<h2><SPAN name="ACT_II" id="ACT_II">ACT II.</SPAN></h2>
<div class="hangindent">
<p>(<i>The drawing-room of</i> <span class="smcap">Mr. Mollentrave's</span> <i>house
in Cadogan Square. At back</i> <span class="smcap">L.</span> <i>door leads to
an inner room</i>. <span class="smcap">Mollentrave</span> <i>is seated glancing
over proof-sheets. Suddenly he calls</i> "<span class="smcap">Mr.
Dexter</span>!" <span class="smcap">Dexter</span> <i>enters from the inner room
up</i> <span class="smcap">L.</span>)</p>
</div>
<p><span class="smcap">Mollen.</span> (<i>Is sitting</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">C.</span> <i>table</i>) I have a
few corrections to make for the new edition.
Have you your note-book?</p>
<p><span class="smcap">Dexter</span> (<i>enters</i> <span class="smcap">L. U. E.</span> <i>producing it</i>) Yes,
sir.</p>
<p><span class="smcap">Mollen.</span> Sit down, sit down. (<span class="smcap">Dexter</span> <i>sits</i> <span class="smcap">L.</span>
<i>of</i> <span class="smcap">C.</span> <i>table</i>) By the way, you've written that letter
for me to Lord Contareen?</p>
<p><span class="smcap">Dexter.</span> I have it in there for you to sign, sir,
with the others.</p>
<p><span class="smcap">Mollen.</span> What date did I fix for his—reappearance,
Dexter?</p>
<p><span class="smcap">Dexter.</span> (<i>turning up pages</i>) I can give you
the exact sentence, sir. (<i>reading</i>) "You have
sown the seed, my dear sir, expect its germination
in about six weeks. Then I shall invite you to
examine the shoots."</p>
<p><span class="smcap">Mollen.</span> Yes, that will do! that will do.
Couldn't be clearer. Now, Dexter, to return. I
don't quite like the sub-title of that new chapter
on Marriage, Dexter. Read it.</p>
<p><span class="smcap">Dexter.</span> "The Marriage-Course. The First
Lap."</p>
<p><span class="smcap">Mollen.</span> Exactly. It's too concrete. And
suggests other laps to follow.</p>
<p><span class="smcap">Dexter.</span> (<i>chuckling</i>) Yes, sir. Lapses.</p>
<p><span class="pagenum"><SPAN name="Page_37" id="Page_37">[Pg 37]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> (<i>glancing severely at him over his
spectacles</i>) Dexter, this is not the first time you
have offended in this fashion. I beg it may be
the last.</p>
<p><span class="smcap">Dexter.</span> (<i>contritely</i>) Sir—</p>
<p><span class="smcap">Mollen.</span> Let me remind you that marriage
was not invented merely to give the comic man a
chance. Not a word, not a word—we need say no
more. (<i>Rise, crosses to bookshelves</i> <span class="smcap">R.</span> <i>taking out
book</i>) I want a new sub-title—something symbolic,
tasteful, and yet adapted to the gravity of
the situation.</p>
<p><span class="smcap">Dexter.</span> How would "stage" do, sir?</p>
<p><span class="smcap">Mollen.</span> It savours of the theatre. My work
has a large circulation among Nonconformists.</p>
<p><span class="smcap">Dexter.</span> "Phase," sir?</p>
<p><span class="smcap">Mollen.</span> (<i>across to</i> <span class="smcap">L.</span> <i>back of table</i>) Invariably
associated with the moon, or Napoleon. I
seek a word that shall happily suggest the first
disillusions of the young couple. Stay, I have it!
The "Marriage Links" we will call it—there you
have the symbol—and for sub-title:—(<i>down</i> <span class="smcap">L.</span>)
"The First Bunker." (<span class="smcap">Mollentrave</span> <i>rubs his
hands, delighted at his invention</i>)</p>
<p class="center">(<span class="smcap">Martin</span> <i>the butler enters with</i> <span class="smcap">Lord Contareen</span>,
<i>a well-groomed, vacuous-looking man of forty</i>.)</p>
<p><span class="smcap">Mollen.</span> The First Bunk—(<i>sees</i> <span class="smcap">Contareen</span>
<i>reproachfully, crossing to up</i> <span class="smcap">R. C.</span> <i>front of table</i>)
Contareen! You here! That's wrong!</p>
<p class="center">(<i>They shake hands</i>, <span class="smcap">Dexter</span> <i>rises</i>.)</p>
<p><span class="smcap">Dexter.</span> (<i>rising</i>) Shall I go now, sir?</p>
<p><span class="smcap">Mollen.</span> Yes, Dexter. You understand that
I take you down with me to Swanage to-morrow?</p>
<p><span class="smcap">Dexter.</span> Yes, sir—certainly, good-day, sir.</p>
<p><span class="smcap">Mollen.</span> Good-day to you.</p>
<p><span class="pagenum"><SPAN name="Page_38" id="Page_38">[Pg 38]</SPAN></span></p>
<p class="center">(<span class="smcap">Dexter</span> <i>goes up</i> <span class="smcap">L.</span> <span class="smcap">Mollentrave</span> <i>turns to</i> <span class="smcap">Contareen</span>.)</p>
<p>(<i>Up</i> <span class="smcap">R. C.</span>) It's wrong, my dear fellow—it's
wrong! To-day's Friday—she refused you on
Wednesday. Too soon!</p>
<p><span class="smcap">Contareen.</span> (<i>eagerly</i>) Mollentrave—I—(<i>down</i>
<span class="smcap">R. C.</span>)</p>
<p><span class="smcap">Mollen.</span> (<i>emphatically, down</i> <span class="smcap">C.</span>) I have
promised that you shall marry my daughter. I
have assured you that I have no doubt whatever
as to her affection. Then why this—precipitancy?</p>
<p><span class="smcap">Contareen.</span> She refused me very decidedly.
