<div><span class='pageno' title='353' id='Page_353'></span><h1>CHAPTER XXIV</h1></div>
<p class='noindent'><span class='dropcap'>I</span><span class='sc'>T</span> was with difficulty that she reached the little
French town, and it was with infinitely more difficulty
that she overcame military obstacles and
penetrated into the poor little whitewashed school that
did duty as a hospital. It was a great bare room
with a double row of iron bedsteads, a gangway between
them. Here and there an ominous screen shut
off a bed. A few bandaged men half dressed were
sitting up smoking and playing cards. An odour of
disinfectant caught her by the throat. A human form
lying by the door with but little face visible, was
moaning piteously. She shrank on the threshold,
aghast at this abode of mangled men. The young
<span class='it'>aide-major</span> escorting her, pointed up the ward.</p>
<p class='pindent'>“You will find him there, Mademoiselle, Number
Seventeen.”</p>
<p class='pindent'>“How is he?” she asked.</p>
<p class='pindent'>“The day before yesterday he nearly went,” he
snapped his finger and thumb. “A hemorrhage which
we stopped. But the old French stock is solid as oak,
Mademoiselle. A hole or two doesn’t matter. He is
going along pretty well.”</p>
<p class='pindent'>“Thank God!” said Corinna.</p>
<p class='pindent'>A nurse with red-cross badge met them. “Ah, it
is the lady for Sergeant Bigourdin. He has been expecting
you ever since your letter.”</p>
<p class='pindent'>His eyes were all of him that she recognised at first.
His great, hearty face had grown hollow and the lower
part was concealed by a thick, black beard. She remembered
having heard of <span class='it'>les poilus</span>, the hairy-ones,
as the Territorial Troops were affectionately termed
in France. But his kind, dark eyes were full
of gladness. The nurse set a stool for Corinna by
the bedside. On her left lay another black-bearded
man who looked at her wistfully. He had been Bigourdin’s
amanuensis.</p>
<p class='pindent'>“This angel of tyranny forbids me to move my
arms,” whispered Bigourdin apologetically. The little
whimsical phrase struck the note of the man’s unconquerable
spirit. Corinna smiled through tears. The
nurse said: “Talk to him and don’t let him talk to
you. You can only have ten minutes.” She retired.</p>
<p class='pindent'>“<span class='it'>Cela vous fait beaucoup souffrir, mon pauvre ami?</span>”
said Corinna.</p>
<p class='pindent'>He shook his head. “Not now that you are here.
It is wonderful of you to come. You have a heart of
gold. And it is that little talisman, <span class='it'>ce petit cœur d’or</span>,
that is going to make me well. You cannot imagine—it
is like a fairy tale to see you here.”</p>
<p class='pindent'>Instinctively Corinna put out her hand and touched
his lips. She had never done so feminine and tender
a thing to a man. She let her fingers remain, while
he kissed them. She flushed and smiled.</p>
<p class='pindent'>“You mustn’t talk. It is for me who have sound
lungs. I have come because I have been a little imbecile,
and only at the eleventh hour I have repented
of my folly. If I had been sensible a year ago, this
would not have happened.”</p>
<p class='pindent'>He turned happy eyes on her; but he said with his
Frenchman’s clear logic:</p>
<p class='pindent'>“All my love and all the happiness that might have
been would not have altered the destinies of Europe.
I should have been brought here, all the same, with
a ridiculous little hole through my great body.”</p>
<p class='pindent'>Corinna admitted the truth of his statement. “But,”
said she, “I might have been of some comfort to you.”</p>
<p class='pindent'>His eyebrows expressed the shrug of which his
maimed frame was incapable. “It is all for the best.
If I had left you at Brantôme, my heart would have
been torn in two. I might have been cautious to the
detriment of France. As it was, I didn’t care much
what happened to me. And now they have awarded me
the <span class='it'>médaille militaire</span>; and you are here, to make, as
Baudelaire says, ‘<span class='it'>ma joie et ma santé</span>.’ What more
can a man desire?”</p>
<p class='pindent'>Now all this bravery was spoken in a voice so weak
that the woman in Corinna was stirred to its depths.
