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Under the Tiger's Claws

<h2 id="c19">CHAPTER XIX. THE RIGHT MAN.</h2> It was precisely nine o’clock when Nick Carter, Chick, and Belle Braddon arrived at Godard’s shore house, to which they were admitted by the humpback and conducted into the dining-room. Nate Godard appeared pale and somewhat intoxicated when he received them, but his nerve quickly returned after the introductions and the hearty responses of his visitors, and he promptly invited them to the sideboard to have a drink. “Here’s your very good health, Mr. Hedge,” said he, addressing Nick by the name he had assumed. “Yours, too, sir,” cried Nick. “So you are fond of bucking the tiger, are you, and have come out here to give my game a little play?” “Fond of it’s no name for it, neighbor,” declared Nick, as he drained his glass. “I’m a bit off color just now, though, for I haven’t set down before a stack o’ checks for nigh a year. All the more saved up for you to win, eh?” he added, with a boisterous display of good humor. “That ere’s one way o’ looking at it, Mr. Godard.” Godard joined in Nick’s loud laugh, and Belle Braddon, 209 who was now making up to Nick with an eye to the future, playfully twined his arm with her hand and cried gleefully: “Oh, you’re really too funny, Mr. Hedge.” “Thet so, lass?” “You make me laugh nearly every time you speak.” “Waal, as long as I don’t make you cry, my dear gal, there’s no sleep to be lost, eh?” “No, not a wink, sir,” Belle rejoined, with a seductive glance and smile. A very little of such banter as this went a long way with Nick when more serious business was pressing, and he presently asked roundly: “Where’s your game, Mr. Godard? Let’s have a look at it.” “We can talk and play at the same time, you know,” put in Chick agreeably. “You don’t do any playing, my boy,” roared Nick good-naturedly. “It’s bad enough fur one o’ the Hedge family to be up agin’ the tiger. You don’t set down a chip—mind that, my boy.” “Well, I can look on, can’t I?” grumbled Chick. “There’s no harm in that!” “Sure you can look on, lad. There’s no chance to lose in looking on.” <div class="pb" id="Page_210">210</div> “Come up-stairs, Mr. Hedge,” said Godard. “I’m coming, too,” declared Belle, as he led the way. “I want to see how you Westerners go at the game, Mr. Hedge.” “We go at it, gal, like a bull at a gate,” Nick loudly laughed, slipping his arm around her as they mounted the stairs. Green already had the room brightly lighted, yet he gave no sign of ever having seen the visitors. The faro-room was, barring the elaborate furnishings at Flood’s, not unlike that previously described, and a sonorous laugh broke from Nick Carter when he beheld the layout on the table and saw the preparations which had been made for the game. “Waal, she does have a durned natural look, Godard,” he cried, in stentorian tones. “How much can I sit to win?” “Your expenses, at least,” Godard significantly replied, joining in the other’s laugh. Nick’s expressive eyes evinced just the least bit of disappointment when he perceived the pack of cards laid carelessly on a chair at one side of the table, but when Nathan Godard took his seat back of the layout, and then produced a pack from behind the check-rack, a momentary blaze fired their somber depths, only to wane 211 again to a steady glow like that of burning coals through the darkness. Nick recognized the deck of cards at a glance. It was the same deck of strippers with which Moses Flood had dealt himself a loser and afterward strapped in the satchel with the money he had paid to Cecil Kendall, less than one hour before the latter was murdered in the rectory grounds. They were very positive evidence of Nathan Godard’s guilt, yet Nick knew that there were other cards like them, and foresaw that even further proof was desirable. A profound reader of human nature, as well as a man of tremendous mental force, Nick was planning to drive the wretch opposite to a frenzy of excitement when, at the proper time, he could evoke from him an involuntary yet absolute self-betrayal. “My expenses, eh?” he boisterously replied, turning to wink at Belle, then at the humpback cuekeeper, who had taken his seat at the end of the table. “Sure thing, sir, if you get ’em down right,” laughed Godard, a bit nervously. “Waal, my expenses will be suthing,” roared Nick, “if we blow in the stuff as we did at the Waldorf. Gee whiz! but it costs suthing to eat and liquor up in that ’ere tavern. Eh, Archie?” <div class="pb" id="Page_212">212</div> “Right you are, old man,” nodded Chick, who was seated near-by. “Are you in with my play, lass, or with Godard’s?” cried Nick, turning to Belle with a great display of joviality. “I’m always in with the winner,” replied the girl, with a ringing laugh. “Oh, ho, that’s it, eh? Cunning as a kitten, aren’t you?” “I’m always looking out for my own interest,” grinned Belle, patting Nick’s cheek from behind his chair. “Good for you, gal,” cried Nick approvingly. “Waal, Mr. Godard, across