<h2><SPAN name="CHAPTER_VIII" id="CHAPTER_VIII"></SPAN>CHAPTER VIII</h2>
<h3>THE BLUE DIAMOND RING</h3>
<p>Annesley had not expected to sleep. There were a million things to
think of, and it was one o'clock before she was ready to slip into bed
in the green-and-white room with its bathroom annex. But the crowding
experiences of five hours had exhausted the girl. Sleep fell upon her as
her head nestled into a downy pillow, and she lay motionless as a marble
figure on a tomb until a sound of knocking forced itself into her dreams.</p>
<p>She waked with a start. The curtains were drawn across the window, but
she could see that it was daylight. A streak of sunshine thrust a golden
wedge between the draperies, and seemed a good omen: for the sun had
hidden from London through many wintry weeks.</p>
<p>The knocking was real, not part of a dream. It was at her door, and
jumping out of bed she could hardly believe a clock on the mantelpiece
which said half-past ten.</p>
<p>"Who is it?" she asked, timidly, fearing that the Countess de Santiago's
voice might answer; but a man replied: "A note from a gentleman
downstairs, please, and he's waiting an answer."</p>
<p>Annesley opened the door a crack, and took in a letter. The new master of
her destiny had written:</p>
<div class="blockquot"><p>Hurrah, my darling, our affairs march! I have been arranging about the
licence, <i>et cetera</i>, and I believe that you and I can join forces for
the rest of our lives to-morrow—blessed day!</p>
<p>How soon can you come down and talk over plans? I've a hundred to
propose. Will you breakfast with me, or have you finished?</p>
<p>Yours since last night, till eternal night,</p>
<p>N. S.</p>
</div>
<p>The girl scribbled an answer, confessing that she had overslept, but
promising to be down in half an hour for breakfast. She did not stop to
think of anything but the need for a quick reply; yet when the note was
sent, and she was "doing" her hair after a splash in the porcelain bath
(what luxury for the girl who had been practically a servant!), she
re-read her love-letter, spread on the dressing-table.</p>
<p>She liked her lover's handwriting. It seemed to express character—just
such character as she imagined her knight's to be. There were dash and
determination, and an originality which would never let itself be bound
by convention.</p>
<p>Perhaps if she had been critical—if the handwriting had been that of a
stranger—she might have thought it too bold. Long ago, when she was a
very young girl, she had superficially studied the "science" of
chirography from articles in a magazine, and had fancied herself a judge.
She remembered disliking Mrs. Ellsworth's writing the first time she saw
it, foreseeing the selfishness which afterward enslaved her. Since then
she had had little time to practise, until the day when she heard from
"Mr. N. Smith" after her answer to his advertisement in the <i>Morning
Post</i>.</p>
<p>One reason for feeling sure she could never care for the man was because
his handwriting prejudiced her in advance, it was so stiff, so devoid of
character. How different, she reflected now, from the writing of the man
who had taken his place!</p>
<p>She made such haste in dressing that her fingers seemed to be "all
thumbs"; and when at length she was ready she gazed gloomily into the
mirror. Last night she had not been so bad in evening dress; but now in
the cheap, ready-made brown velveteen coat and skirt and plain toque to
match, which had been her "best" for two winters, she feared lest <i>he</i>
should find her commonplace.</p>
<p>"The first thing I do, when he's had time to look me over, must be to
tell him he's free if he wants his freedom," she decided. And she kept
her word, when in the half-deserted foyer she had shaken hands with a
young man who wore a white rose in his buttonhole. "Please tell me
frankly if you don't like me as well by daylight," she gasped.</p>
<p>"I like you better," he said. "You're still my white rose. See, I've
adopted it as your symbol. I shall never wear any other flower on my
coat. This is yours. No, it's <i>you</i>! And I've kept the one I took last
night. I mean to keep it always. No danger of <i>my</i> changing my mind! But
you? I've lain awake worrying for fear you might."</p>
<p>He held her hand, questioning her eyes with his.</p>
<p>She shook her head, smiling. But he would not let the hand go. At that
hour there was no one to stare. "The Countess didn't warn you off me?"</p>
<p>Annesley opened her eyes. "Of course not! Why, you told me you were old
friends!"</p>
<p>"So we are—as friends go in this world: 'pals,' anyhow. She's done me
several good turns, and I've paid her. She'd always do what she could to
help, for her own sake as well as mine. But her idea of a man may be
different from yours."</p>
<p>"She wasn't with me long," explained Annesley. "She said I needed sleep.
