<SPAN name="startofbook"></SPAN>
<p>This etext was transcribed by Les Bowler.</p>
<table>
<tr>
<td><p style="text-align: center"><SPAN name="page2"></SPAN><span class="pagenum"></span>WHAT THIS STORY IS ABOUT</p>
</td>
</tr>
<tr>
<td><p>The well-known authority on criminology, Dennis Holt,
inherited a house in a remote village, the sort of place in
which, to quote himself, “nothing ever
happens.” One night at fifty-three minutes past
eleven (he was always meticulously accurate about time), his
attention was attracted by a peremptory tapping on the window
pane. A moment later, the lower sash was slowly pushed up
and a young girl appeared.</p>
<p>“Let me in!” she whispered.
“Please—I have hurt myself.”</p>
<p>That was the beginning of a bewildering series of happenings
in the life of Dennis Holt. Suddenly he found himself
precipitated into the midst of a bewildering mystery, which at
one time seemed to threaten even his own liberty.</p>
<p>Patiently piecing together the ascertained facts, Holt
eventually presented a remarkable reconstruction of what had
taken place on that dramatic night.</p>
</td>
</tr>
</table>
<h1>THE<br/> CLEVEDON<br/> : : CASE : :</h1>
<p style="text-align: center">BY<br/>
NANCY & JOHN<br/>
OAKLEY</p>
<div class="gapspace"> </div>
<p style="text-align: center"><span class="GutSmall">PHILADELPHIA</span><br/>
J. B. LIPPINCOTT COMPANY</p>
<div class="gapspace"> </div>
<p style="text-align: center"><SPAN name="page4"></SPAN><span class="pagenum"></span><span class="GutSmall">Printed in
Great Britain by Wyman & Sons Ltd., London, Reading and
Fakenham.</span></p>
<h2><SPAN name="page5"></SPAN><span class="pagenum"></span>CONTENTS</h2>
<table>
<tr>
<td><p><span class="GutSmall">CHAPTER</span></p>
</td>
<td></td>
<td><p style="text-align: right"><span class="GutSmall">PAGE</span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">I.</p>
</td>
<td><p><span class="smcap">A Midnight Visitor</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page9">9</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">II.</p>
</td>
<td><p><span class="smcap">The Tragedy at White Towers</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page23">23</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">III.</p>
</td>
<td><p><span class="smcap">A Meeting in the Dark</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page34">34</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">IV.</p>
</td>
<td><p><span class="smcap">The Silver-headed Hatpin</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page45">45</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">V.</p>
</td>
<td><p><span class="smcap">Kitty Clevedon and Ronald
Thoyne</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page59">59</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">VI.</p>
</td>
<td><p><span class="smcap">A New Sensation</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page70">70</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">VII.</p>
</td>
<td><p><span class="smcap">Evidence at the Inquest</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page80">80</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">VIII.</p>
</td>
<td><p><span class="smcap">The story of a Quarrel</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page94">94</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">IX.</p>
</td>
<td><p><span class="smcap">What Kitty Clevedon said</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page105">105</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">X.</p>
</td>
<td><p><span class="smcap">An Invitation from Lady
Clevedon</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page117">117</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XI.</p>
</td>
<td><p><span class="smcap">A visit from Ronald Thoyne</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page129">129</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XII.</p>
</td>
<td><p><span class="smcap">Ronald Thoyne disappears</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page145">145</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XIII.</p>
</td>
<td><p><span class="smcap">The Vicar’s story</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page154">154</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XIV.</p>
</td>
<td><p><span class="smcap">Kitty sends a Telegram</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page163">163</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XV.</p>
</td>
<td><p><span class="smcap">On Ronald Thoyne’s
Yacht</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page172">172</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XVI.</p>
</td>
<td><p><span class="smcap">The Mystery of Billy
Clevedon</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page185">185</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XVII.</p>
</td>
<td><p><span class="smcap">More about Billy Clevedon</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page193">193</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right"><SPAN name="page6"></SPAN><span class="pagenum"></span>XVIII.</p>
</td>
<td><p><span class="smcap">The Anonymous Letters</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page205">205</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XIX.</p>
