<h2><SPAN name="CHAPTER_VIII" id="CHAPTER_VIII"></SPAN>CHAPTER VIII</h2>
<p>It was a cry of amazement. For suddenly—so suddenly
that she did not have time to think how it had
happened—she found herself <i>up and dressed</i>, and
standing alone, gazing about her, <i>in the open air!</i></p>
<p>But there were no high buildings on any side, no people
passing to and fro, no motor-cars flashing by. And the grass
underfoot was not the grass of a lawn, evenly cut and
flowerless; it was tall, so that it brushed the hem of her
dress, and blossom-dotted.</p>
<p>She looked up at the sky. It was not the sky of the City,
distant, and marbled with streaks of smoke. It was close and
clear; starless, too; and no moon hung upon it. Yet though it
was night there was light everywhere—warm, glowing,
roseate.</p>
<p>By that radiant glow she saw that she was in the midst of
trees! Some were tall and slender and clean-barked; others were
low and thick of trunk, but with the wide shapely spread of the
great banyan in her geography; and, towering above the others,
were the giants of that forest, unevenly branched, misshapen,
aslant, and rugged with wart-like burls.</p>
<p>"Is—is this the Park?" she said aloud, still looking
around. "Or—or the woods across the River?"</p>
<p>But there was no sign of a paved walk, such as traced
patterns through the Park; nor of a chimney, to mark the
whereabouts of a house. Behind her the ground sloped gently up
to a wooded rise; in front of her it sloped as gently down to
the edge of a narrow, noisy mountain stream.</p>
<p>"Why, I'm at Johnnie Blake's!" she cried—then glanced
over a shoulder cautiously. If this were indeed the place she
had longed to revisit, it would be advisable to keep as quiet
as possible, lest someone should hear her, and straightway come
to take her home.</p>
<p>Still watching backward apprehensively, she pushed through
the grass to the edge of the stream.</p>
<p>The moment she reached it she knew that it was not the
trout-stream along which she had wandered while her father
fished. It was, in fact, not ordinary water at all, but
something lighter, more sparkling with color, swifter, and
louder. It effervesced, so that a creamy mist lay along its
surface—this the smoke of bursting bubbles. It was like
the bottled water she drank at her nursery meals!</p>
<p>Hands clasped, she leaned to stare down. "Isn't it
<i>funny!</i>" she exclaimed half under her breath.</p>
<p>A voice answered her—from close at hand. It was a
thin, cracked voice. "This is where They get their soda-water,"
it said.</p>
<p>She turned, and saw him.</p>
<p>He was a queer little old thick-set, dark-skinned gentleman,
with grizzled whiskers, a ragged hat and baggy trousers. His
eyes were round and black under his brows, which were square
and long-haired, and not unlike a certain new hand-brush that
Jane wielded of a morning across Gwendolyn's small finger-tips.
Over one shoulder, by a strap, hung a dark box, half-hidden by
a piece of old carpet. In one hand he held a huge, curved
knife.</p>
<p>Though she could not remember ever having seen him at
Johnnie Blake's; and though the curved knife was in pattern the
true type of a kidnaper's weapon, and the look out of those
round, dark eyes, as he strode toward her, was not at all
friendly, she did not scamper away. She waited, her heart
beating hard. When he halted, she curtsied.</p>
<p>"I've—I've always wondered about soda-water," she
faltered, trying to smile. "But when I asked—"</p>
<p>"Um!" he grunted; then, with a sidewise jerk of the head,
"Take a drink."</p>
<p>She lifted eager eyes. "All I <i>want</i> to?" she
half-whispered.</p>
<p>He nodded. "Sip! Lap! Tipple!"</p>
<p>"Oo!" Fairly beaming with delight, she knelt down. For the
first time in her life she could have all the soda-water she
wanted!</p>
<p>First, she put the tip of one finger into the rushing
sparkle, slowly, to lengthen out her joy. Next, with a little
laugh, she sank her whole hand. Bubbles formed upon
it,—all sizes of them—standing out like dewdrops
upon leaves. The bubbles cooled. And tempted her thirst. With a
deep breath, she bent forward until her red mouth touched the
shimmering surface. Thus, lying prone, with arms spread wide,
she drank deep of the flow.</p>
<p>When she straightened and sat back upon her heels, she made
an astonishing discovery: The trees that studded the slope were
not covered with leaves, like ordinary trees! Each branched to
hold lights—myriads of lights! Some of these shone
steadily; others burned with a hissing sound; others were
