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<h2> Chapter 5 </h2>
<p>At the time of Lilia's death Philip Herriton was just twenty-four years of
age—indeed the news reached Sawston on his birthday. He was a tall,
weakly-built young man, whose clothes had to be judiciously padded on the
shoulders in order to make him pass muster. His face was plain rather than
not, and there was a curious mixture in it of good and bad. He had a fine
forehead and a good large nose, and both observation and sympathy were in
his eyes. But below the nose and eyes all was confusion, and those people
who believe that destiny resides in the mouth and chin shook their heads
when they looked at him.</p>
<p>Philip himself, as a boy, had been keenly conscious of these defects.
Sometimes when he had been bullied or hustled about at school he would
retire to his cubicle and examine his features in a looking-glass, and he
would sigh and say, "It is a weak face. I shall never carve a place for
myself in the world." But as years went on he became either less
self-conscious or more self-satisfied. The world, he found, made a niche
for him as it did for every one. Decision of character might come later—or
he might have it without knowing. At all events he had got a sense of
beauty and a sense of humour, two most desirable gifts. The sense of
beauty developed first. It caused him at the age of twenty to wear
parti-coloured ties and a squashy hat, to be late for dinner on account of
the sunset, and to catch art from Burne-Jones to Praxiteles. At twenty-two
he went to Italy with some cousins, and there he absorbed into one
aesthetic whole olive-trees, blue sky, frescoes, country inns, saints,
peasants, mosaics, statues, beggars. He came back with the air of a
prophet who would either remodel Sawston or reject it. All the energies
and enthusiasms of a rather friendless life had passed into the
championship of beauty.</p>
<p>In a short time it was over. Nothing had happened either in Sawston or
within himself. He had shocked half-a-dozen people, squabbled with his
sister, and bickered with his mother. He concluded that nothing could
happen, not knowing that human love and love of truth sometimes conquer
where love of beauty fails.</p>
<p>A little disenchanted, a little tired, but aesthetically intact, he
resumed his placid life, relying more and more on his second gift, the
gift of humour. If he could not reform the world, he could at all events
laugh at it, thus attaining at least an intellectual superiority.
Laughter, he read and believed, was a sign of good moral health, and he
laughed on contentedly, till Lilia's marriage toppled contentment down for
ever. Italy, the land of beauty, was ruined for him. She had no power to
change men and things who dwelt in her. She, too, could produce avarice,
brutality, stupidity—and, what was worse, vulgarity. It was on her
soil and through her influence that a silly woman had married a cad. He
hated Gino, the betrayer of his life's ideal, and now that the sordid
tragedy had come, it filled him with pangs, not of sympathy, but of final
disillusion.</p>
<p>The disillusion was convenient for Mrs. Herriton, who saw a trying little
period ahead of her, and was glad to have her family united.</p>
<p>"Are we to go into mourning, do you think?" She always asked her
children's advice where possible.</p>
<p>Harriet thought that they should. She had been detestable to Lilia while
she lived, but she always felt that the dead deserve attention and
sympathy. "After all she has suffered. That letter kept me awake for
nights. The whole thing is like one of those horrible modern plays where
no one is in 'the right.' But if we have mourning, it will mean telling
Irma."</p>
<p>"Of course we must tell Irma!" said Philip.</p>
<p>"Of course," said his mother. "But I think we can still not tell her about
Lilia's marriage."</p>
<p>"I don't think that. And she must have suspected something by now."</p>
<p>"So one would have supposed. But she never cared for her mother, and
little girls of nine don't reason clearly. She looks on it as a long
visit. And it is important, most important, that she should not receive a
shock. All a child's life depends on the ideal it has of its parents.
Destroy that and everything goes—morals, behaviour, everything.
Absolute trust in some one else is the essence of education. That is why I
have been so careful about talking of poor Lilia before her."</p>
<p>"But you forget this wretched baby. Waters and Adamson write that there is
a baby."</p>
<p>"Mrs. Theobald must be told. But she doesn't count. She is breaking up
very quickly. She doesn't even see Mr. Kingcroft now. He, thank goodness,
I hear, has at last consoled himself with someone else."</p>
<p>"The child must know some time," persisted Philip, who felt a little
displeased, though he could not tell with what.</p>
<p>"The later the better. Every moment she is developing."</p>
<p>"I must say it seems rather hard luck, doesn't it?"</p>
<p>"On Irma? Why?"</p>
<p>"On us, perhaps. We have morals and behaviour also, and I don't think this
continual secrecy improves them."</p>
<p>"There's no need to twist the thing round to that," said Harriet, rather
disturbed.</p>
<p>"Of course there isn't," said her mother. "Let's keep to the main issue.