(<i>sits on settee</i> <span class="smcap">R.</span>)</p>
<p><span class="smcap">Mollen.</span> My poor Rosamund is a widow. (<i>up</i>
<span class="smcap">L. C.</span> <i>across</i> <span class="smcap">C.</span> <i>and down</i> <span class="smcap">R. C.</span>) Also she has had
the advantage of correcting my proof-sheets. She
has read that passion wins maids, and perseverance
widows. She follows the rule. Do the
same!</p>
<p><span class="smcap">Contareen.</span> I thought—</p>
<p><span class="smcap">Mollen.</span> Every siege must be conducted on
scientific principles. You should now be back in
your trenches. Digging, sir—digging!</p>
<p><span class="smcap">Contareen.</span> (<i>eagerly</i>) Look here, Lady Pentruddock
has asked me down to her place in
Shropshire.</p>
<p><span class="smcap">Mollen.</span> Well?</p>
<p><span class="smcap">Contareen.</span> Her sister will be there—Muriel,
I mean, not Gladys. Muriel has charm.</p>
<p><span class="smcap">Mollen.</span> Granted. And then?</p>
<p><span class="smcap">Contareen.</span> Your daughter knows Lady Muriel.
When she learns that I shall be under the
same roof with that fascinating person—eh?</p>
<p><span class="smcap">Mollen.</span> (<i>to</i> <span class="smcap">L.</span> <i>of table</i> <span class="smcap">C.</span>) I see, I see.
Well—(<i>he ponders</i>)</p>
<p><span class="smcap">Contareen.</span> If I tell Lady Claude that I—er—accept
her decision cheerfully—eh?—and inform
her that I—Lady Muriel—don't you think?</p>
<p><span class="pagenum"><SPAN name="Page_39" id="Page_39">[Pg 39]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> (<i>judicially</i>) The idea has merit.</p>
<p><span class="smcap">Contareen.</span> (<i>humbly</i>) I got it out of the
book.</p>
<p><span class="smcap">Mollen.</span> Of course. That goes without saying.
(<i>sit</i> <span class="smcap">L.</span> <i>of table</i> <span class="smcap">C.</span>) Well, no harm can be
done. Though a line to me, from Pentruddock
Castle would have been better.</p>
<p><span class="smcap">Contareen.</span> Perhaps. But still—I say, you're
backing me up?</p>
<p><span class="smcap">Mollen.</span> I'm supporting you admirably. I
have repeatedly expressed my delight at her
having refused you.</p>
<p><span class="smcap">Contareen.</span> (<i>staggered</i>) I say!</p>
<p><span class="smcap">Mollen.</span> I dwell with satisfaction on the
prospect of not seeing you again—</p>
<p><span class="smcap">Contareen.</span> Look here!</p>
<p><span class="smcap">Mollen.</span> And have more than once hinted at
a past that is probably strewn with forlorn Nancies
and Janes—</p>
<p><span class="smcap">Contareen.</span> (<i>aghast—rise</i>) By Jove!</p>
<p><span class="smcap">Mollen.</span> "To kindle the flame of love in the
feminine bosom"—I quote from the fifteenth
chapter—(<i>he presses the bell</i>) "the third party
should vehemently, and persistently, denounce
the person whom he desires to see enthroned."</p>
<p><span class="smcap">Contareen.</span> But still!</p>
<p><span class="smcap">Mollen.</span> Leave it to me, my dear fellow, leave
it to me! I tell you it works like a charm!</p>
<p class="center">(<span class="smcap">Cont.</span> <i>re-sits settee</i> <span class="smcap">R.</span>)</p>
<p class="center">(<span class="smcap">Martin</span> <i>comes in</i> <span class="smcap">R.</span>)</p>
<p><span class="smcap">Mollen.</span> Inform Lady Claude that Lord Contareen
is here, and ask her to be good enough to
descend.</p>
<p><span class="smcap">Martin.</span> Yes, sir. (<i>he goes</i>)</p>
<p><span class="smcap">Mollen.</span> Now see—when Rosamund comes, I
shall retire into the back room there, and write a<span class="pagenum"><SPAN name="Page_40" id="Page_40">[Pg 40]</SPAN></span>
letter. I shall give you three minutes. Then you
take your leave.</p>
<p><span class="smcap">Contareen.</span> Quite so. Three minutes will do!</p>
<p><span class="smcap">Mollen.</span> And remember—be sprightly! Not
a trace of acidity! Persiflage is good—in moderation—<i>Bring</i>
in Lady Pentruddock's sister—but
don't <i>drag</i> her in! You understand?</p>
<p><span class="smcap">Contareen.</span> Perfectly, perfectly. Oh yes, I
see. Gad, Mollentrave, I've always done what
you told me. But those Nancies and Janes, you
know—</p>
<p><span class="smcap">Mollen.</span> Tut, tut, women like a dash of
colour! Now mind—your visit to-day is merely
a p. p. c. card—the whistle that heralds the shunting
of the train—</p>
<p><span class="smcap">Contareen.</span> Quite so. (<i>whistle</i>) I must remember
that.</p>
<p><span class="smcap">Mollen.</span> (<i>rise, cross to</i> <span class="smcap">R. C.</span>) Your line is delicacy.
You feel it only due to her, and so forth.
Your tone must be soft, mellifluous—a south wind
rustling over orange trees. Orange trees, mark
you—<i>not</i> cypresses!</p>
<p><span class="smcap">Contareen.</span> (<i>rise</i>) Exactly. Orange trees—<i>not
cypresses</i>. I see.</p>
<p><span class="smcap">Mollen.</span> (<i>takes</i> <span class="smcap">Cont.</span> <i>across</i> <span class="smcap">L. C.</span>) Take no
notice of her confusion. Be bland, respectful.
