<h2><SPAN name="page45"></SPAN><span class="pagenum"></span>CHAPTER IV<br/> THE SILVER-HEADED HATPIN</h2>
<p><span class="smcap">The</span> Midlington evening papers
reached Cartordale about seven o’clock. To accomplish
that they had to be printed somewhere about 3.30 p.m., and
accordingly were rather early editions. Nevertheless, the
one I saw contained a very good account of the Clevedon tragedy,
though, as I could well see, reading between the lines, one which
the police had carefully supervised. The press and the
police work in very much closer accord than most people
realise. They help one another, and the wise newspaper man
never gives away anything the police desire to keep secret.
In return for that the press receives all sorts of information
otherwise inaccessible to it. I have many thousands of
newspaper cuttings, all carefully indexed, of which I make good
use in the compilation of my books. Newspapers give the
facts that are known with creditable accuracy, though really what
remains unknown is frequently the more <SPAN name="page46"></SPAN><span class="pagenum"></span>important. The whole story is
not always told.</p>
<p>And the press may and often does materially assist the
police. If the latter wish to publish some item broadcast,
the description of some individual, particulars of a missing
weapon, details that may bring further items and possibly produce
an unsuspected clue, they go to the press, which very quickly and
efficiently gives them all the publicity they want. They do
not deliberately keep things from the press. Any such
attempt defeats its own end. It is the reporter’s job
to get news and he is an expert at it.</p>
<p>But if you tell the press all you know with a reservation as
to what may not be published, the secret is safe enough. In
a very long and varied experience I never knew a newspaper man to
break a promise or violate a confidence. Some journals, of
course, make a speciality of crime investigation on their own
account, and clever enough they are at it. But even they
will suppress an item of news if the police ask it, and
frequently when they discover some fact unknown to the police
will inquire before publishing whether it is desirable or
safe. The ordinary man’s idea that the press thinks
first and only of its news column is a delusion. Very <SPAN name="page47"></SPAN><span class="pagenum"></span>often a
newspaper knows a lot more than it says.</p>
<p>From the account in the Midlington evening paper I learnt that
Sir Philip Clevedon had dined alone soon after seven
o’clock. At the conclusion of dinner he retired to
his study according to his usual custom. At a quarter past
eight he received a visit from Miss Kitty Clevedon, who had
motored over from Hapforth House, the residence of Lady Clevedon,
with a message to Mrs. Halfleet, the housekeeper. Miss
Clevedon left before nine o’clock, and at 11.30 Sir Philip
rang for his man Tulmin and ordered a whisky-and-soda, giving
also some instructions regarding a contemplated journey to London
on the morrow. Tulmin went off to bed, and thereafter was a
long blank from 11.30 or so until between six and seven
o’clock in the morning, when Miss Nora Lepley found Sir
Philip lying dead on the couch in his study with the hatpin
driven through his heart. Those were the facts out of which
the reporter had made several columns. But the summary is
sufficient for my purpose.</p>
<p>There was, of course, a description of the hatpin, which was
eight inches long, with a flat, circular head of silver about the
size of a shilling and a three-sided or three-cornered blade of
<SPAN name="page48"></SPAN><span class="pagenum"></span>steel that
tapered off to a very fine point—an unusual hatpin that
more resembled a silver-headed skewer or stiletto. It had
been driven into the body so that the head was close up to the
white shirt-front—as far as it would go, in fact—but
any bleeding had apparently been internal, since there was none
discernible either on the exterior of the body or on the
clothing.</p>
<p>I made a careful note of the times. Tulmin had last seen
his master alive at about 11.30. It was 11.53 when the girl
tapped at my window. When I had read the newspaper story I
sent for Martha Helter, my housekeeper.</p>
<p>“Who is Lady Clevedon?” I asked her, “and
what relation is Miss Kitty Clevedon to Sir Philip?”</p>
<p>“It is a little bit complicated, you see,” she
said, seating herself on the extreme edge of a big
arm-chair. “Lady Clevedon is the widow of the late
baronet who died some years ago—before the war,
anyway. She was Miss Ursula Hapforth before her marriage,
and when her husband died she went back to Hapforth House, which
had been left her by her father, whose only child she was.
The Hapforths are older than the Clevedons in these
parts.”</p>
<p>“But perhaps not so wealthy?”</p>
<p><SPAN name="page49"></SPAN><span class="pagenum">p.
