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<br/>
<h2> ACT I </h2>
<h3> A ROOM IN THE HOUSE OF SENATOR CHALMERS </h3>
<p>Scene. <i>In Senator Chalmers' home. It is four o'clock in the afternoon,
in a modern living room with appropriate furnishings. In particular, in
front, on left, a table prepared for the serving of tea, all excepting the
tea urn itself. At rear, right of center, is main entrance to the room.
Also, doorways at sides, on left and right. Curtain discloses Chalmers and
Hubbard seated loungingly at the right front.</i></p>
<p><br/><br/> <b>Hubbard</b></p>
<p>(<i>After an apparent pause for cogitation.</i>) I can't understand why an
old wheel-horse like Elsworth should kick over the traces that way.</p>
<p><br/> <br/> <b>Chalmers</b></p>
<p>Disgruntled. Thinks he didn't get his fair share of plums out of the
Tariff Committee. Besides, it's his last term. He's announced that he's
going to retire.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Snorting contemptuously, mimicking an old man's pompous enunciation.</i>)
"A Resolution to Investigate the High Cost of Living!"—old Senator
Elsworth introducing a measure like that! The old buck!—— How
are you going to handle it?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>It's already handled.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Yes?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Pulling his mustache.</i>) Turned it over to the Committee to Audit
and Control the Contingent Expenses of the Senate.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Grinning his appreciation.</i>) And you're chairman. Poor old
Elsworth. This way to the lethal chamber, and the bill's on its way.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Elsworth will be retired before it's ever reported. In the meantime, say
after a decent interval, Senator Hodge will introduce another resolution
to investigate the high cost of living. It will be like Elsworth's, only
it won't.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Nodding his head and anticipating.</i>) And it will go to the
Committee on Finance and come back for action inside of twenty-four hours.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>By the way, I see <i>Cartwright's Magazine</i> has ceased muck-raking.</p>
<p><br/><br/><b>Hubbard</b></p>
<p><i>Cartwrights</i> never did muck-rake—that is, not the big
Interests—only the small independent businesses that didn't
advertise.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Yes, it deftly concealed its reactionary tendencies.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>And from now on the concealment will be still more deft. I've gone into it
myself. I have a majority of the stock right now.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>I thought I had noticed a subtle change in the last two numbers.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Nodding.</i>) We're still going on muck-raking. We have a splendid
series on Aged Paupers, demanding better treatment and more sanitary
conditions. Also we are going to run "Barbarous Venezuela" and show up
thoroughly the rotten political management of that benighted country.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Nods approvingly, and, after a pause.</i>) And now concerning Knox.
That's what I sent for you about. His speech comes off tomorrow per
schedule. At last we've got him where we want him.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I have the ins and outs of it pretty well. Everything's arranged. The boys
have their cue, though they don't know just what's going to be pulled off;
and this time to-morrow afternoon their dispatches will be singing along
the wires.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Firmly and harshly.</i>) This man Knox must be covered with ridicule,
swamped with ridicule, annihilated with ridicule.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>It is to laugh. Trust the great American people for that. We'll make those
little Western editors sit up. They've been swearing by Knox, like a
little tin god. Roars of laughter for them.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Do you do anything yourself?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Trust me. I have my own article for Cartwright's blocked out. They're
holding the presses for it. I shall wire it along hot-footed to-morrow
evening. Say——?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>After a pause.</i>) Well?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Wasn't it a risky thing to give him his chance with that speech?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>It was the only feasible thing. He never has given us an opening. Our
service men have camped on his trail night and day. Private life as
unimpeachable as his public life. But now is our chance. The gods have
given him into our hands. That speech will do more to break his influence—</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Interrupting.</i>) Than a Fairbanks cocktail.</p>
<p>(<i>Both laugh.</i>) But don't forget that this Knox is a live wire.