Retire gracefully. (<span class="smcap">Cont.</span> <i>crosses to</i> <span class="smcap">L.</span> <i>front of</i>
<span class="smcap">Mollen.</span>) A gentle pressure of the hand. No
more.</p>
<p><span class="smcap">Cont.</span> (<span class="smcap">L.</span>) I'll do it. I'll do it! You're
wonderful, Mollentrave, but I say—</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">L. C.</span>) H'sh! (<i>up</i> <span class="smcap">L. C.</span> <i>to top of
table</i>)</p>
<p class="center">(<span class="smcap">Lady Claude</span> <i>enters</i> <span class="smcap">R.</span> <i>with book</i>)</p>
<p><span class="smcap">Lady C.</span> (<i>down</i> <span class="smcap">C.</span>) How are you, Lord Contareen?</p>
<p><span class="smcap">Contareen.</span> (<i>down</i> <span class="smcap">C.</span>—<i>suddenly smitten with<span class="pagenum"><SPAN name="Page_41" id="Page_41">[Pg 41]</SPAN></span>
confusion</i>) I'm very well, thank you, Lady
Claude—never was better, never was better!</p>
<p class="center">(<i>He looks to</i> <span class="smcap">Mollentrave</span> <i>away</i> <span class="smcap">L.</span> <i>a step</i>)</p>
<p><span class="smcap">Mollen.</span> (<i>up</i> <span class="smcap">C.</span> <i>top of table—to</i> <span class="smcap">Lady Claude</span>)
My dear, you will excuse me—I have a line to
write to—to—oh yes, to Balsted, of course, about
the train to-morrow. We take the 11.20—he may
as well join us. Your pardon, Contareen—I shall
not be a moment.</p>
<p class="center">(<span class="smcap">Lady C.</span> <i>puts book away</i> <span class="smcap">R.</span>)</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>goes into the inner room</i> <span class="smcap">L. U. E.</span>
<i>rubbing his hands</i>.)</p>
<p><span class="smcap">Contareen.</span> (<i>disconcerted</i>) Balsted! the lawyer
fellow!</p>
<p><span class="smcap">Lady C.</span> (<i>smiling</i>) The great barrister—yes.
He is coming to Swanage.</p>
<p><span class="smcap">Contareen.</span> The deuce he is! Old friend of
yours, isn't he?</p>
<p><span class="smcap">Lady C.</span> (<i>sit</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">C.</span> <i>table, sitting</i>) I have
known him a number of years.</p>
<p><span class="smcap">Contareen.</span> Confound it, ain't he a bachelor?
(<i>To</i> <span class="smcap">L.</span> <i>of table</i> <span class="smcap">C.</span> <i>from</i> <span class="smcap">L.</span>)</p>
<p><span class="smcap">Lady C.</span> He was when I last saw him.</p>
<p><span class="smcap">Contareen.</span> And how long ago was that?</p>
<p><span class="smcap">Lady C.</span> I should think an hour and a half.</p>
<p><span class="smcap">Contareen.</span> (<i>very perturbed</i>) (<i>sit</i> <span class="smcap">L.</span> <i>of</i> <span class="smcap">C.</span>
<i>table</i>) Eh? Quite so, quite so. No concern of
mine, of course, and all that. Well, what I had to
say—the fact is that I—confound Balsted—he's
put me off!</p>
<p><span class="smcap">Lady C.</span> (<i>wondering</i>) Put you off? Off what,
Lord Contareen?</p>
<p><span class="smcap">Contareen.</span> You see, I didn't know you were
going to have visitors at Swanage.</p>
<p><span class="pagenum"><SPAN name="Page_42" id="Page_42">[Pg 42]</SPAN></span></p>
<p><span class="smcap">Lady C.</span> (<i>smiling</i>) Well, that's not unnatural,
is it? We've such a large place there!</p>
<p><span class="smcap">Contareen.</span> (<i>eagerly</i>) I suppose you wouldn't
like me to—</p>
<p><span class="smcap">Lady C.</span> After what has occurred, perhaps—</p>
<p><span class="smcap">Contareen.</span> (<i>pleading</i>) I've only asked you
once, you know—</p>
<p><span class="smcap">Lady C.</span> (<i>emphatically</i>) But I do most earnestly
beg you to believe that my decision is final,
and irrevocable.</p>
<p><span class="smcap">Contareen.</span> (<i>humbly, rise</i>) I don't think I
made it quite clear to you to what extent I ad—</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>coughs loudly from the inner
room</i>.)</p>
<p><span class="smcap">Contareen.</span> (<i>quickly</i>) To what extent I ad—ad—advocate!
Funny, isn't it! (<i>up stage</i> <span class="smcap">C.</span> <i>a
step</i>) Besides, we're too old, and that sort of
thing—</p>
<p><span class="smcap">Lady C.</span> (<i>puzzled</i>) I beg your pardon—</p>
<p><span class="smcap">Contareen.</span> (<i>top of table</i> <span class="smcap">C.</span>) Oh, nothing, nothing—a
joke that's all—mere persiflage! What I
wanted to say was—to break it—h'm delicately—that
I was going away too—to Lady Pentruddock's,
you know—</p>
<p><span class="smcap">Lady C.</span> Indeed? I hope you will have a most
pleasant time.</p>
<p><span class="smcap">Contareen.</span> Thanks—sure to, sure to! Seems
that her sister's there—Muriel, you know, not
Gladys. Fine woman, Muriel.</p>
<p><span class="smcap">Lady C.</span> (<i>indifferently</i>) Very.</p>
<p><span class="smcap">Contareen.</span> (<i>artfully</i>) Old friend of mine—and
I fancy that she—she—you see—well, I—and
I rather want to—eh, don't you think?</p>
<p><span class="smcap">Lady C.</span> (<i>clapping her hands</i>) Admirable!
Oh, I'm so glad!</p>
<p><span class="smcap">Contareen.</span> (<i>quickly</i>) Nothing done yet, of
course! There still is time—</p>
<p><span class="smcap">Lady C.</span> Time?</p>
<p><span class="pagenum"><SPAN name="Page_43" id="Page_43">[Pg 43]</SPAN></span></p>
<p><span class="smcap">Contareen.</span> My visit to-day is merely a kind
of—whistle, you know. 'Bout ship, eh? You
don't mind?</p>
<p><span class="smcap">Lady C.</span> Mind? I! My dear Lord Contareen,
I assure you—</p>
<p><span class="smcap">Contareen.</span> You've no objection, I mean, to
my going down there?</p>
<p><span class="smcap">Lady C.</span> Far from it! Indeed, I should most
strongly recommend a change of scene. (<i>rise and
away</i> <span class="smcap">R.</span>)</p>
<p><span class="smcap">Contareen.</span> (<i>cunningly, down</i> <span class="smcap">L.</span> <i>to</i> <span class="smcap">C.</span>) And
of actors, Lady Claude, eh, of actors? Ha, ha!
