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<h1><span class="ss">THE <br/>RADIO <br/>PLANET</span></h1>
<p class="center"><span class="large"><span class="ss">Ralph Milne Farley</span></span></p>
<p class="tbcenter">ACE BOOKS, INC.
<br/>1120 Avenue of the Americas
<br/>New York, N.Y. 10036</p>
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<p class="center small"><span class="small">THE RADIO PLANET</span>
<br/>Originally published in 1926 as a serial in
<br/><i>Argosy All-Story Weekly</i>.</p>
<p class="center small"><i>Cover by John Schoenherr. Illustration by Jack Gaughan.</i></p>
<p class="center small"><i>Ralph Milne Farley is also the author of</i>
<br/><span class="sc">The Radio Beasts</span>
<br/><i>available now from Ace Books</i> (F-304)</p>
<p class="center small">Printed in U. S. A.</p>
<h3 title=""><span class="ss">Author’s Foreword</span></h3>
<p>Could <i>you</i> make a radio set? Don’t answer rashly.
Don’t say that you have already built several. For note
that we did not ask whether you could assemble a
set from parts already manufactured by others, but
rather whether you could build the entire set yourself—from
the ground up. That means making every part you
require, including the vacuum tubes, the acid in the
batteries, the wires, the insulation.</p>
<p>If you think that you could do this, let us ask you
one further question. Put yourself in the place of the
hero of the following story, and imagine yourself stranded
amid intelligent savages who have not progressed beyond
the wood age. Under such circumstances, with
nothing to guide you but your scientific memory, with
no tools except those of your own creation, and with
no materials save those furnished by nature, could
you, though the lives and happiness of your dear ones
depended upon it—could <i>you</i> make a radio set?</p>
<p><span class="jr">—<i>R. M. F.</i>, 1926.</span></p>
<h2>Contents</h2>
<br/><span class="cn">I </span><SPAN href="#c1">(untitled)</SPAN> 5
<br/><span class="cn">II </span><SPAN href="#c2">Too Much Static</SPAN> 8
<br/><span class="cn">III </span><SPAN href="#c3">Yuri or Formis?</SPAN> 14
<br/><span class="cn">IV </span><SPAN href="#c4">The Coup D’etat</SPAN> 18
<br/><span class="cn">V </span><SPAN href="#c5">Lost Amid the Rocks</SPAN> 27
<br/><span class="cn">VI </span><SPAN href="#c6">The Vairkings</SPAN> 36
<br/><span class="cn">VII </span><SPAN href="#c7">Radio Once More</SPAN> 42
<br/><span class="cn">VIII </span><SPAN href="#c8">But Why Radio?</SPAN> 49
<br/><span class="cn">IX </span><SPAN href="#c9">A Prisoner</SPAN> 60
<br/><span class="cn">X </span><SPAN href="#c10">The Siege of Sur</SPAN> 69
<br/><span class="cn">XI </span><SPAN href="#c11">Att the Terrible</SPAN> 80
<br/><span class="cn">XII </span><SPAN href="#c12">Companions in Misery</SPAN> 85
<br/><span class="cn">XIII </span><SPAN href="#c13">Further Progress</SPAN> 93
<br/><span class="cn">XIV </span><SPAN href="#c14">Old Friends</SPAN> 101
<br/><span class="cn">XV </span><SPAN href="#c15">Plans for Escape</SPAN> 108
<br/><span class="cn">XVI </span><SPAN href="#c16">Afterthoughts</SPAN> 117
<br/><span class="cn">XVII </span><SPAN href="#c17">The Battle for Vairkingi</SPAN> 124
<br/><span class="cn">XVIII </span><SPAN href="#c18">The Fall of Vairkingi</SPAN> 133
<br/><span class="cn">XIX </span><SPAN href="#c19">The Battle in the Air</SPAN> 142
<br/><span class="cn">XX </span><SPAN href="#c20">The Whoomangs</SPAN> 149
<br/><span class="cn">XXI </span><SPAN href="#c21">Souls?</SPAN> 160
<br/><span class="cn">XXII </span><SPAN href="#c22">Flight</SPAN> 169
<br/><span class="cn">XXIII </span><SPAN href="#c23">Luno and Beyond</SPAN> 180
<br/><span class="cn">XXIV </span><SPAN href="#c24">The Lobsteroid Circuit</SPAN> 189
<br/><span class="cn">XXV </span><SPAN href="#c25">All Kinds of Trouble</SPAN> 199
<br/><span class="cn">XXVI </span><SPAN href="#c26">The Debacle</SPAN> 206
<br/><span class="cn">XXVII </span><SPAN href="#c27">Peace on Poros</SPAN> 217
<div class="pb" id="Page_5">5</div>
<div class="fig">> <ANTIMG src="images/p1.jpg" alt="Venusian Ant" width-obs="500" height-obs="261" /></div>
<h2 id="c1">I</h2>
<p>“It’s too bad that Myles Cabot can’t see this!”