Somebody might get stung. Are you sure, when he gets up to make that
speech, that he won't be able to back it up?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>No danger at all.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>But there are hooks and crooks by which facts are sometimes obtained.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Positively.</i>) Knox has nothing to go on but suspicions and hints,
and unfounded assertions from the yellow press.</p>
<p>(<i>Man-servant enters, goes to tea-table, looks it over, and makes slight
rearrangements.</i>) (<i>Lowering his voice.</i>) He will make himself a
laughing stock. His charges will turn into boomerangs. His speech will be
like a sheet from a Sunday supplement, with not a fact to back it up. (<i>Glances
at Servant.</i>) We'd better be getting out of here. They're going to have
tea.</p>
<p>(<i>The Servant, however, makes exit.</i>) Come to the library and have a
high-ball. (<i>They pause as Hubbard speaks.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>With quiet glee.</i>) And to-morrow Ali Baba gets his.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Ali Baba?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>That's what your wife calls him—Knox.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Oh, yes, I believe I've heard it before. It's about time he hanged
himself, and now we've given him the rope.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Sinking voice and becoming deprecatingly confidential. </i>)</p>
<p>Oh, by the way, just a little friendly warning, Senator Chalmers. Not so
fast and loose up New York way. That certain lady, not to be mentioned—there's
gossip about it in the New York newspaper offices. Of course, all such
stories are killed. But be discreet, be discreet If Gherst gets hold of
it, he'll play it up against the Administration in all his papers.</p>
<p>(<i>Chalmers, who throughout this speech is showing a growing resentment,
is about to speak, when voices are heard without and he checks himself.</i>)</p>
<p>(<i>Enter. Mrs. Starkweather, rather flustered and imminently in danger of
a collapse, followed by Connie Starkweather, fresh, radiant, and joyous.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>With appeal and relief.</i>)</p>
<p>Oh——Tom!</p>
<p>(<i>Chalmers takes her hand sympathetically and protectingly.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Who is an exuberant young woman, bursts forth.</i>) Oh,
brother-in-law! Such excitement! That's what's the matter with mother. We
ran into a go-cart. Our chauffeur was not to blame. It was the woman's
fault. She tried to cross just as we were turning the corner. But we
hardly grazed it. Fortunately the baby was not hurt—only spilled. It
was ridiculous. (<i>Catching sight of Hubbard.</i>) Oh, there you are, Mr.
Hubbard. How de do.</p>
<p>(<i>Steps half way to meet him and shakes hands with him.</i>) (<i>Mrs.
Starkweather looks around helplessly for a chair, and Chalmers conducts
her to one soothingly.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>Oh, it was terrible! The little child might have been killed. And such
persons love their babies, I know.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>To Chalmers.</i>) Has father come? We were to pick him up here.
Where's Madge?</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Espying Hubbard, faintly.</i>) Oh, there is Mr. Hubbard.</p>
<p>(<i>Hubbard comes to her and shakes hands.</i>) I simply can't get used to
these rapid ways of modern life. The motor-car is the invention of the
devil. Everything is <i>too</i> quick. When I was a girl, we lived
sedately, decorously. There was time for meditation and repose. But in
this age there is time for nothing. How Anthony keeps his head is more
than I can understand. But, then, Anthony is a wonderful man.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I am sure Mr. Starkweather never lost his head in his life.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Unless when he was courting you, mother.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>A trifle grimly.</i>) I'm not so sure about that.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Imitating a grave, business-like enunciation.</i>) Father probably
conferred first with his associates, then turned the affair over for
consideration by his corporation lawyers, and, when they reported no
flaws, checked the first spare half hour in his notebook to ask mother if
she would have him.</p>
<p>(<i>They laugh.</i>) And looked at his watch at least twice while he was
proposing.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>Anthony was not so busy then as all that.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>He hadn't yet taken up the job of running the United States.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>I'm sure I don't know what he is running, but he is a very busy man—business,
politics, and madness; madness, politics, and business.</p>
<p>(<i>She stops breathlessly and glances at tea-table.</i>) Tea. I should
like a cup of tea. Connie, I shall stay for a cup of tea, and then, if
your father hasn't come, we'll go home. (<i>To Chalmers.</i>) Where is
Tommy?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Out in the car with Madge.</p>
<p>(<i>Glances at tea-table and consults watch.</i>) She should be back now.</p>
<p><br/><br/><b>Connie</b></p>
<p>Mother, you mustn't stay long. I have to dress.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Oh, yes, that dinner.</p>
<p>(<i>Yawns.</i>) I wish I could loaf to-night.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Explaining to Hubbard.</i>) The Turkish Charge d'Affaires—I
never can remember his name. But he's great fun—a positive joy. He's
giving the dinner to the British Ambassador.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Starting forward in her chair and listening intently.</i>) There's
Tommy, now.</p>
<p>(<i>Voices of Margaret Chalmers and of Tommy heard from without. Hers is
laughingly protesting, while Tommy's is gleefully insistent.</i>) (<i>Margaret
and Tommy appear and pause just outside door, holding each other's hands,
facing each other, too immersed in each other to be aware of the presence
of those inside the room. Margaret and Tommy are in street costume.</i>)</p>
<p><br/><br/><b>Tommy</b></p>
<p>(<i>Laughing.</i>)</p>
<p>But mama.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Herself laughing, but shaking her head.</i>) No. Tommy First—</p>
<p><br/><br/><b>Margaret</b></p>
<p>No; you must run along to Linda, now, mother's boy. And we'll talk about
that some other time.</p>
<p>(<i>Tommy notices for the first time that there are persons in the room.
