<h2 id="V">CHAPTER V. <br/> <small>A CONFESSION.</small></h2>
<p>It is hardly necessary to relate that Douglas took
the part Bob Gordon should have played, and gave the
burly Dan Mosely the trouncing of his life. That
followed, as a matter of course. The fellow had to
be punished for insulting the singer, and if Gordon
would not do the work, why, Mackenzie Douglas was
only too pleased to take on the job.</p>
<p>But Bob Gordon did not wait to see the battle.</p>
<p>“Coward!”</p>
<p>The hateful, ignominious word seemed to pursue
him, as, with bent head, he forced his way through
the crowd to escape from the garden. Once clear of
the lights and jeering faces, he strode rapidly to a
remote part of the extensive grounds that were all
part of the Savoy premises.</p>
<p>What should he do? He could not stay up in the
woods and work as a lumberman any longer. The
men would make life unbearable for him—unless he
were to fight a few of them.</p>
<p><span class="pagenum"><SPAN name="Page_33" id="Page_33">[33]</SPAN></span></p>
<p>“No, I cannot do that!” he moaned. “I cannot do
that!”</p>
<p>It was as he uttered this lament in an incoherent
wail that was somehow like the cry of a wounded animal,
that a white figure came bounding toward him
among the trees.</p>
<p>“Oh, Mr. Gordon!” she panted. “I had to come and
thank you for taking my part so nobly!”</p>
<p>“Nobly?” he echoed bitterly. “Don’t you know
that there was more of it after that, and that I was
anything but noble then?”</p>
<p>“I know,” she answered. “And I think you were
quite right. You’d done enough.”</p>
<p>“They call me a coward!”</p>
<p>“What of that?” demanded the girl, her eyes
sparkling in her anger as she thought of the attack on
Gordon. “You’re not a coward! You’ve given too
many proofs that you are just the reverse. Just because
you would not fight that big ruffian! Call you
a coward! Why, I saw his head towering far above
yours. He is a giant!”</p>
<p>Bob Gordon flushed. He knew that the girl’s excuse
for him was well meant. But it hardly soothed
him or helped to restore his self-respect.</p>
<p>“It wasn’t that,” he assured her hastily. “I was not
afraid of him—not of him! I wish you would believe
that, Bessie, although I’m afraid no one else ever will.”</p>
<p>“What was it, then?”</p>
<p>“Just this: I once—in a fight—killed a man!”</p>
<p>She recoiled a little. It was an involuntary movement,
but Gordon saw it, and it caused him to continue
quickly:</p>
<p>“I never meant to do it, Heaven knows. But we’d
quarreled, and it came to a fight. I remember that.
But I swear I do not recall striking a blow hard enough
to kill him. It was on the point of the jaw, and he fell
senseless. But he should have recovered in a few seconds.
It was not a deadly blow, ordinarily. We had<span class="pagenum"><SPAN name="Page_34" id="Page_34">[34]</SPAN></span>
both been drinking. That—that is why I never touch
liquor now, Bessie.”</p>
<p>“Perhaps you didn’t kill him,” she whispered. “Perhaps
he was not really dead.”</p>
<p>“Yes, he was. A doctor was in the room—a friend
of mine. He examined him, and pronounced him quite
dead. Then I ran away.”</p>
<p>“And that is all you know about it?”</p>
<p>“I heard afterward that the coroner’s jury found
a verdict of ‘Accidental death.’”</p>
<p>“Then you have nothing to fear.”</p>
<p>“My own conscience. And, if I were to go back
home, there are persons who know that I killed
Richard Jarvis. My father is a wealthy, influential
man, and he may have hushed it up. But <em>I know</em>. So
does he.”</p>
<p>“Haven’t you had any letters from your father, or
anybody at your home, since you left?”</p>
<p>“No. It was two years ago that I left, and nobody
knows where I am. I have been up in the back country
ever since, and I have changed my name, too. I
won’t tell you my real name. It would not do any
good. But you and I have been friends, and I don’t
want you to think I’m a coward. That’s why I’ve told
you my story.”</p>
<p>“I understand.”</p>
<p>“I’m sure you do. When I knew that Richard Jarvis
was dead, I made a solemn vow never to fight
again, no matter what might be the circumstances. It
has been a hard vow to keep, but I’ve done it somehow.
I never had to be called a coward on account
of it until to-night, however. That is why I’m going
away.”</p>
<p>“I should advise you to go home,” she murmured.
“You say your father is wealthy. I always felt sure
that you were not the sort of man you have allowed
yourself to be regarded out here. You are not an<span class="pagenum"><SPAN name="Page_35" id="Page_35">[35]</SPAN></span>
ordinary laborer. Your manners are those of a gentleman.
