<h2 id="c17"><span class="small">CHAPTER XVII.</span> <br/>THE GIRL AND THE CRIME.</h2>
<p>It was with a feeling of some chagrin that Nick Carter
realized his desperate situation the moment the heavy
iron doors of the walled passage closed upon him, leaving
him alone in the Egyptian darkness of the tomblike
place.</p>
<p>Yet the trick by which he had been caught was one
to have deceived any man. Only a clairvoyant could
have seen that the doors worked jointly and under the
motive of powerful springs.</p>
<p>Though alert and watchful from the moment he had
entered the house with Belle Braddon, he had not looked
for such a trap as this.</p>
<p>Keenly suspicious, knowing in fact that the girl was
up to some knavish game, Nick had suspected that he
was being led into Flood’s house with a design to throw
him into the hands of several assailants, a situation which
would have given him no concern whatever, and which
he really had been inviting in order to identify the parties
to it and learn their motives.</p>
<p>Before Nick had fairly recovered from his surprise,
however, he heard the voice of Belle Braddon from
<span class="pb" id="Page_189">189</span>
Flood’s private room. It sounded dead and muffled,
much as if Nick was locked in a bank vault, yet he
could readily distinguish her words and the triumphant
intonation with which they were uttered.</p>
<p>“I say, Carter,” she cried, crouching to place her lips
near the crack of the closed door, “are you there?”</p>
<p>Nick instantly resumed his usual composure.</p>
<p>“Yes, I’m here,” he coolly answered.</p>
<p>“Throw me out of a job, will you?” screamed the
girl, with a ringing laugh.</p>
<p>“I’ll do more than that for you one of these days,
young lady,” Nick cried back.</p>
<p>“Yes, you will!” returned Belle derisively. “It won’t
be many days before there’ll be singing and flowers at
your house, and you’ll ride at the head of a procession.”</p>
<p>“Think so?”</p>
<p>“You’ll not hear any of the music, either.”</p>
<p>“Don’t bank too heavily on that,” replied Nick. “I
have been in worse places than this.”</p>
<p>“And got out alone?”</p>
<p>“And got out alone.”</p>
<p>“Well, if you get out of this one, Carter, you’ll be a
bird,” cried Belle tauntingly. “You’ll find that this is
no gilded cage. How do you like it?”</p>
<p>“Oh, it’s snug and cozy all right.”</p>
<div class="pb" id="Page_190">190</div>
<p>“You’ll have plenty of time to enjoy it. I’m going to
leave you there.”</p>
<p>“The sooner the better,” retorted Nick. “Your room
is preferable to your company.”</p>
<p>“Thanks,” laughed Belle. “The sentiment is mutual.
By the way, sir!”</p>
<p>“Well?”</p>
<p>“You may make all the noise you wish. It won’t disturb
anybody, for there’s nobody to hear it.”</p>
<p>“I’m glad to know that,” cried Nick, undaunted.</p>
<p>“Both houses are vacant and you are midway between
them,” cried Belle, with a cruel laugh. “You may yell
your lungs out and you’ll not be heard.”</p>
<p>“I shall keep my lungs where they belong,” cried
Nick, a bit impatiently. “I shall require my voice a
little later, to testify against you.”</p>
<p>“I’ll risk that, my man,” retorted the girl. “In that
trap you’ll not live more than a day or two. If you don’t
suffocate you’ll starve, for nobody will show up here
for many a day. I’ll insure that.”</p>
<p>“Thanks. It’s very kind of you.”</p>
<p>“You’re entirely welcome,” answered Belle. “And
when your body is finally discovered here, it will be assumed
that you came here alone in search of Flood and
accidentally got caught between the iron doors.”</p>
<div class="pb" id="Page_191">191</div>
<p>“Quite reasonable, I am sure.”</p>
<p>“Very clever, isn’t it? You see, Carter, no one will
ever be suspected of having lured you here and lodged
you in there. You are reputed to be too clever to be
caught in a trap in that fashion. It’s dead open and
shut that your death will be attributed to an accident.”</p>
<p>“Providing I die here,” supplemented Nick.</p>
<p>“If you don’t, there’ll be something wrong with the
deck,” cried Belle, with derisive assurance. “I’ll come
to your funeral, Carter, and send a broken column.”</p>
<p>“Good enough. I’d prefer gates ajar, however.”</p>
<p>“Doors ajar, you mean,” cried Belle, with a scream
of laughter. “Good-by, Carter. I’m going to leave you
now. I have a date at the Waldorf at six. I’m going
to dine with a yellow-haired chappie from Dakota.”</p>
<p>“Good-by—and good riddance,” cried Nick.</p>