He peeps in around the door and espies Mrs. Starkweather. At the same
moment, impulsively, he withdraws his hands and runs in to Mrs.
Starkweather.</i>)</p>
<p><br/><br/><b>Tommy</b></p>
<p>(<i>Who is evidently fond of his grandmother.</i>) Grandma!</p>
<p>(<i>They embrace and make much of each other.</i>)</p>
<p>(<i>Margaret enters, appropriately greeting the others—a kiss (</i>maybe<i>)
to Connie, and a slightly cold handshake to Hubbard.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>To Chalmers.</i>) Now that you're here, Tom, you mustn't run away.</p>
<p>(<i>Greets Mrs. Starkweather.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Turning Tommy's face to the light and looking at it anxiously.</i>) A
trifle thin, Margaret.</p>
<p><br/><br/><b>Margaret</b></p>
<p>On the contrary, mother——</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>To Chalmers.</i>) Don't you think so, Tom?</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Aside to Hubbard.</i>) Mother continually worries about his health.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>A sturdy youngster, I should say.</p>
<p><br/><br/><b>Tommy</b></p>
<p>(<i>To Chalmers.</i>) I'm an Indian, aren't I, daddy?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Nodding his head emphatically.</i>) And the stoutest-hearted in the
tribe.</p>
<p>(<i>Linda appears in doorway, evidently looking for Tommy, and Chalmers
notices her.</i>) There's Linda looking for you, young stout heart.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Take Tommy, Linda. Run along, mother's boy.</p>
<p><br/><br/><b>Tommy</b></p>
<p>Come along, grandma. I want to show you something.</p>
<p>(<i>He catches Mrs. Starkweather by the hand. Protesting, but highly
pleased, she allows him to lead her to the door, where he extends his
other hand to Linda. Thus, pausing in doorway, leading a woman by either
hand, he looks back at Margaret.</i>) (<i>Roguishly.</i>) Remember, mama,
we're going to scout in a little while.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Going to Tommy, and bending down with her arms around him.</i>) No,
Tommy. Mama has to go to that horrid dinner to-night. But to-morrow we'll
play.</p>
<p>(<i>Tommy is cast down and looks as if he might pout.</i>) Where is my
little Indian now?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Be an Indian, Tommy.</p>
<p><br/><br/><b>Tommy</b></p>
<p>(<i>Brightening up.</i>)</p>
<p>All right, mama. To-morrow.——if you can't find time to-day.</p>
<p>(<i>Margaret kisses him.</i>) (<i>Exit Tommy, Mrs. Starkweather, and
Linda, Tommy leading them by a hand in each of theirs.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Nodding to Hubbard, in low voice to Hubbard and starting to make exit
to right.</i>) That high-ball.</p>
<p>(<i>Hubbard disengages himself from proximity of Connie, and starts to
follow.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Reproachfully.</i>) If you run away, I won't stop for tea.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Do stop, Tom. Father will be here in a few minutes.</p>
<p><br/><br/><b>Connie</b></p>
<p>A regular family party.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>All right. We'll be back. We're just going to have a little talk.</p>
<p>(<i>Chalmers and Hubbard make exit to right.</i>) (<i>Margaret puts her
arm impulsively around Connie—a sheerly spontaneous act of affection—kisses
her, and at same time evinces preparation to leave.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>I've got to get my things off. Won't you wait here, dear, in case anybody
comes? It's nearly time.</p>
<p>(<i>Starts toward exit to rear, but is stopped by Connie.</i>) Madge.</p>
<p>(<i>Margaret immediately pauses and waits expectantly, smiling, while
Connie is hesitant.</i>)</p>
<p>I want to speak to you about something, Madge. You don't mind?</p>
<p>(<i>Margaret, still smiling, shakes her head.</i>) Just a warning. Not
that anybody could believe for a moment, there is anything wrong, but——</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Dispelling a shadow of irritation that has crossed her face.</i>)</p>
<p>If it concerns Tom, don't tell me, please. You know he does do ridiculous
things at times. But I don't let him worry me any more; so don't worry me
about him.</p>
<p>(<i>Connie remains silent, and Margaret grows curious.</i>) Well?</p>
<p><br/><br/><b>Connie</b></p>
<p>It's not about Tom—</p>
<p>(<i>Pauses.</i>) It's about you.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Oh.</p>