That shows in so many little ways.”</p>
<p>“I’m a murderer!”</p>
<p>“No, no. Don’t use such a word as that. It was not
murder—if it happened in a fair fight. Any of the
men about here would say you had a right to do it.”</p>
<p>“That may be. But it would not be looked at in
that way in my home near New York. I am convinced
that if I were to go back I should be arrested
and have to go through all the horrors of a trial for
murder. The end would be, very likely, the electric
chair in Sing Sing. My blood turns to water and my
heart to ice when I think of such a possibility. I am
a coward about that. I am not afraid of death, I believe—of
death itself. But to die in that way! The
shame of it!”</p>
<p>He shuddered and covered his face with his hands.
She touched him gently on the arm.</p>
<p>“Don’t, Mr. Gordon! You torment yourself needlessly.
Take my advice and go back home. I must
leave you now. My father is going on to play his
violin solo. He does a trick act, you know—plays the
violin in all sorts of curious ways. Uses only one
string, imitates cries of animals and birds, and so on.
He doesn’t like to do it, for he is an accomplished musician,
and he feels that he is degrading his art. But the
audience demands it, and he is such a master of his
instrument that he can do anything.”</p>
<p>“Good-bye, Bessie. I am going away from this
place. I hope I shall see you again. You and your
father travel about, and you’re quite likely to come to
some camp where I am. Good-bye! Remember me
to your father, Mr. Silvius.”</p>
<p>Before the girl could reply, Bob Gordon—or
Howard Milmarsh, which, of course, was his real
name—had dashed away into the darkness.</p>
<p>Bessie Silvius made her way slowly to the back of
the stage.</p>
<p><span class="pagenum"><SPAN name="Page_36" id="Page_36">[36]</SPAN></span></p>
<p>It was not until the girl and Bob Gordon had both
gone that a man came out from behind a large bush
where he had been crouching, listening to the conversation.
He was in evening dress, but his shirt front
was crumpled and bore stains from the bush, while his
whole suit looked as if it needed pressing.</p>
<p>The man was none other than the monologuist who
had been hailed by his noisy admirers as “old Joe
Stokes.”</p>
<p>He had taken himself off when the row started,
because he did not care to be in a battle if it could be
helped. Moreover, he had seen the girl following Bob
Gordon into the darkness, and he had curiosity to see
what there might be between them—if anything. Joe
Stokes had a sort of liking for Bessie Silvius himself.</p>
<p>“Well, if this isn’t luck!” was Joe Stokes’ self-addressed
remark, as he found himself alone, and ventured
to stand up and stretch. “I’ve always had my
suspicions about that Bob Gordon. He never seemed
to me to be like the other lumbermen. I’ve lived in
cities too long, and mixed too much with classy people,
not to know a man who has been a gentleman, no matter
what kind of clothes he wears. And now this
turns out to be—I’ll get into the hotel. I’ll have to
work quickly if I’m going to make anything of all
this.”</p>
<p>It was easy for him to get to the hotel without being
seen by the audience in the garden. They were some
distance away from the house, and were at the back
of it, besides.</p>
<p>Joe Stokes went around to the front of the long,
rambling frame structure, and soon was in his own
small bedroom on the third-story.</p>
<p>Opening a shabby but strong trunk—it was the sort
of iron-bound thing, built to stand rough usage, which
is known as a “theatrical trunk”—he took out a
newspaper.</p>
<p>The paper was folded small, so that one particular<span class="pagenum"><SPAN name="Page_37" id="Page_37">[37]</SPAN></span>
paragraph was turned outward. The paper was old
and dirty, bearing marks of much handling. It was
not easy to make out the print, but Stokes had read it
before, and he managed to read it without trouble:</p>
<p>“If this should meet the eye of H.M., late of Westchester
and New York, he is urgently requested to return
home. His father is dead, and he is the heir to
the estate.”</p>
<p>Joe Stokes sat on the side of his bed and considered:
“‘H.M.’ means ‘Howard Milmarsh,’ of course. It
must, for see how the description fits him. And
there is five thousand dollars reward for anybody who
finds the young man, or gives satisfactory proof of
his death. ‘Communications should be sent to Johnson,
Robertson & Judkins, attorneys at law, Pine
Street, New York,’” he read, from the advertisement.
“Good!”</p>
<p>He considered for some minutes. Then he muttered
slowly:</p>
<p>“The worst of it is that I’m afraid to go to New
York. If the police were to know I was there, it
would be the Tombs for mine, and a trip up the river
for a few years afterward. I’ll have to think this
out.”</p>
<p>He lighted an old pipe, with strong tobacco, and
composed himself to study out the problem of getting
hold of the five thousand dollars without giving the
police a chance to get hold of himself.</p>
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