain’t a
nice habit, but aunty lets us at home. And my name ain’t Maudy, if you
please; it’s Ruby Delamere.”</p>
<p>“That’s a swell handle,” said Cork approvingly.
“Mine’s McManus—Cor—er—Eddie McManus.”</p>
<p>“Oh, you can’t help that,” laughed Ruby. “Don’t
apologize.”</p>
<p>Cork looked seriously at the big clock on Rooney’s wall. The girl’s
ubiquitous eyes took in the movement.</p>
<p>“I know it’s late,” she said, reaching for her bag;
“but you know how you want a smoke when you want one. Ain’t
Rooney’s all right? I never saw anything wrong here. This is twice
I’ve been in. I work in a bookbindery on Third Avenue. A lot of us girls
have been working overtime three nights a week. They won’t let you smoke
there, of course. I just dropped in here on my way home for a puff. Ain’t
it all right in here? If it ain’t, I won’t come any more.”</p>
<p>“It’s a little bit late for you to be out alone anywhere,”
said Cork. “I’m not wise to this particular joint; but anyhow you
don’t want to have your picture taken in it for a present to your Sunday
School teacher. Have one more beer, and then say I take you home.”</p>
<p>“But I don’t know you,” said the girl, with fine
scrupulosity. “I don’t accept the company of gentlemen I
ain’t acquainted with. My aunt never would allow that.”</p>
<p>“Why,” said Cork McManus, pulling his ear, “I’m the
latest thing in suitings with side vents and bell skirt when it comes to
escortin’ a lady. You bet you’ll find me all right, Ruby. And
I’ll give you a tip as to who I am. My governor is one of the hottest
cross-buns of the Wall Street push. Morgan’s cab horse casts a shoe every
time the old man sticks his head out the window. Me! Well, I’m in
trainin’ down the Street. The old man’s goin’ to put a seat
on the Stock Exchange in my stockin’ my next birthday. But it all sounds
like a lemon to me. What I like is golf and yachtin’
and—er—well, say a corkin’ fast ten-round bout between
welter-weights with walkin’ gloves.”</p>
<p>“I guess you can walk to the door with me,” said the girl
hesitatingly, but with a certain pleased flutter. “Still I never heard
anything extra good about Wall Street brokers, or sports who go to prize
fights, either. Ain’t you got any other recommendations?”</p>
<p>“I think you’re the swellest looker I’ve had my lamps on in
little old New York,” said Cork impressively.</p>
<p>“That’ll be about enough of that, now. Ain’t you the
kidder!” She modified her chiding words by a deep, long, beaming,
smile-embellished look at her cavalier. “We’ll drink our beer
before we go, ha?”</p>
<p>A waiter sang. The tobacco smoke grew denser, drifting and rising in spirals,
waves, tilted layers, cumulus clouds, cataracts and suspended fogs like some
fifth element created from the ribs of the ancient four. Laughter and chat grew
louder, stimulated by Rooney’s liquids and Rooney’s gallant
hospitality to Lady Nicotine.</p>
<p>One o’clock struck. Down-stairs there was a sound of closing and locking
doors. Frank pulled down the green shades of the front windows carefully.