<p><br/><br/><b>Connie</b></p>
<p>I don't know how to begin.</p>
<p><br/><br/><b>Margaret</b></p>
<p>By coming right out with it, the worst of it, all at once, first.</p>
<p><br/><br/><b>Connie</b></p>
<p>It isn't serious at all, but—well, mother is worrying about it. You
know how old-fashioned she is. And when you consider our position—father's
and Tom's, I mean—it doesn't seem just right for you to be seeing so
much of such an enemy of theirs. He has abused them dreadfully, you know.
And there's that dreadful speech he is going to give to-morrow. You
haven't seen the afternoon papers. He has made the most terrible charges
against everybody—all of us, our friends, everybody.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You mean Mr. Knox, of course. But he wouldn't harm anybody, Connie, dear.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Bridling,</i>) Oh, he wouldn't? He as good as publicly called father a
thief.</p>
<p><br/><br/><b>Margaret</b></p>
<p>When did that happen? I never heard of it.</p>
<p><br/><br/><b>Connie</b></p>
<p>Well, he said that the money magnates had grown so unprincipled, sunk so
low, that they would steal a mouse from a blind kitten.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I don't see what father has to do with that.</p>
<p><br/><br/><b>Connie</b></p>
<p>He meant him just the same.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You silly goose. He couldn't have meant father. Father? Why, father
wouldn't look at anything less than fifty or a hundred millions.</p>
<p><br/><br/><b>Connie</b></p>
<p>And you speak to him and make much of him when you meet him places. You
talked with him for half an hour at that Dugdale reception. You have him
here in your own house—Tom's house—when he's such a bitter
enemy of Tom's. (<i>During the foregoing speech, Anthony Starkweather
makes entrance from rear. His face is grave, and he is in a brown study,
as if pondering weighty problems. At sight of the two women he pauses and
surveys them. They are unaware of his presence.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>You are wrong, Connie. He is nobody's enemy. He is the truest, cleanest,
most right-seeking man I have ever seen.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Interrupting.</i>) He is a trouble-maker, a disturber of the public
peace, a shallow-pated demagogue—</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Reprovingly.</i>)</p>
<p>Now you're quoting somebody—— father, I suppose. To think of
him being so abused—poor, dear Ali Baba—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Clearing his throat in advertisement of his presence.</i>) A-hem.</p>
<p>(<i>Margaret and Connie turn around abruptly and discover him.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>And Connie Father!</p>
<p>(<i>Both come forward to greet him, Margaret leading.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Anticipating, showing the deliberate method of the busy man saving
time by eliminating the superfluous.</i>) Fine, thank you. Quite well in
every particular. This Ali Baba? Who is Ali Baba?</p>
<p>(<i>Margaret looks amused reproach at Connie.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>Mr. Howard Knox.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>And why is he called Ali Baba?</p>
<p><br/><br/><b>Margaret</b></p>
<p>That is my nickname for him. In the den of thieves, you know. You remember
your Arabian Nights.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Severely.</i>) I have been wanting to speak to you for some time,
Margaret, about that man. You know that I have never interfered with your
way of life since your marriage, nor with your and Tom's housekeeping
arrangements. But this man Knox. I understand that you have even had him
here in your house—</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Interrupting.</i>) He is very liable to be here this afternoon, any
time, now.</p>
<p>(<i>Connie displays irritation at Margaret.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Continuing imperturbably.</i>) <i>Your</i> house—<i>you</i>, my
daughter, and the wife of Senator Chalmers. As I said, I have not
interfered with you since your marriage. But this Knox affair transcends
household arrangements. It is of political importance. The man is an enemy
to our class, a firebrand. Why do you have him here?</p>
<p><br/><br/><b>Margaret</b></p>
<p>Because I like him. Because he is a man I am proud to call "friend."
