<h2>CHAPTER IX</h2>
<p class='c007'>Nettie Collins, Gwendolen’s social guide, declared
she had nothing more to teach her pupil
now she had made such progress in the art of
observation, recognised her lover, and just lately
known her father again. This last event had
been curious. One day, Gwen was walking
through the rooms of the National Gallery,
enjoying the beauty of art that had been hidden
from her for so many years; as she stood in front
of Pinturicchio’s “Story of Griselda,” wondering
at the past generations who not only allowed, but
insisted on women turning themselves into beasts
of burden, she noticed a middle-aged man of commanding
stature, close to her, gazing at the same
picture. She looked up and her eyes met his;
her present surroundings vanished, and she lived
in an evoked dream, which brought back past
scenes and long-buried joys. As she stared at
him, she little by little reconstructed the scenes of
her childhood, and as in a trance her lovely lips
faintly murmured the word “Father.”</p>
<p>“What a magician is love,” thought Gwendolen,
when she retired that night to her bedroom, after
long hours of conversation with her father. What
could Nettie teach her now? Still she kept the
sprightly little guide by her, to help her in working
out the problems of social reforms. The two reformers
put their clever heads together, and
assisted by Eva Carey—Gwendolen’s bosom
friend—they organised several guilds for the
purpose of bringing together the East-End
factory girls and the West-End fair damsels. They
came to the conclusion that the West-Enders had
been often enough in the dark continent of Stepney,
Hackney, and Bow, to amuse, sing or recite,
read and teach the poor isolated classes, who, after
all, knew no more of their instructors and entertainers
than if they had come down from the
planet Mars. The three friends thought this time
they would have the East-End on a visit to the
West-End, and on their own ground would make
them acquainted with that world which they had
only read about in penny shockers. Since the
disappearance of clothes, misery had lost a good
deal of its sting, and envy and rancour were things
of the past civilisation. Hitherto the craving for
money had robbed our world of the one virtue
which opens every heart to sympathy: Pity.
How could a factory girl, who struggled on five
shillings a week, ever imagine that the owner of a
West-End mansion needed sympathy? Money
was the great soother, and in the eyes of those
who did not eat enough, it granted one the
privileges of eating more than your fill, of lying in
bed when having a headache, of taking a holiday
when run down in health; it even went so far, in
their ignorant minds, as to pad the aching throbs
of a broken heart. The East-Ender knew no
limit to what money could do, because he had
none himself and was convinced that to possess in
abundance the things which he sorely lacked must
doubtless be the cause of all happiness. He was
so grossly one-sided and ignorant that he was
inclined to believe that even the laws of nature
could be altered by the power of riches; but however
foolish he may have been, he was not alone
in judging in this dogmatic manner. The West-Ender
was equally uninformed as to what lay
beneath the sordid rags of the classes of which he
knew nothing; he endowed the poorer classes with
a callousness of feeling which at first sight seemed
in keeping with their reeky clothes and shabby
environments, and denied them any particle of
that romance which he believed could only be the
privilege of the well-dressed. And thus the two
antipodes of London lived in a baneful ignorance
of one another. But now that the vanishing of
toggery had laid bare the two hearts of our social
world, Gwen was determined to put the picture of
humanity in proper perspective, and to soften the
crudity of light and darkness that had been
so offensive to both parties. Over and over
again Gwen gathered her friends and her
friends’ friends in the various parks of London.
They played and laughed under the trees, they
listened to Nettie’s amusing recitals of her
adventurous life, which were varied—for she
made her <i><span lang="fr" xml:lang="fr">début</span></i> at Hackney’s Music Hall,
and ended her career at the Alhambra! She
greatly diverted her audience, for her ideas of the
world at large were always flavoured with a grain
of good-humoured satire and gentle humour.
