<h2><SPAN name="CHAPTER_EIGHT" id="CHAPTER_EIGHT"></SPAN>CHAPTER EIGHT</h2>
<p>"Then why ask me?" Hammond shrugged, but his eyes flickered toward Polly
Beale.</p>
<p>"I thought perhaps you could give me a little additional information,"
Dundee soothed him. "You see, it happens that I saw you, Miss Beale and
another young man come into the Stuart House dining room about half past
one today, just when I was thinking of lunch for myself."</p>
<p>"The mysterious 'other young man' was Clive's brother, Ralph Hammond,"
Polly Beale cut in brusquely.</p>
<p>"Your decision to lunch with your fiancé and his brother was quite a
sudden one?" Dundee asked courteously. "Just when did you change your
mind about Mrs. Selim's luncheon party at Breakaway Inn, Miss Beale?"</p>
<p>The tall girl threw up her mannishly cropped, chestnut head. "There is
nothing at all sinister or even queer about it, Mr. Dundee! I was on my
way to the luncheon, when I decided to drive past Nita's house, on the
chance that she might like me to drive her over."</p>
<p>"Then you didn't know that Mrs. Dunlap had already arranged to meet Mrs.
Selim downtown this morning and to take her to the Inn?" Dundee asked.</p>
<p>"No! I didn't hear of the arrangement," Polly answered decidedly.</p>
<p>"You were a close friend of Mrs. Selim's perhaps?" Dundee prodded.</p>
<p>"Not at all! But that would not keep me from doing my hostess a
courtesy.... She hated her Ford and liked expensive cars," Polly added
unemotionally. "It was about a quarter to one when I got here, I should
say. Nita wasn't here, nor was her maid, but I saw Ralph's car parked in
front of the house—"</p>
<p>"<i>Ralph Hammond's car?</i>" a woman squealed, but Dundee let Polly
continue.</p>
<p>"I rang and he answered the door. Said he was alone in the house, going
over the premises at Judge Marshall's request," Polly said evenly.</p>
<p>"That's right—that's right!" Judge Marshall agreed hastily. "Nita—Mrs.
Selim—wanted the unfinished half of the gabled top story finished up.
Wanted a maid's room and bath, and a guest room and bath added to the
living quarters already completed. I gave the commission, for an
estimate, at least, to the Hammond firm, since they had built the house
originally for Crain—Penny's father."</p>
<p>"I see," Dundee agreed. "And you sent your brother, Mr. Hammond?"</p>
<p>"He was the natural one to send," Clive Hammond retorted. "Small job.
All he had to do was to get together an estimate on additional furnace
lines and radiators, electric wiring, plumbing, plastering, etc."</p>
<p>"Go on, Miss Beale," Dundee directed.</p>
<p>"Thanks!" There was sarcasm in her brusque voice. "But that's really
about all I have to tell. Ralph complained that he was hungry and
charged me with giving him too little of my time—the usual thing. I
picked up Nita's phone, called Clive and made the date for the three of
us. Then I called Breakaway Inn, cancelled the luncheon part of the
bridge party with Nita, and Ralph and I drove back to Hamilton."</p>
<p>Dundee studied her strong, clever, almost plain face for a long minute.
