<h2 class='c008'>CHAPTER XX</h2></div>
<p class='drop-capa0_0_6 c009'>Zoe ended the discussion by driving half an inch of
pen-knife into Coleman’s left arm and running out
of the flat, slamming the door behind her. Coleman
was used to this sort of thing; this sort of thing,
indeed, was what he was there for. Carefully he pulled
out the pen-knife which had remained sticking in his arm.
He looked at the blade and was relieved to see that it wasn’t
so dirty as might have been expected. He found some
cotton-wool, mopped up the blood as it oozed out, and
dabbed the wound with iodine. Then he set himself to
bandage it up. But to tie a bandage round one’s own
left arm is not easy. Coleman found it impossible to keep
the lint in place, impossible to get the bandage tight enough.
At the end of a quarter of an hour he had only succeeded
in smearing himself very copiously with blood, and the
wound was still unbound. He gave up the attempt and
contented himself with swabbing up the blood as it came
out.</p>
<p class='c010'>“And forthwith came there out blood and water,” he
said aloud, and looked at the red stain on the cotton wool.
He repeated the words again and again, and at the fiftieth
repetition burst out laughing.</p>
<p class='c010'>The bell in the kitchen suddenly buzzed. Who could
it be? He went to the front door and opened it. On the
landing outside stood a tall slender young woman with
slanting Chinese eyes and a wide mouth, elegantly dressed
<span class='pageno' id='Page_281'>281</span>in a black frock piped with white. Keeping the cotton-wool
still pressed to his bleeding arm, Coleman bowed as gracefully
as he could.</p>
<p class='c010'>“Do come in,” he said. “You are just in the nick of
time. I am on the point of bleeding to death. And
forthwith came there out blood and water. Enter, enter,”
he added, seeing the young woman still standing irresolutely
on the threshold.</p>
<p class='c010'>“But I wanted to see Mr. Coleman,” she said, stammering
a little and showing her embarrassment by blushing.</p>
<p class='c010'>“I am Mr. Coleman.” He took the cotton-wool for a
moment from his arm and looked with the air of a connoisseur
at the blood on it. “But I shall very soon cease to
be that individual unless you come and tie up my wounds.”</p>
<p class='c010'>“But you’re not the Mr. Coleman I thought you were,”
said the young lady, still more embarrassed. “You have a
beard, it is true; but....”</p>
<p class='c010'>“Then I must resign myself to quit this life, must I?”
He made a gesture of despair, throwing out both hands,
“Out, out brief Coleman. Out, damned spot,” and he
made as though to close the door.</p>
<p class='c010'>The young lady checked him. “If you really need
tying up,” she said, “I’ll do it of course. I passed my
First-Aid Exam, in the war.”</p>
<p class='c010'>Coleman reopened the door. “Saved!” he said. “Come
in.”</p>
<p class='c010'>It had been Rosie’s original intention yesterday to go
straight on from Mr. Mercaptan’s to Toto’s. She would
see him at once, she would ask him what he meant by
playing that stupid trick on her. She would give him a good
talking to. She would even tell him that she would never
see him again. But, of course, if he showed himself
<span class='pageno' id='Page_282'>282</span>sufficiently contrite and reasonably explanatory, she would
consent—oh, very reluctantly—to take him back into
favour. In the free, unprejudiced circles in which she now
moved, this sort of joke, she imagined, was a mere trifle.
It would be absurd to quarrel seriously about it. But still,
she was determined to give Toto a lesson.</p>
<p class='c010'>When, however, she did finally leave Mr. Mercaptan’s
delicious boudoir, it was too late to think of going all the
way to Pimlico, to the address which Mr. Mercaptan had
given her. She decided to put it off till the next day.</p>
<p class='c010'>And so the next day, duly, she had set out for Pimlico—to
Pimlico, and to see a man called Coleman! It seemed
rather dull and second-rate after Sloane Street and Mr.