She bent over him and whispered—for she knew that
the man with the wistful gaze in the next bed was listening:</p>
<p class='pindent'>“<span class='it'>C’est vrai que tu m’aimes toujours?</span>”</p>
<p class='pindent'>She saw her question answered by the quick illumination
of his eyes, and she went on quickly: “And
I, I love you too, and I will give you all my poor life
for what it is worth. Oh!” she cried, “I can’t imagine
what you can see in me. Beside you I feel so small,
of so little account. I can do nothing—nothing but
love you.”</p>
<p class='pindent'>“That’s everything in the world,” said Bigourdin.</p>
<p class='pindent'>They were silent for a moment. Then he said: “I
should like to meet the <span class='it'>Boche</span> who fired that rifle.”</p>
<p class='pindent'>“So should I,” she cried fiercely. “I should like to
tear him limb from limb.”</p>
<p class='pindent'>“I shouldn’t,” said Bigourdin. “I should like to
decorate him with a pair of wings and a little bow
and arrow. . . .”</p>
<p class='pindent'>The nurse came up. “You must go now, mademoiselle.
The patient is becoming too excited. It is not
your fault. Nothing but a bolster across their mouths
will prevent these Périgordins from talking.”</p>
<p class='pindent'>A tiny bedroom in a house over a grocer’s shop was
all the accommodation that she had been able to secure,
as the town was full of troops billeted on the
inhabitants. As it was, that bedroom had been given
up to her by a young officer who took pity on her
distress. She felt her presence impertinent in this
stern atmosphere of war. After seeing Bigourdin,
she wandered for a while about the rainy streets and
then retired to her chilly and comfortless room, where
she ate her meal of sardines and sausage. The next
day she presented herself at the hospital and saw the
<span class='it'>aide-major</span>.</p>
<p class='pindent'>“Can you give me some work to do?” she asked. “I
don’t pretend to be able to nurse. But I could fetch
and carry and do odd jobs.”</p>
<p class='pindent'>But it was a French hospital, and the <span class='it'>règlement</span>
made no provision for affording prepossessing young
Englishwomen romantic employment.</p>
<p class='pindent'>Of course, said the <span class='it'>aide-major</span>, if Mademoiselle was
bent upon it, she could write an application which
would be forwarded to the proper quarter. But it
would have to pass through the <span class='it'>bureaux</span>—and she,
who knew France so well, was aware what the passing
through the <span class='it'>bureaux</span> meant. Unless she had the ear
of high personages, it would take weeks and perhaps
months.</p>
<p class='pindent'>“And in the meantime,” said Corinna, “my <span class='it'>grand
ami</span>, Number 17 down there, will have got well and
departed from the hospital.”</p>
<p class='pindent'>“Mademoiselle,” said he, “you have already saved
the life of one gallant Frenchman. Don’t you think
that should give you a sentiment of duty accomplished?”</p>
<p class='pindent'>She blushed. He was kind. For he was young and
she was pretty.</p>
<p class='pindent'>“I can let you see your <span class='it'>gros heureux</span> to-day,” said
he. “It is a favour. It is against the <span class='it'>règlement</span>. If
the <span class='it'>major</span> hears of it, there will be trouble. By the
grace of God he has a bilious attack which confines
him to his quarters. But, <span class='it'>bien entendu</span>, it is for this
time only.”</p>
<p class='pindent'>She thanked him and again found herself by Bigourdin’s
bedside. The moment of her first sight of
him was the happiest in her life. She had wrought a
miracle. He was a different man inspired with the
supreme will to live. The young doctor had spoken
truly. A spasm of joy shook her. At last she had
been of some use in the world. . . . She saw too the
Bigourdin whom she had known. His great, black
beard had vanished. One of the <span class='it'>camarades</span>, with two
disposable arms, had hunted through the kits of the patients
for a razor and had shaved him.</p>
<p class='pindent'>“They tell me I am getting on magnificently,” said
he. “This morning there is no longer any danger. In
a few months I shall be as solid as ever I was. It is
happiness that has cured me.”</p>