This baby's quite beside the point. Mrs. Theobald will do nothing, and
it's no concern of ours."</p>
<p>"It will make a difference in the money, surely," said he.</p>
<p>"No, dear; very little. Poor Charles provided for every kind of
contingency in his will. The money will come to you and Harriet, as Irma's
guardians."</p>
<p>"Good. Does the Italian get anything?"</p>
<p>"He will get all hers. But you know what that is."</p>
<p>"Good. So those are our tactics—to tell no one about the baby, not
even Miss Abbott."</p>
<p>"Most certainly this is the proper course," said Mrs. Herriton, preferring
"course" to "tactics" for Harriet's sake. "And why ever should we tell
Caroline?"</p>
<p>"She was so mixed up in the affair."</p>
<p>"Poor silly creature. The less she hears about it the better she will be
pleased. I have come to be very sorry for Caroline. She, if any one, has
suffered and been penitent. She burst into tears when I told her a little,
only a little, of that terrible letter. I never saw such genuine remorse.
We must forgive her and forget. Let the dead bury their dead. We will not
trouble her with them."</p>
<p>Philip saw that his mother was scarcely logical. But there was no
advantage in saying so. "Here beginneth the New Life, then. Do you
remember, mother, that was what we said when we saw Lilia off?"</p>
<p>"Yes, dear; but now it is really a New Life, because we are all at accord.
Then you were still infatuated with Italy. It may be full of beautiful
pictures and churches, but we cannot judge a country by anything but its
men."</p>
<p>"That is quite true," he said sadly. And as the tactics were now settled,
he went out and took an aimless and solitary walk.</p>
<p>By the time he came back two important things had happened. Irma had been
told of her mother's death, and Miss Abbott, who had called for a
subscription, had been told also.</p>
<p>Irma had wept loudly, had asked a few sensible questions and a good many
silly ones, and had been content with evasive answers. Fortunately the
school prize-giving was at hand, and that, together with the prospect of
new black clothes, kept her from meditating on the fact that Lilia, who
had been absent so long, would now be absent for ever.</p>
<p>"As for Caroline," said Mrs. Herriton, "I was almost frightened. She broke
down utterly. She cried even when she left the house. I comforted her as
best I could, and I kissed her. It is something that the breach between
her and ourselves is now entirely healed."</p>
<p>"Did she ask no questions—as to the nature of Lilia's death, I
mean?"</p>
<p>"She did. But she has a mind of extraordinary delicacy. She saw that I was
reticent, and she did not press me. You see, Philip, I can say to you what
I could not say before Harriet. Her ideas are so crude. Really we do not
want it known in Sawston that there is a baby. All peace and comfort would
be lost if people came inquiring after it."</p>
<p>His mother knew how to manage him. He agreed enthusiastically. And a few
days later, when he chanced to travel up to London with Miss Abbott, he
had all the time the pleasant thrill of one who is better informed. Their
last journey together had been from Monteriano back across Europe. It had
been a ghastly journey, and Philip, from the force of association, rather
expected something ghastly now.</p>
<p>He was surprised. Miss Abbott, between Sawston and Charing Cross, revealed
qualities which he had never guessed her to possess. Without being exactly
original, she did show a commendable intelligence, and though at times she
was gauche and even uncourtly, he felt that here was a person whom it
might be well to cultivate.</p>
<p>At first she annoyed him. They were talking, of course, about Lilia, when
she broke the thread of vague commiseration and said abruptly, "It is all
so strange as well as so tragic. And what I did was as strange as
anything."</p>
<p>It was the first reference she had ever made to her contemptible
behaviour. "Never mind," he said. "It's all over now. Let the dead bury
their dead. It's fallen out of our lives."</p>
<p>"But that's why I can talk about it and tell you everything I have always
wanted to. You thought me stupid and sentimental and wicked and mad, but
you never really knew how much I was to blame."</p>
<p>"Indeed I never think about it now," said Philip gently. He knew that her
nature was in the main generous and upright: it was unnecessary for her to
reveal her thoughts.</p>
<p>"The first evening we got to Monteriano," she persisted, "Lilia went out
for a walk alone, saw that Italian in a picturesque position on a wall,
and fell in love. He was shabbily dressed, and she did not even know he
was the son of a dentist. I must tell you I was used to this sort of
thing. Once or twice before I had had to send people about their
business."</p>
<p>"Yes; we counted on you," said Philip, with sudden sharpness. After all,
if she would reveal her thoughts, she must take the consequences.</p>
<p>"I know you did," she retorted with equal sharpness. "Lilia saw him
several times again, and I knew I ought to interfere. I called her to my
bedroom one night. She was very frightened, for she knew what it was about
and how severe I could be. 'Do you love this man?' I asked. 'Yes or no?'
