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<h2> Chapter Thirteen </h2>
<p>No sooner was Rodolphe at home than he sat down quickly at his bureau
under the stag's head that hung as a trophy on the wall. But when he had
the pen between his fingers, he could think of nothing, so that, resting
on his elbows, he began to reflect. Emma seemed to him to have receded
into a far-off past, as if the resolution he had taken had suddenly placed
a distance between them.</p>
<p>To get back something of her, he fetched from the cupboard at the bedside
an old Rheims biscuit-box, in which he usually kept his letters from
women, and from it came an odour of dry dust and withered roses. First he
saw a handkerchief with pale little spots. It was a handkerchief of hers.
Once when they were walking her nose had bled; he had forgotten it. Near
it, chipped at all the corners, was a miniature given him by Emma: her
toilette seemed to him pretentious, and her languishing look in the worst
possible taste. Then, from looking at this image and recalling the memory
of its original, Emma's features little by little grew confused in his
remembrance, as if the living and the painted face, rubbing one against
the other, had effaced each other. Finally, he read some of her letters;
they were full of explanations relating to their journey, short,
technical, and urgent, like business notes. He wanted to see the long ones
again, those of old times. In order to find them at the bottom of the box,
Rodolphe disturbed all the others, and mechanically began rummaging amidst
this mass of papers and things, finding pell-mell bouquets, garters, a
black mask, pins, and hair—hair! dark and fair, some even, catching
in the hinges of the box, broke when it was opened.</p>
<p>Thus dallying with his souvenirs, he examined the writing and the style of
the letters, as varied as their orthography. They were tender or jovial,
facetious, melancholy; there were some that asked for love, others that
asked for money. A word recalled faces to him, certain gestures, the sound
of a voice; sometimes, however, he remembered nothing at all.</p>
<p>In fact, these women, rushing at once into his thoughts, cramped each
other and lessened, as reduced to a uniform level of love that equalised
them all. So taking handfuls of the mixed-up letters, he amused himself
for some moments with letting them fall in cascades from his right into
his left hand. At last, bored and weary, Rodolphe took back the box to the
cupboard, saying to himself, "What a lot of rubbish!" Which summed up his
opinion; for pleasures, like schoolboys in a school courtyard, had so
trampled upon his heart that no green thing grew there, and that which
passed through it, more heedless than children, did not even, like them,
leave a name carved upon the wall.</p>
<p>"Come," said he, "let's begin."</p>
<p>He wrote—</p>
<p>"Courage, Emma! courage! I would not bring misery into your life."</p>
<p>"After all, that's true," thought Rodolphe. "I am acting in her interest;
I am honest."</p>
<p>"Have you carefully weighed your resolution? Do you know to what an abyss
I was dragging you, poor angel? No, you do not, do you? You were coming
confident and fearless, believing in happiness in the future. Ah! unhappy
that we are—insensate!"</p>
<p>Rodolphe stopped here to think of some good excuse.</p>
<p>"If I told her all my fortune is lost? No! Besides, that would stop
nothing. It would all have to be begun over again later on. As if one
could make women like that listen to reason!" He reflected, then went on—</p>
<p>"I shall not forget you, oh believe it; and I shall ever have a profound
devotion for you; but some day, sooner or later, this ardour (such is the
fate of human things) would have grown less, no doubt. Lassitude would
have come to us, and who knows if I should not even have had the atrocious
pain of witnessing your remorse, of sharing it myself, since I should have
been its cause? The mere idea of the grief that would come to you tortures
me, Emma. Forget me! Why did I ever know you? Why were you so beautiful?