<p class='pindent'>They talked. She told him of her conversation with
the <span class='it'>aide-major</span>. He reflected for a moment. Then he
said:</p>
<p class='pindent'>“Do you wish to please me?”</p>
<p class='pindent'>“What am I here for?” asked Corinna.</p>
<p class='pindent'>“You are here to spoil me. Anyhow—if you wish
to please me, go to Brantôme, and await me. To know
that you are there, <span class='it'>chez-moi</span>, will give me the courage
of a thousand lions, and you will be able to console
my poor Félise who every night is praying for Martin
by the side of her little white bed.”</p>
<p class='pindent'>And so it was arranged. After two days extraordinary
travel, advancing from point to point by any
train that happened to run, shunted on sidings for interminable
periods, in order to allow the unimpeded
progress of military trains, waiting weary hours at
night in cold, desolate stations, hungry and broken,
but her heart aglow with a new and wonderful happiness,
she reached Brantôme.</p>
<p class='pindent'>She threw her arms round the neck of an astonished,
but ever urbane elderly gentleman in the vestibule of
the Hôtel des Grottes and kissed him.</p>
<p class='pindent'>“He’s getting well,” she cried a little hysterically.
“He sent me here to wait for him. I’m so happy and
I’m just about dead.”</p>
<p class='pindent'>“But yet there’s that spark of life in you, my dear
Corinna,” said Fortinbras, “which, according to the
saying, distinctly justifies hope. Félise and I will see
to it that you live.”</p>
<hr class='tbk'/>
<p class='pindent'>It was winter before Bigourdin was well enough to
return. By that time Corinna had settled down to her
new life wherein she found the making of <span class='it'>foie gras</span>
an enticing mystery. Also, in a town where every
woman had her man—husband, brother, son or lover—either
in hourly peril of death, or dead or wounded,
there was infinite scope for help and consolation. And
when a woman said: “<span class='it'>Hélas! Mon pauvre homme.
Il est blessé là-bas</span>,” she could reply with a new, thrilling
sympathy and a poignant throb of the heart: “And
my man too.” For like all the other women there, she
had “<span class='it'>son homme</span>.” Her man! Corinna tasted the
fierce joy of being elemental.</p>
<p class='pindent'>There was much distress in the little town. The
municipality did its best. In many cases the wives
valiantly carried on the husband’s business. But in
the row of cave dwellings where the quarrymen lived
no muscular arms hewed the week’s wages from the
rocks. Boucabeille, Martin’s Bacchanalian friend, had
purged all his offences in heroic battle, and was lying
in an unknown grave. Corinna, learning how Martin
had carried the child home on his shoulders, brought
her to the hotel and cared for her, and obtained work
for the mother in the <span class='it'>fabrique</span>.</p>
<p class='pindent'>Never before had Corinna had days so full; never
before had she awakened in the morning with love in
her heart. Félise, grown gentler and happier since
the canonisation of her father, gave her unstinted affection.</p>
<p class='pindent'>And then Bigourdin arrived, nominally on sick-leave,
but with private intimation that his active
services would be required no longer. This gave
a touch of sadness to his otherwise joyous home-coming.</p>
<p class='pindent'>“I have not killed half enough Boches,” said he.</p>
<p class='pindent'>A few days after his return came a letter from
Martin. And it was written from a hospital.</p>
<div class='blockquote'>
<p class='noindent'><span class='sc'>My Dearest Félise</span>:</p>
<p class='pindent'>I am well and sound and in perfect health. But a
bullet got me in the left arm while we were attacking
a German trench, and a spent bit of shrapnel caught
me on the head and stunned me. When I recovered
I was midway between the trenches in the zone of fire
and I had to lie still between the dead bodies of two
of our brave soldiers. I thought much, my dear,
while I was lying there expecting every minute a
bullet to finish me. And some of what I thought I
will tell you, when I see you, for I shall see you very
soon. After some thirty-six hours I was collected and
brought to the field hospital, where I was patched up,
and in the course of a day or so sent on to the base.