Because I wish there were more men like him, many more men like him, in
the world. Because I have ever seen in him nothing but the best and
highest. And, besides, it's such good fun to see how one virtuous man can
so disconcert you captains of industry and arbiters of destiny. Confess
that you are very much disconcerted, father, right now. He will be here in
a few minutes, and you will be more disconcerted. Why? Because it is an
affair that transcends family arrangements. And it is your affair, not
mine.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>This man Knox is a dangerous character—one that I am not pleased to
see any of my family take up with. He is not a gentleman.</p>
<p><br/><br/><b>Margaret</b></p>
<p>He is a self-made man, if that is what you mean, and he certainly hasn't
any money.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Interrupting.</i>) He says that money is theft—at least when it
is in the hands of a wealthy person.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>He is uncouth—ignorant.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I happen to know that he is a graduate of the University of Oregon.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Sneeringly.</i>) A cow college. But that is not what I mean. He is a
demagogue, stirring up the wild-beast passions of the people.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Surely you would not call his advocacy of that child labor bill and of the
conservation of the forest and coal lands stirring up the wild-beast
passions of the people?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Wearily.</i>) You don't understand. When I say he is dangerous it is
because he threatens all the stabilities, because he threatens us who have
made this country and upon whom this country and its prosperity rest.</p>
<p>(<i>Connie, scenting trouble, walks across stage away from them.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>The captains of industry—the banking magnates and the mergers?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Call it so. Call it what you will. Without us the country falls into the
hands of scoundrels like that man Knox and smashes to ruin.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Reprovingly.</i>) Not a scoundrel, father.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>He is a sentimental dreamer, a hair-brained enthusiast. It is the foolish
utterances of men like him that place the bomb and the knife in the hand
of the assassin.</p>
<p><br/><br/><b>Margaret</b></p>
<p>He is at least a good man, even if he does disagree with you on political
and industrial problems. And heaven knows that good men are rare enough
these days.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I impugn neither his morality nor his motives—only his rationality.
Really, Margaret, there is nothing inherently vicious about him. I grant
that. And it is precisely that which makes him such a power for evil.</p>
<p><br/><br/><b>Margaret</b></p>
<p>When I think of all the misery and pain which he is trying to remedy—I
can see in him only a power for good. He is not working for himself but
for the many. That is why he has no money. You have heaven alone knows how
many millions—you don't; you have worked for yourself.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I, too, work for the many. I give work to the many. I make life possible
for the many. I am only too keenly alive to the responsibilities of my
stewardship of wealth.</p>
<p><br/><br/><b>Margaret</b></p>
<p>But what of the child laborers working at the machines? Is that necessary,
O steward of wealth? How my heart has ached for them! How I have longed to
do something for them—to change conditions so that it will no longer
be necessary for the children to toil, to have the playtime of childhood
stolen away from them. Theft—that is what it is, the playtime of the
children coined into profits. That is why I like Howard Knox. He calls
theft theft. He is trying to do something for those children. What are you
trying to do for them?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Sentiment. Sentiment. The question is too vast and complicated, and you
cannot understand. No woman can understand. That is why you run to
sentiment. That is what is the matter with this Knox—sentiment. You
can't run a government of ninety millions of people on sentiment, nor on
abstract ideas of justice and right.</p>
<p><br/><br/><b>Margaret</b></p>
<p>But if you eliminate justice and right, what remains?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>This is a practical world, and it must be managed by practical men—by
thinkers, not by near-thinkers whose heads are addled with the
half-digested ideas of the French Encyclopedists and Revolutionists of a
century and a half ago.</p>
<p>(<i>Margaret shows signs of impatience—she is not particularly
perturbed by this passage-at-arms with her father, and is anxious to get
off her street things.</i>)</p>
<p>Don't forget, my daughter, that your father knows the books as well as any
cow college graduate from Oregon. I, too, in my student days, dabbled in
theories of universal happiness and righteousness, saw my vision and
dreamed my dream. I did not know then the weakness, and frailty, and
grossness of the human clay. But I grew out of that and into a man. Some
men never grow out of that stage. That is what is the trouble with Knox.