</td>
<td><p><span class="smcap">The Hairpin Clue</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page217">217</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XX.</p>
</td>
<td><p><span class="smcap">Still more about Billy
Clevedon</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page227">227</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXI.</p>
</td>
<td><p><span class="smcap">Why Tulmin blackmailed
Clevedon</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page239">239</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXII.</p>
</td>
<td><p><span class="smcap">More Anonymous letters</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page251">251</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXIII.</p>
</td>
<td><p><span class="smcap">Tulmin’s queer story</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page263">263</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXIV.</p>
</td>
<td><p><span class="smcap">The wrath of Ronald Thoyne</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page275">275</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXV.</p>
</td>
<td><p><span class="smcap">The story of Mary Grainger</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page286">286</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXVI.</p>
</td>
<td><p><span class="smcap">Nora Lepley’s
explanation</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page297">297</SPAN></span></p>
</td>
</tr>
<tr>
<td><p style="text-align: right">XXVII.</p>
</td>
<td><p><span class="smcap">Who killed Philip Clevedon</span></p>
</td>
<td><p style="text-align: right"><span class="indexpageno"><SPAN href="#page306">306</SPAN></span></p>
</td>
</tr>
</table>
<h2><SPAN name="page9"></SPAN><span class="pagenum"></span>CHAPTER I<br/> A MIDNIGHT VISITOR</h2>
<p>I <span class="smcap">became</span> mixed up with the Clevedon
case—the Cartordale Mystery, as it has been called—in
curious fashion. True, it was to some extent in my line of
business, though I do not actually earn my living by
straightening out tangles. With me it is all a matter of
“copy.”</p>
<p>You may or may not have read my various books—there are
eight of them now—on criminology. Their preparation
has led me into all sorts of queer by-ways and has given me a
curiously clear and analytical insight into the mind of the
criminal. I have solved many mysteries—you will
forgive the apparent boastfulness, but I have no useful Watson to
detail my exploits—but I stop there, with solving <SPAN name="page10"></SPAN><span class="pagenum"></span>them, I
mean. When I know the answer, I hand the whole matter over
to the police. “There is your man (or
woman)—take him,” I say. And sometimes they do
take him—and hang him. But occasionally they reply,
“But we can’t take him—we couldn’t prove
it against him.” That, however, is no business of
mine. I am a scientist, not a police official, and have
nothing to do with the foolery of their law courts or the
flummery of what they call their rules of evidence.</p>
<p>I have supplied the answer to the conundrum and that suffices
me. The mystery and its solution go into my notebooks, to
be used eventually for my own purpose, it may be to illustrate a
theory, or perhaps to demonstrate a scientific fact. I have
no desire to pose and no intention of posing as a worker of
miracles.</p>
<p>There is nothing marvellous about my methods nor wonderful in
the results. I do but proceed from fact to fact, as you
will see in this narrative, wherein I have set forth exactly what
happened, however foolish it may make me look. The reader
will accompany me step by step in my investigation of the
Clevedon mystery and will learn precisely how the solution, which
so bewildered and astonished the little group in Cartordale, came
to me. You <SPAN name="page11"></SPAN><span class="pagenum">p.
11</span>will see me groping in the dark, then you will discover,
as I did, a pin-point of light which grows wider and wider until
the whole story stands revealed. And if you guess the
solution before I did, that will show that you are a cleverer
detective than I am, which may very easily be.</p>
<p>I did not, by the way, go to Cartordale for the purpose of
investigating this particular mystery. I became involved in
it almost involuntarily. It was a queerly tangled skein
enough, and that of itself would have been sufficient fascination
to drag me into it, though I was deep in it long before any
intention or even desire to solve the puzzle manifested
itself. As a rule I carefully select my cases. Some
appeal to me, others do not. But in this instance I was not
entirely a free agent. I was in it before I quite knew
where I was going. That being so, it may be interesting to
explain how I came to be at Cartordale at all.</p>
<p>My Aunt Emily, to put it briefly, left me the house and the
money that took me into the wilds of Peakshire. I had never
met her in the flesh, and she, as far as I know, had never set
eyes on me. In point of fact, she never forgave my father
for taking to himself a second wife after my mother died.
But that is family <SPAN name="page12"></SPAN><span class="pagenum">p.