49</span>“Oh, I don’t know for that. They have
plenty of money.”</p>
<p>“And this Sir Philip—was he her son?”</p>
<p>But I recollected that her attitude had been anything but that
of a bereaved mother when I saw her a short time before.</p>
<p>“No, she never had any children,” Martha told
me.</p>
<p>“Oh, then—but go on, Martha.”</p>
<p>I had been about to remark that Miss Kitty was not, therefore,
Lady Clevedon’s daughter, but had thought better of
it. I should get more out of Martha, I reflected, by
allowing her to tell her story in her own way.</p>
<p>“This Sir Philip was a cousin of the other
baronet,” my housekeeper went on, “and next to him
comes Mr. Billy Clevedon, who is Miss Kitty’s
brother. He is in the army. They say that he and Sir
Philip quarrelled, and there are all sorts of rumours
about. Miss Kitty lives with Lady Clevedon. I believe
she has some money of her own, though I don’t know how
much. Her father was a rector down in Cornwall, but
he’s been dead a long time now.”</p>
<p>“And this Sir Philip—where did he come
from?”</p>
<p>“From somewhere abroad, I think. He was <SPAN name="page50"></SPAN><span class="pagenum"></span>not very
young, perhaps forty-five, and he wasn’t married. We
didn’t see a lot of him in Cartordale—he lived mostly
in London. He was not friends, they say, with Lady
Clevedon, though I should not think they had really
quarrelled. He was a stiff, solemn sort of man, and not
very popular.”</p>
<p>In point of fact the Clevedon title was one of the oldest
surviving baronetcies, though there had been Clevedons in the
Dale long before James I invented baronets as a new means of
raising revenue. The Clevedons had all been politicians of
varying degrees of importance, frequently unimportant. A
minor Minister or two, a Colonial governor or so, a small
Embassy, all urbane, honest, honourable, but occasionally
unintelligent personages, belonging to what one might describe as
the great Official class, which has ruled England since the days
of the Tudors, doing most things badly but generally with clean
hands.</p>
<p>But the late Sir Philip Clevedon was something of a
mystery. No one had heard of him until the death of his
cousin had given him the title. He had never been in
Cartordale before that, and way entirely unknown even to his
relatives. They had no idea even where he lived.
Rumour was almost equally divided <SPAN name="page51"></SPAN><span class="pagenum"></span>between America and Australia, but
without any real foundation, since he himself vouchsafed no
information on the point. Among the people of the Dale, as
Martha indeed had told me, he had not been popular. He was
too chilly and unemotional in his manner and, being frequently
absent for lengthy periods, took no real part in the life of the
Dale and, apparently, little interest in its concerns. To
many of the inhabitants he was not even known by sight.</p>
<p>All this is a summary not only of what Martha told me, but of
what I subsequently gathered.</p>
<p>When I had finished with Martha I went out and met Detective
Pepster strolling in casual fashion through the village. I
should have missed him in the darkness but that we stepped at the
same time into the light cast across the roadway by the
“Waggon and Horses,” Tim Dallott’s roadside
inn, famed far and wide among visitors to the Dale.</p>
<p>“You haven’t been to arrest me yet,” I said,
as Pepster returned my salute.</p>
<p>“No,” he replied, with a placid grin, “we
are giving you a little more rope.”</p>
<p>“You have taken a load off my mind,” I returned
cheerfully. “But are you quite sure? <SPAN name="page52"></SPAN><span class="pagenum"></span>Sudden
temptation, you know, and—and so on.”</p>
<p>“Ah, you are pulling my leg, Mr. Holt,” Pepster
replied affably.</p>
<p>“But you did suspect me,” I urged, wondering how
far the detective might be amenable to pumping.</p>
<p>Some of them are, but not those who know their job.</p>
<p>“Well, suspect—that’s rather a big
word,” Pepster said thoughtfully. “You see, the
law says a man is innocent until he is proved guilty, but a
detective who knows his business proceeds the other way
about. Everybody is guilty in his eyes until the facts
prove their innocence. There is only one man I am
absolutely sure did not commit this murder, and that is myself,
but nobody save me has any call to be sure even of that.
Now you, for example—could you prove an alibi for that
night if I took it into my head to charge you?”</p>
<p>“We will suppose I could not—for the sake of
argument.”</p>
<p>“Just so, but then, you see, something else is
required. Society is based on a notion that ordinary,
normal men act in an ordinary, normal manner and don’t go
about murdering each other for the mere fun of the thing.
It is like <SPAN name="page53"></SPAN><span class="pagenum">p.