silent enough, but rose and fell, jumped and flickered. It was
these countless lights that illumed the forest like a pink
sun.</p>
<p>She rose. There was wonder in the gray eyes. "Are these
Christmas trees?" she said. "Where am I?"</p>
<p>"You've had your soda-water," he answered shortly. "You
ought to know."</p>
<p>"Yes, I—I ought to know. But—I don't."</p>
<p>He grunted.</p>
<p>"I s'pose," she ventured timidly, "that nobody ever answers
questions here, either."</p>
<p>He looked uncomfortable. "Yes," he retorted,
"<i>every</i>body does."</p>
<p>"Then,"—advancing an eager step—"why don't
<i>you?</i>"</p>
<p>He mopped his forehead. "Well—well—if I must, I
must: This is where all the lights go when they're put out at
night."</p>
<p>"Oh!" And now as she glanced from tree to tree she saw that
what he had said was true. For the greater part of the lights
were electric bulbs; while many were gas-jets, and a few
kerosene-flames.</p>
<p>Still marveling, her look chanced to fall upon herself. And
she found that she was not wearing a despised muslin frock! Her
dress was gingham!—an adorable plaid with long sleeves,
and a patch-pocket low down on the right side!</p>
<p>"You darling!" she exclaimed happily, and thrust a hand into
the pocket. "I guess They made it!"</p>
<p>Next she looked down at her feet—and could scarcely
believe! She had on no stockings! She did not even have on
slippers. <i>She was barefoot!</i></p>
<p>Then, still fearful that there was some mistake about it
all, she put a hand to her head; and found her hair-bow gone!
In its place, making a small floppy double knot, was a length
of black shoe-string!</p>
<p>"Oh, goody!" she cried.</p>
<p>"Um!" grunted the little old gentleman. "And you can play in
the water if you'd like to."</p>
<p>That needed no urging! She was face about on the
instant.</p>
<p>From the standpoint of messing the soda-stream was ideal. It
brawled around flat rocks, set at convenient jumping-distances
from one another. (She leaped promptly to one of these and
sopped her handkerchief.) It circled into sand-bottomed pools
just shallow enough for wading; and from the pools, it spread
out thinly to thread the grass, thus giving her an opportunity
for squashing—a diverting pastime consisting in squirting
equal parts of water and soil ticklishly through the toes. She
hopped from rock to pool; she splashed from pool to long, wet,
muddy grass.</p>
<p>It was the water-play that brought the realization of all
her new good-fortune—the being out of doors and plainly
clad; free from the espionage of a governess; away from the
tyranny of a motor-car; barefoot; and—chief blessing of
all!—<i>nurseless</i>.</p>
<p>Forgetting the little old gentleman, in a sudden excess of
glee she seized a stick and bestrode it; seized another and
belabored the quarters of a stout dappled pony; pranced,
reared, kicked up her wet feet, shied wildly—</p>
<p>Then, both sticks cast aside, she began to dance; at first
with deliberation, holding out the gingham dress at either
side, and mincing through the steps taught by Monsieur
Tellegen. But gradually she forsook rhythm and measure;
capering ceased; the dance became fast and furious. Hallooing,
she raced hither and thither among the trees, tossing her arms,
darting down at the flowers and flinging them high, swishing
her yellow hair from side to side, leaping exultantly toward
the lights, pivoting—</p>
<p>Suddenly she found that she was dancing to music!—not
the laboriously strummed notes of a piano, such as were beaten
out by the firm-striding Miss Brown; not the clamorous,
deafening, tuneless efforts of an orchestra. This was
<i>real</i> music—inviting, inspiring, heavenly!</p>
<p>It was a hand-organ!</p>
<p>She halted, spell-bound. He was playing, turning the crank
with a swift, steady motion, his ragged hat tipped to one
side.</p>
<p>Now she understood the box hanging from its strap. She
danced up to him, and held out a hand. "Why, you're the
<i>hand-organ</i> man!" she panted breathlessly. "And you got
here as quick as I did!"</p>
<p>He stopped playing, "I'm the hand-organ man when I'm in
town," he corrected. "Here, in the Land of the Lights, I'm the
Man-Who-Makes-Faces."</p>
<p>The Man-Who-Makes-Faces! She looked at him with new
interest. "Why, of course you are," she acknowledged.
"Sometimes you make 'em in town."</p>
<p>"Sometimes in town I make an ugly one," he retorted.
Whereupon he shouldered the hand-organ, grasped the curved
knife, and started away. As he walked, he called aloud to every
side, like a huckster.</p>
<p>"Here's where you get your ears sharpened!" he sang.
