<SPAN name="startofbook"></SPAN>
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<p class="center pfirst"><span class="bold xx-large">SUSAN</span></p>
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<p class="center pfirst"><span class="medium">By</span></p>
<p class="center pnext"><span class="bold large">ERNEST OLDMEADOW</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="small">Frontispiece by</span></p>
<p class="center pnext"><span class="bold medium">FRANK HAVILAND</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="medium">NEW YORK
<br/>GROSSET & DUNLAP
<br/>PUBLISHERS</span></p>
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</div>
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<p class="center pfirst"><em class="italics small">Copyright, 1907,</em><span class="small">
<br/>BY E. GRANT RICHARDS</span></p>
<p class="center pnext"><em class="italics small">Copyright, 1907,</em><span class="small">
<br/>By JOHN W. LUCE
<br/>AND COMPANY (INC.)</span></p>
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</div>
<p class="center pfirst"><span class="bold large">CONTENTS</span></p>
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<p class="center pfirst"><span>BOOK I</span></p>
<p class="noindent pnext"><SPAN class="reference internal" href="#traxelby">TRAXELBY</SPAN></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>BOOK II</span></p>
<p class="noindent pnext"><SPAN class="reference internal" href="#dieppe">DIEPPE</SPAN></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>BOOK III</span></p>
<p class="noindent pnext"><SPAN class="reference internal" href="#sainte-veronique">SAINTE VÉRONIQUE</SPAN></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>BOOK IV</span></p>
<p class="noindent pnext"><SPAN class="reference internal" href="#la-villa-de-la-mer">LA VILLA DE LA MER</SPAN></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="traxelby"><span class="bold large">BOOK I</span></p>
<p class="center pnext"><span class="bold medium">TRAXELBY</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold large">BOOK I</span></p>
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<p class="pfirst"><em class="italics">Wednesday, September</em><span> 5, 1906.</span></p>
<p class="pnext"><span>What on earth is the matter with Susan?
Up to yesterday morning I have hardly had to
find fault with her more than twice or thrice in
four years. Yet, since last night, she has richly
deserved a dozen sharp scoldings at the very
least.</span></p>
<p class="pnext"><span>After all, poor Grandmamma must have been
right. "My pet," grannie used to say whenever
I told her that Susan was a treasure of pure
gold; "My pet, I have had thirty or forty
treasures myself, and I give you my word that even
the best of them are only plated. Off the worst
ones the plating wears soon. Off the better ones
it wears late. But wait long enough, and sooner
or later you shall see the copper or the pewter."</span></p>
<p class="pnext"><span>No doubt I ought to be grateful that Susan
has lasted so well. All the same, it is maddening
that the gilding should choose to come off just
as I'm on the eve of starting for Sainte
Véronique-sur-mer. Susan says everything is
packed: but I can't risk it. Probably she has
filled a trunk with opera-glasses and fans, and
forgotten towels and soap. First thing in the
morning she must unpack, and we must both
go through everything with a list. But it's
tiresome beyond words.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Thursday, September</em><span> 6.</span></p>
<p class="pnext"><span>Susan is worse than ever. Instead of toast,
she brought me this morning two chunks
of bread hardly browned, and, instead of
tea, a tepid potion as black as night. I
have asked her if she is ill, but she says she
isn't. And, certainly, I never saw her look
better in her life. The worst of it is that she
keeps coming and going with such an air
of--how shall I describe it? Not insolence: not
even indifference. It is hard to find the word.
When I blame her for some blunder, she looks,
for the moment, duly meek and sorry; and
when I send her off on some errand she departs
as if she really wants to do her best in her old
way. And in less than half an hour I am
scolding her again.</span></p>
<p class="pnext"><span>On one point I've made up my mind. No
starting for Sainte Véronique till Susan's
either mended or ended. I'll wire Dupoirier
not to expect us till Monday. Gibson shall
take the telegram to the village at once. And,
if there's no change for the better before
post-time to-night, I'll write to Alice and borrow
that pale little slip of a French maid of hers
for the time I shall be in Sainte Véronique.
Alice said something last week about sending
her back to France for a change. Perhaps I'll
take Susan too. Or perhaps I'll let her go to
her friends till I come home again. She's been
too good a girl all these years for me to part
with her just because of what may be no more
than a passing slackness and staleness. Besides,
Susan is the only creature I really like to
have about me. She is as wholesome and sweet
as country cream and rosy-cheeked apples.</span></p>
<p class="pnext"><span>The word I couldn't think of has flashed
upon me all of a sudden. It's a simple enough
word and an obvious; and it would have come
to me at once if I had had the grace to remember
sooner that Susan, after all, is a human being.</span></p>
<p class="pnext"><span>Susan is merely preoccupied. I ought to
have divined it hours ago, if I hadn't been so
disgustingly devoted to my own right worshipful
ease and comfort. I've never thought about
it before: but, without doubt, Susan's cousins
and uncles and aunts are as much to Susan as
my own cousins and uncles and aunts are to
me. Indeed, I hope and expect that they are
vastly more. I wonder what is wrong? Is
Susan's cousin going to be married? Or has
her aunt joined the Salvation Army? Or has
her uncle tumbled off a hayrick? Perhaps
it's something far worse. Anyhow, the poor
soul must think me adorably sympathetic
when I reward her admirable reticence by
shrewing her for every insignificant lapse. And,
after the loving fidelity with which she has
served me and cherished me so much over and
above the best-paid hireling's duty, she must
find me most consolingly grateful.</span></p>
<p class="pnext"><span>I will make her tell me. Probably it is
something wherein I can give a bit of practical help.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Later</em><span>.</span></p>
<p class="pnext"><span>I've tackled Susan.</span></p>
<p class="pnext"><span>She didn't make it too easy. While she was
brushing my hair, I said abruptly, but quite
cordially:</span></p>
<p class="pnext"><span>"By the way, Susan, I sha'n't go to Sainte
Véronique to-night. Gibson's gone to the
village with a telegram. I've told Monsieur
Dupoirier to meet me on Monday."</span></p>
<p class="pnext"><span>By peeping through my hair I could see
Susan's face in the glass, although she couldn't
see mine.</span></p>
<p class="pnext"><span>"Very well, Miss Gertrude," Susan answered.</span></p>
<p class="pnext"><span>She called me "Miss Gertrude" in precisely
the tone she has always used ever since she
first came to Traxelby, before Alice was married
and when Grandmamma was still alive; and
she went on brushing my hair without a pause.
But I noticed that her cheeks, reflected in the
glass, first paled and then flamed. I flung my
hair from my eyes and looked up at Susan
without ado.</span></p>
<p class="pnext"><span>"Susan," I said, "you are unhappy about
something. You ought to have told me.
Perhaps I could have helped you. In any case
I would have been less exacting in my wants
and less sharp in my complaints."</span></p>
<p class="pnext"><span>"Thank you, Miss," said Susan unsarcastically
and thankfully. But she only went on brushing
my hair.</span></p>
<p class="pnext"><span>"You are unhappy?" I asked again.</span></p>
<p class="pnext"><span>"Oh, no, Miss, no," Susan answered quickly
and warmly. And she brushed my hair harder
than ever.</span></p>
<p class="pnext"><span>Looking at her once more in the glass, I saw
that she was speaking the truth. Her face was
still the playground of contending emotions,
but, through her pretty, blue eyes, her spirit
gazed out radiantly at the genial tourney.
Altogether, Susan looked bewitching. In her
country print, and with her yellow hair and
rosy-red cheeks, she was just the sort of sweet,
shy, rustic English beauty to fall head over
ears in love with at first sight. The truth blazed
upon me like a flash of lightning.</span></p>
<p class="pnext"><span>It was a few moments before I found my
tongue. That some young man or other should
begin to plague my bright-eyed Susan was the
most natural thing in the world; and yet I
had no more taken such a thing into my
calculations than I had speculated as to what I
should do if a burglar broke in by night and
walked off with my silver combs and brushes.
At last I said, rather lamely and stiffly:</span></p>
<p class="pnext"><span>"At any rate, Susan, you've got something
on your mind."</span></p>
<p class="pnext"><span>Susan did not reply.</span></p>
<p class="pnext"><span>"What is it?" I asked. "Or rather, who is it?"</span></p>
<p class="pnext"><span>Susan's breath came and went more quickly.
But still she did not answer.</span></p>
<p class="pnext"><span>I turned over the possibilities in my mind,
and then put a question pointblank.</span></p>
<p class="pnext"><span>"Is it Gibson?"</span></p>
<p class="pnext"><span>"Oh, no, Miss, not Gibson." Her response
was prompt, decisive, almost reproachful.</span></p>
<p class="pnext"><span>"I'm rather sorry," I said. "Gibson's a
thoroughly decent, steady young fellow, and
he will get on. I hope it's nobody worse than
Gibson."</span></p>
<p class="pnext"><span>"Oh, no, Miss," said Susan swiftly and softly,
"Not worse than Gibson."</span></p>
<p class="pnext"><span>As she did not offer the swain's name, or an
account of his person, or any further information
whatsoever, I sat dumb and began to feel a bit
sulky. Apart from my personal loss of the best
maid a woman ever had, I was aggrieved on
Susan's own account. No doubt some small
farmer's son had turned her silly little head and
won her unguarded little heart. And after the
rude delights of a rural courtship, my
neat-handed, dainty pink-and-white Susan would
have to settle down for forty years to drudge
among kine and swine and turnips, and, most
likely, a pack of lusty and highly dislikable
children. The prospect so revolted me that I
decided to do my whole duty.</span></p>
<p class="pnext"><span>"Susan."</span></p>
<p class="pnext"><span>"Yes, Miss?"</span></p>
<p class="pnext"><span>"Have you told your people--your
relations--about all this?"</span></p>
<p class="pnext"><span>"No, Miss."</span></p>
<p class="pnext"><span>"Why not?"</span></p>
<p class="pnext"><span>"There's only my aunt, Miss," said Susan
dutifully, "and she doesn't care. I've
wrote----"</span></p>
<p class="pnext"><span>"Written. Not wrote. Say written."</span></p>
<p class="pnext"><span>"Yes, Miss. I've written to her twice since
Christmas, not to speak of sending a coloured
post-card from Malvern, and she hasn't
answered never so much as a word."</span></p>
<p class="pnext"><span>This pricked me. I had heard it before;
and, knowing as I did that Susan had neither
father nor mother, nor brother nor sister, I
ought to have put two and two together, and
deduced the fact that Susan was alone in the
world. But I had not been interested or
unselfish enough to work it out.</span></p>
<p class="pnext"><span>"Of course, of course," I said. "I'd
forgotten. But, Susan, why have you not spoken
about it to me? When I found you had no
parents, didn't I tell you that if you were in
any doubt or trouble you were always to come
to me?"</span></p>
<p class="pnext"><span>"Yes, Miss," answered Susan as dutifully
as before. And she went on brushing my hair.
I got up impatiently, and went and sat in my
big chair by the window.</span></p>
<p class="pnext"><span>"No," I said. "Never mind my hair for a
minute. Susan, I'm very much disappointed
and put out. You are not treating either me
or yourself fairly. With things as they are,
I feel responsible for you. All this is very
serious. You are young, and you have no experience."</span></p>
<p class="pnext"><span>Susan standing three feet away with lowered
head, heard me out deferentially, although
she knows quite well that I am six months her
junior, and that it is hardly a year since I
began to look after my own affairs. She simply
said:</span></p>
<p class="pnext"><span>"Yes, Miss."</span></p>
<p class="pnext"><span>"Susan, look at me. Don't hang your head.
Is this man respectable?"</span></p>
<p class="pnext"><span>"Oh, yes, Miss!"</span></p>
<p class="pnext"><span>"He says so himself, no doubt. But the
world's full of very strange people. Who is
he? Where does he come from? What is
his name?"</span></p>
<p class="pnext"><span>Susan hung her head again, and did not
answer. I saw that she had something to
hide, so I tried another way.</span></p>
<p class="pnext"><span>"How far has it gone?"</span></p>
<p class="pnext"><span>"Well, Miss," she faltered after a pause.
"He--he's asked me."</span></p>
<p class="pnext"><span>"When?"</span></p>
<p class="pnext"><span>"Yesterday, Miss."</span></p>
<p class="pnext"><span>"What did you say?"</span></p>
<p class="pnext"><span>"I didn't say anything, Miss."</span></p>
<p class="pnext"><span>"Susan, don't be ridiculous. You mean,
you didn't say 'No.' You encouraged him?"</span></p>
<p class="pnext"><span>"Oh, no, Miss."</span></p>
<p class="pnext"><span>"Susan, I won't be trifled with. Either
you encouraged him or you didn't. Which was
it? You surely don't expect me to believe that,
after he'd asked you, he was content to walk
away again without any kind of an answer?"</span></p>
<p class="pnext"><span>"Please, Miss, he didn't ask me that way.
It was in a letter."</span></p>
<p class="pnext"><span>"A letter! Susan, I hope you've said 'No.' Have
nothing at all to do with him. A letter,
indeed! Why didn't he speak out like a man
to your face?"</span></p>
<p class="pnext"><span>"Please, Miss, he couldn't."</span></p>
<p class="pnext"><span>"Couldn't? Why not?"</span></p>
<p class="pnext"><span>"Because I've never seen him."</span></p>
<p class="pnext"><span>I burst out laughing. The affair was a
trifle after all. At the most and worst it was
some village moon-calf's clumsy wooing; at
the least (and likeliest) it was a practical joke.
But Susan thought otherwise. I stopped
laughing at the sight of her proud flush and pain.</span></p>
<p class="pnext"><span>"Come, Susan," I coaxed, "be a sensible
girl. It's some stupid joke."</span></p>
<p class="pnext"><span>"No, Miss," said Susan firmly.</span></p>
<p class="pnext"><span>"Then what have you done? Have you
sent a reply?"</span></p>
<p class="pnext"><span>"Yes, Miss. No, Miss; I mean, no. That
is, I've written the answer, but I haven't
posted it."</span></p>
<p class="pnext"><span>"That's a good thing. What have you said?"</span></p>
<p class="pnext"><span>Susan was silent quite a long time. At
length she looked at me plaintively, and answered:</span></p>
<p class="pnext"><span>"I've wrote----"</span></p>
<p class="pnext"><span>"Written."</span></p>
<p class="pnext"><span>"I've written two letters and torn them up
again. I think the third one is the best. But
somehow, Miss, it doesn't seem quite right.
I'm wondering, Miss----"</span></p>
<p class="pnext"><span>"Yes."</span></p>
<p class="pnext"><span>"I'm wondering whether ... if I brought
you his letter, Miss...?"</span></p>
<p class="pnext"><span>"Of course I will, Susan. If it's a letter that
ought to be answered, I'll do whatever I can.
Bring it me after lunch."</span></p>
<p class="pnext"><span>"Thank you, Miss," said Susan warmly.
But her face darkened again as quickly as it
had brightened. I could see that a great doubt
or fear had her in its grip.</span></p>
<p class="pnext"><span>It was unkind of me; but I had had enough
of the whole business for one morning. "Finish
my hair, Susan," I said; and I sat down again
before the glass.</span></p>
<p class="pnext"><span>Susan resumed the work. But she had hardly
taken one of my tresses into her hand before
she flung it from her almost madly, and fell
on her knees at my feet.</span></p>
<p class="pnext"><span>"Miss Gertrude," she cried. "Promise!
Swear before God that you will not take him
away from me!"</span></p>
<p class="pnext"><span>I was thunderstruck. But she was still
crouched at my side, gripping my knees.</span></p>
<p class="pnext"><span>"Susan," I said sternly, "you are forgetting
yourself. Get up. You are not well. Go to
your room. I shall manage my hair somehow.
Go to your room and lie down."</span></p>
<p class="pnext"><span>She gripped me fiercelier than before.
"Before God, Miss Gertrude," she repeated.
"Promise! Swear! Swear you won't drive him
away."</span></p>
<p class="pnext"><span>"Drive" was a more endurable word.
Besides, her fear and anguish were so sincere
that my mere dignity shrivelled away like
scorched paper in their blaze. For a second
or two it was impossible to be mistress and
maid. We were two women.</span></p>
<p class="pnext"><span>"Susan," I said very kindly, "if I must
swear anything I will swear this. Like you,
I am fatherless and motherless. And I swear
that I will do my whole duty by you. If I
honestly fear that there is misery lurking for
you in this offer of marriage, I'll work and fight
against it even if you kneel here weeping and
praying all day for a year. But if I can
honestly believe that it is for your
happiness, there's nothing in reason that I
won't do to bring it to pass. Now go to your room."</span></p>
<p class="pnext"><span>She has gone.</span></p>
<p class="pnext"><span>I must take care not to be dragged into any
ridiculous positions. If Susan were a
novelette-reader, it would be a different thing.
No doubt a weekly orgy of sentiment by proxy
is generally effective in making the average
young woman immune. But Susan is still a
child of nature; and if this letter-writing suitor
is a scoundrel (as I expect he is), the poor child
has some bad hours ahead. I wish most heartily
it hadn't happened! And to think that by
this time to-morrow I was to have been settled
down cosily at Sainte Véronique!</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Two o'clock</em><span>.</span></p>
<p class="pnext"><span>How lovely lunching alone once again!
Somehow a visitor always begins to send my
spirits down and down and down after the first
two or three days. When I saw her off
yesterday I felt I couldn't have stood even Alice
much longer. How different we are! If Alice
knew that I wasn't going to France till Monday,
she would worry about my loneliness just as
she would worry over my neuralgia or my
influenza. I expect that at this very moment
she is writing a long letter to Sainte Véronique
on the old text--begging me to go into a
smaller house, and to look out for a companion,
or to spend the winter with them. And I
would make a large bet that she'll redeliver
her solemn warning about my solitariness
making me morbid. Yet there may be a little
in it. Who knows? If Susan doesn't stay, I
may be awfully glad to go to Alice's for a month
or two after all.</span></p>
<p class="pnext"><span>Now for Susan and her precious letter.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">After dinner</em><span>.</span></p>
<p class="pnext"><span>Alice is right. Solitude is a mistake. If I
hadn't the diary-habit, I should explode like
a shell into little bits.</span></p>
<p class="pnext"><span>Still, for Susan's sake and her incredible
adorer's, it's a good thing there's no one here,
not even Alice. If there was anybody at hand
to listen, I don't see how I could contrive to
hold my tongue. As it is, it only relieves me
a very little to scribble it all down in this book.</span></p>
<p class="pnext"><span>No wonder Susan under-toasted the toast
and over-brewed the tea! I don't wonder any
longer even at her heroics and melodramatics
while she was doing my hair.</span></p>
<p class="pnext"><span>When she brought me her letter, addressed
in a strong and distinguished hand to Miss
Susan Briggs, The Grange, Traxelby, I saw
at a glance that we hadn't to deal with a village
bumpkin. Indeed, when I took the sheet of
thick, good paper from the envelope and saw
that it was embossed with the heading
"Ruddington Towers," I wasn't surprised. I
concluded instantly that Susan's pursuer was one
of the three young artists of whom I've heard
till I'm tired to death of them--the artists
Lord Ruddington is said to have found
starving in a Chelsea studio. I forget whether
they've come down here to paint the hall or
the chapel.</span></p>
<p class="pnext"><span>"Susan," I said, meaning to let her down
gently, "I hope it isn't one of those young
artists from London? An artist is interesting;
but he's too impulsive, too vain, too unreliable.
I hope----"</span></p>
<p class="pnext"><span>"Oh, no, Miss," said Susan hurriedly. "It
isn't any of the young gentlemen that's doing
the painting and decorating."</span></p>
<p class="pnext"><span>"Whoever he is," I answered, "he makes
himself at home with Lord Ruddington's best
stationery. Let me see."</span></p>
<p class="pnext"><span>I turned over the sheet and looked for the
signature. Half-way down the third page I
found it. The writer had signed himself with
the single word "Ruddington."</span></p>
<p class="pnext"><span>"Susan," I demanded almost roughly, "why
didn't you tell me about this at once?"</span></p>
<p class="pnext"><span>"If you please, Miss----"</span></p>
<p class="pnext"><span>"There's no if you please about it. Why,
this creature, whoever he may be, is
pretending to be Lord Ruddington."</span></p>
<p class="pnext"><span>Susan burst out crying, suddenly and copiously.</span></p>
<p class="pnext"><span>"Oh, Miss Gertrude," she sobbed; "I--I
never thought it was pretending. I never
dreamed any one could be so cruel. I thought
it was real."</span></p>
<p class="pnext"><span>As I had begun to read the letter, I didn't take
much notice. But Susan sobbed and talked on.</span></p>
<p class="pnext"><span>"Oh, Miss," she moaned, "to think I was
nearly going to post the answer! I should never
have been able to look the parish in the face
again."</span></p>
<p class="pnext"><span>"Keep quiet, Susan," I said irritably. "Let
me read it through."</span></p>
<p class="pnext"><span>And while Susan cried to herself softly, I
read it straight through; turned back again
and again to sentences here and there; and
at last read it from beginning to end once more.
This is what I read:--</span></p>
<div class="vspace" style="height: 2em"></div>
<dl class="docutils">
<dt class="noindent"><span>RUDDINGTON TOWERS,</span>
<br/><p class="first last noindent pfirst"><span>September 4, 1906.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>I discard the ordinary forms of beginning
because this is an extraordinary letter.</span></p>
<p class="pnext"><span>Since I came to Ruddington last Wednesday,
I have seen you three times. For the
second and for the third times, I am thankful;
but the first sufficed to open my eyes to
the truth. There is not now, and cannot ever
be anywhere, any woman in the world save you
whom I shall seek for a wife.</span></p>
<p class="pnext"><span>Although I did not need to ponder this step
for more than a moment on my own account, I
have considered it long and well on yours. I
recognize the many and great difficulties in
the way; but not one of them is insurmountable.</span></p>
<p class="pnext"><span>The person from whom I have learned your
name and address has not the faintest notion
of what is in my mind.</span></p>
<p class="pnext"><span>If your answer must be that I am too late,
or that you feel you could not establish my
happiness without losing your own, no third
party need ever know that this has passed
between us. But if your affection is still yours
to give, then I shall beg for the earliest
possibility of trying to convince you that, in
bestowing it upon me, you would at least not be
throwing it away on some one fickle or
ungrateful, or wilfully unworthy.</span></p>
<p class="pnext"><span>Until you give me leave, I must not say more.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>RUDDINGTON.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>When I finally laid the letter down, I became
aware of the abundance of Susan's tears and
the heartiness of her sobs. A plan occurred
to me. I got up and gave Susan a key.</span></p>
<p class="pnext"><span>"Don't be silly, Susan," I said. "See.
Take this key. Go to the library. Unlock the
deep drawer in the cabinet by the window.
Bring me that violet leather scrap-book with
all the letters and cuttings about Lady
Traxelby's funeral."</span></p>
<p class="pnext"><span>Susan dried her eyes and went.</span></p>
<p class="pnext"><span>While she was away, I tried to think. Of
course the letter would prove to be a forgery.
But, fortunately, there was a quick way of
making assurance sure. The week after
Grandmother died, Lord Ruddington, who had only
just come of age, wrote his condolences to
Alice from Oxford. He knew Grandmamma
rather well as a boy, and he had met Alice once
in town. I felt sure we had kept the letter.
What I meant to do was, first, to make poor
Susan look at the real Lord Ruddington's
handwriting with her own eyes; and, second, to
tease or soothe her into a good humour till she
could laugh at the practical joke. At the same
time I made up my mind that if I could identify
the joker, who was clearly a person of sufficient
education to know better, he should smart for
his insolence and cruelty.</span></p>
<p class="pnext"><span>Susan came back hugging the great violet
book. I opened it in my lap and turned the
leaves, hating the practical joker more bitterly
than ever for reviving these sad and sacred
memories in a connection so contemptible.
Susan watched me eagerly. She had divined
that I was searching for something that bore
upon her rosy hopes and ashen disappointment.
At last I found it. There was the heading,
"Christ Church."</span></p>
<p class="pnext"><span>My heart almost stood still. The bold,
stylish, interesting handwriting was unmistakable.
The real Lord Ruddington and Susan's were
one and the same man.</span></p>
<p class="pnext"><span>It was Susan who broke the silence.</span></p>
<p class="pnext"><span>"Oh, Miss," she murmured in awestruck
tones, "I believe it's real after all!"</span></p>
<p class="pnext"><span>"Yes, Susan," I answered slowly; "it is
real. I'm sorry, truly sorry, that I hurt you
by my doubts. But it is so very extraordinary.
And it's so very serious and important. Surely
it was best to suspect it till we were certain."</span></p>
<p class="pnext"><span>"Oh, yes, Miss," protested Susan gratefully.
And when I did not speak, she glanced coyly
towards a second loaded envelope which had been
lying on the table beside Lord Ruddington's.</span></p>
<p class="pnext"><span>"What!" I said. "Surely there isn't
another letter, is there?"</span></p>
<p class="pnext"><span>"No, Miss. It's only mine--the letter I
nearly posted in answer."</span></p>
<p class="pnext"><span>"Show it to me--that is, of course, if you
want me to see it."</span></p>
<p class="pnext"><span>Susan pulled out a folded sheet, opened it,
and laid it on my knee.</span></p>
<p class="pnext"><span>The first thing about the document that
struck me was the fact that it represented a
prodigal consumption of ink. In the ordinary
course, Susan doesn't write very badly. But,
in answering Lord Ruddington, she had formed
the characters slowly and hugely and singly,
as a child does at school. In two places it was
evident that sandpaper or a penknife had
removed blots. Altogether it was the sort of
handwriting in which one might have expected
the milkman to declare to the kitchen-maid,</span></p>
<blockquote>
<div>
<div class="line-block outermost">
<div class="line"><span>"The rose is red, the violet's blue,</span></div>
<div class="line"><span>Honey is sweet, and so are you."</span></div>
<div class="line"> </div>
</div></div>
</blockquote>
<p class="pfirst"><span>Susan's answer ran:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="noindent pfirst"><span>Care of the Honourable Miss Langley,
<br/> THE GRANGE,
<br/> TRAXELBY, September 6, 1906.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>SIR,--It was with the most various and
lively emotions that I perused your Letter to
which I am now endeavouring, though
imperfectly, to reply.</span></p>
<p class="pnext"><span>I will have you know, Sir, that the first
sentiment provoked in my bosom by your
Epistle was one of Humiliation and Chagrin.
"Better die," I cried, "a thousand deaths,
than have lived to forget that Modesty which
is the ornament of my Sex!" But I protest
that after diligently examining my Conscience
and ransacking my Memory, I cannot recall a
single occasion in our casual intercourse when
I have so far fallen from my duty as to offer
you encouragement or to invite your present
Advances.</span></p>
<p class="pnext"><span>Nevertheless, Sir, I am not blind to my
woman's frailty; and, at the risk of forfeiting
your Esteem, I will to-day indulge a boldness
which I have never practised in the past, and
will confess (shameless that I am!) that your
conversation and person have not been
distasteful to me. I perceive that my weakness
has discovered to you the secret which I fondly
hoped to conceal; and that I have succeeded
but ill in my attempts to dissemble my
Partiality from eyes and an Understanding,
alas! too well accustomed to the sensibility of the
female Heart.</span></p>
<p class="pnext"><span>You entreat me to despatch my answer by
the hand of your courier, or, at the latest, by
to-morrow's coach; and you affirm, Sir, that
in the meantime you are consumed by the
ardours of Impatience, and that you will
partake neither refreshment nor rest. Far be it
from me to prolong Sufferings which do me so
much Honour, especially when they are
endured by one for whom I have Regard and
Esteem. But, Sir, I will have you bear with
me while I remind you that this is a Business
too weighty for haste; and that your present
protestations of undying Fidelity and
Adoration will be dearly purchased if I must endure
in the future the bitter frosts of Indifference
or the icy blasts of Reproach and Scorn.</span></p>
<p class="pnext"><span>I beseech you, Sir, to temper Passion with
Patience, and not to increase by your
Importunity the insupportable Distraction of happy,
thrice unhappy</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>SUSAN.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"Goodness gracious, Susan!" I said, after
I had got to the end of this amazing document;
"in the name of everything, what on earth is
all this?"</span></p>
<p class="pnext"><span>"It is my answer to his Lordship, Miss,"
Susan answered penitently.</span></p>
<p class="pnext"><span>"But, Susan, I don't understand. What
is this about a courier and to-morrow's coach?
And what do you mean by saying that his
person and conversation are not distasteful to
you? Didn't you assure me this morning that
you'd never even seen him? Yet here you are
writing to him about 'occasions in your casual
intercourse.' Susan, I don't like to say it, but
I'm very much afraid that----"</span></p>
<p class="pnext"><span>I pulled myself up. What I had been on
the point of saying was that Susan had grossly
deceived me, and that her case confirmed all
I had ever heard as to the deepness of still
waters and the duplicity that invariably
underlies an appearance of baby innocence. But I
remembered just in time that, with all the
duplicity in the world to help her, the letter
she had shown me would still be beyond Susan's
powers. So I screwed a new tail to my
unfinished speech and said:</span></p>
<p class="pnext"><span>"I'm afraid this won't do."</span></p>
<p class="pnext"><span>"I thought it didn't seem quite right, Miss,"
said Susan meekly. "More especially the
piece about the coach. That was why I didn't
post it."</span></p>
<p class="pnext"><span>"Susan, don't prevaricate," I said sternly.
"It isn't like you, and I won't put up with it.
If I am to have any more to do with this affair,
you must really begin to treat me with perfect
candour. Why did you tell me you had never
seen Lord Ruddington?"</span></p>
<p class="pnext"><span>"If you please, Miss, I never </span><em class="italics">have</em><span> seen him."</span></p>
<p class="pnext"><span>"Never?"</span></p>
<p class="pnext"><span>"Not that I know of. I've seen----"</span></p>
<p class="pnext"><span>Susan paused and blushed.</span></p>
<p class="pnext"><span>"Go on, go on," I said impatiently. "You
have seen--whom?"</span></p>
<p class="pnext"><span>"Please, Miss, there was a young gentleman
in a dark green suit when we were at the
post-office on Saturday. He stared at me as
we went in; and when we came out he followed
us as far as the Golden Eagle, looking at me
all the time."</span></p>
<p class="pnext"><span>"It was very wrong of you to encourage
him, Susan. But how do you know it was Lord
Ruddington?"</span></p>
<p class="pnext"><span>"I don't, Miss. Maybe it's only my fancy."</span></p>
<p class="pnext"><span>"Susan, look here. Look at your own
letter. Goodness knows where you got all this
grand old-fashioned language from. It's the
sort of language they used when Lord
Ruddington's great-grandmother wasn't a day
older than you are now. But that isn't my
point. What I want to know is why you write
to Lord Ruddington in this letter about
'occasions' when you have met?"</span></p>
<p class="pnext"><span>"I know it sounds wrong, Miss," replied
Susan, more humbly than ever. "But that
was just the way it was in the book. Those
were the very words."</span></p>
<p class="pnext"><span>"The book?" I echoed, bewildered.</span></p>
<p class="pnext"><span>"Yes, Miss. I copied it out of the old book
that's been lying in the lumber-room ever
since I came to Traxelby. Perhaps you
haven't seen it, Miss?"</span></p>
<p class="pnext"><span>Light was breaking over me, but I couldn't
make out the full truth till Susan went on:</span></p>
<p class="pnext"><span>"The back is torn off, Miss. It has a picture
of a young lady in a short-waisted muslin
frock looking very sad and writing at a table.
There's a wicked little boy in the corner of
the room with nothing on but wings, and a
and arrow, just going to shoot the young
lady. The book's called The Complete Letter-Writer."</span></p>
<p class="pnext"><span>It took all my self-control and all my
solicitude for poor worried Susan to restrain me
from laughing loud and long. But, after the
first shock of comicality, I was soon steadied
again by the hard facts which still rose up before
me. At another time this clearing up of the
mystery of Susan's Late Georgian grammar
and Johnsonian vocabulary would have been
droll past resistance. But Lord Ruddington's
letter was lying on the table.</span></p>
<p class="pnext"><span>Happily the beckoning hands of Fortune
had not spoiled Susan yet. The prospect of
wealth and rank had confused her brains, but
it had not dazzled her inmost, sound self or
altered her sterling principles or shaken her
out of her well-worn ways. The mistress-elect
of Ruddington Towers and my social superior
of the near future still addressed me with the
simple, respectful openness for which I have
always liked her so well. After I had sat I don't
know how long, silently trying to work out a
solution, she said for the third time:</span></p>
<p class="pnext"><span>"I knew it didn't sound right, Miss. I will
tear it up and burn it. And perhaps
... when you're not too busy ... perhaps, Miss
Gertrude, you would tell me what I ought to say."</span></p>
<p class="pnext"><span>"Of course, Susan, of course," I answered.
"I've promised you already. But it isn't easy."</span></p>
<p class="pnext"><span>Susan accepted the situation, and stood
patiently awaiting the end of my meditations.</span></p>
<p class="pnext"><span>"Sit down, Susan," I said at last.</span></p>
<p class="pnext"><span>She sat down.</span></p>
<p class="pnext"><span>"I am obliged to ask you a few plain questions."</span></p>
<p class="pnext"><span>"Yes, Miss."</span></p>
<p class="pnext"><span>"If it turns out that he is really in earnest,
do you wish to marry Lord Ruddington?"</span></p>
<p class="pnext"><span>"Oh yes, Miss, please!"</span></p>
<p class="pnext"><span>"You don't understand. In his letter he
asks if you are free--if your affection is still
yours to give. Now, is there anybody else
that you're promised to already?"</span></p>
<p class="pnext"><span>"Oh no, Miss!"</span></p>
<p class="pnext"><span>"Not Gibson?"</span></p>
<p class="pnext"><span>Susan looked troubled. When she answered,
it was falteringly, and without her
usual openness.</span></p>
<p class="pnext"><span>"No, Miss." And she added uneasily, "I
have never promised to be engaged to Gibson."</span></p>
<p class="pnext"><span>"But does Gibson expect that some day you will?"</span></p>
<p class="pnext"><span>"He oughtn't to, Miss," rejoined Susan,
making shockingly quick progress in cunning.</span></p>
<p class="pnext"><span>"I mean, has Gibson talked to you in that
way? And have you listened? Come, Susan,
don't be silly. I am forced to ask these things.
I've never seen Lord Ruddington, but from
all I've heard of him he isn't the sort that
would want to make himself happy by making
another man miserable for life--not even if the
other man is only Gibson. Lord Ruddington's
letter is strange. For instance, it's rather stiff
and dry, and like the letter of a much older
man. But it rings true; it rings honourable.
You must be honourable too. Otherwise the
whole business will end in misery for everybody.
Come, Susan. I don't want to preach a
sermon, but you know as well as I do that if you
and Gibson truly care for one another you will
be a happier and better woman in a
four-roomed cottage with Gibson than with Lord
Ruddington at the Towers. Tell me how things
stand."</span></p>
<p class="pnext"><span>After a struggle Susan blurted out:</span></p>
<p class="pnext"><span>"Yes, Miss, Gibson </span><em class="italics">has</em><span> asked me."</span></p>
<p class="pnext"><span>"When?"</span></p>
<p class="pnext"><span>"Well, Miss, the last time was last week."</span></p>
<p class="pnext"><span>"You didn't accept him. I've gathered
that already. But did you give him a plain
refusal?"</span></p>
<p class="pnext"><span>"Well, Miss----"</span></p>
<p class="pnext"><span>"Answer Yes or No, Susan, straight out.
Have you let Gibson think that, if he gets on,
some day you will marry him?"</span></p>
<p class="pnext"><span>Susan's eyes filled with tears. Her cheeks
burned red.</span></p>
<p class="pnext"><span>"Come, Susan, tell me."</span></p>
<p class="pnext"><span>She broke into weeping.</span></p>
<p class="pnext"><span>"Oh, no, Miss, no!" she moaned between
her sobs. "Not Gibson. Truly, Miss. I've
never said a single word to encourage
Gibson."</span></p>
<p class="pnext"><span>"Very good," I said. "But don't go on like
that. There's nothing to cry about. If you
can't be sensible, we must talk about it some
other time."</span></p>
<p class="pnext"><span>I confess that, for a minute or two, I had
indulged a hope that Gibson would prove to
be Susan's favoured lover, and that,
accordingly, Lord Ruddington's monstrous
infatuation could be nipped in the bud. And when
my hope was found to be groundless, I felt
more than a little nettled. I foresee endless
annoyance and inestimable losses of time and
temper over this unheard-of madness of my
preposterous young neighbour. We've been
told for years that we shall see wonders when
Lord Ruddington comes to live at the Towers;
and, seeing he's only been here a week, I must
admit he hasn't lost much time.</span></p>
<p class="pnext"><span>When Susan stopped crying she was less
tractable. I suppose she resented my
catechising her about Gibson. After all, I shouldn't
have liked it myself. As soon as she was
dry-eyed, she became a little more dry-hearted,
and a good deal more dry-witted as well. She
was more defiant, less dependent: much more
the prospective lady of the Towers and much
less the actual lady's-maid at the Grange. I
noticed this in her answer to my first remark
after her tears had ceased to flow.</span></p>
<p class="pnext"><span>"Susan," I said, "this is a matter which
won't be any the worse of a night's delay. I
will sleep on it, and so must you. Understand,
I say </span><em class="italics">sleep</em><span>. I don't mean that you're to lie
awake and let it worry you. We shall write
Lord Ruddington a better answer to-morrow
than we can to-day. Meanwhile, it won't do
him any harm to be kept waiting a few hours
longer."</span></p>
<p class="pnext"><span>"No," said Susan, "it won't. I've always
heard it said that it does them no good to throw
yourself at their heads."</span></p>
<p class="pnext"><span>For once she did not call me "Miss," and
both the matter and the manner of her speech
jarred on me. From Susan it sounded hard
and vulgar. It was as if my rare and sweet
Susan had suddenly descended to live a moment
of her life two or three planes lower down.</span></p>
<p class="pnext"><span>I sent her off with some messages about
dinner, and with enough plain work to occupy
her for the rest of the day. And, now that I
have put the whole thing down in black and
white, I begin to understand how cordially I
dislike it.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Friday, September</em><span> 7, 5 </span><em class="italics">a.m.</em></p>
<p class="pnext"><span>Such a wretched night! I hope Lord Ruddington
has had a still worse one. He deserves
it, and I don't. Besides, he has something to
gain (or thinks he has), while I only have
something to lose. Even if he rushes out of his
infatuation as precipitately as he rushed into it,
Susan can never be the same nice girl again.</span></p>
<p class="pnext"><span>I have thought about it all the many hours
of this blessed night that I have been awake;
and I have dreamt about it all the few
nightmarish minutes I have been asleep--twisty,
scary, jumpy dreams that I can't half remember.</span></p>
<p class="pnext"><span>Heaven knows I was vexed enough when
Alice would persist in teasing me last Sunday
about Lord Ruddington. What would Alice
not have said if she had known that he was
hardly three miles away at the very time she
was plaguing me? On Wednesday, at the
station, her last words were, "Gertie, don't be
a fool." From Alice's point of view, Gertie will
be a fool if Gertie doesn't so play her cards as
to become Lady Ruddington.</span></p>
<p class="pnext"><span>I did so hate it. If I am happy, why can't
people leave me alone? Alice will be dreadfully
indignant if ever she finds out that I knew Lord
Ruddington was coming at once to the Towers.
But if I had told her, she would only have fought
against me going off to Sainte Véronique. Yet,
why in the world should I be going to a place
like Sainte Véronique at the fag-end of the
season? I'm going simply and solely because
I was determined not to give the tiniest scrap
of opportunity to the gossips and matchmakers
who would have been so ready to connect the
young spinster of Traxelby Grange with the
young bachelor of Ruddington Towers.</span></p>
<p class="pnext"><span>But I'm wandering away from my own point.
I say, Alice's chaff and hints and coaxings were
bad enough; but this farce of Susan's is a million
times worse. I admit I'm weak enough to care
what people say and think; and what sort of
a position will it be when all the world knows
that his noble lordship of Ruddington is come
to the Grange a-wooing, not me but my maid?
It's perfectly hateful.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Noon</em><span>.</span></p>
<p class="pnext"><span>Susan is herself again. I don't mean that
she isn't still burdened with the worries and
anxieties of her amazing good luck. Indeed,
she confesses that she has had a wakeful night.
But in her work and her behaviour she's once
more as good as gold.</span></p>
<p class="pnext"><span>After all, it was lean and ungenerous of me
yesterday to be jarred by her one low-class
remark. We are none of us at our best every
single minute of our lives.</span></p>
<p class="pnext"><span>When I'd written in this diary, with my
teeth chattering, at five o'clock this morning,
I crawled back into bed in a very sour temper;
and if Susan had come in sulky with a second
lot of weak toast and strong tea, it would have
finished me off. As it was, I lay trying to get
warm, and wondering whether it mightn't be
better to leave Susan and Ruddington to patch
up their ridiculous match in their own unthinkable way.</span></p>
<p class="pnext"><span>At a quarter to seven Susan brought me three
perfect square inches of toast, and a perfect
tablespoonful of China tea in that sweet little
thin birds'-egg-coloured porcelain cup which
I thought was broken. She saw at once that I
hadn't slept; and, in her quiet, untoadying,
genuine old way, she was ever so much
concerned. But I didn't let her begin talking.</span></p>
<p class="pnext"><span>I must do my duty by Susan.</span></p>
<p class="pnext"><span>Haven't I often felt inwardly virtuous on
the strength of my compassion (more
sentimental than practical!) for Susan's
motherlessness? How do I know that the poor good
creature has not consciously pitied me on the
same account? It isn't too much to say that
Susan has been almost a mother to me over
and over again. Surely, then, it is my duty to
be a mother to her in this big, sudden strain
on her simple wits.</span></p>
<p class="pnext"><span>Rumour says that Ruddington is all right.
But Rumour sometimes has a lying tongue
even when she speaks in a man's praise. I
have no guarantee whatever that Lord
Ruddington intends to treat Susan honourably. If
he doesn't, I know I shall be a poor defender
of Susan, and that I can't hope to be his match
in worldly knowledge and cunning. But I
don't mean to fail for want of doing my best.</span></p>
<p class="pnext"><span>This is the reply I have drafted:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="noindent pfirst"><span>THE GRANGE,
<br/>TRAXELBY, Friday.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>Your letter of Tuesday was not one to be
answered, or even acknowledged, in a hurry.</span></p>
<p class="pnext"><span>Indeed, it is only after hesitation that I
decide to answer it at all. How do I know that
this unaccountable flame of passion has not died
down as quickly as it sprang up?</span></p>
<p class="pnext"><span>But there is a reason why, if I am to reply
at all, I ought to do so to-day. To-morrow we
are going to France. We shall be away a month.</span></p>
<p class="pnext"><span>You ask me if I am free to bestow my
affection where I will. The answer is--Yes.</span></p>
<p class="pnext"><span>Deeply disturbed though I am by your surprising
letter, I will not make a difficult
situation more difficult still by anything like
coyness. In fairness to both of us, I will speak as
plainly and shortly and practically as I can.</span></p>
<p class="pnext"><span>There is only one direct question in your
letter, and I have answered it above. But
there is an indirect question also. You want
to know if the affection which I have not given
elsewhere can be given to Lord Ruddington.
The answer is--I do not know.</span></p>
<p class="pnext"><span>You have seen </span><em class="italics">me</em><span>, but I have not seen </span><em class="italics">you</em><span>.