She said 'Yes.' And I said, 'Why don't you marry him if you think you'll
be happy?'"</p>
<p>"Really—really," exploded Philip, as exasperated as if the thing had
happened yesterday. "You knew Lilia all your life. Apart from everything
else—as if she could choose what could make her happy!"</p>
<p>"Had you ever let her choose?" she flashed out. "I'm afraid that's rude,"
she added, trying to calm herself.</p>
<p>"Let us rather say unhappily expressed," said Philip, who always adopted a
dry satirical manner when he was puzzled.</p>
<p>"I want to finish. Next morning I found Signor Carella and said the same
to him. He—well, he was willing. That's all."</p>
<p>"And the telegram?" He looked scornfully out of the window.</p>
<p>Hitherto her voice had been hard, possibly in self-accusation, possibly in
defiance. Now it became unmistakably sad. "Ah, the telegram! That was
wrong. Lilia there was more cowardly than I was. We should have told the
truth. It lost me my nerve, at all events. I came to the station meaning
to tell you everything then. But we had started with a lie, and I got
frightened. And at the end, when you left, I got frightened again and came
with you."</p>
<p>"Did you really mean to stop?"</p>
<p>"For a time, at all events."</p>
<p>"Would that have suited a newly married pair?"</p>
<p>"It would have suited them. Lilia needed me. And as for him—I can't
help feeling I might have got influence over him."</p>
<p>"I am ignorant of these matters," said Philip; "but I should have thought
that would have increased the difficulty of the situation."</p>
<p>The crisp remark was wasted on her. She looked hopelessly at the raw
over-built country, and said, "Well, I have explained."</p>
<p>"But pardon me, Miss Abbott; of most of your conduct you have given a
description rather than an explanation."</p>
<p>He had fairly caught her, and expected that she would gape and collapse.
To his surprise she answered with some spirit, "An explanation may bore
you, Mr. Herriton: it drags in other topics."</p>
<p>"Oh, never mind."</p>
<p>"I hated Sawston, you see."</p>
<p>He was delighted. "So did and do I. That's splendid. Go on."</p>
<p>"I hated the idleness, the stupidity, the respectability, the petty
unselfishness."</p>
<p>"Petty selfishness," he corrected. Sawston psychology had long been his
specialty.</p>
<p>"Petty unselfishness," she repeated. "I had got an idea that every one
here spent their lives in making little sacrifices for objects they didn't
care for, to please people they didn't love; that they never learnt to be
sincere—and, what's as bad, never learnt how to enjoy themselves.
That's what I thought—what I thought at Monteriano."</p>
<p>"Why, Miss Abbott," he cried, "you should have told me this before! Think
it still! I agree with lots of it. Magnificent!"</p>
<p>"Now Lilia," she went on, "though there were things about her I didn't
like, had somehow kept the power of enjoying herself with sincerity. And
Gino, I thought, was splendid, and young, and strong not only in body, and
sincere as the day. If they wanted to marry, why shouldn't they do so? Why
shouldn't she break with the deadening life where she had got into a
groove, and would go on in it, getting more and more—worse than
unhappy—apathetic till she died? Of course I was wrong. She only
changed one groove for another—a worse groove. And as for him—well,
you know more about him than I do. I can never trust myself to judge
characters again. But I still feel he cannot have been quite bad when we
first met him. Lilia—that I should dare to say it!—must have
been cowardly. He was only a boy—just going to turn into something
fine, I thought—and she must have mismanaged him. So that is the one
time I have gone against what is proper, and there are the results. You
have an explanation now."</p>
<p>"And much of it has been most interesting, though I don't understand
everything. Did you never think of the disparity of their social
position?"</p>
<p>"We were mad—drunk with rebellion. We had no common-sense. As soon
as you came, you saw and foresaw everything."</p>
<p>"Oh, I don't think that." He was vaguely displeased at being credited with
common-sense. For a moment Miss Abbott had seemed to him more
unconventional than himself.</p>
<p>"I hope you see," she concluded, "why I have troubled you with this long
story. Women—I heard you say the other day—are never at ease
till they tell their faults out loud. Lilia is dead and her husband gone
to the bad—all through me. You see, Mr. Herriton, it makes me
specially unhappy; it's the only time I've ever gone into what my father
calls 'real life'—and look what I've made of it! All that winter I
seemed to be waking up to beauty and splendour and I don't know what; and
when the spring came, I wanted to fight against the things I hated—mediocrity
and dulness and spitefulness and society. I actually hated society for a
day or two at Monteriano. I didn't see that all these things are
invincible, and that if we go against them they will break us to pieces.