"<i>Ears</i> sharpened! <i>Eyes</i> sharpened! Edges taken off
of tongues!"</p>
<p>She trotted beside him, head up, gray eyes wide, lips
parted. He was ascending a gentle rise toward a low hill not
far distant. As she drew away from the stream and the glade,
she heard, from somewhere far behind, a shrill voice. It called
a name—a name strangely familiar. She paid no heed.</p>
<p>At the summit of the little hill, under some trees, he
paused, and waved the kidnaper knife in circles. "<i>Ears</i>
to sharpen!" he shrilled again. "<i>Eyes</i> to sharpen! Edges
taken off of tongues!"</p>
<p>She smiled up at him engagingly, noting how his gray hair
hung over the back of his collar. She felt no fear of him
whatever. "I think you're nice, Mr. Man-Who-Makes-Faces," she
announced presently. "I'm so glad I can look straight at you. I
didn't know you, 'cause your voice is different, and 'cause I'd
never seen you before 'cept when I was looking <i>down</i> at
you."</p>
<p>He had been ignoring her. But now, "Wasn't my fault that we
didn't meet face to face," he retorted. Though his voice was
still cross, his round, bright eyes were almost kind. "If
you'll remember I often came under your window."</p>
<p>"And I threw you money," she answered, nodding brightly. "I
wanted to come down and talk to you, oh, lots of times,
only—"</p>
<p>At that, he relented altogether. And, reaching out, shook
hands cordially. "Wouldn't you like," said he, "to have a look
at my establishment?" He jerked a thumb over a shoulder.
"Here's where I make faces."</p>
<p>In the City she had seen many wonderful shops, catching
glimpses of some from the little window of her car, visiting
others with Miss Royle or Jane. Among the former were those
fascinating ones, usually low of ceiling and dark with
coal-dust, where grimy men in leather aprons tried shoes on
horses; and those horrifying places past which she always drove
with closed eyes—places where, scraped white and head
downward, hung little pigs, pitiful husks of what they once had
been, flanked on either hand by long-necked turkeys with poor
glazed eyes; and once she had seen a wonderful shop in which
men were sawing out flat pieces of stone, and writing words on
them with chisels.</p>
<p>But this shop of the Man-Who-Makes-Faces was the most
interesting of all.</p>
<p>It occupied a square of hard-packed ground—a square as
broad as the nursery. And curiously enough, like the nursery,
it had, marking it off all the way around its outer edge, a
border of flowers!</p>
<p>It was shaded by one huge tree.</p>
<p>"Lime-tree," explained the little old gentleman. "And the
lights—"</p>
<p>"Don't tell me!" she cried. "I know! They're lime
lights."</p>
<p>These made the shop exceedingly bright. Full in their glare,
neatly disposed, were two short-legged tables, a squat stool,
and a high, broad bill-board.</p>
<p>The Man-Who-Makes-Faces seated himself on the stool at one
of the tables and began working industriously.</p>
<p>But Gwendolyn could only stand and stare about her, so
amazed that she was dumb. For in front of the little old
gentleman, and spread handily, were ears and eyes, noses and
mouths, cheeks and chins and foreheads. And upon the
bill-board, pendant, were toupees and side-burns and mustaches,
puffs, transformations and goatees—and one coronet braid
(a red one) glossy and thick and handsome!</p>
<p>The bill-board also held an assortment of tongues—long
and scarlet. These, a score in all, were ranged in a shining
row. And underneath them was a sign which bore this
announcement:</p>
<div class="center">
<span><i>Tongues In All Languages</i><br/></span>
<span><i>Dead or Modern</i><br/></span> <span><i>Chic if
Seven</i><br/></span> <span><i>Are Purchased at
Once</i>.<br/></span></div>
<p>Gwendolyn clapped her hands. "Oo! how <i>nice!</i>" she
exclaimed, finding her voice again.</p>
<p>"Quite so," said the little old gentleman, shoving away a
tray of chins and cheeks and reaching for a forehead. "Welcome,
convenient, and satisfactory."</p>
<p>She saw her opportunity. "Please," she began, "I'd like to
buy six." She counted on her fingers. "I'll have a French
tongue, a German tongue, a Greek tongue, a Latin tongue,
and—later, though, if you don't happen to have 'em on
hand—a Spanish and an Italian." Then she heaved a sigh of
relief. "I'm glad I saw these," she added. "They'll save me a
lot of work. And they've helped me about a def'nition. I looked
for 'lashing' in my big dictionary. And it said 'to whip.' But
<i>I</i> couldn't see how anybody could whip anybody else with
a <i>tongue</i>. Now, though—"</p>
<p>The Man-Who-Makes-Faces nodded. "Just wait till you see the
King's English," he bragged.</p>
<p>"The King's English? Will I see him?"</p>
<p>"Likely to," he answered, selecting an eye. He had all his
eyes about him in a circle, each looking as natural as life.