I lay on straw during the journey in a row of other
wounded. France has the defects of her qualities.
Her soil is so fertile that her stalks of straw are like
young oak saplings. When I arrived I had such a
temperature and was so silly with pain that I don’t
very well remember what happened. When I got
sensible they told me that gangrene had set in and
that they had chopped off my arm above the elbow.
I always thought I was an incomplete human being,
dear, but I have never been so idiotically incomplete
as I am now. Although I am getting along splendidly
I want to do all sorts of things with the fingers that
aren’t there. I turn to pick up something and there’s
nothing to pick it up with. A week before I was
wounded, I had a finger nail torn off, and it still hurts
me, somewhere in space, about a foot away from what
is <span class='it'>me</span>. You would laugh if you knew what a nuisance
it is. . . . I make no excuses for asking you to receive
me at Brantôme; all that is dear to me in the
world is there—and what other spot in the wide universe
have I to fly to?</p>
</div>
<p class='pindent'>“But <span class='it'>sacré nom d’une pipe</span>!” cried Bigourdin—for
Félise, after private and tearful perusal of the letter,
was reading such parts of it aloud as were essential
for family information—“What is the imbecile talking
of? Where else, indeed, should he go?”</p>
<p class='pindent'>Félise continued. Martin as yet unaware of Bigourdin’s
return, sent him messages.</p>
<p class='pindent'>“When you write, will you tell him I have given
to France as much of myself as I’ve been allowed to?
Half an arm isn’t much. <span class='it'>Mais c’est déjà quelque
chose.</span>”</p>
<p class='pindent'>“<span class='it'>Quelque chose!</span>” cried Bigourdin. “But it is a
sacred sacrifice. If I could get hold of that little bit
of courageous arm I would give it to Monsieur le Curé
and bid him nail it up as an object venerable and
heroic in his parish church. <span class='it'>Ah! le pauvre garçon, le
pauvre garçon</span>,” said he. “<span class='it'>Mais voyez-vous</span>, it is the
English character that comes out in his letter. I have
seen many English up there in the North. No longer
can we Frenchmen talk of <span class='it'>le phlègme britannique</span>. The
astounding revelation is the unconquerable English
gaiety. <span class='it'>Jamais de longs visages.</span> If a decapitated
English head could speak, it would launch you a whimsical
smile and say: “What annoys me is that I can’t
inhale a cigarette.” And here our good Martin makes
a joke about the straw in the ambulance-train. <span class='it'>Mon
Dieu!</span> I know what it is, but it has never occurred to
me to jest about it.”</p>
<p class='pindent'>In the course of time Martin returned to Brantôme.
The railway system of the country had been
fairly adjusted in the parts of France that were distant
from scenes of military operations. Bigourdin borrowed
Monsieur le Maire’s big limousine which had
not been commandeered—for the Mayor was on many
committees in the Department and had to fly about
from place to place and with Corinna and Félise and
Fortinbras he met Martin’s train at Périgueux. As
it steamed in a hand waved from a window below a
familiar face. They rushed to the carriage steps and
in a moment he was among them—in a woollen Kepi
and incredibly torn blue-grey greatcoat and ragged red
trousers, the unfilled arm of the coat dangling down
idly. But it was a bronzed, clear-eyed man who met
them, for all his war battering.</p>
<p class='pindent'>Bigourdin welcomed him first, in his exuberant way,
called him <span class='it'>mon brave, mon petit héros</span>, and hugged
him. Fortinbras gripped his hand, after the English
manner. Corinna, happy and smiling through glistening
eyes, he kissed without more ado. And then he
was free to greet Félise, who had remained a pace
or two in the background. Her great, dark eyes were
fixed upon him questioningly. She put out a hand
and touched the empty sleeve. She read in his face
what she had never read before. His one poor arm,
stretched in an instinctive curve—with a little sobbing
cry she threw herself blindly into his embrace.</p>
<p class='pindent'>The tremendous issues of existence with which for
five months he had been grappling had wiped out from
his consciousness, almost from his memory, the first
enthralling kiss of another woman. Caked with mud,
deafened by the roar of shells, sleeping in the earth of
his trench, an intimate of blood and death day after
day, he had learned that Lucilla had been but an <span class='it'>ignis
fatuus</span> leading him astray from the essential meaning
of his life. He knew, as he lay wounded beneath the
hell of machine-gun fire between the trenches that
there was only one sweet, steadfast soul in the world
who called him to the accomplishment of his being.</p>
<p class='pindent'>When, in the abandonment of her joy and grief his
lips met the soft, quivering mouth of Félise, care, like
a garment, fell from him. He whispered: “You
have a great heart. I’ve not deserved this. But you’re
the only thing that matters to me in the world.”</p>
<p class='pindent'>Félise was content. She knew that the war had
swept his soul clean of false gods. Out of that furnace
nothing but Truth could come.</p>
<p class='pindent'>And so Martin returned for ever to the land of his
adoption, which on the morrow was to take him after
its generous and expansive way as a hero to its bosom.