the crick thar, give me a stack o’ chips. I’ll show you how we play the bank on the t’other side o’ the Mississip. I dropped seven thousand in hides in Chicago, on my way here, the which I’m out to get back. Ha, ha! in with the winner, lass, are you?” While boisterously voicing the above, Nick drew from the side pocket of his coat a huge roll of bank-notes, from which he quickly stripped off two of five hundred dollars each, and carelessly tossed them across the layout. “Gimme a stack o’ chips!” he cried noisily. “One stack?” queried Godard, startled by the prospect of so big a game. <div class="pb" id="Page_213">213</div> “One stack—sartin!” cried Nick. “Fifty dollars a chip, that’s good enough fur me. Same as plug ante, what we used to play in ’49 under the wagon-trains. What’s the limit, by the way?” Godard began to tremble under this show of utter recklessness. “You may stack them up until I call you down,” said he, speaking calmly with an effort. Yet he did not feel easy. It is no small undertaking to deal brace faro, even under ordinary conditions; and to Godard these appeared without precedent. His evil heart was beating like a trip-hammer. His blood was rushing like fire through his veins. Yet the sight of the pretended cattle-dealer’s money served to nerve him for a time, and with jaws fixed he began to shuffle the deck of strippers. “Till you call me down, eh?” roared Nick, as if in great enjoyment. “That ought to be good enough, and it’s what I like to hear. No piking around fur me, a chip a rip. They say it’s good luck to stake a cuss afore beginning, so take that, my bucko, and put it in your kit.” “Thankee, sir!” cried the humpback, as Nick tossed him a chip valued at fifty dollars. Nick nodded and laughed. <div class="pb" id="Page_214">214</div> “You’re sort of a cross atween a man and monkey, ain’t ye?” he jokingly demanded. “Well, sir, I’ll not take any blue ribbons for my beauty,” rejoined Green, laughing. “Ha, ha, ha!” roared Nick. “That’s the stuff, my lad! All ready, eh? What’s to the top o’ the box—an eight?” Despite his show of carelessness, Nick had seen the cards shuffled, stripped, and butted. He knew to a certainty how to place his money. He divided his stack of chips and coppered two winners for the entire lot. Godard felt a thrill of exultation. Nick had set his money down to lose. The miscreant opposite was not forced to take a false card in order to win, and he felt relieved. The first turn from the box brought a decision—the pretended dealer in cattle had lost. “Oh, ho!” he cried, with a quick flash of his eyes. “Can you do thet, ag’in? Let’s see you do thet ag’in!” Godard’s only reply was to send out another turn from the deal box. But Nick’s question was answered—he had lost again, just as he had planned. Now he did not laugh. He jerked his chair quickly nearer the table, and ferociously yanked out his roll of money. <div class="pb" id="Page_215">215</div> “Gimme two stacks this time!” he cried aggressively. “Two goes, mister,” nodded Godard. He raked in the bank-notes cast upon the layout, and set forth their equivalent in chips. Yet he did not speak again, to add to his husky remark. He dared not trust his voice. It was nothing short of robbery, this that he was doing, and he felt that he could see his finish if he got caught cheating. Nick looked and acted like a man who would fairly eat another, under such a provocation. Then Nick went down upon the layout with every chip that he had bought. This time he bet to win, thus forcing Godard to take a false card. Nick’s object was to drive the man to a frenzy of excitement, when discretion would be overwhelmed, and then bring a climax that would evoke self-betrayal. Godard took the false card, made a secret sign, and a quick responsive rap sounded from his cuekeeper. Yet he was ghastly to the lips when he glanced at Nick to see if the deception had been detected. Nick saw it all right, but his countenance did not change. He saw, too, that Godard was beginning to work under the highest kind of pressure. <div class="pb" id="Page_216">216</div> The latter raked in a thousand dollars on the turn, and the magnitude of the possibility before him alone enabled him to maintain his nerve. “Can’t I win a bet?” Nick hoarsely cried, after buying for the third time and losing. “Curse the infernal luck—can’t I win a bet?” “You are really getting them down a bit unlucky, uncle,” observed Chick, with pretended sympathy. “So he is, dear man,” said Belle, in persuasive tones. They now appeared to be wasted upon the irate cattle-dealer, however. “Gimme some more chips, Godard,” he fiercely growled, slinging a fifth thousand dollars over the layout. “Gimme some more chips, I say! What sort of a dealer hev I been steered up agin’, eh?” “The deal is all right, sir,” stammered Godard. “Who said ’twasn’t? I said dealer!” snarled Nick ferociously. Godard’s hand shook visibly as he shoved the desired stacks of chips toward Nick. The strain upon him was something