She was fresh and impulsive, human and perceptive,
and possessed the invaluable gift of
developing in the East-Ender girls the precious
sense of humour and discrimination which lightens
every burden, and seems to filter through opaque
dulness like a ray of sunlight.</p>
<p>How much more pleasant were those pastoral
entertainments than the old-fashioned At Home,
or even than the attractive garden parties!
Tournaments were organised to promote the
love of beauty, and to develop the imaginative
power that lies more or less dormant in everyone,
but more particularly so amongst the
London poorer classes. The first one was a
floral tournament. Every girl of the East-End
and the West-End was to appear in the prettiest,
and most original floral accoutrement; they were
granted full permission to use their imagination
to conceive wonderful designs and combination
of colours; Gwen hoped in this way to
instil in the Anglo-Saxon race an æsthetic
knowledge of decoration which was sorely lacking.
Another time she aimed at a more ambitious
entertainment, and started a series of historical
tournaments. A group of girls were selected
amongst the West and East-End maidens, and to
each of them an historical character was given to
impersonate. Historians were invited to lecture
on historical subjects so as to acquaint the girls
with the character they wished to personify.
This new mode of inoculating the taste for
history was as instructive as it was dramatic;
besides, it developed memory, for there was no
doubt that the East-Ender’s ignorance, as related
to past and present history, was not more appalling
than that of the Mayfair belle. Nettie
decided that the first three tournaments ought to
be consecrated to personages of our own times,
or at least the Victorian age; for uncultured
minds could not be supposed to interest themselves
in historical characters so far removed
from the present period as Charles II., Henry
VIII., or Alfred. It was gradually that the
dramatic study of history was to take them
backwards, instead of making them leap into a
far-distant abyss, expecting the bewildered brain
to grope its way back to our throbbing present.</p>
<p>Lionel frequently came to surprise Gwendolen
in Kensington Gardens, where she rehearsed with
the girls. He came in through the gates facing
the Memorial Monument. By the way, the statue
had been, with due respect, removed to a private
niche in the In Memoriam Museum of discarded
monuments, where only members of the Royal
Family were admitted to see it, on applying first
to the Lord Chamberlain. Already the younger
members of the family showed a distinct repulsion
to seeing their ancestor robed in such
abnormal garments, and one of the royal infants
had been seized with a fit in the arms of his nurse
at the sight of it.</p>
<p>Lionel, one lovely day in June, walked down the
Long Avenue of Kensington Palace Gardens; at a
distance he could perceive the groups of lissome
nymphs surrounding Gwen, some scattered under
the trees, others lying on the grass; and his
Greek appreciation of art made him hail this
pastoral scene as a great success. Those who
had visited the Wallace Collection would no
doubt compare the picture to a Boucher; but
Lionel, who had more discrimination, thought it
put him in mind of a Corot. Perhaps he was
right.</p>
<p>“Here you are, Lionel,” and Gwen walked up
to him as he came near. “We are having
a final rehearsal of our passion tournament. I
have already told you of it. Bella will represent
Love; Violet has chosen Anger; Flora begs to
be Dignity, and so on. They are quite excited
about it, the more so as no reading up can help
them in this; they will have to work out their
own ideas about the passions they wish to
personify. You see, Lionel, we have had enough
of external excitement, we must now look inwardly
for all our pleasures. It is a step higher than
historical impersonation, though we intend to
make the two studies work together.—Nettie, I
shall leave you in charge of them, for you are
sure to give them useful hints about their parts
and to develop a little more subtlety into their
monodrama.—Come, Lion, my Lion, let us stroll
under the trees; I have so much to say to you.”