Again, if I consent, you will remain in your old
rank and station, while I must make a great
and exacting and perilous change. Above all,
you declare that you have the fullest possible
inward light on this matter, whereas I have
nothing of the kind. Thus you have a threefold
advantage over me.</span></p>
<p class="pnext"><span>Reading your letter as an offer of marriage,
the most I can say to-day is that, for the present,
I do not refuse it.</span></p>
<p class="pnext"><span>Will you write to me once a week (not more)
while I am at Sainte Véronique? Our address
will be at the Hôtel du Dauphin.</span></p>
<p class="pnext"><span>Meanwhile, I beg most earnestly that you
will not try to see me before we leave
to-morrow. This journey to France is surely
providential, and we must not throw its
advantages away.</span></p>
<p class="pnext"><span>I am going to be very frank indeed. To a
poor girl, with her living to earn, your offer is
so tempting and marvellous that, if you pressed
it immediately and in person, I fear I might
be swept off my feet into acceptance long
before I could be sure that love will exist on
both sides. For your own sake, if not for mine,
do not put me to such proof. What would
my consent be worth if you won it solely through
the powers of your wealth and birth to dazzle
my eyes and confuse my brain?</span></p>
<p class="pnext"><span>My month abroad will serve two ends. By
correspondence we shall know one another
better; and our first meeting will thereby be
made less embarrassing and formidable--especially
to me. Again (and you must forgive
me for saying it), time and absence may
reveal to you more of your own heart and
mind. Perhaps you will repent most bitterly
of your letter which I am now answering,
and, if so, it will surely be better to admit
that you have been the victim of a passing
madness rather than to fasten life-long
unhappiness upon us both.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>SUSAN BRIGGS.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I can hardly say I am proud of this production.
Quite the contrary. Both in matter and
style, it's altogether too un-Susanish. Indeed,
now that I've tried and failed, I'm beginning
to have more respect for the effusion of the
young lady in the short-waisted muslin frock.
Perhaps if I'd taken out the bits about the
coach and the casual intercourse her letter
would have been better than mine.</span></p>
<p class="pnext"><span>Heaven knows what Susan will make of it!
I'm positively nervy every time I hear her on
the stairs.</span></p>
<p class="pnext"><span>All the same, I've said the best thing to
Lord Ruddington, even if I've said it in the
worst way. Going to Sainte Véronique bright
and early to-morrow morning is quite a good
scheme. If the noble lord comes hot-foot after
us, I can certainly manage him better at Sainte
Véronique than here at the Grange. Besides,
I'm half persuaded that the poor boy's
paroxysm won't last long. If needs be,
we'll go to Alice's when we come back to
England.</span></p>
<p class="pnext"><span>I think we'll travel by Dieppe. It means
more train-journey on the other side, but he's
less likely to track us and bother us that way.
Of course, if he did anything of the kind, it
would be abominable. But one never knows
where a madman will draw the line.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Before dinner</em><span>.</span></p>
<p class="pnext"><span>Susan isn't happy.</span></p>
<p class="pnext"><span>I can see she doesn't like my draft. But
she's docile, and she's going to use it.</span></p>
<p class="pnext"><span>I made the poor thing sit beside me at my
desk while we went through it together. At
the end she said:</span></p>
<p class="pnext"><span>"Thank you, Miss. But I hate to think I've
caused so much trouble."</span></p>
<p class="pnext"><span>"That's nothing, Susan," I said. "Just
tell me plainly if you think it'll do."</span></p>
<p class="pnext"><span>"It's beautiful, Miss," said Susan. "Only..."</span></p>
<p class="pnext"><span>"Only what?"</span></p>
<p class="pnext"><span>"Well, Miss, very likely I'm wrong. But it
seems to leave him a way of backing out again."</span></p>
<p class="pnext"><span>I was prepared for this. So I said, severely:</span></p>
<p class="pnext"><span>"Susan, what do you mean?"</span></p>
<p class="pnext"><span>"About going away," answered Susan
doggedly. "About being a month in France,
and not saying Good-bye, and only having
him write once a week. It seems to give him
a chance of changing his mind."</span></p>
<p class="pnext"><span>"Very well, Susan. Shall we tear this up?
How will it be to write and tell Lord Ruddington
that you will be disengaged to-morrow
morning at eleven o'clock?"</span></p>
<p class="pnext"><span>"Oh no, Miss, please no!" gasped Susan,
turning pale. "I couldn't, really I couldn't.
I could never face him."</span></p>
<p class="pnext"><span>"Why not?"</span></p>
<p class="pnext"><span>Tears came into Susan's eyes.</span></p>
<p class="pnext"><span>"I should be as dumb as a fish, Miss. I
should just sit and sit and never be able to
say a word--and then he'd think I was stupid
and he'd go away."</span></p>
<p class="pnext"><span>"So I think myself," I said. "That's why
this letter is sensible. After he's written to
you two or three times, you'll feel less strange
and more able to meet him."</span></p>
<p class="pnext"><span>"Yes, Miss. But it's such a long way and
such a long time. He might change his mind."</span></p>
<p class="pnext"><span>"Susan," I began, with all the grown-up,
worldly-wise solemnity I could muster, "listen
to me. If he's going to change his mind as
easy as that, won't you be better without him?"</span></p>
<p class="pnext"><span>Susan looked dubious. "I don't think I
would go as far as that, Miss," she said candidly.</span></p>
<p class="pnext"><span>Evidently it was necessary to rub the truth
well in.</span></p>
<p class="pnext"><span>"Susan," I said, "I admit that lords don't
marry lady's-maids every day. This case is
unusual. But it isn't the first. Before we
were born, dukes have married dairy-maids
and earls have married their cooks. A few
of them have been happy all their lives long.
Most of them have been miserable before the
end of the honeymoon."</span></p>
<p class="pnext"><span>Susan began to pout. I piled it on thicker.</span></p>
<p class="pnext"><span>"I won't mention names," I said. "But I
know a case myself. The son of a duke took
a fancy to a poor governess, and married her
for her looks. He was infatuated with her at
first sight, he followed her everywhere, he
wouldn't take her refusal, he quarrelled with
his father for her sake: and at last he got her.
What happened? Although she was as well
educated as he was, he tired of her in a year."</span></p>
<p class="pnext"><span>"But I suppose, Miss, she has all she wants?"
said Susan, pouting harder than ever.</span></p>
<p class="pnext"><span>"She has all she wants," I replied scornfully,
"in the way of house and clothes and
food. But, Susan, think. What if she wants </span><em class="italics">him</em><span>?"</span></p>
<p class="pnext"><span>Susan was silent. I drove it home.</span></p>
<p class="pnext"><span>"What if she wants </span><em class="italics">him</em><span>? And what if
she hardly ever sees him? Susan, I don't
care to talk to you about such things; but
this affair of Lord Ruddington is too serious
for mincing words. The reason why the
woman I'm telling you about never sees her
husband is that he's the slave of another
woman--a woman neither so pretty nor so
clever nor so good-tempered nor even so
well-born as his poor wife. Susan, would you like
a life like that, even if you could live it in silks
and old laces amidst all the luxury of
Ruddington Towers?"</span></p>
<p class="pnext"><span>Susan was blushing hotly, as I had
intended and hoped she would.</span></p>
<p class="pnext"><span>"Oh no, Miss," she said eagerly, all her
honest blood and good training coming to the
rescue. "But I don't think Lord Ruddington
would do those sort of things."</span></p>
<p class="pnext"><span>"You think. But you don't know. Susan,
I'm going to put you an old-fashioned question.
Do you think it would be right to marry a
man--never mind whether it's Lord Ruddington,
or Gibson, or any other man--if
you didn't love him?"</span></p>
<p class="pnext"><span>I was trying my poor, honest Susan too
searchingly. Tears again shone in her blue
eyes. Her colour came and went. She turned
away her head.</span></p>
<p class="pnext"><span>"Never mind, Susan," I said, very much
more kindly. "I can guess your answer. And
I can read your mind. You don't love Lord
Ruddington. It isn't possible you should, at
present. But you think it will be so lovely to
be Lady Ruddington that you mean to make
yourself love him whatever happens."</span></p>
<p class="pnext"><span>"Yes. That's it, Miss," sobbed Susan. "I
don't deserve that you should be so kind to
me, Miss."</span></p>
<p class="pnext"><span>"The danger is, Susan, that we can't depend
on Love coming whenever we beckon to it.
Perhaps Lord Ruddington is cold and unlovable.
Perhaps he's too passionate to be affectionate.
Unless you can love him in return, his love will
only torture you. Susan, make quite sure of
your ground. You are not like other girls.
A mistake of this kind would first sour you and
then kill you. Think of it all in this light, and
you will understand my answer to Lord
Ruddington better."</span></p>
<p class="pnext"><span>"I do, Miss," said Susan urgently. "I
understand it quite well now. And I know
it's best. Please, Miss Gertrude, if you'll show
me how to address it I'll send it to-night."</span></p>
<p class="pnext"><span>I took up an envelope and addressed it to
Lord Ruddington.</span></p>
<p class="pnext"><span>"You know best, Miss," said Susan, glancing
at the draft once more. "But ... but
oughtn't a girl like me to say 'your
lordship'? Besides----"</span></p>
<p class="pnext"><span>She checked herself. It was a new thing for
Susan to question my judgment on any point,
however small.</span></p>
<p class="pnext"><span>"Besides what?" I asked.</span></p>
<p class="pnext"><span>"Well, Miss, it seems to look strange beginning
the letter without anything to start off, like."</span></p>
<p class="pnext"><span>"Lord Ruddington set us the example," I
explained. "I thought it was rather clever
and delicate of him. He couldn't write in the
third person, could he? And he couldn't very
well call you 'Madam,' or 'Dear Miss Briggs,'
or 'Dear Susan.' No. It's far better for both
the letters to be as they are."</span></p>
<p class="pnext"><span>"Thank you, Miss," said Susan, as humbly
and teachably as she had ever spoken in her life.</span></p>
<p class="pnext"><span>She has gone to her own room. I do hope
she won't write it out in that frightful, blotty
school-girl hand. I ought to have told her
to write more quickly and freely, and less as
if she's doing it with a paint-brush. Still, I'm
deeply thankful we're getting on so nicely.</span></p>
<p class="pnext"><span>To-morrow, the glorious sea, and the cider,
and dear old Sainte Véronique!</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>9.30 </span><em class="italics">p.m.</em></p>
<p class="pnext"><span>More worry and tangle. I feel all bruised
and weak, as if I'd been battered about in the
surf on a stony beach.</span></p>
<p class="pnext"><span>While I was walking in the garden after
dinner, Gibson came across from the stables and
began hanging about. I had a presentiment
as to what he wanted, and I nearly bolted back
into the house. Susan had been quite enough
for one day. But, although it was dusk, I could
see his trouble sitting, so to speak, on Gibson's
shoulders. There was nothing for it but to
face it out.</span></p>
<p class="pnext"><span>"Good-evening, Gibson," I said. "Do you
want to speak to me?"</span></p>
<p class="pnext"><span>"I do, Ma'am," Gibson answered. His manner
was perfectly respectful, but his tone was
almost imperative.</span></p>
<p class="pnext"><span>"What is the matter?"</span></p>
<p class="pnext"><span>"You told me, Ma'am, I could have a holiday,
beginning Monday. Hughes is well able now
to look after the horses. If I couldn't trust
him, I wouldn't go."</span></p>
<p class="pnext"><span>"But, Gibson, we talked over all this on
Tuesday, and it was settled you should go.
Why do you want me to discuss it again?"</span></p>
<p class="pnext"><span>Gibson looked awkward; shifted his cap from
one hand to the other; shifted it back again.
Suddenly he demanded bluntly:</span></p>
<p class="pnext"><span>"Will you mind, Ma'am, if I go to France?"</span></p>
<p class="pnext"><span>"To France?" I said, bewildered. "Why
France?"</span></p>
<p class="pnext"><span>Gibson floundered through an unconvincing
explanation. He affected to have doubts
as to the Future of the Horse. He declared
that, until lately, he had clung to a belief that
"these here motor-cars would die out, same
as the bicycles did;" but, tardily and bitterly,
he has changed his mind. It seems the Horse
will not become extinct. There will always
be a few horses in the country, just as there
will always be a few bows and arrows. But
the number of horse-owners in the near future
as compared with the horse-owners of the near
past is to be in pretty much the same proportion
as the archery-club amateurs of to-day in
comparison with the English bowmen at Crécy
and Agincourt. Gibson didn't put it exactly
in this way, but his point is that the Horse,
as the Psalmist says, is a vain thing for safety
when a young man is looking well ahead for
his bread and butter. Gibson wants to stay
at Traxelby as long as I will keep him: but,
"begging pardon, Ma'am, with a single lady
one never knows," and therefore he thinks it
is high time he should put himself in the way
of qualifying as a chauffeur. Hence France.</span></p>
<p class="pnext"><span>"You do right to improve yourself, Gibson,"
I said. "But why France? Nowadays you
can learn to be a chauffeur far better in England."</span></p>
<p class="pnext"><span>His face darkened.</span></p>
<p class="pnext"><span>"Asking pardon, Ma'am," he said obstinately,
"I have a fancy for learning in France."</span></p>
<p class="pnext"><span>"Very well," I said. "It's your holiday,
and you can spend it wherever you like. If
you can manage the language, go to France by
all means."</span></p>
<p class="pnext"><span>"Then you haven't any objection, Ma'am?"</span></p>
<p class="pnext"><span>"Why should I?"</span></p>
<p class="pnext"><span>Gibson hesitated. Then he stammered:</span></p>
<p class="pnext"><span>"I was afraid, Ma'am, that ... that me
goin' to France the same time as you, Ma'am,
wouldn't be ... I mean, it would look like
taking a liberty."</span></p>
<p class="pnext"><span>I perceived that Gibson, like many others
of his class, conceives France as a territory
about the size of the Isle of Wight, with Paris
in the middle.</span></p>
<p class="pnext"><span>"But France is a very big country, Gibson,"
I said. "Far larger than England. Even if
I did object to you, we shouldn't be likely to
meet. You couldn't learn to be a chauffeur
at Saint Véronique. It's the last place in the
world. That's why I go there."</span></p>
<p class="pnext"><span>Gibson looked at me narrowly.</span></p>
<p class="pnext"><span>"I thank you, Ma'am," he said curtly and
proudly. And he made room for me to pass.</span></p>
<p class="pnext"><span>In his own fashion, Gibson is as good and
as likable as Susan. Never till this week has
either of them caused me the slightest anxiety.
I saw in a flash how matters stood; and I felt
in my heart that Gibson deserved the more
sympathy of the two. He was deeper-natured
than Susan: prouder and capable of a grand
passion which my sweeter and shallower Susan
could neither receive nor return. His
clean-shaven face was almost as handsome as Susan's
was pretty; and if he had enjoyed Susan's
advantages instead of being brought up among
grooms and stable-boys, he might have been
as refined. Rather rashly, I let myself go and
said:</span></p>
<p class="pnext"><span>"No, Gibson, I'm not going in yet. You
have not told me what it is that is really
troubling you. There is something on your mind."</span></p>
<p class="pnext"><span>He stood stock-still at the path-side and
vouchsafed no answer for a long time. At last
he said abruptly:</span></p>
<p class="pnext"><span>"Then you won't prevent me, Ma'am,
coming to France?"</span></p>
<p class="pnext"><span>"How could I stop you? France is a free
country. I couldn't make the French army
shoot you, or the French police lock you up.
But I'd better say plainly, Gibson, that I object
to you coming to Sainte Véronique unless I
send for you."</span></p>
<p class="pnext"><span>The colour mounted to Gibson's cheeks.
He drew himself up and seemed to take some
sudden decision. He was about to speak,
when the clatter of buckets at the pump, where
Hughes was gone for water, drew his gaze to
the beloved stables. I followed his eyes as
they ranged over the red roofs which had
sheltered him at work and at play, at bed and
at board, both in Grandma's time and mine,
ever since he came to Traxelby as a half-fed
boy of fourteen. He heard Nero's neighing
and Boxer's answering bark; and I could see
that he suffered. But these dear old sights and
sounds did not soften his face for long. He
pulled himself together again, and began decisively:</span></p>
<p class="pnext"><span>"Then if you please, Ma'am, with all respect----"</span></p>
<p class="pnext"><span>"No, Gibson," I said, like lightning; "don't
finish. Let me finish for you. You were going
to say that you give me notice, that you will
leave this old place, that you'll give up
everything, just to be a free man. No. Don't
interrupt. Above all, do have just a little bit of
common sense. For instance, instead of giving
up Traxelby simply so that you can come to
Sainte Véronique, how would it be if you told
me like a sensible man what you want to come
to Sainte Véronique for?"</span></p>
<p class="pnext"><span>He struggled hard with his pride. I helped
him out.</span></p>
<p class="pnext"><span>"Surely you can trust me, Gibson?"</span></p>
<p class="pnext"><span>"I don't say I can't, Ma'am."</span></p>
<p class="pnext"><span>"Very well, Gibson," I answered shortly
"I've done my best. Good-night."</span></p>
<p class="pnext"><span>"No!" cried Gibson, springing across my
path. "Miss Gertrude, I ask your pardon
It would break my heart to leave this place.
But ... good God, this is too hard for me
to bear!"</span></p>
<p class="pnext"><span>"Speak less loudly," I said. "Now, tell
me. Is it about Susan?"</span></p>
<p class="pnext"><span>He bent his head.</span></p>
<p class="pnext"><span>"You mean," I said, "you've fallen in love
with Susan." And then, although my spirit
was quailing and failing at the desperate sight
of the poor lad's agony, I actually forced myself
to try and laugh him out of it, as if it had been
no more than a mild attack of calf-love.</span></p>
<p class="pnext"><span>"Really, Gibson," I said, as banteringly
and gaily as I could, "I'm surprised at you.
You're behaving as if Susan's going to Siberia
for life instead of to France for a month. No
doubt it's very painful and upsetting to be
head over ears in love, though I confess I don't
know much about it. But surely, Gibson,
you can manage to exist without seeing Susan
for four little weeks? Be more of a man."</span></p>
<p class="pnext"><span>"It's because I'm a man, Ma'am," he rejoined
firmly, "that my right place is at Sinn Veeronik.
You talk of four little weeks, Ma'am. When
them four little weeks are over, shall I see the
same Susan as went away?"</span></p>
<p class="pnext"><span>His earnestness was so terrible that I could
not maintain my hollow banter, and I was
silent.</span></p>
<p class="pnext"><span>"I put it plain, Ma'am. When them four
little weeks are over, shall I ever see Susan any
more?"</span></p>
<p class="pnext"><span>I couldn't answer. Worse still, I guessed
that his next move would be to ask me how
much I knew. So I clung fast to the one hope
that buoys me up in all this outrageous
business--the hope that Time and Separation will
restore Lord Ruddington to such senses as he
may possess, and that Susan, like a ruffled
dove, will home back to Gibson's faithful
heart after all.</span></p>
<p class="pnext"><span>"You can't answer, Ma'am," he said almost
fiercely.</span></p>
<p class="pnext"><span>"Of course I can't, you foolish fellow," I
said, recovering my wits and making a show
of irritation. "I can't answer for Susan any
more than I can for you. How do I know
that, when we come back in four weeks' time,
poor Susan won't find you consoling yourself
with somebody else?"</span></p>
<p class="pnext"><span>He brushed my trifling aside.</span></p>
<p class="pnext"><span>"Then I'll tell you, Ma'am, something you
don't know," he almost hissed in my ear.
"God knows who it is: but some one's turned
Susan's head. She doesn't do no more than
give me hints. It's driving me mad. She
doesn't name the party: but it's somebody
richer'n a lord."</span></p>
<p class="pnext"><span>Gibson flung down his cap and lifted his right
hand.</span></p>
<p class="pnext"><span>"Hark ye, Miss Gertrude," he said harshly
and chokily. "Hark ye while I swear. This
is my Bible oath. If he touches a hair on
Susan's head, saving what's honest, I'll break
every bone in his body! Don't matter to me
if it's the king himself. Whoever he is, I'll
wring his neck, and swing for it gladly. If I
don't, may I be struck dead!"</span></p>
<p class="pnext"><span>"Silence, Gibson!" I said sternly. "Don't
speak like this to me."</span></p>
<p class="pnext"><span>"Then how shall I speak, Ma'am? Answer
me that. Me that's worshipped every inch
of ground that Susan's trod on for years and
years! Me that would go through fire and
water and hell----"</span></p>
<p class="pnext"><span>"Gibson, listen. You think you've told me
what I don't know. What if I knew it already?"</span></p>
<p class="pnext"><span>He faced me, startled.</span></p>
<p class="pnext"><span>"I say, what if I knew it already? I've
never seen this man; but what if I can give
you my word that Susan has only written to him
once in her life? What if her only letter was
to say that she does not love this man, and
that she does not know she ever can or will,
and that, if she cannot, all the money in the
world won't bribe her into marrying him?
What if she has told him that she is glad she
is going to France? What if she has forbidden
him to try and see her till she comes back to
England? What if she will see you again,
Gibson, before she sees him? Most important
of all, what if I tell you that I have made up
my mind to look after Susan in this affair as
if she were my own younger sister? What if
I promise you that she shall not come to harm?"</span></p>
<p class="pnext"><span>Gibson drank in my words with greedy ears
and devoured me with searching eyes.</span></p>
<p class="pnext"><span>"God bless you, Miss Gertrude, God bless
you!" he faltered; "and God grant it may be
true!"</span></p>
<p class="pnext"><span>"So you think I would tell you lies, Gibson?"</span></p>
<p class="pnext"><span>"No, Ma'am, no. You're dealing with me
fair. But how long will you be able to manage
Susan if her head gets any more turned? And
oh, Miss Gertrude ... I ask pardon--but
this isn't no job for a young lady like you,
as pure as an angel, that doesn't know this
wicked world. Ma'am, if he's a scoundrel,
he'll deceive Susan and he'll deceive you,
Ma'am, as easy as looking at you! Oh,
Ma'am, you don't understand! I can put up
with losing Susan, though it'll kill me. I can
put up with her being took away honest.
But----"</span></p>
<p class="pnext"><span>He brought his lips to my ear and finished his
sentence:</span></p>
<p class="pnext"><span>"If there's any devil's work, it'll be murder
for him and hanging for me. Miss Gertrude,
may I come to France?"</span></p>
<p class="pnext"><span>I drew a step away.</span></p>
<p class="pnext"><span>"No, Gibson," I answered, assuming a
calmness and a mastery which I did not feel.
"You can't come to France. There is no need.
I am sorry for you--deeply sorry--and I
respect you for some of the things you have
said. But you are excited. You have been
brooding. You've got morbid, exaggerated
fears."</span></p>
<p class="pnext"><span>He came towards me again.</span></p>
<p class="pnext"><span>"Gibson, wait till I've finished. You stopped
me saying something that ought to satisfy you.
It is this. At Sainte Véronique, Susan will
be under my eye all the time. If this man
follows her, I shall know. And I pledge you
my word that, if he comes, I will write to
you--no, I will telegraph--and then you can do
whatever you please."</span></p>
<p class="pnext"><span>"You pledge me your word, Ma'am?"</span></p>
<p class="pnext"><span>"I said so."</span></p>
<p class="pnext"><span>For at least five seconds he scrutinized my
face. Then he stooped down low, as if he was
going to kneel at my feet, and began hunting
for the cap which he had thrown down among
the nasturtiums. He was a long time finding
it. When he got up again, he said in clear,
low, sad tones:</span></p>
<p class="pnext"><span>"Miss Gertrude, I pray to God that I may
live to do one half as much for you as you
have done this night for me."</span></p>
<p class="pnext"><span>"Cheer up, Gibson," I said; "things are
hardly ever as bad as they look. Enjoy your
holiday all you can. Write down your address
and give it me in the morning. It's getting
chilly. Good-night."</span></p>
<p class="pnext"><span>I hadn't moved twenty yards before he was
at my heels once more.</span></p>
<p class="pnext"><span>"I beg your pardon, Ma'am," he said breathlessly,
"but there's just one other thing."</span></p>
<p class="pnext"><span>"Yes?"</span></p>
<p class="pnext"><span>"I'm thinking, Ma'am, perhaps you won't
name it to Susan that I've spoke like this to-night?"</span></p>
<p class="pnext"><span>"You may be easy in mind, Gibson, I'm
not likely to say a word about it. And be
careful that you never name it to her yourself
that we've had this talk."</span></p>
<p class="pnext"><span>"Never, Ma'am, as long as I live," said
Gibson fervently. And so I managed to get away.
On the whole, the Gibson part of this drama
of ours has tried me more than Susan's. That
Susan should marry a lord, and become
mistress of Ruddington Towers, is no more than
an oddity, an awkwardness. But it is a very
different thing to look on while an honest lad
like Gibson sees the girl he worships bribed
away from him with money.</span></p>
<p class="pnext"><span>To say that I feel like a bather banged about
on the stones by the breakers is to put it too
weakly. My brains feel like a battlefield, where
Greeks and Trojans, Hector and Achilles, have
been trampling, and slashing, and charging all
the long day. And for Helen and Paris, I have
a lady's-maid and a groom!</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Bed-time</em><span>.</span></p>
<p class="pnext"><span>Another thunderbolt--the loudest and
horriblest and most abominable yet!</span></p>
<p class="pnext"><span>Susan must be stark mad.</span></p>
<p class="pnext"><span>Instead of copying out my draft, she has
simply tucked it inside the specimen envelope
I addressed, and has posted it to Ruddington!</span></p>
<p class="pnext"><span>I'm too utterly sick and tired and disgusted
to write down in this diary all that Susan
said--which wasn't much--and all that I
said--which was even less, but entirely to
the point. Susan has gone off, crying--as
if she's the one with the grievance!</span></p>
<p class="pnext"><span>Thank God for bed!</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="dieppe"><span class="bold large">BOOK II</span></p>
<p class="center pnext"><span class="bold medium">DIEPPE</span></p>
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<p class="center pfirst"><span class="bold large">BOOK II</span></p>
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<p class="pfirst"><em class="italics">Saturday night</em><span>.</span></p>
<p class="pnext"><span>The sight, and smell, and sound of the
glittering, tumbling sea must have done me good.
After last night's and Thursday night's bad
dreams and worse wakings, I ought to be as
sleepy as a dormouse. Yet I feel quite fresh
and keen.</span></p>
<p class="pnext"><span>Not that to-day has been any great
improvement on yesterday and the day before. To
begin with, it put me quite out of temper, at
Traxelby station, to see how Susan was far too
nasty to Gibson, and how Gibson was far too
nice to Susan. And Gibson couldn't possibly
have been clumsier in his attempt to give me his
address on the sly. It was a miracle that Susan
didn't see.</span></p>
<p class="pnext"><span>I kept Susan beside me all the way to Newhaven,
and also on the boat. It was a turbine
steamer, and the sea was smooth, and I ought
to have enjoyed the crossing immensely. But
I didn't.</span></p>
<p class="pnext"><span>Of course, the reason was Susan. We hadn't
fairly lost sight of that blinding, towering white
cliff above Seaford before Susan said tragically
in my ear:</span></p>
<p class="pnext"><span>"Oh, Miss, I have such a dreadful feeling!"</span></p>
<p class="pnext"><span>Never before have I been cruel to the
sea-sick. But it was altogether too much that
Susan, who has always been the best sailor in
the world, should begin to work up a squeamishness
on a turbine, with the sun shining and
the sea as calm as a pond, and no one ill, not
even the trippers in ready-made yachting-suits.
I felt she was doing it just to be important, and
interesting, and difficult.</span></p>
<p class="pnext"><span>"Nonsense, Susan!" I said, quite roughly:
"it's perfectly ridiculous. Don't think about
it, and you'll be all right."</span></p>
<p class="pnext"><span>"I don't mean that I'm took bad, Miss,"
said Susan. And she looked aggrieved. Probably
it was my fancy; but, in her injured dignity,
there seemed to be a blend of Susan Briggs with
the future Lady Ruddington.</span></p>
<p class="pnext"><span>"What do you mean, then?" I asked grudgingly.</span></p>
<p class="pnext"><span>She did not answer at once. When she did,
she said mysteriously:</span></p>
<p class="pnext"><span>"I've got the feeling, Miss, that ... that it's
him!"</span></p>
<p class="pnext"><span>"Him?"</span></p>
<p class="pnext"><span>"Yes, Miss. He's kept looking at me ever
since we landed on the ship."</span></p>
<p class="pnext"><span>Susan shot a swift glance to her right, and
then, with a modest blush, resumed her scrutiny
of the pattern on the rug across her knees. I
affected to take an interest in a fishing-smack
which was fast dropping astern of us; and, in
this way, I was able to examine the part of the
boat whither Susan's glance had winged its coy
flight.</span></p>
<p class="pnext"><span>No doubt, ever so many people have stayed
in town for the Harvard and Cambridge
Boat-race. Anyhow, there weren't many crossing
this morning. We were sitting abaft the
funnel, and there was hardly anybody between our
two chairs and the gate leading to the second-class.</span></p>
<p class="pnext"><span>The second-class deck was fairly full. There
the poor "seconds" sat, like animals in a zoo,
behind a bar, for us superior mortals to stare at.
They were seated oddly, on bags or undersized
stools, so that they looked like wrong-doers in
the stocks. The very funnel (which soared up
from the midst of the first-class deck) showed
its contempt by visiting them with a copious
and increasing plague of large black grits, until
they were sootier than the damned in hell. And
after all, had not each and every one of them
committed the deadly sin of being either
unwilling or unable to pay the extra half-crown or so
which would have made them, for three or four
glorious hours, the equals of such notables as
myself and the future Lady Ruddington? They
had the air of accepting their punishment as just.</span></p>
<p class="pnext"><span>I picked out two unabashed and unassociated
males, either of whom might be Susan's "Him." Keeping
my eyes still on the second-class deck,
but directing my voice towards Susan's cheek,
I asked:</span></p>
<p class="pnext"><span>"Which?"</span></p>
<p class="pnext"><span>"The gentleman that's staring so, Miss."</span></p>
<p class="pnext"><span>"Can't you see there are two staring?" I
said. "Which do you mean? Is it the one
with the peaked cap and the gilt buttons--the
one that's rubbing the back of his head against
the side of the life-boat?"</span></p>
<p class="pnext"><span>"Oh, no, Miss! It's the gentleman with the
cigar and the thick stockings."</span></p>
<p class="pnext"><span>The fact that the puffer of the cigar was
staring at us without the slightest attempt at
dissimulation made it easier for me to take him in
from top to toe. The top was hidden in a grey
cloth cap, and the toe in a brown boot of a large
size. The creature was large-handed,
large-featured, and (as I afterwards found)
large-laughed and large-voiced. He wore a grey
Norfolk jacket and knickerbockers, continued
downwards by the thick grey stockings which
had vied with the cigar in Susan's regard.
There was a bold ring on the little (or, rather,
on the smallest) finger of his left hand. His
whole port and mien were idle and evil; and
never in my life have I seen more horrid legs.</span></p>
<p class="pnext"><span>At a first glance his coarseness was so
evidently the coarseness of a low-bred shopman or
bookie, that I nearly turned on Susan to rebuke
her sharply for wasting my time. But, at a
second glance, I became conscious of a sickening
doubt. Had I not seen this identical coarseness
before, in very high places?</span></p>
<p class="pnext"><span>Apart from his one unilluminating letter to
Susan, all my meagre knowledge of Lord
Ruddington has been collected at second or third
hand. Both Alice and I have heard that he is
reticent, aloof, rather studious; and the stray
reports of him which have reached Traxelby
have been pretty much to the same effect. But
our informants may have been wrong. Or, as
our information is a year old, Lord Ruddington
may have changed for the worse. If so, he has
galloped downhill at the devil's own pace.</span></p>
<p class="pnext"><span>When I had seen a good deal more than
enough, I turned my back on him pointedly,
and said to Susan:</span></p>
<p class="pnext"><span>"Move your chair a little--the way the
boat's going. The wind can't hurt you."</span></p>
<p class="pnext"><span>Visibly loth, Susan shifted her chair.</span></p>
<p class="pnext"><span>"What makes you think it is he, Susan?" I
demanded.</span></p>
<p class="pnext"><span>"I don't know, Miss," said Susan.</span></p>
<p class="pnext"><span>"Come, now. There must be something."</span></p>
<p class="pnext"><span>"No, Miss," answered Susan. "It's just a
dreadful feeling that keeps coming over me."</span></p>
<p class="pnext"><span>"Then the sooner you put the dreadful feeling
on one side, the better," I said unpleasantly.
"I hardly call it complimentary to Lord
Ruddington that you should mistake him for a man
like that."</span></p>
<p class="pnext"><span>Susan began her new pout--the bride-elect
pout that was never in Susan's world till last
Thursday. It annoyed me.</span></p>
<p class="pnext"><span>"Why," I said, "if that's Lord Ruddington,
all I can say is that poor Gibson is fit to be
a duke or a prince beside him."</span></p>
<p class="pnext"><span>Susan was touched in a raw place. She
pouted worse than ever. I couldn't help saying:</span></p>
<p class="pnext"><span>"One has only to look at his legs!"</span></p>
<p class="pnext"><span>"I was thinking, Miss," said the bride-elect,
"that they was rather nice."</span></p>
<p class="pnext"><span>She actually turned her head, and had begun
to take quite a deliberate peep at the rather
nice legs, when I addressed her sharply.</span></p>
<p class="pnext"><span>"Susan," I said, "so long as you're with me,
you'll be so good as to behave yourself properly.
I'm surprised."</span></p>
<p class="pnext"><span>She recalled her wanton glance at once, and
blushed suitably and sufficiently. Gibson is
only partly right about Susan's head being
turned. If it were turned more than a very,
very little, she wouldn't be able to obey so fully
and promptly and shamefacedly when I whistle
her straying fancy back to heel.</span></p>
<p class="pnext"><span>"What have you done with those two
magazines?" I asked. "Why don't you read them?
If you don't look at him, he won't look at you."</span></p>
<p class="pnext"><span>My dutiful Susan did her best. So did I.
But my best was no better than Susan's. Try
as I would, I couldn't restrain myself from
darting an occasional glance at the brute in grey to
see if he was still staring; and, try as I might,
I couldn't ignore the fact that Susan was doing
the same. At the end of about ten minutes, we
did it at the same moment.</span></p>
<p class="pnext"><span>"You're looking again, Susan," I snapped
angrily. It was mean of me and dishonest, I
know. Besides, it was taking an ungenerous
advantage of my powers as Susan's mistress.
But I had to save my dignity. And Susan
would have done the same in my place.</span></p>
<p class="pnext"><span>Susan hung her head.</span></p>
<p class="pnext"><span>"I'm very sorry, Miss," she said. "I was
really trying not to, Miss. But it's such a
dreadful feeling. I feel as if I </span><em class="italics">must</em><span> look."</span></p>
<p class="pnext"><span>"Susan," I said ingeniously, "we will
suppose, just for a moment, that the creature is
Lord Ruddington. For your sake, and his own
sake, and everybody's sake, I hope and believe
he isn't. But let us suppose he is."</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan patiently.</span></p>
<p class="pnext"><span>"Susan, I put it to you. If he </span><em class="italics">is</em><span> Lord
Ruddington, what will he think of you for casting
sheep's eyes at him, and looking up and looking
down, and blushing, and all the rest of it?"</span></p>
<p class="pnext"><span>"I don't think it's him as ought to complain,
Miss," said Susan, "seeing it's him that's
making me do it."</span></p>
<p class="pnext"><span>"You don't see what I mean. If he's Lord
Ruddington, he knows that you're Susan, and
he can hardly help looking at you, though I
must say he isn't treating you as he would a
lady. But when it's a case of </span><em class="italics">you</em><span> looking at
him, it's different. You see, you're not
supposed to have any idea it's Lord Ruddington.
All you've got to go by is 'a dreadful feeling'--which
is nothing at all. So what must he think
of you, when he sees you making eyes at a
perfect stranger? He must think you've got
glances and blushes for every man who chooses
to stare at you."</span></p>
<p class="pnext"><span>Susan did not see my point clearly. Indeed,
the more I laboured it, the less clearly I saw it
myself. Besides, if this was really and truly
Lord Ruddington, my attempt at crediting him
with superfine feelings was either hypothetical
or ludicrous.</span></p>
<p class="pnext"><span>"I'm very sorry, Miss," said Susan from the
depths of her immeasurable docility. And then
we got through another half-hour of pretending
to look at magazines, while we were cunningly
looking at the creature who was fixedly looking
at us.</span></p>
<p class="pnext"><span>When it became intolerable, I said to Susan:</span></p>
<p class="pnext"><span>"I'm determined not to move. One mustn't
even seem to be beaten by such rudeness. But
do, for goodness' sake, put it out of your head
that it can possibly be Lord Ruddington. What
would Lord Ruddington be doing, travelling
second-class?"</span></p>
<p class="pnext"><span>"I suppose, Miss," answered Susan, so
promptly that she must have already thought
it out, "he's come after Me. And he thought
we shouldn't guess it was him if he rode in the
second-class."</span></p>
<p class="pnext"><span>I suddenly felt that I had had heaps more
than enough of the whole sordid business. I
had felt for an hour that Susan knew a little
more than she cared to admit. Probably she
was right, and this was indeed Lord Ruddington.
If so, everything was plain. This coarse-grained
young rake's desire of Susan's country
freshness and innocence was something even
more detestable than the familiar infatuation
of some weedy young lordling with a dressy and
exuberant and altogether outrageous chorus-girl
in town. I felt as if a rosy veil of illusion
had been drawn away from life, and it almost
turned me faint and sick. The worst of the
affair was that Susan, with her wholesome
instincts, was not revolted as she ought to have
been, even by that which she did not understand.</span></p>
<p class="pnext"><span>"Susan," I said abruptly, "I'm not at all
satisfied. You keep talking about a dreadful
feeling, which is all sheer nonsense. I feel
perfectly certain you know something about
that man down there that you haven't told me."</span></p>
<p class="pnext"><span>"The only thing, Miss----"</span></p>
<p class="pnext"><span>"Why didn't you tell me before?"</span></p>
<p class="pnext"><span>"I didn't think there was anything much in
it, Miss."</span></p>
<p class="pnext"><span>"What? In what?"</span></p>
<p class="pnext"><span>"Only that he came out through that little
gate when you were downstairs, Miss, changing
the money. It was before they locked the
gate--before the guard looked at the tickets, just
after the boat started."</span></p>
<p class="pnext"><span>"What did he say to you?"</span></p>
<p class="pnext"><span>"He didn't say anything, Miss," replied
Susan regretfully. "All he did was he looked
at these bags, Miss, and stood over them till he'd
read the names on the labels enough to learn
them by heart, and where we were going as well.
It was that that gave me such a dreadful feeling.
Then the guard came and asked him what he
was doing in the first-class, and looked at his
ticket, and said it would be four-and-six more;
and, with that, he went back again through the
gate."</span></p>
<p class="pnext"><span>"Susan," I said, "I am really very angry.
You ought to have told me this at once. Help
me to put these things together. You know
how I hate it; but we are going below."</span></p>
<p class="pnext"><span>We didn't go below; but we went as far
forward as we could, and sat gazing southward
until a little low moan of joy from a French-woman
at my side told me that she had caught
sight of the faint white ramparts of France.</span></p>
<p class="pnext"><span>As the cliffs rose higher from the sea and
spread widelier to the east and west, my spirits
rose and expanded with them. If Lord Ruddington
was following us, there was his insult
to me as well as his designs upon Susan to be
dealt with. So long as we were cramped up on a
ship, he had the advantage of us; but with the
hugeness of France unfolding before me, I felt
myself his match, and began spoiling for a fight.</span></p>
<p class="pnext"><span>I didn't have to wait long. As we entered
Dieppe harbour, a sailor unlocked the gate of
the second-class pen, and the inmates streamed
out all over the main deck. Susan was for
hurrying to swell the serried mass of Britons
who invariably fight like Bushmen to be first
on the gangway. But I kept her in her place,
and we were among the last to disembark.</span></p>
<p class="pnext"><span>Ruddington--if it's truly he--was waiting
for us at the Customs. He had got his own bag
passed and chalk-marked already. I was
prepared for developments, but not for what
actually followed. Ignoring me, with the
coolest insolence, he marched straight up to
Susan, clawed carelessly at his cloth cap, and
said:</span></p>
<p class="pnext"><span>"Can I be of any assistance?"</span></p>
<p class="pnext"><span>Susan shrank under my wing, all crimson
confusion. I turned on him sharply.</span></p>
<p class="pnext"><span>"What is it you want?" I demanded.</span></p>
<p class="pnext"><span>He coloured up; having, I suppose, some
poor remnant of shame after all. Then he
stammered:</span></p>
<p class="pnext"><span>"I thought I might be of some assistance."</span></p>
<p class="pnext"><span>"Thank you," I said. "None is needed." And
I turned my back.</span></p>
<p class="pnext"><span>When we had got everything through, we
went into the buffet, and drank thin tea out of
thick cups, while He stood at the bar with a
long glass of something-and-soda. Susan had
been so thoroughly cowed into speechlessness
and good behaviour that I was able to take
counsel with myself in peace.</span></p>
<p class="pnext"><span>We had deposited the trunks in the </span><em class="italics">consigne</em><span>
until Monday, the day I had intended to resume
the journey to Sainte Véronique. The bags
were piled up at Susan's feet, labelled with the
labels He had so coolly looked at. I wished my
writing wasn't so legible. No doubt he had
memorized the address--Hôtel du Cheval
d'Or, Dieppe.</span></p>
<p class="pnext"><span>All the way to Newhaven in the train, my
poor little week-end time-table had seemed so
lovely. Saturday, 4 P.M., arrive at the Cheval
d'Or; 4.15 P.M., a bath and change; 5 P.M., a
peep into St. Jacques and </span><em class="italics">une petite promenade</em><span>
along the front; 6.30 P.M., a short and early
dinner, with a </span><em class="italics">sole Normande</em><span>, a </span><em class="italics">caneton
Rouennais</em><span>, a bit of Neufchatel cheese, some wild
strawberries, and a broad-based, high-soaring,
unemptiable carafe of cider; 8 P.M., this diary
(with, I devoutly hoped, not a word in it about
Susan); 9 P.M., bed; Sunday, a little dash upon
Rouen, a run round the churches, and back for
seven-o'clock dinner at the Cheval d'Or;
Monday, 8.30 A.M., depart for Sainte Véronique.
But now the dream was shattered. The gilt
was off the Cheval d'Or, and he was the
one horse in all France that I might not mount.</span></p>
<p class="pnext"><span>I sat and debated whether it would be best
to go to one of the other Dieppe hotels, sending
the Cheval d'Or the price of the rooms by post,
or to climb straight into the Paris train and
spend the night in Rouen. At last I decided
that we had better stick to Dieppe and go to the
Astor, where their idea of welcoming you to
Normandy is to try and make you believe you're
at the Carlton, and where you can't drink cider
without feeling that you're a perfect monster
of parsimony. It was maddening. But it had
to be faced.</span></p>
<p class="pnext"><span>He drained the last drop of his something-and-soda
and strode out quickly with his bag--doubtless
to entrench himself in good time at
the Cheval d'Or. When He was safely off the
premises, I went to the platform door to find a
porter. Behind the excited crowd of officials
who implore you to take your seat for Paris, I
espied their rivals--that silent band, with the
names of hotels gilt-lettered on their caps,
whose dumb eloquence pleads with you to
remain in Dieppe. I had almost caught the
"Astor" man's eye, when a face I dimly
remembered pushed itself into sight. The face
looked at me from under a cap inscribed "Hôtel
du Cheval d'Or." It was Pierre, that best of
porters. He knew me. I was too late.</span></p>
<p class="pnext"><span>I've learned a lesson and drawn a moral.