Thank you for listening to so much nonsense."</p>
<p>"Oh, I quite sympathize with what you say," said Philip encouragingly; "it
isn't nonsense, and a year or two ago I should have been saying it too.
But I feel differently now, and I hope that you also will change. Society
is invincible—to a certain degree. But your real life is your own,
and nothing can touch it. There is no power on earth that can prevent your
criticizing and despising mediocrity—nothing that can stop you
retreating into splendour and beauty—into the thoughts and beliefs
that make the real life—the real you."</p>
<p>"I have never had that experience yet. Surely I and my life must be where
I live."</p>
<p>Evidently she had the usual feminine incapacity for grasping philosophy.
But she had developed quite a personality, and he must see more of her.
"There is another great consolation against invincible mediocrity," he
said—"the meeting a fellow-victim. I hope that this is only the
first of many discussions that we shall have together."</p>
<p>She made a suitable reply. The train reached Charing Cross, and they
parted,—he to go to a matinee, she to buy petticoats for the
corpulent poor. Her thoughts wandered as she bought them: the gulf between
herself and Mr. Herriton, which she had always known to be great, now
seemed to her immeasurable.</p>
<p>These events and conversations took place at Christmas-time. The New Life
initiated by them lasted some seven months. Then a little incident—a
mere little vexatious incident—brought it to its close.</p>
<p>Irma collected picture post-cards, and Mrs. Herriton or Harriet always
glanced first at all that came, lest the child should get hold of
something vulgar. On this occasion the subject seemed perfectly
inoffensive—a lot of ruined factory chimneys—and Harriet was
about to hand it to her niece when her eye was caught by the words on the
margin. She gave a shriek and flung the card into the grate. Of course no
fire was alight in July, and Irma only had to run and pick it out again.</p>
<p>"How dare you!" screamed her aunt. "You wicked girl! Give it here!"</p>
<p>Unfortunately Mrs. Herriton was out of the room. Irma, who was not in awe
of Harriet, danced round the table, reading as she did so, "View of the
superb city of Monteriano—from your lital brother."</p>
<p>Stupid Harriet caught her, boxed her ears, and tore the post-card into
fragments. Irma howled with pain, and began shouting indignantly, "Who is
my little brother? Why have I never heard of him before? Grandmamma!
Grandmamma! Who is my little brother? Who is my—"</p>
<p>Mrs. Herriton swept into the room, saying, "Come with me, dear, and I will
tell you. Now it is time for you to know."</p>
<p>Irma returned from the interview sobbing, though, as a matter of fact, she
had learnt very little. But that little took hold of her imagination. She
had promised secrecy—she knew not why. But what harm in talking of
the little brother to those who had heard of him already?</p>
<p>"Aunt Harriet!" she would say. "Uncle Phil! Grandmamma! What do you
suppose my little brother is doing now? Has he begun to play? Do Italian
babies talk sooner than us, or would he be an English baby born abroad?
Oh, I do long to see him, and be the first to teach him the Ten
Commandments and the Catechism."</p>
<p>The last remark always made Harriet look grave.</p>
<p>"Really," exclaimed Mrs. Herriton, "Irma is getting too tiresome. She
forgot poor Lilia soon enough."</p>
<p>"A living brother is more to her than a dead mother," said Philip
dreamily. "She can knit him socks."</p>
<p>"I stopped that. She is bringing him in everywhere. It is most vexatious.