There were blue eyes and brown eyes, hazel eyes and—</p>
<p>"Ah!" she exclaimed suddenly. "I remember! It was <i>you</i>
who gave the Policeman a black eye!"</p>
<p>"One <i>fine</i> black eye," he answered, chuckling as he
poked about in a pile of noses and selected a large-sized one.
"Yes! Yes! And recently I made a lovely blue pair for a
bad-tempered child who'd cried her own eyes out."</p>
<p>She assented. She had heard of just such a case. "Once I saw
some eyes in a shop-window," she confided. "It was a shop where
you could buy spectacles."</p>
<p>He wagged his beard proudly. "I made every <i>one</i> of
'em!" he boasted. "Oh, yes, indeed." And polished away at the
tip of the large nose.</p>
<p>She considered for a moment. "I'm glad I know," she said
gravely. "I wanted to, awful much."</p>
<p>After that she studied the bill-board for a time. And
presently discovered that a second supply of eyes was displayed
there, being set in it as jewels are set in brooches!</p>
<p>She pointed. "What kind are those?"</p>
<p>He looked surprised at the question. "The bill-board is the
rear wall of my shop," said he. "And those eyes are
wall-eyes."</p>
<p>She flushed with pleasure. "That's <i>exactly</i> what I
thought!" she declared.</p>
<p>She began to walk up and down, one hand in the
patch-pocket—to make sure it was really there. For this
was all too good to be true. Here, in this Land so new to her,
and so wonderful, were things about which she had pondered, and
puzzled, and asked questions—the tongues, for instance,
and the lime-lights, and the soda-water. How simply and
naturally each was now explained!—explained as she
herself had imagined each would be. She felt a sudden pride in
herself. So far had anything been really unexpected? As she
went back to pause in front of the little old gentleman, it was
with a delightful sense of understanding. Oh, this was one of
her pretend-games, gloriously come true!</p>
<p>Now she felt a very flood of questions surge to her lips.
She pointed to a deep yellow bowl set on the table beside him.
"Would you mind telling me what that is?" she asked.</p>
<p>"That? That's a sauce-box." And he smiled.</p>
<p>"Oh!—What's it full of, please?"</p>
<p>"Full of mouths,"—cheerily.</p>
<p>It was her turn to smile. She smiled into the sauce-box. At
its center was a queer object, very like a short length of
dried apple-peeling.</p>
<p>"I s'pose that's part of a mouth?" she ventured.</p>
<p>He picked up the object and balanced it across his thumb.
"You've guessed it!" he declared. "And it's a fine thing to
carry around with one. You see, it's a stiff upper lip." He
tossed it back.</p>
<p>"My!" She took a deep breath. "Once I asked and <i>asked</i>
about a stiff upper lip."</p>
<p>He went on with his polishing. "Should think you'd be more
interested in these," he observed, giving a nod of the ragged
hat toward a shallow dish at his elbow. "Little girls generally
are."</p>
<p>She looked, and saw that the dish was heaped high with what
seemed to be <i>white peanuts</i>—peanuts that tapered to
a point at one end. She puckered her brows over them.</p>
<p>"Can't guess?" said he. "Then you didn't drink enough of
that soda-water. Well, ever hear of a sweet tooth?"</p>
<p>At that she clapped her hands and jumped up and down. "Why,
I've <i>got</i> one!" she cried.</p>
<p>"Oh?" said the little old gentleman. "Thought so. I
<i>always</i> keep a supply on hand. Carve 'em myself, out of
cube sugar."</p>
<p>"Oh, aren't they funny!" She leaned above the shallow
dish.</p>
<p>"Funny?" repeated the Man-Who-Makes-Faces. "Not when they
get into the wrong mouth!—a wry mouth, for instance, or
an ugly mouth. A sweet tooth should go, you understand, only
with a sweet face."</p>
<p>"Is it a sweet tooth that makes a face sweet?" she
inquired.</p>
<p>"Quite so." He held up the nose to examine it
critically.</p>
<p>She watched him in silence for a while. Then, "You don't