I'm anxious of course, that you shouldn't think
me—(<i>he pauses</i>)</p>
<p><span class="smcap">Lady C.</span> (<i>Impatiently, sit on sofa</i> <span class="smcap">R.</span>) Think
you what, Lord Contareen?</p>
<p><span class="smcap">Contareen.</span> Not regard it as sudden, eh? Too
abrupt and that sort of thing?</p>
<p><span class="smcap">Lady C.</span> On the contrary, I shall be delighted!</p>
<p><span class="smcap">Contareen.</span> (<span class="smcap">R. C.</span> <i>disconcerted</i>) Oh! delighted!</p>
<p><span class="smcap">Lady C.</span> I assure you! I have the greatest respect
for Lady Gladys—</p>
<p><span class="smcap">Contareen.</span> Muriel, Muriel—not Gladys—</p>
<p><span class="smcap">Lady C.</span> Your pardon—I should have said
Lady Muriel. Let me declare to you, most earnestly
and sincerely, that you have my very best
wishes for your success.</p>
<p><span class="smcap">Contareen.</span> Of course I've said nothing yet—but
once down there—weak man, charming
woman—</p>
<p><span class="smcap">Lady C.</span> Let us know as soon as it's settled!
And I will congratulate you, with my whole
heart! Believe it, Lord Contareen!</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>comes in</i>, <span class="smcap">L. U. E.</span> <i>and goes to top
of table</i> <span class="smcap">C.</span> <i>with a discreet preliminary cough</i>.)</p>
<p><span class="smcap">Contareen.</span> (<i>Looks round to</i> <span class="smcap">L.</span>) Just going,<span class="pagenum"><SPAN name="Page_44" id="Page_44">[Pg 44]</SPAN></span>
Mollentrave—just going, Lady Claude—au revoir!</p>
<p><span class="smcap">Lady C.</span> Good-bye. And my love to Lady
Muriel!</p>
<p><span class="smcap">Contareen.</span> (<i>up</i> <span class="smcap">R. C.</span>) Quite so, quite so.
Good-bye, Mollentrave. I'm afraid I've made an
awful hash—</p>
<p><span class="smcap">Mollen.</span> (<i>up</i> <span class="smcap">R. C.</span> <i>on his</i> <span class="smcap">L.</span>) Good-bye, my
dear fellow—good-bye. (<i>in his ear</i>) She's piqued—she's
piqued! Spade-work—nothing like it!
(<i>aloud</i>) Good-bye!</p>
<p class="center">(<span class="smcap">Contareen</span> <i>goes</i> <span class="smcap">R.</span> <span class="smcap">Mollentrave</span> <i>returns to the
centre of the room, rubbing his hands</i>.)</p>
<p><span class="smcap">Lady C.</span> (<i>very earnestly</i>) Papa, don't practise
on me!</p>
<p><span class="smcap">Mollen.</span> (<i>blandly</i>) My child?</p>
<p><span class="smcap">Lady C.</span> There are so many specimens for you
to play with! Look on me as an exception—a
freak, if you like. But <i>I</i>, at least, am not a rule
of three sum!</p>
<p><span class="smcap">Mollen.</span> (<i>sitting on stool</i> <span class="smcap">C.</span> <i>patting her hand</i>)
My dear Rosamund!</p>
<p><span class="smcap">Lady C.</span> (<i>rise</i>) How <i>could</i> you imagine that
such an inane, idiotic creature as that—</p>
<p><span class="smcap">Mollen.</span> It is certainly strange that he should
go to Pentruddock. Your resentment is justified.</p>
<p><span class="smcap">Lady C.</span> (<i>up</i> <span class="smcap">R.</span> <i>and across back of table to
down</i> <span class="smcap">L. C.</span> <i>scornfully</i>) Resentment!</p>
<p><span class="smcap">Mollen.</span> I shouldn't be in the least surprised
if Lady Muriel secured him!</p>
<p><span class="smcap">Lady C.</span> Oh, she may have him, with all my
heart, and all my sympathy too!</p>
<p><span class="smcap">Mollen.</span> (<i>slyly</i>) Of course, my dear, I'm
aware that <i>you</i> don't care for him. How could
you?</p>
<p><span class="smcap">Lady C.</span> (<i>down</i> <span class="smcap">L.</span> <i>smiling in spite of herself</i>)
You refuse to believe me? I cannot convince
you?</p>
<p><span class="pagenum"><SPAN name="Page_45" id="Page_45">[Pg 45]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> (<i>stroking her condescendingly</i>) My
dear—</p>
<p><span class="smcap">Lady C.</span> (<span class="smcap">L. C.</span>) After all that has happened!
After what you have seen of my life! And you
really believe that I ever could care for this man!
That I, a creature with a heart and soul, am
pigeon-holed in your book, and bound to conform
to its maxims!</p>
<p><span class="smcap">Mollen.</span> (<i>fatuously</i>) On the contrary—I—</p>
<p><span class="smcap">Lady C.</span> (<i>up and down</i> <span class="smcap">L. C.</span>) Is it his title
appeals to you—his houses, his money? Years
ago, I was obedient—my husband, too, had a title—and
you know how dearly I paid for it....
Weave no webs round me! The fly has grown
wary—and it has had the advantage, too, of studying
the wiles of the spider!</p>
<p><span class="smcap">Mollen.</span> I quite admit, my dear, that Contareen's
change of attitude is reprehensible—very.