And she looked into his eyes, and caressingly
held his hand close to her cheek, as they walked
away. His heart was full, and he thought deeply
and analysed minutely his emotions, trying to
define the newly-acquired standard of morals
that was slowly transforming their old rotten
Society into a rational sociality. One feature of
the old world had certainly disappeared since
the storm—lascivious curiosity. How could
morbid erotism find any place in our reformed
republic? Eve-like nakedness robbed a woman
of all impure suggestiveness. It was the half-clad,
half-disrobed, that had made man run amok in
the race for brutal enjoyment; for the goods
laid out in the shop windows are not by far
so alluring as what peeps behind the counter.</p>
<p>“Gwen, how lovely you are! Your face is a
crystal reflecting every beautiful emotion in your
heart. Even Raphael would have despaired of
fixing your expression.”</p>
<p>“You will make me vain, Lionel. There are
many things that I cannot yet grasp, although we
have so many hours on hand since the loss of our
furbelows. You do not realise what difference
it makes in a woman’s life.—But I shall be
happy when my small mission has succeeded and
when I have imparted to women the love of
study.”</p>
<p>“A man’s days were pretty much employed in
the same senseless pursuits. Some feel it
intensely—Lord Mowbray, for instance, who does
not know what to do with his costly jewels, now
he cannot stick them all over his Oriental costumes
and appear as a twentieth-century Aroun-al-Raschid.”</p>
<p>“Ah! he will develop with the rest, and easily
find out the unmarketable value of his luxury; or
if he does not evolve, he will be swept away by
the great wave of reform which waits for no man.
But I am more concerned about Ronald Sinclair;—of
course, you guess the reason.”</p>
<p>“Does Eva still care for him?”</p>
<p>“Eva is not a girl likely to change. She loved
him formerly for his wit, his irony, and I am
sorry to say, for his disdainful manner towards
her. But her love has now acquired a new
stimulus—pity, which she feels for all his
deficiencies. She may in time bring him round to
see life from a wider and more humane point of
view, but for the present he laughs at our meetings,
and vows the mixing of classes cannot succeed.
He pretends that nothing but the pursuits of
fastidious æstheticism can save this state of ours
from vulgarity. Somehow, I feel that he is not
right, though I cannot tell in what his teaching is
lacking.”</p>
<p>“We shall do a great deal for them when we
are married,” softly said Lionel.</p>
<p>“Ah! my dearest Lion, this is one of the serious
questions that has troubled me. Nettie cannot,
or will not help me in this matter; she says I
have to find that out alone, and that later on she
will work out the details for me. The first
stumbling-block is—the wedding. What kind
of a wedding could it be?”</p>
<p>“Well, I suppose—the church, the ceremony, and
all the rest that precedes and follows such
functions. It is not that I care for the whole
show, dearest; I personally think it a terrible
ordeal to have to exhibit oneself on such an
occasion.”</p>
<p>“Think of it, Lionel; it means walking to the
altar just as we are—no wedding dress, no
bridesmaids; the congregation likewise, and the
priest no better attired than the verger or bridegroom.
Where would be the show? Where the
customary apotheosis of smartness? Even the
thunderous organ striking up Mendelssohn’s
march would be an inadequate accompaniment to
a procession of Adamites.”</p>
<p>“To tell you the truth, Gwen, I had never
thought of it. The important thing was our love;
the ceremony appeared to me as a thing not
worth giving a thought; but now, it does seem to
me an utter impossibility to go through such an
incongruous function; and for the first time I see
how indecent public functions are.—There have
been no weddings since the storm, now I think
of it.”</p>
<p>“No; Nettie told me that Society had put off
all the forthcoming weddings until this freak of
nature had passed—how silly of Society! <em>I do
not wish to wait, for the very good reason</em> that I
believe this state of affairs will continue.”</p>
<p>“And I hope it may last for ever, for I owe to
it your love, Gwen. Let us dispense with the
public function.”</p>
<p>“Then no wedding?”</p>
<p>“No, at least, no bridesmaids, no wedding cake,
no invitations above all.”</p>
<p>“No.” Gwen absently gazed in front of her,
murmuring softly, “My uncle, the Bishop of
Warren, would officiate at our small chapel at
Harewood, and father would give me away. It
would be very strange. No stole, no Bishop’s
sleeves, none of the canonical vestments that
form part of the religious rites. All this had
not struck me, so engrossed was I with our
own appearance; but when once you knock
down part of the ceremony, the other must
inevitably disappear in the downfall; and in
the total destruction of outward signs, it seems as
if the principle of religion had also received a
fatal blow.”</p>
<p>“Then no wedding march, no benediction?”</p>
<p>“No, Lionel. Do not the triumphant chords
vibrate more sonorously in our two exultant hearts,
than in any organ?” and she lifted her beautiful
eyes high above the tops of the trees. Lionel
bent his head, and touched her softly-luxuriant
hair with his lips.</p>
<p>Nettie, who at a distance caught sight of his
movement, could not help smiling and thinking
that the British race was becoming less self-conscious.</p>
<p>“Gwen,” murmured her lover, “listen to the two
linnets on that branch. Have they invited their
friends and relations to come and witness their
betrothal? Happiness is timorous, and shuns the
world. Those who truly love, fly from the crowd,
to murmur their loving vows uninterrupted by
comments and gossip.”</p>
<p>“My Lion, you have put into words what my
heart has felt for days. Surely marriage is an
action which only concerns those who are interested.