Certainly Polly Beale did not look like a liar—but he would have taken
his oath that she was lying now. Or rather not revealing the whole truth
behind the actual facts of her movements that day. For instance, could a
simple plea of her future brother-in-law make her do so discourteous a
thing as to break a luncheon appointment, especially when such a course
would not only disappoint her hostess and her friends but disarrange the
seating plan of a rather formal party?</p>
<p>Of course the explanation was obvious. She had wanted, first, to see
Nita and remonstrate privately with her for having so enslaved Ralph
Hammond, when he was tacitly known to "belong" to Penny Crain—one of
the sacred crowd. Failing that, she had found Ralph himself, and had not
expected to find him; had talked with him about Nita, and had quarreled
a bit with him, perhaps, over his love-sodden behavior. And the crisis
had become so acute that Polly had arbitrarily called upon Clive Hammond
and then had forced Ralph to accompany her.</p>
<p>"Do you know, Miss Beale, why Ralph Hammond did not keep <i>his</i>
engagement with Mrs. Selim this afternoon? Or rather, his promise to
appear for cocktails and to be Miss Crain's partner for the rest of the
evening—dinner and dancing at the Country Club?"</p>
<p>"I do not!" Polly said crisply.</p>
<p>"Hammond?"</p>
<p>"Neither do I," Hammond retorted angrily.</p>
<p>"Then it was not to discuss Ralph Hammond and his—affairs, that you
beckoned Miss Beale to meet you in the solarium upon your arrival?"</p>
<p>"It—<i>was not</i>!"</p>
<p>A shade too much anger and emphasis, Dundee decided. And he wished
heartily that Strawn's detectives would not delay much longer in
bringing the missing young man into this already involved examination.</p>
<p>"You say that you both were in the solarium from the time of your
arrival, Hammond, until Mrs. Marshall screamed," Dundee continued. "Just
what did you see and hear?"</p>
<p>Dundee watched their faces keenly, but again they were well-bred,
expressionless. It was Polly Beale who answered: "Naturally there was
not absolute silence, but I am afraid we were not listening. We were
rather engrossed in our conversation. We were seated—near no
windows—and I for one <i>saw</i> nothing, as well as heard nothing that I
can recall."</p>
<p>"Hammond?"</p>
<p>"That goes for me, too—absolutely!"</p>
<p>Abruptly abandoning the engaged couple, Dundee returned to Miles. "You
were the second arrival, then?"</p>
<p>"Yes. I parked my car along the curb in front of the house," Tracey
answered readily. "And I came right on in, and Nita jumped up—"</p>
<p>"Yes. We've had all that twice before," Dundee interrupted cruelly.
"Now, Judge Marshall—"</p>
<p>"One of my friends gave me a lift from town," Judge Marshall volunteered
pompously. "Chap named Sampson. You may have heard of him—fine fellow,
splendid lawyer. We played billiards together at the Athletic Club, and
when I was about to call a taxi—my wife having the car here—he offered
to drop me here on his way to the Country Club.... N-no, I don't
remember the exact time, did not consult my watch."</p>
<p>"You came directly from the road into the house, Judge Marshall?"</p>
<p>"Certainly, sir!"</p>
<p>"Did you—er, see anyone?"</p>
<p>"You mean, sir, did anyone see <i>me</i>?" Judge Marshall demanded with
pompous indignation. "No, no one, sir! If my word is not good enough for
you, you can think what you damned please!"</p>
<p>"I think we are all getting a little too tired, Mr. Dundee," Penny Crain
suggested, almost humble in her weariness.</p>
<p>"I'm truly sorry," the young detective apologized. "But I can't leave
things like this ... Mr. Drake, you have said you walked over from the
Country Club. You must have approached the house from the driveway side,
the side of the house which contains Mrs. Selim's bedroom.... Is that
right?"</p>
<p>"More or less, except that I skirted the house rather widely and arrived
from the road, stepping upon the front porch, and walking directly into
the hall. I saw no one outside or near the house when I arrived," Drake
answered, with less than his usual nastiness.</p>
<p>"And saw no one running away across the meadows?" Dundee pressed.</p>
<p>"No one at all," Drake retorted. "I wish to God I could truthfully say
that I saw a gunman, with a mask and a smoking revolver, skulking
through the wildflowers, but the absolute truth is that I saw no one."</p>
<p>"Thank you, Mr. Drake.... Now—Mr. Sprague, 'of New York'!"</p>
<p>Sprague's nervously twitching face reddened darkly. "I—I took a bus. I
have no car of my own. I got off the bus on Sheridan Road, at the
entrance to Primrose Meadows."</p>
<p>"I see. And you walked the quarter of a mile to this house?"</p>
<p>Sprague's hand fumbled with his cravat. "I—of course I did!"</p>
<p>"I see.... Now, Miss Raymond," Dundee pounced unexpectedly, so that the
red-haired girl went very white beneath her freckles, "you observed Mr.
Sprague toiling down the rutty road, hot and weary, but romantic in the
sunset?"</p>
<p>Mrs. Drake let out a nervous giggle, then clapped her hand over her
mouth.</p>
<p>"I—I wasn't looking that way," Janet Raymond stammered. "I—I just went
out on the porch for a breath of fresh air—"</p>
<p>"And you were <i>completely</i> surprised when Mr. Sprague came walking up
the flagstone path?" Dundee persisted, for he knew she was lying, knew
that she had stationed herself there to watch for Sprague.</p>
<p>"I—yes, I was! He stopped and talked for a while, before we came in and
joined Tracey and Lois in the dining room, where Tracey was mixing
cocktails.... But," she flared suddenly, "I don't see why you have to
badger all of us, when it <i>must</i> have been Lydia, the maid, who killed
Nita, because—"</p>
<p>"Oh, Janet! Shame on you!" Penny cried furiously.</p>
<p>"Where is the maid now, Captain Strawn?" Dundee asked. "I haven't seen
her yet—"</p>
<p>"Because she's in her room in the basement, Bonnie," Strawn answered.