Mercaptan. Poor Toto!—the sparkle of Mr. Mercaptan
had made him look rather tarnished. That essay on the
“Jus Primæ Noctis”—ah! Walking through the unsavoury
mazes of Pimlico, she thought of it, and, thinking
of it, smiled. Poor Toto! And also, she mustn’t forget,
stupid, malicious, idiotic Toto! She had made up her
mind exactly what she should say to him; she had even
made up her mind what Toto would say to her. And when
the scene was over they would go and dine at the Café
Royal—upstairs, where she had never been. And she would
make him rather jealous by telling him how much she had
liked Mr. Mercaptan; but not too jealous. Silence is
golden, as her father used to say when she used to fly into
tempers and wanted to say nasty things to everybody within
range. Silence, about some things, is certainly golden.</p>
<p class='c010'>In the rather gloomy little turning off Lupus Street to
which she had been directed, Rosie found the number,
found, in the row of bells and cards, the name. Quickly
and decidedly she mounted the stairs.</p>
<p class='c010'><span class='pageno' id='Page_283'>283</span>“Well,” she was going to say as soon as she saw him,
“I thought you were a civilized being.” Mr. Mercaptan
had dropped a hint that Coleman wasn’t really civilized;
a hint was enough for Rosie. “But I see,” she would go
on, “that I was mistaken. I don’t like to associate with
boors.” The fastidious lady had selected him as a young
poet, not as a ploughboy.</p>
<p class='c010'>Well rehearsed, Rosie rang the bell. And then the door
had opened on this huge bearded Cossack of a man, who
smiled, who looked at her with bright, dangerous eyes,
who quoted the Bible and who was bleeding like a pig.
There was blood on his shirt, blood on his trousers, blood
on his hands, bloody finger-marks on his face; even the
blond fringe of his beard, she noticed, was dabbled here
and there with blood. It was too much, at first, even for
her aristocratic equanimity.</p>
<p class='c010'>In the end, however, she followed him across a little
vestibule into a bright, whitewashed room empty of all
furniture but a table, a few chairs and a large box-spring
and mattress, which stood like an island in the middle of
the floor and served as bed or sofa as occasion required.
Over the mantelpiece was pinned a large photographic
reproduction of Leonardo’s study of the anatomy of love.
There were no other pictures on the walls.</p>
<p class='c010'>“All the apparatus is here,” said Coleman, and he pointed
to the table. “Lint, bandages, cotton-wool, iodine, gauze,
oiled silk. I have them all ready in preparation for these
little accidents.”</p>
<p class='c010'>“But do you often manage to cut yourself in the arm?”
asked Rosie. She took off her gloves and began to undo a
fresh packet of lint.</p>
<p class='c010'>“One gets cut,” Coleman explained. “Little differences
<span class='pageno' id='Page_284'>284</span>of opinion, you know. If your eye offend you, pluck
it out; love your neighbour as yourself. Argal: if his
eye offend you—you see? We live on Christian principles
here.”</p>
<p class='c010'>“But who are ‘we’?” asked Rosie, giving the cut a
last dressing of iodine and laying a big square of lint over it.</p>
<p class='c010'>“Merely myself and—how shall I put it?—my helpmate,”
Coleman answered. “Ah! you’re wonderfully
skilful at this business,” he went on. “You’re the real
hospital nurse type; all maternal instincts. When pain
and anguish wring the brow, an interesting mangle thou,
as we used to say in the good old days when the pun and the
Spoonerismus were in fashion.”</p>
<p class='c010'>Rosie laughed. “Oh, I don’t spend all my time tying
up wounds,” she said, and turned her eyes for an instant
from the bandage. After the first surprise she was feeling
her cool self again.</p>
<p class='c010'>“Brava!” cried Coleman. “You make them too, do
you? Make them first and cure them afterwards in the
grand old homœopathic way. Delightful! You see what
Leonardo has to say about it.” With his free hand he
pointed to the photograph over the mantelpiece.</p>
<p class='c010'>Rosie, who had noticed the picture when she came
into the room, preferred not to look at it too closely a
second time. “I think it’s rather revolting,” she said, and
was very busy with the bandage.</p>
<p class='c010'>“Ah! but that’s the point, that’s the whole point,”
said Coleman, and his clear blue eyes were alive with
dancing lights. “That’s the beauty of the grand passion.