After she'd looked at my room to see if it were comfortable, she bade me
'good-night,' and we haven't met this morning. The few remarks she did
make about you were complimentary."</p>
<p>"What did she say? I'm curious."</p>
<p>"Well, if you must know, she said that you were a man few women could
resist; and—she didn't blame <i>me</i>."</p>
<p>"H'm! You call that complimentary? Let's suppose she meant it so. Now
we'll have breakfast, and forget her—unless you'd like her called to go
with us on a shopping expedition I've set my heart on."</p>
<p>"What kind of a shopping expedition?" Annesley wanted to know.</p>
<p>"To buy you all the pretty things you've ever wished for."</p>
<p>The girl laughed. "To do that would cost a fortune!"</p>
<p>"Then we'll spend a fortune. Shall you and I do it ourselves, or would
you like to have the Countess de Santiago's taste?"</p>
<p>"Oh, let us go without her," Annesley exclaimed, "unless you——"</p>
<p>"Rather <i>not</i>. I want you to myself. You darling! We'll have a great
day—spending that fortune. The next thing we do—it can wait till
after we're married—is to look for a house in a good neighbourhood,
to rent furnished. But we'll get your swell cousins, Lord and Lady
Annesley-Seton, to help us choose. Perhaps there'll be something near
them."</p>
<p>"Why, they hardly know I exist! I doubt if Lady Annesley-Seton <i>does</i>
know," replied the girl. "They'll do nothing to help us, I'm sure."</p>
<p>"Then <i>don't</i> be sure, because if you made a bet you'd lose. Take
my word, they'll be pleased to remember a cousin who is marrying a
millionaire."</p>
<p>"Good gracious!" gasped Annesley. "<i>Are</i> you a millionaire?"</p>
<p>Her lover laughed. "Well, I don't want to boast to you, though I may
to your cousins, but if I'm not one of your conventional, stodgy
millionaires, I have a sort of Fortunatus purse which is never empty.
I can always pull out whatever I want. We'll let your people understand
without any bragging.</p>
<p>"I think Lady Annesley-Seton, <i>née</i> Miss Haverstall, whose father's purse
has flattened out like a pancake, will jump for joy when she hears what
you want her to do. But come along, let's have breakfast!"</p>
<p>Overwhelmed, Annesley walked beside him in silence to the almost deserted
restaurant where the latest breakfasters had finished and the earliest
lunchers had not begun.</p>
<p>So the mysterious Mr. Smith was rich. The news frightened rather
than pleased her. It seemed to throw a burden upon her shoulders which
she might not be able to carry with grace. The girl had little
self-confidence; but the man appeared to be troubled with no doubts of
her or of the future. Over their coffee and toast and hot-house fruit, he
began to propose exciting plans, and had got as far as an automobile when
the voice of the Countess surprised them.</p>
<p>She had come close to their table without being heard.</p>
<p>"Good morning!" she exclaimed. "I was going out, but from far off I saw
you two, with your profiles cut like silhouettes against all this glass
and sunshine. I couldn't resist asking how Miss Grayle slept, and if
there's anything I can do for her in the shops?"</p>
<p>As she spoke her eyes dwelt on Annesley's plain toque and old-fashioned
shabby coat, as if to emphasize the word "shops." The girl flushed, and
Smith frowned at the Countess.</p>
<p>"No, thank you," he replied for Annesley. "There's nothing we need
trouble you about till the wedding to-morrow afternoon. You can put on