mind telling me who's going to have that?" she ventured,
pointing a finger at the nose.</p>
<p>"This? Oh, this is for a certain little boy's father."</p>
<p>She blinked thoughtfully. "Is his name," she began—and
stopped.</p>
<p>"His father—the unfortunate man—has been keeping
his own nose to the grindstone pretty steadily of late, and
so—"</p>
<p>"I can't just remember the name I'm thinking about," said
Gwendolyn, troubled.</p>
<p>He glanced up. And the round, bright eyes were grave as he
searched her face. "I wonder," he said in a low voice, "if you
know who <i>you</i> are."</p>
<p>She smiled. "Well, I've been acquainted with myself for
seven years," she declared.</p>
<p>"But do you know who you <i>are?</i>" (The round eyes were
full of tears!)</p>
<p>She felt uncertain. "I did just a little while ago. Now,
though—"</p>
<p>He reached to take her hand. "Shall I tell you?"</p>
<p>"Yes,"—in a whisper.</p>
<p>"You're the Poor Little Rich Girl." He patted her hand. "The
Poor Little Rich Girl!"</p>
<p>She nodded bravely, and stood looking up at him. He was old
and unkempt. Out at elbows, too. And the bottoms of his baggy
trousers hung in dusty shreds. But his lined and bearded face
was kind! "I—I haven't been so very happy," she said
falteringly.</p>
<p>He shook his head. "Not happy! And no step-relations,
either!"</p>
<p>"Well,—er," (she felt uncertain) "there are some
step-houses just across the street."</p>
<p>"Not the same thing," he declared shortly. "But, <i>hm!
hm!</i>"—as he coughed, he waved an arm cheerily. "Things
will improve. Oh, yes. All you've got to do is follow my
advice."</p>
<p>The gray eyes were wistful, and questioning.</p>
<p>"You've got a lot to do," he went on. "Oh, a <i>great</i>
deal. For instance"—here he paused, running his fingers
through his long hair—"there's Miss Royle, and Thomas,
and Jane."</p>
<p>She was silent for a long moment. Miss Royle! Thomas! Jane!
In the joy of being out of doors, of having real dirt to scuff
in, and high grass through which to brush; of having a plaid
gingham with a pocket, and all the fizzing drink she wished; of
being able to dabble and wade; and of having good, squashy
soda-mud for pies—in the joy at all this she had utterly
forgotten them!</p>
<p>She looked up at the tapered trees, and down at the
flower-bordered ground; then at the bill-board, and the loaded
tables of that marvelous establishment. There was still so much
to see! And, oh, how many scores of questions to ask!</p>
<p>He bent until his beard swept the sauce-box. "You'll just
have to keep out of their <i>clutches</i>," he declared.</p>
<p>Again she nodded, twisting and untwisting her fingers. "I
thought maybe they didn't come here."</p>
<p>"Come?" he grunted. "Won't they be hunting <i>you?</i> Well,
keep out of their clutches, I say. That's absolutely necessary.
You'll see why—if you let 'em get you! For—how'll
you ever find your father?"</p>
<p>"<i>Oh!</i>" A sudden flush swept her face. She looked at
the ground. She had forgotten Miss Royle and Thomas and Jane.
Worse! Until that moment <i>she had forgotten her father and
mother!</i></p>
<p>"There's that harness of his," went on the
Man-Who-Makes-Faces. He thought a moment, pursing his lips and
twiddling his thumbs. "We'll have to consider how we can get
rid of it."</p>
<p>She glanced up. "Where does he come?" she asked huskily; "my
fath-er?"</p>
<p>"Um! Yes, where?" He seemed uneasy; scratched his jaw; and
rearranged a row of chins. "Well, the fact is, he comes here
to—er—buy candles that burn at both ends."</p>
<p>"Of course. Is it far?"</p>
<p>"Out in a new fashionable addition—yes, addition,
subtraction, multiplication."</p>
<p>"<i>You</i> won't mind showing me the way?" Now her face
grew pale with earnestness.</p>
<p>He smiled sadly. "I? Your father thinks poorly of me. He's
driven me off the block once or twice, you know.
