<h2 id="id00107" style="margin-top: 4em">CHAPTER III.</h2>
<p id="id00108" style="margin-top: 2em">Ideala held that dignity and calm are essential in a woman, but, like
the rest of the world, she found it hard to attain to her own standard
of excellence. Her bursts of enthusiasm were followed by fits of
depression, and these again by periods of indifference, when it was
hard to rouse her to interest in anything. She always said, and was
probably right, that want of proper discipline in childhood was the
reason of this variableness, which she deplored, but could neither
combat nor conceal. Temperament must also have had something to do with
it. Her nervous system was too highly strung, she was too sensitive,
too emotional, too intense. She reflected phases of feeling with which
she was brought into contact as a lake reflects the sky above it, and
the bird that skims across it, and the boats that rest upon its breast;
yet, like the lake's, her own nature remained unchanged; it might be
darkened by shadows, and lashed by tempests till it raged, but the pure
element showed divinely even in its wrath, and the passion of it was
expended always to some good end.</p>
<p id="id00109">But even her love of the beautiful was carried to excess. It was a
passion with her which would, in a sturdier age, have been considered a
vice. She delighted in the scent of flowers, the song of the thrushes
in the spring; colour, and beautiful forms. Doubtless the emotion they
caused her was pure enough, and it was natural that, highly bred,
cultivated, and refined as she was, she should feel these delicate,
sensuous pleasures in a greater degree than lower natures do. There was
danger, however, in the over-education of the senses, which made their
ready response inevitable, but neither limited the subjects, nor
regulated the degree, to which they should respond. But it would be
hard in any case to say where cultivation of love for the beautiful
should end, and to determine the exact point at which the result ceases
to be intellectual and begins to be sensual.</p>
<p id="id00110">I have sat and watched Ideala lolling at an open window in the summer.
The house stood on a hill, a river wound through the valley below, and
beyond the river—the land sloped up again, green and dotted with
trees, to a range of low hills, crested with a fringe of wood.</p>
<p id="id00111">"Do you know what there is beyond those hills?" Ideala asked me once,
abruptly. "<i>I</i> don't know; but I love to believe that the sea is
there, and that the sun is sinking into it now. Sometimes I fancy I
can hear it murmur."</p>
<p id="id00112">And then followed a long silence. And the scent of mignonette and roses
blew in upon her, and the twilight deepened, and I saw her grow pale
with pleasure when the nightingale began to sing—and then I stole away
and never was missed. She would lie in a long chair for hours like
that, scarcely moving, and never speaking. At first I used to wonder
what she thought about; but afterwards I knew that at such times she
did not think, she only felt.</p>
<p id="id00113">I have some pictures of her as she was then, dressed in a gown of some
quaint blue and white Japanese material, with her white throat bare—I
was just going to catalogue her charms, but it seems indelicate to
describe a woman, point by point, like a horse that is for sale. I have
some other pictures of her, too, as she appeared to me one hot summer
when I was painting a picture by the river, and she used to come down
the towing-path to watch me work, and sit beside me on the grass for
hours together, talking, reading aloud, reciting, or silent, according
to her mood, but always interesting. It was then I learnt to know her
best. And I am always glad to think of her as I used to see her then,
coming towards me in one particular grey frock she wore, tight-fitting
and perfect, yet with no detail evident. It was like an expression of
herself, that dress, so quiet to all seeming, and yet so rich in
material, and so complex in design. The wonder and the beauty of it
grew upon you, and never failed of its effect.</p>
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