frightful, and his brain felt as if seared with a terrible heat. The gravity of the situation seemed to steadily increase, and fear of what might occur was 217 taking ugly hold upon him. He ground his teeth together, and nerved himself to finish the deal. From the top of the box to the bottom Nick did not win a bet. He started the second deal ten thousand dollars loser, and Godard was trembling in his chair. The second deal was about like the first. Nick played to lose. He coppered the winning cards, and played the losers to win. Time and time again he forced himself to call for more chips, and each time noticed that Godard was becoming more and more beside himself. The perspiration stood in great drops on the latter’s face, and the arteries of his neck and brow were pulsing violently. Nick saw that he had him nearly where he wanted him. Even Belle Braddon was gazing with affrighted eyes upon the dreadful scene, hushed and pale now, with her hands pressed above her heart. Chick saw by the look in Nick’s eyes that the climax was approaching, and he quietly made ready for it. Half-a-minute later Nick drove the knife deeper into his victim. The deal had come down to two turns only, and Nick 218 knew the cues were wrong and that Godard must take a card to right them. Nick forced Godard to win by stealing, and the latter’s hand shook as if with palsy as he did it. A rap from the cuekeeper followed, and then the announcement: “Last turn!” Nick resolved it should be the very last. He placed his bet—and purposely lost! Then he uttered a terrible cry, as if thrilled with sudden suspicion. “Be the cues right? Be the cues right?” he roared, glaring fiercely at the startled humpback. “Aye, sir——” “Then lemme see them cards!” yelled Nick, with his swarthy face awfully distorted and his eyes blazing like fire. “Lemme see the cards. I say! —— you, Godard, there’s suthing wrong with them cards!” The humpback leaped to his feet with a hoarse remonstrance, and while Nathan Godard, ghastly as a corpse, covered the cards with his left hand, his right went to his hip pocket. It was the very move Nick wanted to see him make. “Lemme see ’em!” he roared furiously, half rising 219 from his chair. “I tell you there’s suthing wrong with them cards!” “I think not——” “Lemme see ’em! Lemme see ’em, or I’ll——” “Let him see them, Nate!” shrieked Belle Braddon, wild lest Godard’s frightful agitation should betray him. Nick reached across the layout with a terrible imprecation, and snatched the pack of cards from under Godard’s quivering hand. “There’s blood on them!” he roared fiercely, with his eyes fixed on those of the shaking man opposite. “There’s blood on them! The blood of a man killed for money—killed for gain, and by you who now——” Nick got no further. The thrilling accusation was more than Nate Godard, in his unnerved condition, could sustain. He saw the scheme by which he was being duped—and he saw again the staring corpse that he had left behind him in the rectory grounds in Fordham. With a single wild cry, most like a shriek, he leaped to his feet. “Curse you!” he yelled; “I know you now! You’re Moses Flood!” “You lie!” thundered Nick, tearing off his disguise. “I am Nick Carter, the detective!” <div class="pb" id="Page_220">220</div> Belle Braddon uttered a scream that pierced the very walls of the house, and from somewhere under her skirts snatched out a revolver. Chick Carter, with eyes alert to see where he was most needed, was upon her as a leopard leaps upon a hare. “Not on your life, miss!” he cried, wrenching away the weapon and forcing her into a chair. Nate Godard, too, had drawn his revolver, but he never again discharged it. Nick swept across the table like a whirlwind, and in an instant had the desperate man by the throat. Then he drew back, startled. Godard’s grip on his revolver had relaxed, and the weapon fell clattering to the floor. He threw both hands above his head, like one stricken a fatal blow, then brought both palms violently to his skull, as if within were the seat of a dreadful pain. His distorted face suddenly grew ghastly, with lips drawn and eyes rolling, and but for Nick Carter’s supporting arm he would have fallen headlong to the floor. “He’s done for!” cried Nick to Chick, over his shoulder. Nick was right: one glance at the man’s death-swept face was enough. In the awful stress of his horror, terror, and excitement, 221 Nathan Godard had ruptured an artery of his brain. The rest, involving the subsequent fortunes of those who have figured in these pages, may be briefly and simply told. Godard died within an hour, without regaining consciousness, and thus cheated human justice, only to meet at a divine tribunal the punishment he deserved. From Belle Braddon, however, whom fear of punishment now drove to a confession, the facts were obtained that fully established Godard’s guilt. He had left the faro-bank just after seeing Kendall win the ninety thousand dollars, and when the latter emerged Godard shadowed him to Fordham. As Nick