Whenever I've forgotten, or been too lazy, to
write beforehand to an hotel, I never once
remember coming to the smallest harm. But
whenever I've been a paragon of methodicalness
and have given two or three days' notice, how
often haven't I found myself shoved away into
a back room or an annexe? If only I hadn't
wired to the Cheval d'Or last night, I could
have tossed Pierre a pleasant look and have
gone off to the Astor, leaving Ruddington all
alone in his glory.</span></p>
<p class="pnext"><span>Pierre had us and our bags in his omnibus
in a twinkling; and, five minutes later, we were
in the very muzzle of the Cheval d'Or. Out
flew Madame Legendre, all smiles and hearty
welcomes, and it is the simple-literal truth that,
at the same moment, Justine was haling a
perfectly adorable new-plucked </span><em class="italics">caneton</em><span> into her
kitchen by his neck.</span></p>
<p class="pnext"><span>Something forced me to glance up to the
sunny stuccoed walls and snowy-curtained
casements of the main hotel building on the
left-hand side of the court. A man was leaning
out of a second-floor window. When he caught
sight of me, he swiftly drew in his head. It was He!</span></p>
<p class="pnext"><span>My mind made itself up in a moment. I
plunged boldly into an extensive and variegated
falsehood. I declared that when I telegraphed
last night, I didn't know that some great friends
of mine were at the Astor. It was the greatest
disappointment to me not to stay, as arranged,
at the Cheval d'Or. On my way back to
England from Sainte Véronique, I would be sure to
pay Madame Legendre at least a week's visit.
Meanwhile, could Madame, as an exceptional
favour, allow Pierre to carry us round to the
Astor?</span></p>
<p class="pnext"><span>The long and short of it is that, so far, I have
outwitted him; and here I am, spending my
first French night in an English hotel. As one
might as well be damned for fifty fibs as for one,
I have told Madame Legendre that I want to
pass all my time with my friends here at the
Astor; and that if any one who knows me
inquires, ever so pressingly, she isn't to
acknowledge that she has the faintest idea where I've
gone. She's promised. As for Pierre, I have
bought him body and soul for ten francs, cash
down; and if Ruddington begins asking questions
he'll be told that the English lady and her
maid have changed their minds and gone on to
Paris.</span></p>
<p class="pnext"><span>Alas, poor dreams! I have just eaten a Paris
dinner and have sent it down with London
claret. And I'm going to sleep in an English
bedroom, instead of in a French one. I did so
want a French one, with a curtained bed and a
pudgy quilt, and an Empire mirror over the
mantelpiece, to say nothing of a gilt clock, and
two bronze horses, and four or five nice pious
pictures of martyrs all stuck full of arrows.
But one can't have everything; and it's enough
for me that I've beaten Ruddington to-day, as
I shall beat him to-morrow and every other day
until I can believe that he's something better
than a libertine cad.</span></p>
<p class="pnext"><span>He's done me one good turn, at any rate.
Scribbling down all this has made me deliciously
drowsy. So now to make up all those arrears of
sleep.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunday</em><span>, 9 </span><em class="italics">a.m.</em></p>
<p class="pnext"><span>I've slept like baby twins.</span></p>
<p class="pnext"><span>Such a sweet morning! I got up at seven and
took Susan with me to Low Mass. The sunlight
streaming through the windows of the choir was
divine.</span></p>
<p class="pnext"><span>How different this Latin mass in France from
last Sunday morning's service in Traxelby
church! At Traxelby we are always so orderly,
so dignified. Here at Dieppe the people grab
each a chair and put it down where they like, so
that they're all higgledy-piggledy instead of
sitting in decorous ranks and rows. And, except
for the Gospel and Credo and the Canon, they
make no pretence at sitting and standing and
kneeling according to any fixed usage or
principle. Some seem to be following the Proper in
their missals, while others just pray, or think,
or finger their beads. Susan says they behaved
dreadfully, and that it didn't seem a bit like
proper Church.</span></p>
<p class="pnext"><span>I felt differently. The roughness and freedom
and individuality were less soothing than
our elegant orderliness at Traxelby; but the
realities that underlie religion seemed nearer
and warmer. These faithful Dieppois looked
more like the men and women of old who
thronged the hillsides of Palestine and sat down
entranced upon the grass; and they looked
less like that chilly, respectable, dull-souled
thing---- How shall I put it? Perhaps it's
this. They looked more like "the multitude"
of the Gospels, and less like "a congregation."</span></p>
<p class="pnext"><span>If I were not already an excommunicate
heretic and schismatic, I should have surely
lost my soul for my inattention to Mass. I
couldn't help comparing this Sunday with last.
Last Sunday, Alice was with me as in the old
days. And Susan hadn't had her letter. And
Gibson hadn't talked to me in the garden.
Everything was orderly, dignified, low-pulsed,
soothing, like last Sunday's matins in Traxelby
church. But to-day, Susan's letter is a fact.
So is Gibson's oath. And Ruddington is at the
Cheval d'Or. My life is suddenly disordered--just
as Traxelby church would be if these
Dieppois were suddenly turned loose among the
chairs. Yet I'm not sure that last Sunday was
better. Realities, glowing human realities,
have suddenly began to crowd, living and
breathing, all around me--just as I felt reality,
warm and near, in the rough and unpunctiliously
celebrated Mass.</span></p>
<p class="pnext"><span>I couldn't help thinking some odd thoughts
as I looked at one little panel of a stained
window over my head. It showed a kneeling
girlish figure, in white, with long yellow hair.
On her right was a Bishop, coped and mitred,
extending his hand; and on her left was a loutish
leering fellow with a steel cap and a sword. I'm
not ecclesiologist enough to know what it was
all about. Possibly it meant the Soul being
strengthened by the Sacraments against the
onslaughts of the World. More probably it was
in praise of some virgin martyr. But the odd
thing was that if the yellow-haired, rather
insipid damsel had had more colour in her cheeks
she would have been the image of Susan. The
large-mouthed, large-eared, large-limbed brute
who was tempting or threatening her was not
wholly unlike the cur at the Cheval d'Or.
Most amazing and haunting of all, the Bishop,
with his youthful, keen, honest, manly,
wholesome, clean-shaven face, was simply a coped
and mitred--Gibson!</span></p>
<p class="pnext"><span>Here they are, bringing the coffee in cups!
Never mind. On Tuesday I shall be drinking
it with a big Normandy soup-spoon out of a
little Normandy bowl.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Noon</em><span>.</span></p>
<p class="pnext"><span>He has tracked us down.</span></p>
<p class="pnext"><span>Coming away from High Mass at St. Rémi,
we walked slap into him in the Grande Rue.</span></p>
<p class="pnext"><span>I could have boxed Susan's ears for her ridiculous
goings-on. Such flushings and flutterings
and scurryings can't possibly have been seen
in the town before. Yet, as we came back to
the Astor by the zigzaggest route I could find,
she positively turned her head twice. Of course
he was following.</span></p>
<p class="pnext"><span>I'm quite prepared to find he's secured the
next table to mine for lunch.</span></p>
<p class="pnext"><span>What worries me isn't so much to-day's
meetings. It's to-morrow's. If we can't dodge
him at Dieppe, how shall we manage at Sainte
Véronique? Then there's my ridiculous promise
to our poor young Bishop Gibson.</span></p>
<p class="pnext"><span>I'm forced to acknowledge that Alice is right.
I'm neither old enough nor wise enough to keep
up Traxelby and go travelling abroad with no
companion save Susan. It looks strange, and it
doesn't work.</span></p>
<p class="pnext"><span>If this creature is indeed Lord Ruddington, I
don't trust him to deal honestly by Susan. In
that case, Gibson is just the man for the job.
Once let me be sure that it's Ruddington and
Gibson shall have his telegram within half an
hour.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Half-past three</em><span>.</span></p>
<p class="pnext"><span>I've laughed and I've cried.</span></p>
<p class="pnext"><span>To think that all last night and all this morning
I fully believed we were deep in Act III. of a
tragedy (Act I.: Miss Langley's Boudoir at
Traxelby Grange. Act II.: The Grange
Garden); and that when I walked into the
</span><em class="italics">salle-à-manger</em><span> for </span><em class="italics">déjeuner</em><span> and saw the Brute in
Grey at a corner table, my mind was so prepared
for an ultimate Act V., that the only
uncertainty was as to whether Gibson would do it
with a revolver or with a knife!</span></p>
<p class="pnext"><span>It isn't Act III., and there isn't any tragedy.
It turns out to be merely the comic relief of a
melodrama.</span></p>
<p class="pnext"><span>He was already lunching when I sat down
with Susan at my table. Of course I placed
Susan with her back to him; but I didn't notice
at first that I had also placed her opposite a
mirror wherein she could look at him far better
than I could myself.</span></p>
<p class="pnext"><span>He was too far off for me to hear him clearly;
but I made out that he insistently addressed his
English waiter in lamentable French. I hung
my head for my country and its aristocracy, and
thought more meanly than ever of its public
schools. He consumed a succession of expensive
dishes, and his plate was ostentatiously flanked
by a bottle of champagne.</span></p>
<p class="pnext"><span>"It's a whole bottle, Miss," whispered Susan,
regarding it with reverence in the mirror; "not
one of those little ones."</span></p>
<p class="pnext"><span>"If you can see him, he can see you, Susan,"
I said severely. "Whoever he is, he can be no
gentleman to follow you like this. Eat your
cutlet, and keep your eyes on your plate. And
don't dawdle. I want to go upstairs again as
quick as we can."</span></p>
<p class="pnext"><span>For one nasty moment, Susan hung on the
very brink of rebellion. But habit or coquetry,
or self-interest or pure obedience, or genuine
modesty, prevailed; and she answered with
perfect meekness:</span></p>
<p class="pnext"><span>"Very well, Miss, I'm ready now."</span></p>
<p class="pnext"><span>It spoilt my lunch; but I got up and we both
went out. I asked for coffee and the French
time-table to be brought into the drawing-room,
where he wasn't likely to come. There, I sat
down to work out plans in quiet.</span></p>
<p class="pnext"><span>But the quiet didn't last. Within five
minutes, his large voice broke out angrily in the
hall. Susan shivered on the lounge beside me.
His clamour was like the vicious baying of an
extra-sized wolf newly cheated of a nice young
lamb.</span></p>
<p class="pnext"><span>"Oh, Miss!" moaned Susan, as white as a
sheet. "He's coming in here! Whatever shall
I do?"</span></p>
<p class="pnext"><span>"Sit still," I snapped. "Hold your tongue.
Let us listen."</span></p>
<p class="pnext"><span>Straining my ears, I discerned that the noise
was a composite one, and that the three chief
contributors were the Brute in Grey, the waiter,
and some third party--probably the manager.</span></p>
<p class="pnext"><span>"It's a [----] swindle!" roared the Grey
One. (The blank stands for something far
worse than "damned.")</span></p>
<p class="pnext"><span>"I told the gentleman it was </span><em class="italics">à la carte</em><span>," put
in the waiter.</span></p>
<p class="pnext"><span>"You're a common impostor!" said the manager.</span></p>
<p class="pnext"><span>I edged along the lounge and peeped through
the half-open door. The Grey One was standing
with his legs apart, like the Colossus of Rhodes.
Too much meat and drink had combined with
anger and fear to turn his evil face nearly purple.
At a safe distance stood the waiter, pale and
excited, with the Grey One's bill on a silver
salver. Two other waiters and the porter were
massed across the doorway in case the Grey One
should take to his long, horrid legs. The
manager, implacable and contemptuous, leaned
against his office door.</span></p>
<p class="pnext"><span>"What's all this beastly row about?" asked
one of the guests of the hotel, a young Englishman,
coming irritably out of the </span><em class="italics">salle-à-manger</em><span>.</span></p>
<p class="pnext"><span>"I'm deeply sorry, sir. This ... gentleman,"
said the manager, with a withering look at the
Grey One, "has eaten his luncheon and doesn't
want to pay for it."</span></p>
<p class="pnext"><span>"He won't pay," echoed the waiter feebly.</span></p>
<p class="pnext"><span>"It's a [----] lie," bellowed the Grey One.
"I </span><em class="italics">will</em><span> pay. I want to pay. But I'm not going
to be [----] well swindled. It's the same as
knocking me down and going through my [----]
pockets, and I'll see you in hell before I stand it!"</span></p>
<p class="pnext"><span>Another young Englishman came out and
joined the first.</span></p>
<p class="pnext"><span>"What's up?" he asked.</span></p>
<p class="pnext"><span>"Dunno exactly," answered his friend.
"Waiter says this chap's trying on a bilk.
Chap himself says they've rooked him on his
lunch."</span></p>
<p class="pnext"><span>"The gentleman </span><em class="italics">would</em><span> talk French," said
the pale waiter, gaining courage. "I don't
know French, nor 'e don't neither. I told 'im it
was </span><em class="italics">à la carte</em><span> as soon as 'e pointed to the canteloup."</span></p>
<p class="pnext"><span>"It's a barefaced robbery," cried the Grey
One, swearing dreadfully. "But it's no use
trying it on </span><em class="italics">me</em><span>. My uncle knows France as well
as he knows Battersea Park. And what did he
tell me? That you don't pay more than three
or four francs in France for a dinner fit for a
lord! Why, even in the French resteronts in
Soho, you don't pay more than eighteenpence
for five courses."</span></p>
<p class="pnext"><span>The manager made a gesture of scorn and
despair.</span></p>
<p class="pnext"><span>"Perhaps you'll tell us why you ordered a
cigar and a whole bottle of </span><em class="italics">Veuve Clicquot</em><span>?"
he asked.</span></p>
<p class="pnext"><span>"Don't go cross-examining </span><em class="italics">me</em><span>," roared the
Grey One. "I know the ropes, so don't you
forget it. Everybody knows that, in France,
wine's cheaper than beer."</span></p>
<p class="pnext"><span>"That's it!" chuckled one of the young
Englishmen gaily. "Wine's cheaper than beer,
and therefore fizz is cheaper than bottled ale!"</span></p>
<p class="pnext"><span>"There you are!" cried the Grey One in
triumph. "And as for your [----] old cigar,
you don't have me there either. One of the
fellows at our place came back from France only
last week. At least, it was Holland he'd been
to, but it's all the same. And what did he pay
for the cigars he smuggled back? Three for
tuppence! Beauties! Yet here it is in your
[----] bill, 'Cigars, one franc.' I say it's----"</span></p>
<p class="pnext"><span>"You've said all I'm willing to listen to,"
retorted the manager, as the two young
Englishmen went back to their feeding. "For the
last time, are you going to pay?"</span></p>
<p class="pnext"><span>"I'll pay six francs and not a penny more,"
muttered the Grey One, distinctly frightened.</span></p>
<p class="pnext"><span>"You'll pay your bill," said the manager
decidedly. "The total is thirty-one francs,
seventy-five centimes. I can't have our guests
annoyed by a minute's further argument. I
recommend you to save yourself from very
unpleasant consequences."</span></p>
<p class="pnext"><span>All the fight went out of the Grey One
suddenly. He gazed wistfully at the door, which
was still held in force by the menials. Then he
fumbled in his pockets.</span></p>
<p class="pnext"><span>"I can't," he muttered sulkily. "I haven't
got the money. I've only got twenty-four
francs. And there'll be my bill at the Shevvle
Daw."</span></p>
<p class="pnext"><span>"The Cheval d'Or!" echoed the manager.
"If you're at the Cheval d'Or, what the deuce
have you come lunching here for?"</span></p>
<p class="pnext"><span>"To meet some friends," said the Grey One
brazenly. "They're staying in the hotel."</span></p>
<p class="pnext"><span>The manager was perturbed.</span></p>
<p class="pnext"><span>"What friends?" he asked.</span></p>
<p class="pnext"><span>"Two ladies," the Grey One replied.</span></p>
<p class="pnext"><span>Within the next minute the two ladies' names
would have been asked for, and, no doubt, the
hard-pressed brute would have given mine. I
pulled the door open wide, and stepped into the
hall.</span></p>
<p class="pnext"><span>"I can't help hearing," I said. "You talk so
loud. What ladies do you mean?"</span></p>
<p class="pnext"><span>He jumped. Then he stood stark, as if he
had been struck by lightning.</span></p>
<p class="pnext"><span>"Perhaps Madame knows something of this
affair," the manager began in French.</span></p>
<p class="pnext"><span>"Only a little," I replied in English. "All I
know is that this---- By the way, hadn't
you better ask his name and address?"</span></p>
<p class="pnext"><span>"My name," he said wretchedly, "is Lamb--John
Lamb. I'm head clerk at Phipps
Brothers, the timber-merchants, Amelia Road,
Shepherd's Bush. You'll have heard of Phipps
Brothers?" he added imploringly.</span></p>
<p class="pnext"><span>"All I know of Mr. John Lamb," I went
on, "is this. He stared at us all the way
from Newhaven. He spied about, reading the
names on our labels. He pushed himself on
us at the Customs. He followed us to the
Cheval d'Or, and practically drove us out of
the rooms we had taken. He has dogged us
through half the streets in Dieppe this morning.
Lastly, he has given us the honour of his
company at lunch."</span></p>
<p class="pnext"><span>The manager was about to work up, for my
benefit, a polite adequacy of fiery indignation.
But Mr. John Lamb forestalled him. Plucking
up courage, he retorted impudently:</span></p>
<p class="pnext"><span>"Well, and what if it's true? We aren't in
England, are we? Everybody knows they're
more free-and-easy in France."</span></p>
<p class="pnext"><span>The manager was loaded and primed for an
explosion. But I got in another word.</span></p>
<p class="pnext"><span>"Didn't I give you a broad enough hint at the
Customs?" I asked.</span></p>
<p class="pnext"><span>"Yes," he said coarsely. "You did. But
what about the other young lady? Let her
come out here, fair and square, and say if she
didn't egg me on. 'Tisn't my fault for thinking
I was in for a soft thing. </span><em class="italics">You</em><span>'re not to blame,
of course. </span><em class="italics">You</em><span>'ve snubbed me right enough all
along, no error. To tell the truth, Ma'am, I
thought you were sick because it was the other
young lady I was struck with, and not </span><em class="italics">you</em><span>."</span></p>
<p class="pnext"><span>What possessed him to add this insult to
injury, when he was actually in the lion's mouth,
only himself knows. It wasn't courage; for he
had suddenly gone paler and shakier than
before. Probably he was clinging in desperation
to a last mad hope that he had indeed made a
conquest of "the other young lady," and that
she would rush out in my wake to intercede for
him, and to set him free.</span></p>
<p class="pnext"><span>As I turned round and took my first step
back to the drawing-room, the manager
exploded like a thousand bombs. How the Grey
One managed to stand unconsumed amidst
those lightnings of wrath and thunderings of
menace, I can't conceive. As to his past, the
Grey One learned that he was directly
descended from a long line of cads, rogues,
gaol-birds, and impostors; and as to his future, it
appeared that the greater part of it (after he
had been soundly kicked, thrashed, and
horse-whipped) was to be spent in a French prison.
While this fiery storm was blazing and smashing
around his grey cloth cap, I neither saw
Mr. John Lamb, of Phipps Brothers, nor heard him.
He took it lying down.</span></p>
<p class="pnext"><span>In the end, it turned out that Mr. Lamb was
possessed of an English sovereign and the
return half of a week-end ticket as well as his
twenty-four francs. He paid; and was flung
forth into the sunshine with just enough to face
Madame Legendre and to keep himself alive
until the boat starts for England, in the dark and
the cold, a little after midnight.</span></p>
<p class="pnext"><span>From his final and ardent, but fruitless, plea
that the manager should accept the deposit of
his watch and ring, and allow him to send a
post-office order from England to redeem them,
I gathered that this was Mr. Lamb's first visit
to France; that he has got leave from Phipps
Brothers till Wednesday morning; and that
Mrs. Lamb doesn't expect him back to Amelia
Road until Tuesday night.</span></p>
<p class="pnext"><span>I'm sick of writing about the creature, so I'll
stop. Yet, if I chance to wake up about three
o'clock to-morrow morning, with the air nipping
and the wind blustery and the moon overcast,
I'm not sure that I sha'n't think of Mr. John
Lamb, and feel just a tiny, wee bit sorry for him.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="sainte-veronique"><span class="bold large">BOOK III</span></p>
<p class="center pnext"><span class="bold medium">SAINTE VÉRONIQUE</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold large">TRANSCRIBER'S NOTE</span></p>
<div class="vspace" style="height: 2em"></div>
<!-- -->
<blockquote>
<div>
<p class="pfirst"><span>Some of the Letters printed in Book
III. are found in the MS. of the Diary only
in abridgments, and one is missing
altogether. The Transcriber has copied
them from the originals </span><em class="italics">in extenso</em><span>, and
has inserted them in their proper places.</span></p>
</div>
</blockquote>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold large">BOOK III</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Monday</em><span>, 4 </span><em class="italics">p.m.</em></p>
<p class="pnext"><span>At last!</span></p>
<p class="pnext"><span>It's like coming home. I'm in my dear old
room; with the front window looking over the
beck and the willows to the sea, and the side
window opening on the orchard. The trees
have grown since last year; and, if I leaned out
far enough, there are three rosy apples that I
could pluck straight from the branch as it sways
in the soft wind.</span></p>
<p class="pnext"><span>The Dupoiriers are delighted I've come.
Poor things, considering the gorgeous summer,
they haven't been doing over well. Yet the
hotel is sweeter than ever. Those stuffy velvet
curtains, that I always loathed, have been taken
out of the salon. It was a bit of a shock to see
the summer-house stripped of creepers and
painted white: but, if it's less picturesque, it
is also more possible. Last year I didn't dare
to sit in it because of the earwigs.</span></p>
<p class="pnext"><span>There's a new Marie. The old Marie, with the
red hair, who wouldn't more than half-fill my
water-jugs, left only last week. The new Marie
is a black-haired, black-eyed one, and far nicer.
There's a letter for me from Alice. And, of
course, there's a letter for Susan from the
regrettable Ruddington. But I'm not going to
bother with either of them till I've had a peep
at the path that winds along the beck to the sea.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">In the summer-house</em><span>.</span></p>
<p class="pnext"><span>I do wish Alice wouldn't!</span></p>
<p class="pnext"><span>She's found out somehow that Ruddington
was at the Towers all through the last week of
her visit. She's quite vicious about my running
away. According to her first three pages, I
"must get married some day," and Lord Ruddington
has been, so to speak, restored to the
county by Divine Providence for the express
purpose of taking pity on my old-maidhood.
To scamper off to Sainte Véronique is, therefore,
to fly in Providence's face. Yet, according to
Alice's fourth page, my flight to France looks
"far more pointed" than if I'd stolidly stuck
at home.</span></p>
<p class="pnext"><span>If a mere logical triumph were worth a single
drop of ink, I might twit Alice with the
inconsistency. If it's true that the calculating
coyness of my maiden flight has already put it into
His Highness's head that I am one of the
candidates, I might fairly claim Alice's praise
instead of her blame.</span></p>
<p class="pnext"><span>I shouldn't care so much if Alice weren't so
insistently practical. She positively wants me
to race back next week; and she says she can
even manage Hugh, so that he'll bring her with
him, and do his bird-slaughtering at Traxelby
instead of at Maxfield. No doubt she is
confident that, by October the 2d, the bag will be
twenty pheasants, a dozen partridges, and one
Lord.</span></p>
<p class="pnext"><span>I wonder what Alice would say if I wrote
straight off and told her that Lord Ruddington,
to my certain knowledge, has already disposed
of his charms elsewhere? I wish I could tell
her. It would be such hollow, tiresome work
arguing with her on every ground save the solid
fact.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Monday night</em><span>.</span></p>
<p class="pnext"><span>The Lamb in Wolf's Clothing gave me a bad
twenty-four hours on the boat and in Dieppe;
but he has certainly done a power of good to
Susan. She hasn't got over her surprise at my
not giving her a lecture and a mighty scolding;
and she's brimming over with silent gratitude.</span></p>
<p class="pnext"><span>Ruddington's letter is irritating, but, in a
sense, rather nice. I didn't ask Susan to show
it to me. I thought it would keep very well till
to-morrow. But Susan has laid it inside my
blotting-case. Rather graceful of her--unless
she's afraid that a personal delivery of it would
remind me of Mr. John Lamb, and wake up a
dormant volcano! Here is the letter:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>RUDDINGTON TOWERS,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>Saturday, September 8, 1906.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>MY DEAR SUSAN,--I may begin this way,
may I not?</span></p>
<p class="pnext"><span>Your letter this morning has brought me
unspeakable relief and happiness. When
Thursday's and Friday's posts were blank, I
hardly restrained myself from waylaying you
at Traxelby.</span></p>
<p class="pnext"><span>As it's utterly beyond me to thank you
enough for your letter, I'll try a little
grumbling instead. Is it not rather cruel to say
that I must not write more than once a week?
Once a week for a month means only four letters
in all. Sha'n't we be almost as much strangers
when you come back as when you went
away?</span></p>
<p class="pnext"><span>When you come back! The words make my
blood, run faster. They're like the refrain of
a song. When you come back! They're the
music I shall march by, and live my life by,
till you come.</span></p>
<p class="pnext"><span>I enter into all you say about giving you a
quiet month to think and to decide. I
understand, and I admire it. And yet it's almost
more than I can stand. To know where you
are, to have the power to join you in a few
hours, and yet to be forced to serve a month's
imprisonment in England, is well-nigh too much
for flesh and blood. As I laid down your letter
this morning, I realized that by riding hard
across Ruddington Heath I could have caught
you for a moment at the station. But I set
your sovereign command before my eyes
... and stayed at home! Ought you not to be very
nice to me for being so good and obedient?
For example, don't I deserve a long letter on
Tuesday?</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>Till you come back, and for ever,</span>
<br/><p class="first last noindent pfirst"><span>RUDDINGTON.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>P.S.--Do not be angry with me for what
I am going to say. Although I put it in a
postscript, it is uppermost in my thoughts.</span></p>
<p class="pnext"><span>Pray don't think I'm about to try and coax
you out of your month's reflection. Long
and hard though I shall find it, I say. Have
the month by all means. But is it necessary
that you should pass the month in your present
conditions?</span></p>
<p class="pnext"><span>It tortures me to know that while I will live
this month in comfort and leisure, you will
often find it difficult even to snatch the time
for one weekly letter. Now that I know that
no one else has won you, take my word for it,
dearest, that no one else ever shall! Susan is
going to be </span><em class="italics">my</em><span> Susan, even if I've to take her
by storm.</span></p>
<p class="pnext"><span>What follows? This. From the moment
of reading your letter, I promoted myself to
be your protector to our lives' end. How then
can I tolerate you remaining for another hour
in a servile position for which you were never
born--into which some hateful freak of Fate
has thrust you, and out of which it is the
greatest honour of my life to rescue you? It
maddens me that, perhaps at this very moment,
you are being ordered about, and made to fetch
and carry for somebody who isn't fit to lace
your shoes.</span></p>
<p class="pnext"><span>Reading this, you can easily be angry. But
bear with me. There are so many ways in
which a thing like this could be arranged
without unseemliness. And, surely, nothing can
be more unfitting than that you should be
distracted from so solemn a decision by a fussy
pressure of petty tasks. I entreat you to give
me the great happiness of setting you free.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>R.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>His gentle Lordship does not condescend to
state whether, in the event of Susan being "set
free," he will forthwith send me, carriage paid,
a new maid as fanciable and wholesome as
Susan, with feet that move about, like Susan's,
as quietly as two mice. But, of course, as I'm
merely "somebody not fit to lace Susan's
shoes," I don't count.</span></p>
<p class="pnext"><span>To-morrow there'll be the worry of sending
off an answer. What will he say when he sees
Susan's own handwriting? And how shall we
explain the first letter being in mine? I suppose
Susan had better make a clean breast of it. I
expect his infatuation is proof even against
Susan's blots and pot-hooks.</span></p>
<p class="pnext"><span>Now for bed.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Mardi; midi moins quart</em><span>.</span></p>
<p class="pnext"><span>I have drunk coffee, with a big bright
soup-spoon, out of a little white bowl with pink
rosebuds inside and out. Also, I have eaten four
</span><em class="italics">croissants</em><span> and a shameful quantity of Normandy
butter. This was at eight o'clock. Since then I
have followed the beck all the way to the sea;
have bathed; have climbed the cliff; and have
been to the post-office for stamps. Through the
window I can see Georgette placing a blinding
cut-glass decanter of fresh-drawn, foamy cider,
full in the sun, on my table in the orchard. As
Susan would say, "a feeling came over me"
where the beck runs past the poplars. I couldn't
help stamping my heel on the ground and
saying, "It is true that I am back in Normandy."</span></p>
<p class="pnext"><span>After lunch, there'll be my letter to Alice.
I sha'n't say anything about Ruddington, except
that she mustn't go on being a tease. Then
there'll be Susan's letter to the Lord of Burleigh.
It would be inhuman to make him wait for it
any longer.</span></p>
<p class="pnext"><span>Georgette has just brought out a melon. Its
minutes are numbered. I haven't felt so hungry
for ages.</span></p>
<p class="pnext"><span>I wonder what Mr. Lamb is doing, and what
yarn he has spun at Amelia Road? Poor Gibson,
too! If I were Susan, I think I'd send him
just a Sainte Véronique post-card.</span></p>
<p class="pnext"><em class="italics">Deo gratias!</em><span> "</span><em class="italics">C'est servi!</em><span>"</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday night</em><span>.</span></p>
<p class="pnext"><span>I am like a bird in a net.</span></p>
<p class="pnext"><span>After lunch, Susan came to me and begged
pardon for asking if I "hadn't forgotten the
post."</span></p>
<p class="pnext"><span>"No," I answered, "it doesn't go out for
five hours. By the way, Susan, what are you
going to say to Lord Ruddington?"</span></p>
<p class="pnext"><span>Her face fell.</span></p>
<p class="pnext"><span>"Please, Miss," she said, "I was thinking
... perhaps you would write the letter for me."</span></p>
<p class="pnext"><span>"No, Susan," I replied promptly, "I can't
do that. If talking it over will help you, I'm
willing. I don't mind even scribbling something
out in pencil. But I can't write it. Surely
it's bad enough that he's had one letter in my
handwriting. I wouldn't have had it happen for
the world. Besides, you'll have to write the
letters yourself before long, so why not face it at
once? We shall need to think out some way of
explaining to him why the other handwriting
was different."</span></p>
<p class="pnext"><span>While I was speaking, Susan was becoming
more and more agitated; and when I ceased,
she didn't answer.</span></p>
<p class="pnext"><span>"Come, Susan," I said kindly.</span></p>
<p class="pnext"><span>She began to weep.</span></p>
<p class="pnext"><span>"Oh, Miss!" she sobbed, "on Friday I told
you a lie. I told you that I didn't copy it out
in my own writing because I didn't think----"</span></p>
<p class="pnext"><span>She stopped.</span></p>
<p class="pnext"><span>"Well?" I said, after I had waited long
enough.</span></p>
<p class="pnext"><span>"I thought, Miss," sobbed Susan, "I thought
... I was afraid, if he saw my writing, he might
give me up. And what you'd wrote looked so
beautiful and ladylike, Miss, that----"</span></p>
<p class="pnext"><span>She couldn't go on.</span></p>
<p class="pnext"><span>"Susan," I said, "you've acted very
wrongly. You've done wrong to me, and you've
deceived Lord Ruddington. Worse still, you've
done wrong to yourself. If he really cared for
you, he wouldn't have been turned away by
bad writing. But he won't admire deceit.
You've taken the first step on the wrong
path, and you don't know what will be the end."</span></p>
<p class="pnext"><span>I am getting to be a practised preacher.
Since last Thursday, I've laid down more of the
moral law than in all the rest of my life. Susan
heard me in meekness.</span></p>
<p class="pnext"><span>"I know it was wicked," she said; "but oh,
Miss, do please, </span><em class="italics">please</em><span> write the letter to-day!
It won't be many times more."</span></p>
<p class="pnext"><span>"If I do it one time more, I expect I shall
have to do it fifty."</span></p>
<p class="pnext"><span>Susan looked mysterious.</span></p>
<p class="pnext"><span>"No, Miss," she said with assurance, "not fifty."</span></p>
<p class="pnext"><span>"Why not?" I asked. And, after some
pressing, Susan confessed that she has snatched
five hours from sleep since Friday for the express
purpose of conforming her penmanship to the
pattern of mine. She showed me some specimens,
and I was astonished at the advance she
had made.</span></p>
<p class="pnext"><span>"Well, Susan," I said at last, "I don't like
it at all, and I'm very angry with you. But
if there's any prospect of your going on
improving like this in your writing, perhaps it
will be as well for me to write your next two or
three letters. Then I sha'n't need to be brought
into the affair, so far as Lord Ruddington is
concerned, at all."</span></p>
<p class="pnext"><span>Susan's gratitude was touching.</span></p>
<p class="pnext"><span>"I'll never forget how good you've been to
me, Miss," she said, choking down a sob.</span></p>
<p class="pnext"><span>"Find Georgette," I said. "While she's
clearing the table, bring down my writing-case.
We'll do it under the trees."</span></p>
<p class="pnext"><span>Susan danced off with a skittishness that
surprised me. When she came back, I asked her
what she had decided to say.</span></p>
<p class="pnext"><span>"I was thinking, Miss," she said, "we might
say how nice it would have been if he'd galloped
over the Heath to the station. And don't you
think, Miss, he would like to hear how we
thought he was Mr. Lamb?"</span></p>
<p class="pnext"><span>"Never a word to him about Mr. Lamb as
long as you live, Susan," I said peremptorily.
"As for the Heath, it would have been very
wrong of him. But how are you going to answer
his postscript--this long bit at the end, all
about your leaving me at once?"</span></p>
<p class="pnext"><span>"Leaving </span><em class="italics">you</em><span>, Miss?" asked Susan, mystified.</span></p>
<p class="pnext"><span>"Yes," I said, looking at her. "Don't you
see? Lord Ruddington wants you to leave me
at once."</span></p>
<p class="pnext"><span>Her face flushed with such genuine trouble
that I forgave Susan everything, and took her
back to my heart.</span></p>
<p class="pnext"><span>"Oh, no, Miss!" she cried. "I didn't understand
he meant that. I wouldn't ever do that."</span></p>
<p class="pnext"><span>What Susan had taken the postscript to mean
I have no notion. Nor do I know yet whether,
in the near future, I shall be expected to give
Susan and her spouse a suite of rooms at
Traxelby, or whether she will offer me a
housekeeper's place at the Towers. It is plain that
she does not entertain the idea of our being
parted.</span></p>
<p class="pnext"><span>I said:</span></p>
<p class="pnext"><span>"Lord Ruddington doesn't like to think that
you are ... well, in any sense a servant. To
put it plainly, he wants to find you money, so
that you can begin to lead a lady's life at once.
It does him credit. But, Susan, of course you
can't take money from him. Have you saved
anything?"</span></p>
<p class="pnext"><span>Susan says she has saved thirty pounds.
And nothing could be sounder than the quickness
and firmness with which she decided that
cash transactions with Lord Ruddington just
now are unthinkable. Nor can anything be
more indisputable than her unweakened
devotion to myself.</span></p>
<p class="pnext"><span>"You can go upstairs and practise
handwriting," I told her. "Come down in about
half an hour, and I shall have some sort of a
letter ready."</span></p>
<p class="pnext"><span>But two half-hours passed in vain attempts
to produce an epistle proper to Susan's temperament
and intellect. I've realized this afternoon
that I can never write a play. I tried hard to
think and feel as Susan must think and feel;
but I could only think and feel on my own
account. At the end of an hour and a half, the
best I had been able to achieve was this:--</span></p>
<div class="vspace" style="height: 2em"></div>
<dl class="docutils">
<dt class="noindent"><span>SAINTE VÉRONIQUE,</span>
<br/><p class="first last noindent pfirst"><em class="italics">Tuesday</em><span>.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>Yes. You may call me "Dear Susan." But
you must not say "My," until it is true.</span></p>
<p class="pnext"><span>You say it was good of you not to ride over
the Heath to the station. If you had done it, I
should have been grieved.</span></p>
<p class="pnext"><span>We had a smooth crossing from Newhaven,
and we stayed till Monday morning in Dieppe.
I like Sainte Véronique, and do not want to
spend my month anywhere else.</span></p>
<p class="pnext"><span>I am not angry with you for saying what you
do about setting me free. How could I be anything
but grateful for an offer that is so kindly
meant and so delicately made?</span></p>
<p class="pnext"><span>To ease you of your kind fears on my account,
let me tell you that I have always been happy
with Miss Langley; and that, during this month,
I shall have little work and plenty of leisure.</span></p>
<p class="pnext"><span>I look forward to receiving another letter
from you on Monday.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>SUSAN BRIGGS.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"It's beautiful, Miss!" said Susan dejectedly,
after she had perused my effort. And she sat
looking up into the sky, the picture of
disappointment and indecision. I went to the
rescue.</span></p>
<p class="pnext"><span>"Say what's in your mind, Susan. There's
a 'but,' isn't there? It's beautiful, but ... what?"</span></p>
<p class="pnext"><span>"I was thinking," confessed Susan blushfully,
"that it isn't..."</span></p>
<p class="pnext"><span>"Isn't what?"</span></p>
<p class="pnext"><span>"It isn't ... very loving."</span></p>
<p class="pnext"><span>"Loving?" I said. "What do you mean?
Why, here you are, spending a month deciding
whether you can try to care for Lord Ruddington
or not. It isn't time yet to be 'loving.'"</span></p>
<p class="pnext"><span>"No," persisted Susan. "But I mean, Miss,
won't he be disappointed?"</span></p>
<p class="pnext"><span>"You can't help that. You might as well
say that he's disappointed because you don't
pack your box and go straight off to Ruddington
Towers."</span></p>
<p class="pnext"><span>Susan was unconvinced.</span></p>
<p class="pnext"><span>"What did you say yourself, Susan, last
week? Didn't you say that it wouldn't be good
for him to throw yourself at his head?"</span></p>
<p class="pnext"><span>When Susan first used it, the expression had
irritated me; but it came in handily. Susan,
however, thought otherwise. A spirit of revolt
entered her soul, and I perceived the beginnings
of her new pout.</span></p>
<p class="pnext"><span>"Do as you like, Susan, of course," I said.
"It's your affair, not mine. But don't go and
make another muddle as you did with Mr. John
Lamb."</span></p>
<p class="pnext"><span>It went home. Indeed, I'm not sure that
Mr. John Lamb wasn't, so to speak, a wolf with
a silver lining. The merest whisper of his soft
and innocent name is enough to scare Susan
into the extreme of docility.</span></p>
<p class="pnext"><span>"Oh, no, Miss!" she said hurriedly. "The
letter's beautiful. But don't you think...?"</span></p>
<p class="pnext"><span>"What?"</span></p>
<p class="pnext"><span>"Don't you think, Miss, it would be nice
to ask for his photograph and a lock of his
hair?"</span></p>
<p class="pnext"><span>While I was fighting down an impulse to
laugh outright, it struck me that the photograph
was rather a happy thought. With his
photograph to study, I should at least be spared
panicky announcements and "dreadful feelings"
whenever Susan saw a strange Englishman
at Sainte Véronique. Besides, I had no
little curiosity to see what this mad Lord
Ruddington might be like.</span></p>
<p class="pnext"><span>"A lock of hair is ridiculous," I said. "You
must have been reading some trashy novelette.
But a photograph's different. I'm glad you've
thought of it. After all, Susan, you mightn't
care to marry even Lord Ruddington if you
found he was dreadfully ugly. Give me back
the letter, and I'll add a postscript."</span></p>
<p class="pnext"><span>I wrote:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>P.S.--I feel that I haven't written you
much of a letter; but there is so little to lay
hold of. As I said before, you have seen me,
but I have never seen you.</span></p>
<p class="pnext"><span>Will you not send me your photograph?
When it comes, perhaps I shall remember that
I have seen you, after all.</span></p>
<p class="pnext"><span>Where was it that you saw me?</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Taking a little more liberty than was her
wont, Susan peeped shyly over my shoulder
while I wrote. As I put down the pen, she
heaved a deep sigh of unaffected satisfaction.</span></p>
<p class="pnext"><span>"It's lovely, Miss!" she said fervently.
"That's just what I must have meant--that
part about wondering where he saw me--only
I couldn't explain it. And it's put so short and
ladylike."</span></p>
<p class="pnext"><span>"Don't say 'ladylike,' Susan," I said. "Give
me an envelope."</span></p>
<p class="pnext"><span>I wrote out Lord Ruddington's name and
address in the style of handwriting I had used
throughout the letter. It was my own writing;
but a little bigger, inkier, and slower than usual.</span></p>
<p class="pnext"><span>"You see, Susan," I explained, "I'm meeting
you halfway. By the time he's had a letter or
two from me written like this, you ought to be
able to do something pretty near it yourself.
Now go upstairs and bring down those French
stamps. They're in my green bag."</span></p>
<p class="pnext"><span>While Susan was upstairs I took the letter
out of the envelope and glanced through it once
more. When I got as far as "I have always
been happy with Miss Langley," the oddity
struck me irresistibly. It was quite too
comically reminiscent of the letters which girls used
to write, under the governess's eye and at the
governess's dictation, protesting their ideal
happiness at school.</span></p>
<p class="pnext"><span>There was just time. I picked up the pen
and wrote sideways along the margin of the
letter:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I suppose you think my mistress calls me
"Briggs."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>When Susan arrived with the stamps, the
letter was back in its envelope, the flap was
gummed down, and I was blinking peacefully
at the sunlight on the sea.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Wednesday, noon</em><span>.</span></p>
<p class="pnext"><span>I suppose it's true that every country gets
the Government it deserves. But the maxim,
like nearly all the maxims I've ever heard, is a
heartless one.</span></p>
<p class="pnext"><span>Without doubt, France just now has got the
Government which France deserves, as a whole.