The other night she asked if she might include him in the people she
mentions specially in her prayers."</p>
<p>"What did you say?"</p>
<p>"Of course I allowed her," she replied coldly. "She has a right to mention
any one she chooses. But I was annoyed with her this morning, and I fear
that I showed it."</p>
<p>"And what happened this morning?"</p>
<p>"She asked if she could pray for her 'new father'—for the Italian!"</p>
<p>"Did you let her?"</p>
<p>"I got up without saying anything."</p>
<p>"You must have felt just as you did when I wanted to pray for the devil."</p>
<p>"He is the devil," cried Harriet.</p>
<p>"No, Harriet; he is too vulgar."</p>
<p>"I will thank you not to scoff against religion!" was Harriet's retort.
"Think of that poor baby. Irma is right to pray for him. What an entrance
into life for an English child!"</p>
<p>"My dear sister, I can reassure you. Firstly, the beastly baby is Italian.
Secondly, it was promptly christened at Santa Deodata's, and a powerful
combination of saints watch over—"</p>
<p>"Don't, dear. And, Harriet, don't be so serious—I mean not so
serious when you are with Irma. She will be worse than ever if she thinks
we have something to hide."</p>
<p>Harriet's conscience could be quite as tiresome as Philip's
unconventionality. Mrs. Herriton soon made it easy for her daughter to go
for six weeks to the Tirol. Then she and Philip began to grapple with Irma
alone.</p>
<p>Just as they had got things a little quiet the beastly baby sent another
picture post-card—a comic one, not particularly proper. Irma
received it while they were out, and all the trouble began again.</p>
<p>"I cannot think," said Mrs. Herriton, "what his motive is in sending
them."</p>
<p>Two years before, Philip would have said that the motive was to give
pleasure. Now he, like his mother, tried to think of something sinister
and subtle.</p>
<p>"Do you suppose that he guesses the situation—how anxious we are to
hush the scandal up?"</p>
<p>"That is quite possible. He knows that Irma will worry us about the baby.
Perhaps he hopes that we shall adopt it to quiet her."</p>
<p>"Hopeful indeed."</p>
<p>"At the same time he has the chance of corrupting the child's morals." She
unlocked a drawer, took out the post-card, and regarded it gravely. "He
entreats her to send the baby one," was her next remark.</p>
<p>"She might do it too!"</p>
<p>"I told her not to; but we must watch her carefully, without, of course,
appearing to be suspicious."</p>
<p>Philip was getting to enjoy his mother's diplomacy. He did not think of
his own morals and behaviour any more.</p>
<p>"Who's to watch her at school, though? She may bubble out any moment."</p>
<p>"We can but trust to our influence," said Mrs. Herriton.</p>
<p>Irma did bubble out, that very day. She was proof against a single
post-card, not against two. A new little brother is a valuable sentimental
asset to a school-girl, and her school was then passing through an acute
phase of baby-worship. Happy the girl who had her quiver full of them, who
kissed them when she left home in the morning, who had the right to
extricate them from mail-carts in the interval, who dangled them at tea
ere they retired to rest! That one might sing the unwritten song of
Miriam, blessed above all school-girls, who was allowed to hide her baby
brother in a squashy place, where none but herself could find him!</p>
<p>How could Irma keep silent when pretentious girls spoke of baby cousins
and baby visitors—she who had a baby brother, who wrote her
post-cards through his dear papa? She had promised not to tell about him—she
knew not why—and she told. And one girl told another, and one girl
told her mother, and the thing was out.</p>
<p>"Yes, it is all very sad," Mrs. Herriton kept saying. "My daughter-in-law
made a very unhappy marriage, as I dare say you know. I suppose that the
child will be educated in Italy. Possibly his grandmother may be doing
something, but I have not heard of it. I do not expect that she will have
him over. She disapproves of the father. It is altogether a painful
business for her."</p>
<p>She was careful only to scold Irma for disobedience—that eighth
deadly sin, so convenient to parents and guardians. Harriet would have
plunged into needless explanations and abuse. The child was ashamed, and
talked about the baby less. The end of the school year was at hand, and
she hoped to get another prize. But she also had put her hand to the
wheel.</p>
<p>It was several days before they saw Miss Abbott. Mrs. Herriton had not
come across her much since the kiss of reconciliation, nor Philip since
the journey to London. She had, indeed, been rather a disappointment to
him. Her creditable display of originality had never been repeated: he
feared she was slipping back. Now she came about the Cottage Hospital—her
life was devoted to dull acts of charity—and though she got money
out of him and out of his mother, she still sat tight in her chair,
looking graver and more wooden than ever.</p>
<p>"I dare say you have heard," said Mrs. Herriton, well knowing what the
matter was.</p>