12</span>history and dry stuff. Aunt Emily made amends for
past neglect by her will. She left me about eight hundred a
year from investments, and the house at Cartordale, both very
useful, though I was not exactly a poor man. My books have
provided me with a fairly steady income for some years.</p>
<p>Stone Hollow, the house I had inherited, was a square, rather
gloomy-looking building—outwardly sombre, at all
events—situated at the head of Cartordale, a wild and
romantic valley in the heart of Peakshire, some sixteen miles
from the large industrial city of Midlington. The name,
Stone Hollow, had a comparatively recent derivation, arising from
the fact that the house was built on the site of, and largely on
the profits from, a now disused stone quarry.</p>
<p>The house itself stood on a sort of broad shelf, and behind it
a tall hill sprang almost perpendicularly upwards, still showing
on its face the marks and scars of former quarrying operations,
though Nature was already busy trying to hide the evidences of
man’s vandalism behind a cover of green and brown.
Before the house, the ground sloped gently downwards towards the
Dale, while to the left was a stretch of heather clad moorland
lying between Stone Hollow and White Towers, the residence of Sir
Philip Clevedon.</p>
<p><SPAN name="page13"></SPAN><span class="pagenum"></span>It
sounds rather well in description, but I will frankly confess
that after a very few days at Cartordale I was bored.
Though I had travelled widely, I had never actually lived out of
London and was always very quickly eager to be back there.
At first, I had done my best to persuade myself that a country
life was really the ideal and that it would provide me with quiet
and isolation that would be useful for literary work. But I
soon arrived at the limit of my resources in
self-deception. Which brings me to the night of February
23rd.</p>
<p>I was lolling on the couch in the room I had made my study,
pretending to work and succeeding very badly.</p>
<p>“Nothing ever happens in a place like this,” I
said aloud, with a yawn. “I should become a hopeless
vegetable if I lived here. I couldn’t even write
another book. There isn’t a chapter in the whole
blessed place. Neither robbery nor murder ever
happens. The folk wouldn’t know the meaning of the
words without looking them up in a dictionary. Honesty is
the badge of all their tribe, and honesty, if commendable, is
dull.”</p>
<p>I took up a batch of manuscript from the desk at my elbow and
began to read in rather desultory fashion, making a correction
here and there with a pencil.</p>
<p><SPAN name="page14"></SPAN><span class="pagenum">p.
14</span>“Another delusion shattered,” I
murmured. “They say one can write so much better in
the quiet of the country than amid the bustle and distractions of
town. That is bunkum. This one can’t,
anyway. I thought I would have made a good start with this
book, but I have done next to nothing, and what there is of it is
rotten. I could do more work in a week in London than I
shall do in three months of this. I think I’ll be
getting back next week.”</p>
<p>But I was wrong in saying that nothing ever happened in
Cartordale. Adventure was even at that moment coming
towards me with very hurried footsteps.</p>
<p>The time—it is essential always to be precise in
details—was fifty-three minutes past eleven, and the date
February 23rd.</p>
<p>It came, the beginning of the story, with a quick, almost
peremptory tapping on the window-pane and then the bottom sash
was slowly pushed up. I turned to the desk and took a
revolver from one of the small drawers, then strode across the
room and raised the blind with a quick rattle, half expecting
that my visitor would reveal himself in the shape of a
burglar. What I saw brought even me to a standstill, little
susceptible as I am to surprises of any sort.</p>
<p><SPAN name="page15"></SPAN><span class="pagenum"></span>My
visitor was not a burglar—at least, not a male of that
species—but a girl, who looked young enough to be in her
teens, though she may have been a year or two outside them, and a
great deal too pretty to be wandering about alone at that time of
night. She was wearing a long, sleeveless cloak and a grey,
woollen cap, from beneath which part of her hair had escaped and
was blowing about her face in little wisps of bronze-gold
cloud.</p>
<p>“Let me in,” she whispered.
“Please—I have hurt myself and I am afraid to go
on.”</p>
<p>I stretched out my hands and, placing them beneath her arms,
lifted her over the low window-sill and into the room.</p>
<p>“How strong you are,” she murmured.</p>
<p>But even as she said that, the something that had kept her up
gave way and she lay a limp, dead weight in my clasp. I
carried her to the couch, but as I placed her down and began to
unfasten the long, grey cloak, I noticed that the sleeve of her
white blouse was stained with blood. That was evidently the
hurt to which she had referred; and I began to wonder whether I
had not better summon my housekeeper. It looked essentially
a case for feminine aid. The girl, however, was already
recovering.</p>
<p><SPAN name="page16"></SPAN><span class="pagenum">p.