But the whole is made up of parts; and, unless
my travels have misled me, there must be
thousands of parts of France like Sainte
Véronique. I have seen a dozen myself--rural
communities, working hard and living decently,
with the slated spire of their hoary parish
church looking down upon them, as it looked
down ages ago on their direct ancestors who
first drained the valleys and set vines upon the
hillsides. Here live and toil the men, and, more
remarkable still, here live and toil and suffer the
women, whose hard earnings are the war-chest
of France when the professional politicians of
Paris wantonly thrust the nation into some
vainglorious adventure. Here was made and
saved the treasure with which the invader was
bought out when his armies were everywhere
masters of French soil. And here are bred the
supplies of sound human stuff--the healthy
bodies, the healthy souls--to redress the awful
balance of the towns, and to save France from
becoming a ruin amid stinging weeds and
insolent poppies.</span></p>
<p class="pnext"><span>Even an atheist statesman, if he's as truly a
statesman as he's truly an atheist, ought to
know that, in striking at the village churches,
he is striking at the heart of French rural life;
and that, in wounding French rural life in a
vital spot, he will be severing arteries where
Bismarck and Von Moltke only lanced small veins.</span></p>
<p class="pnext"><span>This morning has made me so sad. The
sweet little white convent is shut up, the garden
is full of nettles, two of the chapel windows are
broken, the nuns are in England, and the
lawyers have grown fat on the pickings. At the
church, the statue of St. Veronica, over the
west door, has a broken arm--snapped off on
the day of the inventory. Meanwhile the weeks
are drifting by; and, for all the old curé knows,
he will be saying Mass in a barn before the
winter is half over.</span></p>
<p class="pnext"><span>I mean to say, now and again, what France's
million officials, from the President of their so
free Republic down to the Saint Véronique
postman, daren't say publicly and aloud in this
land of liberty. I mean to say: "God save
France!"</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Thursday afternoon</em><span>.</span></p>
<p class="pnext"><span>I wish Master Ruddie's photograph would come.</span></p>
<p class="pnext"><span>This morning, about eleven, a young Englishman
suddenly walked in with a knapsack. The
funny thing was that he didn't come by the
road. He marched here straight from the beach,
as if he'd just been thrown up by Jonah's whale.</span></p>
<p class="pnext"><span>He was a nice boy, and quite all right. Not
another Mr. John Lamb. It seems he's tramping
a hundred miles along the coast by the cliff-paths
and the sands. He was dying to talk to
me at lunch. Indeed, he looked even hungrier
and thirstier for human companionship than
for his omelette and roast chicken and cider,
which is saying a very great deal. Now that it's
too late, I'm sorry I didn't let him talk.</span></p>
<p class="pnext"><span>All the time he was here, Susan was nearly as
silly as she was on the boat. She got it into her
head that, as Ruddington wrote here on Saturday
(thinking we were coming straight through),
he must have been upset when Tuesday morning
came without a letter; and that therefore the
pretty boy with the knapsack was certainly he.</span></p>
<p class="pnext"><span>I was obliged to be very sharp with her.
Heaven send the photograph soon! Because I
will admit to this diary, when Susan has "a
feeling" I can't help catching the complaint.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Before dinner</em><span>.</span></p>
<p class="pnext"><span>It's just come. The photograph and a letter
as well.</span></p>
<p class="pnext"><span>He says the photograph was only taken
yesterday morning. It's a local thing, not
retouched: so I suppose we can depend on it as a
faithful likeness. If so, I must say I like him
tremendously.</span></p>
<p class="pnext"><span>Susan is disappointed that he has no moustache.
He looks like a young and fresh version
of some handsome and benevolent Judge or
Cardinal. He isn't the least bit flabby or
silly-looking, as I expected. He has a scholar's head,
but he's evidently a man of energy as well as of
thought. I should say he has a tremendous
will of his own. He doesn't look the sort to
have fallen over ears in love with a china
shepherdess like Susan at first sight. But there's
the fact. And, although the stupid girl can't
see it, and "never thought he would be like
that, Miss," I don't know many women that
wouldn't feel it a compliment to have him in
love with them, either at the first sight, or the
second, or the fiftieth. He looks handsome
without being dandified, and brainy without
being dry.</span></p>
<p class="pnext"><span>His letter this time is less old-fashioned and
more easy. He says:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>MA CHÈRE SUZANNE,--You have commanded
me not to say "My dear Susan," and
behold! I obey.</span></p>
<p class="pnext"><span>I'm sorry to say it: but my dear Susan--I
mean ma chère Suzanne--has a hard heart.
Her letter to tell me that she's landed safe in
Normandy without being shipwrecked or run
over by a motor-car, only reached me this
(Wednesday) morning: and, if I hadn't ridden
into Derlingham and fished it up out of the
post-office, I shouldn't have got it till
to-morrow. If Suzanne were kind, she would have
sent one line on Sunday.</span></p>
<p class="pnext"><span>It is an enormous relief to know that you are
not hard-worked or unhappy. When I saw
Miss Langley with you (once outside Traxelby
Church, and twice in the street), I thought
she seemed rather nice--though, to tell the
truth, I didn't waste time looking at Miss
Langley, when I could spend it looking at
Suzanne.</span></p>
<p class="pnext"><span>Now about this horrible photograph. I've
always hated photography and always shall.
But your commands must be obeyed. So I
went into the "studio" of the Derlingham
"artist." The "artist" was a pasty-faced
youth in a velvet coat with Byronic curls that
must take hours every night. He wanted to
do his worst, and to turn out something
elaborate that wouldn't be ready for a week: but I
gave him a maximum of three hours, and he
has handed me the enclosed.</span></p>
<p class="pnext"><span>I expect a long answer to this, telling me
all your doings, by return of post. And I shall
be the most injured man in all England if
Suzanne's own photograph is not enclosed
with her long letter. More than ever, I am
your RUDDINGTON.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"I like this letter, Susan," I said, putting it
down again on the table.</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan, without enthusiasm.
And, after a pause, she added, "But don't you
think, Miss, it begins rather funny?"</span></p>
<p class="pnext"><span>"No," I answered. "I think the beginning
is rather neat. You've forgotten. In our last
letter we told him he might call you Dear
Susan, but he mustn't call you My. So, instead
of calling you 'My,' he says he's going to call
you 'Ma.'"</span></p>
<p class="pnext"><span>"Is that it?" asked Susan, pouting. "Well,
I don't think I like it. That's what my uncle
Bob used to call my aunt Martha."</span></p>
<p class="pnext"><span>"Your uncle Bob?" I echoed, stupefied.</span></p>
<p class="pnext"><span>"Yes, Miss. He called my aunt 'Ma,' and
she called him 'Pa.' I don't like it, Miss. It
sounds common."</span></p>
<p class="pnext"><span>When I had recovered enough gravity, I
tried, for the twentieth time, to give Susan a
rudimentary lesson in French. She endured my
efforts with deference; but, underneath, I
could see that her rustic British prejudice
against France and all things French is
unshaken. I honestly believe that, in Susan's
opinion, to have set foot in France at all is a
slight lapse from propriety, and a loss of the
finest bloom from the soft cheek of one's maiden
virtue. In France, the silly creature won't even
touch beef, just because of some stupid tale of
Gibson's about a roast horse. She firmly
believes that out-and-out Frenchmen eat
bullfrogs toasted whole on a fork; and that the
French language is a ludicrous disability
imposed on the natives by a strictly Protestant
Deity as a just punishment for being papists
and foreigners. Susan doesn't intend to lower
herself by learning French any more than by
learning to stammer, or to swear.</span></p>
<p class="pnext"><span>"What about your photograph, Susan?" I
inquired, changing the subject. "You see he
wants one. Did you happen to bring one with you?"</span></p>
<p class="pnext"><span>"No, Miss. It's two years since I had it took."</span></p>
<p class="pnext"><span>"Taken. Not took. Then what are you going to do?"</span></p>
<p class="pnext"><span>"I don't know, Miss."</span></p>
<p class="pnext"><span>"You ought to oblige him," I said. "Don't
be so limp. Look at the trouble he took to get
you his own portrait the very same day. I'm
almost sure there's a photographer at
Grandpont. Madame will know. It's only three
miles. We'll go in the morning."</span></p>
<p class="pnext"><span>"Oh no, Miss!" gasped Susan, fluttering
suddenly into liveliness. "Not in France, Miss!"</span></p>
<p class="pnext"><span>"Why not in France?"</span></p>
<p class="pnext"><span>"I shouldn't like to be photographed in
France, Miss," said Susan decidedly. For a
moment I almost felt as if I had proposed mixed
bathing to the rector's virgin aunt. To be
photographed in France sounded a degree or
two worse than going to church </span><em class="italics">décolletée</em><span>. But
a moment later I felt impatient and annoyed.</span></p>
<p class="pnext"><span>"Very well, Susan," I said shortly. "You
may be sure I don't want to drag myself to
Grandpont. Do whatever you please."</span></p>
<p class="pnext"><span>As usual, she became immediately and amply
and sincerely penitent.</span></p>
<p class="pnext"><span>"It was very kind of you, Miss," she said
humbly. "You're always too good to me.
But I feel I couldn't go and be photographed
in France."</span></p>
<p class="pnext"><span>"Then don't go and be photographed in
France," I said, still ruffled. "So far as I'm
concerned, it's settled and done with. Now I
want to read the newspaper."</span></p>
<p class="pnext"><span>I could see with half an eye that there were
uncountable things which Susan was yearning
to talk over; but I was nearly at the end of my
good-nature. With the little that remained, I
tried to let Susan down gently. I picked up
Lord Ruddington's photograph again and said:</span></p>
<p class="pnext"><span>"At any rate, you can't find much fault with
his looks."</span></p>
<p class="pnext"><span>"No, Miss," responded Susan tepidly, "but
I did think he would have a moustache."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Friday, sunrise</em><span>.</span></p>
<p class="pnext"><span>An apple-branch has tapped at my window,
and a lark is singing eagerly in the near sky.</span></p>
<p class="pnext"><span>This shall be a good day--as rosy as the
apple's cheeks, as blithe as the lark's song. I
hereby register a vow against Ruddington and
all his words and works. We needn't send him
his answer till to-morrow. So, to-day, Susan
sha'n't mention him and I won't even think of him.</span></p>
<p class="pnext"><span>Somebody's left a clean, new, cheap copy of
</span><em class="italics">Les Chouans</em><span> here. How I shall love reading it
again. Except while I'm bathing and eating
and sleeping, I mean to sit and read it on the
cliffs all day.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">After breakfast</em><span>.</span></p>
<p class="pnext"><span>After all, Susan is awfully sweet. One can't
stand aloof from her long.</span></p>
<p class="pnext"><span>While she was downstairs before breakfast
allowing Georgette to practise on her in broken
English, I went into her room to find a pair of
scissors. As usual, it was as neat and nice as if
it hadn't been slept in. But the thing that
struck me was a leather photograph-frame on
the mantelpiece.</span></p>
<p class="pnext"><span>I recognized the frame. It was a double one,
which I had given Susan because I hated the
colour. In the left-hand compartment Susan
had placed the newly arrived photograph of
Lord Ruddington. And facing him, on the
right hand, was----Me!</span></p>
<p class="pnext"><span>It was that thing I got done last Easter.
Until this morning, I'd forgotten that Susan
had pleaded for a copy and that I had let her
have one for her album. Suddenly to catch sight
of myself beaming affectionately across the
hinges of the frame at an equally affectionate-looking
Lord Ruddington, was certainly a shock.
But that Susan should have brought me all the
way from England and have stuck me on her
mantelpiece was another proof, though none
was needed, of her genuine devotion.</span></p>
<p class="pnext"><span>I took the frame down and held it open in my
hands. It was too comical. Ruddington and I
are placed in ovals, like the August Young
Personages in a Royal Wedding Supplement to
an illustrated paper; and we are looking at one
another with the most absurd happy-couple
air imaginable. "Though I say it as shouldn't,"
we make an amazingly pretty pair. If Alice
could see it, she would begin to cry.</span></p>
<p class="pnext"><span>I think I sha'n't tell Susan that I've seen it.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Noon</em><span>.</span></p>
<p class="pnext"><span>I haven't read much of the </span><em class="italics">Chouans</em><span>. After
my bathe, I kept Susan with me on the cliff.
The grass was green, the sky was blue, and the
sea was both. It was lovely to loll on the
flowers and to listen to the sea--its deep
speech at the cliff's foot, its soft murmurs in
the sunlit distance.</span></p>
<p class="pnext"><span>Susan thinks Ruddington ought to tell her
more about himself, and his conditions of life,
both at the Towers and in town. I think she's
right. Now that she's getting used to her good
fortune, her talk has suddenly improved. She's
dropping that raw and childish way of hers,
and some of the things she said were quite
sensible. If she goes on improving like this,
she ought to be tolerably presentable at the
month's end. No doubt it will take years to fill
the gaping breaches in her knowledge; and her
mind can never, from its very nature, expand
enough to make her an all-round companion
for such a man as Ruddington seems to be.
But I take it that a grain or two of common-sense
will be found mixed with his infatuation;
and, if so, he will be prepared for a good deal of
disenchantment. As for Susan, she'll always
be pretty, and restful, and docile, and sweet:
which means that if he is losing some things he
is gaining others.</span></p>
<p class="pnext"><span>Alas, poor Gibson! I'm afraid his dreams
are standing a poor chance of coming true. It's
selfish of me not to have sent him a prudent
line. I'll do it to-day. I'll tell him simply that
all's well with Susan; and perhaps he will guess
that all's up with himself.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Eight o'clock</em><span>.</span></p>
<p class="pnext"><span>I walked alone this afternoon to Bérigny.
The hamlet was deserted--or, at least, it
looked so. The thatched black-and-white
barns stood out sturdily in the bright, strong
light, and Bérigny wore all its old prosperous
air. But there wasn't a single body to be seen.
I suppose every one was in the fields, or gone
to market.</span></p>
<p class="pnext"><span>The church was open. I sat in it a few
minutes: it was so cool and quiet. If I had felt
suddenly tempted to steal an image, or to rob
the box of Peter's Pence, there was none to say
me nay.</span></p>
<p class="pnext"><span>The Bérigny churchyard looked sweeter than
ever. I like it better than any other I have
seen in France, because it is full of natural
shrubs and flowers. There are hardly any of
those frightful wire crosses and tin immortelles
and iron wreaths, as big as cart-wheels, such as
you see in dozens everywhere else. And the
Bérigny churchyard isn't </span><em class="italics">triste</em><span>. As you sit on
the warm stone platform of the Calvary, you
look down over the orchards to the facing
uplands--pastures of green velvet, wildly
embroidered with, a million yellow flowers. Even
the graves are not melancholy. It doesn't seem
any more dreadful that the men and women of
Bérigny should be fast asleep, like children in
the bosom of their mother earth, than that last
year's beech-leaves and pine-needles should be
lying quietly under the ceaseless murmurs of
this year's cool and shady green. Cheerful
sounds arise from the valley as you sit and look
down. There is blue smoke curling from one or
two of the chimneys. Between the surges of
light wind you can just hear the voice of the
beck as it sings on its way down to Sainte
Véronique. No, Bérigny churchyard is not
melancholy: for in the midst of death you are
in life.</span></p>
<p class="pnext"><span>There is a strange thing about some of the
gravestones which I didn't notice when I was
here before. Or, rather, I oughtn't to call them
stones. They are woods. Over the humbler
tombs stand rude memorials, each consisting of
two short, slightly ornamented posts with a
short broad plank fastened between. The plank
is painted white; and upon it, in black letters,
are displayed the name and age and birth-and-death
dates of the man or woman asleep below.</span></p>
<p class="pnext"><span>At the bottom of each inscription there is an
abbreviated formula which puzzled me sorely.
It runs: "Un D. P. s. v. p." Not until I had
almost given up trying to guess what it might
mean, was the riddle solved. Behind the
chancel I found a larger and newer grave on
which the legend was spelt out at large in full:
"Un De Profundis, s'il vous plait."</span></p>
<p class="pnext"><span>It filled my eyes so full with sudden tears
that the solid world seemed to be wavering
and dissolving as I beheld it. And, at the same
time, the dim mysterious world beyond seemed
suddenly clear and near. It was no longer the
wind in the pines that I heard: it was a
multitudinous whispering of spirit-voices pleading
close to my ear: "If you please!"</span></p>
<p class="pnext"><span>I am wondering to-night whether I ever
really and truly believed until to-day in the
immortality of the soul. I am wondering
whether I have ever done more than assent to
the doctrine mechanically as a part of my
childhood's creed, and as a postulate on which rest
many familiar things in our literature and
civilization.</span></p>
<p class="pnext"><span>Yes and No. In a sense I have believed, in a
sense I have not. Until to-day, I have only
thought of the disembodied soul in one or other
of three different ways. I have thought of the
soul as a cold abstraction, a philosopher's name
for an antithesis to the body. Again, after I've
listened to ghost-tales, I've thought of it
ignobly--as a horror, a scary, frightful spook, a foul
shape of night swooping horribly across the
short sunlit path of our little life to remind us
of the immeasurable cold and unending dark
beyond. Last of all, after some stately
obsequies, I've thought of the soul as living some
supernal, Gothic life in a churchly heaven--a
heaven where the sky is not a dome, but a
pointed roof resounding for ever and ever and
ever with Gregorian chants. That is to say,
at the best I have imagined the soul clothed
in a mediæval vestment, and living exaltedly,
in an incalculable remoteness from to-day's
crowded world of living and breathing women
and men.</span></p>
<p class="pnext"><span>"A De Profundis ... if you please!" I suppose
many people would find the "if you please"
either ludicrous or irreverent, or both. At one
time I might not have found anything in it
myself, beyond a charming rustic </span><em class="italics">naïveté</em><span>. But
this afternoon the truth rushed over me in a
flood. The souls of the faithful departed are
not thirteenth-century souls: they are not the
shivering, pitiable ghosts such as engaged the
fancy of savage men ten thousand years ago,
or the still weaker brains of the Spiritualists of
yesterday: they are not mere fictions of the
philosopher, invented for convenience of
argument. They live and rejoice and sorrow in an
intensity of present being. To-night, I believe
in the Communion of Saints. They exist as
truly as the little black-haired child exists who
stopped me outside Bérigny and said "s'il vous
plait" when she asked me the time: as truly as
Georgette when she says "if you please" and
lays the cloth: as truly as Susan when she says
"Please, do </span><em class="italics">please</em><span>, Miss," over a letter to Ruddington.</span></p>
<p class="pnext"><span>This afternoon, I couldn't say a "De
Profundis" for the departed faithful of Bérigny
because I'm too much of a heathen to have
been taught it. But, before Sunday, I mean
to buy a </span><em class="italics">paroissien</em><span> containing all these things,
in French and Latin.</span></p>
<p class="pnext"><span>When I say my "De Profundis," can it do
them any good? I don't know. Millions of
people say it can't. But more millions of people
say it can. And if I make a mistake, I would
rather make it in giving than in withholding:
just as it is better to say "Yes" to
the beggar who may waste your sixpence on
beer, than to say "No" to the beggar
who may lie down and die for want of bread.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Bedtime</em><span>.</span></p>
<p class="pnext"><span>What an irony!</span></p>
<p class="pnext"><span>This is the day when there was to be no
Ruddington--the day that was to be as rosy as
apples and as blithe as a lark.</span></p>
<p class="pnext"><span>As for Ruddington, I have only just finished
re-reading his letter, which Susan has put by
way of a hint in my writing-case.</span></p>
<p class="pnext"><span>As for rosiness and blitheness, I've spent my
afternoon and evening like Hervey--I wonder
if anybody ever read any more of his book
than the title?--in Meditations Among the
Tombs. My day has been ghost-wan, tomb-silent.</span></p>
<p class="pnext"><span>No. It has been as full of colour and of
sound as could be. But the colours have been
the grand and solemn hues of autumn, and the
sounds have been majestical as organs and
trumpets. To-day I have not been gay. But I
have been happy. And I can't name any day
at Sainte Véronique that I repent of less than
this.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Saturday morning</em><span>.</span></p>
<p class="pnext"><span>This is the answer I have written for Susan
to send by the early post:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>DEAR LORD RUDDINGTON,--I am so sorry
that you were anxious about me. But you
must not forget the bargain. And the bargain
does not allow of long replies "by return." Indeed,
in writing this morning, I am breaking
my own rule. When this is posted, I shall have
received and answered two letters in one week.</span></p>
<p class="pnext"><span>Do not think me grudging or cold-blooded
in standing fast to our arrangement. If letters
are too frequent they will be short and scrappy,
and thus they will fail of their object. For
example, nothing could be more devoted and
kind than your two notes this week; but they
tell me so little about yourself, and hardly
anything at all about your daily life, your
thoughts, your work, your interests. At present
I know no more about you than all Traxelby
knew before you came to the Towers.</span></p>
<p class="pnext"><span>It is true there is the photograph, which I
like very much--though you don't in the
least resemble the picture my mind had formed!
You were good to take all that trouble in
Derlingham so as to get it done so quickly.</span></p>
<p class="pnext"><span>Unfortunately, I have no photograph of
myself here, and there is no artist, not even
a pasty-faced one, in Sainte Véronique. But
why should you want my portrait if you have
seen me three times?</span></p>
<p class="pnext"><span>I sha'n't expect an answer from you "by
return;" but I </span><em class="italics">shall</em><span> expect your next week's
letter to tell me more about yourself and your
life.</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>Yours sincerely,</span>
<br/><p class="first last noindent pfirst"><span>SUSAN BRIGGS.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Susan thinks my letter is beautiful, as usual.
Or, if she doesn't think so, she says she does.
But to know that she needn't be photographed
in France has lifted such a weight off her spirits
that she is prepared to be delighted with
everything. After the first shock and the second
explanation, she went up into heaven at finding
that it was "proper" to say "Dear Lord
Ruddington." Perhaps she expected me to begin
the letter by calling him "Pa!"</span></p>
<p class="pnext"><span>It's all very amusing. But I must keep a
watch on myself lest I take it too prankishly.
After the future Lady Ruddington had
graciously signified her approval of my reply to
her noble owner, she went upstairs for her hat,
and, while she was away, a madcap impulse got
the better of me, just as it did on Tuesday. I
picked up the pen and wrote along the margin:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I was amused about those Byronic curls.
But what do </span><em class="italics">you</em><span> know about them taking hours
to do at night?</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Now that it's too late, and Susan is on her
way to the post-office, I do wish I hadn't said it.
For half a dozen reasons, it was a mad thing to do.</span></p>
<p class="pnext"><span>His portrait is still facing mine in the leather
frame. I took a peep at it just now when I
came upstairs for this diary. And we've still
got the same sort of a "Good-morning, Dear,"
honeymoon expression. I positively blushed,
and put it down again as if it had been red hot.</span></p>
<p class="pnext"><span>I must see that Susan plods away at her
handwriting--or, rather, at mine! It's plain
now that Ruddington is in love with Susan, and
that he means to marry her. Also, it's plain
that Susan means to marry Lord Ruddington,
whether she succeeds in falling in love with him
or not. Up to the present no great harm is done,
but I must wriggle out of the affair somehow
before his letters become intimate and affectionate.</span></p>
<p class="pnext"><span>Poor, poor Gibson! I've written him a line,
and shall post it myself.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunday, noon</em><span>.</span></p>
<p class="pnext"><span>For the sake of his peace of mind, let us hope
that Ruddington is Low Church. If he isn't,
Susan will soon be on his nerves. There's
precious little kneeling down and standing up at
the Sainte Véronique parish Mass; but this
morning I had to prod or pluck at Susan
half a dozen times. When we came out she
made wistful comparisons with Traxelby, and
declared that she did so miss "a nice service."</span></p>
<p class="pnext"><span>Perhaps Ruddington is neither Low nor High.
He says that one of the times when he saw
Susan was in church. But Traxelby isn't his
parish: so he must have been hunting Susan,
not saving his soul.</span></p>
<p class="pnext"><span>I've given up wrestling with the </span><em class="italics">Chouans</em><span>.
I'd forgotten the early part was so dry. Besides,
it's nicer to potter about, and think and dream,
not to mention that novel-reading is wicked on
a Sunday.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Monday morning</em><span>.</span></p>
<p class="pnext"><span>Susan has been difficult again. I'm sorry for her.</span></p>
<p class="pnext"><span>Last night she suddenly developed the liveliest
interest in dress. In the past she hasn't
been a girl to care excessively about it. That's
why she has always looked so nice. But, last
night, she said:</span></p>
<p class="pnext"><span>"I've been thinking, Miss, what ought I to
wear the first time I go to see him?"</span></p>
<p class="pnext"><span>"You mean, Susan," I answered, "what
ought you to wear the first time he comes to see
</span><em class="italics">you</em><span>."</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan absently. "I was
thinking it would be nice if I had one of those
cherry-coloured zephyrs, with elbow sleeves
and a white sash."</span></p>
<p class="pnext"><span>I smiled.</span></p>
<p class="pnext"><span>"Do you think you can depend on yourself
not to blush, Susan," I asked, "when he looks
at you and speaks to you?"</span></p>
<p class="pnext"><span>"Oh no, Miss, I can't," answered Susan in
a panic. "I shall be sitting, all the time,
wanting the ground to open and swallow me."</span></p>
<p class="pnext"><span>"Then I don't think you should go in for
anything cherry-coloured," I suggested. And
I tried to go on with </span><em class="italics">Les Chouans</em><span>.</span></p>
<p class="pnext"><span>"Perhaps blue alpaca would be better, Miss,"
broke out Susan again, after long reflection.
"Blue alpaca, made plain, with a little train.
I could wear that lace collar you gave me, Miss,
and have my hair done more on the top of my
head."</span></p>
<p class="pnext"><span>"You'd look very nice, I'm sure, Susan," I
replied. "But, if I were you, I shouldn't do
anything of the kind. I suppose it will be at the
Grange that you'll see him first. Some arrangement
will have to be made. If so, it ought to
please him best to see you as he saw you at
Traxelby church."</span></p>
<p class="pnext"><span>I went on again with </span><em class="italics">Les Chouans</em><span>. Or, to be
strictly truthful, I fixed my eyes again on the
page.</span></p>
<p class="pnext"><span>"I beg your pardon, Miss," Susan began
humbly, after five minutes of quiet; "but shall
we be married in Traxelby church?"</span></p>
<p class="pnext"><span>"Most decidedly not," I answered, so
emphatically that Susan positively jumped. "I
haven't the ghost of a notion where in the world
you'll be married. But it mustn't be Traxelby.
Lord Ruddington will propose some suitable
arrangement, and I shall see that it is satisfactory.
Besides, all this can be talked over later
on. It will be time enough to choose where
you'll be married to Lord Ruddington when
you've made up your mind whether you're
going to marry him at all."</span></p>
<p class="pnext"><span>The bride began to pout.</span></p>
<p class="pnext"><span>I decided swiftly that it was high time to
bring matters to a head. Traxelby church,
indeed!</span></p>
<p class="pnext"><span>As likely as not, Susan would expect me to be
a bridesmaid, with Uncle Bob giving her away,
and Aunt Martha calling him "Pa." So I shut
up the </span><em class="italics">Chouans</em><span> with a snap and put the question
straight.</span></p>
<p class="pnext"><span>"Tell me, Susan. Have you made up your
mind? If you've settled it that you mean to
marry Lord Ruddington, we shall know where
we are."</span></p>
<p class="pnext"><span>The pout vanished, and she hung her head.
At last she answered:</span></p>
<p class="pnext"><span>"Yes, Miss. I mean, I'm not sure yet, Miss.
But I'm sure that I shall be sure before long."</span></p>
<p class="pnext"><span>"Sure that you'll marry him?"</span></p>
<p class="pnext"><span>"Yes, Miss. I mean ... I think I shall."</span></p>
<p class="pnext"><span>I could get no more out of her, and in the end
I turned surlier and snappier than I care to
remember. Susan went to bed looking
miserable.</span></p>
<p class="pnext"><span>This morning my conscience woke up as early
as I did. Earlier: for it was wide awake while
I was still half asleep, and I groped out into
consciousness with a sense of recent meanness
and unkindness to Susan. The more I woke,
the clearlier I saw how natural it was of Susan,
who knows no French and can speak with
nobody here save me, to want to talk frocks.</span></p>
<p class="pnext"><span>When she came in at seven o'clock to open
the curtains, I said in my friendliest tone:</span></p>
<p class="pnext"><span>"Well, Susan, I suppose you've decided to
be married in white, with orange-blossoms and
a veil?"</span></p>
<p class="pnext"><span>To my consternation she remained at the
window, and did not turn round. Then she
plunged for the door into her own room, and as
she seized the handle, I heard a sob.</span></p>
<p class="pnext"><span>I jumped up and followed her to the threshold.</span></p>
<p class="pnext"><span>"Come, come, Susan!" I said. "You
mustn't have such a thin skin. I never meant
to hurt your feelings."</span></p>
<p class="pnext"><span>"You haven't, Miss," sobbed Susan, standing
near me, but not showing her face. "It
isn't you, Miss. But I can't bear it!"</span></p>
<p class="pnext"><span>"You can't bear what?"</span></p>
<p class="pnext"><span>"All of it, Miss. None of it. I woke up and
thought about it in the night. It's dreadful!"</span></p>
<p class="pnext"><span>I couldn't guess what Susan couldn't bear,
or what it was that was dreadful, and it didn't
seem wise to press her. So I said nothing.</span></p>
<p class="pnext"><span>"You'll take cold, Miss," she cried, when she
cast her first glance at me. And she bundled
me back into bed.</span></p>
<p class="pnext"><span>I told her that she needn't have her breakfast
with Georgette, and that she ought to drink
chocolate instead of coffee.</span></p>
<p class="pnext"><span>"You'd better have a quiet day," I added.
"This matter is getting on your brain. Give
it a rest. That was one reason why I wanted
you to wait a whole month. There's no need to
brood over it day and night. The month has
still three weeks to run."</span></p>
<p class="pnext"><span>She dried her eyes and was ever so grateful.
But I am puzzled. Last night she seemed (as
she has seemed all along) to take it as a matter
of course that she will marry Ruddington. Her
attitude has been that of a pretty, honest,
modest, prosaic girl with an eye on the main
chance. To find her suddenly all sensibility is
a surprise.</span></p>
<p class="pnext"><span>Probably it isn't sensibility. It's nerves.
Too much coffee: not enough sleep. Too much
of her own thoughts: not enough human
fellowship at a time when she sorely needs it.</span></p>
<p class="pnext"><span>Yet I can't overlook that she was
disappointed with his photograph. It may well be
that, in her better moments, my sweet Susan
shrinks from marrying when she cannot love.
Or is it that she is cowed by the difficulties of
so huge a change in her rank and station? She
shall have an easy day.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday</em><span>, 10.15 </span><em class="italics">a.m.</em></p>
<p class="pnext"><span>The Lord Ruddington would be speaking no
more than the truth if he always signed himself
Susan's Most Obedient Servant. He has been
as prompt with his pen-and-ink </span><em class="italics">Selbstbildniss</em><span>
as he was with the pasty-faced artist's
photograph. He says:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>MA SUZANNE,--It is Monday morning.
When I have finished this, I shall have written
you once this week; once last week (the
Wednesday), and once the week before (on
the Saturday). Yet I am scolded for breaking
the rules. You must send me an exceptionally
kind letter to soothe my wounded feelings.</span></p>
<p class="pnext"><span>It was unpardonably careless of me not to
forward full particulars and references when
I first applied for the post of Protector to
Suzanne. But I have to-day filled up a form
and am enclosing it with this. References
are kindly permitted to the Derlingham
photographer and to Mrs. Juggins, the housekeeper
at Ruddington Towers.</span></p>
<p class="pnext"><span>I have taken conscientious pains to fill up
the form correctly. For instance, I
squandered a whole penny this morning weighing
myself on an automatic machine at Derlingham
station. To be precise, I have squandered
tuppence; because the first machine which I
bribed refused to weigh me, and insisted on
presenting me with a bar of chocolate cream
instead.</span></p>
<p class="pnext"><span>The news that you can't send me your
portrait is desolating. It is another reason
why you must be extra kind.</span></p>
<p class="pnext"><span>All your letters are precious. But I like
the little bits you write up the sides best. Why
can't I have a letter made up of little side-bits
only?</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>RUDDINGTON.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The "enclosed form" is a formidable-looking
sheet of blue foolscap divided into columns for
questions and answers. It reads:</span></p>
<p class="literal-block"><br/>
<span>S. B. No. 999.<br/>
<br/>
1. Names (Christian Henry Reginald Westerton<br/>
and Surname), with Assheleigh, Ninth Baron<br/>
Title or Titles, if any. Ruddington.<br/>
<br/>
2. Address or Addresses. Ruddington Towers,<br/>
Sussex; Assheleigh House,<br/>
St. Michael's Square, S.W.;<br/>
Ballymore Castle, County<br/>
Kerry.<br/>
<br/>
3. Age. 23 171/365 years.<br/>
<br/>
4. Has applicant He has heard so.<br/>
had whooping-cough?<br/>
<br/>
5. Or Measles? One.<br/>
If so, how many?<br/>
<br/>
6. Weight. 10 st. 8 lb. (Includes 2.1739<br/>
oz. of letters from Suzanne,<br/>
in left-side breast-pocket<br/>
at time of weighing.)<br/>
<br/>
7. Can applicant read? No need to. Suzanne so<br/>
seldom writes.<br/>
<br/>
8. Can applicant write? Yes. Once a week.<br/>
<br/>
9. What are applicant's Not Tory. Conservative.<br/>
politics? More liberal than the<br/>
Liberals, less radical than<br/>
the Radicals.<br/>
<br/>
10. What are applicant's Waiting for Suzanne's<br/>
pursuits? letters. Until last month,<br/>
spent leisure studying<br/>
Spanish history and<br/>
literature.<br/>
<br/>
11. Personal appearance. Quite as bad as Derlingham<br/>
photograph. Probably worse.<br/>
<br/>
12. Hair. Brownish-black; or blackish-brown.<br/>
<br/>
13. Eyes. Blue.<br/>
<br/>
14. Does applicant ride? Every day.<br/>
<br/>
15. Does applicant swim? Yes.<br/>
<br/>
16. Does applicant fish? Yes.<br/>
<br/>
17. Does applicant hunt? Not much.<br/>
<br/>
18. Does applicant swear? Now and then. Is prepared<br/>
to give it up.<br/>
<br/>
19. Does applicant drink? Half a bottle of claret twice<br/>
a day.<br/>
<br/>
20. Does applicant smoke? Not before 1.50 p.m. If<br/>
Suzanne objects, he<br/>
confesses that he objects to<br/>
her objecting.<br/>
<br/>
21. Has applicant a Hates them. But will learn<br/>
motor-car? to love them if Suzanne does.<br/>
<br/>
22. Additional remarks. Is bad-tempered, impatient,<br/>
obstinate, and self-opinionated.<br/>
Has no first-hand<br/>
knowledge of the time it<br/>
takes to prepare Byronic<br/>
(or other) curls o' nights.<br/>
Has not been in love<br/>
before. Hasn't a Past.<br/>
And hasn't a Future<br/>
either, unless it's to be<br/>
spent with Suzanne.</span><br/></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I don't know yet what Susan thinks of these
documents. She has left them on my table
without remark.</span></p>
<p class="pnext"><span>At the first glance I didn't like them. They
smacked too much of the funny man labouring
to be smart. But, after a second reading, I
like them. After all, the poor boy couldn't very
well sit down with a serious face and write out
his own testimonial in cold ink. His wit might
be sprightlier: but I begin to discern the gravity
underlying it. His way of bringing it in that he
has no Past, no entanglements, no old flames,
is skilful and considerate. Perhaps this is the
very point Susan has been worrying about.
Who knows? Perhaps she has been fearing that
she isn't the first simple beauty that his lordship
has taken by storm. Perhaps she thinks he is
an old-style lord, with a pretty taste in
milk-maids, and therefore not much better than a
new-style lord with a nasty appetite for ladies
of the ballet.</span></p>
<p class="pnext"><span>Whatever am I to say if Susan asks me what
he means by the little bits written up the sides?</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday</em><span>, 3 </span><em class="italics">p.m.</em></p>
<p class="pnext"><span>My bathe made me tired. I sha'n't go out
again to-day.</span></p>
<p class="pnext"><span>Susan is wooden-headed past belief. I was
amused for a few moments at the odd
comments she made on Ruddington's letter; but
her dulness grows monotonous. She began:</span></p>
<p class="pnext"><span>"Don't you think, Miss, that ... that he
writes rather strange?"</span></p>
<p class="pnext"><span>"What do you mean?" I asked.</span></p>
<p class="pnext"><span>"I mean, Miss," whispered Susan
mysteriously, "do you think he's ... quite right in his
head?"</span></p>
<p class="pnext"><span>"Well, Susan," I answered, "when one
looks at the way he runs after a girl whom he's
never spoken to, I admit it does make one
wonder if he isn't a bit mad."</span></p>
<p class="pnext"><span>Susan pouted.</span></p>
<p class="pnext"><span>"I mean his letter, Miss," she said. "And
this big blue paper."</span></p>
<p class="pnext"><span>"As for his letters, Susan," I replied, "I
don't see much wrong with them. Aren't they
bright, and frank, and kind?"</span></p>
<p class="pnext"><span>"Why does he say, Miss, that he's named
Henry?"</span></p>
<p class="pnext"><span>"Simply because Henry is his name."</span></p>
<p class="pnext"><span>"But lords don't have any names, Miss, do
they? I mean they only have surnames."</span></p>
<p class="pnext"><span>I asked for light.</span></p>
<p class="pnext"><span>"It was Mrs. Hobbs, the cook, that told me,
Miss," Susan explained. "Mrs. Hobbs said
that a lord could only have a surname--as it
might be Ruddington--and the King could
only have a Christian name--as it might be
Edward. That's the difference, Miss, between
a king and a lord--one can only have a
Christian name, and the other can only have a
surname. So how can he be named Henry?"</span></p>
<p class="pnext"><span>When I had finished laughing, I said:</span></p>
<p class="pnext"><span>"Susan, you remember Mrs. Hobbs's dreadful
mousseline sauce? Till to-day, I would
never have believed that there was any subject
in the heavens above or in the earth beneath,
about which Mrs. Hobbs knew less than she did
about cooking. I was wrong."</span></p>
<p class="pnext"><span>"If he's proper Lord Ruddington, Miss, I
don't see how he can be named Henry,"
persisted Susan doggedly. "I wonder, Miss,
ought we to write to Mrs. Juggins?"</span></p>
<p class="pnext"><span>"Mrs. Juggins?"</span></p>
<p class="pnext"><span>"Yes, Miss. He says she's the housekeeper
at the Towers."</span></p>
<p class="pnext"><span>Positively the stupid creature believed that
Lord Ruddington had seriously referred her to
an actually existing dame of the name of
Juggins. Really, I haven't the patience to set
down half the ridiculous things she said. She
is certain that her letters don't weigh "all those
ounces." She is aghast at the bad temper and
obstinacy, which must truly be traits in
Ruddington's character, "because he admits it,
Miss, himself." She is surprised that he should
be brooding so bitterly over his wasted
tuppence; "though they do say, Miss, that the
richer people are, the meaner they are in little
things, and that's why they've got rich." She
is not romantically </span><em class="italics">exaltée</em><span> at the news that he
has never loved another. But she is grateful
that he has got safely over the measles; because
"Uncle Bob had them after he was grown up,
and I did think, Miss, it looked so silly." And
so on, and so on, and so on.</span></p>
<p class="pnext"><span>At last I begged her to stop chattering and
sent her away. I can't understand her. Susan
has always been unsophisticated, but it's
something fresh for her to be vulgarly stupid and
thick-headed.</span></p>
<p class="pnext"><span>The outlook is disconcerting. My letter-writing
on her behalf gives Ruddington a false
notion of her knowledge and her mental power.
So long as she retains her charming simplicity
no great harm will be done; for, after he is
disillusionized about her brains, he can easily
fall in love afresh with her </span><em class="italics">naïveté</em><span>. But this
flat-footed, Hodge-like, charmless stupidity is
quite another story.</span></p>
<p class="pnext"><span>She's too stupid even to ask about the little
side-bits.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Waiting for tea</em><span>.</span></p>
<p class="pnext"><span>It may be that the fears which kept Susan
awake last night have frozen her wits. She has
the air of dreading close quarters with this
affair; of wanting to thrust it off an arm's-length
while she gets time to think. I mustn't
be too hard on her. The girl is passing through
an ordeal; and I am a poor substitute for a
mother or even for a bosom friend.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Wednesday morning</em><span>.</span></p>
<p class="pnext"><span>I have taken a resolve.</span></p>
<p class="pnext"><span>There's been too much Ruddington. The
inroads he makes on my Normandy rest-cure
are absurd. I get my sun-bath and sea-bath
every day; and that's all. It's time to put
down my foot.</span></p>
<p class="pnext"><span>Fortunately, Susan agrees with me. She
does not tell me why she has so suddenly fallen
out of love with the idea of being raised to the
peerage. It may be that she quails and shrinks
from a destiny that is altogether out of scale
with her nature. More probably it is some
trifle, such as Ruddington's moustachelessness.
But, although she gives no reasons, she agrees
with me that it will be best to take the thing
less busily for the next fortnight. I've pointed
out to her that she knows as much about him
now as she needs to know. It isn't as though
she has to decide, here at Sainte Véronique,
whether she will marry Lord Ruddington.
She has only to settle whether she will let him
see her next month face to face--whether she
will let him press in person a suit which she will
still be free to refuse.</span></p>
<p class="pnext"><span>We have decided that I shall write him a
letter to-day such as will keep him quiet, and
stop him bothering us. Then I shall be able to
take a deep draught of my Normandy, as I take
deep draughts of the cider. I have been here
well over a week, and I hardly seem to have had
one day free of him.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Later</em><span>.</span></p>
<p class="pnext"><span>Here is my letter to her Henry, and it's
going to be posted whether Susan likes it or not:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>DEAR LORD RUDDINGTON,--Your letter and
the big blue form amused me very much. It
is interesting to have such an assortment of
fresh facts about you--especially the obstinacy
and the bad temper.</span></p>
<p class="pnext"><span>It is good news that you hate motor-cars.
Nor should we become estranged over tobacco.
But these are trifles, aren't they?</span></p>
<p class="pnext"><span>I hope you will not think that I am taking
myself too seriously, or that I am unthankful
for the trouble you take in writing such
kind and open and lively letters. But (now
that I have your photograph and know so much
more about you) I am conscious of a desire
for a week or so of detachment from details.
I feel that I would like to go about my ordinary
life until some light breaks on me suddenly
and of its own accord. The more I deliberately
seek light, the more it mocks and eludes
me. I suppose the reason is that no amount
of steadily "making up" one's mind can
suffice instead of a free involuntary motion
of the heart.</span></p>
<p class="pnext"><span>As you wrote to me on Monday, you would
not in any case be writing again till Monday
next. I like to have your letters; but, if you
postpone your reply to this until rather late
next week, I shall have the better chance
of deciding whether we ought to meet or not.</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>Yours sincerely,</span>
<br/><p class="first last noindent pfirst"><span>SUSAN BRIGGS.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">After lunch</em><span>.</span></p>
<p class="pnext"><span>The letter's gone.</span></p>
<p class="pnext"><span>Susan says she likes it.</span></p>
<p class="pnext"><span>I liked it too, until it was dropped into the
post-box. But, at this moment, I am vainly
asking myself what had become of my brains
while I was writing it. It's the un-Susanishest
letter that even </span><em class="italics">my</em><span> undramatic pen has
compassed. Think of Susan being "conscious of a
desire for detachment from details!" I can as
easily imagine her ordering a grilled
ichthyosaurus for breakfast.</span></p>
<p class="pnext"><span>Still, it's gone. And now I shall have a week's
peace.</span></p>
<p class="pnext"><span>It seems the Belgian people who have had
Dupoirier's Villa de la Mer for the season left
yesterday. Dupoirier is cleaning up the
blue-and-white bathing-hut on the beach. He's
going to give me the key, and, if I like, I can
stay down by the sea all day, so long as the
weather's fine.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">The Bathing-hut, Thursday afternoon</em><span>.</span></p>
<p class="pnext"><span>This is perfect.</span></p>
<p class="pnext"><span>The bright-faced sea is crooning to itself like
a happy child. The day is warm. Inland, it
must be torrid.</span></p>
<p class="pnext"><span>I have had two dips, one snooze, and about
three-quarters of a lunch. It would have been
a lunch and a half if Georgette hadn't tripped
over a stone on the way down and dropped the
wing of a chicken into the beck. But the
prawns, and the cold veal, with sauce rémoulade,
and the great big pear, were quite enough
if I hadn't grown so disgustingly greedy.</span></p>
<p class="pnext"><span>Off and on, I've read several square yards of
French newspapers since ten o'clock. There
seems to be a curse resting on all newspapers
that are sold for a ha'penny, never mind what
country they belong to. I feel as Susan felt
when she missed "a nice service" after the
parish Mass at Sainte Véronique church.</span></p>
<p class="pnext"><span>The best part of everything is to lie full back
in the deck-chair and to look up at the larks in
the sky. It's nice, too, to gaze over the
blue-green water and to know there's a hundred
miles of it between us and that worry of a
Ruddington. I'm afraid he'll write a dozen pages on
Monday. But, until the poor little fellow begins
kicking and screaming for his Susan to be given
to him at once, I can sit here while the wind and
the sun mend my nerves and smooth the past
fortnight's wrinkles out of my offended brow.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Friday night</em><span>.</span></p>
<p class="pnext"><span>Henry Reginald has written. The sight of
his envelope made me so angry that I nearly
tore it open without waiting for Susan. After
reading his outpouring I can't altogether blame
him; but I am being badly treated by Fate.
