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Immortal Moment

<h2>CHAPTER II</h2> THEY talked a long time as they paced the green lawns, linked arm in arm, keeping their own path fastidiously. Miss Keating, Mrs. Tailleur's companion, watched them from her seat on the veranda. She had made her escape from the great, lighted lounge behind her where the men were sitting. She had found a corner out of sight of its wide windows. She knew that Kitty Tailleur was in there somewhere. She could hear her talking to the men. At the other end of the veranda the old lady sat with her knitting. From time to time she looked up over her needles and glanced curiously at Miss Keating. On the lawn below, Colonel Hankin walked with his wife. They kept the same line as the Lucys, so that, in rhythmic instants, the couples made one group. There was[19] an affinity, a harmony in their movements as they approached each other. They were all obviously nice people, people who belonged by right to the same group, who might approach each other without any impropriety. Miss Keating wondered how long it would be before Kitty Tailleur would approach Mr. Lucy. That afternoon, on her arrival, she had approached the Colonel, and the Colonel had got up and gone away. Kitty had then laughed. Miss Keating suspected her of a similar social intention with regard to the younger man. She knew his name. She had looked it up in the visitors' book. (She was always looking up people's names.) She had made with determination for the table next to him. Miss Keating, in the dawn of their acquaintance, had prayed that Mrs. Tailleur might not elect to sit next anybody who was not nice. Latterly she had found herself hoping that their place might not be in view of anybody who was. For three months they had been living[20] in hotels, in horrifying publicity. Miss Keating dreaded most the hour they had just passed through. There was something terrible to her in their entry, in their passage down the great, white, palm-shaded, exotic room, their threading of the ways between the tables, with all the men turning round to stare at Kitty Tailleur. It was all very well for Kitty to pretend that she saved her by thus diverting and holding fast the public eye. Miss Keating felt that the tail of it flicked her unpleasantly as she followed in that troubled, luminous wake. It had not been quite so unbearable in Brighton, at Easter, when the big hotels were crowded, and Mrs. Tailleur was not so indomitably conspicuous. Or else Miss Keating had not been so painfully alive to her. But Southbourne was half empty in early June, and the Cliff Hotel, small as it was, had room for the perfect exhibition of Mrs. Tailleur. It gave her wide, polished spaces and clean, brilliant backgrounds, yards[21] of parquetry for the gliding of her feet, and monstrous mirrors for reflecting her face at unexpected angles. These distances fined her grace still finer, and lent her a certain pathos, the charm of figures vanishing and remote. Not that you could think of Kitty Tailleur as in the least remote or vanishing. She seemed to be always approaching, to hover imminently and dangerously near. Mr. Lucy looked fairly unapproachable. His niceness, Miss Keating imagined, would keep him linked arm in arm with his sister, maintaining, unconsciously, inoffensively, his distance and distinction. He would manage better than the Colonel. He would not have to get up and go away. So Miss Keating thought. From the lounge behind the veranda, Kitty's voice came to her again. Kitty was excited and her voice went winged. It flew upward, touched a perilous height and shook there. It hung, on its delicate, feminine[22] wings, dominating the male voices that contended, brutally, below. Now and then it found its lyric mate, a high, adolescent voice that followed it with frenzy, that broke, pitifully, in sharp, abominable laughter, like a cry of pain. Miss Keating shut her eyes to keep out her vision of Kitty's face with the look it wore when her voice went high. She was roused by the waiter bringing coffee. Kitty Tailleur had come out on to the veranda. She was pouring out Grace Keating's coffee, and talking to her in another voice, the one that she kept for children and for animals, and for all diminutive and helpless things. She was saying that Miss Keating (whom she called Bunny) was a dear little white rabbit, and she wanted to stroke her. "You see, you are so very small," said Kitty, as she dropped sugar into Miss Keating's cup. She had ordered cigarettes and a liqueur for herself.[23] Miss Keating said nothing. She drank her coffee with a distasteful movement of her lips. Kitty Tailleur stretched herself at full length on a garden chair. She watched her companion with eyes secretly, profoundly intent under lowered lids. "Do you mind my smoking?" she said presently. "No," said Miss Keating. "Do you mind my drinking Kümmel?" "No." "Do you mind my showing seven inches of stocking?" "No." "What do you mind, then?" "I mind your making yourself so very conspicuous." "I don't make myself conspicuous. I was born so." "You make me conspicuous. Goodness knows what all these people take us for!" "Holy Innocent! As long as you sit tight and do your hair like that, nobody could[24] take you for anything but a dear little bunny with its ears laid back. But if you get palpitations in your little nose, and turn up your little white tail at people, and scuttle away when they look at you, you can't blame them if they wonder what's the matter with you." "With me?" "Yes; it's you who give the show away." Kitty smiled into her liqueur glass. "It doesn't seem to strike you that your behaviour compromises me." Miss Keating's mouth twitched. Her narrow, rather prominent front teeth lifted an instant, and then closed sharply on her lower lip. Her throat trembled as if she were swallowing some bitter thing that had been on the tip of her tongue. "If you think that," she said, and her voice crowed no longer, "wouldn't it be better for us not to be together?" Kitty shook her meditative head. "Poor Bunny," said she, "why can't you be honest?