16</span>“No, come here,” she said, as I began to
move towards the door.</p>
<p>I returned to her side and gently lifted her arm.</p>
<p>“Yes, you have hurt yourself,” I remarked.
“See—your arm, isn’t it?—there is
blood—”</p>
<p>“Yes, it’s my arm,” she replied, lifting her
cloak and showing a ragged tear in the blouse on the under-side
of the sleeve. “It’s not very bad—I
think—but it seems to be bleeding a good deal, and
I—I am afraid of blood.”</p>
<p>“May I look at it?” I asked. “I could
perhaps bandage it, and—”</p>
<p>“Are you a doctor—how nice!” she cried.</p>
<p>“No,” I replied with a smile, “I am not a
doctor. But I am a first-aid expert, enough of one, anyway,
to say whether or not a doctor is necessary. Yes, I have
treated much bigger injuries than this. It is only a
scratch, I fancy, and the blood looks more than it really
is. A very little blood makes a mess of things. Lie
still a minute. I have everything here within reach and
we’ll soon put you right.”</p>
<p>I brought a pair of scissors and cut away the sleeve, finding
the arm beneath it—the left arm, by the way—rather
badly gashed.</p>
<p>“To-morrow you must show that to a doctor,” I said
when I had washed and bandaged <SPAN name="page17"></SPAN><span class="pagenum"></span>it. “Now I will give you
a glass of wine and—”</p>
<p>“Is there anyone but you in the house?” the girl
asked abruptly, as if some thought had suddenly occurred to
her.</p>
<p>“There is my housekeeper,” I said, “and a
maid. Shall I rouse them and—?”</p>
<p>“Mercy, no!” she exclaimed. “Whatever
would they say if they found me here—at this time of
night—?”</p>
<p>I nodded, quite comprehending the hint so conveyed.</p>
<p>“I have been visiting a friend,” she went on,
observing me keenly through her drooping eyelashes, perhaps to
see how I took the story, “and I—I lost my
way.”</p>
<p>“Your friends should not have allowed you to attempt to
find it by yourself,” I returned.</p>
<p>“My friends are not plural,” she retorted with a
little trill of laughter. “They—or rather
she—she is a maiden lady—and I am not in the least
bit nervous. I am a country girl by birth and upbringing,
and the darkness means nothing to me. It is the fog that
worries me. I stayed later than I should have done, and in
my hurry to get back I lost my way. Then I saw the light in
your window and I came, meaning to ask where I was. I had
to climb <SPAN name="page18"></SPAN><span class="pagenum">p.
18</span>over a wall, and in doing that I cut my arm on some
glass. I think it is very stupid to put glass on
walls—”</p>
<p>“It shall be knocked off to-morrow,” I
interrupted.</p>
<p>“Oh, it doesn’t matter,” the girl said
demurely. “I am not likely to come this way
again. But do you know Cartordale?”</p>
<p>“Well, know is hardly the word. I am afraid I
don’t very well. I have only been here a short
time,” I answered. “I know very few
people. I have never seen you before, for
example.”</p>
<p>That was a leading question very thinly disguised, but she did
not rise to it.</p>
<p>“I am afraid,” I went on, “it would be but
another instance of the blind leading the blind if I attempted to
guide you about the Dale. I will do my best if you will
tell me where you live, unless, indeed, you would prefer to stay
here until morning. The place is at your service and I
could very easily waken the—”</p>
<p>But my visitor’s negative gesture was very decided.</p>
<p>“What house is this?” she demanded.</p>
<p>“It is called Stone Hollow,” I told her.</p>
<p>“Oh, I know Stone Hollow,” she cried.
“It was Mrs.—Mrs.—a lady with a curious name,
but I have forgotten it.”</p>
<p><SPAN name="page19"></SPAN><span class="pagenum">p.
19</span>“Mrs. Mackaluce,” I volunteered.
“She was my aunt.”</p>
<p>“Yes, that was the name, I remember now. I have
been here before, but never by the—the back window.