<p>"Yes, I have. I came to ask you; have any steps been taken?"</p>
<p>Philip was astonished. The question was impertinent in the extreme. He had
a regard for Miss Abbott, and regretted that she had been guilty of it.</p>
<p>"About the baby?" asked Mrs. Herriton pleasantly.</p>
<p>"Yes."</p>
<p>"As far as I know, no steps. Mrs. Theobald may have decided on something,
but I have not heard of it."</p>
<p>"I was meaning, had you decided on anything?"</p>
<p>"The child is no relation of ours," said Philip. "It is therefore scarcely
for us to interfere."</p>
<p>His mother glanced at him nervously. "Poor Lilia was almost a daughter to
me once. I know what Miss Abbott means. But now things have altered. Any
initiative would naturally come from Mrs. Theobald."</p>
<p>"But does not Mrs. Theobald always take any initiative from you?" asked
Miss Abbott.</p>
<p>Mrs. Herriton could not help colouring. "I sometimes have given her advice
in the past. I should not presume to do so now."</p>
<p>"Then is nothing to be done for the child at all?"</p>
<p>"It is extraordinarily good of you to take this unexpected interest," said
Philip.</p>
<p>"The child came into the world through my negligence," replied Miss
Abbott. "It is natural I should take an interest in it."</p>
<p>"My dear Caroline," said Mrs. Herriton, "you must not brood over the
thing. Let bygones be bygones. The child should worry you even less than
it worries us. We never even mention it. It belongs to another world."</p>
<p>Miss Abbott got up without replying and turned to go. Her extreme gravity
made Mrs. Herriton uneasy. "Of course," she added, "if Mrs. Theobald
decides on any plan that seems at all practicable—I must say I don't
see any such—I shall ask if I may join her in it, for Irma's sake,
and share in any possible expenses."</p>
<p>"Please would you let me know if she decides on anything. I should like to
join as well."</p>
<p>"My dear, how you throw about your money! We would never allow it."</p>
<p>"And if she decides on nothing, please also let me know. Let me know in
any case."</p>
<p>Mrs. Herriton made a point of kissing her.</p>
<p>"Is the young person mad?" burst out Philip as soon as she had departed.
"Never in my life have I seen such colossal impertinence. She ought to be
well smacked, and sent back to Sunday-school."</p>
<p>His mother said nothing.</p>
<p>"But don't you see—she is practically threatening us? You can't put
her off with Mrs. Theobald; she knows as well as we do that she is a
nonentity. If we don't do anything she's going to raise a scandal—that
we neglect our relatives, &c., which is, of course, a lie. Still
she'll say it. Oh, dear, sweet, sober Caroline Abbott has a screw loose!
We knew it at Monteriano. I had my suspicions last year one day in the
train; and here it is again. The young person is mad."</p>
<p>She still said nothing.</p>
<p>"Shall I go round at once and give it her well? I'd really enjoy it."</p>
<p>In a low, serious voice—such a voice as she had not used to him for
months—Mrs. Herriton said, "Caroline has been extremely impertinent.
Yet there may be something in what she says after all. Ought the child to
grow up in that place—and with that father?"</p>
<p>Philip started and shuddered. He saw that his mother was not sincere. Her
insincerity to others had amused him, but it was disheartening when used
against himself.</p>
<p>"Let us admit frankly," she continued, "that after all we may have
responsibilities."</p>
<p>"I don't understand you, Mother. You are turning absolutely round. What
are you up to?"</p>
<p>In one moment an impenetrable barrier had been erected between them. They
were no longer in smiling confidence. Mrs. Herriton was off on tactics of
her own—tactics which might be beyond or beneath him.</p>
<p>His remark offended her. "Up to? I am wondering whether I ought not to
adopt the child. Is that sufficiently plain?"</p>
<p>"And this is the result of half-a-dozen idiocies of Miss Abbott?"</p>
<p>"It is. I repeat, she has been extremely impertinent. None the less she is
showing me my duty. If I can rescue poor Lilia's baby from that horrible
man, who will bring it up either as Papist or infidel—who will
certainly bring it up to be vicious—I shall do it."</p>
<p>"You talk like Harriet."</p>
<p>"And why not?" said she, flushing at what she knew to be an insult. "Say,
if you choose, that I talk like Irma. That child has seen the thing more
clearly than any of us. She longs for her little brother. She shall have
him. I don't care if I am impulsive."</p>
<p>He was sure that she was not impulsive, but did not dare to say so. Her
ability frightened him. All his life he had been her puppet. She let him
worship Italy, and reform Sawston—just as she had let Harriet be Low
Church. She had let him talk as much as he liked. But when she wanted a
thing she always got it.</p>
<p>And though she was frightening him, she did not inspire him with
reverence. Her life, he saw, was without meaning. To what purpose was her
diplomacy, her insincerity, her continued repression of vigour? Did they
make any one better or happier? Did they even bring happiness to herself?