And I have not the least doubt—</p>
<p><span class="smcap">Lady C.</span> (<i>smiling sorrowfully</i>) You are incorrigible!</p>
<p><span class="smcap">Mollen.</span> My dear child! Since I tell you—</p>
<p><span class="smcap">Lady C.</span> Ah—I see that I shall have to provide
you—with material for a new chapter!</p>
<div class="hangindent">
<p>(<i>She kisses him—he purrs complacently. The
door opens and</i> <span class="smcap">Martin</span> <i>ushers in</i> <span class="smcap">Sir Joseph</span>,
<i>who is wildly excited</i>.)</p>
</div>
<p><span class="smcap">Martin.</span> Sir Joseph Balsted.</p>
<p><span class="smcap">Mollen.</span> (<i>eagerly</i>) Balsted! (<i>rise and across
to</i> <span class="smcap">R.</span>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) Mollentrave,—awful—the little
idiot imagined you were proposing for me!</p>
<p><span class="smcap">Mollen.</span> (<i>sitting</i> <span class="smcap">R.</span>) No! No!</p>
<p><span class="smcap">Sir J.</span> She thought you meant <i>me</i>!</p>
<p><span class="smcap">Mollen.</span> Balsted, how could you! Why, when
I left the room she had accepted Everard!</p>
<p><span class="smcap">Sir J.</span> And I sent the boy to her—he comes<span class="pagenum"><SPAN name="Page_46" id="Page_46">[Pg 46]</SPAN></span>
back, pale as a ghost—and says she's engaged—to
ME! (<i>sit</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">C.</span> <i>table</i>)</p>
<p class="center">(<span class="smcap">Lady Claude</span> <i>up</i> <span class="smcap">L.</span> <i>and down</i> <span class="smcap">L.</span> <i>convulsed with</i>
<i>laughter. Both men turn to her.</i>)</p>
<p><span class="smcap">Mollen.</span> (<i>reproachfully</i>) My dear Rosamund,
your hilarity is misplaced.</p>
<p><span class="smcap">Lady C.</span> (<i>contritely but still choking, sit</i> <span class="smcap">L.</span> <i>by
work table</i>) I'm very sorry—</p>
<p><span class="smcap">Mollen.</span> Our friend has unfortunately entangled
himself in a most serious dilemma—</p>
<p><span class="smcap">Sir J.</span> I! That's good! <i>You</i> did the proposing!</p>
<p><span class="smcap">Mollen.</span> You heard me—you even complimented
me!</p>
<p><span class="smcap">Sir J.</span> (<i>rise</i>) It flashed across me at the time—you
never mentioned his name!</p>
<p><span class="smcap">Mollen.</span> (<i>with an indulgent smile</i>) Not mention
his name! I!</p>
<p><span class="smcap">Sir J.</span> If she had accepted Everard, would she,
one moment after, have consented to marry me?</p>
<p><span class="smcap">Mollen.</span> Do not excite yourself, my dear Balsted!
What happened, I see it, was this. I dug
the hole, and gave you the tree to put in. You
popped in the wrong one!</p>
<p><span class="smcap">Lady C.</span> What happened, Sir Joseph, after you
heard the news?</p>
<p><span class="smcap">Sir J.</span> (<i>to</i> <span class="smcap">Lady C.</span>) I rushed on here at once.
(<i>to</i> <span class="smcap">Mollen.</span>) You've got me into this scrape—get
me out!</p>
<p><span class="smcap">Mollen.</span> My dear friend, my services are of
course at your disposal. But, truly, how could
you? The affair was so simple!</p>
<p><span class="smcap">Sir J.</span> Well, one thing's certain at any rate—she's
not in love with Everard—</p>
<p><span class="smcap">Mollen.</span> (<i>shaking his head</i>) That's not certain
at all!</p>
<p><span class="smcap">Sir J.</span> (<i>impatiently</i>) What! When the little
fool's in love with me!</p>
<p><span class="pagenum"><SPAN name="Page_47" id="Page_47">[Pg 47]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> That's not proved.</p>
<p><span class="smcap">Sir J.</span> Not proved! When she wants to marry
me!</p>
<p><span class="smcap">Mollen.</span> Didn't I tell you she was an invertebrate
sentimentalist? You forgot that. Had
you left her undisturbed in the belief that you
meant Everard, she'd have gone to the altar with
Everard. You persuaded her I had spoken for
you—she switched her love on to you. That's the
case in a nutshell.</p>
<p><span class="smcap">Sir J.</span> Preposterous!</p>
<p><span class="smcap">Mollen.</span> There you may trust my, let us say,
wider experience. But tell me, Everard! He did
not undeceive her?</p>
<p><span class="smcap">Sir J.</span> No—heroics! She loves you, he says
to me—uncle, she loves you! He seemed to take
it for granted I <i>must</i> love her! And he hoped—we'd
be happy! You'll go now—at once?</p>
<p><span class="smcap">Mollen.</span> I'm willing of course. Only let us
first, calmly, review the situation.</p>
<p class="center">(<span class="smcap">Sir J.</span> <i>sits</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">C.</span> <i>table</i>.)</p>
<p>Assume that I tell your ward bluntly of her mistake—well,
what's the result?</p>
<p><span class="smcap">Sir J.</span> That I'm free!</p>
<p><span class="smcap">Mollen.</span> Yes! But at what cost!</p>
<p><span class="smcap">Sir J.</span> Cost! What do you mean?</p>
<p><span class="smcap">Mollen.</span> The situation of which you complained
this afternoon will remain, will it not?
And intensified—a million times. Nay, it will
have become—impossible!</p>
<p><span class="smcap">Sir J.</span> All this is beyond me! he turns appealingly
to Lady Claude! Lady Claude!</p>
<p><span class="smcap">Lady C.</span> It is beyond me too, Sir Joseph—but
papa knows—he is infallible!</p>
<p><span class="smcap">Mollen.</span> The girl has confessed her love for
you. A love, mark you, that does not exist, but
that <i>my</i> explanation will call into being!</p>
<p><span class="smcap">Sir J.</span> (<i>pettishly</i>) Absurd!</p>
<p><span class="pagenum"><SPAN name="Page_48" id="Page_48">[Pg 48]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> But it's true! Her feeling for you,
at present a mere wayward infatuation, will at
once swell into romantic passion. She'll begin to
wither—</p>
<p><span class="smcap">Sir J.</span> Wither?</p>
<p><span class="smcap">Mollen.</span> Fade on the stalk! Refuse her food—live
on poetry and tea! Be a martyr! Then
anæmia acts in. Doctors, nurses, cures—and all
the time, mind you, she's hugging an imaginary
grief!</p>
<p><span class="smcap">Sir J.</span> (<i>Impatiently</i>) But, why, in the name
of Heaven—</p>
<p><span class="smcap">Mollen.</span> Heaven only knows. <i>I</i> didn't make
women—I have merely observed them. If you
don't believe me, ask Rosamund.</p>
<p><span class="smcap">Lady C.</span> (<i>demurely</i>) Sir Joseph knows, I
always agree with Papa.</p>
<p><span class="smcap">Mollen.</span> (<i>rise and up</i> <span class="smcap">R. C.</span>) And, mark you,
more, when I tell her you meant the nephew, she
at once proceeds to hate the nephew.</p>
<p><span class="smcap">Sir J.</span> (<i>feebly</i>) Hate him!</p>
<p><span class="smcap">Mollen.</span> Inevitably.</p>
<p><span class="smcap">Sir J.</span> Lady Claude!</p>
<p><span class="smcap">Lady C.</span> Papa means that her vanity will be
piqued.</p>
<p><span class="smcap">Sir J.</span> Vanity!</p>
<p><span class="smcap">Mollen.</span> Complacently the essential ingredient
of a young woman's affections.</p>
<p><span class="smcap">Lady C.</span> The book says she will demand an
eternity to pass.</p>
<p><span class="smcap">Mollen.</span> A feminine figure of speech that resolves
itself into months! But think of those
months with her sighing, dying, crying! (<i>down</i>
<span class="smcap">R. C.</span>)</p>
<p><span class="smcap">Sir J.</span> (<i>groaning</i>) What a catastrophe!</p>
<p><span class="smcap">Mollen.</span> (<i>up</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">Sir J.</span>) You're sure—quite
sure—you won't marry her?</p>
<p><span class="smcap">Sir J.</span> (<i>angrily</i>) Mollentrave! (<i>rising</i>) If
<i>this</i> is all the help you can give me—</p>
<p><span class="pagenum"><SPAN name="Page_49" id="Page_49">[Pg 49]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> (<i>forcing him back in his chair</i>) Alternatives!