Things are worse muddled than ever.</span></p>
<p class="pnext"><span>He says:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>MY DEAR SUSAN,--Seeing my handwriting
again so soon, you will think that I am flouting
your wishes. Not so. After I have finished
this, I promise not to write you another line
till you expressly give me leave.</span></p>
<p class="pnext"><span>From my own selfish point of view, I have
known all along that I was foolish in pleading
my cause by post instead of with the living
voice. But to write seemed fairer to yourself;
though I confess I could not have been easily
content with letters had I known you were
going to France.</span></p>
<p class="pnext"><span>In asking for a week of detachment, you are
right. Indeed, I feel you have been most
exquisitely right at every turn of my rude
assault upon your peace. Therefore I agree,
much as I shall miss your letters.</span></p>
<p class="pnext"><span>You think your letters have disappointed
me; and I can discern that it is a pain to
you to write them till they can flow from you
more freely. But let me tell you why I prize
them far more than I expected.</span></p>
<p class="pnext"><span>The day I first saw you with Miss Langley
was a Saturday. You simply swept me off
my feet. I had no more choice as to whether
I should love you all my life or not than a cork
has a choice between floating and sinking.
It was the Derlingham banker who told me
who you were. All that evening I sat alone
in the dark, thinking. Or, rather, I didn't
think. I just sat and looked, like a man in a
trance, at the new world which had unrolled
itself suddenly, solidly, splendidly right across
the whole field of my vision.</span></p>
<p class="pnext"><span>I had always believed that love at first sight
was out of my line. Indeed, I had believed
that, nowadays, it was out of everybody's
line; and I had suspected that, outside the
romances, there had never been any such thing
in the world. I had even begun to indulge a
certain pride in my fastidiousness and
self-control as regards women.</span></p>
<p class="pnext"><span>Don't be hurt, most dear lady, at the next
step in my confession. If I must seem to
disparage you for half a moment on paper, it is
only that I may show why I shall revere and
honour and cherish you for ever.</span></p>
<p class="pnext"><span>When I came out of that Saturday night
dream or trance, I sank swiftly down, down,
down into a pit of humiliation. I had always
believed myself free from pride of rank or
pride of wealth; but it was with an immense
chagrin that I remembered how the banker
had answered my off-hand question with the
words "Miss Langley's maid." A blinding
flash lit up all the opposition, and scorn, and
ridicule I should have to undergo.</span></p>
<p class="pnext"><span>Not that it entered my mind, even at the
zero of my humiliation, that I could ever give
you up. The fact that you were my Destiny
rose clear of my tumultuous emotions, as
radiant and immutable as a virgin peak above
the mean rage of a thunderstorm. But I fretted
and fumed. You were the rose that I must
needs gather; but why had Fate set you behind
so huge and sharp and black a thorn? I asked
bitterly why Fate could not have contrived
that Miss Langley should have been Susan,
and that you should have been Miss Langley,
so that I could have come to the Grange
a-wooing without a thousand maddening lets
and hindrances.</span></p>
<p class="pnext"><span>Later on, and in a lesser degree, I also felt
humiliated because I, who had been so proud
of my cool head, suddenly found myself bowled
over by mere beauty and grace, like a solitary
corn-stalk before an autumn gale.</span></p>
<p class="pnext"><span>The next morning I slipped circumspectly
into Traxelby church, just before the sermon.
If you hold religion sacred and dear (as I feel
sure you do), it may shock you to know that
I looked at you through the pillars of the
Langley monument for a quarter of an hour.
But my thoughts were not sacrilegious.
Although I thanked God for your beauty (and
how beautiful you were that morning!), I
worshipped God most because He had created
your soul, your very self. As I watched you,
I knew that you alone in all the world could
charm away my spirit's restlessness and
hunger--the hunger and the restlessness which I
had hidden even from my own self. I recalled
my loveless life; my boyhood spent among
tutors and schoolmasters; my youth and early
manhood at two schools and at three universities
in three different countries; my last
year--the year before I came back to the
Towers--spent on cosmopolitan steamships
and in unhomely hotels. I thought of the only
women I have ever known well--my hard
and shallow cousins, who are handsome and
elegant only with the sort of handsomeness
and elegance that ten thousand other hard and
shallow women share with them. Then I looked
at you again, and wanted to come home to you
as a bird flies home to his nest.</span></p>
<p class="pnext"><span>As I walked back from church, I knew that
my ignoble chagrin had melted and vanished
at the second vision of you. Instead of
exclaiming against Fate for placing you, as the
word goes, "below me," I rejoiced that there
was a sacrifice to be made--a way of proving
to you that I was moved by Love alone. I
laughed at myself for having wished you had
been Miss Langley!</span></p>
<p class="pnext"><span>Perhaps I am supersensitive, ultradelicate.
But I felt, on that Sunday morning, that if you
had been Miss Langley, I might have shrunk
from the wooing. The obviousness, the
hard-headed, practical common sense of such a
match would have put me off it. When every
consideration of worldly suitability pointed to
a joining of her name and lands and interests
with mine, how could I have gone to Miss
Langley on a simple errand of Love? I know of one
gossip who had already linked her with me.
How I should have cursed this rank of mine,
which I never wanted, and this wealth of mine,
which I never earned, if they had robbed me
of the power to convince a woman of my love,
and to woo her for herself alone!</span></p>
<p class="pnext"><span>I wrote to you on the Tuesday; and you
kept me waiting four days. But I knew you
would reply; even as I know that, when this
month is over, Heaven will not suffer you to
wrench your life away from mine. But, while
I waited, I kept on schooling myself against
every possible turn of events. And one thing
for which I prepared my mind (forgive me
again, dear lady!) was this. I expected your
letter would be ... how shall I say it? Well,
I expected a diamond--but a rough one! To
be blunt, I knew that Oxford and Heidelberg
and Salamanca had made me too punctilious;
and I nerved myself for a letter from a sweet
Susan, an adorable Susan, a wise Susan
... but a Susan who couldn't spell!</span></p>
<p class="pnext"><span>But what has happened? Of course, mere
spelling and grammar are less than the dust
in the balance; and if you sinned against them
unto seventy times seven it would be nothing.
But not only are Susan's letters better expressed
than my own; they outstrip the utmost I ever
dreamed of in the exquisite reverence with
which they approach the sacred mystery of
Love. Where I was merely superfine and
sentimental, you are exalted, mystical. I
honour your month of absence and your coming
week of silence as I honour the retreats and
meditations of a saint. Wealth and ease and
rank cannot tempt you. They cannot even
hurry you into doing what is right till you are
persuaded that it is the right with your whole
soul. The Susan I saw that Saturday morning
swept me off my feet, robbed me of my free
will. But the Susan who has written me four
letters is so noble, so deep, so rich of spirit,
that even if the spell of her beauty were broken,
I should still devote my whole life to winning
her, though the obstacles were a thousand times
as great.</span></p>
<p class="pnext"><span>Why have I written all this? I will tell you.
Because you are entering, so to speak, on a
week's retreat; and upon your week's retreat
hangs my fate. If I did not write this, the
most recent letter of mine in your hands would
be that schoolboyish blue paper with its
long-drawn string of poor jokes. I did not mean
it flippantly; but it is hard for a man to write
about himself.</span></p>
<p class="pnext"><span>In a word, I write to ask that it shall be this
present letter and not the other that you will
call to mind when you are so good as to think
of me.</span></p>
<p class="pnext"><span>No. I don't imagine you "take yourself too
seriously." I have guessed that, like my own,
your mind is more often gay than grave. But
there is a time for everything; and I perceive
that badinage is not the accompaniment I
ought to be playing while you are making the
momentous choice which I have so strangely
laid upon you.</span></p>
<p class="pnext"><span>And now I steal out of your presence on
tip-toe, and softly close the door. If you call, I
shall be waiting. And if you do not call
... I shall be waiting still.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>R.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Susan has been in to know what I think of the
letter. I have told her I am busy, and have
sent her away.</span></p>
<p class="pnext"><span>It's no use blinking the fact that I'm involved,
up to the ears, in a very, very serious affair.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Midnight</em><span>.</span></p>
<p class="pnext"><span>I can't sleep.</span></p>
<p class="pnext"><span>This is altogether too frightful.</span></p>
<p class="pnext"><span>Fortunately Susan was perfectly stolid. If
she'd been awkward, goodness knows what I
might have said or done. I simply told her
that we must have a thorough talk, once for all,
in the morning; and she went to bed without
a murmur.</span></p>
<p class="pnext"><span>Susan a mystic! Susan approaching with
exquisite reverence the sacred mystery of Love!
Susan in retreat, like a saintly nun!</span></p>
<p class="pnext"><span>If I could only laugh and laugh and laugh till
I woke up the whole hotel, it wouldn't so much
matter. But I can't even smile. Ruddington is
too terribly in earnest. And it's my fault.</span></p>
<p class="pnext"><span>Some parts of his letter I hate. I would never
have believed that he could make so outrageously
free with my name. So long as Susan
is my maid, I call it abominable taste to drag
me in like that. Indeed, I hardly see how I can
do otherwise than wash my hands of the entire
business forthwith.</span></p>
<p class="pnext"><span>But if I do ... what then? If Susan is
left to concoct a reply, and to use a
teaspoonful of ink to every page, it will be
such a shattering bombshell in the golden
midst of his dreams. And the man, on the
whole, is too likeable for me to wound him
deeply if I can help it.</span></p>
<p class="pnext"><span>Perhaps what I ought to do is to write by the
same post as Susan, and with her full knowledge,
a frank confession of my part in the affair. He
will be astonished and disappointed and a bit
hurt in his dignity, but he can't fairly resent my
having helped Susan. After all, it's his fault,
not mine, that he's perused my few short and
insignificant letters through such rose-coloured
glasses that they have seemed like the utterances
of a divinity. It's his infatuation, far
more than my bungling, which has magnified
and idealized Susan into a goddess. Whether
he can turn the telescope round, so to speak,
and look at Susan through the other end till he
sees her in all the tininess of her actual spiritual
and mental stature; and whether, when he has
seen her as she is, he can still go on worshipping
her--all this is more his affair than mine.
I'll write the letter now.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">A quarter past one</em><span>.</span></p>
<p class="pnext"><span>It's no good.</span></p>
<p class="pnext"><span>If I had written before his letter came
to-night, I could have managed it. But now that
he's brought me in by name, and has even
discussed how he would have felt if he had been
moved to make love to me...</span></p>
<p class="pnext"><span>No. I can't write. And if I could, I wouldn't.
And I'm cold, and tired, and insulted, and
distracted, and wretched. I'll back to bed.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Saturday</em><span>, 2 </span><em class="italics">p.m.</em></p>
<p class="pnext"><span>On second (or twenty-second) thoughts, I
did not choose to have a detailed conference
with Susan. I have not so much as told her how
vastly it offends me to be discussed with her as
Ruddington has done. If I betray annoyance,
how can I expect a simple mind like Susan's to
interpret my vexation otherwise than as the
acidity of an unsuccessful rival for Lord
Ruddington's hand? Lord Ruddington has
cheapened me enough, and I will not make myself
any cheaper.</span></p>
<p class="pnext"><span>Although she was stolid over it last night, the
letter has warmed Susan into a remarkable
state of expansion this morning, and she was
sadly crestfallen when I showed no sign of going
through the document chapter and verse. I
took care that she should find me deep in my
own correspondence, so that my inattention
was less pointed.</span></p>
<p class="pnext"><span>I simply told her that it would be a good
thing if she were able to take over the
Ruddington correspondence herself immediately, as
Lord Ruddington had already been seriously
misled. Failing this, I gave her the following
note, and told her to post it or not as she
pleased:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>DEAR LORD RUDDINGTON,--I am grateful
for your letter. And I am grateful to you for
consenting to what you call my "retreat." When
the retreat is over I shall not forget that
I have a long letter of yours to answer.
Meanwhile I will only beg, both for your sake and
my own, that you will not form too high an
opinion of--Yours very sincerely,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>SUSAN BRIGGS.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Susan did not read the note in my presence.
I have no idea what she will do.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunday: before church</em><span>.</span></p>
<p class="pnext"><span>Half my month is gone. This makes the
fifteenth morning since I landed in France, yet
I don't remember waking up once with a
completely easy mind. From Mr. John Lamb
onwards, I have dwelt in the midst of alarms.</span></p>
<p class="pnext"><span>To-day shall prove whether I have any will-power
or not. Sunday is a day of rest, and I am
determined to have twenty-four hours' rest
from Ruddington.</span></p>
<p class="pnext"><span>Susan is very commendably docile. She sees
I have had enough of it, and she hasn't even
told me whether she posted my note or not.
Fortunately she is making much more of a pal
of Georgette. Georgette progresses with her
English marvellously. She adores Susan because
Susan never tries to utter a single syllable
of French.</span></p>
<p class="pnext"><span>I mean to hear Mass this morning at Bérigny.
Georgette is taking Susan to bewail once more
the lack of "a nice service" at Sainte
Véronique.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunday afternoon</em><span>.</span></p>
<p class="pnext"><span>I like the Bérigny papists better than the
papists at Sainte Véronique. Barely sixty
people assisted at the Mass; but the faith of
these few twentieth-century men and women
was as solid as the fifteenth-century piers and
vaults that rose above our heads.</span></p>
<p class="pnext"><span>Being English, I ought to exclaim against the
Bérigny mass-house, and to call its pictures and
images and altars gaudy. But I understood
this morning that the place was first and
foremost a refuge for the simple and the poor. Of
course, the austerity of our own church at
Traxelby suits my personal ideas of reverence
better. But I'm afraid that, in England, there
may be some selfishness in our always conforming
the insides of our churches to the taste of
the Hall or to the taste of the rector's ladies.
No doubt it helps the fortunate few to feel
religious when they exchange the cosy richness
wherein they have snuggled all the week for the
big, bare sternness of cold, undissembled stone,
and the uncompromising whiteness of twenty
surplices. An hour and a half of it once a week
corrects luxury and tones up fibres that are
becoming enervated through all-day-long
indulgence. One even finds a subtle pleasure in
the slight discomfort and restraint; just as the
man who has dined well and wined well for
eleven months enjoys the fashionable hardships
of a month's "cure" at a German spa. But I
wondered this morning if our church interiors
are equally helpful to the poor. If a contrast
between the home and the church stimulates
devotion, where do the poor come in? The
only contrast they get is the contrast between
a small bleakness and a big one; the contrast
between grey and white; between ashes and snow.</span></p>
<p class="pnext"><span>Bérigny church is a spacious, warm, brightly
coloured drawing-room for all Bérigny. Not
even the drawing-room at Alice's, with its
absurd excess of water-colours and prints and
screens and embroideries and statuettes and
curios, holds such a store of things to look at as
the drawing-room at Bérigny. Over and above
all the regulation sights of a typical French
church, Bérigny has Our Lady of Bérigny, in
queenly silver-tissue and with a golden crown
on her sorrowful brow. From the bosses of the
vaults in the aisles hang five or six fully rigged
little ships--votive offerings of mariners
snatched from shipwreck. High up on the
south wall there are coloured wooden images,
carved in the sixteenth century, such as
St. Nicolas with a tubful of red-cheeked, chubby,
naked babies, and St. Antony with his pig.
Bérigny has both the Antonys. Not far from
him of the pig, stands a modern statue of
St. Antony of Padua, with a face like an angel's,
and with the Holy Child seated on St. Antony's
open book and nestling against St. Antony's
breast.</span></p>
<p class="pnext"><span>It would have driven him stark mad if our
Traxelby choir-master, with his petty efficiency
and trivial thoroughness, could have heard the
Bérigny organ pounding and blaring, and the
Bérigny faithful bawling "Credo" through
their noses. An untuneful but hearty lad on
my left sang the whole creed through in Latin
without a book. I wonder, would our Traxelby
youths be a shade less loutish, a shade nearer to
these courteous villagers of Bérigny, if they too
were taught to dip a cup in the main stream of
human culture, and to quaff ever so small a
draught? I imagine it must be the beginning
of a revolution, even in the humblest mind,
when it makes room for fifty words of a language
other than its own.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunday night</em><span>.</span></p>
<p class="pnext"><span>Yes, I have some traces of will-power. I
have wanted to ask Susan whether she posted
my note; but I haven't asked her. And I have
wanted to think about Ruddington's letter--not
so much its galling references to myself, as
the disclosure it makes of an uncommon
personality in the midst of an uncommon situation.
I have wanted to think about it all day--even
in church. But I haven't yielded. Or, at most,
I have yielded only a very little.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Monday morning</em><span>.</span></p>
<p class="pnext"><span>Susan posted the letter.</span></p>
<p class="pnext"><span>I asked her after breakfast, in a casual sort of
way, what she had done with it; and she
answered, almost as casually, that she and
Georgette posted it on Saturday afternoon. I
could see that, for some reason, Susan didn't
want to be cross-questioned.</span></p>
<p class="pnext"><span>"Susan," I said, when she came into the
room again, "how many people know anything
about this affair of Lord Ruddington?"</span></p>
<p class="pnext"><span>Susan started.</span></p>
<p class="pnext"><span>"Whom have you told?" I asked again.
"Did you talk about it at Traxelby?"</span></p>
<p class="pnext"><span>"Oh, no, Miss!" said Susan, almost reproachfully.
Then, after an awkward pause, she
added: "Unless..."</span></p>
<p class="pnext"><span>"Unless...?"</span></p>
<p class="pnext"><span>"Well, Miss, I </span><em class="italics">did</em><span> say to Gibson that ... that
there was </span><em class="italics">somebody</em><span>. But I didn't mention
names, Miss, and he could never guess."</span></p>
<p class="pnext"><span>"Have you said anything to Georgette?"</span></p>
<p class="pnext"><span>Susan hung her head and studied the toe of
her shoe a long time before she confessed:</span></p>
<p class="pnext"><span>"Georgette asked me, Miss."</span></p>
<p class="pnext"><span>"Asked you what?"</span></p>
<p class="pnext"><span>"Georgette said: 'Have you got an
Ammee?' And when I told her I didn't know
what an Ammee was, she said..."</span></p>
<p class="pnext"><span>Susan blushed and stopped.</span></p>
<p class="pnext"><span>"Go on," I said. "An </span><em class="italics">ami</em><span>. What did
Georgette say an </span><em class="italics">ami</em><span> was?"</span></p>
<p class="pnext"><span>"It is French for Mister," faltered Susan.
"Georgette says it is a Mister with whom one
is in love."</span></p>
<p class="pnext"><span>"What did you tell her?"</span></p>
<p class="pnext"><span>"Nothing, Miss."</span></p>
<p class="pnext"><span>"You were very sensible, Susan," I said.
"You oughtn't to talk about it to any one."</span></p>
<p class="pnext"><span>I picked up a book; but Susan still loitered.</span></p>
<p class="pnext"><span>"Well?" I asked at length. "What is it?"</span></p>
<p class="pnext"><span>"Please, Miss," began Susan uncomfortably,
"I didn't tell Georgette anything."</span></p>
<p class="pnext"><span>"So you said before."</span></p>
<p class="pnext"><span>"Yes, Miss. But Georgette ... wanted
to look at the envelope. I mean the letter to his
lordship, Miss."</span></p>
<p class="pnext"><span>"But you didn't let her do it?"</span></p>
<p class="pnext"><span>"Oh, no, Miss."</span></p>
<p class="pnext"><span>"Then what is there to worry about?"</span></p>
<p class="pnext"><span>Susan scraped the floor with the point of her
shoe, and shifted about. By and by she blurted:</span></p>
<p class="pnext"><span>"Georgette wanted to know if the letter was
to my Ammee or ... or to yours, Miss."</span></p>
<p class="pnext"><span>I shut the book. Susan hurried on.</span></p>
<p class="pnext"><span>"So, of course, I said he was mine, Miss."</span></p>
<p class="pnext"><span>Ruddington is right. Susan is a wonder, a
gem, and five times out of six a born lady.
After I had praised her discreetly and had
deplored the impertinent pryings of Georgette,
I took up the book again and told Susan she
might go away.</span></p>
<p class="pnext"><span>She went, but within five minutes she was back.</span></p>
<p class="pnext"><span>"I thought I'd best tell you, Miss," she said
when I looked up.</span></p>
<p class="pnext"><span>"Yes?"</span></p>
<p class="pnext"><span>"I didn't show Georgette the address, Miss.
But ... she noticed the envelope wasn't
gummed down."</span></p>
<p class="pnext"><span>"Yes, yes. Get on."</span></p>
<p class="pnext"><span>"I oughtn't to have done it, Miss. But
Georgette went into the garden and plucked a
flower, and lifted up the flap of the envelope,
and laughed, and tucked the flower inside."</span></p>
<p class="pnext"><span>"It's a great pity, Susan," I said, "that you
didn't take it out again. If you'd make up
your mind to marry Lord Ruddington it
wouldn't matter. But can't you see how foolish
it will look? It simply contradicts the letter
asking for a week's grace."</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan, going redder than
ever. But she showed no sign of departing.</span></p>
<p class="pnext"><span>"Is that all, Susan?" I asked, with a sudden
fear that there was worse to follow.</span></p>
<p class="pnext"><span>"No, Miss," she answered faintly. "After
we'd posted the letter, Georgette laughed again
and said that the flower had a meaning."</span></p>
<p class="pnext"><span>"A meaning?"</span></p>
<p class="pnext"><span>"Yes, Miss. The Language of Flowers, Miss.
Georgette said the flower meant 'Vang.'"</span></p>
<p class="pnext"><span>"Vang?"</span></p>
<p class="pnext"><span>"Yes, Miss. That's the French Language of
Flowers, Miss. Georgette says that, in English,
it means 'Come'!"</span></p>
<p class="pnext"><span>Before I could speak, she burst out crying.</span></p>
<p class="pnext"><span>"Please, Miss," she wept, "I didn't see any
harm on Saturday. But last night, when I went
to bed, and thought about it ... oh, Miss
Gertrude, I'm </span><em class="italics">so</em><span> miserable!" And she cried
harder than ever.</span></p>
<p class="pnext"><span>In the end I sent her away consoled to the
extent of my assurance that I didn't blame her
in the least, and that the sole offender was
Georgette. Also, I promised her that I wouldn't
get Georgette into trouble.</span></p>
<p class="pnext"><span>At first I felt determined to give Georgette
some very plain speaking in private. Yet how
can I? How was Georgette to know that Susan
hadn't been writing a common country
love-letter to some common country sweetheart?
What divination could teach Georgette that
we had been writing a superfine letter to a
milord? Georgette simply indulged her rural
playfulness. And if the envelope was open for
Georgette to put the flower in, it was also open
for Susan to take it out.</span></p>
<p class="pnext"><span>That's the devil (I can't help saying it!) of
this endless affair. Everybody keeps on giving
me shocks and jumps, and yet nobody is ever
to blame.</span></p>
<p class="pnext"><span>Not that much harm is done this time. I
suppose Ruddington will go silly over the flower.
He'll kiss it, and wear it next his heart by day,
and lay it under his pillow by night, and worship
it as a symbol of fresh mysticalities and
exquisitenesses in his divine Susan. But he won't
ring for the kitchen-maids and request the kind
loan of a Language of Flowers. He won't so
much as think of it that way. Even if he does,
he will know that it is the letter and not the
flower that he must obey.</span></p>
<p class="pnext"><span>I wonder what flower it is that means "Viens?"</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Monday night</em><span>.</span></p>
<p class="pnext"><span>I have been reading Ruddington's last letter
over again. And although I began it with
prejudice (being still nettled by Georgette's
prank), it has affected me strangely.</span></p>
<p class="pnext"><span>Seen whole, I know the situation is farcical.
It is a farce that may end in a tragedy. But as
Ruddington sees it, with the wrong notion of
Susan that I have helped to give him, it is a
most high and sweet romance, all rose and gold.</span></p>
<p class="pnext"><span>Life can be most hideously cruel. Better no
beautiful dreams at all when there must be such
an awakening. And that poor lad Gibson is to
be soured for ever in order that Ruddington may
go through life with a millstone of disenchantment
round his neck. Something is here for
tears.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday, three o'clock</em><span>.</span></p>
<p class="pnext"><span>Ruddington remains quiet, like a good boy;
so the flower has done no harm. Susan has been
quite brightened up by suddenly remembering
that the flower was only a French one.</span></p>
<p class="pnext"><span>This morning there was a wedding at Sainte
Véronique. I have seen country weddings in
France before, but this is the first one that
hasn't offended me. The bride was a pink-and-white,
almost English looking girl, and the
bridegroom was a tanned, honest, handsome
young fisherman. When Susan and I saw them,
it was after the wedding. They were standing
side by side, hand in hand at a door, while the
guests were bustling for places at an open-air
breakfast-table. You could not say that they
were not taking in the scene. Indeed, they
laughed more than once at the horse-play of the
youths. Yet it was plain that while their eyes
recognized friends, and while their minds were
lightly engaged with the outer world, their
spirits had built a little hidden shrine of peace.
Never before have I seen on human faces such
a serene yet delicate fulness of perfect happiness.
Below the rattle of plates and the shouts and
the laughter, my ear caught a rich undersong of love.</span></p>
<p class="pnext"><span>In the past I have learned almost to loathe
lovers. When Hugh came to see Alice, I used
to wonder how she could endure him. I suppose
he enjoyed his courtship, just as a budding
barrister enjoys his obligatory course of dinners;
but he used to turn up more like a man who had
come to tune the piano than like a man in love.
And I don't think I detest any one in this world
more than poor Maude Slaney's Bob. Heaven
only knows how many millions of times he has
mispronounced the word "fiancée" these last
two years; and the way they go on in public is
simply horrid. I'd almost rather have the
boorishly amorous couples who slouch on
Sunday nights along Church Lane, gaping up at the
Grange.</span></p>
<p class="pnext"><span>But, this month, I've begun to see lovers in a
less garish light. The fisherman reminded me
of Gibson. I shall be the better all my life long
for having stood in the glow of Gibson's splendid
manliness when he thought Susan was in danger.
Ruddington, poor man, is quite an endurable
lover, too. As for Susan, although she's so
simple, I haven't definitely made her out. But,
allowing amply for her shyness and for her
deference to my guidance, it's rather fine to
see how she hangs back from Ruddington's
money and rank until she feels sure she can care
for him. If the bulk of human love is anything
like these samples, I don't wonder that the
world goes right round in a night and a day.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday, bedtime</em><span>.</span></p>
<p class="pnext"><span>Another earthquake.</span></p>
<p class="pnext"><span>This afternoon, Madame Dupoirier went
to Grandpont station in the hotel omnibus.
She has just come back.</span></p>
<p class="pnext"><span>Madame says that when the 'bus drew up at
the station "a compatriot" of mine stepped
alongside and attentively perused the words
"Hôtel du Dauphin, Sainte Véronique-sur-mer,"
painted on the 'bus sides. Apparently
he mistook Madame for a guest who was going
away; and he asked her (very politely, Madame
says) if she knew whether "Mees Langley and
Mees Breeggs" were still at the hotel. Madame
said "Yes;" and she is quite pleasantly fluttered
at the thought of an extra guest fairly on
his way hither.</span></p>
<p class="pnext"><span>I was too much stunned to do more than
thank her for telling me. I didn't even ask her
what the man was like, and whether he spoke
to her in French or in English. But I've no
doubt it is Ruddington.</span></p>
<p class="pnext"><span>I call it abominable. If Susan were travelling
in France with her parents, or even with some
married woman for a mistress, it would be
different. But this is outrageous.</span></p>
<p class="pnext"><span>I ought to have known that he would hunt
up the meaning of Georgette's flower. A man
who can read such super-exquisite meanings
into the half-dozen notes I have scribbled for
Susan, isn't the sort to leave any stone
unturned. I can't help despising him. When a
full-grown, educated man has such sickly
rubbish as the Language of Flowers at his finger
ends, a lady's-maid is as much as he deserves.</span></p>
<p class="pnext"><span>What will he do? I hardly think he'll
descend upon Sainte Véronique till his mystical
Susan's sacrosanct week of retreat has expired.
I suppose he'll hover ridiculously in the
neighbourhood, like a knight keeping vigil outside a
woodland oratory where his milk-white ladye
kneels at prayer. Probably there will be a
mysterious succession of leaves and petals in
otherwise empty envelopes--a scarlet-runner
to mean "I have come post-haste," a convolvulus
to mean "I am still hanging on," a thorny
bramble to mean "I suffer."</span></p>
<p class="pnext"><span>Even the ardours of a lover ought not to
burn out the instincts of a gentleman. I gave
Ruddington credit for more decency and restraint.</span></p>
<p class="pnext"><span>When the week is over, he will want to come
here. It is an intolerable position. I am about
to be made a fool of. Everybody will get to
hear of it some day.</span></p>
<p class="pnext"><span>Ought I to wire for Alice? No, I can't. If it
were anybody but Ruddington, I could. I'm
like a poor hunted beast in a trap, with no way to turn.</span></p>
<p class="pnext"><span>I have more than half a mind to pack up at
daybreak and to slip stealthily back to Dieppe
for my promised week at the Cheval d'Or.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Wednesday, very early</em><span>.</span></p>
<p class="pnext"><span>I forgot to wind up my watch.</span></p>
<p class="pnext"><span>I have decided not to run away.</span></p>
<p class="pnext"><span>Three things have become clear as I have
turned them over in the night.</span></p>
<p class="pnext"><span>First, I'm as good a man as Ruddington. If
I stood up to Mr. John Lamb, I can stand up to
his successors. He shall either treat me with
respect or be taught a lesson. I'm not going to
run away from any one. Certainly not from a
youth sick with calf-love who babbles the
Language of Flowers.</span></p>
<p class="pnext"><span>Second, I might as well face the fact that the
gods never intended me to have a peaceful
September this year. How true it is that the
unexpected happens! When I came to Sainte
Véronique twelve months ago, I expected to
have a lively time. But everybody failed me,
and it was the quietest, peacefullest month of
my life. This year I came expecting four weeks
of vegetable existence; and instead, I am kept
running and leaping and turning like a trick-horse
in a circus. Wherefore, I do hereby decide
not to kick against Destiny a minute longer.
Instead of staving off all this comedy, and
instead of hating it because it distracts me,
I hereby decide that it is well worth looking
at, and that it would be foolishness to brush
aside such a human drama as I am never likely
to see performed again. Norman villages, and
carafes of cider, and plunges in the sea, and
lobster salads under apple-trees, can be bought
for nine or ten francs a day, year after year, as
often as I want them. But a handsome, virtuous,
learned, stark-mad young lord in love with
a pretty, honest, lovable, stupid lady's-maid
isn't a sight to be seen at close quarters every
week. It shall be the principal pleasure as well
as the principal business of my remaining
fortnight to see this play played right out.</span></p>
<p class="pnext"><span>Third--how do I know that Master Ruddington
isn't lying peacefully at this very
moment in his little white cot at Ruddington
Towers, dreaming of his Susan as good as gold?
How do I know that the Grandpont person isn't
somebody else? It struck me in the night that
it is probably Mr. John Lamb. At the Customs,
he looked at the Sainte Véronique labels on my
boxes as well as at the Cheval d'Or labels on our
bags. I know he tumbled down the steps of the
Astor still believing that he had conquered
Susan's maiden heart, and that if he could only
have seen her all would have been well. Perhaps
he has got together a fresh supply of francs and
is proposing to wait on us with some preposterous
apologies and explanations. It may be that
he wants me to promise that next time I am in
Amelia Road, Shepherd's Bush, I won't give
him away to Phipps Brothers--and, above all,
that I won't give him away to Ma. This
morning I shall ask Madame Dupoirier to describe
him. If it be indeed Mr. John Lamb, he will
find me ready with the mint sauce.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Ten a.m.</em></p>
<p class="pnext"><span>It's a good thing that I have decisively
renounced all hope of peace and quietness. The
postman has brought Susan no flowers from
Grandpont, but he has brought me just the
sort of letter from Alice that I don't want.</span></p>
<p class="pnext"><span>Ruddington, Ruddington, Ruddington--that's
Alice's letter from beginning to end.</span></p>
<p class="pnext"><span>Alice has "found out all about him." He's
richer than Alice thought. And prettier. And
nicer. And I am the wickedest, foolishest,
proudest young woman in the world for clinging
on at Sainte Véronique.</span></p>
<p class="pnext"><span>It seems that Ruddington and I "were made
for each other." He has just my tastes! Alice
even adds, with splendid candour, that he
"isn't the least little bit like Hugh."</span></p>
<p class="pnext"><span>I had hardly smoothed my poor fur after
Alice's ruffling when Susan chose to begin
stroking me backwards again. She said:</span></p>
<p class="pnext"><span>"I'm thinking, Miss, about this letter that
came on Friday night."</span></p>
<p class="pnext"><span>"Yes?" I said.</span></p>
<p class="pnext"><span>"Please, Miss, you never told me what you
thought of it."</span></p>
<p class="pnext"><span>"What did you think yourself, Susan?"</span></p>
<p class="pnext"><span>Susan fidgeted about. At last she answered:</span></p>
<p class="pnext"><span>"I can't feel that it's right, Miss."</span></p>
<p class="pnext"><span>"What isn't right?"</span></p>
<p class="pnext"><span>"Him speaking that way, Miss, to a girl
... like me. It doesn't seem right."</span></p>
<p class="pnext"><span>"I don't understand, Susan."</span></p>
<p class="pnext"><span>She fidgeted again. Then she said:</span></p>
<p class="pnext"><span>"I'm afraid you'd be vexed, Miss. It isn't
my place to say it."</span></p>
<p class="pnext"><span>"To say what?"</span></p>
<p class="pnext"><span>"Well, Miss," Susan explained in instalments,
"it doesn't seem right, it doesn't seem
natural for him to be courting ... </span><em class="italics">me</em><span>. It's
what my Aunt Martha used to say, Miss. She
used to say, 'More unhappiness comes to them
as marries above 'em than to them as marries
below 'em.'"</span></p>
<p class="pnext"><span>"You mean, Susan," I suggested, "that
you're uneasy at the thought of such a great
change in your position? So you ought to be.
That's why I've always wanted you to look well
before you leap. There's a great deal in what
your Aunt says."</span></p>
<p class="pnext"><span>"Yes, Miss," answered Susan abstractedly.
And for a few moments she tried to hold her
peace. But it was no use. A sudden torrent of
warm words gushed forth and swept all restraint
away.</span></p>
<p class="pnext"><span>"Oh, Miss Gertrude!" she cried, "I can't
help saying it! I can't! It isn't me, Miss, Lord
Ruddington ought to be coming after. It's
you, Miss Gertrude, it's you!"</span></p>
<p class="pnext"><span>I was struck dumb.</span></p>
<p class="pnext"><span>"Yes, it's you, Miss, it ought to be," Susan
went on. "When I think of what he says in
his letter, Miss--how he couldn't go making
love to Miss Langley--I could die for shame.
I ought to have cut off my hand before I showed
you such a thing, Miss."</span></p>
<p class="pnext"><span>"Susan," I said, "you mustn't talk to me
like this. You did quite right to show me his
letter. It isn't your fault that Lord Ruddington
wrote things in his letter which it would have
been better taste to leave out."</span></p>
<p class="pnext"><span>"No, Miss, I know," broke in Susan. "But
oh, Miss Gertrude, I'm so miserable! I do so
wish he hadn't never seen me. If I don't get
married to him, I shall be miserable because
I've thrown away all that money, and living in
a grand house, and being Your Ladyship. And
if I do get married to him, I shall be miserable
because ... because it isn't natural, Miss!
Oh, Miss Gertrude, how lovely it would have
been if he'd liked you instead of me! Then you
would have got married and gone to live at the
Towers, and we would have come with you,
Miss, and we'd have been so happy!"</span></p>
<p class="pnext"><span>I noticed Susan's "we." But it was not a
time for re-catechizing her about Gibson. I cut
her short peremptorily.</span></p>
<p class="pnext"><span>"Susan," I said, "be so good as to stop.
You are taking a great liberty. If Lord
Ruddington has so far forgotten himself as to drag
my name into his affairs, that's no excuse for
you doing the same. I dislike it most
strongly."</span></p>
<p class="pnext"><span>"Yes, Miss," said obedient Susan. "But,"
she added wistfully, speaking more to herself
than to me, "it would have been lovely!"</span></p>
<p class="pnext"><span>"Am I to take it, Susan," I demanded
abruptly, "that you've finally decided not to
accept Lord Ruddington?"</span></p>
<p class="pnext"><span>She blushed; paled; blushed again. But she
did not answer.</span></p>
<p class="pnext"><span>"Because," I added, "if you are still thinking
it over, you'd better not talk of it, even to
me. Lord Ruddington won't expect you to
write before Saturday. I've given you all the
help and advice I can, but I don't want to
influence you either one way or the other.
Work it out in your own mind."</span></p>
<p class="pnext"><span>Susan promised to try.</span></p>
<p class="pnext"><span>As she was going out, something else occurred
to me, and I called her back.</span></p>
<p class="pnext"><span>"Susan," I said kindly, "I don't wish to refer
to it again, but what you have said about
myself and Lord Ruddington reminds me of one
little point."</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan.</span></p>
<p class="pnext"><span>"His portrait. One day I went into your
room for the scissors. I saw you had put Lord
Ruddington's portrait in the same frame as
mine."</span></p>
<p class="pnext"><span>"Yes, Miss. They went together beautiful."</span></p>
<p class="pnext"><span>"I shall be much obliged, Susan, if they don't
go together any longer."</span></p>
<p class="pnext"><span>Susan shed a tear. But she is going to obey.</span></p>
<p class="pnext"><span>Now I've had enough ruffling for one morning.
Before I interrogate Madame about the creature
at Grandpont, I mean to run down to the
bathing-hut and enjoy an hour's basking in the sun.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Before lunch</em><span>.</span></p>
<p class="pnext"><span>I have seen the man from Grandpont. Has
the event proved worse than my fears, or better?
I can't say. All I know is that the event was
different.</span></p>
<p class="pnext"><span>Susan didn't go down with me to the bathing-hut.
I unlocked it myself, and carried out
the deck-chair on to a sunny patch of clean
white pebbles. But I had hardly drunk in two
draughts of the salt air when I sat up with a start.</span></p>
<p class="pnext"><span>A man was watching me.</span></p>
<p class="pnext"><span>He had been sprawling on the stones at the
foot of the cliff about a quarter of a mile away.
At such a distance it was impossible to make
out his features, but, as he stood up, I saw it
was not Mr. John Lamb. I saw the figure of a
man well drilled, a man accustomed to an
outdoor life. The man wore a dark blue lounge
suit and a straw boater of unmistakably
English lines.</span></p>
<p class="pnext"><span>For a moment I thought with disgust that he
was one of those provincial English tourists
(we have had two or three of them off and on at
Sainte Véronique) who find some sort of pleasure
in lurking about the beaches furtively watching
"the ladies" while they bathe. I wished I
hadn't left Susan behind. But, as soon as he
saw me sit up, the man began to walk towards
me in a perfectly open manner.</span></p>
<p class="pnext"><span>I couldn't feel sure that it wasn't Ruddington.
It flashed across my brain that he was scheming
an interview with me as a flank movement upon
Susan. Besides, I remembered that a rather
fine-tempered man like Ruddington must perceive
the unpleasantness of the position in which
Susan's acceptance of him would place Susan's
mistress, and, in his unconventional
ingenuousness, he was just the sort of man to come
forward betimes with boyishly candid
explanations, and adjustments, and appeals. As he
sped towards me over the blinding chalk-stones,
there was something in his stride that recalled
the eager, masterful love-making of his present
Majesty of Spain.</span></p>
<p class="pnext"><span>I got up, relocked the hut door, left the chair
outstretched on the shingle, and swung off for
home as swiftly as was possible without seeming
to run away. I did not choose to grant an
audience to Lord Ruddington whenever and
wherever it might suit him to claim it.</span></p>
<p class="pnext"><span>But his legs were longer than mine and in
better training. I had an instinct to run, an
instinct to look back, but I mastered them
both.</span></p>
<p class="pnext"><span>Very soon I could hear the stones crunching
or slipping or rolling under his boots. Surely, I
told myself angrily, any man who wasn't a
bounder or a madman could see that I resented
the pursuit. But he came ever quicklier on.
And, as I gained the path up the beck, he
positively broke into a run.</span></p>
<p class="pnext"><span>I turned round.</span></p>
<p class="pnext"><span>It was Gibson.</span></p>
<p class="pnext"><span>"Gibson!" I cried; "Gibson! Is it you?"</span></p>
<p class="pnext"><span>"Yes, Ma'am," he answered firmly, pulling
off his hat and standing, six feet away,
bare-headed in the sun.</span></p>
<p class="pnext"><span>"What has brought you here?" I demanded
as sternly as I could. But I was too greatly
relieved to make a convincing display of
indignation.</span></p>
<p class="pnext"><span>"I haven't been near the hotel, Ma'am,"
said Gibson, meeting my eyes.</span></p>
<p class="pnext"><span>"Of course you haven't. The idea! But,
if you had, you'd have startled me less than by
running after me on the beach like this."</span></p>
<p class="pnext"><span>"It's about Susan, Ma'am," said Gibson.
Gibson is not a man of words, and I could see
that he was determined not to be scolded or
flurried out of the speech he had been rehearsing.</span></p>
<p class="pnext"><span>"Susan's all right," I said; "I told you so
in my letter."</span></p>
<p class="pnext"><span>"I thank you, Ma'am," said Gibson, less
aggressively. "I sha'n't never forget how kind
you wrote."</span></p>
<p class="pnext"><span>"What's the matter, then? You don't seem
to realize, Gibson, that I'm very much annoyed.
Didn't I tell you not to come to Sainte Véronique
unless I sent for you?"</span></p>
<p class="pnext"><span>"You did, Ma'am, you did," answered Gibson,
losing his self-control and speaking more
and more excitedly; "and I give you my word,
Ma'am, I won't come nearer Sinn Verrynick
than this bit of ground I'm standing on. Oh,
yes, Ma'am! You've wrote right enough, and I
thank you. But it's Susan. She hasn't wrote
not one line, Ma'am--not so much as a card
with a photygraph of the pier on it!"</span></p>
<p class="pnext"><span>"You've forgotten the bargain, Gibson.