Harriet with her gloomy peevish creed, Lilia with her clutches after
pleasure, were after all more divine than this well-ordered, active,
useless machine.</p>
<p>Now that his mother had wounded his vanity he could criticize her thus.
But he could not rebel. To the end of his days he could probably go on
doing what she wanted. He watched with a cold interest the duel between
her and Miss Abbott. Mrs. Herriton's policy only appeared gradually. It
was to prevent Miss Abbott interfering with the child at all costs, and if
possible to prevent her at a small cost. Pride was the only solid element
in her disposition. She could not bear to seem less charitable than
others.</p>
<p>"I am planning what can be done," she would tell people, "and that kind
Caroline Abbott is helping me. It is no business of either of us, but we
are getting to feel that the baby must not be left entirely to that
horrible man. It would be unfair to little Irma; after all, he is her
half-brother. No, we have come to nothing definite."</p>
<p>Miss Abbott was equally civil, but not to be appeased by good intentions.
The child's welfare was a sacred duty to her, not a matter of pride or
even of sentiment. By it alone, she felt, could she undo a little of the
evil that she had permitted to come into the world. To her imagination
Monteriano had become a magic city of vice, beneath whose towers no person
could grow up happy or pure. Sawston, with its semi-detached houses and
snobby schools, its book teas and bazaars, was certainly petty and dull;
at times she found it even contemptible. But it was not a place of sin,
and at Sawston, either with the Herritons or with herself, the baby should
grow up.</p>
<p>As soon as it was inevitable, Mrs. Herriton wrote a letter for Waters and
Adamson to send to Gino—the oddest letter; Philip saw a copy of it
afterwards. Its ostensible purpose was to complain of the picture
postcards. Right at the end, in a few nonchalant sentences, she offered to
adopt the child, provided that Gino would undertake never to come near it,
and would surrender some of Lilia's money for its education.</p>
<p>"What do you think of it?" she asked her son. "It would not do to let him
know that we are anxious for it."</p>
<p>"Certainly he will never suppose that."</p>
<p>"But what effect will the letter have on him?"</p>
<p>"When he gets it he will do a sum. If it is less expensive in the long run
to part with a little money and to be clear of the baby, he will part with
it. If he would lose, he will adopt the tone of the loving father."</p>
<p>"Dear, you're shockingly cynical." After a pause she added, "How would the
sum work out?"</p>
<p>"I don't know, I'm sure. But if you wanted to ensure the baby being posted
by return, you should have sent a little sum to HIM. Oh, I'm not cynical—at
least I only go by what I know of him. But I am weary of the whole show.
Weary of Italy. Weary, weary, weary. Sawston's a kind, pitiful place,
isn't it? I will go walk in it and seek comfort."</p>
<p>He smiled as he spoke, for the sake of not appearing serious. When he had
left her she began to smile also.</p>
<p>It was to the Abbotts' that he walked. Mr. Abbott offered him tea, and
Caroline, who was keeping up her Italian in the next room, came in to pour
it out. He told them that his mother had written to Signor Carella, and
they both uttered fervent wishes for her success.</p>
<p>"Very fine of Mrs. Herriton, very fine indeed," said Mr. Abbott, who, like
every one else, knew nothing of his daughter's exasperating behaviour.
"I'm afraid it will mean a lot of expense. She will get nothing out of
Italy without paying."</p>
<p>"There are sure to be incidental expenses," said Philip cautiously. Then
he turned to Miss Abbott and said, "Do you suppose we shall have
difficulty with the man?"</p>
<p>"It depends," she replied, with equal caution.</p>
<p>"From what you saw of him, should you conclude that he would make an
affectionate parent?"</p>
<p>"I don't go by what I saw of him, but by what I know of him."</p>
<p>"Well, what do you conclude from that?"</p>
<p>"That he is a thoroughly wicked man."</p>
<p>"Yet thoroughly wicked men have loved their children. Look at Rodrigo
Borgia, for example."</p>
<p>"I have also seen examples of that in my district."</p>
<p>With this remark the admirable young woman rose, and returned to keep up
her Italian. She puzzled Philip extremely. He could understand enthusiasm,
but she did not seem the least enthusiastic. He could understand pure
cussedness, but it did not seem to be that either. Apparently she was
deriving neither amusement nor profit from the struggle. Why, then, had
she undertaken it? Perhaps she was not sincere. Perhaps, on the whole,
that was most likely. She must be professing one thing and aiming at
another. What the other thing could be he did not stop to consider.