your gladdest rags then, and be one of our witnesses. I believe that's
the legal term, isn't it?"</p>
<p>"I do not know," said the Countess with a suppressed quiver in her voice,
and a flash in the eyes fixed studiously on the river. "I know nothing of
marriages in England. Who will be your other witness, if it's not
indiscreet to ask?"</p>
<p>"I haven't decided yet," returned Smith, laconically.</p>
<p>"Ah, of course, you have <i>plenty</i> of friends to choose from; and so the
wedding will be to-morrow?"</p>
<p>"Yes. One fixes up these things in next to no time with a special
license. Luckily I'm a British subject. I never thought much about it
before, but it simplifies matters; and I'll have been living in this
parish a fortnight to-morrow. That's providential, for it seems that
legally it must be a fortnight. I've been up since it was light, learning
the ropes and beginning to work them. Even the hour's fixed—two-thirty."</p>
<p>(This was news for Annesley also, as there had been no time to begin
talking over the "hundred plans" Smith had mentioned in his letter.)</p>
<p>"You are prompt—and businesslike!" returned the Countess, and again the
girl blushed. She did not like to think of her knight of romance being
"businesslike" in his haste to make her his wife. But perhaps the
Countess didn't mean to suggest anything uncomplimentary. "At what church
will the 'ceremony take place' as the newspapers say?" she went on. "It
is to be a fashionable one?"</p>
<p>"No," replied, Smith, shortly. "Weddings in fashionable churches are
silly unless there's to be a crowd; and my wife and I are going to
collect our circle after we're married. I'll let you know in time where
we are going. As you'll be with the bride you can't lose yourself on the
way, so you needn't worry."</p>
<p>"I don't!" laughed the Countess. "I'm at your service, and I shall try to
be worthy of the occasion. But now I shall take myself off, or your
coffee will be cold. You have a busy day and it's late—even later than
our breakfasts on the <i>Monarchic</i> three weeks ago. Already it seems three
months. <i>Au revoir</i>, Don. <i>Au revoir</i>, Miss Grayle."</p>
<p>She finished with a nod for Annesley, and turned away. Smith let her go
in silence; and the girl watched the tall figure—as perfect in shape and
as perfectly dressed as a French model—walk out of the restaurant into
the foyer.</p>
<p>She seemed to have taken with her the golden glamour which had made up
for lack of sunshine in the room before her arrival; or if she had not
taken it, at least it was dimmed. Annesley gazed after the figure until
it disappeared, because she felt vaguely that it would be best not to
look at her companion just then. She knew that he was angry, and that he
wanted to compose himself.</p>
<p>The Countess was as handsome by morning light, in her black velvet and
chinchilla, as at night in flame colour and gold. But—the girl hoped she
was not ill-natured—she looked <i>meretricious</i>. If she were "made up,"
the process defied Annesley Grayle's eyes; yet surely never was skin so
flawlessly white; and such golden-red hair with dark eyes and eyebrows
must be unique.</p>
<p>"Great Scott, I thought she meant to spend the morning with us!" Smith
broke out, viciously. "I realize, now I've seen you together, that she's
not—the ideal chaperon. But any port in a storm!"</p>
<p>"I thought you liked her," Annesley said.</p>
<p>"So I do—within limits. At least I appreciate qualities that she has.