The Englishman who had given a limb for Périgord
was to be held in high honour for the rest of his
days.</p>
<p class='pindent'>He was a man now who had passed through most
human experiences. A man of fine honour, of courage
tested in a thousand ways, of stiffened will, of high
ideals. The life that lay before him was far dearer
than any other he could have chosen. For it matters
not so much the life one leads as the knowledge of the
perfect way to live it. And that knowledge, based
on wisdom, had Martin achieved. He knew that if
the glittering prizes of the earth are locked away behind
golden bars opening but to golden keys, there
are others far more precious lying to the hand of him
who will but seek them in the folds of the familiar
hills.</p>
<p class='pindent'>The five sat down to dinner that evening in the
empty <span class='it'>salle-à-manger</span>; for not a guest, even the most
decrepit commercial traveller, was staying at the hotel.
Yet never had they met at a happier meal. Félise cut
up Martin’s food as though it had been blessed bread.
In the middle of it Fortinbras poured out half a glass
of wine.</p>
<p class='pindent'>“My children,” said he, “I am going to break
through the habit of years. This old wine of Burgundy
is too generous to betray me on an occasion so
beautiful and so solemn. I drink to your happiness.”</p>
<p class='pindent'>“But to whom do Martin and I owe our happiness?”
cried Corinna, with a flush on her cheek, and a glistening
in her blue eyes. “It is to you—from the first to
last to you, <span class='it'>Marchand de Bonheur</span>!”</p>
<p class='pindent'>“My God! Yes,” said Martin, extending his one
arm to Fortinbras.</p>
<p class='pindent'>The ex-Dealer in Happiness regarded them both
benevolently. “For the first time in my life,” said
he, “I think I have reason to be proud of my late
profession. Like the artist who has toiled and struggled,
I can, without immodesty, recognise my masterpiece.
It was my original conception that Martin and
Corinna, crude but honest souls, should find an incentive
to the working out of their destiny by falling
in love. Therefore I sent them out together. That
they should have an honourable asylum, I sent them
to my own kin. When I found they wouldn’t fall in
love at all, I imagined the present felicitous combination.
I have been aided by the little accident of a
European war. But what matter? The Gods willed
it, the Gods were on my side. Out of evil there inscrutably
and divinely cometh good. My children, my
heart is very full of the consolation that, at the end of
many years that the locust hath eaten, I have perhaps
justified my existence.”</p>
<p class='pindent'>“<span class='it'>Mon père</span>,” cried Félise, “all my life long your existence
has had the justification of heroic sacrifice.”</p>
<p class='pindent'>“My dear,” said he, “if I hadn’t met adversity with
a brave face, I should not have been a man—still
less a philosopher. And now that my duty here is
over, if I don’t go back to Paris and find some means
of helping in the great conflict, I shall be unworthy of
the name of Englishman. So as soon as I see you
safely and exquisitely married, I shall leave you. I
shall, however, come and visit you from time to time.