I exclaimed, as my eye fell on the following item:</p>
<blockquote>
<p class="center"><i>SIGNALS FROM MARS FAIL TO REACH HARVARD</i></p>
<p><i>Cambridge, Massachusetts, Wednesday. The Harvard
College Radio Station has for several weeks been in receipt
of fragmentary signals of extraordinarily long wave-length,
Professor Hammond announced yesterday. So far as it has
been possible to test the direction of the source of these
waves, it appears that the direction has a twenty-four hour
cycle, thus indicating that the origin of these waves is some
point outside the earth.</i></p>
<p><i>The university authorities will express no opinion as to
whether or not these messages come from Mars.</i></p>
</blockquote>
<p>Myles, alone of all the radio engineers of my acquaintance,
was competent to surmount these difficulties, and
thus enable the Cambridge savants to receive with clearness
the message from another planet.</p>
<div class="pb" id="Page_6">6</div>
<p>Twelve months ago he would have been available, for
he was then quietly visiting at my farm, after five earth-years
spent on the planet Venus, where, by the aid of radio,
he had led the Cupians to victory over their oppressors,
a human-brained race of gigantic black ants. He had driven
the last ant from the face of continental Poros, and had
won and wed the Princess Lilla, who had borne him a son
to occupy the throne of Cupia.</p>
<p>While at my farm Cabot had rigged up a huge radio
set and a matter-transmitting apparatus, with which he had
(presumably) shot himself back to Poros on the night of the
big October storm which had wrecked his installation.</p>
<p>I showed the newspaper item to Mrs. Farley, and lamented
on Cabot’s absence. Her response opened up an
entirely new line of thought.</p>
<p>Said she: “Doesn’t the very fact that Mr. Cabot isn’t
here suggest to you that this may be a message, not from
Mars, but from him? Or perhaps from the Princess Lilla,
inquiring about him in case he has failed in his attempted
return?”</p>
<p>That had never occurred to me! How stupid!</p>
<p>“What had I better do about it, if anything?” I asked.
“Drop Professor Hammond a line?”</p>
<p>But Mrs. Farley was afraid that I would be taken for a
crank.</p>
<p>That evening, when I was over in town, the clerk in the
drug store waylaid me to say that there had been a long-distance
phone call for me, and would I please call a certain
Cambridge number.</p>
<p>So, after waiting an interminable time in the stuffy booth
with my hands full of dimes, nickels, and quarters, I finally
got my party.</p>
<p>“Mr. Farley?”</p>
<p>“Speaking.”</p>
<p>“This is Professor Kellogg, O. D. Kellogg,” the voice
replied.</p>
<div class="pb" id="Page_7">7</div>
<p>It was my friend of the Harvard math faculty, the man
who had analyzed the measurements of the streamline projectile
in which Myles Cabot had shot to earth the account
of the first part of his adventures on Venus. Some further
adventures Myles had told me in person during his stay
on my farm.</p>
<p>“Professor Hammond thinks that he is getting Mars on the
air,” the voice continued.</p>
<p>“Yes,” I replied. “I judged as much from what I read in
this morning’s paper. But what do <i>you</i> think?”</p>
<p>Kellogg’s reply gave my sluggish mind the second jolt
which it had received that day.</p>
<p>“Well,” he said, “in view of the fact that I am one of
the few people among your readers who take your radio
stories seriously, I think that Hammond is getting Venus.
Can you run up here and help me try and convince him?”</p>
<p>And so it was that I took the early boat next morning
for Boston, and had lunch with the two professors.</p>
<p class="tb">As a result of our conference, a small committee of engineers
returned with me to Edgartown that evening for
the purpose of trying to repair the wrecked radio set which
Myles Cabot had left on my farm.</p>
<p>They utterly failed to comprehend the matter-transmitting
apparatus, and so—after the fallen tower had been reerected
and the rubbish cleared away—they had devoted their attention
to the restoration of the conversational part of the set.</p>
<p>To make a long story short, we finally restored it, with the
aid of some old blue prints of Cabot’s which Mrs. Farley,
like Swiss Family Robinson’s wife, produced from somewhere.
I was the first to try the earphones, and was rewarded by
a faint “bzt-bzt” like the song of a north woods blackfly.</p>
<p>In conventional radioese, I repeated the sounds to the
Harvard group:</p>
<blockquote>
<p>“Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dah-dit
dah-dah-dit-dah. Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dit
dit. Dah-dit-dah-dit dit-dah dah-dit dit dit dah-dah-dah
dah. Dah-dit-dah-dit dit-dah dah-dit-dit-dit
dah-dah-dah dah. Dah-dit-dah-dit dit-dah dah-dit-dit-dit-dah
dah-dah-dah.”</p>
</blockquote>
<div class="pb" id="Page_8">8</div>
<p>A look of incredulity spread over their faces. Again came
the same message, and again I repeated it.</p>
<p>“You’re spoofing us!” one of them shouted. “Give <i>me</i>
the earphones.”</p>
<p>And he snatched them from my head. Adjusting them on
his own head, he spelled out to us, “C-Q C-Q C-Q D-E
C-A-B-O-T C-A-B-O-T C-A-B-O-T—”</p>
<p>Seizing the big leaf-switch, he threw it over. The motor-generator
began to hum. Grasping the key, the Harvard
engineer ticked off into space: “Cabot Cabot Cabot D-E—”</p>
<p>“Has this station a call letter?” he hurriedly asked me.</p>
<p>“Yes,” I answered quickly, “One-X-X-B.”</p>
<p>“One-X-X-B,” he continued the ticking “K.”</p>
<p>Interplanetary communication was an established fact at
last! And not with Mars after all these years of scientific
speculations. But what meant more to me was that I was
again in touch with my classmate Myles Standish Cabot,
the radio man.</p>
<p>The next day a party of prominent scientists, accompanied
by a telegrapher and two stenographers, arrived at my
farm.</p>
<p>During the weeks that followed there was recorded
Myles’s own account of the amazing adventures on the planet
Venus (or Poros, as its own inhabitants call it,)
which befell him upon his return there after his brief visit
to the earth. I have edited those notes into the following
coherent story.</p>
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