If you can put me on the roadway outside Stone Hollow I shall
know where I am.”</p>
<p>“I can take you home, at all events, if you can show me
the way,” I said.</p>
<p>The girl looked at me for a moment or two doubtfully as if
that were not quite what she had intended.</p>
<p>“It is not right that you should be out alone at this
time of the night,” I added.</p>
<p>“Oh, right and wrong are merely terms,” she
replied, rising to her feet. “There is no law against
being out at night. It isn’t forbidden in the Defence
of the Realm Act, is it? If I like to be out at night it is
right I should be.”</p>
<p>“I was thinking of the danger, not of the law,” I
responded dryly.</p>
<p>“Why, whatever danger can there be?” the girl
cried, opening wide her pretty eyes. “There are no
highway robbers in Cartordale, nor any Germans.”</p>
<p>But I did not argue with her. I simply handed her the
woollen cap which had fallen off when she fainted, then helped
her to fasten the cloak <SPAN name="page20"></SPAN><span class="pagenum"></span>around her, and finally led her into
the hall, picking up my own hat and coat as I went. I was
fully determined on seeing her to her own home, wherever that
might be and whatever her objections. I opened the door
noiselessly and closed it again with the merest click of the
lock.</p>
<p>“It is very dark,” I muttered, being a man of the
town and used to gas-lamps.</p>
<p>“Yes, it often is at midnight,” the girl replied
demurely, but with a little catch in her voice as if she were
choking back a laugh. “But I can see very well.
Those who are country-born have eyes in their feet, you know, and
never miss the path. Why, there are men of the Dale, and
women too, for that matter, who will walk across the moors at
dark and never miss the path for all it is no more than three
feet wide.”</p>
<p>“But you have lost your way once already
to-night,” I murmured.</p>
<p>“That doesn’t affect the question,” she
retorted scornfully. “It was only because I was
trying a short cut. I left the path of my own accord.
If I had kept to the road I should have been home by now.
The longest way round is the quickest way home. Is that a
proverb? It sounds like one. If it isn’t it should
be. <SPAN name="page21"></SPAN><span class="pagenum">p.
21</span>It is true, anyway. Besides, it is foggy.
That makes a difference. Give me your hand.”</p>
<p>Apparently she did see better than I, for the next minute I
felt the grip of her slender fingers as she seized mine and began
to pull me forward. We went swiftly and in silence, still
hand in hand, for some minutes, then her clasp loosened.</p>
<p>For a moment or two the shadow of her lingered beside me, then
suddenly disappeared into the fog. We had reached a part of
the Dale that was flanked on one side by a wall of rock which
deepened even the blackness of the night and made the darkness,
to me, at all events, absolutely impenetrable. There was no
sign of light or house, nor indeed of any building, and when I
groped my way to the side of the road, I stumbled, first into a
ditch and then against a low rubble wall, beyond which was only
fog much thicker now than it had been earlier in the evening.</p>
<p>And it was there I lost her. How she went, or in which
direction, I had no idea. But I had no doubt that she had
evaded me of design—and that her home was nowhere
thereabout. That she knew the Dale intimately was
evident. She had deliberately led me to its darkest spot
simply that she might there lose me. I smiled grimly as I
realised that. She had fooled me <SPAN name="page22"></SPAN><span class="pagenum"></span>with incomparable skill and
wit. I paid a frank mental tribute to her cleverness.
A young lady of brains, this, and one whose acquaintance was well
worth cultivating.</p>
<p>I stood waiting for some little time—possibly ten
minutes or a quarter of an hour—then lit a cigarette and
walked slowly back to Stone Hollow, pondering over the queer
little adventure, wondering who the girl was and whether—or
rather when—I should see her again. She was evidently
an inhabitant of the Dale—her familiarity with it at all
events suggested that—in which case she could hardly expect
to evade me permanently. I must sooner or later meet and
recognise her. At any rate it was a piquant little mystery,
and I must confess that somehow Cartordale no longer seemed quite
so dull as it had been.</p>
<p>I had little idea then as to what the mystery, in which I had
thus become involved, really was or how quickly it would develop
on tragic and very unexpected lines.</p>
<p>I reached Stone Hollow again at 2.7 a.m. The whole
episode, from the knock on the window to my return home had
occupied two hours fourteen minutes.</p>
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