<h2><SPAN name="page251"></SPAN><span class="pagenum"></span>CHAPTER XXII<br/> MORE ANONYMOUS LETTERS</h2>
<p>I <span class="smcap">sent</span> Stillman back to keep an eye
on Tulmin until I could myself interview him and then set myself
to arrange a meeting with Thoyne. He was staying at White
Towers and I had no difficulty in finding him.</p>
<p>“Hallo!” he cried. “You look very
serious, Holt. What is the matter? Have you made a
fresh discovery?”</p>
<p>“Yes,” I said, “I have.”</p>
<p>“Well, cheer up. I can’t say you look
pleased about it.”</p>
<p>“Thoyne,” I responded, looking him straight in the
face. “Did you ever hear the name of
Calcott?”</p>
<p>He sent me a quick glance that was partly, I think, surprise
but was not entirely devoid of wrath. The name had
evidently no very pleasant sound in his ears.</p>
<p>“You see,” I went on, interpreting his
half-instinctive movement in my own way, “you <SPAN name="page252"></SPAN><span class="pagenum"></span>have given
me a lot of quite unnecessary trouble. Had you been frank
with me—”</p>
<p>“I was frank on everything that mattered,” he said
sullenly.</p>
<p>“You thought the fact that Clevedon had been an American
crook known as Calcott whom you had met in
Chicago—”</p>
<p>“That’s a lie, anyway.”</p>
<p>“You needn’t get excited about it,” I
rejoined equably.</p>
<p>“Excited, the devil!” he cried. “I am
not excited. I’m as calm as you are.”</p>
<p>“Then perhaps you would like to tell me the whole
story.”</p>
<p>“What story?”</p>
<p>“The story of Calcott, the crook, and what you knew
about him in Chicago.”</p>
<p>“I did not know him in Chicago.”</p>
<p>He sat himself down and ran his fingers two or three times
through his thick hair.</p>
<p>“You are rather a marvel,” he said, with a smile
that was just a little rueful. “How you get these
things sorted out amazes me. First one and then another,
you get them all straightened and leave no loose ends. No,
I never knew Calcott, though I’d heard of him. But I
had known Tulmin in Chicago. I caught him looting my
baggage—it was in the car <SPAN name="page253"></SPAN><span class="pagenum"></span>outside my house and he was just
moving off with a bag. I caught him and thrashed him and
let him go. I recognised him when I met him here, and he
knew me also. I didn’t interfere. He seemed to
be living an honest life as far as I could gather and I
didn’t want to rob the poor devil of his chance. It
was he who told me about Calcott. You see, after they
quarrelled—”</p>
<p>“Quarrelled!” I repeated.
“Did—but I must have the whole story now. There
is more in this than I thought. If there was a
quarrel—”</p>
<p>“Yes, what of it?”</p>
<p>Thoyne spoke a little impatiently as if he were tired of the
whole subject and merely wanted to bury it.</p>
<p>“Well, a quarrel—is sometimes a motive for
murder—”</p>
<p>“I always thought Tulmin did it,” he responded
quietly. “But I’ll tell you all I know and then
perhaps you can leave me alone. Damn Clevedon and damn
Tulmin. Why should I be worried about their affairs in this
fashion? I didn’t ask to be mixed up in it, did I? Of
course, I did it to help Kitty, and would do it all again, and
more for her. And all through the infernal foolery of this
secret marriage. Why couldn’t Clevedon tell his
sister he was going to be married? The whole thing’s
been <SPAN name="page254"></SPAN><span class="pagenum"></span>a
nightmare to me and I’m dead sick of it. I
didn’t murder Clevedon and I don’t know who did,
unless it was Tulmin. If you would find the assassin and
tie him up I might get some peace.”</p>
<p>“But it was you who took Tulmin away and hid him,”
I replied.</p>
<p>“Yes, I know it was—what of it?”</p>
<p>“But if you thought he was the
murderer—?”</p>
<p>“Of course I thought he was the murderer. You
don’t think I should have involved an innocent man, do
you? Yes, I persuaded Tulmin to go away in order to keep
suspicion off Billy Clevedon. Kitty was terrified and I was
a bit anxious myself.”</p>
<p>“And as to this quarrel?” I interposed.</p>
<p>“I don’t know the rights of that, except that
Tulmin had wanted more money than Clevedon was willing to
pay. Kitty had told me, you know, that Clevedon had wanted
her to marry him and that she intended to consent. We were
not formally engaged then, though it was all but fixed up between
us. But the word lay with her, of course, and I was trying
to be as philosophical as I could over my dismissal when one
night Tulmin came to me with a queer, mixed yarn, of which at
first I could make <SPAN name="page255"></SPAN><span class="pagenum">p.