I'm ever so sorry for you; but what did you say
at Traxelby? You said you could bear Susan
marrying some one else so long as everything
was honourable and above-board. You were
not to come here unless I found that"--I
nearly let slip Lord Ruddington's name--"that
Susan's admirer was not going to play
the game."</span></p>
<p class="pnext"><span>"So I did, Ma'am," broke out Gibson hotly.
"That's what I said. That's what I promised.
And I've cursed myself every day, every
minute of every day, since I said it. It was a lie,
Ma'am. Whether Susan's took away from me
honest or took away from me dishonest, I can't
stand it, and I won't. Susan's mine! I was a
dirty hound, Ma'am, ever to say as I would give
her up, even if it's the Emperor of France that
comes begging for her with a sack of gold and
dymonds. Susan's mine! She's the only girl
in the world I ever cared about. Yes, Ma'am,"
he cried proudly, raising his voice and taking a
step forward, "and Susan's never cared a straw
about any man in the world 'cept me, and she
never shall."</span></p>
<p class="pnext"><span>"Susan is a free woman, Gibson," I said.
"Ever since we left Traxelby she hasn't
mentioned your name. I know nothing about it.
But how do you know that Susan ever cared for
you? Perhaps she only led you on, as girls do.
And, supposing she did care for you, how do
you know she hasn't changed her mind?"</span></p>
<p class="pnext"><span>"That's just the trouble, Ma'am," said
Gibson bitterly. "I don't deny they may
have changed her mind. If they've dangled
a lot o' money before her eyes, and fine clothes
and joolry, and motor-cars and going to Egypt,
and all that, I don't deny they may have
managed to change her mind. They may have been
too strong for a poor girl. Oh, yes, Ma'am, they
may have changed Susan's mind! But ... but
they can't never change her heart, Ma'am.
Her heart'll go on beating true all the same, all
the time; and when she's got tired of the fine
things..."</span></p>
<p class="pnext"><span>He clenched his fist and finished off the
sentence with a gesture between rage and despair.
I was forced to turn away from the white heat
of his rough eloquence and superb sincerity.</span></p>
<p class="pnext"><span>"What is it you want, Gibson?" I asked,
as soon as I was able.</span></p>
<p class="pnext"><span>"I want to know first, Ma'am, has Susan got
herself engaged?"</span></p>
<p class="pnext"><span>"No, she has not."</span></p>
<p class="pnext"><span>"Is she going to be, Ma'am?"</span></p>
<p class="pnext"><span>"I don't know. It isn't my affair. I think
she hasn't made up her mind one way or the
other."</span></p>
<p class="pnext"><span>I met Gibson's eyes. But, this time, it was
he who looked away. Apologetically, clumsily,
he asked:</span></p>
<p class="pnext"><span>"If I may make so bold, Ma'am ... is
the party at Sinn Verrynick?"</span></p>
<p class="pnext"><span>"The party?"</span></p>
<p class="pnext"><span>"I mean, Ma'am, the rich party that's took
a fancy to Susan?"</span></p>
<p class="pnext"><span>"No, he is not. I have never so much as
seen him. Neither has Susan. But what did I
promise? Didn't I give you my word that, if
he came here, I would let you know? That's
why I'm so vexed, Gibson, at your coming like
this."</span></p>
<p class="pnext"><span>He accepted the rebuke without a word.</span></p>
<p class="pnext"><span>"What are you going to do now?" I asked.</span></p>
<p class="pnext"><span>"I suppose, Ma'am," he said slowly and
painfully, "I'd better go back to Granpong."</span></p>
<p class="pnext"><span>I asked him a few questions. It turns out
that he came over on Saturday, </span><em class="italics">viâ</em><span> Southampton
and "Lee Harver." He held a letter from
a chauffeur he had met in Derlingham to a
Havre motor-accessories firm. The Havre
people, hearing he wanted to be near Sainte
Véronique, gave him a letter to a small cycle
and motor jobber in Grandpont who speaks a
little English. He boards and lodges Gibson,
and teaches him the driving and mending of
cars, in return for English conversation,
Gibson's labour, and thirty francs a week.</span></p>
<p class="pnext"><span>"Of course, if you object to me staying on
at Granpong, Ma'am..." said Gibson.</span></p>
<p class="pnext"><span>"If I'd known beforehand I should have
objected very much, Gibson," I said. "But
you've been so lucky in your arrangements, I
hardly like to disturb them. Give me your
Grandpont address."</span></p>
<p class="pnext"><span>Gibson gave me a printed card. He is staying
"À la Descente des Automobilistes." The
"Descente" announces, on a card adorned
with crossed billiard-cues over a foaming bock,
that it speaks Englisch, and that it is equal to
billiards, coffee, repairs, and beefsteacks </span><em class="italics">à toute
heure</em><span>.</span></p>
<p class="pnext"><span>"Are you comfortable, Gibson?" I asked.</span></p>
<p class="pnext"><span>"Very," he answered. "I never could abide
cider, and the beer is shocking, Ma'am. But
I'm quite comfortable."</span></p>
<p class="pnext"><span>"I'm glad, Gibson," I said. "I won't lose
the address. Good-morning."</span></p>
<p class="pnext"><span>I record it to my shame that I was heartless
enough to begin moving away. Indeed, I had
advanced twenty or thirty paces up the beck
before Gibson decided on a second pursuit.</span></p>
<p class="pnext"><span>"About Susan, Ma'am!" he said, with red
cheeks. "Shall you tell Susan, Ma'am, that
I'm in these parts?"</span></p>
<p class="pnext"><span>"That reminds me, Gibson," I retorted,
"you've forgotten so much of the bargain we
made at Traxelby that I can't be certain of
anything. You promised not to tell Susan that I
had ever let you discuss her with me."</span></p>
<p class="pnext"><span>"I sha'n't forget, Ma'am. But ... can't
I see Susan for a minute?"</span></p>
<p class="pnext"><span>"How? Where?"</span></p>
<p class="pnext"><span>"I might hang about, Ma'am."</span></p>
<p class="pnext"><span>"And frighten her out of her life. No thank
you, Gibson! If there's to be any meeting,
you'd better write about it from Grandpont."</span></p>
<p class="pnext"><span>"It'd take time, Ma'am."</span></p>
<p class="pnext"><span>"Surely you can wait a day or two, Gibson?"</span></p>
<p class="pnext"><span>He lost his self-command once more.</span></p>
<p class="pnext"><span>"No!" he cried, "I can't wait. And if I
could wait, I won't. I must see Susan before
another sun goes down."</span></p>
<p class="pnext"><span>"Don't shout, Gibson," I said; "people will
hear you. Even if it isn't against your interest
to force yourself on Susan, how do you know
she will see you? Perhaps she won't."</span></p>
<p class="pnext"><span>He started. Then he turned aside in such
sharp trouble, that my hard heart melted.</span></p>
<p class="pnext"><span>"The most I can do," I said, "is this. I will
tell Susan how you met me on the beach, and
that I was very angry. I will say nothing about
our talk that night in the garden at Traxelby,
and you must not mention it either. All I'm
supposed to know is, that you're very keen
about Susan, and that you think she encouraged
you, and that you're worrying because she
doesn't write. In short, if you and Susan meet,
you must keep to your own affairs, and not
bring me in at all. Above all, never say that
I wrote to you. I will tell Susan that you will
be on the beach at half-past two. She must
please herself whether she meets you or not.
But remember, to-day is exceptional. No
secret meetings. You can get something to eat
in the village at the Café de la Marine. I must go."</span></p>
<p class="pnext"><span>I found Susan sitting under an apple-tree
with Georgette. Georgette was jabbering over
a fearful and wonderful plum-coloured blouse
which the two were slashing and altering. It
may have been my fancy, but Georgette looked
a bit sheepish as she went away. "Mees
Breegs" advanced to meet me.</span></p>
<p class="pnext"><span>"Susan," I said, "some one whom you know
is in the neighbourhood."</span></p>
<p class="pnext"><span>Susan's colour fled.</span></p>
<p class="pnext"><span>"Is he, Miss?" she asked fearfully.</span></p>
<p class="pnext"><span>"At Grandpont," I went on. "Madame
Dupoirier told me about it last night. She was
at Grandpont station in the 'bus yesterday.
He read the name of the hotel, and asked
Madame if you were here."</span></p>
<p class="pnext"><span>As usual, Susan's colour rushed back, with
reinforcements. She began to tremble.</span></p>
<p class="pnext"><span>"It's that flower, Miss!" she gasped,
"Georgette's flower! Oh, Miss Gertrude, I
can't face him yet! I can't, I can't!"</span></p>
<p class="pnext"><span>"You don't need to, Susan," I said. "It
isn't Lord Ruddington."</span></p>
<p class="pnext"><span>Susan moaned a little moan of thankfulness.
But her face clouded again as I added:</span></p>
<p class="pnext"><span>"It is somebody else."</span></p>
<p class="pnext"><span>She searched my eyes. Then she asked, in
an agonized whisper:</span></p>
<p class="pnext"><span>"Not ... It isn't ... Not Gibson, Miss?"</span></p>
<p class="pnext"><span>"Yes," I answered, "Gibson."</span></p>
<p class="pnext"><span>Susan turned half round and gazed over the
sea. Her pretty country-girl's figure shook
with hardly pent feeling. For the first time I
saw Susan bitter and angry.</span></p>
<p class="pnext"><span>"I'm ashamed of him, Miss," she burst
out. "I could never have believed it of
him."</span></p>
<p class="pnext"><span>Not knowing what to say, I refrained from
saying it. Susan's wrath waxed stronger. She
turned upon me with something dangerously
like active resentment.</span></p>
<p class="pnext"><span>"You ... you knew last night, Miss?"
she said, almost fiercely.</span></p>
<p class="pnext"><span>"Certainly not, Susan," I replied. "Madame
told me that an Englishman had asked her
questions at Grandpont. But she didn't know
who he was, and I never asked her to describe him."</span></p>
<p class="pnext"><span>"Then how do you know it is Gibson?"
asked Susan, a very little less pugnaciously.</span></p>
<p class="pnext"><span>"Because I've just seen him."</span></p>
<p class="pnext"><span>Susan collapsed.</span></p>
<p class="pnext"><span>"Where, Miss? where, Miss? ... Oh!"
gasped Susan.</span></p>
<p class="pnext"><span>"Come, come," I said, "I was quite as much
annoyed as you are. I told Gibson very plainly
what I thought about it. But, Susan, I must
admit that there is some little excuse for him.
Of course he hasn't repeated to me a single word
that he ever said to you, or that you ever said
to him. But it is plain that he's very fond of
you. And he thinks you encouraged him. He
says you haven't sent him even so little as a
postcard for a fortnight."</span></p>
<p class="pnext"><span>Susan's Amazonian ire had died down to a
village beauty's pout.</span></p>
<p class="pnext"><span>"I can never forgive him, Miss," she said.
"I wouldn't have believed it of Gibson. Not
to mention the disrespect to you, Miss Gertrude."</span></p>
<p class="pnext"><span>"Never mind the disrespect to me," I
answered, "I can look after that myself. No
doubt it's very silly and weak of him; but the
point is, that Gibson is so badly in love that he's
madly jealous."</span></p>
<p class="pnext"><span>"Please, Miss, you didn't tell him about
... Lord Ruddington?" asked Mees Breegs in a
fright.</span></p>
<p class="pnext"><span>"Susan," I said, "I'm surprised. What are
you thinking of? Unless you've told him
yourself, he can't have the faintest notion that
there's a Lord Ruddington in the case. But I
can see he suspects there is somebody. That's
why he couldn't sit quiet in England while his
rival cuts him out in France."</span></p>
<p class="pnext"><span>"I shall never forgive him, Miss," snapped
Susan more conclusively than ever.</span></p>
<p class="pnext"><span>"Don't say that, Susan," I said; "or, if
you say it, take care you don't mean it."</span></p>
<p class="pnext"><span>"But I do, Miss."</span></p>
<p class="pnext"><span>"Then it's nothing to be proud of. Don't
hate a man for merely loving you."</span></p>
<p class="pnext"><span>"He ought to have stopped at home, Miss."</span></p>
<p class="pnext"><span>"He ought. But he hasn't. You see, Susan,
I don't know how it is, but you seem to have a
way of making people do mad things. Gibson
cares for you quite as much as Lord Ruddington
does. But he hasn't done anything madder
than Lord Ruddington's first letter, has he?"</span></p>
<p class="pnext"><span>"No, Miss," said Susan, mollified and visibly
flattered. And, after a minute's pleasant
meditation on the unsuspected range and power of
her charms, she added prettily: "But Lord
Ruddington does stop at home when I tell him
to, Miss."</span></p>
<p class="pnext"><span>"That's true," I granted; "but Lord Ruddington
has all the advantages. Poor Gibson
is so frightfully handicapped. I suppose he
thinks that all's fair in love and war. I'm
annoyed with him for coming here, but I
admire his spirit. Gibson isn't a muff, Susan."</span></p>
<p class="pnext"><span>"Oh, no, Miss," she answered promptly and
heartily.</span></p>
<p class="pnext"><span>"In fact, this morning I felt quite vexed
with Lord Ruddington for stepping between
you. But I mustn't say more about that. I
will come to the point. I have brought a
message."</span></p>
<p class="pnext"><span>Susan's agitation began afresh.</span></p>
<p class="pnext"><span>"I've told Gibson he mustn't come here.
He is lodging at Grandpont. At this minute
he's getting something to eat in the village.
But he will be on the beach at half-past two."</span></p>
<p class="pnext"><span>"To-day, Miss?" she asked faintly.</span></p>
<p class="pnext"><span>"Yes, to-day. You can please yourself
whether you see him or not. But understand,
Susan, I've told him it must be only this once.
No meetings on the sly."</span></p>
<p class="pnext"><span>"Of course not, Miss," Susan answered, with
a touch of indignation, which I ignored.</span></p>
<p class="pnext"><span>"If you do go to-day," I added, "you won't
mention Lord Ruddington's name. But, Susan,
if there has been anything between you and
Gibson, I'm bound to say that you have no
right to trifle with him. It isn't fair to him,
or to yourself, or to Lord Ruddington; or even
to me. Perhaps it's still too soon for you to
decide whether you will accept Lord Ruddington;
but it's high time for you to decide whether
you will drop Gibson. If you find you can't
drop Gibson, the other matter will settle itself.
Be a good girl, and remember that the only way
to be happy is to do right. Only, for heaven's
sake, don't prolong the agony. I'm not going
to grumble, Susan, but you must have seen that,
although I came to Sainte Véronique for peace
and rest, I've had to spend nearly three weeks
worrying my head over people that want to
marry you. It's getting to be a bit tiresome."</span></p>
<p class="pnext"><span>"You've been awfully good to me, Miss,"
said Susan with all her usual meekness. "I'll
try."</span></p>
<p class="pnext"><span>I must stop. Here's Georgette with a litre of
cider, and a crisp roll three feet long, and a dish
of </span><em class="italics">raie au beurre noir</em><span>.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">A quarter past two</em><span>.</span></p>
<p class="pnext"><span>Susan has just started down to the beach.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Three o'clock</em><span>.</span></p>
<p class="pnext"><span>Susan didn't say anything before she went.
While she was brushing my hair--it had got all
anyhow in the hammock after lunch--she
hardly uttered a word.</span></p>
<p class="pnext"><span>I have been thinking strange thoughts and
wondering at some wonders.</span></p>
<p class="pnext"><span>What on earth can it be that has turned a
china shepherdess like Susan into a Helen of
Troy? Why is she a storm-centre, a battlefield
of heroes? I have seen enough of the world to
know that both Gibson and Lord Ruddington
are exceptional men. What is it in Susan that
drives them mad? Susan's is not a case of the
Eternal Masculine basely desiring lamb-like
innocence and childish beauty. In her case the
groom is as good as the lord in native chivalry
and honour.</span></p>
<p class="pnext"><span>Madame's magnificent old Empire cheval-glass
reflected us full-length while Susan was
busy with my hair. In the autumnal light, and
with the background of bright hangings and
bold furniture, we looked less like a mere
reflection in a mirror than like one of those vivid
modern French pictures. At first the feeling
was uncanny; but, by degrees, this full-coloured
life-sized, gilt-framed portrait mastered me
until I was able to look at it as dispassionately
as if it had been on a wall of the Luxembourg.
It was then I began to wonder at wonders and
think thoughts.</span></p>
<p class="pnext"><span>One must not praise oneself up, even in one's
diary. But one may, one must, be sincere.
And it is the simple truth, that the more I
compared the full-length portrait of Susan with the
full-length portrait of myself, the deeper and
more inscrutable became the mysteries of life.
I looked at the two portrayed forms and the
two portrayed faces as critically and with as
much detachment as if I had never seen the
originals in the real world.</span></p>
<p class="pnext"><span>Ruddington has seen Susan thrice. But he
has seen me thrice also. He says that I was
with Susan every one of the three times.
Perhaps Susan's brushing jogged my wits; but,
face to face with that double portrait, I couldn't
help being reminded of what I scolded Susan for
saying this morning. As a matter of purely
speculative interest, as a curious human
problem, I couldn't help saying to myself: "He saw
us both. Why didn't he fall in love with me?"</span></p>
<p class="pnext"><span>To be immodestly candid, the only answer
I could arrive at was: "I don't know!"</span></p>
<p class="pnext"><span>Of course, what he says in his letter to Susan
about shrinking from making love to Miss
Langley is absurd. It is merely a fanciful
thought after the event, a pretty conceit, a
gossamer compliment partly to Susan and
mainly to himself. He fell wildly, instantly,
irresistibly in love with Susan because there is
Something in Susan which gave him no choice.
He looked at me and was cold, because the
Something has been left out.</span></p>
<p class="pnext"><span>Never before to-day have I looked at myself
in a glass hungrily. But to-day I peered with
all the strength of my eyes into the confused
depths of the secret. It was no good. I cannot
read the riddle.</span></p>
<p class="pnext"><span>I will write this page without reserve. It is
no more my merit, my own work, that I am
beautiful than it would be my fault, my
disgrace, if I had been born ugly. I will call a
spade a spade, and beauty beautiful. So here
goes.</span></p>
<p class="pnext"><span>If Susan is pretty, I am beautiful, and I am
more beautiful than Susan is pretty. If Susan
is as graceful as a nymph, I am as noble as a
goddess. If Susan's blue eyes are as blue as the
sky, my brown eyes are deeper than the sea.
If Susan is curds and cream, I am fire and snow.
If Susan can turn plain men into heroes, I ought
to raise heroes into gods.</span></p>
<p class="pnext"><span>Yes. Although I have a hundred deformities
of mind, a thousand uglinesses of conduct and
character, which I could help and for which I
am to blame, it is the plain truth that God chose
to make me beautiful. Has not every one told
me so, as long as I can remember? But Heaven
knows that, although I have always felt glad, it
has never made me puffed up or vain. And I'm
thankful it hasn't. If it had, this would have
been a bitter day for my pride. For, after all,
Ruddington saw us both; and he fell in love
with Susan.</span></p>
<p class="pnext"><span>I can think of only one answer to the enigma,
and I hope it isn't the right one. I suspect that
men of abundant manliness, like Lord Ruddington
and Gibson, instinctively seek for their
opposites in the shape of some passive, clinging
femininity like Susan's. They demand that the
woman shall be pretty as well as clinging and
passive and feminine; because they know that
they are brave, and that the brave deserve the
fair, I suspect that these strong characters find
sweet repose in a simple woman's characterlessness.
Their eager spirits recuperate in her
placidity.</span></p>
<p class="pnext"><span>Conversely, a flabbier man rejoices in a strenuous,
all-alive woman. Take poor Alice. She is
taller than I am; stronger, quicker, harder,
more self-willed. And I suppose that is why
Hugh, in his humdrum way, adores her, and is
wretched when she's away, like a faithful hound.</span></p>
<p class="pnext"><span>If this be the sound theory, I shall never
marry. How could I endure a man weaker and
pettier than myself? And yet the only kind of
man I could ever want ... won't ever want me!</span></p>
<p class="pnext"><span>I wish I hadn't begun to think these thoughts.
Still more do I wish I hadn't made them become
clearer by writing them down. It makes the
world seem so mean and lean. There ought to
be grander men than Ruddington--men who
would spurn honeyed sloth with dolls like
Susan--men who would exult at the challenge
of a proud, high-spirited woman as climbers
exult at the white blaze of the Jungfrau, as
hunters exult at the roaring of a desert lion, as
soldiers exult at the sight of a strong city set on
a hill. But, alas for this shrunken, sluggish,
poverty-stricken time, when I, poor I, who am
so far short of being a heroine, must begin to
regard myself as a Brynhild doomed to virgin
sleep because the Siegfrieds are all too timid and
too puny to leap through the small fires of my
will and my pride.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Four o'clock</em><span>.</span></p>
<p class="pnext"><span>These worries have been too much for my
nerves. I feel all overstrung, as if a little thing
would make me break down and cry.</span></p>
<p class="pnext"><span>For example, just now I went into Susan's
room to make sure that she had taken me out
of her frame. I find that, instead of taking me
out, she's left me in, and taken out Ruddington.
There I am, staring across the hinges at
an empty oval.</span></p>
<p class="pnext"><span>Last time I saw the frame it had both of us
in it, and Susan's room was warm and brilliant
with floods of morning sunshine. But, just
now, her room was chill and dim. The paper
background of the empty oval showed up
ghostly white.</span></p>
<p class="pnext"><span>I walked to the mantelpiece, and gazed at
my own photograph. Instead of looking like
one half of a happy honeymoon couple, I looked
like a girl-widow staring at a shroud. Outside,
in the sunless garden, a gust of wind smote a
leafy apple-branch against the window, like a
slap of a hand; and at the same moment a great
dreariness, an utter loneliness, fell like a blight,
like a frost, like a black shadow, on my soul.</span></p>
<p class="pnext"><span>I have come back to my own room, where
it is more cheerful. But I see that I have written
too much to-day in this book. Since sunrise
this morning I must have written two or three
hours. No wonder I am morbid and dumpy!</span></p>
<p class="pnext"><span>I swear an oath. Whatever happens, and
whatever Susan may report, not another word
will I write to-day.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Thursday morning, in the summer-house</em><span>.</span></p>
<p class="pnext"><span>I hate to think of yesterday. Hitherto I
have hugged a fond belief that my nerves were
of steel. Yet the trivial shock of Gibson's
chase, coming on top of my early rising, bowled
me over for the rest of the day.</span></p>
<p class="pnext"><span>It is humiliating to read all the stuff I wrote
in this book--the feverish retrospects,
prospects, introspects. After I had skimmed
through it this morning, I nearly vowed to
lock it up and not write another word until I
am back in England. But, if I don't jot them
in a diary, I mix up dates so frightfully.</span></p>
<p class="pnext"><span>For example, I was trying the other night to
remember the three days when Ruddington
saw me with Susan. While Alice was with me,
I let this book slide; and the result is I can't
recall being with Susan once except at the
post-office; and Susan declares that Ruddington's
photograph isn't the least like the young man
who stared at her in a dark green suit.</span></p>
<p class="pnext"><span>I don't even remember where Susan was
while he was feasting his eyes on her through
the pillars of the monument. Perhaps she sat
behind Alice and me. Or did she sit with the
servants? It's tantalizing to think that perhaps
I've seen him, and perhaps stared back at him,
and that it's all slipped out of my mind.</span></p>
<p class="pnext"><span>So I sha'n't stop entering things in this
journal. But I mean to enter them more curtly.</span></p>
<p class="pnext"><span>Luckily there isn't much to write about
Susan and Gibson, even if I were disposed to
write it. Susan didn't come back till half-past
four. Until after dinner she avoided the
subject; and it was only when I was mounting to
a very early bed that I asked any questions.</span></p>
<p class="pnext"><span>"Well, Susan," I said, "and what have you
done with poor Gibson?"</span></p>
<p class="pnext"><span>"I've sent him home, Miss."</span></p>
<p class="pnext"><span>"To England?"</span></p>
<p class="pnext"><span>"Oh no, Miss. To Grandpont."</span></p>
<p class="pnext"><span>"He had to go to Grandpont whether you
sent him there or not," I said. "But didn't
you give him an answer?"</span></p>
<p class="pnext"><span>Susan had replied to my questions rapidly
and defiantly; but, without any warning, she
sat down plump on the top stair with the
candlestick in her lap, and sobbed the plentifullest
and heartiest sobs of all her many sobbings
since Ruddington wrote his first letter.
Overwrought as I was, I wonder that the
unexpectedness and oddity of it did not drive me
into hysterical laughter. I controlled myself
only by speaking to Susan roughly.</span></p>
<p class="pnext"><span>"Get up, you silly creature!" I said.
"Georgette will hear you, and Madame!
What's the matter?"</span></p>
<p class="pnext"><span>"Oh, Miss Gertrude," she sobbed, "I know
I oughtn't to have said the things to Gibson
that I did say. I oughtn't, I know, I know!"</span></p>
<p class="pnext"><span>"Then what did you say them for?"</span></p>
<p class="pnext"><span>"It was all his fault, Miss, not mine. I
oughtn't to have said the things I did. But
why did he say such bitter, cruel, awful things
to me?"</span></p>
<p class="pnext"><span>"I've no idea, Susan," I said, taking the
candlestick from her lap and leaving her to
follow.</span></p>
<p class="pnext"><span>She did not appear till she had dried her eyes
and regained some composure. When she
came into my room, her lips were set, and she
did not speak.</span></p>
<p class="pnext"><span>"Susan," I explained, "I was sorry to cut
you short. But we mustn't have scenes on the
stairs. Besides, to-night I'm tired out. Gibson
upset me this morning. But I'm sorry if you've
quarrelled."</span></p>
<p class="pnext"><span>Susan broke down again.</span></p>
<p class="pnext"><span>"I hate him, Miss," she cried with a stamp
of her pretty foot. "I sha'n't never forgive
him for the things he's said to-day! I sha'n't
never speak to him again! Not a word, Miss.
Not if I live to be a thousand!"</span></p>
<p class="pnext"><span>At that I stopped her, and I don't know
any more.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Friday, three o'clock</em><span>.</span></p>
<p class="pnext"><span>Susan came to me in the summer-house this
morning, and said firmly:</span></p>
<p class="pnext"><span>"Please, Miss, I've decided."</span></p>
<p class="pnext"><span>Certainly I am out of sorts. As she paused
on the verge of her announcement, my heart
stood still. No doubt the strain and excitement
of these three weeks have sapped me and
mined me, and Susan's and Gibson's affairs
have been so constantly present to my mind
that I suppose they have become affairs of my
own. Anyhow, I felt myself chilling
ridiculously and going pale as Susan spoke.</span></p>
<p class="pnext"><span>"What have you decided?" I asked at last.</span></p>
<p class="pnext"><span>"I have decided," replied Susan in her most
important manner, "that I will keep company
with his Lordship for a month. I mean, Miss,
when we're back at Traxelby."</span></p>
<p class="pnext"><span>"You'll take him for a month on trial?" I
said, jesting feebly.</span></p>
<p class="pnext"><span>"Yes, Miss. I don't think I ought to be
married to him till I'm sure I can put up with
him."</span></p>
<p class="pnext"><span>"Of course, Susan," I answered. "But that
was settled all along. He isn't expecting you
at present to say that you will marry him. He
simply asks whether he may come in person
and persuade you."</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan, colouring charmingly.
And after thirty seconds she added,
"Please, Miss Gertrude, I beg pardon,
... but when shall we go back to Traxelby?"</span></p>
<p class="pnext"><span>The prospect vexed me suddenly and enormously.
I foresaw myself enmeshed for another
month in ignominious arrangements for the
comings and goings of the Lord of the Towers
to the lady's-maid at the Grange. The
presentiment of inevitable complications and
humiliations on my very own territory was too
much for my patience, and I answered Susan
sharply.</span></p>
<p class="pnext"><span>"Really, Susan," I said, "do try to understand
that I must think about myself a little
as well as you! With all these worries, I feel as
if I've hardly had three clear days at Sainte
Véronique all these three weeks. You and
Lord Ruddington might be the only people in
the world!"</span></p>
<p class="pnext"><span>"I'm very sorry, Miss," said the bride-elect,
completely penitent. "I only asked, Miss, so
that we could..."</span></p>
<p class="pnext"><span>"Could what?"</span></p>
<p class="pnext"><span>"Put it in the letter, Miss."</span></p>
<p class="pnext"><span>"Susan," I enquired, "how have you got on
with your writing? This letter will be very
short. Don't you think you can manage
it yourself? Bring down my writing-case
and your own pen, and see what you can do!"</span></p>
<p class="pnext"><span>"I'll try, Miss," she said, most deeply
disappointed. And she went away.</span></p>
<p class="pnext"><span>When she sat down again by my side I admit
that Susan astonished me by the speed and the
tolerable skill with which she executed a
fully-addressed envelope. But my surprise had a
short life. It seems that Susan's handwriting
exercises have been practically confined to the
scribing and rescribing, a hundred times, of the
words "Lord Ruddington" and "Ruddington
Towers." But, when she sat face to face with
a blank sheet of note-paper, ideas, words, and
penwomanship alike failed. Susan sighed,
moaned, squinted, wriggled, ate the penholder,
pouted, and finally adorned the middle of the
paper with a big tear.</span></p>
<p class="pnext"><span>Doubtless it was my duty to transmit that
sheet of paper, tear-drop and all, to the Lord
Ruddington so that he might frame it in gold
and ivory or treasure it in a casket of bejewelled
silver. But I was quite heartless this morning.
I snatched the sheet away unkindly, crushed
it up profanely, and said:</span></p>
<p class="pnext"><span>"You're wasting paper, Susan, and what's
worse, you're wasting time. Can you do it or
not?"</span></p>
<p class="pnext"><span>"No, Miss," whimpered Susan. Her shoulders
began to heave, and she shed two more big
tears.</span></p>
<p class="pnext"><span>"Hand me my own pen, then," I said, less
harshly, "and a clean sheet of paper. You
may come back in ten minutes to see if what
I've written will do."</span></p>
<p class="pnext"><span>"I know it will do, Miss," said Susan fervently.
"All the letters you write, Miss, are
beautiful. I don't always understand them
at first; but when I think them over and over
after they're posted----"</span></p>
<p class="pnext"><span>"Now, run along, Susan," I cut in. "I'll
leave the letter inside this case in my room.
Your own envelope will do. Post it if you
think it is all right."</span></p>
<p class="pnext"><span>Here is the letter:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>DEAR LORD RUDDINGTON,--Your question
is: Do I consent to one or more interviews
between us on my return to England?</span></p>
<p class="pnext"><span>My answer is: Yes.</span></p>
<p class="pnext"><span>After we have met, one or the other or both
of us may decide that it is better we should
not meet again. I repeat that you have read
too much into my letters, and that you have
formed expectations concerning me which are
bound to be disappointed.</span></p>
<p class="pnext"><span>I think our meetings, like this correspondence,
ought not to be oftener than once a
week, and that we ought to make up our minds
once for all at the end of a month. When our
return-day is fixed, I must tell all that is in
my mind to Miss Langley, and must fall in
with her wishes as to the place and time of
meeting. Probably she will prefer London to
Traxelby.</span></p>
<p class="pnext"><span>I hope to hear that you are well.--Yours
very sincerely,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>SUSAN BRIGGS.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I can't expect Susan to be over-pleased.
To use her own old scared phrase, it gives his
lordship a chance of backing out. But it makes
the only arrangements that are fair and safe all
round. Besides, if Susan thinks it is too
prudent and cold, she can easily warm it up by
getting Georgette to shove in an appropriate
collection of sentimentiferous flowers.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Saturday night</em><span>.</span></p>
<p class="pnext"><span>This day have coffee'd, read </span><em class="italics">Les Chouans</em><span>,
bathed, lunched, read more </span><em class="italics">Chouans</em><span>, walked
to the village, dined, read more </span><em class="italics">Chouans</em><span>, and
am just going to bed.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunday night</em><span>.</span></p>
<p class="pnext"><span>There was a letter for Susan this morning,
with the Grandpont postmark. She regarded
Gibson's waiting on the envelope with darkling
brows, and thrust the packet unopened into
her pocket.</span></p>
<p class="pnext"><span>So far as Gibson is concerned, I am not
exactly delighted with the situation. He ought
to go home. But I can't tell him so. When the
new Lady Ruddington begins her reign at the
Towers, Gibson will hardly enjoy life at the
Grange. I shall feel his going very much. But
I'm getting used to Ruddington's wrecking.
He's wrecked my holidays, he's stealing Susan,
and I suppose I must spend the autumn watching
him smash up my whole household. In any
case, I mustn't command or persuade Gibson
to leave Grandpont so long as he thinks that a
smattering of motor-mending will help him in
his next place.</span></p>
<p class="pnext"><span>I can't guess what the poor lad has written
to Susan or how she is going to take it. But
love and hate, even the loves and hates of poor
and simple people, come home to me so vividly
here at Sainte Véronique, that I can't help
feeling miserable over Gibson's trouble. With the
undimmed sun shining down from a cloudless
heaven on the endless waters and the immeasurable
uplands, such elemental verities as love
and life and death seem to be at home.</span></p>
<p class="pnext"><span>It was to Bérigny that I went for Mass.
The curé spoke to me afterwards, as I was sitting
under the shadow of the Calvary. He is a simple
soul; but he talked with spirit and intelligence
about his Church and his country. I found him
still smarting under the well-meant fussiness of
two old maids from Bournemouth who were at
the Hôtel du Dauphin last month. It appears
that they distributed Evangelical tracts in
French, wherein the present troubles of the
Church in France were explained as a divinely
appointed punishment of Popery and as a
divine call to the French people to embrace
Scriptural truth. The curé spoke with fine
scorn of that British sectarian animosity which
hates the Pope ten times worse than the Devil.
And he confirmed what I had learned from the
more blatant Paris journals--that the
so-called campaign against clericalism is at heart
a campaign against Christianity, and not only
against Christian dogma, but even against
many ancient precepts of Christian morals.
More. He confirmed what I have myself read
in the speeches of deputies and even of
Ministers--that the attack is not merely against
Christianity, but against the whole idea of
supernatural religion, and that it is avowedly
an attempt to establish a lay state, a purely
secular community trained from childhood to
believe that all religion is superstition and that
human science alone can teach men how to live
and die.</span></p>
<p class="pnext"><span>After the curé went home to break his fast, I
still lingered in the churchyard. A new
plank-monument had been raised during the week
over a new tomb; and its jet-black letters on a
snow-white ground reminded me of the resolve
I had made to offer a De Profundis for the
faithful dead.</span></p>
<p class="pnext"><span>I found the place in my </span><em class="italics">paroissien</em><span>, and said
the opening words aloud. The sound of my
own voice in that sunny field of death frightened
me, and I stopped. I began again, reading to
myself. But it was of no use. I couldn't go on.</span></p>
<p class="pnext"><span>When it comes to downright earnest, you
can't skip from one religion to another. Lost
in a crowd one can coquet with another religion,
tolerate it, even enjoy its unfamiliar ancient
ritual. But, with my De Profundis it was
different. I couldn't shed my Protestantism like
an old cloak in the twinkling of an eye.</span></p>
<p class="pnext"><span>Not that I felt, as I sat down again on the
platform of the Calvary, that praying for the
dead was false doctrine and superstitious error.
I dared not say it was true; but still less
dared I say that it was false. I thought of the
two old maids from Bournemouth, their
half-knowledge, their meddling; and I felt it would
be, at the very least, an unpardonable impertinence
to offer doubting prayers for needs that I
could only half understand.</span></p>
<p class="pnext"><span>I ought to have remembered the Ancient
Mariner; how, with a heart as dry as dust,
seven days, seven nights, he stood alone on a
wide, wide sea with Death; how, at last, he
watched the water-snakes, coiling and swimming,
blue, glossy green, and velvet black, in
the shadow of the ship; how a spring of love
gushed from his heart and he blessed them
unaware; and how, the self-same moment, he
could pray.</span></p>
<p class="pnext"><span>With me it was the other way about. At
Bérigny this morning I began with faith and
ended with unfaith. I went to pray and came
away to doubt. Hardly had I clasped my book
and resolved that it would be bad taste to pray,
before a shadow fell upon all things. The light
of the sun was broad and bright; but, within
me, there grew a bleak wonder that any one
should be able to believe in God.</span></p>
<p class="pnext"><span>I mean the Christian's God, of course. If
He is truly identical with the eternal Cause of
the universe and yet yearns for man's love and
worship, how can his heart be content that his
right arm should hang idle while puny
unbelievers are closing his temples and muzzling
his messengers?</span></p>
<p class="pnext"><span>I looked along the wooded ravine where the
beck chatters down to Sainte Véronique, with
Grandpont spire away to the right, and I
thought of Susan and Ruddington and Gibson.
If God's delight is in the virtuous happiness of
men and women, why this hateful tangle?
Perhaps it was a blasphemous thought; but
the tangle was so cruel, so useless, so cunning,
that it seemed to require an omnipotent Devil
for its explanation.</span></p>
<p class="pnext"><span>The cruelty of it brought tears to my eyes.
I thought, for the first time, of a coincidence
that deepened the wrong. Susan, Ruddington,
and I--we are all orphans. As for Gibson, if
he has parents it is fifteen years since they
made a sign. Each one of us robbed before we
could speak, or think, or remember, of a
mother's care and love; and, for compensation,
Gibson cheated of love altogether, Susan
beloved where she cannot love. Ruddington
loving with no love to answer.</span></p>
<p class="pnext"><span>I thought of myself. If the Christian's God
is one with the Upholder of all things, his was
the lightning which struck the old Grange and
slew my father and mother as they slept.
Where are they to-day? Are they annihilated,
body and soul--as dead as stones on the beach?
Or do their spirits wander wearily </span><em class="italics">in profundis</em><span>
bowed under the burden of new sorrows, awful
and unknown?</span></p>
<p class="pnext"><span>Yes. I thought of myself. Except grannie,
who was fifty years my senior, who has ever
loved me dearly, whom have I ever dearly
loved? No one. Not even Alice, though we
have been good chums.</span></p>
<p class="pnext"><span>I resolved on Thursday never again to think
the thoughts I thought before the glass. But
thoughts will not be denied. In the churchyard
this morning, as I sprang up and paced among
the graves, a hot, vast, rebellious anger nearly
drove me mad. To-day I knew that I was made
for love--for a love immense as the sea,
ever-lasting as the hills, more splendid than the sun.
Why has it been written that love must pass me by?</span></p>
<p class="pnext"><span>So I did not say a De Profundis. I know
that God exists; but the depths seemed too
deep for him to pity and the heights too high
for him to hear. I clanged the churchyard
gate behind me harshly; and it was in vain
that the jet-black letters on the snow-white
plank of the new grave whispered: "If you
please."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Monday</em><span>, 2.45 </span><em class="italics">p.m.</em></p>
<p class="pnext"><span>Susan is behaving strangely, and I don't like it.</span></p>
<p class="pnext"><span>There is a letter from Ruddington. When
it arrived, Susan made no secret of it; but she
has neither shown it to me nor mentioned it,
although she has been with me all the morning.</span></p>
<p class="pnext"><span>In one sense I grant that it is Susan's letter,
not mine, and that she is under no obligation to
let me read a line. But, in another sense, it is
as much mine as hers. The letters Ruddington
writes are answers to my letters, not Susan's.
The Susan he thinks about and writes to is no
longer the palpable Susan with whom he fell in
love at Traxelby. He has a new Susan, a
composite Susan, a Susan who never was and never
will be, a Susan idealized as much from my
letters as from his recollections of her face. If
Susan, at last, feels competent to compose and
write her replies, well and good. But she should
say so. To take back the whole affair into her
own hands without a word is rather cool. Not
that I care one jot about what Ruddington has
written. But I do feel rather sick about Susan's
uncouthness. After the pains I've taken, it is
so monstrously ungrateful.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Bed-time</em><span>.</span></p>
<p class="pnext"><span>Susan drifted down the garden path about
three o'clock, and came to anchor beside my
chair. She began turning up the gravel with
her toe.</span></p>
<p class="pnext"><span>"He wrote this morning, Miss," she said
suddenly.</span></p>
<p class="pnext"><span>"I know, Susan," I said, "I saw the envelope."</span></p>
<p class="pnext"><span>Susan went on furrowing the gravel.</span></p>
<p class="pnext"><span>"Would you like to read it, Miss?" she asked.</span></p>
<p class="pnext"><span>"Perhaps there's no necessity," I answered
a little stiffly. "Perhaps you can manage the
reply yourself."</span></p>
<p class="pnext"><span>"I wish you would read it, Miss," she said,
after a very long pause.</span></p>
<p class="pnext"><span>"Where is it?"</span></p>
<p class="pnext"><span>"Upstairs, Miss."</span></p>
<p class="pnext"><span>"Then how can I read it?"</span></p>
<p class="pnext"><span>"Please, Miss," said Susan coyly. "I don't
like to show it you. It's so loving."</span></p>
<p class="pnext"><span>"Indeed," I said. "Then be sure you don't
worry me with it unless you find you can't
answer it."</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan.</span></p>
<p class="pnext"><span>She went back to the hotel with a clouded face.</span></p>
<p class="pnext"><span>The afternoon dragged. To tell the truth,
I wanted to see his letter immensely. Yet how
could I? To have read it out of mere curiosity
would have been like peeping through a hedge
at an unsuspecting pair of sweethearts, or like
eavesdropping behind some Lover's Seat. Still,
it was terribly tantalizing to have the door of
the play-house slammed in my face just as the
piece was getting exciting. I tried to read,
work, walk about, write; but in vain. All I
could do was to think, remember, anticipate,
dream, till I felt like the loneliest of lonely
outcasts. Ruddington's love-affair, which had
been so silly and worrying and tiresome,
suddenly became as warm and homely, and bright
and cosy as a Christmas hearth; and I felt like
a friendless orphan wandering outside in the
gloom and the cold.</span></p>
<p class="pnext"><span>By six o'clock, I was so deep in the dumps
that I positively made some sort of a
weather-remark to the enormous, silent Frenchman who
has been here a week. I hadn't guessed that he
was a mountain of shyness. At my voice he
jumped, flushed crimson, knocked over his
wine, choked, and nearly frightened me out of
my wits before he could utter an intelligible
word. Georgette was sulky about the spilt
claret; and, from merely feeling solitary, I went
on to the knowledge that I was roundly hated.
When I came up to my room, an hour ago,
I found Susan had left Ruddington's letter
under my blotting-pad. Envelope and
contents were so flat and uncrumpled that I hardly
think they have been cherished next to Susan's
wildly-beating heart. Ruddington says:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>SUZANNE, ALL MINE,--As ever, I love,
honour and obey. Take a month, if you will,
before you speak the word. But I have settled
it with the stars in their courses what the word
must be. For ever, everywhere, you are
Suzanne, all mine.</span></p>
<p class="pnext"><span>In her neighbourly good-nature and excellent
wisdom, Miss Langley may choose for our
meeting-place, Traxelby or London, or the
Equator or the North Pole, or Sainte Véronique
or the New Moon, or the summit of Mont Blanc
or Ruddington Towers, or a coral island, or the
Bottomless Pit, or the top of the Monument,
or any other square yard she pleases. So long
as Suzanne is there in the midst, the arid,
scorching heat of the Sahara will be Eve's
garden refreshed and guarded by the four
streams of Paradise.</span></p>
<p class="pnext"><span>Suzanne has promised that she will come
an inch to meet me. She shall never turn back
alone.</span></p>
<p class="pnext"><span>But let not Suzanne mistake this perfect
confidence of mine for vanity. I believe that
Suzanne will run to be all mine, not because
she gives herself lightly (for where is there a
prouder than Suzanne?) and not because I am
handsome, or desirable or magnetic. I am not
magnetic, I am not desirable, I am not
handsome. No. I believe that Suzanne must be
all mine because I am all hers; because it is
unthinkable that she should come close to the
blaze of such a love as mine without herself
taking fire.</span></p>
<p class="pnext"><span>Unless the Devil is torturing the world,
such love as mine for Thee implies, requires,
compels an equal love of thine for Me.</span></p>
<p class="pnext"><span>What a Suzanne this is, who is all mine!