But when I die”—he paused and fishing out a stump
of pencil scribbled on the back of the menu card—“when
I die, bury me in Paris on the south side of
the Seine and put this inscription on my tombstone.
One little vanity is accorded by the gods to every human
being.”</p>
<p class='pindent'>He threw the card on the table. On it was written:</p>
<div class='poetry-container' style=''>
<div class='lgp'> <!-- rend=';' -->
<div class='stanza-outer'>
<p class='line0'>      “<span class='it'>Ci-gît</span></p>
<p class='line0'>      <span class='it'>Fortinbras</span></p>
<p class='line0'><span class='it'>Marchand de Bonheur.</span>”</p>
</div>
</div></div> <!-- end poetry block --><!-- end rend -->
<p class='pindent'>When the meal was over they went up to the prim
and plushily furnished salon, where a wood fire was
burning gaily. Bigourdin brought up a cobwebbed
bottle of the Old Brandy of the Brigadier and uncorked
it reverently.</p>
<p class='pindent'>“We are going to drink to France,” said he.</p>
<p class='pindent'>He produced from the cupboard whose doors were
veiled with green-pleated silk, half a dozen of the great
glass goblets and into each he poured a little of the
golden liquid, which, as he had once said, contained
the soul of the <span class='it'>Grande Armée</span>.</p>
<p class='pindent'>“Stop a bit,” said Martin. “You’re making a mistake.
There are only five of us.”</p>
<p class='pindent'>“I am making no mistake at all,” said Bigourdin.
“The sixth glass is for the shade of the brave old
Brigadier. If he is not here now among us to honour
the toast, I am no Christian man.”</p>
<p class='line' style='text-align:center;margin-top:6em;font-size:1em;'>THE END</p>
<hr class='pbk'/>
<div class="bbox">
<div class='lgc' style=''> <!-- rend=';' -->
<p class='line'>THE</p>
<p class='line' style='font-size:2em;'>WILLIAM J. LOCKE</p>
<p class='line' style='font-size:2em;'>YEAR-BOOK</p>
<p class='line'> </p>
<p class='line'>*</p>
<p class='line'> </p>
<p class='line'>A <span class='it'>bon-mot</span> for each day in</p>
<p class='line'>every year, selected from</p>
<p class='line'>this popular author’s works.</p>
<p class='line'> </p>
<p class='line'>*</p>
<p class='line'> </p>
<p class='line'> </p>
<div class='center'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='it'>Decorated Cloth.</span> </td>
<td align='center'> </td>
<td align='right'><span class='it'> $1.00 net</span></td>
</tr>
</table></div>
</div> <!-- end rend --></div>
<hr class='pbk'/>
<div class="bbox2">
<p class='line' style='text-align:center;margin-bottom:0.5em;font-size:1.5em;'><span class='bold'>NOVELS BY F. E. MILLS YOUNG</span></p>
<hr class="boxy" />
<p class='line'> </p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>The Great Unrest</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.30 net</span></span></td>
</tr>
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<p class='pindent'><span style='font-size:smaller'>“As a study in the age-old question of heredity versus environment,
this novel is illuminating.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>Baltimore Sun.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>Valley of a Thousand Hills</span> </td>
<td align='center'> </td>
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<p class='pindent'><span style='font-size:smaller'>“A fascinating romance with a heroine of unusual charm.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>Boston Evening Transcript.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>The Purple Mists</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.30 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>“It combines the atmosphere of the African veldts with a
singularly good love story.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>Chicago Post.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>Myles Calthorpe, I. D. B.</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.25 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>“Well written and thoroughly interesting.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>New York Herald.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>Grit Lawless</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.25 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>“There is in Miss Young’s work a richness of expression, a
sincerity of feeling and knowledge of the human heart that are