"Sort of forgot about her, didn't you?" and he chuckled at the younger
man's discomfiture. "But <i>I</i> got her story out of her, you bet! Nothing
to it, though. One of my boys—Collins, it was—found her in that short,
dark hall that runs between the Selim woman's bedroom and the kitchen.
Sicker'n a pup she was; it was a mess. Said she'd—"</p>
<p>"I'd better have her up and question her, if she's well enough," Dundee
interrupted, as tactfully as possible. "It seems that she had an
abscessed tooth out today, with gas and a local anesthetic.... Now, Miss
Raymond, will you tell me exactly what you meant by saying it must have
been Lydia who killed her mistress?"</p>
<p>"I certainly will!" the red-haired girl cried defiantly. "What I can't
see is why Tracey and Lois and Dex—Mr. Sprague—didn't think of it,
too. It's as plain as—"</p>
<p>"Yes, as the nose on my face," Dundee cut in grimly, but with a glance
at Strawn. "Just stick to the facts, however, Miss Raymond, and maybe we
can all agree with you."</p>
<p>"Well, when Mr. Sprague and I went into the dining room, there were Lois
and Tracey cutting up like a couple of children," Janet began,
determined to take her time. "When they saw us, Lois said: 'Good Lord,
Tracey! Get busy! Or your job as bartender will be taken away from you,'
and Tracey began to shake cocktails at the sideboard—"</p>
<p>"Guess I'd better tell it, Janet, for what it's worth," Lois cut in
impatiently. "It's nothing more nor less than that I had to ring twice
for poor Lydia before she came," she explained to Dundee. "Tracey is
full of original ideas about cocktails, and wanted some sort of bitters.
He was going to shout for Lydia, but I stepped on the button under the
dining table, and the poor thing—in the basement nursing her jaw,
probably—didn't hear. Tracey and I got to kidding, as Janet says, and
had scarcely noticed how long Lydia was in coming. I rang again, and she
came.... That's all!"</p>
<p>"That isn't all!" Janet denied angrily. "I was there when Lydia came
in, and she was looking white as a ghost—except for her swollen jaw.
What's more, she acted so dumb Tracey had to tell her twice what he
wanted.... And then she said Nita didn't have any of those bitters
anyway."</p>
<p>"An open-and-shut case against poor Lydia!" Penny Crain broke in
derisively. "Go pluck daisies, Janet! You'd be of a lot more help!"</p>
<p>"Here's your maid, Bonnie," Captain Strawn announced lazily, as one of
his plainclothesmen appeared in the arch between dining and living room,
dragging by the hand a woman who was resisting strangely, her apron
pressed to her face.</p>
<p>"You are Lydia?" Dundee asked, his voice kinder than it had been for
many minutes. "Oh, it's Lydia Carr, Captain Strawn? Thank you.... Don't
be afraid. And I'm sorry about the tooth.... Come along in. I'll not
keep you long."</p>
<p>The woman's knees seemed about to fail her, but with a sudden effort she
released the detective's grip on her wrist. Very tall she was, very bony
in her black cotton dress. Pathetic, too, with her thin, iron-grey hair,
and that apron concealing the left half of her face. It was odd, Dundee
thought, that it was not the swollen jaw she chose to cover.</p>
<p>Mrs. Dunlap sprang to her feet and hurried across the room.</p>
<p>"Don't mind, Lydia, please. You must not be so sensitive," she said
gently, and even more gently pulled down the concealing apron....</p>
<p>"Good God!" Dundee breathed, and Strawn nodded his understanding of the
younger man's horror.</p>
<p>For the left half of Lydia Carr's face was drawn and puckered and ridged
almost out of human semblance. Even the eye was ruined—a milky ball
which the puckered, hairless eyelid could never cover again.</p>
<p>"Poor Lydia is ashamed of her scarred face," Lois Dunlap explained, her
arm still about the maid's shoulder. "She isn't quite used to it yet,
but none of <i>us</i> mind—"</p>
<p>"You were burned recently, Lydia?" Dundee asked pityingly.</p>
<p>"That's my business!" the woman astounded him by retorting harshly.</p>
<p>"How did it happen, Lydia?" Dundee persisted, puzzled.</p>
<p>"I had an accident. It was my own fault."</p>
<p>Lois Dunlap's kind grey eyes caught and held Dundee's firmly. "I think,
if Nita could speak to you now, Mr. Dundee, that she would beg you not
to try to force Lydia's confidence on this subject. Nita was devoted to
Lydia—we can all testify to that!—and one of the sweetest things about
her was her constant effort to protect Lydia from questions and curious
glances. I, for one, know that Nita often begged Lydia to submit to a
skin-grafting operation, regardless of expense—"</p>
<p>When that kind voice choked on tears, Dundee abruptly abandoned his
intention to press the matter further.</p>
<p>"Lydia, your mistress had been married, or was still married, wasn't
she?"</p>
<p>The woman's single, slate-grey eye stared into his expressionlessly.