I merely suggest alternatives! You
don't marry—that's settled, agreed. But I see
no reason why you should not be—engaged!</p>
<p><span class="smcap">Sir J.</span> (<i>rising</i>, <span class="smcap">Mollen.</span> <i>sits him again</i>) Engaged!
You're mad!</p>
<p><span class="smcap">Mollen.</span> (<i>round back of</i> <span class="smcap">C.</span> <i>table</i>) Secret engagement!
You tell her—paternal again—you
give her a month to reflect. Secrecy all round—except
us. You bound—she free.</p>
<p><span class="smcap">Sir J.</span> How does that help me?</p>
<p><span class="smcap">Mollen.</span> Follow me closely. (<i>to</i> <span class="smcap">L.</span> <i>of table</i> <span class="smcap">C.</span>)
During that month you become—senile.</p>
<p><span class="smcap">Sir J.</span> Senile! Why, hang it, I'm only forty-five!</p>
<p><span class="smcap">Mollen.</span> And she's nineteen! Strip off your
limelight—to her you're Methuselah! (<i>sitting</i>
<span class="smcap">L.</span> <i>of</i> <span class="smcap">C.</span> <i>table</i>.)</p>
<p><span class="smcap">Sir J.</span> (<i>protesting</i>) I—</p>
<p><span class="smcap">Mollen.</span> (<i>breaking in impetuously</i>) My dear
friend, you don't really imagine that she loves
<i>you</i>? Whatever's real in her loves Everard—or
any other good-looking young fellow of his age
whom she chances to meet. What she admires in
you is your talent, your position, your power.
Very well, take them off!</p>
<p><span class="smcap">Sir J.</span> (<i>blankly</i>) How can I?</p>
<p><span class="smcap">Mollen.</span> I've told you—be senile. Fidgety,
crotchety—sensitive to draughts—dyspeptic—adore
your food. Flannel nightcap—false teeth—</p>
<p><span class="smcap">Sir J.</span> (<i>indignantly rising</i>) I haven't!</p>
<p><span class="smcap">Mollen.</span> <i>Imagine</i> you have.</p>
<p class="center">(<span class="smcap">Sir J.</span> <i>re-sits</i>.)</p>
<p>Speak of them often! Boil your milk! Retire at
nine, have your paper warmed. Tell her you mean
to resign the House, give up the Bar, live in the
country, ten miles from a station, and write a
book on Constitutional Law!</p>
<p><span class="pagenum"><SPAN name="Page_50" id="Page_50">[Pg 50]</SPAN></span></p>
<p><span class="smcap">Sir J.</span> All that, eh?</p>
<p><span class="smcap">Mollen.</span> And dictate to her five hours a day!
Find fault with her spelling—be always finding
fault!</p>
<p><span class="smcap">Sir J.</span> Lively for both of us! But look here—seeing
that she has lived with me for a year, and
I <i>haven't</i> been senile—</p>
<p><span class="smcap">Mollen.</span> (<i>with a petulant gesture</i>) Tut, tut,
tut! Hitherto, you've concealed your—little ailments!
But, now that you've won her, are sure
of her, you show yourself—as you are! (<i>rise</i>) Oh,
it's simple enough! And so much for frontal attack.
(<i>a step</i>) As for skirmishes, we'll ask
Rosamund to be good enough to flirt with the
nephew—</p>
<p><span class="smcap">Sir J.</span> (<i>turning to her</i>) To flirt—you?</p>
<p><span class="smcap">Lady C.</span> (<i>merrily</i>) The poor boy will need
consolation. And if I can be of service—</p>
<p><span class="smcap">Mollen.</span> (<i>up to</i> <span class="smcap">L.</span> <i>of table</i> <span class="smcap">C.</span> <i>with a flourish</i>)
Within two days she has the boy at her feet!
Then your bride becomes jealous. Your tyranny
offends her—she begins to see you are old. Romance
drops off like paper from a damp wall.
Everard's coolness piqued her—she proceeds to
discover that she loves Everard. You in dressing
gown and slippers—he young Greek god. And,
after a month's steady digging—we arrive—at—the
real girl!</p>
<p><span class="smcap">Sir J.</span> A month....</p>
<p><span class="smcap">Mollen.</span> May be less, may be less! Finally,
explanation—you discover her in tears—you
play the noble Roman, release her unconditionally,
Rosamund sends Everard to her—you join
their hands. Slow music. Curtain. See?</p>
<p><span class="smcap">Sir J.</span> (<i>rise and down</i> <span class="smcap">R.</span>) I don't like the idea
of an engagement, even though it be secret. But
look here—if I did this—how about Everard?
What should I say to him?</p>
<p><span class="smcap">Mollen.</span> (<i>to bottom of</i> <span class="smcap">C.</span> <i>table</i>) Let him be<span class="pagenum"><SPAN name="Page_51" id="Page_51">[Pg 51]</SPAN></span>lieve—as
he already believes—that you admire
what's-her-name—but mention the month's probation.
Hint darkly at possibility of happy ending.