profound and convincing.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>Philadelphia Public Ledger.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>Sam’s Kid</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.25 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>“Her characterization of Sam is exquisitely sympathetic. It
is a powerful book.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>Philadelphia Public Ledger.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>Chip</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.25 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>“Powerful in purpose and gripping in theme.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>Philadelphia Record.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>Atonement</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.25 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>“A well-told and always interesting story. Miss Young
suggests the doctrine of Emerson.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;margin-top:-0.25em;'>—<span style='font-size:smaller'><span class='it'>New York Herald.</span></span></p>
<div class='center' style='margin-bottom:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>A Mistaken Marriage</span> </td>
<td align='center'> </td>
<td align='right'> <span style='font-size:smaller'><span class='it'>12mo. Cloth. $1.25 net</span></span></td>
</tr>
</table></div>
<p class='pindent'><span style='font-size:smaller'>A love story dealing with Society life in South Africa.</span></p>
<p class='line'> </p>
<hr class="boxy" />
<div class='center' style='font-size:1.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='bold'>JOHN LANE COMPANY</span> </td>
<td align='center'> </td>
<td align='right'> <span class='bold'>New York</span></td>
</tr>
</table></div>
</div>
<hr class='pbk'/>
<div class="bbox2">
<div class='lgc' style=''> <!-- rend=';' -->
<p class='line'> </p>
<p class='line' style='margin-top:-0.5em;font-size:2em;'><span class='gesp'>MOONBEAMS</span></p>
<p class='line'> </p>
<p class='line' style='margin-top:-0.5em;font-size:1.5em;'>From the Larger Lunacy</p>
<p class='line'> </p>
<p class='line' style='margin-top:-0.5em;'>BY</p>
<p class='line'> </p>
<p class='line' style='margin-top:-0.5em;font-size:1em;'>STEPHEN LEACOCK</p>
<p class='line'> </p>
<p class='line' style='margin-top:-0.5em;'><span style='font-size:smaller'>Author of “Nonsense Novels,” “Sunshine Sketches,” etc.</span></p>
<p class='line'> </p>
<div class='center' style='text-align:right;margin-left:6em;margin-right:6em;margin-top:-0.5em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'><span class='it'>12mo</span> </td>
<td align='center'> <span class='it'>Cloth</span> </td>
<td align='right'> <span class='it'>$1.25 net</span></td>
</tr>
</table></div>
<p class='line'> </p>
</div> <!-- end rend -->
<hr class="boxy" />
<p class='pindent'><span style='font-size:smaller'>“Admirable fooling upon a very great variety of subjects. His is a
mind bubbling over with whimsical ideas. The quality of his fun is distinctive.”—<span class='it'>The
Nation</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“Mr. Leacock’s humor is hearty; as a parodist he hits with mighty
blows.”—<span class='it'>Boston Earning Transcript</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“Burlesque settings, but a droll humor as quiet and kindly as that of
Steele and Addison. The author laughs not at us, but with us, over many
of the foolish antics of life.”—<span class='it'>New York Evening Sun</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“One cannot afford to escape any of the wholesome witticisms so
precious throughout the entire book.”—<span class='it'>Book News Monthly</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“Mr. Leacock is singularly wise to the fancies and foibles of our day,
and he hits them off in a way that will make you laugh without being
ashamed of it.”—<span class='it'>Detroit Saturday Night</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“Mr. Leacock is a public benefactor. His good-natured persiflage
scintillates, while his wisdom suggests; and the reader enjoys complete
intellectual relaxation in the company of this most charming of humorists.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;'><span style='font-size:smaller'>—<span class='it'>Philadelphia Public Ledger</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“It is the very gustiness of his fun-making that sweeps stupidity and
lassitude from brains. This popularity of his—well, he deserves it tenfold.
