<h2>CHAPTER V</h2>
<p class='c007'>After looking at the prologue of the show, Lionel
and Danford entered the house and ascended the
steps of the once richly-carpeted staircase. At the
top stood, or at least wabbled, a little woman,
leaning heavily on a stick; at her side was Sam
Yorick, the social guide, who had no rival as a
mimic of Parliamentary members, but who could
not hold a candle to Dick Danford. Mrs Webster
had applied too late, and had to take Yorick and
consider herself lucky to get him, for he was the
last male guide available, and she strongly objected
to having a woman guide.</p>
<p>The house was superbly decorated with large
china vases in which magnolias, azaleas, and
rhododendrons had been placed. The reception-rooms
were filling rapidly; it was soon going to be
a crush. Every description of plastic was there—the
small, tall, large, thin; and one uniform shade
prevailed, that of the flesh colour. As the rays of
the burning sun entered obliquely, tracing long
lines of golden light on the parqueted floor, it
illuminated equally the phalanxes of refined feet
and ankles, flat insteps and knobby toes.</p>
<p>“My lord, do you see there Mrs Archibald?”</p>
<p>“What, the vaporous Mrs Archibald? But
where is the grace of the woman we used to call
the sylph of Belgravia?”</p>
<p>“She lost her chiffon covering in the London
storm, my lord.”</p>
<p>“Some fat old dowager malignantly said of her
that she was draped in her breeding, so thin and
undulating did she appear. But, has the breeding
disappeared also in the torrential rain? for she
looks as strong as a horse—see these thick ankles,
short wrists, and red arms. I always objected to
that sylph in cream gauze, for one never could get
at her, she lived <i><span lang="fr" xml:lang="fr">de profil</span></i> and one only could
peep at her through side doors.”</p>
<p>“Who was her husband?” inquired the little
artist.</p>
<p>“He was colonel of a crack regiment. His ideas
were limited to two dogmas: the sense of military
exclusiveness, and a profound horror of intellectual
women. Like his wife he was well-bred.”</p>
<p>“Yes, my lord, but the Englishman has definite
limits to his gentility; the brute, though dormant,
lies ready to leap and bite when he is annoyed.”</p>
<p>“What are you, Danford, if not an Englishman?”
Lionel smiled.</p>
<p>“Ah! satirists have neither sex nor nationality;
but pray go on with your alembic of Colonel
Archibald’s character.”</p>
<p>“Well, he chose his wife because she was a well-bred
girl—or at least had her certificate of good
breeding—also because she was well connected and
thoroughly trained in all social cunning.”</p>
<p>“Yes, and I daresay the thin, well-trained piece
of machinery had been stirred by the dashing
young officer. She secretly harboured love in that
secret corner of the heart and senses which
thorough-bred folks ignore outwardly but slyly
analyse. We must not forget, my lord, that she
has short wrists and thick ankles—ha! ha!—he was
of her set, so nature could be let loose, while creeping
passion was allowed to fill her whole being.”</p>
<p>“True, my dear Mephisto, but generations of
women before her have done the same, and she
did not disgrace the long lineage of mediocrity
and avidity. She had been told what all women
are told in our world—namely, that a lady never
spoke loudly, never thought broadly; therefore
she ruined her friends’ reputations under a whisper,
and put the Spanish Inquisition to shame by her
pietistical hypocrisy.”</p>
<p>As Lionel ended this homily of the vapoury
Mrs Archibald, a group of bystanders dispersed,
and Lady Carey was visible to our two pilgrims.</p>
<p>“That is Lady Carey, my lord, widow of Sir
Reginald, who made himself so conspicuous in
India.”</p>
<p>“Do you mean the positive little woman who
followed fashion’s dictates, though she kicked, in
words, at the absurdity of some exaggerated
garments?”</p>
<p>“Ah! but finally submitted to all the caprices of
the mode, my lord—resistance would have been a
crime of <i><span lang="de" xml:lang="de">lese-toilette</span></i>—yes, it is she, or at least what
is left of her—a bundle of mannerism and puckered
flesh, sole survivals of an artificial state. At times
she is deep, more often frivolous, of a hasty temper
and a very cold temperament; in fact, her personality
is made up of full stops. Her brain seems to
have been built of blind alleys, which lead to
nowhere. She is suggestive and narrow-minded,
gushing and worldly-wise; she never allows
passion to tear her heart to shreds, but talks freely
about women’s frolics, and tells naughty stories
with a twinkle in her eye and a pout on her lip.