(<i>to</i> <span class="smcap">R. C. L.</span> <i>of</i> <span class="smcap">Sir J.</span>) Bring Everard down
to Swanage—I answer for the rest!</p>
<p><span class="smcap">Sir J.</span> (<i>hesitating</i>) It sounds plausible—though
it's a fearful undertaking! But, before
deciding, I should like a word with Lady Claude.
Will you allow me?</p>
<p><span class="smcap">Mollen.</span> Certainly, certainly. I'll smoke a
cigarette down-stairs—my habit, before dressing.
(<i>cross up</i> <span class="smcap">R.</span>) You'll find habits useful by the way—I've
one or two that I'll tell you. I'll see you
before you go!</p>
<p class="center">(<i>He retires cheerfully humming a tune</i>, <span class="smcap">R.</span>)</p>
<p><span class="smcap">Sir J.</span> (<i>to</i> <span class="smcap">L. C.</span>) Lady Claude, I've asked for
this because—I scarcely know where I am, or
what I'm saying! Your father rattles on—he
seems convincing—he may be right—but my instinct
tells me that, in this fearful muddle, <i>you</i>
are the surer guide!</p>
<p><span class="smcap">Lady C.</span> I?</p>
<p><span class="smcap">Sir. J.</span> You! If I spoke rather cynically this
afternoon—if I have grown to think rather hardly
of women—remember that there was one whom
I—loved—and she—wouldn't have me!</p>
<p class="center">(<span class="smcap">Lady Claude</span> <i>makes a gesture</i>.)</p>
<p>Oh, don't be alarmed—I won't drag up the past.
No doubt, then, I was merely a wild, impetuous
youngster, like my poor Everard to-day. But—I
have not forgotten—how deeply I—felt it....
And here I seem, through my carelessness, to have
created sorrow for two young lives.... I'm a selfish
man, of course—I've shown it plainly enough!—but
still I've tried—honestly tried—to do my<span class="pagenum"><SPAN name="Page_52" id="Page_52">[Pg 52]</SPAN></span>
duty—by both of them.... Now I am urged to
play an odious comedy—for it <i>is</i> odious, is it not?</p>
<p><span class="smcap">Lady C.</span> Deception can never be pleasant....
You have all my sympathy.</p>
<p><span class="smcap">Sir J.</span> I need it, I need it! Women, after all,
are an unknown quantity to me. Your father has
compiled a series of tables, has dissected and analysed—he
may be right, I don't know—but I
want <i>you</i> to guide me! You, and you only!</p>
<p><span class="smcap">Lady C.</span> (<i>gently</i>) What can I tell you?
(<i>rise and cross</i> <span class="smcap">C.</span> <i>and sitting on stool</i>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">L. C.</span>) In the first place, this. Is it
not rather my duty promptly to undeceive the
girl, at any cost? Have I the right to—play with
her affections?</p>
<p><span class="smcap">Lady C.</span> (<i>hesitating</i>) Sir Joseph—</p>
<p><span class="smcap">Sir J.</span> Remember, I loved her father. He entrusted
his daughter to me, his old friend.... To-day,
when I think of him!</p>
<p><span class="smcap">Lady C.</span> You want my honest opinion?</p>
<p><span class="smcap">Sir J.</span> I do.</p>
<p><span class="smcap">Lady C.</span> Then what I have to say is said in a
very few words. One should not trifle with the
heart of a girl!</p>
<p><span class="smcap">Sir J.</span> What am I to do?</p>
<p><span class="smcap">Lady C.</span> It is you, and you only, who can decide.</p>
<p><span class="smcap">Sir J.</span> Tell me what you think!</p>
<p><span class="smcap">Lady C.</span> The poor child has probably long
adored you in secret. She will have read sentiment
into your very least words—</p>
<p><span class="smcap">Sir J.</span> (<i>with sudden recollection</i>) Ha! the
flowers on my table, day after day!</p>
<p><span class="smcap">Lady C.</span> Laid there by her each morning,
fondly, tenderly—</p>
<p><span class="smcap">Sir J.</span> Advise me! I will follow you, blindly!</p>
<p><span class="smcap">Lady C.</span> Do what is kindest!</p>
<p><span class="smcap">Sir J.</span> If I undeceive her—the picture your
father has drawn—and your father understands
women—</p>
<p><span class="pagenum"><SPAN name="Page_53" id="Page_53">[Pg 53]</SPAN></span></p>
<p><span class="smcap">Lady C.</span> What he says may be true of ninety-nine
out of a hundred—there is always the hundredth.</p>
<p><span class="smcap">Sir J.</span> The hundredth—yes—I don't know—I
know her so little! The disillusioning process
<i>might</i> be effective?</p>
<p><span class="smcap">Lady C.</span> It might. One cannot tell.</p>
<p><span class="smcap">Sir J.</span> (<i>eagerly</i>) Then shall I do it? Shall
I?</p>
<p><span class="smcap">Lady C.</span> You must know best.</p>
<p><span class="smcap">Sir J.</span> (<i>with deep feeling</i>) Rosamund, I am
appealing to you—for your help!</p>
<p><span class="smcap">Lady C.</span> (<i>very earnestly, rise</i>) Then, no! I
would do the honest, the straightforward thing!...
Go to her yourself, tell her—of the mistake—but
oh, so softly, so gently, (<span class="smcap">C.</span>) that her poor little
heart shall rest itself upon yours, and not feel—too
ashamed! Point out how unwise it would
be! Be so full of pity that the wound ... shall
be scarcely a bruise.... Be so tender, so human,
that her poor little tears shall freshen her heart,
and not scald it.... And let there be tears in your
heart too—and no trace of—laughter.... There!
That is my advice. But I may be wrong....</p>
<p><span class="smcap">Sir J.</span> No, you are right—I feel it! I go at
once. (<i>round back of table to up</i> <span class="smcap">R. C.</span>) You will
tell your father. (<i>coming down</i> <span class="smcap">C.</span> <i>to</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">Lady
C.</span>) And, my dear friend, my very dear friend, I—thank
you!</p>
<div class="hangindent">
<p>(<i>He takes her hand, which she allows for a moment
to rest in his. Suddenly</i> <span class="smcap">Mollentrave's</span>
<i>voice is heard outside</i>. <span class="smcap">Sir Joseph</span> <i>falls back</i>.
