<h2><SPAN name="CHAPTER_V" id="CHAPTER_V"></SPAN>CHAPTER V</h2>
<p>The crescent of the Drive, never without its pageant; the
broad river thronged with craft; the high forest-fringed
precipice and the houses that could be glimpsed
beyond—all these played their part in Gwendolyn's
pretend-games. She crowded the Drive with the soldiers of the
General, rank upon rank of marching men whom he reviewed with
pride, while his great bronze steed pranced tirelessly; and
she, a swordless Joan of Arc in a three-cornered hat and
smartly-tailored habit, pranced close beside to share all
honors from the wide back of her own mettlesome war-horse.</p>
<p>As for the river vessels, she took long pretend-journeys
upon them—every detail of which she carefully carried
out. The companions selected were those smiling friends that
appeared at neighboring windows; or she chose hearty, happy
laundresses from the roofs; adding, by way of variety, some
small, bashful acquaintances made at the dancing-school of
Monsieur Tellegen.</p>
<p>But more often, imagining herself a Princess, and the
nursery a prison-tower from the loop-holes of which she viewed
the great, free world, she liked to people the boats out of
stories that Potter had told her on rare, but happy, occasions.
A prosaic down-traveling steamer became the wonderful ship of
Ulysses, his seamen bound to smokestacks and railing, his prow
pointed for the ocean whereinto the River crammed its deep
flood. A smaller boat, smoking its way up-stream, changed into
the fabled bark of a man by the name of Jason, and at the bow
of this Argo sat Johnnie Blake, fish-pole over the side, feet
dangling, line trailing, and a silvery trout spinning at the
hook. A third boat, smaller still, and driven forward by oars,
bore a sad, level-lying, white-clad figure—Elaine, dead
through the plotting of cruel servants, and now rowed by the
hoary dumb toward a peaceful mooring at the foot of some far
timbered slope.</p>
<p>In each of the houses across the wide river, she often
established a pretend-home. Her father was with her always; her
mother, too,—in a silken gown, with a jeweled chaplet on
her head. But her household was always blissfully free of those
whose chief design it was to thwart and terrify her—Miss
Royle, Jane, Thomas; her teachers [as a body]; also, Policemen,
Doctors and Bears. Old Potter was, of course, the
pretend-butler. And Rosa, notwithstanding the fact that she had
once been, while at Johnnie Blake's, the herald of a hated
bed-time went as maid.</p>
<p>Gwendolyn had often secretly coveted the Superintendent's
residence in the Park (so that, instead of straggling along a
concrete pavement at rare intervals, held captive by the hand
that was in Jane's, she might always have the right to race
willy-nilly across the grass—chase the tame squirrels to
shelter—<i>even climb a tree</i>). But more earnestly did
she covet a house beyond the precipice. Were there not trees
there? and rocks? Without doubt there were Johnnie Blake glades
as well—glades bright with flowers, and green with lacy
ferns. For of these glades Gwendolyn had received proof:
Following a sprinkle on a cool day, a light west wind brought a
butterfly against a pane of the front window. When Gwendolyn
raised the sash, the butterfly fluttered in, throwing off a
jeweled drop as he came and alighted upon the dull rose and
green of a flower in the border of the nursery rug. His wings
were flat together and he was tipped to one side, like a skiff
with tinted sails. But when the sails were dry, and parted once
more, and sunlight had replaced shower, he launched forth from
the pink landing-place of Gwendolyn's palm—and sped away
and away, due west!</p>
<p>But the view from the <i>side</i> window!</p>
<p>Beyond the line of step-houses, and beyond the buildings
where the maids hung their wash, were roofs. They seemed to
touch, to have no streets between them anywhere. They reached
as far as Gwendolyn could see. They were all heights, all
shapes, all varieties as to tops—some being level, others
coming to a point at one corner, a few ending in a tower. One
tower, which was square, and on the outer-most edge of the