[25] Why don't you say plump out that you're sick and tired of me? I should be. I couldn't stand another woman lugging me about as I lug you." "It isn't that. Only—everywhere we go—there's always some horrible man." "Everywhere you go, dear lamb, there always will be." "Yes; but one doesn't have anything to do with them." "I don't have anything to do with them." "You talk to them." "Of course I do," said Kitty. "Why not?" "You don't know them." "H'm! If you never talk to people you don't know, pray how do you get to know them?" Kitty sat up and began playing with the matches till she held a bunch of them blazing in her hand. She was blowing out the flame as the Hankins came up the steps of the veranda. They had a smile for the[26] old lady in her corner, and for Miss Keating a look of wonder and curiosity and pity; but they turned from Mrs. Tailleur with guarded eyes. "What do you bet," said Kitty, "that I don't make that long man there come and talk to me?" "If you do——" "I'll do it before you count ten. One, two, three, four. I shall ask him for a light——" "Sh-sh! He's coming." Kitty slid her feet to the floor and covered them with her skirt. Then she looked down, fascinated, apparently, by the shining tips of her shoes. You could have drawn a straight line from her feet to the feet of the man coming up the lawn. "Five, six, seven." Kitty lit her last match. "T-t-t! The jamfounded thing's gone out." The long man's sister came up the steps of the veranda. The long man followed[27] her slowly, with deliberate pauses in his stride. "Eight, nine," said Kitty, under her breath. She waited. The man's eyes had been upon her; but in the approach he lowered them, and as he passed her he turned away his head. "It's no use," said Miss Keating; "you can't have it both ways." Kitty was silent. Suddenly she laughed. "Bunny," said she, "would you like to marry the long man?" Miss Keating's mouth closed tightly, with an effort, covering her teeth. Kitty leaned forward. "Perhaps you can if you want to. Long men sometimes go crazy about little women. And you'd have such dear little long babies—little babies with long faces. Why not? You're just the right size for him. He could make a memorandum of you and put you in his pocket; or you could hang on his arm like a dear little umbrella. It would be all[28] right. You may take it from me that man is entirely moral. He wouldn't think of going out without his umbrella. And he'd be so nice when the little umbrellas came. Dear Bunny, face massage would do wonders for you. Why ever not? He's heaps nicer than that man at the Hydro, and you'd have married him, you know you would, if I hadn't told you he was a commercial traveller. Never mind, ducky; I dare say he wasn't." Kitty curled herself up tight on the long chair and smiled dreamily at Miss Keating. "Do you remember the way you used to talk at Matlock, just after I found you there? You were such a rum little thing. You said it would be very much better if we hadn't any bodies, so that people could fall in love in a prettier way, and only be married spiritually. You said God ought to have arranged things on that footing. You looked so miserable when you said it. By the way, I wouldn't go about saying that sort of thing to people. That's how I[29] spotted you. I know men think it's one of the symptoms." "Symptoms of what?" "Of that state of mind. When a woman comes to me and talks about being spiritual, I always know she isn't — at the moment. You asked me, Bunny—the second time I met you—if I believed in spiritual love, and all that. I didn't, and I don't. When you're gone on a man all you want is to get him, and keep him to yourself. I dare say it feels jolly spiritual—especially, when you're not sure of the man—but it isn't. If you're gone on him enough to give him up when you've got him, there might be some spirituality in that. I shall believe in it when I see it done." "Seriously," she continued, "if you'd been married, Bunny, you wouldn't have had half such a beastly time. You're one of those leaning, clinging little women who require a strong, safe man to support them. You ought to be married."[30] Miss Keating smiled a little sad, spiritual smile, and said that was the last thing she wanted. "Well," said Kitty, "I didn't say it was the first." Kitty's smile was neither sad nor spiritual. She uncurled herself, got up, and stood over her companion, stroking her sleek, thin hair. Miss Keating purred under the caress. She held up her hand to Kitty who took it and gave it a squeeze before she let it go. "Poor Bunny. Nice Bunny," she said (as if Miss Keating were an animal). She stretched out her arms, turned, and disappeared through the lounge into the billiard-room.[31] <hr /> <div style="break-after:column;"></div>

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