Is it my fault? O my God! No, no! Accuse only fate."</p>
<p>"That's a word that always tells," he said to himself.</p>
<p>"Ah, if you had been one of those frivolous women that one sees, certainly
I might, through egotism, have tried an experiment, in that case without
danger for you. But that delicious exaltation, at once your charm and your
torment, has prevented you from understanding, adorable woman that you
are, the falseness of our future position. Nor had I reflected upon this
at first, and I rested in the shade of that ideal happiness as beneath
that of the manchineel tree, without foreseeing the consequences."</p>
<p>"Perhaps she'll think I'm giving it up from avarice. Ah, well! so much the
worse; it must be stopped!"</p>
<p>"The world is cruel, Emma. Wherever we might have gone, it would have
persecuted us. You would have had to put up with indiscreet questions,
calumny, contempt, insult perhaps. Insult to you! Oh! And I, who would
place you on a throne! I who bear with me your memory as a talisman! For I
am going to punish myself by exile for all the ill I have done you. I am
going away. Whither I know not. I am mad. Adieu! Be good always. Preserve
the memory of the unfortunate who has lost you. Teach my name to your
child; let her repeat it in her prayers."</p>
<p>The wicks of the candles flickered. Rodolphe got up to, shut the window,
and when he had sat down again—</p>
<p>"I think it's all right. Ah! and this for fear she should come and hunt me
up."</p>
<p>"I shall be far away when you read these sad lines, for I have wished to
flee as quickly as possible to shun the temptation of seeing you again. No
weakness! I shall return, and perhaps later on we shall talk together very
coldly of our old love. Adieu!"</p>
<p>And there was a last "adieu" divided into two words! "A Dieu!" which he
thought in very excellent taste.</p>
<p>"Now how am I to sign?" he said to himself. "'Yours devotedly?' No! 'Your
friend?' Yes, that's it."</p>
<p>"Your friend."</p>
<p>He re-read his letter. He considered it very good.</p>
<p>"Poor little woman!" he thought with emotion. "She'll think me harder than
a rock. There ought to have been some tears on this; but I can't cry; it
isn't my fault." Then, having emptied some water into a glass, Rodolphe
dipped his finger into it, and let a big drop fall on the paper, that made
a pale stain on the ink. Then looking for a seal, he came upon the one
"Amor nel cor."</p>
<p>"That doesn't at all fit in with the circumstances. Pshaw! never mind!"</p>
<p>After which he smoked three pipes and went to bed.</p>
<p>The next day when he was up (at about two o'clock—he had slept
late), Rodolphe had a basket of apricots picked. He put his letter at the
bottom under some vine leaves, and at once ordered Girard, his ploughman,
to take it with care to Madame Bovary. He made use of this means for
corresponding with her, sending according to the season fruits or game.</p>
<p>"If she asks after me," he said, "you will tell her that I have gone on a
journey. You must give the basket to her herself, into her own hands. Get
along and take care!"</p>
<p>Girard put on his new blouse, knotted his handkerchief round the apricots,
and walking with great heavy steps in his thick iron-bound galoshes, made
his way to Yonville.</p>
<p>Madame Bovary, when he got to her house, was arranging a bundle of linen
on the kitchen-table with Felicite.</p>
<p>"Here," said the ploughboy, "is something for you—from the master."</p>
<p>She was seized with apprehension, and as she sought in her pocket for some
coppers, she looked at the peasant with haggard eyes, while he himself
looked at her with amazement, not understanding how such a present could
so move anyone. At last he went out. Felicite remained. She could bear it
no longer; she ran into the sitting room as if to take the apricots there,
overturned the basket, tore away the leaves, found the letter, opened it,
and, as if some fearful fire were behind her, Emma flew to her room
terrified.</p>
<p>Charles was there; she saw him; he spoke to her; she heard nothing, and
she went on quickly up the stairs, breathless, distraught, dumb, and ever
holding this horrible piece of paper, that crackled between her fingers
like a plate of sheet-iron. On the second floor she stopped before the
attic door, which was closed.</p>
<p>Then she tried to calm herself; she recalled the letter; she must finish
it; she did not dare to. And where? How? She would be seen! "Ah, no!
here," she thought, "I shall be all right."</p>
<p>Emma pushed open the door and went in.</p>
<p>The slates threw straight down a heavy heat that gripped her temples,
stifled her; she dragged herself to the closed garret-window. She drew
back the bolt, and the dazzling light burst in with a leap.</p>
<p>Opposite, beyond the roofs, stretched the open country till it was lost to
sight. Down below, underneath her, the village square was empty; the
stones of the pavement glittered, the weathercocks on the houses were
motionless. At the corner of the street, from a lower storey, rose a kind
of humming with strident modulations. It was Binet turning.</p>
<p>She leant against the embrasure of the window, and reread the letter with
angry sneers. But the more she fixed her attention upon it, the more
confused were her ideas. She saw him again, heard him, encircled him with
her arms, and throbs of her heart, that beat against her breast like blows
of a sledge-hammer, grew faster and faster, with uneven intervals. She
looked about her with the wish that the earth might crumble into pieces.