<p>The last brought no answer.</p>
<p>Belle Braddon had glided silently out of Flood’s private
room and was hurrying down the hall stairs.</p>
<p>Despite her derisive laughter and the taunting remarks
with which she had mocked her helpless victim,
her cheeks were as white as the knot of lace on her
heaving breast.</p>
<p>The awful horror of the crime she had committed was
<span class="pb" id="Page_192">192</span>
upon her. She fully believed that she had left Nick
Carter to suffocate in the foul atmosphere of the walled
passage; or, if spared that fate, that thirst and starvation
would overcome him.</p>
<p>The very hideousness of the crime shook even her callous
nature and filled her quaking soul with nameless
horror.</p>
<p>The nervous tremor of her feet on the uncarpeted
stairs as she hurriedly descended thrilled her with alarm,
and her knees were knocking together when she reached
the lower hall.</p>
<p>There she paused and caught her breath, steadying
herself, then went into one of the silent parlors, as silent
as death itself, to peer through the closed blinds into
the sunlit street.</p>
<p>The brighter light outside restored her nerve, and a
smile of vengeful exultation relaxed her drawn gray
lips.</p>
<p>“He’s as good as done for, as good as done for,” she
muttered through her teeth. “It serves him right. It
was his life or that of my uncle, and all is fair when
life hangs in the balance. He would have turned Nate
down as indifferently as he did me, and he has invited
only what he has got. Let him take his medicine, then!
It’s what he deserves!”</p>
<div class="pb" id="Page_193">193</div>
<p>With such reasoning as this she put the horrid crime
out of her mind, and resolved to think no more about it.</p>
<p>With calmness came greater cunning. She reasoned
that she might be seen leaving Flood’s house, if she
departed by the front door. Instead, she descended
to the basement.</p>
<p>There she broke a window and opened the catch, to
indicate that Nick Carter, when his lifeless remains
should be discovered, had entered the house, presumably
in search of Moses Flood. That he had accidentally
been caught in the walled passage she also felt sure would
be assumed. That the crime should never be brought
home to her, she was taking every precaution.</p>
<p>In the semidarkness of the basement, she next tied a
thick veil over her hat, and drew it carefully about her
face.</p>
<p>Then she let herself out the back door, locking it
after her, and stole quickly through a narrow alley, and
thus gained the nearest side street.</p>
<p>Now she breathed freely again, and triumphantly hastened
away.</p>
<p>“Five thousand easily earned—easily earned!” she said
to herself, weighing in mind the price Nathan Godard
had agreed to pay for Nick Carter’s life.</p>
<div class="pb" id="Page_194">194</div>
<p>Belle Braddon dined that evening with her yellow-haired
chance acquaintance from Dakota, so alleged.</p>
<p>Had she dreamed for an instant that she was dining
with Chick Carter, she would have fallen out of her
chair in a fit.</p>
<p>It was midnight when she reached home at the shore
house of Nathan Godard, and she found the large wooden
dwelling enveloped in darkness.</p>
<p>There was no game in progress that night.</p>
<p>Belle went straight to bed—as straight as her unsteady
steps would take her, and slept soundly until morning,
the heavy sleep of semi-intoxication.</p>
<p>At breakfast with Nate Godard that morning she gave
him the key to the situation—but not the situation itself.</p>
<p>“You keep away from those two town houses, Nate,”
she said grimly to him, over her coffee.</p>
<p>“What’s that for?” inquired Godard curiously.</p>
<p>“Never mind what it’s for,” replied the girl, with
threatening significance. “You do just as I say; that
was the agreement when I undertook to accomplish this
Carter job for you.”</p>
<p>Godard started slightly.</p>
<p>“Is it done?” he quickly asked.</p>
<p>“It’s as good as done, make no mistake about that.”</p>
<div class="pb" id="Page_195">195</div>
<p>“On the level?” cried Godard, with knavish eagerness.</p>
<p>“Yes, on the level,” declared Belle. “But, mark what
I say, Nate, and this goes.”</p>
<p>“Well?”</p>
<p>“You keep away from those two town houses for the
next ten days. If you don’t do so, Nate Godard, you
later may be run down to police headquarters, in Mulberry
Street, to answer to the worst charge in the calendar.