roofs, had a clock in its summit. When night settled, a light
sprang up behind the clock—a great, round light that was
like a single shining eye.</p>
<p>She did not know the proper name for all those acres of
roof. But Jane called them Down-Town.</p>
<p>At all times they were fascinating. Of a winter's day the
snow whitened them into beauty. The rain washed them with its
slanting down-pour till their metal sheeting glistened as
brightly as the sides of the General's horse. The sea-fog,
advanced by the wind, blotted out all but the nearest, wrapped
these in torn shrouds, and heaped itself about the dun-breathed
chimneys like the smoke of a hundred fires.</p>
<p>She loved the roofs far more than Drive or River or wooded
expanse; more because they meant so much—and that without
her having to do much pretending. For across them, in some
building which no one had ever pointed out to her, in a street
through which she had never driven, was her father's
office!</p>
<p>She herself often selected the building he was in, placing
him first in one great structure, then in another. Whenever a
new one rose, as it often did, there she promptly moved his
office. Once for a whole week he worked directly under the
great glowing eye of the clock.</p>
<p>Just now she was standing at the side window of the nursery
looking away across the roofs. The fat old gentleman at the
gray-haired house was sponging off the rubber-plant, and waving
the long green leaves at her in greeting. Gwendolyn feigned not
to see. Her lips were firmly set. A scarlet spot of
determination burned round either dimple. Her gray eyes
smouldered darkly—with a purpose that was unswerving.</p>
<p>"I'm just going down there!" she said aloud.</p>
<p><i>Rustle! Rustle! Rustle!</i></p>
<p>It was Miss Royle, entering. Though Saturday was yet two
days away, the governess was preparing to go out for the
afternoon, and was busily engaged in drawing on her gloves, her
glance alternating between her task and the time-piece on the
school-room mantel.</p>
<p>"Gwendolyn dear," said she, "you can have such a
<i>lovely</i> long pretend-game between now and supper,
<i>can't</i> you?"</p>
<p>Gwendolyn moved her head up and down in slow assent. Doing
so, she rubbed the tip of her nose against the smooth glass.
The glass was cool. She liked the feel of it.</p>
<p>"You can travel!" enthused Miss Royle. "And <i>where</i> do
you think you'll go?"</p>
<p>The gray eyes were searching the tiers of windows in a
distant granite pile. "Oh, Asia, I guess," answered Gwendolyn,
indifferently. (She had lately reviewed the latter part of her
geography.)</p>
<p>"Asia? Fine! And how will you travel, darling? In your sweet
car?"</p>
<p>A pause. Miss Royle was habitually honeyed in speech and
full of suggestions when she was setting out thus. She deceived
no one. Yet—it was just as well to humor her.</p>
<p>"Oh, I'll ride a musk-ox. Or"—picking at random from
the fauna of the world—"or a llama, or a'—a'
el'phunt." She rubbed her nose so hard against the glass that
it gave out a squeaking sound.</p>
<p>"Then off you go!" and, <i>Rustle! Rustle! Rustle!</i></p>
<p>Gwendolyn whirled. This was the moment, if ever, to make her
wish known—to assert her will. With a running patter of
slippers, she cut off Miss Royle's progress.</p>
<p>"That tall building 'way, 'way down on the sky," she
panted.</p>
<p>"Yes, dear?"—with a simper.</p>
<p>"Is <i>that</i> where my father is?"</p>
<p>The smirk went. Miss Royle stared down. "Er—why?" she
asked.</p>
<p>"'Cause"—the other's look was met
squarely—"'cause I'm going down there to see him."</p>
<p>"Ah!" breathed the governess.</p>
<p>"I'm going to-day," went on Gwendolyn, passionately. "I want
to!" Her lips trembled. "There's something—"</p>
<p>"Something you want to tell him, dear?"—purringly.</p>
<p>Confusion followed boldness. Gwendolyn dropped her chin, and
made reply with an inarticulate murmur.</p>
<p>"Hm!" coughed Miss Royle. (Her <i>hms</i> invariably
prepared the way for important pronouncements.)</p>
<p>Gwendolyn waited—for all the familiar arguments: I
can't let you go until you're sent for, dear; Your papa doesn't