He is still a dreamer, and a dangerous one.</p>
<p>(<i>He pauses a moment, and then his thin lips shut grimly. But he has
just about shot his bolt.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>What do you mean?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>He has let himself in to give a speech to-morrow, wherein he will be
called upon to deliver the proofs of all the lurid charges he has made
against the Administration—against us, the stewards of wealth if you
please. He will be unable to deliver the proofs, and the nation will
laugh. And that will be the political end of Mr. Ali Baba and his dream.</p>
<p><br/><br/><b>Margaret</b></p>
<p>It is a beautiful dream. Were there more like him the dream would come
true. After all, it is the dreamers that build and that never die. Perhaps
you will find that he is not so easily to be destroyed. But I can't stay
and argue with you, father. I simply must go and get my things off.</p>
<p>(<i>To Connie.</i>) You'll have to receive, dear. I'll be right back.</p>
<p>(<i>Julius Rutland enters. Margaret advances to meet him, shaking his
hand.</i>) You must forgive me for deserting for a moment.</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Greeting the others.</i>) A family council, I see.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>On way to exit at rear.</i>) No; a discussion on dreams and dreamers.
I leave you to bear my part.</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Bowing.</i>) With pleasure. The dreamers are the true architects. But—a—what
is the dream and who is the dreamer?</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Pausing in the doorway.</i>) The dream of social justice, of fair play
and a square deal to everybody. The dreamer—Mr. Knox.</p>
<p>(<i>Rutland is so patently irritated, that Margaret lingers in the doorway
to enjoy.</i>)</p>
<p><br/><br/><b>Rutland</b></p>
<p>That man! He has insulted and reviled the Church—my calling. He—</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Interrupting.</i>) He said the churchmen stole from God. I remember he
once said there had been only one true Christian and that He died on the
Cross.</p>
<p><br/><br/><b>Margaret</b></p>
<p>He quoted that from Nietzsche.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Rutland, in quiet glee.</i>) He had you there.</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>In composed fury.</i>) Nietzsche is a blasphemer, sir. Any man who
reads Nietzsche or quotes Nietzsche is a blasphemer. It augurs ill for the
future of America when such pernicious literature has the vogue it has.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Interrupting, laughing.</i>) I leave the quarrel in your hands, sir
knight. Remember—the dreamer and the dream. (<i>Margaret makes exit.</i>)</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Shaking his head.</i>) I cannot understand what is coming over the
present generation. Take your daughter, for instance. Ten years ago she
was an earnest, sincere lieutenant of mine in all our little charities.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Has she given charity up?</p>
<p><br/><br/><b>Connie</b></p>
<p>It's settlement work, now, and kindergartens.</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Ominously.</i>) It's writers like Nietzsche, and men who read him,
like Knox, who are responsible.</p>
<p>(<i>Senator Dowsett and Mrs. Dowsett enter from rear.</i>)</p>
<p>(<i>Connie advances to greet them. Rutland knows Mrs. Dowsett, and Connie
introduces him to Senator Dowsett.</i>)</p>
<p>(<i>In the meantime, not bothering to greet anybody, evincing his own will
and way, Starkweather goes across to right front, selects one of several
chairs, seats himself, pulls a thin note-book from inside coat pocket, and
proceeds to immerse himself in contents of same.</i>) (<i>Dowsett and
Rutland pair and stroll to left rear and seat themselves, while Connie and
Mrs. Dowsett seat themselves at tea-table to left front. Connie rings the
bell for Servant.</i>)</p>
<p><br/><br/><b>Mrs. Dowsett</b></p>
<p>(<i>Glancing significantly at Starkweather, and speaking in a low voice.</i>)
That's your father, isn't it? I have so wanted to meet him.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Softly.</i>) You know he's peculiar. He is liable to ignore everybody
here this afternoon, and get up and go away abruptly, without saying
good-bye.</p>
<p><br/><br/><b>Mrs. Dowsett</b></p>
<p>(<i>Sympathetically. </i>) Yes, I know, a man of such large affairs. He
must have so much on his mind. He is a wonderful man—my husband says
the greatest in contemporary history—more powerful than a dozen
presidents, the King of England, and the Kaiser, all rolled into one.</p>
<p>(<i>Servant enters with tea urn and accessories, and Connie proceeds to
serve tea, all accompanied by appropriate patter—"Two lumps?" "One,
please." "Lemon;" etc.</i>)</p>
<p>(<i>Rutland and Dowsett come forward to table for their tea, where they
remain.</i>)</p>
<p>(<i>Connie, glancing apprehensively across at her father and debating a
moment, prepares a cup for him and a small plate with crackers, and hands
them to Dowsett, who likewise betrays apprehensiveness.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>Take it to father, please, senator.</p>
<p>(<i>Note:—Throughout the rest of this act, Starkweather is like a
being apart, a king sitting on his throne. He divides the tea function
with Margaret. Men come up to him and speak with him. He sends for men.