What a pity such a woman had missed the coach
to originality, and had alighted at the first station—superficiality!”</p>
<p>“I say, Dan, can you put a label on that fine
piece of statuary talking over there to Tom
Hornsby?”</p>
<p>“That, my lord, surely you ought to know—ha!
ha! ha! What an ingrate you are! it is Lady
Ranelagh. She who reigned over London Society
by right of her beauty.”</p>
<p>“By right of position, you might add, dear
Mephisto.”</p>
<p>“And finally, my lord, by right of insolence,”
interrupted the little buffoon.</p>
<p>“She frequently argued with life like a fishwife,”
went on Lionel, “and few know as well as
I do what funny questions she put to destiny; yet
she never saw her true image in her mental mirror,
and Society never recoiled from her; but as you
know, Dan, Society never recoils from any of
her members: the contract between swindlers
and swindled is never broken, and if by any
chance some speck of dirt sticks to one of the
columns that support the social edifice, Society is
always ready to pay the costs of whitewash.”</p>
<p>“Yet, my lord, this Carmen of Mayfair is now
caught in the wheels of the inevitable, and she has
to face to-day the worst of all judges—nature.”</p>
<p>“Do you see that little Tanagra figure leaning
against the door?—there, just in front of you,
Danford.”</p>
<p>“You mean Lady Hurlingham, my lord, with
her vermilion cheeks framed in meretriciously
youthful curls. She is a thorough woman of the
world.”</p>
<p>“With her, my dear Danford, a man is quite
safe. She did everything from curiosity, which
enabled her to reappear unwrinkled and unsullied
after her varied experience; she derived all the
fun she could extract from life without singeing
the smallest feather of her wings.”</p>
<p>“And still, my lord, one could hardly dare to
whisper an indelicate word before that Greuzelike
visage.”</p>
<p>“Quite so, dear Mephisto; those red lips would
rather kiss than tell, those large melting eyes are
pure—to an uninformed observer. <i><span lang="fr" xml:lang="fr">Honi soit</span></i>—ha!
ha! ha!”</p>
<p>The sarcastic laughter of the two men was
drowned by the tuning of a beautiful Stradivarius,
and for a moment the rising uproar of a London
At Home was hushed.</p>
<p>Johann Staub stood near the piano, his long
brown hair framing a strong Teutonic face, his
deep, dark eyes roving over the mass of heads
turned towards him. He played magnificently,
electric vibrations ran through his leonine mane,
still, they hardly listened; the silence that had
followed his first bars of the Kreuzer Sonata was
soon broken, as voices one by one resumed their
interrupted chatting, and the Dowager Lady
Pendelton, lulled by the heat and the scent of
exotic flowers, let her senile chin drop on her
wrinkled breast. She was asleep. Staub ended
his Sonata, and loud applause broke loose, a kind
of thanksgiving applause, not in honour of the
superb way in which the artist had played, but to
celebrate their relief and satisfaction at his having
finished. Old women went up to him, pressed his
hands, asked him to luncheon, to dinner—would
they were young—to what would they not invite
him! The one had heard Paganini—“Psh! he
was no match to you.” Another had known
Beriot very well—he was the only one to whom
he could be compared. Lady Pendelton woke
suddenly, gave a few approving grunts, her eyes
still shut, while she struck the parquet with her
ebony stick. She wanted Mrs Webster to bring
Staub to her at once, as she would like her granddaughter,
Lady Augusta, to have some violin
lessons.</p>
<p>“Danford, are you not, like me, struck by the
incongruity of all this?”</p>
<p>“My lord, to-morrow, after breakfast, I shall
submit to you some of my observations on the
subject of entertainments. Look at these women
seated on chairs, these men bending over them.
Their movements are without grace and their
hair badly dressed; we cannot have any more of
the Patrick Campbell style in our modern
mythology. Besides, there are too many people
here, and in this Edenic attire the less people
you group together, the better the effect.”</p>
<p>“I agree with you, Dan; but for God’s sake let
us leave this room—I see someone approaching
the piano. Let us be off, I am dying with thirst.”