But there are times—when a little of her goes a long way."</p>
<p>"I'm afraid she realized that you weren't making her welcome," Annesley
smiled. "You weren't very nice to her, were you?"</p>
<p>"I was as nice as she deserved," the man excused himself.</p>
<p>"But she was good to me last night!"</p>
<p>"She owes it to me to be good. It's a debt I expect her to pay, that's
all, and I'm not sure she's paying it generously. You needn't be too
grateful, dear."</p>
<p>"Perhaps, as she's known you some time, she feels you're sacrificing
yourself," Annesley defended the Countess. "I don't blame her!"</p>
<p>"She's sharp enough to see that I'm in great luck," said Smith. "But I
suppose there's always a dash of the cat in a woman of her race. I hope
there's no need to tell you that she has no right to be jealous. If she
had, I wouldn't have put you within reach of her claws. There are
assorted sizes and kinds of jealousy, though. Some women want all the
lime-light and grudge sparing any for a younger and prettier girl."</p>
<p>Annesley laughed. "<i>Prettier!</i> Why, she's a beauty, and I——"</p>
<p>"Wait till I introduce you to Mrs. Nelson Smith, who's going to be one
of the best-dressed, best-looking young women in London, and you'll be
<i>sorry</i> for the poor old Countess," returned Smith, warmly. "You can
afford then to heap coals of fire on her head, which can't make it redder
than it is. Meanwhile, it occurs to me, from the way the wind blows,
you'd better go carefully with the lady! Don't let her pump you about
yourself, or what happened at Mrs. Ellsworth's. It's not her business.
Don't confide any more than you need, and if she pretends to confide in
<i>you</i> understand that it will be for a purpose. The Countess is no
<i>ingénue</i>!</p>
<p>"But enough about her," he went on, abruptly. "She sha'n't spoil our
first breakfast together, even by reminding me of gloomy meals I used
sometimes to eat with her when we happened to find ourselves in each
other's society on board the <i>Monarchic</i>. I was feeling down on my luck
then, and she wasn't the one to cheer me up. But things are different
now. Have you noticed, by the way, that she has a nickname for me?"</p>
<p>"Yes," Annesley admitted. "She calls you 'Don.'"</p>
<p>"It's a name she made up because she used to say, when we first met, I
was like a Spaniard; and I can jabber Spanish among other lingos. It's
more her native tongue, you know, than English. I only refer to it
because I want you to have a special name of your own for me, and I don't
want it to be that one. It can't be Nelson, because—well, I can never be
at home as Nelson with the girl I love best—the one who knows how I came
to call myself that. Will you make up a name for me, and begin to get
used to it to-day? I'd like it if you could."</p>
<p>"May I call you 'Knight'?" Annesley asked, shyly. "I've named you my
knight already in my mind and—and heart."</p>
<p>He looked at her with rather a beautiful look: clear and wistful, even
remorseful.</p>
<p>"It's too noble a name," he said. "Still—if you like it, I shall. Maybe
it will make me good. Jove! it would take something strong to do that!
But who knows? From now on I'm your 'Knight.' You needn't wrestle with
'Nelson' except when we're with strangers.</p>
<p>"And—look here!" he broke off. "I've another favour to ask. Better get
them all over at once—the big ones that are hard to grant. You reminded
me last night that we wouldn't be legally married if I didn't use my own
name. That may be true. I can't very well make inquiries. But just in
case, I'm giving my real name and shall sign it in a register. That's why
our marriage must be quietly performed in a quiet place. It shall be in
church, because I know you wouldn't feel married if it wasn't, but it
must be in a church where nobody we're likely to meet ever goes; and the
parson must be one we won't stand a chance of knocking up against later.</p>
<p>"Managed the way I shall manage it, there'll be no difficulty. Mr. and
Mrs. Blank will walk out of the vestry after they've signed their names,
and—<i>lose themselves</i>. No reason why they should ever be associated with
Mr. and Mrs. Nelson Smith. Do you much mind all these complications?"</p>
<p>"Not if they're necessary to save you from danger," the girl answered.</p>
<p>"By Jove, you're a trump! But I haven't come to the <i>big</i> favour yet. Now
for it! When I write my real name in the register, I don't want you to
look. Is that the one thing too much?"</p>
<p>Annesley tried not to flinch under his eyes. Yet—he had put her to a
severe test. Last night, when he said that it would be better for her not
to know his name, she had quietly agreed.</p>
<p>But there was the widest difference between then and now. At that time
they had been strangers flung together by a wave of fate which, it