want to be bothered; and, This is probably his busy day.</p>
<p>Instead, "Has anyone ever told you about that street,
Gwennie?"</p>
<p>"No,"—still with lowered glance.</p>
<p>"Well, I wouldn't go down into it if <i>I</i> were you." The
tone was full of hidden meaning.</p>
<p>There was a moment's pause. Then, "Why <i>not?</i>" asked
Gwendolyn, back against the door. The question was put as a
challenge. She did not expect an answer.</p>
<p>An answer came, however. "Well, I'll tell you: The street is
full of—bears."</p>
<p>Gwendolyn caught her hands together in a nervous grasp. All
her life she had heard about bears—and never any good of
them. According to Miss Royle and Jane, these dread
animals—who existed in all colors, and in nearly all
climes—made it their special office to eat up little
girls who disobeyed. She knew where several of the beasts were
harbored—in cages at the Zoo, from where they sallied at
the summons of outraged nurses and governesses.</p>
<p>But as to their being Down-Town—!</p>
<p>She lifted a face tense with earnestness "Is it
<i>true?</i>" she asked hoarsely.</p>
<p>"My dear," said Miss Royle, gently reproving, "ask
<i>any</i>body."</p>
<p>Gwendolyn reflected. Thomas was freely given to
exaggeration. Jane, at times, resorted to bald falsehood. But
Gwendolyn had never found reason to doubt Miss Royle.</p>
<p>She moved aside.</p>
<p>The governess turned to the school-room mirror to take a
peep at her poke, and slung the chain of her hand-bag across
her arm. Then, "I'll be home early," she said pleasantly. And
went out by the door leading into the nursery.</p>
<p>Bears!</p>
<p>Gwendolyn stood bewildered. Oh, <i>why</i> were the Zoo
bears in her father's street? Did it mean that he was in
danger?</p>
<p>The thought sent her toward the nursery door. As she went
she glanced back over a shoulder uneasily.</p>
<p>Close to the door she paused. Miss Royle was not yet gone,
for there was a faint rustling in the next room. And Gwendolyn
could hear the quick <i>shoo-ish, shoo-ish, shoo-ish</i> of her
whispering, like the low purl of Johnnie Blake's
trout-stream.</p>
<p>Presently, silence.</p>
<p>Gwendolyn went in.</p>
<p>She found Jane standing in the center of the room, mouth
puckered soberly, reddish eyes winking with disquiet,
apprehension in the very set of her heavy shoulders.</p>
<p>The sight halted Gwendolyn, and filled her with misgivings.
Had <i>Jane</i> just heard?</p>
<p>When it came time to prepare for the afternoon motor-ride,
Gwendolyn tested the matter—yet without repeating Miss
Royle's dire statement.</p>
<p>"Let's go past where my fath-er's office is to-day," she
proposed. And tried to smile.</p>
<p>Jane was tucking a small hand through a coat-sleeve. "Well,
dearie," she answered, with a sigh and a shake of her red head,
"you couldn't hire <i>me</i> to go into that street. And I
wouldn't like to see <i>you</i> go."</p>
<p>Gwendolyn paled. "Bears?" she asked. "<i>Truly?</i>"</p>
<p>Jane made big eyes. Then turning the slender little figure
carefully about, "Gwendolyn, lovie, <i>Jane</i> thinks you'd
better give the idear up."</p>
<p>So it was true! Jane—who was happiest when standing in
opposition to others; who was certain to differ if a difference
was possible—Jane had borne it out!</p>
<p>Moreover, she was frightened! For Gwendolyn was leaning
against the nurse. And she could feel her shaking!</p>
<p>Oh, how one terrible thing followed another!</p>
<p>Gwendolyn felt utterly cast down. And the ride in the
swift-flying car only increased her dejection. For she did not
even have the entertainment afforded by Thomas's enlivening
company. He stayed beside the chauffeur—as he had,
indeed, ever since the memorable feast of peanuts—and
avoided turning his haughty black head. Jane was morose. Now
and then, for no apparent reason, she sniffled.</p>
<p>Gwendolyn's mind was occupied by a terrifying series of
pictures that Miss Royle's declaration called up. The central
figure of each picture was her father, his safety threatened.
Arrived home, she resolved upon still another course of action.
She was forced to give up visiting her father at his office.