Carter had shrewdly reasoned, Kendall went to peer through the library window before entering the rectory. Godard, meantime, had seen Flood arrive and hitch his team at the rear gate, putting his heavy cane in the body of the buggy. Flood, however, wishing to see Dora Royal alone, had not gone directly to that side of the house on which the crime was committed, but had passed slowly around it, in the hope of attracting her attention from one of the windows. Godard, meantime, secured Flood’s cane, waylaid and 222 killed Kendall, then made off with the satchel of money, afterward concealing the cane in the brushwood, that the crime might be charged to Flood. The latter, upon coming around the house, had seen only Harry Royal, with the results already set forth. Belle Braddon did not for her confession, however, escape punishment for her evil doings. Nick promptly placed her under arrest, as an accessory after the crime, as well as for the attempt upon his life, and she ultimately received her just deserts. When the heroic part that Moses Flood had played in behalf of the Royals was fully made known to the rector, he did precisely what Nick Carter anticipated. Upon Flood’s renunciation of his business, which had been entirely voluntary, Doctor Royal forgave the past and accepted him as his daughter’s suitor. Flood went abroad for six months, returning as the American representative of one of the largest silk concerns in France, and he and Dora Royal were married that year, establishing themselves in a fine West End Avenue residence. The two houses, which were sad reminders of his past, Flood sold to the best advantage, and gave the entire proceeds to charity. The love and gratitude of the happy couple for Nick 223 Carter may be easily imagined, and both were numbered among Nick’s dearest friends. The great detective frequently said of Flood in after years, when recalling the incidents here depicted: “He certainly was the prince of gamesters!” And certainly it seems to be a good safe wager that Nick Carter, as usual, was entirely right. THE END. <div class="pb" id="Page_224">224</div> <h2 id="c20">FRANK MERRIWELL</h2> Is the hero of every true American boy. Frank has had numerous adventures which are chronicled in a manner most satisfactory to every boy who seeks clean, vigorous literature. These books can be found only in the Medal Library. Price, 10c. Per Copy By BURT L. STANDISH. <div class="box"> <dl class="undent"> 150 Frank Merriwell’s School-Days. 167 Frank Merriwell’s Chums. 178 Frank Merriwell’s Foes. 184 Frank Merriwell’s Trip West. 189 Frank Merriwell Down South. 193 Frank Merriwell’s Bravery. 197 Frank Merriwell’s Hunting Tour. 201 Frank Merriwell in Europe. 205 Frank Merriwell at Yale. 209 Frank Merriwell’s Sports Afield. 213 Frank Merriwell’s Races. 217 Frank Merriwell’s Bicycle Tour. 225 Frank Merriwell’s Courage. 229 Frank Merriwell’s Daring. 233 Frank Merriwell’s Athletes. 237 Frank Merriwell’s Skill. 240 Frank Merriwell’s Champions. 247 Frank Merriwell’s Secret. 251 Frank Merriwell’s Danger. 254 Frank Merriwell’s Loyalty. 258 Frank Merriwell in Camp. 262 Frank Merriwell’s Vacation. 267 Frank Merriwell’s Cruise. 271 Frank Merriwell’s Chase. 276 Frank Merriwell in Maine. 280 Frank Merriwell’s Struggle. 284 Frank Merriwell’s First Job.</div> If these books are ordered by mail, add four cents to cover postage. STREET & SMITH, Publishers, New York. <div class="pb" id="Page_225">225</div> <h2 id="c21">“Get Acquainted With Smith’s” The Big Three</h2> <div class="verse"> MRS. GEORGIE SHELDON MRS. MARY J. HOLMES CHARLES GARVICE </div> You are now looking at the three most popular authors in America. Ten million copies of their novels have been sold and they are now exclusively engaged to supply Smith’s Magazine with all their new work. ¶Get a copy of the current number and look it over. It’s the best published at TEN CENTS SMITH PUBLISHING HOUSE, NEW YORK <hr class="dwide" /> The Biggest Line of Copyrighted Detective Literature Published THE MAGNET LIBRARY OF FASCINATING DETECTIVE STORIES This line has become famous for its excellent stories of the detection of crime. Of late, it has taken truly remarkable strides in the public’s favor. The reason for this is that every book is a marvel of its kind. They are high-class tales, not of the “blood-and-thunder” order, but with plausible plots which hold the reader fairly captivated with breathless expectation. Among these are the stories of the adventures of Nick Carter and his clever assistants; of “Old Spicer,” the clever private detective, whose exploits are among the most remarkable ever performed by any detective. If you are in search of good, interesting matter, a decided change from that to which you have been accustomed, purchase a few of these titles. They will not only please and interest you, but will give you a clear insight into the methods of the various classes of criminals. PUBLISHED EVERY WEEK <hr class="dwide" /> <table class="center"> <tr class="th"><th colspan="2">To be