So do what I command, or bitter trouble may be
yours.”</p>
<p>In his mind’s eye, so pointed were the girl’s remarks,
Nate Godard fairly could see the lifeless body of Nick
Carter stretched upon the cellar floor of one of the two
houses. How Belle Braddon had accomplished it Godard
neither knew nor cared. He felt it would be a safe
gamble to follow her instructions to the letter.</p>
<p>“By thunder! Belle, I believe you have brought a shift
of luck,” he exclaimed, after a moment, with a grim
mingling of satisfaction and approval. “On my word,
Belle, you are one girl in a million!”</p>
<p>She shrugged her shoulders, then drained her cup of
coffee to its dregs.</p>
<p>“Let’s hope so,” she replied. “I have another bit of
news for you, too, Nate!”</p>
<div class="pb" id="Page_196">196</div>
<p>“What is that?”</p>
<p>“My Dakota chap’s uncle is coming on here to join his
nephew.”</p>
<p>“The devil you say!” cried Godard, half rising from his
chair.</p>
<p>“It’s no joke, Nate.”</p>
<p>“When is he coming?”</p>
<p>“I’m to meet the two of them at the Waldorf to-morrow
afternoon.”</p>
<p>“You mean the wealthy cattle-dealer?”</p>
<p>“The same, Nate.”</p>
<p>“Can’t he be induced to go up against my game here?”</p>
<p>Belle Braddon’s crafty eyes took on a quizzical look
at the man opposite.</p>
<p>“Suppose he can, Nate?” she answered slowly: “could
you make a sure thing of him?”</p>
<p>“How much can be won?” demanded Godard ominously.</p>
<p>“A hundred thousand, at the least, if you get him on
the down track.”</p>
<p>“Are you sure?”</p>
<p>“Dead sure!”</p>
<p>“And he comes from Dakota?”</p>
<p>“There’s no doubt of it, Nate, not a shadow of doubt.”
<span class="pb" id="Page_197">197</span>
cried Belle. “I’ve seen the telegram he sent to his
nephew, and that simple guy hasn’t art enough to deceive
an old woman. Yes, Nate, it’s dead open and shut that
the uncle comes from Dakota.”</p>
<p>Godard dropped back into his chair and fell to thinking.</p>
<p>He was thinking of Moses Flood’s brace deal box,
then in his own possession.</p>
<p>He was thinking, too, of a deck of strippers, also in
his possession, with which he could vary to his own advantage
the turn of every card.</p>
<p>In the lives of those who pursue fickle fortune through
the medium of games of chance there is no experience
which so arouses a spirit of utter recklessness as that
of protracted losing. Sooner or later it drives discretion
from its seat and opens the door for hot-headed desperation.</p>
<p>Say why the moth flies madly into the flame that consumes
him! Say why the screaming sea-gull dashes out
his brains against the dazzling windows of the towering
lighthouse! Say why the undetected murderer haunts
the neighborhood of his bloody crime!</p>
<p>Give answer to these questions—and then you may say
what frenzy of human nature led Nathan Godard to
dare self-destruction in the passionate greed of an evil
hour.</p>
<div class="pb" id="Page_198">198</div>
<p>Presently he looked up, fixing his inflamed eyes upon
Belle Braddon’s face.</p>
<p>“A sure thing?” said he hoarsely. “Yes, I can make it
a sure thing, Belle, that we win his money!”</p>
<p>“No slip-up, eh?”</p>
<p>“Not on your life!”</p>
<p>“Good!” cried Belle approvingly. “Get rid of all but
your cuekeeper, Nate, and notify the gang that there’ll
be no game here to-morrow night.”</p>
<p>“And you, Belle?”</p>
<p>“I will have the Dakota couple here at precisely nine
o’clock.”</p>
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