Why not end it all? What restrained her? She was free. She advanced,
looking at the paving-stones, saying to herself, "Come! come!"</p>
<p>The luminous ray that came straight up from below drew the weight of her
body towards the abyss. It seemed to her that the ground of the
oscillating square went up the walls and that the floor dipped on end like
a tossing boat. She was right at the edge, almost hanging, surrounded by
vast space. The blue of the heavens suffused her, the air was whirling in
her hollow head; she had but to yield, to let herself be taken; and the
humming of the lathe never ceased, like an angry voice calling her.</p>
<p>"Emma! Emma!" cried Charles.</p>
<p>She stopped.</p>
<p>"Wherever are you? Come!"</p>
<p>The thought that she had just escaped from death almost made her faint
with terror. She closed her eyes; then she shivered at the touch of a hand
on her sleeve; it was Felicite.</p>
<p>"Master is waiting for you, madame; the soup is on the table."</p>
<p>And she had to go down to sit at table.</p>
<p>She tried to eat. The food choked her. Then she unfolded her napkin as if
to examine the darns, and she really thought of applying herself to this
work, counting the threads in the linen. Suddenly the remembrance of the
letter returned to her. How had she lost it? Where could she find it? But
she felt such weariness of spirit that she could not even invent a pretext
for leaving the table. Then she became a coward; she was afraid of
Charles; he knew all, that was certain! Indeed he pronounced these words
in a strange manner:</p>
<p>"We are not likely to see Monsieur Rodolphe soon again, it seems."</p>
<p>"Who told you?" she said, shuddering.</p>
<p>"Who told me!" he replied, rather astonished at her abrupt tone. "Why,
Girard, whom I met just now at the door of the Cafe Francais. He has gone
on a journey, or is to go."</p>
<p>She gave a sob.</p>
<p>"What surprises you in that? He absents himself like that from time to
time for a change, and, ma foi, I think he's right, when one has a fortune
and is a bachelor. Besides, he has jolly times, has our friend. He's a bit
of a rake. Monsieur Langlois told me—"</p>
<p>He stopped for propriety's sake because the servant came in. She put back
into the basket the apricots scattered on the sideboard. Charles, without
noticing his wife's colour, had them brought to him, took one, and bit
into it.</p>
<p>"Ah! perfect!" said he; "just taste!"</p>
<p>And he handed her the basket, which she put away from her gently.</p>
<p>"Do just smell! What an odour!" he remarked, passing it under her nose
several times.</p>
<p>"I am choking," she cried, leaping up. But by an effort of will the spasm
passed; then—</p>
<p>"It is nothing," she said, "it is nothing! It is nervousness. Sit down and
go on eating." For she dreaded lest he should begin questioning her,
attending to her, that she should not be left alone.</p>
<p>Charles, to obey her, sat down again, and he spat the stones of the
apricots into his hands, afterwards putting them on his plate.</p>
<p>Suddenly a blue tilbury passed across the square at a rapid trot. Emma
uttered a cry and fell back rigid to the ground.</p>
<p>In fact, Rodolphe, after many reflections, had decided to set out for
Rouen. Now, as from La Huchette to Buchy there is no other way than by
Yonville, he had to go through the village, and Emma had recognised him by
the rays of the lanterns, which like lightning flashed through the
twilight.</p>
<p>The chemist, at the tumult which broke out in the house ran thither. The
table with all the plates was upset; sauce, meat, knives, the salt, and
cruet-stand were strewn over the room; Charles was calling for help;
Berthe, scared, was crying; and Felicite, whose hands trembled, was
unlacing her mistress, whose whole body shivered convulsively.</p>
<p>"I'll run to my laboratory for some aromatic vinegar," said the druggist.</p>
<p>Then as she opened her eyes on smelling the bottle—</p>
<p>"I was sure of it," he remarked; "that would wake any dead person for
you!"</p>
<p>"Speak to us," said Charles; "collect yourself; it is your Charles, who
loves you. Do you know me? See! here is your little girl! Oh, kiss her!"</p>
<p>The child stretched out her arms to her mother to cling to her neck. But
turning away her head, Emma said in a broken voice "No, no! no one!"</p>
<p>She fainted again. They carried her to her bed. She lay there stretched at
full length, her lips apart, her eyelids closed, her hands open,
motionless, and white as a waxen image. Two streams of tears flowed from
her eyes and fell slowly upon the pillow.</p>
<p>Charles, standing up, was at the back of the alcove, and the chemist, near
him, maintained that meditative silence that is becoming on the serious
occasions of life.</p>
<p>"Do not be uneasy," he said, touching his elbow; "I think the paroxysm is
past."</p>
<p>"Yes, she is resting a little now," answered Charles, watching her sleep.