53</span>people walking along a city pavement while motor-cars
are dashing to and fro in the roadway. The three or four
inches by which the pavement is raised are no protection at all
should a motor-car take a sudden swerve, but pedestrians go
ambling quietly on in the knowledge that the normal thing is for
motor-cars to keep their own place, and that when they go wrong
it is because something has happened. Yes, Society is based
on the prevalence of the normal. When you hear, for
instance, that one man has killed another, you take it for
granted there was a reason—what we call a motive. And
the motive is vital. Sometimes the why of a murder reveals
the who, and sometimes the who explains the why. But the
two must go together.”</p>
<p>“Your philosophy is both interesting and
accurate,” I said. “And what of the
hatpin?”</p>
<p>“Ah, the hatpin,” Pepster replied
thoughtfully. “But that may have been an accident and
not the woman in the case.”</p>
<p>“The woman?” I said inquiringly, my thought going
instantly to my midnight visitor. “Yes, of course, a
hatpin does suggest a woman, doesn’t it?”</p>
<p>“There may be a woman in it,” Pepster went <SPAN name="page54"></SPAN><span class="pagenum"></span>on, gently
garrulous, “but I don’t know that the hatpin brings
her in. Some woman owns the hatpin, no doubt, but that
isn’t to say that she used it. Though it does help
things wonderfully to get a woman into a case, even though it may
complicate it. No doubt there would be a man in it
too. There generally is. Women seldom play a lone
hand. But they have always been a fruitful source of crime
in men ever since Adam had to declare that the woman tempted him
and he did eat. I have always thought ill of Adam for
that—for telling, I mean. It’s not the sort of
thing a real man would have blurted out. But for all that
it was true—it was true then and it has been true ever
since. Women—”</p>
<p>“And as you say,” I interrupted gently, “it
would be a woman’s hatpin.”</p>
<p>“Oh, yes, it would be a woman’s hatpin. Sir
Philip Clevedon didn’t wear them—not that I ever
heard. And we have identified it, you know. It
belongs to Lady Clevedon and, as far as I can make out, Miss
Kitty Clevedon borrowed it when she went to see the housekeeper
earlier that evening. It will be in all the papers
to-morrow. There seemed no particular reason to keep it
secret.”</p>
<p>“According to the newspapers, Miss Clevedon <SPAN name="page55"></SPAN><span class="pagenum"></span>went to see
the housekeeper, Mrs. Halfleet,” I observed.
“Did she take her hat off? Where did she leave the
pin?”</p>
<p>“Those questions have been asked and answered,”
Pepster replied. “She was caught in a shower of rain
on her way to White Towers and took off her hat to dry it.
She does not recollect where she laid the pin down, but it must
have been somewhere in the housekeeper’s room. She
did not see Sir Philip Clevedon and did not enter the study where
later the body was found.”</p>
<p>“The housekeeper—?”</p>
<p>“Knows nothing of the hatpin—does not remember
Miss Clevedon laying it down, and in fact never saw it until she
was brought to her dead master. It was Lady Clevedon
herself who identified the hatpin and told me all about
it.”</p>
<p>“So that instead of one woman you have three,” I
murmured.</p>
<p>“Yes, three women but not <i>the</i> woman. Hullo!
there’s Dr. Crawford, and I want to speak to
him.”</p>
<p>He nodded a quick farewell and went off with long strides
after the doctor. Considering his bulk and his apparently
leisurely methods of thought and speech, Pepster was curiously
quick and active in his movements.</p>
<div class="gapspace"> </div>
<p><SPAN name="page56"></SPAN><span class="pagenum">p.
56</span>“Do you know Mrs. Halfleet?” I asked my own
housekeeper when I again reached home.</p>
<p>“Oh, yes, quite well,” she replied. “I
have known her for years. A little stand-offish in her
manner, but quite pleasant face to face.”</p>
<p>“About how old would she be?” I queried.</p>
<p>“Oh, well, let me see. I am—yes, she must be
quite sixty, perhaps a year or two older.”</p>
<p>“Not a young woman, anyway.”</p>
<p>“Oh, dear no, not a young woman. She is the widow
of a minister, a Methodist, I think, who was at a church in
Midlington when he died. That must be a good sixteen years
ago. Lady Clevedon, who was living at White Towers then,
her husband being alive, brought her in as housekeeper, and the
present—I mean the late—Sir Philip kept her on.
She is sister to Mrs. Lepley, but far more of a
lady—”</p>
<p>I switched the conversation on to other lines, leaving Mrs.
Halfleet for later investigation.</p>
<p>The case, you will note, has advanced another stage. The
weapon has been identified. The queer hatpin, with the
three-cornered blade and the silver knob, was the property of
Lady Clevedon, who lived at Hapforth House. Miss <SPAN name="page57"></SPAN><span class="pagenum"></span>Kitty
Clevedon borrowed it and so conveyed it to White Towers where,
apparently, she left it. That was all very interesting and
quite simple, but probably irrelevant. The question was not
who had owned the hatpin or who had worn it, but who had used
it.</p>
<p>The question of time becomes interesting here. Tulmin,
the valet, had seen his master alive at 11.30, and the girl had
visited me at 11.53. She certainly had committed no murder
at White Towers in that interval. It was a physical
impossibility. I had carefully assured myself regarding
that. It would have required at the very minimum another
fifteen or twenty minutes. But I had lost her in the
darkness somewhere before 2 a.m. As I have already said, it
was seven minutes past two when I reached Stone Hollow again on
that night (or rather early morning), and allowing for the time I
stood after she had evaded me, and for the walk homewards, I
judged that it would be about 1.15 when she disappeared into the
darkness. What had her movements been after that?</p>
<p>It must not be supposed that I suspected the girl of having
had any hand in the tragedy, though I by no means ruled her
out. Her beauty and youth did not weigh with me at
all. <SPAN name="page58"></SPAN><span class="pagenum">p.
58</span>I had found both in even greater measure in proven
criminals. Besides which, a murder is not invariably a
crime.</p>
<p>But I had two ascertained facts—that Kitty Clevedon had
worn the hatpin to White Towers, and that she had been abroad in
the Dale during the early hours of that tragic morning.</p>
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