When I recall her face as I saw it in Traxelby
church, what a wonderful, beautiful Suzanne!
But, when I read her letters, I cry again, with
threefold gratitude: what a beautiful, wonderful
Suzanne! Her pride is as fine as the curl
of a rose leaf; but her sweetness, like the rose's
perfume, hovers over it all.</span></p>
<p class="pnext"><span>Not that Suzanne thinks that she has ever
revealed herself in her letters. She believes
that she has veiled herself in veils of prudence
and reserve. But my eyes have found her
out--have found her, more beautiful for her
dissembling, like a great bright star hiding in
the Milky Way.</span></p>
<p class="pnext"><span>Suzanne, it is no use hiding any longer.
The hour has come for shining out without a
cloud between. Do not wait for our meeting.
Write to me, just once, without distrust of
yourself or of me. I have obeyed, have I not,
in all things? Reward me at last. Pour out
your heart, even if it be a-brim with fears.</span></p>
<p class="pnext"><span>When she reads this, prudent Suzanne will
be moved to answer that I am taking too long
and sudden a leap, and that I am skipping
over two or three seemly stages. She will say
that she has written nothing which I have the
right to answer with a love-letter like this.</span></p>
<p class="pnext"><span>But this is not an answer to Suzanne's
letter. It is an answer to her flower.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>RUDDINGTON</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>In a corner of the envelope I found something
which his Lordship's wonderful beautiful Susan
has overlooked. It was a petal of a creamy
rose. Poor Ruddington! And to think that it
is nobody's fault.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday at sunrise</em><span>.</span></p>
<p class="pnext"><span>How can I write it?</span></p>
<p class="pnext"><span>Only because, if I write it not, my brain will
turn, my heart will break.</span></p>
<p class="pnext"><span>I love Ruddington.</span></p>
<p class="pnext"><span>For days and weeks I have lied to myself,
I have lied to this book. With my wits I have
parried the truth; but in the heart of my heart,
ever since the day I took his portrait in my
hand, I have known.</span></p>
<p class="pnext"><span>As I have looked for his writing by every
post, I have known. As I have read his letters,
grave or gay, I have known. As I have sat
replying, I have known. Every hour of every
day, by the sea, in the garden, in this room, I
have known.</span></p>
<p class="pnext"><span>When I saw his portrait facing mine, I knew.
When I saw his place empty in the frame, I
knew----oh, how hungrily! And when I sat
on Sunday, bitter-hearted, under the Bérigny
Calvary, I knew.</span></p>
<p class="pnext"><span>Yet God knows how I have fought it, how I
have held it down even out of my own sight.
And God knows how, according to my light, I
have striven to do my duty by Susan, and by
Gibson, and by them all.</span></p>
<p class="pnext"><span>My poor wits are too weary. They can parry
the truth's bright, cruel thrusts no more.</span></p>
<p class="pnext"><span>So, before I tear this book into tatters and
burn it till not a letter of his name remains,
once for all I will confess. I love Ruddington.
I fell asleep last night with his rose-leaf, my
stolen rose-leaf, under my pillow. I dreamed
a dream of peace--a peace as sweet and strong
as death. I dreamed I was at rest within his
arms. And I awoke in the loneliness of the
rainy daybreak, holding out my hands to him
and murmuring his name.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Tuesday</em><span>, 2 </span><em class="italics">p.m.</em></p>
<p class="pnext"><span>I shall burn this book. But not to-day.</span></p>
<p class="pnext"><span>The world seems hushed, remote, unreal.
To-day, I seem to belong, not to Life, but all to
Love and Death.</span></p>
<p class="pnext"><span>As soon as the sun had conquered the mist,
we went down, Susan and I, to bathe. The
tide was high, with warm boisterous waves.
Perhaps I went out too far, or breasted the rude
buffeting too long.</span></p>
<p class="pnext"><span>Without warning, my strength forsook me.
I half swooned in the water. The undertow
drew my feet away from their hold on the
ribbed sand, and, at the same moment, a towering,
craggy wave broke with a shattering crash
full over me.</span></p>
<p class="pnext"><span>Involuntarily, by the animal impulse of a
creature clinging to life, I raised a foolish cry
which filled my mouth with water; I threw up
foolish hands, and straightway began to sink.
But, instantly, calm and self-control returned.
The great waters were chanting in my ears. I
even opened my eyes and looked up through
the green crystal at the noon-day sun--a
round, moon-like sun, mild and cool and kind.</span></p>
<p class="pnext"><span>I believed it was the end. Death was all
round me and under me and over me, like the
sea. But I was not afraid. Till Death was
near, I had not dreamed that he could be so
sweet. To sink down, down, down in his arms
was not a frightful descent into horror; it was
a gentle settling into unutterable peace.</span></p>
<p class="pnext"><span>But it was not to be. For the present I belong
to Life, who is so niggardly and cruel, not
to Love who is so lavish, or to Death who is so
kind. Susan had seen me collapse; and when
a thunderous wave swung me towards her she
plucked me from its grasp.</span></p>
<p class="pnext"><span>Susan does not know that Death has laid
his lips on mine and that I have looked into
his pitiful eyes. She thinks I merely lost my
footing, and she knows nothing of the swoon.
But she says I look ill and shaken; and I do
believe she has forgotten her own affairs in
mine.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">At sunset</em><span>.</span></p>
<p class="pnext"><span>Susan won't let me leave my room. She
has guessed that this morning's affair was more
serious than a mere swallowing of salt water,
and she insists that I am an invalid for the rest
of the day.</span></p>
<p class="pnext"><span>Georgette has made a crackling wood-fire.
The logs rest on quaint old iron dogs and, in
one sense, the blaze is cheerful. In another
sense it is depressing. The sun has set early,
and these logs are the funeral-pyre of summer.</span></p>
<p class="pnext"><span>Everybody is so kind. Georgette set a table
between the hearth and the window, and
Madame has sent up such a </span><em class="italics">poulet en casserole</em><span>
as I have never tasted before. Dupoirier chose
out a Burgundy, dry and bold and strong.</span></p>
<p class="pnext"><span>Now that I feel so much better, I know that
I was ill. Before dinner, I lay down on my bed
and slept two unrestful hours. I dreamed that
I was climbing toilfully up a stony path between
ruinous walls and close-grown ancient thorns.
I climbed in a light that was neither of the
night nor of the day: in the wan and chilly
light of a moon-like sun such as I had seen
through the water. And, all the time I climbed,
I knew that he was near. Thrice I saw him
through the briers, and once he called my
name: but he was always at the other side of
the wall.</span></p>
<p class="pnext"><span>I dreamed much more. But though I couldn't
help dreaming, I can help recalling it all, I can
keep writing it.</span></p>
<p class="pnext"><span>Yet what can I do if I don't write? I can't
get to close grips with a book. The end of </span><em class="italics">Les
Chouans</em><span> is too beautiful, too sorrowful, and I've
no one to talk to, save Susan. Susan has been
an angel all day: but I couldn't talk to her
just now. I will go to bed.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Midnight</em><span>.</span></p>
<p class="pnext"><span>The house is quiet as the grave.</span></p>
<p class="pnext"><span>I cannot sleep. Perhaps the fire was too
restless and bright.</span></p>
<p class="pnext"><span>The room is so warm that I am sitting
without even a dressing-gown, just as I slipped out
of bed. I have a plan of wooing sleep.</span></p>
<p class="pnext"><span>I am going to write to Ruddington. Not
a reply on behalf of Susan. Not a letter that
will ever be posted. Not a letter that any eye
save mine shall ever see. Once, just this once,
because I am sleepless, and shaken, and worn,
and unhappy, I will let myself go. For half an
hour, he shall be mine. His rose-leaf, my stolen
rose-leaf, shall lie by my hand. To-morrow
... the fire for what I write to-night. And for
me--to-morrow and all the morrows after it--no
looking back to this hour, no brooding, no idle
regret, nothing save the quest of forgetfulness.</span></p>
<p class="pnext"><span>This is what I write--the first and last
love-letter of my life:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="noindent pfirst"><span>SAINT VERONICA'S,
<br/></span><em class="italics">at dead of night</em><span>.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>BELOVED,--You bid me write to you just
once without distrust either of myself or of you.
You bid me pour out all my heart.</span></p>
<p class="pnext"><span>I obey. Once--this once--I will speak to
you as I have never spoken before, as I can
never speak again.</span></p>
<p class="pnext"><span>You have seen me, in the flesh, three times,
treading the solid ground, breathing the summer
air. Yet you do not love me. I have seen
you only in a portrait: and I love you as
wildly, as eternally, as immeasurably as you
believe you love poor Susan. I know it all
through my soul: and, as you wrote in your
first letter, there can never be any one in the
world for me save you.</span></p>
<p class="pnext"><span>Your portrait was the beginning. How I
can have been near your own very self those
three times in England without turning to you
as a flower turns to the sun, without answering
you as deep answers deep, I do not know.
Perhaps my heart did turn, my soul did answer.
But, for my consciousness, the portrait was the
beginning. And what your portrait began
your letters have carried on.</span></p>
<p class="pnext"><span>You say that poor Susan's mind is even
more beautiful and wonderful than poor Susan's
face. Alas, how cruelly you are deceived, how
rudely you must be awakened. But with Thee,
beloved, it is thy mind that makes me love Thee
most. Although I have wandered only a few
steps along its margin, I know that a long
lifetime would not suffice me to explore that goodly
land with its sunny fields, its merry brooks,
its great deeps, its peaks piercing the clouds of
heaven.</span></p>
<p class="pnext"><span>Yes, Beloved, thy mind is beautiful and
wonderful. And yet it has deceived you. At
the sight of a pretty face, you bent like a reed
under an immense infatuation which you think
is love. It is the tragedy of your life and mine,
Beloved, that we, whom God made one for
another, must go our separate ways, you with
your infatuation, I with my love.</span></p>
<p class="pnext"><span>Doubtless, before long, we shall meet. You
will feel the delicacy of my position, you will
be considerate, grateful, kind. And I must
sit and smile and put you at your ease, while
all the time my heart will be crying: This is
the man who should have loved me!</span></p>
<p class="pnext"><span>To-morrow all will be changed. This hour
of self-revelation will belong to the past, never
to have a successor. But to-night I have let
myself go. If you were here at this moment,
your infatuation should melt and vanish before
my love, like hoarfrost before a raging fire.
You should go down on your knees, you should
prostrate yourself at my feet, imploring pardon
for your ignoble truancy and for your treason
against love. But I would make haste to
forgive you, Beloved, and to raise you up, and to
throw myself against your heart into your arms.</span></p>
<p class="pnext"><span>I send you back your rose-leaf. It has lain
by me as I have written, and I will keep nothing
to remind me of this hour. So I send it back--not
as it came, for it is heavy with a kiss.</span></p>
<p class="pnext"><span>The sand has run out in the glass. My hour
is ended. When I have laid down my pen, I
shall weep. And, when I have wept, perchance
I shall sleep and love you dreaming as you will
never love me waking. Farewell.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I laid down my pen five minutes ago. I take
it up again to say that I have not wept and
that I cannot sleep.</span></p>
<p class="pnext"><span>What a letter I have written--what a slow-footed,
cold-blooded, low-pulsed, nerveless,
schoolgirlish scribble! Will the fire be able to
burn it, I wonder, or will it put the fire out like
an armful of damp green boughs?</span></p>
<p class="pnext"><span>No, I can't sleep. My very contempt for
what I have written has awakened me in every
fibre.</span></p>
<p class="pnext"><span>I am not ill now. I have never been so well
before in my life. A moment ago I looked at
myself in the glass. The picture enchained me.
I stood with the torch-like brass candlestick
held high. My uplifted arm was bare as far as
the deep lace at my elbow. My eyes shone, my
hair fell all about me, almost to my knees. In
contrast, my feet were like two lilies, my neck
was like a swan's. And, as I gazed, another
veil was withdrawn from the mystery of life.
By the light of the candle I saw my own cheeks
glow red, as it was revealed to me what it will
mean to live without love. What Fate denies
me is not only communion with a kindred
spirit. I, too, am flesh and blood.</span></p>
<p class="pnext"><span>Let Susan and Ruddington thank their stars
that I was brought up gently, christianly,
instead of wickedly, selfishly, in the
passion-fraught air of a worldly home. Let them thank
their stars that the devil in me has been laid,
that the tigress in me has been tamed. If
Ruddington were here to-night, if Susan came
running hither through that door, how small a
thing could sting me past control and rouse me
to overwhelm them under my proud anger and
pitiless love! I could dash his china shepherdess
into a thousand pieces. I could compel him
to forsake all and follow me to the end of the
world.</span></p>
<p class="pnext"><span>A memory rises up suddenly and makes me
laugh bitterly. Susan at Traxelby. How I
smiled at her melodramatics when she knelt
down in an agony of fear and made me swear
that I would not take him away from her! But
I have sworn, and I may not repent.</span></p>
<p class="pnext"><span>Enough, far more than enough, of this. It
is mad, it is sickly, it is contemptible. No
more of it, to-night or ever. I will get back
into bed, and lie snug, and read till morning.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Wednesday, noon: in bed</em><span>.</span></p>
<p class="pnext"><span>I feel bruised all over, strengthless, stunned.
Susan woke me at ten o'clock. </span><em class="italics">Les Chouans</em><span>
had fallen to the floor and the candle at my
bedside had burned down to its socket.</span></p>
<p class="pnext"><span>Susan says that she came in at seven with
no less noise than usual. But I was sleeping
so soundly that she didn't like to wake me before
ten.</span></p>
<p class="pnext"><span>While she was propping me up with pillows
and pouring out the coffee, I looked round the
room and my heart stood still.</span></p>
<p class="pnext"><span>The letter to Ruddington was gone.</span></p>
<p class="pnext"><span>My cheeks turned whiter than the sheets.
Susan caught me in her arms.</span></p>
<p class="pnext"><span>"Oh, Miss Gertrude, no, no!" she wailed,
"I couldn't bear it."</span></p>
<p class="pnext"><span>She thought I was going to die. I opened
my eyes and tried to speak. But Susan wailed on.</span></p>
<p class="pnext"><span>"It's my fault, Miss, all mine. You're so
good to me, Miss, I ought to have known. I
ought to have said, 'Don't bother about his
lordship, Miss, till you're well and strong.' But
I didn't think. I'm too selfish, Miss. Oh,
Miss Gertrude, to think you were sitting up
writing and writing all that, and me snug and
warm in bed!"</span></p>
<p class="pnext"><span>"Susan," I said feebly, asking the question
in terror, "What have you done with it?"</span></p>
<p class="pnext"><span>"It's gone, Miss," answered Susan, with the
prompt heartiness of one who breaks good news
and administers consolation. "So you don't
need to worry your head about it any more."</span></p>
<p class="pnext"><span>"Gone?" I echoed, in a voice as thin as a
ghost's.</span></p>
<p class="pnext"><span>"Yes, Miss. Madame was going to Grandpont
in the omnibus. She asked me if we had
any letters for the early post. And oh, Miss
Gertrude, it was perfectly lovely! I can't
never thank you enough. I couldn't understand
it all through; but it was so lovely, it
made me cry."</span></p>
<p class="pnext"><span>I lay still with closed eyes. When Susan
held the coffee to my lips, I drank. When she
drew away the extra pillows and settled the
bedclothes cosily round me, I did not resist.
Indeed, I did not say another word. Susan
thinks I am asleep.</span></p>
<p class="pnext"><span>I ought to be up and doing. But doing
what? I ought to be hot, angry, ashamed, full
of resolves and plans. But I am lying here,
despite the shocks and bruises, subdued, at
rest, strangely imperturbable. Can it be that
I am happy because, while I have played fair
with Susan, I have been suffered once, just
once, to speak in his ear and to send him a
rose-leaf with a kiss?</span></p>
<p class="pnext"><span>I have thought it all out. Did Susan sign
the letter? Even if it has gone without her
name, it doesn't matter. He cannot guess
that it is mine.</span></p>
<p class="pnext"><span>At first I shuddered at recollecting the bits
about "poor Susan." But, again, it doesn't
matter. He will take it that Susan has written
"poor Susan" instead of "I," just as he
himself writes "prudent Suzanne" instead of you.</span></p>
<p class="pnext"><span>He will read it to-morrow morning. It will
puzzle him. But the task of interpreting it
will delight his fanciful, super-subtle mind.
I can predict his reading of the riddle. He will
take it that Susan, in her wonderful, beautiful
soul, is comparing her angelic love with his
very human infatuation. He will picture her
more exquisite and spiritual and poetical than
ever. But it is my kiss that he will cull from
the curling lip of that pale rose.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="la-villa-de-la-mer"><span class="bold large">BOOK IV</span></p>
<p class="center pnext"><span class="bold medium">LA VILLA DE LA MER</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold large">BOOK IV</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Thursday night</em><span>.</span></p>
<p class="pnext"><span>I am not Number 3 at Dupoirier's hotel any
more. I am a householder; and mistress,
until Sunday morning, of the Villa de la Mer.</span></p>
<p class="pnext"><span>I am writing in my new bedroom. The
French windows open on a broad wooden
balcony facing the sea. The furniture is brand
new--as new as the villa garden, with its
glaring paths of chalk-chippings bordering an
oblong of wiry grass and lean, shivery shrubs.</span></p>
<p class="pnext"><span>If Ruddington rode into Derlingham, he
would get the letter this morning, about a
quarter to ten. At half-past two a telegram
arrived at the Hôtel du Dauphin, addressed
to Susan. Happily, he had the tact to hand it
in at Miller's Bridge where Susan isn't known.
Susan brought the unopened message to me
with a scared face. I took it, and this is what
I read aloud:--</span></p>
<div class="vspace" style="height: 2em"></div>
<dl class="docutils">
<dt class="noindent"><span>TO MISS BRIGGS,</span>
<br/><dl class="docutils first last">
<dt class="noindent"><span>HÔTEL DU DAUPHIN,</span>
<br/><dl class="docutils first last">
<dt class="noindent"><span>SAINTE VÉRONIQUE,</span>
<br/><p class="first last noindent pfirst"><span>FRANCE.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>I am crossing to-night, and shall reach Sainte
Véronique to-morrow at 6 p.m.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>RUDDINGTON.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Susan snatched the paper out of my hand
with a cry of dismay.</span></p>
<p class="pnext"><span>"Oh, Miss!" she moaned, letting it fall on
the grass, "whatever shall we do?"</span></p>
<p class="pnext"><span>I was struck dumb.</span></p>
<p class="pnext"><span>"Whatever shall we do?" she cried again.
"Oh, Miss Gertrude, he mustn't come! I can't
bear it. I must send him a telegram at once.
I must!"</span></p>
<p class="pnext"><span>Too much staggered to answer, I looked at
her blankly. She collapsed on the rustic seat
by my side, covered her face with her pretty
new French apron, and went off into an
old-fashioned, uncontrollable fit of weeping.</span></p>
<p class="pnext"><span>To the sound of her sobs, I tried to decide
what course was best. Susan's plan of an
immediate telegram commanding him to stop at
home seemed good at first. But I glanced at
his words again, and all doubt vanished. I
knew that Susan might as well tell to-morrow's
sun not to rise, to-morrow's tides not to flow,
as tell Ruddington that to-morrow he must
not invade Sainte Véronique. Nor could I
blame him, or wonder at him. With such a
letter as mine in his hand, I should have
despised him if he had not flown on the wings of
the wind.</span></p>
<p class="pnext"><span>"Stop crying, Susan," I said. And, with
a bitterness which she did not understand, I
added, "It is I who should be upset, not you."</span></p>
<p class="pnext"><span>"Yes, Miss, I know, Miss," sobbed Susan.
"With you so ill and weak, it's horrible, it's
dreadful!"</span></p>
<p class="pnext"><span>"I don't mean that, Susan," I said. "But
do you think I like his coming here? First it
was Gibson, and now it's Lord Ruddington."</span></p>
<p class="pnext"><span>She turned on me white with terror.</span></p>
<p class="pnext"><span>"I know, I know, oh, I know, Miss Gertrude!"
she crooned, wringing her hands. "What if
Gibson meets him, Miss? They'll fight, and
they'll both be killed!"</span></p>
<p class="pnext"><span>"Don't talk nonsense," I said irritably; "if
they killed each other, at least we should have
some peace. As for sending a telegram, what's
the good? He's made up his mind. Very likely
he has started. If so, no power on earth will
turn him back again."</span></p>
<p class="pnext"><span>"Do you think, Miss----?" began Susan.</span></p>
<p class="pnext"><span>"Think what?"</span></p>
<p class="pnext"><span>"Your letter, Miss ... my letter. Do you
think that perhaps it was too ... loving?"</span></p>
<p class="pnext"><span>"And what if it was?" I retorted. "He's
got the letter by now, hasn't he? He's got it,
and it can't be altered."</span></p>
<p class="pnext"><span>Susan wept afresh.</span></p>
<p class="pnext"><span>"Oh, Miss!" she moaned. "If only we was at
Traxelby I wouldn't mind. But it's dreadful!"</span></p>
<p class="pnext"><span>A plan occurred to me.</span></p>
<p class="pnext"><span>"Wait here," I said, "while I go and speak
to Madame."</span></p>
<p class="pnext"><span>Within a quarter of an hour it was all
arranged. I told Madame that an Englishman
from the next parish to my own would arrive
to-morrow night. Madame is the pink of
propriety; and she had nothing but approval for
my scheme of taking Susan and Georgette to
the Villa de la Mer for the time of Ruddington's
stay. I took it upon myself to declare that the
newcomer will go away again on Sunday; and
I am not sure that I shall allow him to remain
so long.</span></p>
<p class="pnext"><span>The Dupoiriers had made the villa beautifully
sweet and clean in the hope of attracting one
more end-of-the-season tenant. There was
hardly anything that needed to be done.
Madame has sent down a great hamper of
linen, and two baskets of provisions, and a
pudgy little baby cask of cider. And here we
are.</span></p>
<p class="pnext"><span>Already the change has done me good. Sitting
on the broad balcony, between two tubs
of bushy, bright-leaved euonymus, I am so near
the sea that, at the top of the tide, the spray
kisses my cheeks. To come here was an
inspiration, every way. From a house of my own, I
can manage to-morrow's happenings. To be
mistress of a house helps me to be once more
mistress of myself. These wholesome, hearty
breezes will blow away the morbid nightmares
of yesterday and the days before. I mean to
go back to where I stood a week ago. That is
to say, having done my duty by Susan, I mean
to stand aloof and look on at the last act of the
comedy.</span></p>
<p class="pnext"><span>All this afternoon I have been healthily
awake, and now I am healthily drowsy. To-night
I shall be like a child in a cradle, with
the big soft sea cooing me to sleep.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Friday morning</em><span>.</span></p>
<p class="pnext"><span>If ever I cross to Sainte Véronique again,
I shall come to the Villa and not to the hotel.
Last year, I hated the sight of the Villa standing
up gaunt and shadeless, with raw red walls,
and a cold muddy-blue slate roof. But, once
inside, you are cheerfuller than in the hotel.</span></p>
<p class="pnext"><span>There's another and a stronger reason.
What was it that demoralized me at the hotel
and made me such an easy prey to mawkish
fancies? It was because I had nothing to do,
nothing to supervise. The Villa is only a big
doll's-house; but its toy duties and its miniature
responsibilities have stiffened my backbone already.</span></p>
<p class="pnext"><span>I have settled everything about Ruddington.
When he reaches the hotel, he will find a note
from Susan. I can't have him worrying us
to-night. He must cool his ardour till to-morrow.
And he mustn't stay longer than Sunday,
Thirty-six hours of it will be a long enough ordeal
for poor Susan. All that is needed at this stage
is that they should come face to face, and, as
Susan says, decide whether they can put up
with one another. If he stays more than one
clear day, they'll be getting to explanations
and confidences, and it will all come out about
my letters.</span></p>
<p class="pnext"><span>Unless there is mutual disenchantment (in
which event Susan will send him off at once)
I will see him to-morrow, after lunch. As
Susan's guardian, I shall have to sit in state
and give him a gracious audience, while he
shyly unfolds his tale of love and proves the
honourableness of his intentions.</span></p>
<p class="pnext"><span>I am glad that he is coming. It's far better
to get it over at Sainte Véronique than to have
to go through it all at Traxelby. Besides, it's
better that I should meet him without any
more delay. Distance and mystery have lent
enchantment to my view of him, and they are
to blame for my three silly nights and days. If
there are any germs of love-sickness still lurking
in my veins, I expect a talk with him will kill
them. He will be unlike his portrait and far
more unlike his letters, he is just an ordinary
male person, gone mad over a pretty face.
The only uncommon thing about him, is that
his letters strive, by an ecstatic </span><em class="italics">tour de force</em><span>,
to lift an everyday masculine passion up to
supra-mundane regions. Through a sequence
of galling accidents, I have bolstered up his
illusion. That is why, for a few days, there
really was a spiritual bond between us. But
to-morrow will snap it. There is sure to be a
something. Perhaps he will have a weak voice.
I could no more endure him with a weak voice
than I could endure Susan with a gruff one.
This is the note he will find awaiting him:--</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>You ought not to come here. But I received
your telegram too late to stop you.</span></p>
<p class="pnext"><span>I showed the telegram to Miss Langley and
she was angry. Not angry because you want
me. Indeed, so soon as she is satisfied that all
is as it should be, she will help me as much as
lies in her power. But she was angry that you
should come here.</span></p>
<p class="pnext"><span>I have promised to ask you, imperatively,
not to remain after Sunday. Until that day
we shall be at the Villa de la Mer, a chalet
about a mile from here.</span></p>
<p class="pnext"><span>Do not try to see me to-night. I agree with
Miss Langley that it will be best if we meet
to-morrow morning on the beach at eleven
o'clock. I shall expect you at the end of the
path down from the hotel, where the beck is
lost in the shingle.</span></p>
<p class="pnext"><span>I can be with you for an hour. If we do not
find that we are making a mistake, Miss Langley
will be glad to see you at the Villa at half-past
two.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>S.B.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>That is as far ahead as I mean to look. If
Susan and he strike a bargain at once, I may
have to consider what unbendings I must
make, and what little honours I must render
to-morrow night, and Sunday, to my noble
neighbour, and to my Lady Ruddington of the
very near future.</span></p>
<p class="pnext"><span>I have kept faith with Gibson. To-morrow
morning he will have a discreet letter, telling
him that the unknown is coming for a few
hours: that he is an honourable man; and
that Gibson will best serve himself and
everybody else by keeping out of the way.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Noon</em><span>.</span></p>
<p class="pnext"><span>Susan is alternately beaming and weeping
like an April day.</span></p>
<p class="pnext"><span>Before she carried the note up to the hotel
to leave it for Ruddington, she was all bright
excitement and chattering importance. We
had quite a gay quarter of an hour settling
what she should wear on the beach. She is
going to meet him in her navy-blue serge which
she has hardly worn, with white gloves and
quite a Parisian hat which she has taken over
from Georgette. It is of soft, fine, blue straw,
made cocked-hat-shape, with two downy, snow-white wings.</span></p>
<p class="pnext"><span>"What must I do, Miss, when he comes up
to me?" she asked.</span></p>
<p class="pnext"><span>I didn't ask what she meant. Perhaps she
thinks she ought to bob a curtsy.</span></p>
<p class="pnext"><span>"You won't do anything," I answered.
"He will come up saying he got your note, or
how good it is of you to come, or something like
that. Don't be too stiff. Hold out your hand
simply and easily."</span></p>
<p class="pnext"><span>"I was wondering, Miss..." began Susan.
But she cut herself short, blushing violently.</span></p>
<p class="pnext"><span>"You were wondering...?" I echoed.</span></p>
<p class="pnext"><span>"I was wondering, Miss ... will he want
to kiss me?"</span></p>
<p class="pnext"><span>I blushed with her.</span></p>
<p class="pnext"><span>"Really, Susan," I said, "you must look
after yourself."</span></p>
<p class="pnext"><span>"My last letter was so loving, Miss," said
Susan doggedly.</span></p>
<p class="pnext"><span>"It was, and it wasn't," I answered with
cunning. "The point is this. You've refused
Gibson."</span></p>
<p class="pnext"><span>Susan winced. But I went on.</span></p>
<p class="pnext"><span>"You've refused Gibson. And you've made
up your mind that you will marry Lord
Ruddington--if you like the look of him when
you see him in real life. It's your affair, Susan,
not mine. But, as for kisses ... well, surely,
he won't offer them and you won't take them
till you are both decided what you are going
to do."</span></p>
<p class="pnext"><span>"Then I'll tell him he mustn't, Miss," said
dutiful Susan.</span></p>
<p class="pnext"><span>Later on, she asked:</span></p>
<p class="pnext"><span>"Please, Miss Gertrude, what will he say
to me?"</span></p>
<p class="pnext"><span>"Dear me, Susan, I might be a witch. How
do I know what he'll say to you?"</span></p>
<p class="pnext"><span>She endured my sarcasm. But Susan still
believes that I know everything. It has never
entered her head why I wrote that fatal
love-letter to Ruddington on Tuesday. She accepts
it simply as one more proof of my all-round
efficiency. She wonders at it no more than
she wonders at my writing adequate letters
to my solicitor, or banker, or to a tenant.
She thinks I know all about love, just as I know
about law and business--as part of a liberal
education.</span></p>
<p class="pnext"><span>"I don't mean his very words, Miss," she
said. "I mean, Miss, what will he talk about?"</span></p>
<p class="pnext"><span>"For one thing," I replied, glad of the chance,
"he'll talk about your letters. And that's a
point I want to mention. Some day a way will
be found of making a clean breast of everything.
But, until I have seen him, and he is
safely back in England, you mustn't give him
the faintest shadow of a hint that any of those
letters were mine. If you do, there'll be such
a muddle that I don't see how we can get out of it."</span></p>
<p class="pnext"><span>"I know, Miss, I know!" said Susan alarmed.
"I sha'n't breathe a single word."</span></p>
<p class="pnext"><span>"Don't be too confident," I answered,
warming up to the business. "You may find
it hard work keeping it in. He's bound to say
a lot of things that you won't very well
understand. For instance, take that letter I wrote
on Tuesday night--the loving one, as you call
it--the one you posted when I was ill. It's
too late to scold you over it now, Susan; but
you oughtn't to have rushed it off. We could
have written something much more suitable."</span></p>
<p class="pnext"><span>"But it was lovely, Miss."</span></p>
<p class="pnext"><span>"It was a great deal too lovely," I said.
"He'll say all kinds of fanciful, clever, difficult
things to you about it. My advice, Susan, is
this. Don't be stiff; but be shy. Don't go out
of your depth in talking to him. So long as he
speaks about things you understand, answer
him freely. Be as natural and simple as you
can. He'll like you all the better. But, if he
goes too deep, don't try to follow. Just hold
your tongue. If he bothers you and presses
you, say you would rather talk about it some
other time."</span></p>
<p class="pnext"><span>"But he'll find me out some day, Miss,"
said Susan doubtfully.</span></p>
<p class="pnext"><span>"How do you know there's going to be a
some day? Perhaps you won't like him. If
so, you'll part, and there's an end of it. The
great thing, Susan, is not to worry yourself
into a fright. If you're scared and nervous,
you won't look nice. And if you don't look
nice, he'll be far more disappointed than if
you're not clever. Now run up to the hotel
with this note."</span></p>
<p class="pnext"><span>She departed in good spirits, treading
jauntily. But when she came back she was
limp, hopeless, tearful. It has called for all
my strategy to elude a scene. I'm so glad
Georgette is here! She and Susan get on
together like a house on fire. Georgette is all
ears and sympathy for every word Susan says,
though Susan might as well be talking Coptic
five-sixths of the time. At this minute they
are laying the table under the balcony, and
Susan is in full flow with her tale of hopes and
fears.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Sunset</em><span>.</span></p>
<p class="pnext"><span>The gold is tarnishing in the sky, and a cold,
bitter wind is blowing from the sea.</span></p>
<p class="pnext"><span>It has struck six. He will be just arriving
at Madame's.</span></p>
<p class="pnext"><span>The Villa is sunnier and freer than the hotel
by day. But it is eerie with the fall of night.
I will have a fire and an extra lamp.</span></p>
<p class="pnext"><span>Oh that it were Monday morning, with it
all over, and Ruddington gone! How can I be
sure that I have mother-wit, and force, and
pride enough to scrape through? What if the
sight of him fans Tuesday's flame instead of
quenching the embers? What if I do truly
love him, after all? What if I break down
while he is asking me for Susan?</span></p>
<p class="pnext"><span>This useless, restless, shameless pen of mine
is my ruin. Why do I never learn? Why did
I not burn this book, days ago, to ashes? Even
as I have sat writing these so few lines, the truth
has darted out of its hiding-place. I can cheat
myself no more.</span></p>
<p class="pnext"><span>God has marked me down to receive through
my heart the sharpest, most venomous arrow
of His cruelty. I am the chosen vessel of His
wrath. I love Ruddington; and he is close at
hand, while the light is dying out of heaven,
and I am so cold and lonely. He has sped over
land and sea, on fire with love: and the love is
not for me.</span></p>
<p class="pnext"><span>The last of the red is gone from the sky.
Twelve hours before to-morrow's dawn. Twelve
hours of sleepless darkness. Twelve hours of
solitary vigil to prepare me for meeting him
to-morrow in the merry sunlight, and for
draining my cup of bitterness to its black dregs.</span></p>
<p class="pnext"><span>I could almost laugh--a laugh as hard as
iron, as bitter as a black frost. If there be
saints in heaven I challenge them to look at
me now. Come, good people, I pray you of
your charity: a De Profundis, if you please!</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Seven o'clock</em><span>.</span></p>
<p class="pnext"><span>No need to wait for to-morrow. It is to be
to-night. It is to be now.</span></p>
<p class="pnext"><span>I shall write this short page to steady my
nerves, to rally my wits, to cool my blood.</span></p>
<p class="pnext"><span>Something is in the wind. Twenty minutes
ago, when I told Susan that I should not need
her again till dinner-time, she made pretence
of tidying the room, as I was staring into the
fire. She did not know that she was reflected
in the glass.</span></p>
<p class="pnext"><span>I saw her stand stock still and gaze at my
face with the gaze of one who gazes for the last
time. She could not have gazed at me more
desperately, if there had been a hangman
waiting at the door to take one of us away.
Suddenly her cheeks shone with a drench of
tears. She covered her face with her hands,
and stumbled through the doorway.</span></p>
<p class="pnext"><span>I was sick of scenes. And, with such an
anguish as mine, I felt a contempt for Susan's
mere ups and downs. So I pretended not to
see or hear, and I didn't follow till ten minutes
ago.</span></p>
<p class="pnext"><span>Susan is not in the house.</span></p>
<p class="pnext"><span>Georgette says she went out as soon as she
came downstairs. She thinks Susan has only
gone for a breath of sea air before dinner.</span></p>
<p class="pnext"><span>It is outrageous, it is unendurable, it is
wicked, it is cruel. They are meeting now.</span></p>
<p class="pnext"><span>What note or what message did Susan leave
this morning at the hotel? Not mine! I am a
fool, a simpleton, I have less sense than a little
child.</span></p>
<p class="pnext"><span>I can guess the place. It will be on the
beach between here and the beck. They are
meeting now. He is holding her in his arms.
She will be like potter's clay in his hands.
His ardent masterfulness will flick aside her
doubts and fears like grains of sand. Her wits
will fly away from her like chaff before the wind.
There will be no Susan there save a girlish
form for him to hold, a burning face for him
to kiss, and a childish voice to tell him about
me and my letters. And to-morrow----</span></p>
<p class="pnext"><span>Unendurable is the word. Endure it I will
not. I refuse to be flouted, and disobeyed, and
made a fool of, and shamed.</span></p>
<p class="pnext"><span>Susan is my maid. I don't allow followers,
whoever they may be. Or, rather, I allow them
in honest daylight, and at times appointed.
Not on the sly. Not in the dark.</span></p>
<p class="pnext"><span>I am going out.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Some time or other</em><span>.</span></p>
<p class="pnext"><span>I am glad I did not burn this book. It shall
stand as my golden legend.</span></p>
<p class="pnext"><span>The fire is still lively in the grate, and the two
lamps are beaming softly. I don't know
whether it is Friday night or Saturday morning.
Saturday morning, I suppose. But no going
to bed till all is written down.</span></p>
<p class="pnext"><span>I stepped out of the Villa about a quarter
past seven, and began crunching westward
along the stones. Rage and hatred were in
my heart. I almost understood those men and
women who make haste on such errands as
mine, grasping pistols or cold steel. The wind
was in my face, but I bent into it and sped on.
I was not cold. It made me glow to think how
I would burst upon them, cover them with
shame, fling them apart, humiliate them a
thousand times more than they should ever
humiliate me.</span></p>
<p class="pnext"><span>But rage and hatred did not last. Under
the lee of a great black boat drawn up on the
shingle, I paused to take breath. It was warm
and still in that little patch of shelter, out of
the nipping bluster of the wind.</span></p>
<p class="pnext"><span>While I was standing there, looking over
the faintly gleaming water, a black mantle of
cloud fell away from the moon. The sea became
a far-spreading shimmer of silver. The little
clouds sailed as curly and white as feathers
from a great sea-bird's breast across the soft
blue heaven. A single chime of the Bérigny
church bell fell from the cliff--a single, silvery
chime as if the moonlight had spoken.</span></p>
<p class="pnext"><span>At that holy call, I was born again. Rage
and hatred had been strong, but I had not rage
enough or hatred enough to go on standing up
stubbornly against all that graciousness and
beauty. It melted my heart of stone; and I
knew it for an impossibility that God should
be otherwise than beautiful and good. For a
moment, Ruddington and Susan receded from
my mind. Or, rather, I thought of them only
along with all the millions of happy lovers upon
whom the same sweet moon was smiling. And
I blessed them unaware.</span></p>
<p class="pnext"><span>My mind came back to my errand. And
then I fought the battle. Along the beach I
could see the trees which shade the path; and,
above the swish of the small waves, I could
hear the beck humming loudly in its ravine.
I was sure that they were there, under that
green roof, close to that music, in this
moonlight made for love. The thought burnt me
like hot irons, and I could have cried aloud.
Then the agony was over. I had resolved to let
them be, to leave them alone with their
happiness. Rage was tamed, hatred was changed to
a sad, world-wide pity. But, as I turned wearily
back to the clouded east, I ached and tingled
all over like a beaten child.</span></p>
<p class="pnext"><span>At the first crunch of my foot on the pebbles
as I turned round, some one sprang towards
me from the foot of the cliff.</span></p>
<p class="pnext"><span>I cried out in terror.</span></p>
<p class="pnext"><span>He faced me in the moonlight. We were
only a step or two apart. It was Ruddington.</span></p>
<p class="pnext"><span>We looked full at one another without speaking.
And, as I looked, I knew that, though he
could not be mine in this world, I must be his
for ever and ever. Then the enormous whiteness
of the cliff seemed to rock before my eyes,
and the humming of the beck swelled to thunder
in my ears. But he caught me before I fell.</span></p>
<p class="pnext"><span>"Susan!" he said softly in my ear. His
voice was warmer and brighter than gold, as
he repeated: "Susan!"</span></p>
<p class="pnext"><span>I lay helpless in his arms. All strength had
gone from me, just as it had gone when I half
swooned in the sea. I could not struggle. I
could only let myself sink more wholly against
his heart, just as I had so willingly sunk down,
down, down through the cool green water to
the deep, strong peace of Death. But, though
Death's caress had been sweet, it was sweeter
to rest against the warm heart of Love.</span></p>
<p class="pnext"><span>I don't know how long that perfect happiness
endured before a stab of anguish pierced me
through. It seemed an hour; it may have
been a minute; perhaps it was less than half
a second before full consciousness returned.
Then a voice within me cried shame. I
remembered that, although I had gazed at his
face in the broad light of the moon, he had
only seen mine in the shadow. Bitterest of
all, it was not my name he had murmured in
that voice brighter and warmer than gold. He
had hailed Susan. I was a cheat, a changeling,
lying shameless in Susan's place.</span></p>
<p class="pnext"><span>I knew it. But, for a moment longer, I rested
at peace in the soft nest of his arms. With all
the grey years of the future to be lived through
in loveless loneliness, I deliberately gave
myself that one long moment. As if he knew that
the warmth and sweetness of it must last me
all my life long, he held me closer to his heart.
I wished, then, that I could have died.</span></p>
<p class="pnext"><span>Life, harsh Life, cried aloud. I called up
some sudden strength and tore myself free.</span></p>
<p class="pnext"><span>"I am not Susan," I said.</span></p>
<p class="pnext"><span>He gave the slightest cry, made the slightest
retreat in the world. Then, before I knew, he
enfolded me once more.</span></p>
<p class="pnext"><span>"No," he said proudly. "Not Susan.
Suzanne--</span><em class="italics">ma petite Suzanne</em><span>. But I frightened
her. She is trembling. Suzanne, forgive
me! I must have been mad to leap out upon
you like that. But how could she walk along
the beach to-night and not expect me to be
here?"</span></p>
<p class="pnext"><span>I heard him vaguely. He was too strong
for me. My will, my moral energy as well as
my bodily strength, refused to return at my
command. I could hardly open my eyes to
look up at the mild moon, so like the cool,
round sun which I had seen from under the
water.</span></p>
<p class="pnext"><span>"Say you forgive me, Suzanne," he murmured.
"You are angry with me for coming
to France. How could I wait, Suzanne, when
you had confessed that you love me?"</span></p>
<p class="pnext"><span>I wrenched myself roughly free. With a
frenzied effort of will, I rallied back all my allies
of conventionality and of pride.</span></p>
<p class="pnext"><span>"You have made a mistake," I said curtly,
stepping away two or three paces. "I am not
Susan."</span></p>
<p class="pnext"><span>This time he started violently. But he
recovered himself in an instant and came towards
me with outstretched hands. I sprang back.</span></p>
<p class="pnext"><span>"Susan," he said gravely, "don't jest. For
heaven's sake, not now. This is some quaint
fancy. You say you are not Susan, just as you
said my infatuation was not love. Forgive me,
Susan; but this isn't a time for subtleties.
You love me; and you know I love you more
than life. Don't refine or jest now. This
moment of our first meeting is too great, too
sacred. Let us be clear and simple, like the
moon and the sea."</span></p>
<p class="pnext"><span>"No!" I cried, as he advanced. "How
dare you touch me again? It's all a mistake.