255</span>nothing. ‘What have you come to me
for?’ I said. ‘I’ve come to sell you a
secret,’ he replied. My first idea was to give the
swine a good sound kicking and pack him off. ‘I could
tell you something about Sir Philip that’ll make Miss Kitty
impossible,’ he added, and at that I waited.</p>
<p>“I dare say you’ll blame me, but I don’t
pretend to be any better than anybody else, and besides,
he’d stolen her from me. So I listened. He told
me he knew something against Clevedon, who had been paying him to
keep silence. Now he wanted to go back to
America—Tulmin did, I mean—and had asked Clevedon for
a lump sum, and Clevedon had threatened to shoot him. That
is the best thing I ever heard about Clevedon. Tulmin is a
little rat, for whom shooting is a lot too good. But
Clevedon had stolen my woman and I didn’t mean to lose any
chance that came. I said he could have the money if I found
the secret worth it. He wanted it in advance, but I told
him he’d have it my way or no way. And then he told
me what Clevedon had been across the water.</p>
<p>“At first I took him to mean that Clevedon was an
impostor and had no right to the title and estates, but it seems
I was wrong there. I went off to Clevedon next day and we
had a <SPAN name="page256"></SPAN><span class="pagenum">p.
256</span>right royal rumpus about it—that was the
interview described at the inquest. I didn’t mention
Tulmin’s name—the little rat had made that a
condition. ‘You can’t deny it,’ I said to
Clevedon. ‘I come from Chicago, you know. I
recognised you months ago.’ He seemed impressed and
it was rather a good lie. ‘But I didn’t
interfere,’ I went on, ‘until you tried to steal my
woman, and we Americans are always ready to fight for our
women.’ That housekeeper woman didn’t hear all
that, apparently. Then Clevedon denied the whole story and
we began to get angry.”</p>
<p>“I see,” I interposed, “and when you said
you’d find a way of making him give Miss Clevedon up, you
meant—”</p>
<p>“I meant I would get the Chicago police on his
trail.”</p>
<p>“Did you know that Clevedon gave Tulmin a cheque for
£500 the day before the murder?”</p>
<p>“No, did he? Well, evidently Tulmin didn’t
think it enough.”</p>
<p>“What day was it Tulmin came to see you?”</p>
<p>“It was that same morning, February 23rd.”</p>
<p>“Clevedon gave Tulmin £500, which was less than
Tulmin wanted, so Tulmin double-crossed Clevedon and came to
you.”</p>
<p>“That seems like it.”</p>
<p><SPAN name="page257"></SPAN><span class="pagenum">p.
257</span>“It opens all sorts of fresh avenues,” I
remarked.</p>
<p>“Don’t say that,” Thoyne murmured, with a
groan. “I was hoping it would end the case. I
never want to be mixed up in another murder mystery. It is
the very deuce.”</p>
<p>“Suppose Clevedon, having quarrelled with Tulmin, and
knowing you also had penetrated his secret—”</p>
<p>“Do you mean it was suicide?” Thoyne cried, his
whole face lighting up. “If you could prove that I
would—I would give you a cheque for ten thousand
pounds. It would settle such a lot, wouldn’t
it? Suicide, yes, I think after all it must be
suicide.”</p>
<p>He gazed eagerly at my unresponsive face, then shrugged his
shoulders a little angrily.</p>
<p>“Yes,” I replied slowly, “but then, what of
the hatpin?”</p>
<p>His face fell at that.</p>
<p>“Clevedon certainly didn’t stab himself with a
hatpin,” I added. “But you may as well finish
the story,” I went on, “and tell me why you spirited
Tulmin away.”</p>
<p>“Oh, that’s quite simple,” he replied.
“Kitty was worried about her brother, whose absence puzzled
her, as it did the rest of us. So I offered Tulmin a job,
and he jumped at it.”</p>
<p><SPAN name="page258"></SPAN><span class="pagenum">p.
258</span>“Did you tell him—”</p>
<p>“Of course not, I’m not a fool.”</p>
<p>“And was that why you offered to buy my
house?”</p>
<p>He laughed at the recollection of that particular
interview.</p>
<p>“I dare say you thought me an awful idiot,” he
said.</p>
<p>“And now you’ve told me everything.”</p>
<p>“Yes,” he responded, “everything.”</p>
<p>The truth or otherwise of which will appear in due course.</p>
<p>On my way out old Lady Clevedon met me, grimmer and more
caustic than ever.</p>
<p>“Any discoveries, Mr. Detective?” she cried.