Rooney went below in the dark hall and stood at the front door, his cigarette
cached in the hollow of his hand. Thenceforth whoever might seek admittance
must present a countenance familiar to Rooney’s hawk’s
eye—the countenance of a true sport.</p>
<p>Cork McManus and the bookbindery girl conversed absorbedly, with their elbows
on the table. Their glasses of beer were pushed to one side, scarcely touched,
with the foam on them sunken to a thin white scum. Since the stroke of one the
stale pleasures of Rooney’s had become renovated and spiced; not by any
addition to the list of distractions, but because from that moment the sweets
became stolen ones. The flattest glass of beer acquired the tang of illegality;
the mildest claret punch struck a knockout blow at law and order; the harmless
and genial company became outlaws, defying authority and rule. For after the
stroke of one in such places as Rooney’s, where neither bed nor board is
to be had, drink may not be set before the thirsty of the city of the four
million. It is the law.</p>
<p>“Say,” said Cork McManus, almost covering the table with his
eloquent chest and elbows, “was that dead straight about you
workin’ in the bookbindery and livin’ at home—and just
happenin’ in here—and—and all that spiel you gave me?”</p>
<p>“Sure it was,” answered the girl with spirit. “Why, what do
you think? Do you suppose I’d lie to you? Go down to the shop and ask
’em. I handed it to you on the level.”</p>
<p>“On the dead level?” said Cork. “That’s the way I want
it; because—”</p>
<p>“Because what?”</p>
<p>“I throw up my hands,” said Cork. “You’ve got me
goin’. You’re the girl I’ve been lookin’ for. Will you
keep company with me, Ruby?”</p>
<p>“Would you like me to—Eddie?”</p>
<p>“Surest thing. But I wanted a straight story about—about yourself,
you know. When a fellow had a girl—a steady girl—she’s got to
be all right, you know. She’s got to be straight goods.”</p>
<p>“You’ll find I’ll be straight goods, Eddie.”</p>
<p>“Of course you will. I believe what you told me. But you can’t
blame me for wantin’ to find out. You don’t see many girls
smokin’ cigarettes in places like Rooney’s after midnight that are
like you.”</p>
<p>The girl flushed a little and lowered her eyes. “I see that now,”
she said meekly. “I didn’t know how bad it looked. But I
won’t do it any more. And I’ll go straight home every night and
stay there. And I’ll give up cigarettes if you say so,
Eddie—I’ll cut ’em out from this minute on.”</p>
<p>Cork’s air became judicial, proprietary, condemnatory, yet sympathetic.
“A lady can smoke,” he decided, slowly, “at times and places.
Why? Because it’s bein’ a lady that helps her pull it off.”</p>
<p>“I’m going to quit. There’s nothing to it,” said the
girl. She flicked the stub of her cigarette to the floor.</p>
<p>“At times and places,” repeated Cork. “When I call round for
you of evenin’s we’ll hunt out a dark bench in Stuyvesant Square
and have a puff or two. But no more Rooney’s at one
o’clock—see?”</p>
<p>“Eddie, do you really like me?” The girl searched his hard but
frank features eagerly with anxious eyes.</p>
<p>“On the dead level.”</p>
<p>“When are you coming to see me—where I live?”</p>
<p>“Thursday—day after to-morrow evenin’. That suit you?”</p>
<p>“Fine. I’ll be ready for you. Come about seven. Walk to the door
with me to-night and I’ll show you where I live. Don’t forget, now.
And don’t you go to see any other girls before then, mister! I bet you
will, though.”</p>
<p>“On the dead level,” said Cork, “you make ’em all look
like rag-dolls to me. Honest, you do. I know when I’m suited. On the dead
level, I do.”</p>
<p>Against the front door down-stairs repeated heavy blows were delivered. The
loud crashes resounded in the room above. Only a trip-hammer or a
policeman’s foot could have been the author of those sounds. Rooney
jumped like a bullfrog to a corner of the room, turned off the electric lights
and hurried swiftly below. The room was left utterly dark except for the
winking red glow of cigars and cigarettes. A second volley of crashes came up
from the assaulted door. A little, rustling, murmuring panic moved among the
besieged guests. Frank, cool, smooth, reassuring, could be seen in the rosy
glow of the burning tobacco, going from table to table.</p>
<p>“All keep still!” was his caution. “Don’t talk or make
any noise! Everything will be all right. Now, don’t feel the slightest
alarm. We’ll take care of you all.”</p>
<p>Ruby felt across the table until Cork’s firm hand closed upon hers.
“Are you afraid, Eddie?” she whispered. “Are you afraid
you’ll get a free ride?”</p>
<p>“Nothin’ doin’ in the teeth-chatterin’ line,”
said Cork. “I guess Rooney’s been slow with his envelope.