No doubt, this is Lord Ruddington. You are
speaking to Miss Langley."</span></p>
<p class="pnext"><span>His arms dropped to his side, and he fell
back as if I had struck him in the face. I
steadied myself with one hand against the side
of the boat. It was a long time before he spoke.</span></p>
<p class="pnext"><span>"Miss Langley!" he said at last, in tones as
cold and dull as lead. "What can I say?" Then
his voice quickened and brightened, and
he cried: "No, Susan, you shall elude me no
more!"</span></p>
<p class="pnext"><span>"Stand back, please," I said icily and
decisively. "There has been enough of this.
I understand you are to see Susan to-morrow,
at eleven o'clock."</span></p>
<p class="pnext"><span>Before I could move, he leapt to my side.</span></p>
<p class="pnext"><span>"Miss Langley," he said rapidly but firmly.
"Miss Langley--if you are truly Miss Langley--if
this isn't some ill-timed joke--hear me
for one moment. Heaven knows I did not
mean to insult you. But this is a terrible thing.
I have laid on you one indignity; but I beg you
to endure another. You have answered me
from the shadow. I ask you--for heaven's
sake I implore you--to show me your face
one moment in the light."</span></p>
<p class="pnext"><span>He had pressed so near that his shoulder
touched mine. I leaned against the boat
counting the cost. Had I the strength, to stand out
sheer in the pitiless light and biting air? To
watch his face--its lightning-flash of passionate
eagerness, its following gloom of
disenchantment and chagrin? To listen to his
stammering apologies? To bestow pardons, revise
arrangements? And, last of all, to stumble
back over the stones alone--I, who had just
known the support of his breast? Had I the
strength? What if I should break down, as the
light of love died out of his eyes, and weep
bitterly? But there was no choice. My heart bled
as I schooled myself once more to the haughtiness
of artificial pride, and I said:</span></p>
<p class="pnext"><span>"This is monstrous. But as you please."</span></p>
<p class="pnext"><span>He made way for me with old-fashioned
reverence as I stepped out into the moonshine.
With all that was left of my shattered will, I
strove to offer for his scrutiny a face hardened
by haughtiness, lips curling with disdain, eyes
alight with annoyance. But how could I hate
him while I loved him? How could my eyes,
that were so hungry, stab him? And how
could my lips scorn him when they were aching
to tell him all?</span></p>
<p class="pnext"><span>The eager lightning flashed in his face. But
I waited in vain for the dull thunder of despair,
for the fall of the gloom. No, it was not
lightning. With my heart standing still, I saw that
the light abode in his eyes, that it waxed fuller
and more radiant as he gazed intently into
mine. But suddenly, he quenched it.</span></p>
<p class="pnext"><span>"One second more," he commanded abruptly,
dryly, almost harshly. "Simply and
literally, without any paradoxes or ruses
whatever, are you Susan?"</span></p>
<p class="pnext"><span>"I am not Susan," I said, beginning to turn
away.</span></p>
<p class="pnext"><span>"Simply, and literally and truly, you are
indeed Miss Langley?"</span></p>
<p class="pnext"><span>"I am Miss Langley."</span></p>
<p class="pnext"><span>Something chained me to the spot. I saw
him go pale as death, and I heard him groan in
anguish:</span></p>
<p class="pnext"><span>"Then may God help us all!"</span></p>
<p class="pnext"><span>"What do you mean?" I demanded. We
seemed to be so mysteriously one, that the
strength which deserted him passed into me.
"Are you not satisfied?" I added. "I must go."</span></p>
<p class="pnext"><span>In a flash, he was master again. He flung
himself across my path.</span></p>
<p class="pnext"><span>"No!" he cried. "You shall not go! Some
meddling idiot has deceived me. There has
been a horrible, an unspeakable mistake.
Gertrude Langley, it was you I met in
Derlingham. It was you I watched in Traxelby
church. Gertrude Langley, it is you I love
with my whole soul. It is you, it is you, it is
you! I shall not let you go!"</span></p>
<p class="pnext"><span>His words sang all round me like birds. My
battle-worn, enfeebled spirit reeled under such
bursts of music, such flashes of glory. I made
one last agonizing effort to play the conventional
part: to rebuke and repel him, to parade
amazement, shame, and a dishonest show of
anger. But he was too strong. He dominated
me so, that I could not even pause to marvel at
the miracle, or to ask myself if it could be true.
I could only totter towards him in dumb,
unconditional surrender, and burst into a torrent
of thankful tears.</span></p>
<p class="pnext"><span>This third time, he held me, not as he had
held me before. Then, he had strained me to
him like a lover; now, he supported me gravely,
reverentially, as any man would support any
woman who has half-fainted away. But, by
swift degrees, he guessed the truth. He held
me closer, he bent his lips to my ear, and he
asked, with a grave wonder, in his voice of
gold:</span></p>
<p class="pnext"><span>"You do not mean ... this?"</span></p>
<p class="pnext"><span>"Yes," I whispered, with my eyes closed,
"I mean ... this."</span></p>
<p class="pnext"><span>For two or three seconds we were content to
have it so. Then his clasp weakened. I knew
what he meant, and I drew myself free.</span></p>
<p class="pnext"><span>"We forgot Susan," I said.</span></p>
<p class="pnext"><span>"Yes," he said slowly. "We forgot Susan."</span></p>
<p class="pnext"><span>He stood beside me in silence, looking at
the sea. Then, without warning, he broke out
with terrible words of anger. Not to me. It
was as though he arraigned the universe and
shook his fist at the stars.</span></p>
<p class="pnext"><span>"A thousand curses!" he cried; "a thousand
curses on their heads who have brought us all
to this! It is not to be borne! It is a tangle of
fiends. Great God! To be loved by the two
best women on earth, and then, instead of
happiness, to find it end in misery all round! It is
the work of devils! It is not to be borne!"</span></p>
<p class="pnext"><span>He remembered me at his side, and fought
down his wrath. At last he turned to me an
ashen face, and began:</span></p>
<p class="pnext"><span>"There is much to say. Where will you sit down?"</span></p>
<p class="pnext"><span>"Nowhere," I answered. "No, do not
touch me again. What there is to be said ... say."</span></p>
<p class="pnext"><span>We stood an arm's-length apart on the
stones, and he spoke:</span></p>
<p class="pnext"><span>"Gertrude Langley," he said, "for five
weeks I have loved you, and there is no woman
in the world, save you, that I ever did love or
ever shall. But, through a string of ghastly
blunders hardly to be explained or even
believed, I have loved you under another name,
and amid wildly false notions of your station.
Be hurt at nothing I shall say. I believed, on
twofold testimony, that you were Susan, your
maid. Do not be galled or insulted till you have
heard me out."</span></p>
<p class="pnext"><span>"You cannot insult me," I said. "Besides,
I know all."</span></p>
<p class="pnext"><span>"No!" he cried, "you do not know. You
know that I have written Susan letters, that I
have badgered her to marry me, that I have
followed her to Sainte Véronique, and that I am
to set eyes upon her to-morrow. But, listen.
I will tell you what you do not know. You
don't know that this poor girl has a heart of
gold, a soul of fire, a mind that is a fountain of
gems. Did you know that?"</span></p>
<p class="pnext"><span>"No," I said, "I did not."</span></p>
<p class="pnext"><span>He mistook my ghost of a smile. It stung him.</span></p>
<p class="pnext"><span>"Miss Langley," he said, "we have been
wrong; you, and I, and all who have been born,
like you and me, to rank and wealth and leisure.
Because the novels are nearly all written round
such lives as ours, we think that the poor and
the servile are without romance, without
spirituality. We are not quite sure that they have
minds and hearts and souls of their own. I say,
we have been wrong. All Susan's few letters
to me, save one, have been shy and hurried.
But--though I say it in the ears of the only
woman I can ever love--there isn't, there
can't be in all the world, a nobler mind than
this poor Susan's, a sweeter heart, a purer soul."</span></p>
<p class="pnext"><span>I did not answer. His calmness left him.</span></p>
<p class="pnext"><span>"You don't see, you won't see, you can't
see!" he cried. "Why will you make me put
it into words? You are shutting your eyes to
the tragedy of it all. Gertrude Langley, what
would you have me do?"</span></p>
<p class="pnext"><span>I was given some dim sense of the greatness
of his soul. Almost mechanically, I replied:</span></p>
<p class="pnext"><span>"I would have you do only what is right."</span></p>
<p class="pnext"><span>"God bless you for that!" he murmured,
and took my hand. "Only what is right! But,
tell me, which is the right? I love you, and you
love me. When and where you saw me, where
and when and why and how your love for me
began, I cannot guess. All that matters is
... you love me! Beautiful Gertrude, answer me.
You love me and I love you ... but which
way lies the right?"</span></p>
<p class="pnext"><span>"You mean," I said slowly, disengaging my
hand, "that there is Susan?"</span></p>
<p class="pnext"><span>"Yes," he said gently. "There is Susan.
Which way lies the right? For all I know, I
shall find Susan ugly, and she is a lady's-maid.
But the point is, I have forced her to love me,
with such a love as I did not expect to find in
this world. Do not smile, do not imagine I
think myself handsome, or in the least adorable.
But I have read her last letter fifty times, and
I know, if I draw back, if I tell Susan of this
cruel tangle, it will break her heart. No, do not
interrupt me! In such a case, I know how hard
it is for you to believe that I am not mad.
Dearest, help me, for God's sake! It's hard
enough, God knows!"</span></p>
<p class="pnext"><span>I ought to have thrust in words boldly,
refusing to be denied. I ought to have told him
everything. But he silenced me with one
gesture and finished.</span></p>
<p class="pnext"><span>"Yet after all," he said, "what is there to
discuss or to decide? Haven't you told me
already to do the right? And the right is
... to keep faith with Susan. Oh, I know, I know!"
he cried out bitterly, "it will wound your heart,
it will break mine. But, dearest, we have so
much. We have books, we have friends, we
have a hundred occupations. But this poor
Susan--what has she? She has nothing,
except love."</span></p>
<p class="pnext"><span>"If she has love," I said, "and we have all
else in the world beside; then Susan is rich
and we are poor."</span></p>
<p class="pnext"><span>He turned away. When he looked at me
again, he said:</span></p>
<p class="pnext"><span>"It is simply a choice which of us must be
robbed of happiness, and burdened with life-long
sorrow, and filled with bitterness. You
and I are two, and Susan is one. They say
minorities must suffer."</span></p>
<p class="pnext"><span>He smiled a sad smile, and watched me
narrowly. And, at the same moment, a
coldness numbed my heart. While he had been
extolling Susan, I had drunk in his words
deliciously, biding my time to laugh out merrily
and prick the shining bubble. But suddenly,
all things stood out in a different light. I
remembered my oath to Susan at Traxelby. I
remembered that she had given up Gibson. I
recalled, with anger, that at this very moment
she was prowling about to catch some secret
glimpse of her lover.</span></p>
<p class="pnext"><span>"Yes," he repeated. "Minorities suffer.
It is the way of the world. I renounce Susan,
and what does it amount to? A mere lady's-maid
sees me break faith and drop her in favour
of wealth and beauty. She loses her faith in
God and man. Possibly, she even has the bad
taste to go and die. Meanwhile I, having always
had all I want, go and get a great deal more.
Natural, isn't it?"</span></p>
<p class="pnext"><span>He laughed a bitter laugh.</span></p>
<p class="pnext"><span>"Don't talk again like that," I said, as
bitterly as he.</span></p>
<p class="pnext"><span>He was silent while I thought my thoughts.
I knew full well in the depths of my soul, that
to suffer anything to thrust itself between him
and me, would be a crime and a blasphemy.
Yet I knew it might come to pass. If I told
him all about Susan, all about Gibson, all about
the letters, he would still have only my word
for it that she did not love him in her own way.
He would seek Susan to-morrow morning, as
appointed, to hear Susan's own words. And,
under the glamour of his presence, what might
not Susan say?</span></p>
<p class="pnext"><span>But light blazed through my brain. I had
found the key. I must go back to the Villa.
I must track Susan at all costs. I must tell her
the whole story of Ruddington's mistake.
Probably she had already come back.</span></p>
<p class="pnext"><span>I turned to him and said:</span></p>
<p class="pnext"><span>"Why be ironical and bitter? You have
spoken truly. You have to do what is right."</span></p>
<p class="pnext"><span>He seized both my hands. To him it was
the end.</span></p>
<p class="pnext"><span>"Gertrude," he said, "for the first and last
time, my own Gertrude ... so this is Good-bye!
Our first meeting is our last. To-morrow
... after it is over ... I shall go straight
away. To-morrow is hers. But to-night is ours.
Beloved, this is not the end. There are more
worlds than this one--this world which some
one has cursed for us. For ever, I am all thine.
But the waiting will be so long. Beloved, do
not say that I may not bid thee Good-bye!"</span></p>
<p class="pnext"><span>I restrained him gently, for my mind had
clouded again with thronging fears.</span></p>
<p class="pnext"><span>"No," I said; "let us not make the future
harder by any weakness in the present."</span></p>
<p class="pnext"><span>He bowed his head and obeyed. When he
looked up, he said quietly:</span></p>
<p class="pnext"><span>"One practical point before I go. She will
not ... I will not, ever be at Ruddington
Towers. Traxelby is your old home. The
Towers shall be shut up."</span></p>
<p class="pnext"><span>My eyes filled with tears.</span></p>
<p class="pnext"><span>"Beloved," I said softly, "good-bye."</span></p>
<p class="pnext"><span>I gave him my hand, and he held it to
his lips. Then I broke from him and fled
home.</span></p>
<p class="pnext"><span>Georgette received me with a volley of
outcries about the spoilt dinner.</span></p>
<p class="pnext"><span>"Where is Susan?" I asked.</span></p>
<p class="pnext"><span>"She is not come back," said Georgette,
retreating towards the kitchen. And then I
saw that Georgette was in the secret.</span></p>
<p class="pnext"><span>"Georgette," I said peremptorily in French,
"I insist that you tell me this instant where
Susan has gone."</span></p>
<p class="pnext"><span>Her brow darkened. She looked at me
defiantly, and tossed her head.</span></p>
<p class="pnext"><span>"Come," I commanded, with a rap on the
table. "I insist. This moment."</span></p>
<p class="pnext"><span>"Pardon, Madame," retorted Georgette
with Republican spirit, "I am the servant
of Madame Dupoirier and the friend of Susan."</span></p>
<p class="pnext"><span>There was no time to argue. I shifted my
ground, and coaxed.</span></p>
<p class="pnext"><span>"If you are the friend of Susan," I said,
"you will answer at once. Something very
important has happened. We must find her
at once."</span></p>
<p class="pnext"><span>Georgette hesitated suspiciously before she
asked:</span></p>
<p class="pnext"><span>"Is it about the milord from England,
Madame--the milord with all the money?"</span></p>
<p class="pnext"><span>"Yes, yes, yes!" I said. "It is most important."</span></p>
<p class="pnext"><span>"Then he may take his money back again,"
said Georgette with a fine flourish. "Susan,
she will only marry for love. She has gone
away."</span></p>
<p class="pnext"><span>"Gone away?" I echoed, sinking down on
a chair.</span></p>
<p class="pnext"><span>"Yes, Madame. Susan said, if she didn't run
away, the milord would make her marry him."</span></p>
<p class="pnext"><span>"Georgette," I cried, springing up, "I give
you my word that the milord shall not
mention marriage to Susan again. If you are her
friend, tell me where to find her. I swear that
I am thinking only of her good."</span></p>
<p class="pnext"><span>Georgette was silent. The truth rushed in
upon me. I said:</span></p>
<p class="pnext"><span>"She has run away with Gibson?"</span></p>
<p class="pnext"><span>"Yes, Madame," said Georgette tranquilly,
"with Monsieur Geebson."</span></p>
<p class="pnext"><span>"Georgette!" I cried, "help me to find them,
and I'll give you fifty francs. No, don't pout.
If I can stop them, Susan and Gibson will be
grateful to you as long as they live, on my word
of honour."</span></p>
<p class="pnext"><span>At last Georgette said: "Susan went out
too soon for fear that Madame would stop her.
She attends Monsieur Geebson at the bottom
of the beck at half-past eight."</span></p>
<p class="pnext"><span>I snatched a roll from the table and rushed
out again to the beach. Bérigny clock struck
eight. There would be six or seven minutes to
spare.</span></p>
<p class="pnext"><span>As I sped along, a sickening fear seized me.
What if Ruddington and Susan, by another of
the ghastly mishaps which kept dogging us all
along, had run into one another on the
beach?</span></p>
<p class="pnext"><span>No. As I neared the big boat, I saw him
standing there alone. He strode out to meet
me eagerly and wonderingly.</span></p>
<p class="pnext"><span>"Why are you still here?" I asked.</span></p>
<p class="pnext"><span>"Where would you have me be?" he said.
"I have always loved France. But henceforth,
France will mean for me just these few square
yards of shadow on the stones."</span></p>
<p class="pnext"><span>"You must not brood," I answered. "You
talk as if you are never to be happy any more."</span></p>
<p class="pnext"><span>"In some other world," he said, smiling
sadly, "I mean to be happy with You."</span></p>
<p class="pnext"><span>"Some other world?" I said. "Who knows
that God may not reward you soon in this?"</span></p>
<p class="pnext"><span>He turned to me with a start; but I did not
let him speak.</span></p>
<p class="pnext"><span>"Have you eaten?" I asked.</span></p>
<p class="pnext"><span>"Not yet."</span></p>
<p class="pnext"><span>"How silly!" I said. "Nor have I. Come,
eat bread with me. This wind shall be the salt."</span></p>
<p class="pnext"><span>He took half the roll and smiled. But I
could see that my high spirits first jarred on
him, and then troubled him.</span></p>
<p class="pnext"><span>"You are not well," he said. "You are
over-wrought. You are excited. Let me lead
you home."</span></p>
<p class="pnext"><span>"No," I said. "I have not felt so well for
years. I must go; but not home. There is
business to be done."</span></p>
<p class="pnext"><span>"Where?" he asked, startled.</span></p>
<p class="pnext"><span>"Along the beach."</span></p>
<p class="pnext"><span>"Then," he said firmly, "you do not go alone."</span></p>
<p class="pnext"><span>I considered for a moment. Then I looked
him full in the face.</span></p>
<p class="pnext"><span>"If I allow you to come," I said, "will you
promise to disappear when you are told, and
to come out when you are called, and not to
speak till I give you leave?"</span></p>
<p class="pnext"><span>He answered, "I promise."</span></p>
<p class="pnext"><span>I did not disdain his arm. Whatever befell
new, he was mine, all mine. The wind was in
our faces, the moonbeams flashed on the water.
Colour came to my cheeks, and the breeze
ruffled the hair which had gone so long without
Susan's brush and comb. As we stamped over
the stones we might have been a boy and a girl
escaping on a frolic.</span></p>
<p class="pnext"><span>A few hundreds of yards from the beck we
were able to climb the low slope, and to pad
along mutely over the grass. At the first
brambles we turned inland, and descended
softly into the ravine. We pulled up behind a
high bush.</span></p>
<p class="pnext"><span>"Hush!" I whispered. "Not a sound.
Don't move or speak till I give the word."</span></p>
<p class="pnext"><span>Through the thin autumn foliage, by the
pale light of the moon, we could see a woman's
figure across the beck. It was Susan, seated
upon a modest bag.</span></p>
<p class="pnext"><span>I did not explain to Ruddington. I did not
even tell him who the woman was. Two or
three minutes passed; and then the silver chime
of Bérigny proclaimed half-past eight.</span></p>
<p class="pnext"><span>Susan drew out her little handkerchief, and
wiped away a tear. My heart went out to her.
There was no Gibson; and I began to hope our
task would be easy. But we heard a sudden
sound of snapping branches and hurrying feet;
and Gibson broke through into the light.
Susan jumped up to meet him.</span></p>
<p class="pnext"><span>"Oh, Tom!" she wailed. "I began to think
you wasn't coming."</span></p>
<p class="pnext"><span>Ruddington touched my hand.</span></p>
<p class="pnext"><span>"Oughtn't we to go away from here?" he
whispered.</span></p>
<p class="pnext"><span>"No!" I whispered back, shaking my fist.
"We oughtn't."</span></p>
<p class="pnext"><span>"I was out with a blooming car," explained
Gibson. "Georgette brought your letter at
half-past three, but I didn't get it till seven."</span></p>
<p class="pnext"><span>"Thank goodness you wasn't away for the
night!" exclaimed Susan fervently.</span></p>
<p class="pnext"><span>"Well, I'm here, anyway," said Gibson.
"Not that I expect it's going to do me any
good. You promised you'd settle me this week,
on or off, one way or another. I suppose you've
only brought me here to give me the chuck?"</span></p>
<p class="pnext"><span>Susan did not reply.</span></p>
<p class="pnext"><span>"What've you got there?" asked Gibson with
a jump. He had caught sight of Susan's bag.</span></p>
<p class="pnext"><span>"It's my things," said Susan. "Oh, Tom,
I want you to take me away!"</span></p>
<p class="pnext"><span>"Take you away?" echoed Gibson, thunderstruck.</span></p>
<p class="pnext"><span>"Yes, yes, take me away! Now, this minute.
Oh, Tom, don't say you won't!"</span></p>
<p class="pnext"><span>"But where can I take you to?" asked
astounded Gibson.</span></p>
<p class="pnext"><span>"To Granpong."</span></p>
<p class="pnext"><span>"Not me!" said Susan's gallant, with
emphasis. "I suppose you think that at a
caffy-resterong you can do anything? Don't make
no mistake. They're the properest lot at
Granpong that ever I struck in all my natural.
Why, just to think of Madum opening the door,
and me bringing in a young lady at midnight!
Not me!"</span></p>
<p class="pnext"><span>"Oh, Tom, don't be such a beast!" moaned
Susan. "The very idea! You know quite well,
you do, that I'd never go to the same house.
I'd die first. But, oh Tom, you must take me
somewhere. We might go to the clergyman's wife."</span></p>
<p class="pnext"><span>"They don't have no clergymen in France,"
said Gibson, with British scorn; "only priests.
And priests don't have no wives. But look
here. What do you want to be took away for?
What's up?"</span></p>
<p class="pnext"><span>Susan was silent.</span></p>
<p class="pnext"><span>"It's some tiff with the Missis," said Gibson
derisively; "that's what it is. And I ain't
going to be a party to it. Bet my feet the Missis
is in the right. Fact is, this toff"--Gibson
paused, and repeated the word with disdain--"this
toff has given you swelled head. Not me!
I ain't going to take sides against the Missis
just for the sake of him. The old girl's always
been too good to me."</span></p>
<p class="pnext"><span>The undress grammar and off-duty
vocabulary of my two model domestics opened my
eyes wide and made my ears burn. As for
Ruddington, he touched my hand again, and I saw
that his face was full of pain. He had guessed
that I was showing him Susan.</span></p>
<p class="pnext"><span>"We mustn't stay," he said.</span></p>
<p class="pnext"><span>"We must," I answered, stamping my foot
on the grass. For Susan was speaking.</span></p>
<p class="pnext"><span>"No, Tom, no," she moaned; "not the
Missis! It isn't a tiff with the Missis. Oh, it
breaks my heart to think of it! To-night, just
before I ran away, she was sitting looking at
the fire. She looked that sad and lonely, I
burst out crying; and if I hadn't run straight
out of the house, I wouldn't have come at all.
No, no, no! Not the Missis."</span></p>
<p class="pnext"><span>"What the dooce is it, then?" asked Gibson.</span></p>
<p class="pnext"><span>"It's ... it's him!" blurted Susan, desperately.</span></p>
<p class="pnext"><span>"Him? Not ... not the toff?"</span></p>
<p class="pnext"><span>"Yes," groaned Susan, "the toff! He's
coming. He wants to meet me, here."</span></p>
<p class="pnext"><span>"Here? To-night?"</span></p>
<p class="pnext"><span>"No. To-morrow. Eleven o'clock. Oh,
Tom, I can't bear it! Take me away!"</span></p>
<p class="pnext"><span>Gibson emitted a long, low whistle. He took
off his cap, crushed it up, and put it on again.
Then he ducked for Susan's bag and dropped
it down a few yards away, as if he wanted room.
Last of all, he bent his head till he could look
straight into Susan's eyes.</span></p>
<p class="pnext"><span>"Susie," he said slowly, "you don't say
you're going to give him up?"</span></p>
<p class="pnext"><span>He had dropped his vile pronunciation, and
had strangely regained the simple dignity with
which he had spoken to me at Traxelby.</span></p>
<p class="pnext"><span>"Not that you're going to give him up?" he
repeated.</span></p>
<p class="pnext"><span>"Yes, yes, yes!" said Susan. "I don't want
him! I won't have him! I can't bear him!
Take me away!"</span></p>
<p class="pnext"><span>"And if I do," he asked intently, "can you
bear me, Susie? Will you have </span><em class="italics">me</em><span>?"</span></p>
<p class="pnext"><span>"Oh, Tom, of course I will!" she wailed,
clinging to him with all her might. And,
suddenly raising herself on tiptoe, she gave him a
resounding rustic kiss.</span></p>
<p class="pnext"><span>Behind our bush we recoiled a little, both
from them and from one another.</span></p>
<p class="pnext"><span>"We will go," said Ruddington.</span></p>
<p class="pnext"><span>"We won't," I said, pinching his arm to
keep him quiet. So we looked away while
Gibson returned the kiss, not once, or twice, or
thrice.</span></p>
<p class="pnext"><span>"Susie," demanded Gibson at last, "what
is his name? Who is he?"</span></p>
<p class="pnext"><span>"His name," proclaimed Susan, after an
effective delay, "is Lord Ruddington."</span></p>
<p class="pnext"><span>Gibson let her fall from his embrace like a
stone. He sprang back a man's length.</span></p>
<p class="pnext"><span>"Oh yes, of course," he said mockingly,
when he had found his breath. "Lord Ruddington,
</span><em class="italics">alias</em><span> the King of Spain, alias the
Emperor of Russia! Of course!"</span></p>
<p class="pnext"><span>"Honour bright, it's true!" said Susan
indignantly. "If it isn't, may I be struck
down dead. His lordship fell over his head in
love with me in Traxelby church."</span></p>
<p class="pnext"><span>"Susie, this is true?" he demanded, striding
up to her and speaking fiercely. "This is
true?"</span></p>
<p class="pnext"><span>"Don't go on silly," said Susan.</span></p>
<p class="pnext"><span>Gibson leaned against a tree and thought
for some time. At last he straightened
himself up, and said, in low excited tones:</span></p>
<p class="pnext"><span>"Look here, Susie, this makes a difference.
You don't think I'm going to help you miss a
chance like that? Haven't I always said you're
fit to be a duchess? No, Susie, it isn't good
enough. D'ye think I'm going to let you throw
yourself away on a poor thirty-bob-a-week
devil like me?"</span></p>
<p class="pnext"><span>"Oh don't, Tom, don't!" she pleaded, clinging
to him again. "Don't! or you'll make me
change my mind."</span></p>
<p class="pnext"><span>"There isn't a finer gentleman in all England
nor Lord Ruddington," said Gibson.</span></p>
<p class="pnext"><span>"Oh don't!" wailed Susan again.</span></p>
<p class="pnext"><span>"What is the matter with him?" demanded
Gibson. "It isn't his money. No, nor his
horses. Perhaps it's his looks?"</span></p>
<p class="pnext"><span>"We'd better be going!" I whispered to
Ruddington, behind our bush.</span></p>
<p class="pnext"><span>"No, no," protested Susan, "it isn't his
looks. When I put him in that folding frame,
facing Miss Langley, they looked lovely--just
like Royalty. No, it isn't his looks. I could
put up with that."</span></p>
<p class="pnext"><span>"Then what is it you can't put up with?"
asked Gibson searchingly.</span></p>
<p class="pnext"><span>She scraped the ground with her foot, as she
used to scrape the garden gravel, before she
replied mysteriously:</span></p>
<p class="pnext"><span>"Tom, he's so funny. He's all twists and
turns. It'd be like being married to an eel.
If he's the same as his letters, he'd make
me all giddy. When I read them, everything
seems to begin turning and turning round."</span></p>
<p class="pnext"><span>Gibson snorted impatiently. "With a thousand
pound a week," he said ironically, "you'll
soon get used to that."</span></p>
<p class="pnext"><span>"Tom, don't, don't!" she cried. "How can
you be so cruel? If you cared about me as you
said you did, you wouldn't let nobody have
me but you--not if it was the Prince of Wales
crawling on his bended knees."</span></p>
<p class="pnext"><span>Gibson came more into the light. I could
read in his face the bitterness of his heart.</span></p>
<p class="pnext"><span>"Susie," he said, "what's the use of talking?
If I take you away to-night, you know you'll
have to marry me, even if you change your
mind before to-morrow morning. Unless there's
some good reason why you won't marry Lord
Ruddington, you'll repent of it when we're
poor and when we've to work hard for a living.
You'll throw it in my teeth, and we shall be
worse'n a cat and a dog."</span></p>
<p class="pnext"><span>I was amazed at Gibson's paltriness; amazed
and angry. But not for long. All at once my
groom drew himself up as grandly as a knight
of romance, and demanded:</span></p>
<p class="pnext"><span>"Susie, girl--isn't there a better reason?"</span></p>
<p class="pnext"><span>My maid was his equal.</span></p>
<p class="pnext"><span>"Yes, Tom, yes," she cried passionately.
"There's a better reason. Oh, Tom, I'm in
love with you, and I always have been, though
I've behaved like a little Beast. And I couldn't
never be in love with Lord Ruddington if he
was all made of gold. Take me away!"</span></p>
<p class="pnext"><span>"Why should I?" asked the radiant lover
a minute afterwards, making a descent into the
practical. "If it's a bargain, what's the good
of running away from the Missis? We sha'n't
find such a soft job or such a good old girl
again in a hurry. If we run away, she won't
have us back."</span></p>
<p class="pnext"><span>"But he's coming to-morrow," interrupted
Susan in a panic.</span></p>
<p class="pnext"><span>"A jolly good thing too!" declared Gibson.
"If you're going to give him the push, the
sooner the better. Let him come. Give him
the straight tip. In fact, I'm not sure," added
Gibson meditatively, "that he oughtn't to
be made to part with a hundred pound for
breach of promise. Cheer up, and let 'em all
come!"</span></p>
<p class="pnext"><span>"No, no!" cried Susan, terror-stricken. "If
I see him, he'll turn me round his little finger.
I shall be too scared to say a word. I shall be
just like a stuck pig. Besides, he'll ask me
about the letters."</span></p>
<p class="pnext"><span>"Letters?" echoed Gibson.</span></p>
<p class="pnext"><span>"Yes, the letters. Oh, Tom, I've been so
wicked. When his first letter came to Traxelby,
I copied the answer out of an old book."</span></p>
<p class="pnext"><span>"You can go now ... if you want to!"
I murmured to Ruddington, behind our bush.
But he only plucked at my hand, and held it as
in a vice, while he listened with all his ears.
Susan talked on.</span></p>
<p class="pnext"><span>"That old book, with the covers off. But,
when I showed it to Miss Langley, she said it
didn't sound right, and she wrote out a lovely
letter for me to copy, and----"</span></p>
<p class="pnext"><span>"Go ahead!" said Gibson.</span></p>
<p class="pnext"><span>"And--oh, Tom, I told a lie! I pretended
I didn't know I was to copy it out. I thought
his Lordship would make fun of my writing
and give me up. So I posted it in ... in Miss
Langley's writing."</span></p>
<p class="pnext"><span>"Lord love us!" put in Gibson, in tones of awe.</span></p>
<p class="pnext"><span>"Yes. And Miss Langley was dreadfully
angry. But when we'd begun, we had to go on
I promised faithful that I would practise my
writing; but I didn't play fair."</span></p>
<p class="pnext"><span>"So the Missis has been helping him?"
demanded Gibson with a blaze of wrath. "The
Missis wanted you to have him?"</span></p>
<p class="pnext"><span>"No, no! The Missis asked me..."</span></p>
<p class="pnext"><span>"Asked what?"</span></p>
<p class="pnext"><span>"She asked ... oh, Tom, she asked if I
cared for you! And I told a lie, and I said I
didn't. Then she helped me. But she put it
in all the letters that he must wait, and that he
mustn't come after me, and that he mustn't
persuade me, and that I wouldn't marry
him unless I could be in love with him.
No, no, Tom. The Missis has been splendid!"</span></p>
<p class="pnext"><span>"What's he come for, then, if you told him
he mustn't?" Gibson asked, less angrily.</span></p>
<p class="pnext"><span>"I don't know. But Tom, Tom, don't wait
here or we shall be caught. Say Yes or No.
Will you take me away?"</span></p>
<p class="pnext"><span>Gibson's answer came boldly;</span></p>
<p class="pnext"><span>"Yes!"</span></p>
<p class="pnext"><span>Later on, he added: "We will go back to
England and be married at once."</span></p>
<p class="pnext"><span>"I have thirty pounds," said practical
Susan. "It's in Derlingham Post-office."</span></p>
<p class="pnext"><span>"I've only got nineteen pounds seven and
six," said Gibson glumly. "Mine's at
Derlingham too. But what the dooce does it
matter?" he burst out, snatching her to him
and challenging Fate with ringing pride. "Susie
girl, I've got </span><em class="italics">you</em><span>. You're the grandest girl
God ever made. It's all a lot of rot about those
letters. You're giving him up all for ... me!
Susie girl, if I've to slave my head off to do it,
I'll make you happy. If I don't, hell's too good
for me. I'll go through water and fire. Let's
be off. We'll tell Maddum all about it, and
she'll tell us what to do. Where's the bag?"</span></p>
<p class="pnext"><span>They turned and stooped to find it. In a
twinkling, I broke through the bush, tripped
over the stones, and stood on the other side of
the beck.</span></p>
<p class="pnext"><span>"No," I cried. "You sha'n't go!"</span></p>
<p class="pnext"><span>Susan screamed as if she had seen a ghost,
and tumbled cowering against Gibson's broad
chest. As for Gibson himself, after the first
shock of astonishment, he opposed to me a
fearless front.</span></p>
<p class="pnext"><span>"Asking pardon, Ma'am," he said respectfully
but firmly. "She shall."</span></p>
<p class="pnext"><span>"She sha'n't," I cried, more firmly still.
"Susan, you shall not go."</span></p>
<p class="pnext"><span>"Asking pardon, Ma'am," said Gibson again.
"We are not slaves. We sha'n't never forget
your kindness, Ma'am, and we don't hope to
find the like again. But you are speaking to
Susan's husband, Ma'am, which isn't the same
as the groom. Susan's going with me."</span></p>
<p class="pnext"><span>"Gibson," I said, "not so fast. You talk
as if I am against you both. When have I ever
done you wrong?"</span></p>
<p class="pnext"><span>"Done me wrong, Ma'am?" he said, harshly
and with a darkening face. "Begging pardon,
you've done me wrong this very day. You've
broke your promise. He's coming tomorrow--and
you didn't,----"</span></p>
<p class="pnext"><span>"I did," I said hastily. "It'll be at Grandpont
in the morning. I posted it to-day. Gibson,
you say Susan will marry you. Susan, is
it true?"</span></p>
<p class="pnext"><span>"Yes, Miss," said Susan faintly. "It is true."</span></p>
<p class="pnext"><span>"Then," I said, "why run away? Lord
Ruddington is answered. Susan can't marry
Gibson and Lord Ruddington too."</span></p>
<p class="pnext"><span>"You mean fair, Ma'am," replied Gibson,
"and you wish us well. But you are a young
lady, Ma'am. Susan don't trust herself to
meet him. And I don't neither."</span></p>
<p class="pnext"><span>"Gibson, Susan," I asked, "what if I give
you both my word that Lord Ruddington will
not ask Susan to marry him, and that he will
never write to her any more?"</span></p>
<p class="pnext"><span>"With due respects, Ma'am," Gibson answered,
"don't pledge your word to any such
thing. I say it again, Ma'am, you are a young
lady. He's a man, and he's been about the
world. If his Lordship's in love with Susan,
and if he's come all the way to Sinn Verrynick
to ask her, he won't be beat by the groom.
You'll no more turn Lord Ruddington back
to-morrow, Ma'am, than you'll turn me and
Susan back to-night. Susan, let us go."</span></p>
<p class="pnext"><span>I stepped forward to seize her, but he waved
me aside.</span></p>
<p class="pnext"><span>"Susan!" I cried. "Gibson! Listen! Let
Susan come to me for one minute. Something
tremendous has happened to-night, and I am
bound to let her know it. Susan, come here.
When you have heard it, you shall go with
Gibson or come home with me, just as you
think best."</span></p>
<p class="pnext"><span>Before he could restrain her, she slipped
from his grasp and ran to my side. He followed.
I threw my arm round her waist.</span></p>
<p class="pnext"><span>"If you please, Ma'am," said Gibson tensely,
standing almost as close to me as Susan,
"there's going to be no more secrets. What's
right to be said at all can be said out loud."</span></p>
<p class="pnext"><span>I considered. Then I spoke out clearly and
loudly.</span></p>
<p class="pnext"><span>"Very well. Have it so. But it would have
been easier for Susan to hear it alone. Susan,
there has been some dreadful, horrible mistake.
It was not you, Susan, whom Lord Ruddington
saw at Derlingham and in Traxelby church.
He was misinformed. He has never seen you
in his life. He does not want to marry you."</span></p>
<p class="pnext"><span>Susan stared at me, first, with a face as white
as chalk. Then she reddened like a rose, and
moaned like one wounded, with a choking moan.</span></p>
<p class="pnext"><span>"No, Miss Gertrude, no!" she pleaded in
anguish, "Don't say it wasn't real. Don't
say..."</span></p>
<p class="pnext"><span>"My poor Susan," I answered, "it wasn't
real. But what does it matter? You have
given him up for Gibson."</span></p>
<p class="pnext"><span>"No," she cried, with a sudden burst of wild
and terrible grief. "I didn't, I didn't, I didn't!
He wasn't mine to give."</span></p>
<p class="pnext"><span>I hesitated, wondering whether to tell her
that Ruddington had indeed been hers to give,
because he was willing to sacrifice himself to
the end. But I decided not to try her poor
wits any more.</span></p>
<p class="pnext"><span>"You are wrong, Susan," I said gently.
"It's true he wasn't yours to give. But you
believed he was. It is all the same. Gibson,
she gave up money, and luxury, and a splendid
name, all for you!"</span></p>
<p class="pnext"><span>"And, if you please, Ma'am," demanded
Gibson, "how do we know all this is true? If
it wasn't Susan he saw in Derlingham, who
was it? If he didn't fall in love with Susan,
who did he fall in love with? If he doesn't want
to marry Susan, who is it that he does want to
marry? No, Ma'am, I'm not taking any more
risks. To-morrow, perhaps, we shall find it's
Susan after all."</span></p>
<p class="pnext"><span>I turned to beckon towards the high bush.
But Ruddington was already over the stones,
I saw him and held my tongue. He came so
quietly, so masterfully, that I knew I had only
to listen and look on.</span></p>
<p class="pnext"><span>"You are Susan?" he said kindly in her ear.</span></p>
<p class="pnext"><span>Susan looked up and gave a piercing shriek.</span></p>
<p class="pnext"><span>"It's him, it's him!" she screamed.</span></p>
<p class="pnext"><span>"Don't be afraid, Susan," he said gently.
"Miss Langley has told you that you have no
more to fear. Some other day, you shall know
all. To-night, let me just tell you, on my
honour, that it was not my fault. If it had been
my fault, I should never forgive myself for
causing you all this worry and pain. Depend
on me to do all I can to make you and Gibson
happy. Tell me that you will try to forgive me."</span></p>
<p class="pnext"><span>"Oh, sir!" panted Susan.--"I mean,
Your Lordship! So it wasn't never me at all?"</span></p>
<p class="pnext"><span>"No. It was never you at all."</span></p>
<p class="pnext"><span>She began to weep.</span></p>
<p class="pnext"><span>"Oh, Your Lordship!" she gasped. "Then
... who ... who ... who was it?"</span></p>
<p class="pnext"><span>I caught my breath. Gibson bent forward
to be sure that all was well. Ruddington drew
my free arm through his and smiled.</span></p>
<p class="pnext"><span>Susan stared at us with wide eyes.</span></p>
<p class="pnext"><span>"Oh, Miss Gertrude," she cried, with a great
sob, "thank God!"</span></p>
<p class="pnext"><span>Both her warm arms were round my neck.
Her soft girlish breast pressed mine, and I
could feel her true heart beating wildly with
grief and joy. Holding her to me as a mother
holds a weeping child, I felt strangely calm.
I watched the moonlight dappling the ground
under the tree. I heard the sounds of the night:
the stirring leaves, the far-off plash of the
waves, the soft croon of the wind, the swirl of
the beck, and loudest of all, my true-hearted
Susan's sobs.</span></p>
<p class="pnext"><span>"Yes," I said softly. "Susan ... Gibson
... thank God! For to-night He has been
good to us all."</span></p>
<p class="pnext"><span>Then I too became as a little child. I broke
down and sobbed in Susan's warm embrace
till a strong arm clasped me round and led me
tenderly away.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><em class="italics">Saturday morning, seven o'clock</em><span>.</span></p>
<p class="pnext"><span>A month to-day since we came to France!
This morning is gay. The young sunbeams
are dancing on the sea, the air is soft, the sky
is necked with little white clouds like a blue
bay alive with sails. I have been standing on
the balcony with my hair floating in the wind.
Down on the grass in the garden, three plump,
pretty gulls are quite at home.</span></p>
<p class="pnext"><span>He prayed that he might come here early
this morning, but I said No, not till
eleven--the time appointed!</span></p>
<p class="pnext"><span>How much there will be to ask, how much to
tell! I don't understand yet how the mistake
was made. All I have worked out so far is that
he saw me three times with--Alice! The
Derlingham know-alls, in a hurry to answer his
questions before he had fairly asked them,
jumped to the conclusion that he had seen me
with Susan. It seems he inquired who was
the shorter one, the younger one, the prettier
one: and both the know-alls made haste to
assure him (a courtly compliment, this, to poor
me!) that it was Susan--Susan Briggs, Miss
Langley's maid. Then a dozen things
conspired, he says, to confirm him in his blunder,
just as a dozen things have conspired to drag
me into this affair and to involve me in it more
and more.</span></p>
<p class="pnext"><span>He has no light yet on the puzzle of last
Tuesday's letter. But he loves me so much
that I can tell him all: even to the showing of
this book. Perhaps he has kept a book of his
own, who knows? If so, I shall learn everything.
But, somehow, I feel that the explanations on
both sides can wait. What does it matter which
way the path has turned and twisted through
stones and thorns now that we have reached
the goal at last?</span></p>
<p class="pnext"><span>I told Susan not to call me till nine o'clock.
But I mean to slip downstairs softly; I have
business at Bérigny. There is reparation to be
made among those white graves where I
slammed the gates of my heart. And, amid
the holy stillness of the morning, I am fain to
chasten my spirit in the Communion of Saints.
For, on this day of my happiness, do I not feel
that grannie, and father and mother, and all
who have ever loved me, are yearning to me
out of the depths that after all are not so very
deep and down from the heights that after all
are not so very high? So I will go forth, through
the little yellow flowers and over the sweet,
crisp grass. I will go and sit in the sunshine,
on the old steps of the Calvary, while all that
great love yearns out to me from the unseen,
fondling me and caressing me as with soft hands.
I go to say my De Profundis at last, and to
breathe a prayer for this poor land, where the
fool hath said in his heart that there is no God.</span></p>
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<p class="center pfirst"><span>THE END.</span></p>
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