seemed, might tear them apart at any instant. In a few hours all was
changed. They belonged to each other. This man's name would be her name,
yet he wished her to be ignorant of it!</p>
<p>If the girl had not thought of him truly as her knight, if she had not
been determined to trust him, the "big favour" would indeed have been too
big.</p>
<p>Despite her trust, and the romantic, new-born love in her heart, she was
unable to answer for a moment. Her breath was snatched away; but as she
struggled to regain it and to speak, a bleak picture of the future
without him rose before her eyes. She couldn't give him up, and go on
living, after the glimpse he had shown her of what life might be!</p>
<p>"No, it's not too much," she said, slowly. "It's only part of the trust
I've promised to—my knight."</p>
<p>He gave a sigh of relief. "Thank you—and my lucky star for the prize you
are!" he exclaimed. Some men would have offered their thanks to God, or
to "Heaven." Annesley noticed that he praised his "star."</p>
<p>This was one of many disquieting things, large and small; for she had
been brought up to be a religious girl, and was mentally on her knees
before God in gratitude for the happiness which illuminated her gray
life. She could not bear to think that God was nothing to the man who had
become everything to her. She wanted to shut her eyes to all that was
strange in him; but it was as difficult as for Psyche to resist lighting
the lantern for a peep at her mysterious husband in his sleep.</p>
<p>For instance, there was the Countess de Santiago's reference to their
association on board the <i>Monarchic</i>, which Knight had refrained from
mentioning. He had spoken of it after the Countess had gone, to be sure;
but briefly, and because it would have seemed odd if he had not done so.
It had struck Annesley that his annoyance with the lady was connected
with that sharp little "dig" of hers, and she could not sweep her mind
clean of curiosity.</p>
<p>The moment the <i>Monarchic's</i> name was brought up she remembered reading
a newspaper paragraph about the last voyage of that great ship from New
York to Liverpool. Fortunately or unfortunately, her recollection of the
paragraph was nebulous, for when she read news aloud to her mistress she
permitted her mind to wander, unless the subject happened to be
interesting. She tried to keep up a vaguely intelligent knowledge of
world politics, but small events and blatant sensations, such as murders,
burglaries, and "society" divorces, she quickly erased from her brain.</p>
<p>Something dramatic had occurred on the <i>Monarchic</i>. Her subconscious self
recalled that. But it was less than a month ago that she had read the
paragraph, therefore the sensation, whatever it was, must have happened
when Knight and the Countess de Santiago were on board, coming to
England, and she could easily learn what it was by inquiring.</p>
<p>Not for the world, however, would she question her lover, to whom the
subject of the trip was evidently distasteful. Still less would she ask
the Countess behind his back.</p>
<p>There was another way in which she could find out a sly voice seemed to
whisper in Annesley's ear. She could get old numbers of the <i>Morning
Post</i>, the only newspaper that entered Mrs. Ellsworth's house, and search
for the paragraph. But she was ashamed of herself for letting such a
thought enter her head. Of course she would not be guilty of a trick so
mean. She would not try to unearth one fact concerning her Knight—his
name, his past, or any circumstances surrounding him, even though by
stretching out her hand she could reach the key to his secret.</p>
<p>He talked of things which at another time would have palpitated with
interest: their wedding, their honeymoon, their homecoming, and Annesley
responded without betraying absent-mindedness. It was the best she could
do, until the effect of the "biggest favour" and the doubts it raised
were blurred by new sensations. She would not have been a normal woman if
the shopping excursion planned by Knight had not swept her off her feet.</p>
<p>The man with Fortunatus' purse seemed bent on trying to empty
it—temporarily—for her benefit: if she had been sent out alone to buy
everything she had ever wanted, with no regard to expense, Annesley
Grayle would not have spent a fifth of the sum he flung away on evening
gowns, street gowns, boudoir gowns, hats, high-heeled paste-buckled
slippers, a gold-fitted dressing-bag, an ermine wrap, a fur-lined
motor-coat, and more suede gloves and silk stockings than could be used
(it seemed to the girl) in the next ten years.</p>
<p>He begged for the privilege of "helping choose," not because he didn't
trust her taste, but because he feared she might be economical; and
during the whole day in Bond Street, Regent Street, Oxford Street, and