<i>The door opens and</i> <span class="smcap">Mollentrave enters</span>, <i>perking
and smiling, followed by</i> <span class="smcap">Margaret</span>.)</p>
</div>
<p><span class="smcap">Sir J.</span> (<i>away</i> <span class="smcap">R.</span> <i>aghast</i>) Margaret!</p>
<p><span class="smcap">Mollen.</span> (<i>very volubly</i> <span class="smcap">R. C.</span>) My dear fellow,
Miss Messilent has had the charming idea to come<span class="pagenum"><SPAN name="Page_54" id="Page_54">[Pg 54]</SPAN></span>
here and fetch you. Miss Messilent, let me introduce
you to my daughter, Lady Claude Derenham.
An admirer of your fiancé—like us all!</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R.</span> <i>blankly</i>) Oh!</p>
<p><span class="smcap">Marg.</span> (<span class="smcap">C.</span> <i>shyly</i>) Peters told me where you
had gone—I thought—</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">R. C.</span> <i>beaming</i>) Sweet of you!
Balsted, I've told the young lady how immensely
pleased we all are! And how lucky we think you,
at your time of life, to have secured so lovely a
bride!</p>
<p><span class="smcap">Sir J.</span> (<i>clearing his throat</i>) I—er—I—</p>
<p><span class="smcap">Mollen.</span> My dear Balsted, I am sure I am not
speaking my opinion alone when I say that never
did—November—find so delicious a May! When
is the wedding to be?</p>
<p><span class="smcap">Sir J.</span> (<i>away</i> <span class="smcap">R.</span> <i>savagely, beneath his breath</i>)
Wedding, wedding—</p>
<p><span class="smcap">Marg.</span> (<i>sitting on stool</i> <span class="smcap">C.</span> <span class="smcap">Lady C.</span> <i>sits</i> <span class="smcap">L.</span> <i>of</i> <span class="smcap">C.</span>
<i>table—coyly</i>) He made me promise it would be
soon—</p>
<p><span class="smcap">Mollen.</span> (<i>chuckling</i>) Ah, he did, did he? At
our age, you see, a man's in a hurry—eh, Balsted?
Well, you're all coming with us to Swanage
to-morrow—</p>
<p><span class="smcap">Marg.</span> (<i>surprised</i>) Swanage?</p>
<p><span class="smcap">Mollen.</span> Yes—we've arranged with Sir Joseph.
He didn't tell you? Very remiss, of course—very
remiss. He's a trifle dictatorial, I'm afraid—but
you mustn't mind that—you mustn't mind
that!</p>
<p><span class="smcap">Sir J.</span> (<i>trying in vain to get hold of</i> <span class="smcap">Mollentrave</span>)
Mollentrave, I want—</p>
<p class="center">(<span class="smcap">Sir J.</span> <i>goes up</i> <span class="smcap">R.</span> <i>to</i> <span class="smcap">L.</span> <i>of</i> <span class="smcap">Lady C.</span>, <i>who rises</i>)</p>
<p><span class="smcap">Mollen.</span> (<i>to</i> <span class="smcap">Margaret</span>) When you marry a
distinguished—and <i>elderly</i> man, my dear, you
must of course put up with a few little draw<span class="pagenum"><SPAN name="Page_55" id="Page_55">[Pg 55]</SPAN></span>backs.
May must be content with November's—ivy!
Eh?</p>
<p><span class="smcap">Marg.</span> (<i>rising and away</i> <span class="smcap">R.</span> <i>to sofa and sitting</i>)
Oh, but he's not so very elderly—</p>
<p><span class="smcap">Mollen.</span> (<i>following her to</i> <span class="smcap">R.</span>) Oh no, I married
a much older last week! I'll show you
his photograph. (<i>shows photograph</i>)</p>
<p class="center">(<i>He draws close to</i> <span class="smcap">Margaret</span> <i>and whispers merrily
to her</i>, <span class="smcap">Sir Joseph</span> <i>goes to</i> <span class="smcap">Lady Claude</span>.)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">L.</span>) He has done it! I can't retreat
now! It's impossible!</p>
<p><span class="smcap">Lady C.</span> (<span class="smcap">L. C.</span>) No—I'm afraid.</p>
<p><span class="smcap">Sir J.</span> (<i>Both go up</i> <span class="smcap">L. C.</span>) (<i>wildly</i>) Oh, that
father of yours! Well, there it is—we must start—disillusioning!
Senile!—ha! and the rest!
There's nothing else for it! You'll help me?</p>
<p><span class="smcap">Lady C.</span> Of course I'll do what I can!</p>
<p><span class="smcap">Marg.</span> (<i>rising</i>) Joseph!</p>
<p class="center">(<span class="smcap">Sir J.</span> <i>crosses to</i> <span class="smcap">R.</span>)</p>
<p><span class="smcap">Marg.</span> (<i>Up</i> <span class="smcap">R. C.</span> <i>holding</i> <span class="smcap">Sir J.'s</span> <i>arm, he is on
her</i> <span class="smcap">L.</span> <i>She turns to</i> <span class="smcap">Lady Claude</span>) Good-bye,
Lady Claude, I need (<i>up</i> <span class="smcap">R. C.</span>) scarcely say my
husband's friends will be mine.</p>
<p>(<span class="smcap">Mollen.</span> <i>goes up</i> <span class="smcap">R.</span> <i>to open double doors</i>.)</p>
<p><span class="smcap">Sir J.</span> (<i>up</i> <span class="smcap">R. C.</span> <i>groaning</i>) Husband!</p>
<p><span class="smcap">Marg.</span> Good-bye, Mr. Mollentrave—(<i>sweetly</i>)
Come, Joseph!</p>
<p><span class="smcap">Sir J.</span> Oh!!!</p>
<p class="center">(<i>They</i> <span class="smcap">Exit R.</span>)</p>
<div class="hangindent">
<p>(<i>She passes her arm beamingly through his and
walks him off.</i> <span class="smcap">Mollentrave</span> <i>turns smiling to</i>
<span class="smcap">Lady Claude</span> <i>and rubs his hands</i>.)</p>
</div>
<p class="center">CURTAIN.<span class="pagenum"><SPAN name="Page_56" id="Page_56">[Pg 56]</SPAN></span></p>
<div class="chapter"></div>
<hr class="chap" />
<div style="break-after:column;"></div><br />