Insincerity was becoming his stock explanation for anything unfamiliar,
whether that thing was a kindly action or a high ideal.</p>
<p>"She fences well," he said to his mother afterwards.</p>
<p>"What had you to fence about?" she said suavely. Her son might know her
tactics, but she refused to admit that he knew. She still pretended to him
that the baby was the one thing she wanted, and had always wanted, and
that Miss Abbott was her valued ally.</p>
<p>And when, next week, the reply came from Italy, she showed him no face of
triumph. "Read the letters," she said. "We have failed."</p>
<p>Gino wrote in his own language, but the solicitors had sent a laborious
English translation, where "Preghiatissima Signora" was rendered as "Most
Praiseworthy Madam," and every delicate compliment and superlative—superlatives
are delicate in Italian—would have felled an ox. For a moment Philip
forgot the matter in the manner; this grotesque memorial of the land he
had loved moved him almost to tears. He knew the originals of these
lumbering phrases; he also had sent "sincere auguries"; he also had
addressed letters—who writes at home?—from the Caffe
Garibaldi. "I didn't know I was still such an ass," he thought. "Why can't
I realize that it's merely tricks of expression? A bounder's a bounder,
whether he lives in Sawston or Monteriano."</p>
<p>"Isn't it disheartening?" said his mother.</p>
<p>He then read that Gino could not accept the generous offer. His paternal
heart would not permit him to abandon this symbol of his deplored spouse.
As for the picture post-cards, it displeased him greatly that they had
been obnoxious. He would send no more. Would Mrs. Herriton, with her
notorious kindness, explain this to Irma, and thank her for those which
Irma (courteous Miss!) had sent to him?</p>
<p>"The sum works out against us," said Philip. "Or perhaps he is putting up
the price."</p>
<p>"No," said Mrs. Herriton decidedly. "It is not that. For some perverse
reason he will not part with the child. I must go and tell poor Caroline.
She will be equally distressed."</p>
<p>She returned from the visit in the most extraordinary condition. Her face
was red, she panted for breath, there were dark circles round her eyes.</p>
<p>"The impudence!" she shouted. "The cursed impudence! Oh, I'm swearing. I
don't care. That beastly woman—how dare she interfere—I'll—Philip,
dear, I'm sorry. It's no good. You must go."</p>
<p>"Go where? Do sit down. What's happened?" This outburst of violence from
his elegant ladylike mother pained him dreadfully. He had not known that
it was in her.</p>
<p>"She won't accept—won't accept the letter as final. You must go to
Monteriano!"</p>
<p>"I won't!" he shouted back. "I've been and I've failed. I'll never see the
place again. I hate Italy."</p>
<p>"If you don't go, she will."</p>
<p>"Abbott?"</p>
<p>"Yes. Going alone; would start this evening. I offered to write; she said
it was 'too late!' Too late! The child, if you please—Irma's brother—to
live with her, to be brought up by her and her father at our very gates,
to go to school like a gentleman, she paying. Oh, you're a man! It doesn't
matter for you. You can laugh. But I know what people say; and that woman
goes to Italy this evening."</p>
<p>He seemed to be inspired. "Then let her go! Let her mess with Italy by
herself. She'll come to grief somehow. Italy's too dangerous, too—"</p>
<p>"Stop that nonsense, Philip. I will not be disgraced by her. I WILL have
the child. Pay all we've got for it. I will have it."</p>
<p>"Let her go to Italy!" he cried. "Let her meddle with what she doesn't
understand! Look at this letter! The man who wrote it will marry her, or
murder her, or do for her somehow. He's a bounder, but he's not an English
bounder. He's mysterious and terrible. He's got a country behind him
that's upset people from the beginning of the world."</p>
<p>"Harriet!" exclaimed his mother. "Harriet shall go too. Harriet, now, will
be invaluable!" And before Philip had stopped talking nonsense, she had
planned the whole thing and was looking out the trains.</p>
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