Don’t you worry, girly; I’ll look out for you all right.”</p>
<p>Yet Mr. McManus’s ease was only skin- and muscle-deep. With the police
looking everywhere for Buck Malone’s assailant, and with Corrigan still
on the ocean wave, he felt that to be caught in a police raid would mean an
ended career for him. He wished he had remained in the high rear room of the
true Capulet reading the pink extras.</p>
<p>Rooney seemed to have opened the front door below and engaged the police in
conference in the dark hall. The wordless low growl of their voices came up the
stairway. Frank made a wireless news station of himself at the upper door.
Suddenly he closed the door, hurried to the extreme rear of the room and
lighted a dim gas jet.</p>
<p>“This way, everybody!” he called sharply. “In a hurry; but no
noise, please!”</p>
<p>The guests crowded in confusion to the rear. Rooney’s lieutenant swung
open a panel in the wall, overlooking the back yard, revealing a ladder already
placed for the escape.</p>
<p>“Down and out, everybody!” he commanded. “Ladies first! Less
talking, please! Don’t crowd! There’s no danger.”</p>
<p>Among the last, Cork and Ruby waited their turn at the open panel. Suddenly she
swept him aside and clung to his arm fiercely.</p>
<p>“Before we go out,” she whispered in his ear—“before
anything happens, tell me again, Eddie, do you l—do you really like
me?”</p>
<p>“On the dead level,” said Cork, holding her close with one arm,
“when it comes to you, I’m all in.”</p>
<p>When they turned they found they were lost and in darkness. The last of the
fleeing customers had descended. Half way across the yard they bore the ladder,
stumbling, giggling, hurrying to place it against an adjoining low building
over the roof of which their only route to safety.</p>
<p>“We may as well sit down,” said Cork grimly. “Maybe Rooney
will stand the cops off, anyhow.”</p>
<p>They sat at a table; and their hands came together again.</p>
<p>A number of men then entered the dark room, feeling their way about. One of
them, Rooney himself, found the switch and turned on the electric light. The
other man was a cop of the old régime—a big cop, a thick cop, a
fuming, abrupt cop—not a pretty cop. He went up to the pair at the table
and sneered familiarly at the girl.</p>
<p>“What are youse doin’ in here?” he asked.</p>
<p>“Dropped in for a smoke,” said Cork mildly.</p>
<p>“Had any drinks?”</p>
<p>“Not later than one o’clock.”</p>
<p>“Get out—quick!” ordered the cop. Then, “Sit
down!” he countermanded.</p>
<p>He took off Cork’s hat roughly and scrutinized him shrewdly. “Your
name’s McManus.”</p>
<p>“Bad guess,” said Cork. “It’s Peterson.”</p>
<p>“Cork McManus, or something like that,” said the cop. “You
put a knife into a man in Dutch Mike’s saloon a week ago.”</p>
<p>“Aw, forget it!” said Cork, who perceived a shade of doubt in the
officer’s tones. “You’ve got my mug mixed with somebody
else’s.”</p>
<p>“Have I? Well, you’ll come to the station with me, anyhow, and be
looked over. The description fits you all right.” The cop twisted his
fingers under Cork’s collar. “Come on!” he ordered roughly.</p>
<p>Cork glanced at Ruby. She was pale, and her thin nostrils quivered. Her quick
eye danced from one man’s face to the other as they spoke or moved. What
hard luck! Cork was thinking—Corrigan on the briny; and Ruby met and lost
almost within an hour! Somebody at the police station would recognize him,
without a doubt. Hard luck!</p>
<p>But suddenly the girl sprang up and hurled herself with both arms extended
against the cop. His hold on Cork’s collar was loosened and he stumbled
back two or three paces.</p>
<p>“Don’t go so fast, Maguire!” she cried in shrill fury.
“Keep your hands off my man! You know me, and you know I’m
givin’ you good advice. Don’t you touch him again! He’s not
the guy you are lookin’ for—I’ll stand for that.”</p>
<p>“See here, Fanny,” said the Cop, red and angry, “I’ll
take you, too, if you don’t look out! How do you know this ain’t
the man I want? What are you doing in here with him?”</p>
<p>“How do I know?” said the girl, flaming red and white by turns.