But she would steal down to the grown-up part of the
house—at a time <i>other</i> than the
dinner-hour—that very night!</p>
<p>Evening fell, and she was not asked to appear in the great
dining-room. That strengthened her determination. However, to
give a hint of it would be folly. So, while Miss Royle picked
at a chop and tittered over copious draughts of tea, and Thomas
chattered unrebuked, she ate her supper in silence.</p>
<p>Ordinarily she rebelled at being undressed. She was not
sleepy. Or she wanted to watch the Drive. Or she did not
believe it was seven—there was something wrong with the
clock. But supper over, and seven o'clock on the strike, she
went willingly to bed.</p>
<p>When Gwendolyn was under the covers, and all the shades were
down, Jane stepped into the school-room, leaving the door
slightly ajar. She snapped on the lights above the school-room
table. Then Gwendolyn heard the crackling of a news-paper.</p>
<p>She lay thinking. Why had she not been asked to the great
dining-room? At seven her father—if all were
well—should be sitting down to his dinner. But was he ill
to-night? or hurt?</p>
<p>A half-hour dragged past. Jane left her paper and tiptoed
into the nursery. Gwendolyn did not speak or move. When the
nurse approached the bed and looked down, Gwendolyn shut her
eyes.</p>
<p>Jane tiptoed out, closing the door behind her. A moment
later Gwendolyn heard another door open and shut, then the
rumble of a man's deep voice, and the shriller tones of a
woman.</p>
<p>The chorus of indistinct voices made Gwendolyn sleepy. She
found her eyelids drooping in spite of herself. That would
never do! To keep herself awake, she got up cautiously, put on
her slippers and dressing-gown, stole to the front window,
climbed upon the long seat, and drew aside the
shade—softly.</p>
<p>The night was moonless. Clouds hid the stars. The street
lamps disclosed the crescent of the Drive only dimly. Beyond
the Drive the river stretched like a smooth wide ribbon of
black satin. It undulated gently. Upon the dark water of the
farther edge a procession of lights laid a fringe of gold.</p>
<p>There were other lights—where, beyond the precipice,
stood the forest houses; where moored boats rocked at a
landing-place up-stream; and on boats that were plying past. A
few lights made star-spots on the cliff-side.</p>
<p>But most brilliant of all were those forming the monster
letters of words. These words Gwendolyn did not pronounce. For
Miss Royle, whenever she chanced to look out and see them, said
"Shameful!" or "What a disgrace!" or "Abominable!" And
Gwendolyn guessed that the words were wicked.</p>
<p>As she knelt, peering out, sounds from city and river came
up to her. There was the distant roll of street-cars, the
warning; <i>honk! honk!</i> of an automobile, the scream of a
tug; and lesser sounds—feet upon the sidewalk under the
window, low laughter from the dim, tree-shaded walk.</p>
<p>She wondered about her father.</p>
<p>Suddenly there rose to her window a long-drawn cry. She
recognized it—the high-keyed, monotonous cry of a man who
often hurried past with a bundle of newspapers under his arm.
Now it startled her. It filled her with foreboding.</p>
<p>"Uxtra! Uxtra! A-a-all about the lubble-lubble-lubble in ump
Street!"</p>
<p>Street! <i>What</i> street? Gwendolyn strained her ears to
catch the words. What if it were the street where her
fath—</p>
<p>"Uxtra! Uxtra!" cried the voice again. It was nearer, yet
the words were no clearer. "A-a-all about the
lubble-lubble-lubble in ump Street!"</p>
<p>He passed. His cry died in the distance. Gwendolyn let the
window-shade go back into place very gently. To prepare
properly for her trip downstairs meant running the risk of
discovery. She tiptoed noiselessly to the school-room door.
There she listened. Thomas's deep voice was still rumbling on.
Punctuating it regularly was a sniffle. And the key-hole showed
a spot of glinting red—Jane's hair.</p>
<p>Gwendolyn left the school-room door for the one opening on
the hall.</p>
<p>In the hall were shaded lights. Light streamed up the bronze
shaft. Gwendolyn put her face against the scrolls and peered
down. The cage was far below. And all was still.</p>
<p>The stairs wound their carpeted length before her. She
slipped from one step to another warily, one hand on the
polished banisters to steady herself, the other carrying her
slippers. At the next floor she stopped before crossing the
hall—to peer back over a shoulder, to peer ahead down the
second flight.</p>
<p>Outside the high carved door of the library she stopped and
put on the slippers. And she could not forbear wishing that she
knew which was really her best foot, so that she might put it
forward. But there was no time for conjectures. She bore down
with both hands on the huge knob, and pressed her light weight