Published During April</th></tr> <tr><td class="l">441—The Ring of Iron </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">440—The Lure of Gold </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">439—The “L” Mystery </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">438—Behind a Throne </td><td class="r">By Nicholas Carter</td></tr> <tr class="th"><th colspan="2">To be Published During March</th></tr> <tr><td class="l">437—A King Among Crooks </td><td class="r">By J. K. Stafford</td></tr> <tr><td class="l">436—Under the Tiger’s Claws </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">435—The Great Green Diamond </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">434—Through the Cellar Wall </td><td class="r">By Nicholas Carter</td></tr> <tr class="th"><th colspan="2">To be Published During February</th></tr> <tr><td class="l">433—The Human Cat </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">432—The “Limited” Hold-Up </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">431—Shot From Above </td><td class="r">By J. K. Stafford</td></tr> <tr><td class="l">430—Marked for Death </td><td class="r">By Nicholas Carter</td></tr> <tr class="pbtr"><td colspan="2"> </td></tr> <tr class="th"><th colspan="2">To be Published During January</th></tr> <tr><td class="l">429—On the Trail of “Big Finger” </td><td class="r">By Scott Campbell</td></tr> <tr><td class="l">428—Below the Dead Line </td><td class="r">By Scott Campbell</td></tr> <tr><td class="l">427—The Sign of the Dagger </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">426—The Western Ferret </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">425—The Crime of the Camera </td><td class="r">By Nicholas Carter</td></tr> <tr><td colspan="2" class="c"><hr /></td></tr> <tr><td class="l">424—The Belrox Mystery </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">423—The Terrible Thirteen </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">422—The Crimson Blind </td><td class="r">By Fred M. White</td></tr> <tr><td class="l">421—A Triple Identity </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">420—The Nitroglycerin League </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">419—The Bloodstone Terror </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">418—The Man Who Hid </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">417—A Victim of Deceit </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">416—The Broken Pen </td><td class="r">By J. K. Stafford</td></tr> <tr><td class="l">415—The Key Ring Clew </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">414—A Modern Sorceress </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">413—The Four-Fingered Glove </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">412—Checkmating a Countess </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">411—The Boulevard Mutes </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">410—Shadowed ’Round the World </td><td class="r">By J. K. Stafford</td></tr> <tr><td class="l">409—Nick Carter’s Double Catch </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">408—Only a Headless Nail </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">407—The Pretty Stenographer Mystery </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">406—The Eye of Gold </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">405—The Plot That Failed </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">404—The Red Stain </td><td class="r">By Scott Campbell</td></tr> <tr><td class="l">403—The Marked Hand </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">402—The Albert Gate Affair </td><td class="r">By Louis Tracy</td></tr> <tr><td class="l">401—The Fatal Legacy </td><td class="r">By Louis Tracy</td></tr> <tr><td class="l">400—The Living Mask </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">399—An Oath of Vengeance </td><td class="r">By John K. Stafford</td></tr> <tr><td class="l">398—Under a Black Veil </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">397—A Crime Without a Name </td><td class="r">By Dick Stewart</td></tr> <tr><td class="l">396—A Baffled Oath </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">395—A Kentucky Moonshiner </td><td class="r">By Inspector Stark</td></tr> <tr><td class="l">394—Playing for a Fortune </td><td class="r">By Nicholas Carter</td></tr> <tr><td class="l">393—The Convent Mystery </td><td class="r">By John K. Stafford</td></tr> <tr><td class="l">392—With Links of Steel </td><td class="r">By Nicholas Carter</td></tr> </table> <h2 id="trnotes">Transcriber’s Notes</h2> <ul> <li>Silently corrected a few typos.</li> <li>Retained publication information from the printed edition: this eBook is public-domain in the country of publication.</li> <li>Added a Table of Contents, based on chapter headings.</li> <li>In the text versions only, text in italics is delimited by _underscores_.</li> </ul> <div style="break-after:column;"></div>

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