“Because I’ve known him a year. He’s mine. Oughtn’t I
to know? And what am I doin’ here with him? That’s easy.”</p>
<p>She stooped low and reached down somewhere into a swirl of flirted draperies,
heliotrope and black. An elastic snapped, she threw on the table toward Cork a
folded wad of bills. The money slowly straightened itself with little leisurely
jerks.</p>
<p>“Take that, Jimmy, and let’s go,” said the girl.
“I’m declarin’ the usual dividends, Maguire,” she said
to the officer. “You had your usual five-dollar graft at the usual corner
at ten.”</p>
<p>“A lie!” said the cop, turning purple. “You go on my beat
again and I’ll arrest you every time I see you.”</p>
<p>“No, you won’t,” said the girl. “And I’ll tell
you why. Witnesses saw me give you the money to-night, and last week, too.
I’ve been getting fixed for you.”</p>
<p>Cork put the wad of money carefully into his pocket, and said: “Come on,
Fanny; let’s have some chop suey before we go home.”</p>
<p>“Clear out, quick, both of you, or I’ll—”</p>
<p>The cop’s bluster trailed away into inconsequentiality.</p>
<p>At the corner of the street the two halted. Cork handed back the money without
a word. The girl took it and slipped it slowly into her hand-bag. Her
expression was the same she had worn when she entered Rooney’s that
night—she looked upon the world with defiance, suspicion and sullen
wonder.</p>
<p>“I guess I might as well say good-bye here,” she said dully.
“You won’t want to see me again, of course. Will you—shake
hands—Mr. McManus.”</p>
<p>“I mightn’t have got wise if you hadn’t give the snap
away,” said Cork. “Why did you do it?”</p>
<p>“You’d have been pinched if I hadn’t. That’s why.
Ain’t that reason enough?” Then she began to cry. “Honest,
Eddie, I was goin’ to be the best girl in the world. I hated to be what I
am; I hated men; I was ready almost to die when I saw you. And you seemed
different from everybody else. And when I found you liked me, too, why, I
thought I’d make you believe I was good, and I was goin’ to be
good. When you asked to come to my house and see me, why, I’d have died
rather than do anything wrong after that. But what’s the use of talking
about it? I’ll say good-by, if you will, Mr. McManus.”</p>
<p>Cork was pulling at his ear. “I knifed Malone,” said he. “I
was the one the cop wanted.”</p>
<p>“Oh, that’s all right,” said the girl listlessly. “It
didn’t make any difference about that.”</p>
<p>“That was all hot air about Wall Street. I don’t do nothin’
but hang out with a tough gang on the East Side.”</p>
<p>“That was all right, too,” repeated the girl. “It
didn’t make any difference.”</p>
<p>Cork straightened himself, and pulled his hat down low. “I could get a
job at O’Brien’s,” he said aloud, but to himself.</p>
<p>“Good-by,” said the girl.</p>
<p>“Come on,” said Cork, taking her arm. “I know a place.”</p>
<p>Two blocks away he turned with her up the steps of a red brick house facing a
little park.</p>
<p>“What house is this?” she asked, drawing back. “Why are you
going in there?”</p>
<p>A street lamp shone brightly in front. There was a brass nameplate at one side
of the closed front doors. Cork drew her firmly up the steps. “Read
that,” said he.</p>
<p>She looked at the name on the plate, and gave a cry between a moan and a
scream. “No, no, no, Eddie! Oh, my God, no! I won’t let you do
that—not now! Let me go! You shan’t do that! You
can’t—you mus’n’t! Not after you know! No, no! Come
away quick! Oh, my God! Please, Eddie, come!”</p>
<p>Half fainting, she reeled, and was caught in the bend of his arm. Cork’s
right hand felt for the electric button and pressed it long.</p>
<p>Another cop—how quickly they scent trouble when trouble is on the
wing!—came along, saw them, and ran up the steps. “Here! What are
you doing with that girl?” he called gruffly.</p>
<p>“She’ll be all right in a minute,” said Cork.
“It’s a straight deal.”</p>
<p>“Reverend Jeremiah Jones,” read the cop from the door-plate with
true detective cunning.</p>
<p>“Correct,” said Cork. “On the dead level, we’re
goin’ to get married.”</p>
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