Though"—he looked away thoughtfully—"when you come
to think of it there isn't such a lot of difference between
your father and me. He makes money: I make faces."</p>
<p>It was one of those unpleasant moments when there seemed
very little to be said. She stood on the other foot.</p>
<p>He began polishing once more. "Then there's that bee," he
resumed—</p>
<p>"Moth-er."</p>
<p>He went on as quickly as possible. "Of course there are lots
of things worse than one of those so-cial hon-ey-gath-er-ing
in-sects—"</p>
<p>"She sees nothing else! She <i>hears</i> nothing else!"</p>
<p>"Um! We'll help her get rid of it!—<i>if!</i>"</p>
<p>"If?"</p>
<p>"You've got a lot to overcome. Recollect the Policeman?"</p>
<p>She retreated a step.</p>
<p>"Just suppose we meet <i>him!</i> And the Bear
that—"</p>
<p>"My!"</p>
<p>"Yes. And a certain Doctor."</p>
<p>"Oh, <i>dear!</i>"</p>
<p>"Bad! Pretty bad!"</p>
<p>"Where does my moth-er come?"—timidly.</p>
<p>The question embarrassed. "Er—the place is full of
carriage-lamps," he began; "and—and side-lights, and
search-lights, and—er—lanterns."</p>
<p>She looked concerned. "I can't guess."</p>
<p>"Just ordinary lanterns," he added. "You see, the Madam
comes to—to Robin Hood's Barn."</p>
<p>"Robin Hood's Barn!"</p>
<p>"Exactly. Nice day, <i>isn't</i> it?"</p>
<p>By the expression on his face, Gwendolyn judged that Robin
Hood's Barn—of which she had often heard—was a most
undesirable spot. "Is it far?" she asked, swallowing.</p>
<p>"No. Only—we'll have to go around it."</p>
<p>Somehow, all at once, he seemed the one friend she had. She
put out a hand to him. "You <i>will</i> go with me?" she
begged. "Oh, I want to find my fath-er, and my moth-er!"</p>
<p>"You want to tell 'em the real truth about those three
servants they're hiring. Unless I'm <i>much</i> mistaken, your
parents have never taken one good square look at those
three."</p>
<p>"Oh, let's start." Now, of a sudden, all the hopes and plans
of the past months came crowding back into her mind. "I want to
sit at the grown-up table," she declared. "And I want to live
in the country, and go to day-school."</p>
<p>He hung the hand-organ over a shoulder. "You can do every
one of them," he said, "if we find your father and mother."</p>
<p>"We'll find them," she cried determinedly.</p>
<p>"We'll find 'em," he said, "if, as we go along, we don't
leave one—single—stone—<i>unturned</i>."</p>
<p>"Oh!" she glanced about her, searching the ground.</p>
<p>"Not <i>one</i>," he repeated. "And now—we'll start."
He picked up two or three small articles—an ear, a
handful of hair, a plump cheek.</p>
<p>"But there's a stone right here," said Gwendolyn. It was a
small one, and lay at her feet, close to the table-leg.</p>
<p>He peered over. "All right! Turn it!"</p>
<p>She stooped—turned the rock—straightened.</p>
<p>The next moment a chill swept her; the next, she felt a
heavy hand upon her shoulder, and clumsy fingers busy with the
buttons on the gingham dress.</p>
<p>"<i>Tee! hee! hee! hee!</i>"</p>
<p>It was the voice that had called from a distance. Hearing it
now she felt a sudden, sickish, sinking feeling. She
whirled.</p>
<p>A strange creature was kneeling behind her—a creature
dressed in black sateen, and like no human being that she had
ever met before. For it was <i>two-faced!</i></p>
<p>One face (the front) was blowzy and freckled, with a small
pug nose and a quarrelsome mouth. The other (the face on what,
with ordinary persons, was the back of the head) was dark and
forbidding, its nose a large brick-colored pug, the mouth
underneath shaped most extraordinarily—not unlike a
<i>barrette</i>, for it was wide and long, and square at the
corners, and full of shining tortoise-shell teeth! But the
creature had only one tongue. This was loose at both ends, so
that there was one tip for her front face, and one for the
back. But she had only one pair of eyes. These were reddish.
They watched Gwendolyn boldly from the front; then rolled
quickly to the rear to stare at the Man-Who-Makes-Faces.</p>
<p>At sight of the two-faced creature, Gwendolyn shrank away,
frightened.</p>
<p>"Oh!—oh, my!" she faltered.</p>
<p>Both horrid mouths now bellowed hilariously. And the
creature reached out a big hand.</p>
<p>"Look here, Gwendolyn!" it ordered. "You ain't goin'!"</p>
<p>Gwendolyn lifted terrified eyes for a second look at the
brick-colored hair, the blowzy countenance. No possibility of
doubt remained!</p>
<p>It was Jane!</p>
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