"She had 'Mrs.' in front of her name, to use when she felt like it.
That's all I know. I never saw her husband—if she had one. I only
worked for her about five years."</p>
<p>"You say she used her married name 'when she felt like it....' What do
you mean by that, Lydia?"</p>
<p>"I mean she was an actress, and used her stage name—Juanita
Leigh—pronounced like it was spelled plain 'Lee'; but she was mostly
called 'Nita Leigh'."</p>
<p>"An actress, you say?" Dundee repeated thoughtfully. "I had heard of her
only as director of the Forsyte School plays.... What shows was she in?"</p>
<p>"She was what they call a specialty dancer in musical comedy," Lydia
answered. "Sometimes she had a real part and sometimes she only danced.
She was a good hoofer and a good trouper," she added, the Broadway terms
falling strangely from those austere lips. "And when she wasn't in a
show she sometimes got a job in the pictures. She never had a real
chance in the movies, though, because they mostly wanted her to double
for the star in long shots, where dancing comes into the picture, or in
close-ups where they just show the legs, you know."</p>
<p>"I see," Dundee agreed gravely. "Where were you during the fifteen
minutes or so before your mistress was shot, Lydia?"</p>
<p>"I was down in my room in the basement," the woman answered. "Nita—I
mean Miss Nita was going to get Judge Marshall to build me a room on the
top floor. She hated for me to have to sleep in the basement, but I
didn't mind."</p>
<p>"You were not required to be on duty for the party?"</p>
<p>"No," she answered in her harsh, flat voice. "I'd fixed the sandwiches
and put out the liquors for the cocktails—set them all out on the
dining table and sideboard, and Miss Nita had told me to go and lie down
as soon as I was through. So I did. I had an abscessed tooth pulled this
morning, and I was feeling sick."</p>
<p>"Did you hear the kitchen bell at all?" Dundee went on.</p>
<p>"I dropped off to sleep—that fool dentist had shot me full of dope—but
I did hear the bell and I come up to answer it. Mrs. Dunlap said she'd
rung twice, and I said I was sorry—"</p>
<p>"Lydia, did you go into your mistress' bedroom before or after you
answered that bell?" Dundee asked with sudden sharpness.</p>
<p>"I did not! I didn't even know she was in her bedroom, until I saw her
sitting at her dressing-table—dead." The harsh voice hesitated over the
last word, but it did not break.</p>
<p>"And just when did you first see her—after she was dead?"</p>
<p>"I went into the kitchen, thinking something else might be needed. Then
I heard a scream. It sounded like it come from Nita's—Miss Nita's
bedroom, and I run along the back hall that leads from the kitchen to
her bedroom. I heard a lot of people running and yelling. Nobody paid
any attention to me."</p>
<p>"You came into the room?"</p>
<p>"No, sir, I did not. I stopped in the doorway. I heard Mr. Sprague say
she was dead. I was sick and dizzy anyway, and I couldn't move for a
minute. I sort of slipped down to the floor, and I guess I must have
passed out. And then I was sick to my stomach, and—I didn't seem to
care if I never moved again."</p>
<p>"Why, Lydia?" Dundee asked gently.</p>
<p>"Because she was the only friend I had in the world, and I couldn't have
loved her better if she'd been my own child," Lydia answered. And the
stern voice had broken at last. "I was still there in the back hall when
a cop come and asked me a lot of questions, and then that man—" she
pointed to Captain Strawn, "—said I could go and lay down. He helped me
down the basement stairs."</p>
<p>Dundee tapped his teeth with the long pencil he had kept so busy that
evening—tapped them long and thoughtfully. Then:</p>
<p>"Lydia, did you see anyone—<i>anyone at all!</i>—from your basement room
window before you answered Mrs. Dunlap's ring?"</p>
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