It <em>is</em> revolting. You read what the Fathers of the Church
have to say about love. They’re the men. It was Odo
of Cluny, wasn’t it, who called woman a <i><span lang="la" xml:lang="la">saccus stercoris</span></i>,
<span class='pageno' id='Page_285'>285</span>a bag of muck. <i><span lang="la" xml:lang="la">Si quis enim considerat quæ intra nares et
quæ intra fauces et quæ intra ventrem lateant, sordes ubique
reperiet.</span></i>” The Latin rumbled like eloquent thunder
in Coleman’s mouth. “<i><span lang="la" xml:lang="la">Et si nec extremis digitis flegma
vel stercus tangere patimur, quomodo ipsum stercoris saccum
amplecti desideramus.</span></i>” He smacked his lips. “Magnificent!”
he said.</p>
<p class='c010'>“I don’t understand Latin,” said Rosie, “and I’m glad
of it. And your bandage is finished. Look.”</p>
<p class='c010'>“Interesting mangle!” Coleman smiled his thanks.
“But Bishop Odo, I fear, wouldn’t even have spared you;
not even for your good works. Still less for your good
looks, which would only have provoked him to dwell
with the more insistency on the visceral secrets which
they conceal.”</p>
<p class='c010'>“Really,” Rosie protested. She would have liked to get
up and go away, but the Cossack’s blue eyes glittered at her
with such a strange expression and he smiled so enigmatically,
that she found herself still sitting where she was,
listening with a disgusted pleasure to his quick talk, his
screams of deliberate and appalling laughter.</p>
<p class='c010'>“Ah!” he exclaimed, throwing up his hands, “what
sensualists these old fellows were! What a real voluptuous
feeling they had for dirt and gloom and sordidness and
boredom, and all the horrors of vice. They pretended they
were trying to dissuade people from vice by enumerating
its horrors. But they were really only making it more spicy
by telling the truth about it. <i><span lang="la" xml:lang="la">O esca vermium, O massa
pulveris!</span></i> What nauseating embracements! To conjugate
the copulative verb, boringly, with a sack of tripes—what
could be more exquisitely and piercingly and
deliriously vile?” And he threw back his head and
<span class='pageno' id='Page_286'>286</span>laughed; the blood-dabbled tips of his blond beard shook.
Rosie looked at them, fascinated with disgust.</p>
<p class='c010'>“There’s blood on your beard,” she felt compelled to say.</p>
<p class='c010'>“What of it? Why shouldn’t there be?” Coleman
asked.</p>
<p class='c010'>Confused, Rosie felt herself blushing. “Only because
it’s rather unpl—leasant. I don’t know why. But it is.”</p>
<p class='c010'>“What a reason for immediately falling into my arms!”
said Coleman. “To be kissed by a beard is bad enough
at any time. But by a bloody beard—imagine!”</p>
<p class='c010'>Rosie shuddered.</p>
<p class='c010'>“After all,” he said, “what interest or amusement is
there in doing the ordinary things in the obvious way?
Life <i><span lang="fr" xml:lang="fr">au naturel</span></i>.” He shook his head. “You must have
garlic and saffron. Do you believe in God?”</p>
<p class='c010'>“Not m—much,” said Rosie, smiling.</p>
<p class='c010'>“I pity you. You must find existence dreadfully dull.
As soon as you do, everything becomes a thousand times
life-size. Phallic symbols five hundred feet high,” he lifted
his hand. “A row of grinning teeth you could run the
hundred yards on.” He grinned at her through his beard.
“Wounds big enough to let a coach-and-six drive into their
purulent recesses. Every slightest act eternally significant.
It’s only when you believe in God, and especially in hell,
that you can really begin enjoying life. For instance, when
in a few moments you surrender yourself to the importunities
of my bloody beard, how prodigiously much more
you’d enjoy it if you could believe you were committing
the sin against the Holy Ghost—if you kept thinking calmly
and dispassionately all the time the affair was going on:
All this is not only a horrible sin, it is also ugly, grotesque,
a mere defæcation, a——”</p>
<p class='c010'><span class='pageno' id='Page_287'>287</span>Rosie held up her hand. “You’re really horrible,” she
said. Coleman smiled at her. Still, she did not go.</p>
<p class='c010'>“He who is not with me is against me,” said Coleman.