Knightsbridge she was given only an hour to herself. That hour she was
expected to pass, and did pass, in providing herself with all sorts of
intimate daintiness of nainsook, lace, and ribbon, too sacred even for
a lover's eyes.</p>
<p>And Knight spent the time of his absence from her upon an errand which he
did not explain.</p>
<p>"I'll tell you what I did—and show you—to-morrow when I come to wish
you good morning," he said. "Unless you're going to be conventional and
refuse to see me till we 'meet at the altar,' as the sentimental writers
say. I think I've heard that's the smart thing. But I hope it won't be
your way. If I didn't see you from now till to-morrow afternoon I should
be afraid I'd lost you for ever."</p>
<p>Annesley felt the same about him, and told him so. They dined together,
but not at the Savoy. The Countess's name was not mentioned, yet Annesley
guessed it was because of her that Knight proposed an Italian restaurant.</p>
<p>When he left her at last at the door of her own hotel everything was
settled for the wedding-day and after. Knight was to produce two friends,
both men, to one of whom must fall the fatherly duty of giving the bride
away. He suggested their calling upon her in the morning, while he was
with her at the Savoy, in order that they might not meet as strangers at
the church, and the girl thought this a wise idea.</p>
<p>As for the honeymoon, Knight confessed to knowing little of England,
outside London, and asked Annesley if she had a choice. Would she like to
have a week or so in some warm county like Devonshire or Cornwall, or
would she enjoy a trip to Paris or the Riviera? It was all one to him, he
assured her; only he had set his heart on getting back to London soon,
finding a house, and beginning life as they meant to live it.</p>
<p>Annesley chose Devonshire. She said she would like to show it to Knight.</p>
<p>"I think you'll love it," she told him. "We might stay at several places
I used to adore when I was a child. And if we get to Sidmouth, maybe
you'll have a glimpse of those cousins you were talking about, the
Annesley-Setons. I believe they have a place near by called Valley House;
but I don't know whether they live there or let it."</p>
<p>"We'll go to Sidmouth," he said.</p>
<p>The girl smiled. His desire that she should scrape acquaintance with Lord
and Lady Annesley-Seton seemed boyish and amusing to her, but she did not
see how it could be brought about.</p>
<p>Next morning at eleven o'clock, when Annesley had been up for two
hours, packing her new things in her new trunks and the gorgeous new
dressing-bag, she was informed that Mr. Nelson Smith had arrived.
The girl had forgotten that Knight had hinted at something to tell and
something to show her on the morning of their marriage day, and expected
to find his two friends with him; but he had come alone.</p>
<p>"We've got a half-hour together," he said. "Then Dr. Torrance and the
Marchese di Morello may turn up at any minute. Torrance is an elderly
man, a decent sort of chap, and deadly respectable. He'll do the heavy
father well enough. Paolo di Morello is an Italian. I don't care for him;
but the troublesome business about my name is a handicap.</p>
<p>"I can trust these men. And at least they won't put you to shame. You can
judge them when they come, so enough talk about them for the present!
This is my excuse for being here," and he put into Annesley's hand a
flat, oval-shaped parcel. "My wedding gift to my bride," he added, in a
softer tone. "Open it, sweet."</p>
<p>The white paper wrapping was fastened with small red seals. If the girl
had had knowledge of such things she would have known that it was a
jeweller's parcel. But the white, gold-stamped silk case within surprised
her. She pressed a tiny knob, and the cover flew up to show a string of
pearls which made her gasp.</p>
<p>"For the Princess, from her Knight," he said. "And here"—he took
from the inner pocket of his coat a band of gold set with a big white
diamond—"is your engagement ring. Every girl must have one, you know,
even if her engagement <i>is</i> the shortest on record. I've the wedding
ring, too. But it isn't the time for that. A good-sized diamond's the
obvious sort of thing: advertises itself for what it is, and that's
what we want. You'll wear it, as much as to say, 'I was engaged like
everybody else.' But if there wasn't a reason against it, <i>this</i> is what
I should like to put on your finger."</p>
<p>As he spoke, he hid the spark of light in his other hand, and from the
pocket whence it had come produced another ring.</p>
<p>If she had not seen this, Annesley would have exclaimed against the word
"obvious" for the splendid brilliant as big as a small pea which Knight
put aside so carelessly. But the contrast between the modern ring with
its "solitaire" diamond and the wonderful rival he gave it silenced her.