They come and go at his bidding. The whole attitude, perhaps unconsciously
on his part, is that wherever he may be he is master. This attitude is
accepted by all the others; forsooth, he is indeed a great man and master.
The only one who is not really afraid of him is Margaret; yet she gives in
to him in so far as she lets him do as he pleases at her afternoon tea.</i>)
(<i>Dowsett carries the cup of tea and small plate across stage to
Starkweather. Starkweather does not notice him at first.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Who has been watching.</i>) Tea, father, won't you have a cup of tea?</p>
<p>(<i>Through the following scene between Starkweather and Dowsett, the
latter holds cup of tea and crackers, helplessly, at a disadvantage. At
the same time Rutland is served with tea and remains at the table, talking
with the two women.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Looking first at Connie, then peering into cup of tea. He grunts
refusal, and for the first time looks up into the other man's face. He
immediately closes note-book down on finger to keep the place.</i>) Oh,
it's you. Dowsett.</p>
<p>(<i>Painfully endeavoring to be at ease.</i>) A pleasure, Mr.
Starkweather, an entirely unexpected pleasure to meet you here. I was not
aware you frequented frivolous gatherings of this nature.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Abruptly and peremptorily.</i>) Why didn't you come when you were sent
for this morning?</p>
<p><br/><br/><b>Dowsett</b></p>
<p>I was sick—I was in bed.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>That is no excuse, sir. When you are sent for you are to come. Understand?
That bill was reported back. Why was it reported back? You told Dobleman
you would attend to it.</p>
<p><br/><br/><b>Dowsett</b></p>
<p>It was a slip up. Such things will happen.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>What was the matter with that committee? Have you no influence with the
Senate crowd? If not, say so, and I'll get some one who has.</p>
<p><br/><br/><b>Dowsett</b></p>
<p>(<i>Angrily.</i>) I refuse to be treated in this manner, Mr. Starkweather.
I have some self-respect—</p>
<p>(<i>Starkweather grunts incredulously.</i>) Some decency—</p>
<p>(<i>Starkweather grunts.</i>) A position of prominence in my state. You
forget, sir, that in our state organization I occupy no mean place.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Cutting him off so sharply that Dowsett drops cup and saucer.</i>)
Don't you show your teeth to me. I can make you or break you. That state
organization of yours belongs to me.</p>
<p>(<i>Dowsett starts—he is learning something new. To hide his
feelings, he stoops to pick up cup and saucer.</i>) Let it alone! I am
talking to you.</p>
<p>(<i>Dowsett straightens up to attention with alacrity.</i>) (<i>Connie,
who has witnessed, rings for Servant.</i>) I bought that state
organization, and paid for it. You are one of the chattels that came along
with the machine. You were made senator to obey my orders. Understand? Do
you understand?</p>
<p><br/><br/><b>Dowsett</b></p>
<p>(<i>Beaten.</i>) I—I understand.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>That bill is to be killed.</p>
<p><br/><br/><b>Dowsett</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Quietly, no headlines about it.</p>
<p>(<i>Dowsett nods.</i>) Now you can go.</p>
<p>(<i>Dowsett proceeds rather limply across to join group at tea-table.</i>)
(<i>Chalmers and Hubbard enter from right, laughing about something. At
sight of Starkweather they immediately become sober.</i>) (<i>No hands are
shaken. Starkweather barely acknowledges Hubbard's greeting.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Tom, I want to see you.</p>
<p>(<i>Hubbard takes his cue, and proceeds across to tea-table.</i>)</p>
<p>(<i>Enter Servant. Connie directs him to remove broken cup and saucer.