"Poor girl! poor girl! She had gone off now!"</p>
<p>Then Homais asked how the accident had come about. Charles answered that
she had been taken ill suddenly while she was eating some apricots.</p>
<p>"Extraordinary!" continued the chemist. "But it might be that the apricots
had brought on the syncope. Some natures are so sensitive to certain
smells; and it would even be a very fine question to study both in its
pathological and physiological relation. The priests know the importance
of it, they who have introduced aromatics into all their ceremonies. It is
to stupefy the senses and to bring on ecstasies—a thing, moreover,
very easy in persons of the weaker sex, who are more delicate than the
other. Some are cited who faint at the smell of burnt hartshorn, of new
bread—"</p>
<p>"Take care; you'll wake her!" said Bovary in a low voice.</p>
<p>"And not only," the druggist went on, "are human beings subject to such
anomalies, but animals also. Thus you are not ignorant of the singularly
aphrodisiac effect produced by the Nepeta cataria, vulgarly called
catmint, on the feline race; and, on the other hand, to quote an example
whose authenticity I can answer for. Bridaux (one of my old comrades, at
present established in the Rue Malpalu) possesses a dog that falls into
convulsions as soon as you hold out a snuff-box to him. He often even
makes the experiment before his friends at his summer-house at Guillaume
Wood. Would anyone believe that a simple sternutation could produce such
ravages on a quadrupedal organism? It is extremely curious, is it not?"</p>
<p>"Yes," said Charles, who was not listening to him.</p>
<p>"This shows us," went on the other, smiling with benign self-sufficiency,
"the innumerable irregularities of the nervous system. With regard to
madame, she has always seemed to me, I confess, very susceptible. And so I
should by no means recommend to you, my dear friend, any of those
so-called remedies that, under the pretence of attacking the symptoms,
attack the constitution. No; no useless physicking! Diet, that is all;
sedatives, emollients, dulcification. Then, don't you think that perhaps
her imagination should be worked upon?"</p>
<p>"In what way? How?" said Bovary.</p>
<p>"Ah! that is it. Such is indeed the question. 'That is the question,' as I
lately read in a newspaper."</p>
<p>But Emma, awaking, cried out—</p>
<p>"The letter! the letter!"</p>
<p>They thought she was delirious; and she was by midnight. Brain-fever had
set in.</p>
<p>For forty-three days Charles did not leave her. He gave up all his
patients; he no longer went to bed; he was constantly feeling her pulse,
putting on sinapisms and cold-water compresses. He sent Justin as far as
Neufchatel for ice; the ice melted on the way; he sent him back again. He
called Monsieur Canivet into consultation; he sent for Dr. Lariviere, his
old master, from Rouen; he was in despair. What alarmed him most was
Emma's prostration, for she did not speak, did not listen, did not even
seem to suffer, as if her body and soul were both resting together after
all their troubles.</p>
<p>About the middle of October she could sit up in bed supported by pillows.
Charles wept when he saw her eat her first bread-and-jelly. Her strength
returned to her; she got up for a few hours of an afternoon, and one day,
when she felt better, he tried to take her, leaning on his arm, for a walk
round the garden. The sand of the paths was disappearing beneath the dead
leaves; she walked slowly, dragging along her slippers, and leaning
against Charles's shoulder. She smiled all the time.</p>
<p>They went thus to the bottom of the garden near the terrace. She drew
herself up slowly, shading her eyes with her hand to look. She looked far
off, as far as she could, but on the horizon were only great bonfires of
grass smoking on the hills.</p>
<p>"You will tire yourself, my darling!" said Bovary. And, pushing her gently
to make her go into the arbour, "Sit down on this seat; you'll be
comfortable."</p>
<p>"Oh! no; not there!" she said in a faltering voice.</p>
<p>She was seized with giddiness, and from that evening her illness
recommenced, with a more uncertain character, it is true, and more complex
symptoms. Now she suffered in her heart, then in the chest, the head, the
limbs; she had vomitings, in which Charles thought he saw the first signs
of cancer.</p>
<p>And besides this, the poor fellow was worried about money matters.</p>
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