“But I suppose I need not ask. Have you seen the
<i>Midlington Courier</i> to-day? It has an interesting
article on the Clevedon Case—I forget how many weeks gone
and nothing done. It wants to know if the
police—”</p>
<p>“But I have nothing to do with the police,” I
interrupted smilingly.</p>
<p>Pepster, whom I found awaiting me at Stone Hollow, began on
the newspaper article as soon as we met.</p>
<p>“What do you think of that?” he cried, waving the
cutting as if it had been a flag. “Have you read
it? ‘Unfortunately, we cannot <SPAN name="page259"></SPAN><span class="pagenum">p.
259</span>congratulate the police, who seem to have been waiting,
like the famous Micawber, for something to turn up.’
What do you think of it?”</p>
<p>“Oh, newspaper writers are very fond of dragging Mr.
Micawber in,” I replied. “He is
overworked.”</p>
<p>“Damn Micawber!”</p>
<p>“Yes,” I rejoined, with a quiet laugh.
“I should feel like that if I belonged to the
police.”</p>
<p>“Well, you’re in the case, anyway,” Pepster
said tartly. “And that reminds me. I have some
news for you. At least, I think I have. But with you
one never knows. Quite likely you have it all entered up
already. Did you ever hear of Mary Grainger?”</p>
<p>“No, who is she?”</p>
<p>“Thank God, I’ve got a novelty at last.
She’s daughter to Grainger, the Midlington chemist.
Did you know he had a daughter?”</p>
<p>“No, does she live at home?”</p>
<p>“She doesn’t <i>live</i> anywhere, she’s
dead.”</p>
<p>“Yes?”</p>
<p>“Did you know that?”</p>
<p>I shook my head to express a negative.</p>
<p>“Then it really is one to me,” he said, with an
air of great satisfaction.</p>
<p>“Yes,” I agreed, “it is one to you if it
means anything. I take it there is more behind. The
<SPAN name="page260"></SPAN><span class="pagenum"></span>decease
of a young lady I never met is hardly a matter for excitement in
itself.”</p>
<p>“Yes, there is more behind,” he said slowly,
nodding his head. “There is, for instance, Nora
Lepley behind. She and Mary Grainger both attended the High
School in Midlington and have been for years inseparable
friends. Nora frequently spent weeks at a time with the
Graingers at Midlington and apparently had the run of the
shop. She goes frequently to see the old man even
now. She was there one day last week. Now
suppose—well, Nora Lepley could have got the prussic acid
that way.”</p>
<p>“It is certainly one to you,” I agreed, slowly and
thoughtfully.</p>
<p>“I have something else,” Pepster went on, taking
out his wallet.</p>
<p>“More anonymous letters?” I queried.</p>
<p>“Yes, two.”</p>
<p>He handed them across to me. One was a fragment of blue
paper, on which was printed in red ink:</p>
<blockquote><p style="text-align: center">THOYNE IS STILL AT<br/>
LIBERTY. WHY?</p>
</blockquote>
<p>The other was a picture postcard—a view of <SPAN name="page261"></SPAN><span class="pagenum"></span>the
Midlington Parish Church—and the message, in pencil,
ran:</p>
<blockquote><p style="text-align: center">WHY ARE YOU
PROTECTING<br/>
THOYNE. HAS HE PAID YOU?</p>
</blockquote>
<p>“It wasn’t sent open like that,” Pepster
explained. “It came in an envelope. It’s
a popular card, printed by the hundred and sold by every
stationer in Midlington. Somebody seems to have a rare
grudge against Thoyne.”</p>
<p>“Does he know anything of these?”</p>
<p>“I haven’t told him.”</p>
<p>“Nor of the others?”</p>
<p>“No”</p>
<p>“It might be a good idea—just to see how he took
it.”</p>
<p>“If there was anything in them it might put him on his
guard.”</p>
<p>I did not press the matter further just then, though I could
not help wondering what story there was behind this queer
series.</p>
<p>“Put a personal in the <i>Courier</i>,” I
suggested, “inviting the writer of communications to the
Peakborough police to send his address confidentially.”</p>
<p>“I did.”</p>
<p>“No result?”</p>
<p><SPAN name="page262"></SPAN><span class="pagenum">p.
262</span>“A personal in reply which ran, ‘Take him
first and then I will.’ You know he said in one of
the other letters that if we would arrest Thoyne he would supply
the evidence.”</p>
<p>“No, you can’t do that,” I agreed.
“And now,” I added, “if you’ll sit still
and not interrupt I’ll tell you a long story.”</p>
<p>And I proceeded to recount the past history of Sir Philip
Clevedon and Tulmin, and Thoyne’s connection with it.
Pepster heard me to the end in silence.</p>
<p>“This case,” he said, when I had finished,
“is the very devil. I’m half inclined to think
Tulmin did it after all. At any rate there are three of
them in it—Tulmin, Thoyne and Nora Lepley, but which is
which—or are they all three in it?”</p>
<p>It was a possibility that had occurred to me more than
once.</p>
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