She was no judge of jewellery, and had never possessed any worth having;
but she knew that this second ring was a rare as well as a beautiful
antique. It looked worthy, she thought, of a real princess.</p>
<p>Even the gold was different from other gold, the little that was visible,
for the square-cut stone, of pale, scintillating blue, was surrounded by
a frame of tiny brilliants encrusting the rim as far as could be seen on
the back of the hand when the ring was worn.</p>
<p>"A sapphire!" Annesley exclaimed. "My favourite stone. Yet I never saw a
sapphire like it before. It's wonderful—brighter than a diamond."</p>
<p>"It is a diamond," said Knight. "A blue diamond, and considered
remarkable. It's what your friend Ruthven Smith would call a 'museum
piece,' if you showed it to him. But you mustn't. He'd move heaven and
earth to get it! Nobody must see it but you and me. It wouldn't be safe.
It's too valuable. And if you were known to have it, you'd be in danger
from all the jewel thieves in Europe and America. You wouldn't like
that."</p>
<p>"No, it would be horrible!" Annesley shuddered. "But what a pity it must
be hidden. Is it yours?"</p>
<p>"It's yours at present," said Knight, "if you'll keep it to yourself, and
look at it only when you and I are alone together. I can't give it to
you, precisely, to have and to hold (as I shall give you myself in a
few hours), because this ring is more a trust than a possession.
Something may happen which will force me to ask you for it. But again, it
may <i>not</i>. And, anyhow, I want you to have the ring until that time
comes. I've bought a thin gold chain, and you can hang it round your
neck, unless—I almost think you're inclined to refuse?"</p>
<p>Another mystery! But the blue diamond in its scintillating frame was so
alluring that Annesley could not refuse. She knew that she would have
more pleasure in peeping surreptitiously at the secret blue diamond than
in seeing the "obvious" white one on her finger.</p>
<p>"I can't give it up!" she said, laughing. "But I hope it isn't one of
those dreadful historic stones which have had murders committed for it,
like famous jewels one reads of. I should hate anything that came from
<i>you</i> to bring bad luck."</p>
<p>"So should I hate it. If there's any bad luck coming, I want it myself,"
Knight said, gravely.</p>
<p>"I wish I hadn't spoken of bad luck to-day!" the girl remorsefully
exclaimed. "But I am not afraid. Give me the ring."</p>
<p>He gave it, and pulled from his pocket the slight gold chain on which he
meant it to hang. He was leisurely threading the ring upon this when two
men looked in at the door of the reading room.</p>
<p>One of the pair was of more than middle age. He was tall, thin, and
slightly stooping. His respectable clothes seemed too loose for him. His
hair and straggling beard were gray, contrasting with the sallow darkness
of his skin. He wore gold-rimmed spectacles, and peered through them as
if they were not strong enough for his failing sight.</p>
<p>The other man was younger. He, too, was dark and sallow, but his
close-cut hair was black. He was clean shaven and well dressed. He wore a
high, almost painfully high, collar, which caused him to keep his chin in
air. He might be a Spaniard or an Italian.</p>
<p>Annesley had certainly not seen him before. She told herself this twice
over. Yet—she was frightened. There was something familiar about him.
It must be her foolish imagination which took alarm at everything!</p>
<p>But, with fingers grown cold, she covered up the blue diamond.</p>
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