against the panels. The heavy door swung open. She stole
in.</p>
<p>The library had three windows that looked upon the side
street. These windows were all set together, the middle one
being built out farther than the other two, so as to form an
embrasure. Over against these windows, in the shallow bow they
formed, was a desk, of dark wood, and glass-topped. It was
scattered with papers and books. Before it sat her father.</p>
<p>The moment her eyes fell upon him she realized that she had
not come any too soon. For his shoulders were bent as from a
great weight. His head was bowed. His face was covered by his
hands.</p>
<p>She went forward swiftly. When she was between the desk and
the windows she stopped, but did not speak. She kept her gray
eyes on those shielding hands.</p>
<p>Presently he sighed, straightened on his chair, and looked
at her.</p>
<p>For one instant Gwendolyn did not move—though her
heart beat so wildly that it stirred the lace ruffles of her
dressing-gown. Then, remembering dancing instructions, she
curtsied.</p>
<p>A smile softened the stern lines of her father's mouth. It
traveled up his cheeks in little ripples, and half shut his
tired eyes. He put out a hand.</p>
<p>"Why, hello, daughter," he said wearily, but fondly.</p>
<p>She felt an almost uncontrollable desire to throw out her
arms to him, to clasp his neck, to cry, "Oh, daddy! daddy! I
don't want them to hurt you!" But she conquered it, her
underlip in her teeth, and put a small hand in his outstretched
one gravely.</p>
<p>"I—I heard the man calling," she began timidly. "And
I—I thought maybe the bears down in your
street—"</p>
<p>"Ah, the bears!" He gave a bitter laugh.</p>
<p>So Miss Royle had told the truth! The hand in his tightened
its hold. "Have the bears ever frightened <i>you?</i>" she
asked, her voice trembling.</p>
<p>He did not answer at once, but put his head on one side and
looked at her—for a full half-minute. Then he nodded.
"Yes," he said; "yes, dear,—once or twice."</p>
<p>She had planned to spy out at least a strap of the harness
he wore; to examine closely what sort of candles, if any, he
burned in the seclusion of the library. Now she forgot to do
either; could not have seen if she had tried. For her eyes were
swimming, blinding her.</p>
<p>She swayed nearer him. "If—if you'd take Thomas along
on your car," she suggested chokingly. "He hunted el'phunts
once, and—and <i>I</i> don't need him."</p>
<p>Her father rose. He was not looking at her—but away,
beyond the bowed windows, though the shades of these were
drawn, the hangings were in place. And, "No!" he said hoarsely;
"not yet! I'm not through fighting them <i>yet!</i>"</p>
<p>"Daddy!" Fear for him wrung the cry from her.</p>
<p>His eyes fell to her upturned face. And as if he saw the
terror there, he knelt, suddenly all concern. "Who told you
about the bears, Gwendolyn?"—with a note of
displeasure.</p>
<p>"Miss Royle."</p>
<p>"That was wrong—she shouldn't have done it. There are
things a little girl can't understand." His eyes were on a
level with her brimming ones.</p>
<p>The next moment—"Gwendolyn! <i>Gwen</i>dolyn! Oh,
where's that child!" The voice was Jane's. She was pounding her
way down the stairs.</p>
<p>Before Gwendolyn could put a finger to his lips to plead for
silence, "Here, Jane," he called, and stood up once more.</p>
<p>Jane came in, puffing with her haste. "Oh, thank you, sir,"
she cried. "It give me <i>such</i> a turn, her stealin' off
like that! Madam doesn't like her to be up late, as she well
knows. And I'll be blamed for this, sir, though I take pains to
follow out Madam's orders exact," She seized Gwendolyn.</p>
<p>Gwendolyn, eyes dry now, and defiant, pulled back with all
the strength of her slender arm. "Oh, fath-er!" she plead. "Oh,
<i>please</i>, I don't want to go!"</p>
<p>"Why! Why! Why!" It was reproval; but tender reproval, mixed
with mild amazement.</p>
<p>"Oh, I want to tell you something," cried Gwendolyn. "Let me
stay just a <i>minute</i>."</p>
<p>"That's just the way she acts, sir, whenever it's bed-time,"
mourned Jane.</p>
<p>He leaned to lift Gwendolyn's chin gently. "Father thinks
she'd better go now," he said quietly. "And she's not to worry
her blessed baby head any more." Then he kissed her.</p>
<p>The kiss, the knowledge that strife was futile, the sadness
of parting—these brought the great sobs. She went without
resisting, but stumbling a little; the back of one hand was
laid against her streaming eyes.</p>
<p>Half a flight up the stairs, Jane turned her right about at
a bend. Then she dropped the hand to look over the banisters.
And through a blur of tears saw her father watching after her,
his shoulders against the library door.</p>
<p>He threw a kiss.</p>
<p>Then another bend of the staircase hid his upturned
face.</p>
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