While this is being done, Starkweather remains silent. He consults
note-book, and Chalmers stands, not quite at ease, waiting the other's
will. At the same time, patter at tea-table. Hubbard, greeting others and
accepting or declining cup of tea.</i>)</p>
<p>(<i>Servant makes exit</i>).</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Closing finger on book and looking sharply at Chalmers.</i>) Tom, this
affair of yours in New York must come to an end. Understand?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Starting.</i>) Hubbard has been talking.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>No, it is not Hubbard. I have the reports from other sources.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>It is a harmless affair.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I happen to know better. I have the whole record. If you wish, I can give
you every detail, every meeting. I know. There is no discussion whatever.
I want no more of it.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>I never dreamed for a moment that I was—er—indiscreet.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Never forget that every indiscretion of a man in your position is
indiscreet. We have a duty, a great and solemn duty to perform. Upon our
shoulders rest the destinies of ninety million people. If we fail in our
duty, they go down to destruction. Ignorant demagogues are working on the
beast-passions of the people. If they have their way, they are lost, the
country is lost, civilization is lost. We want no more Dark Ages.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Really, I never thought it was as serious as all that.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Shrugging shoulders and lifting eyebrows.</i>) After all, why should
you? You are only a cog in the machine. I, and the several men grouped
with me, am the machine. You are a useful cog—too useful to lose—</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Lose?—Me?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I have but to raise my hand, any time—do you understand?—any
time, and you are lost. You control your state. Very well. But never
forget that to-morrow, if I wished, I could buy your whole machine out
from under you. I know you cannot change yourself, but, for the sake of
the big issues at stake, you must be careful, exceedingly careful. We are
compelled to work with weak tools. You are a good liver, a flesh-pot man.
You drink too much. Your heart is weak.—Oh, I have the report of
your doctor. Nevertheless, don't make a fool of yourself, nor of us.
Besides, do not forget that your wife is my daughter. She is a strong
woman, a credit to both of us. Be careful that you are not a discredit to
her.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>All right, I'll be careful. But while we are—er—on this
subject, there's something I'd like to speak to you about.</p>
<p>(<i>A pause, in which Starkweather waits non-committally.</i>) It's this
man Knox, and Madge. He comes to the house. They are as thick as thieves.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Yes?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Hastily.</i>) Oh, not a breath of suspicion or anything of that sort,
I assure you. But it doesn't strike me as exactly appropriate that your
daughter and my wife should be friendly with this fire-eating anarchist
who is always attacking us and all that we represent.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I started to speak with her on that subject, but was interrupted.</p>
<p>(<i>Puckers brow and thinks.</i>) You are her husband. Why don't you take
her in hand yourself?</p>
<p>(<i>Enters Mrs. Starkweather from rear, looking about, bowing, then
locating Starkweather and proceeding toward him.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>What can I do? She has a will of her own—the same sort of a will
that you have. Besides, I think she knows about my—about some of my—indiscretions.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Slyly.</i>)</p>
<p><i>Harmless</i> indiscretions?</p>
<p>(<i>Chalmers is about to reply, but observes Mrs. Starkweather
approaching.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Speaks in a peevish, complaining voice, and during her harrangue
Starkweather immerses himself in notebook.</i>) Oh, there you are,
Anthony. Talking politics, I suppose. Well, as soon as I get a cup of tea
we must go. Tommy is not looking as well as I could wish. Margaret loves
him, but she does not take the right care of him. I don't know what the
world is coming to when mothers do not know how to rear their offspring.
There is Margaret, with her slum kindergartens, taking care of everybody
else's children but her own. If she only performed her church duties as
eagerly! Mr. Rutland is displeased with her. I shall give her a talking to—only,
you'd better do it, Anthony. Somehow, I have never counted much with
Margaret. She is as set in doing what she pleases as you are. In my time
children paid respect to their parents. This is what comes of speed. There
is no time for anything. And now I must get my tea and run. Connie has to
dress for that dinner.</p>
<p>(<i>Mrs. Starkweather crosses to table, greets others characteristically
and is served with tea by Connie.</i>)</p>
<p>(<i>Chalmers waits respectfully on Starkweather.</i>)</p>
<div style="break-after:column;"></div><br />