Besides, the social laws of morality
which governed our old world cannot any longer
apply to our own. Let us return to Nettie; she
is sure to furnish us with useful suggestions for
carrying out our plan.” They turned back, and
very soon were met by Nettie and Eva; the
former, with her sprightly physiognomy, brought
their wandering minds back to practical life and
to bare facts.</p>
<p>“Have you discovered some new laws of life
since you left us?”</p>
<p>Gwen proceeded to relate to her friends what
they had arrived at concerning weddings in
general; and she asked Nettie to find some means
of realising their project.</p>
<p>“I should suggest a drive in your chariot to
some isolated spot in the country. Stay in some
labourer’s cottage, and on the day which would
have been the one appointed by you in our past
Society for the wedding, I should advise you to
spend it in the fields and to have a mutual confession;—what
I would call a complete reckoning
of your two inner lives; for that ought really
to be the true meaning of marriage, which
was so rarely understood in our past
Society.”</p>
<p>“This sounds very like Ibsen, dear Nettie,”
remarked Eva.</p>
<p>“But what do you suggest after that?” asked
Gwen.</p>
<p>“Stay away as long as you can; then return to
your occupations here, for you know we cannot
spare you for a very long time; there are so many
things we want to launch before the season is over.
Of course, no announcement of your marriage is
required, you will tell your friends when you come
back, and as to the rest of the world, it is immaterial
whether they know it or not.”</p>
<p>“It certainly seems simple enough, and in that
way we escape all foolish questions.”</p>
<p>“My dear Lord Somerville, I think that you will
find that no one will take the slightest notice of
your escapade. In London, what is past is seldom
interesting,” added the little buffoon, who had for
some time put this axiom to the test when she
was on the Music Halls.</p>
<p>“I believe you are right,” answered Lionel, “and
the saddest tragedy of last week has no chance
against the daily scandals.”</p>
<p>“Society lives greatly on its own imagination”—the
sententious humourist was taking a flight into
speculative land. “Society is the biggest romancer
you ever came across; it hates truth and <i><span lang="la" xml:lang="la">bona-fide</span></i>
dramas; despises the scandals that have not been
spun at their own fireside; and follows to the
letter the well-known maxim, that truth makes
the worst fiction.”</p>
<p>“Do you not think, Nettie, now marriage has
become a grave reality, that the least said about it
at large, the better?”</p>
<p>“By all means; and the less seen of it the
better still. Do not forget that this evening we
go to the Circus to witness the first representation
given by the Society of new stagers. You have
no idea, my lord, what a bevy of young actors
are coming to the fore to outshine the old
ones.”</p>
<p>“We were in sore need of real dramatic artists,
owing to the utter inability of impersonating
characters without wardrobe paraphernalia. Perhaps
we shall be able in time to form a school of
dramatic psychologists. But here comes Danford;
he will tell us what is going on.”</p>
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