And as for those who ‘Simply cannot laugh at him’—are there any in the
world?”—<span class='it'>New York Evening Sun</span></span></p>
<p class='pindent'><span style='font-size:smaller'>“Stephen Leacock’s special and individual flow of fun is at full swing
in this volume. In all this laughable to-do of fun-making, Leacock tells a
deal of truth, telling it unspitefully, even in a gale of good humor and with
deft twists of the wrist that are very catchy and striking.”</span></p>
<p class='line' style='text-align:right;margin-right:1em;'><span style='font-size:smaller'>—<span class='it'>Washington Evening Star</span></span></p>
<hr class="boxy" />
<div class='center'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'>JOHN LANE COMPANY, </td>
<td align='center'> <span class='it'>Publishers</span>, </td>
<td align='right'> NEW YORK</td>
</tr>
</table></div>
<div class='center' style='text-align:right;margin-left:2em;margin-right:2em;'>
<table border="0" cellpadding="4" cellspacing="0" summary="triple" width="100%">
<tr>
<td align='left'>∴ ∴ </td>
<td align='center'> S. B. GUNDY, TORONTO </td>
<td align='right'> ∴ ∴</td>
</tr>
</table></div>
</div>
<hr class='pbk'/>
<div class="bbox2">
<div class='lgc' style=''> <!-- rend=';' -->
<p class='line'>“By all odds the most beautiful periodical</p>
<p class='line'>printed.”—<span class='it'>New York Tribune.</span></p>
</div> <!-- end rend -->
<hr class="boxy" />
<p class='line' style='text-align:center;font-size:2.5em;'>The International</p>
<p class='line' style='text-align:center;font-size:2.5em;'>Studio</p>
<hr class="boxy" />
<table border="0" cellpadding="2" class="little" >
<tr>
<td valign="bottom" ><i>Subscription</i></td>
<td rowspan="3"><ANTIMG src="images/intstudio.jpg" height-obs="150" alt="logo"/></td>
<td valign="bottom"><i>Three Months’</i></td>
</tr>
<tr>
<td ><i>50 cents per copy</i></td>
<td ><i>Trial Subscription</i></td>
</tr>
<tr>
<td valign="top"><i>$5.00 per year</i></td>
<td valign="top"><i>$1.00</i></td>
</tr>
</table>
<p class='noindent'><span style='font-size:smaller'><span class='dropcap'>E</span><span class='sc'>VERY</span> number of the International Studio contains
authoritative articles on the work of artists of established,
as well as of rising, fame. The reader is kept
informed of exhibitions, museums, galleries and studios
in all the important art centres of the world. The illustrations,
both in color and halftone, are unequalled in quantity
and quality by any other periodical. The subjects
discussed each month are: paintings, etchings, drawings,
photography, sculpture, architecture, decorations, tapestries,
rugs, textiles, furniture, embroideries, landscape
architecture, stained glass, pottery and the numerous
other handicrafts, etc. The International Studio has
maintained its place as the leading art magazine in the
English language ever since its first issue in March, 1897.</span></p>
<div class='poetry-container' style=''>
<div class='lgp'> <!-- rend=';' -->
<div class='stanza-outer'>
<p class='line0'><span style='font-size:smaller'>“It is a treasure house of everything of value</span></p>
<p class='line0'><span style='font-size:smaller'> in the way of art.”—<span class='it'>Indianapolis Star.</span></span></p>
<p class='line'> </p>
</div>
<div class='stanza-outer'>
<p class='line0'><span style='font-size:smaller'>“An art gallery in itself.”—<span class='it'>Brooklyn Eagle.</span></span></p>
</div>
</div></div> <!-- end poetry block --><!-- end rend -->
<hr class="boxy" />
<table id='tab1' summary='' class='center'>
<colgroup>
<col span='1' style='width: 17.5em;'/>
<col span='1' style='width: 5em;'/>
</colgroup>
<tr><td class='tab1c1 tdStyle0'><span style='font-size:x-large'>JOHN LANE COMPANY</span></td><td class='tab1c2 tdStyle1'><span style='font-size:x-small'> <span class='sc'>PUBLISHERS</span><br/><span class='sc'>NEW YORK</span></span></td></tr>
</table></div>
<hr class='pbk'/>
<p class='line' style='text-align:center;margin-top:4em;margin-bottom:2em;font-size:1.2em;'>TRANSCRIBER NOTES</p>
<div class='blockquote'>
<p class='pindent'>Misspelled words and printer errors have been corrected.
Where multiple spellings occur, majority use has been
employed.</p>
<p class='pindent'>Punctuation has been maintained except where obvious
printer errors occur.</p>
</div>
<div style="break-after:column;"></div><br />