They edged their way down the staircase, not
without trouble, for the crowd was coming back
from partaking of refreshment, and climbing up
the stairs with the renewed vigour that champagne
and sandwiches give to drawing-room visitors.
As they jammed sideways through the dining-room
door, Lionel frowned at the discomfort, and
Dan, finding himself breast to breast with his
pupil, murmured to him,—</p>
<p>“I should abolish this barbarous fashion of
going downstairs to feed at the altar of the tea-urn
and bread-and-butter. Ah! at last we are
through!”</p>
<p>“The buffet system has always revolted me”—a
shiver ran down Lionel’s back. “That kind
of social bar at which both sexes voraciously
satisfy their internal craving has, to my mind,
been a proof of the uncivilised state of
Society.”</p>
<p>“But the whole thing is based on false pretences,
my lord. Can I get you a glass of
champagne?” and he ducked his head between
two women who were talking loudly and munching
incessantly. “Parties like these are Zoo
entertainments at which the pranks of some
animal are to be viewed; it is either a foreign
prince, a cowboy, or a monkey.”</p>
<p>“Very often,” added Lionel, sipping his
champagne, “it is not so original, and only consists
of personal interests; this one is going to be
introduced to a member of Parliament; a woman
is going to meet her lover; a man to see his future
bride. There is very little sociability in our social
bazaars, I assure you.”</p>
<p>“Do you see that man leaning against the
marble mantelpiece, my lord? That is old
Watson telling a funny story to Lord Petersham.”</p>
<p>“The story must be highly flavoured, for Lord
Petersham is shaking with laughter.”</p>
<p>“Do not be mistaken, my lord, his lordship
never laughs at another man’s story—I know him
well—he is bursting now with a joke he will tell
old Watson when he has stopped laughing.”</p>
<p>“My dear Dan, we are the rudest nation on
earth. We stick lightning conductors on the
statues of our great men, and walk on people’s
toes, only apologising when we happen to know
them personally. The nobodies are insolent,
because they wish you to think them somebodies;
and the somebodies are arrogant, for they want
you well to understand that you are nobodies.”</p>
<p>“The room is emptying, my lord, the sun has
withdrawn its rays and the flowers are drooping
their tired petals.”</p>
<p>“Let us be off then!” and Lionel laid his hand
on Danford’s shoulder. “There is old Lady
Pendelton being wheeled across the hall by her
footman—unless it is her nephew, Lord Robert.
She pompously looks round as she proceeds
between the two rows of gazers. She is the
epilogue of this comedy—a sort of ‘God Save the
King’ unsung! This is all impossible, my dear
fellow; this old woman, Mrs Webster, is played out
in our new era, and the dowagers of the Pendelton
kind have no place, any more in our reformed
London.”</p>
<p>The two men left the house and walked into St
James’s Park.</p>
<p>“I shall give a party, Dick—something out of
the common.”</p>
<p>“Yes, my lord; they will accept from you what
they would shirk from anyone else.”</p>
<p>“How ever could these people imagine that our
present state of nature would admit of these
social crushes? Why, the notion of rubbing
against one’s neighbour ought to have deterred
them from crowding into these rooms.”</p>
<p>“The cause of all this incongruity is laziness,
my lord—apathy of the mind. That defect is the
fundamental cause of the success of the Conservative
policy. It suits the qualities and the
failings of the race; and countries have but the
politics they deserve, someone said. Very true,
for politics are the expression of a country’s inner
mind. The apathetic must naturally be Tories,
for they are slow at reforms, and stand in terror
of social upheavals; you saw, before the storm,
how far acquiescence and lethargy could go, you
will soon see that the country will stand at your
elbows in all your reforms. It is nonsense talking
of democracy in England as long as the peerage
is the goal of all drapers and ironmongers, and,
had not the Almighty poured water spouts over the
whole sham and deprived us of our artificial husks,
we should in time have seen London perish as
Athens, Rome and Constantinople. You have
to make the first move, my lord, for in this
country the masses imitate the upper classes.
Bear this well in mind: we are essentially caddish,
so, my lord, make use of the defect to save the
country.”</p>
<div style="break-after:column;"></div><br />