“If you can’t make up your mind to be with, it’s surely
better to be positively against than merely negatively
indifferent.”</p>
<p class='c010'>“Nonsense!” exclaimed Rosie feebly.</p>
<p class='c010'>“When I call my lover a nymphomaniacal dog, she runs
the pen-knife into my arm.”</p>
<p class='c010'>“Well, do you enjoy it?” asked Rosie.</p>
<p class='c010'>“Piercingly,” he answered. “It is at once sordid to
the last and lowest degree and infinitely and eternally
significant.”</p>
<p class='c010'>Coleman was silent and Rosie too said nothing. Futilely
she wished it <em>had</em> been Toto instead of this horrible,
dangerous Cossack. Mr. Mercaptan ought to have warned
her. But then, of course, he supposed that she already
knew the creature. She looked up at him and found his
bright eyes fixed upon her; he was silently laughing.</p>
<p class='c010'>“Don’t you want to know who I am?” she asked. “And
how I got here?”</p>
<p class='c010'>Coleman blandly shook his head. “Not in the very
least,” he said.</p>
<p class='c010'>Rosie felt more helpless, somehow, than ever. “Why
not?” she asked as bravely and impertinently as she could.</p>
<p class='c010'>Coleman answered with another question. “Why
should I?”</p>
<p class='c010'>“It would be natural curiosity.”</p>
<p class='c010'>“But I know all I want to know,” he said. “You are a
woman, or, at any rate, you have all the female stigmata.
Not too sumptuously well-developed, let me add. You
have no wooden legs. You have eyelids that flutter up
<span class='pageno' id='Page_288'>288</span>and down over your eyes like a moving shutter in front of
a signalling lamp, spelling out in a familiar code the letters:
A.M.O.R., and not, unless I am very much mistaken, those
others: C.A.S.T.I.T.A.S. You have a mouth that looks
as though it knew how to taste and how to bite. You....”</p>
<p class='c010'>Rosie jumped up. “I’m going away,” she said.</p>
<p class='c010'>Coleman leaned back in his chair and hallooed with
laughter. “Bite, bite, bite,” he said. “Thirty-two
times.” And he opened and shut his mouth as fast as he
could, so that his teeth clicked against one another with a
little dry, bony noise. “Every mouthful thirty-two times.
That’s what Mr. Gladstone said. And surely Mr. Gladstone”—he
rattled his sharp, white teeth again—“surely
Mr. Gladstone should know.”</p>
<p class='c010'>“Good-bye,” said Rosie from the door.</p>
<p class='c010'>“Good-bye,” Coleman called back; and immediately
afterwards jumped to his feet and made a dash across the
room towards her.</p>
<p class='c010'>Rosie uttered a cry, slipped through the door and, slamming
it behind her, ran across the vestibule and began fumbling
with the latches of the outer door. It wouldn’t open,
it wouldn’t open. She was trembling; fear made her feel
sick. There was a rattling at the door behind her. There
was a whoop of laughter, and then the Cossack’s hands
were on her arms, his face came peering over her shoulder,
and the blond beard dabbled with blood prickled against
her neck and face.</p>
<p class='c010'>“Oh, don’t, don’t, don’t!” she implored, turning
away her head. Then all at once she began violently
crying.</p>
<p class='c010'>“Tears!” exclaimed Coleman in rapture, “genuine
tears!” He bent eagerly forward to kiss them away, to
<span class='pageno' id='Page_289'>289</span>drink them as they fell. “What an intoxication,” he said,
looking up to the ceiling like a chicken that has taken a sip
of water; he smacked his lips.</p>
<p class='c010'>Sobbing uncontrollably, Rosie had never in all her life
felt less like a great, fastidious lady.</p>
<div class='chapter'>
<span class='pageno' id='Page_290'>290</span>
<div style="break-after:column;"></div><br />