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<h2> CHAPTER VIII. KAFFEE AND KAFFEEKUCHEN </h2>
<p>I have visited Baumbach's. I have heard Milwaukee drinking its afternoon
Kaffee.</p>
<p>O Baumbach's, with your deliciously crumbling butter cookies and your
kaffee kuchen, and your thick cream, and your thicker waitresses and your
cockroaches, and your dinginess and your dowdy German ladies and your
black, black Kaffee, where in this country is there another like you!</p>
<p>Blackie, true to his promise, had hailed me from the doorway on the
afternoon of the following day. In the rush of the day's work I had quite
forgotten about Blackie and Baumbach's.</p>
<p>"Come, Kindchen!" he called. "Get your bonnet on. We will by Baumbach's
go, no?"</p>
<p>Ruefully I gazed at the grimy cuffs of my blouse, and felt of my
dishevelled hair. "Oh, I'm afraid I can't go. I look so mussy. Haven't had
time to brush up."</p>
<p>"Brush up!" scoffed Blackie, "the only thing about you that will need
brushin' up is your German. I was goin' t' warn you to rumple up your hair
a little so you wouldn't feel overdressed w'en you got there. Come on,
girl."</p>
<p>And so I came. And oh, I'm so glad I came!</p>
<p>I must have passed it a dozen times without once noticing it—just a
dingy little black shop nestling between two taller buildings, almost
within the shadow of the city hall. Over the sidewalk swung a shabby black
sign with gilt letters that spelled, "Franz Baumbach."</p>
<p>Blackie waved an introductory hand in the direction of the sign. "There he
is. That's all you'll ever see of him."</p>
<p>"Dead?" asked I, regretfully, as we entered the narrow doorway.</p>
<p>"No; down in the basement baking Kaffeekuchen."</p>
<p>Two tiny show-windows faced the street—such queer, old-fashioned
windows in these days of plate glass. At the back they were quite open to
the shop, and in one of them reposed a huge, white, immovable structure—a
majestic, heavy, nutty, surely indigestible birthday cake. Around its edge
were flutings and scrolls of white icing, and on its broad breast reposed
cherries, and stout butterflies of jelly, and cunning traceries of colored
sugar. It was quite the dressiest cake I had ever beheld. Surely no human
hand could be wanton enough to guide a knife through all that
magnificence. But in the center of all this splendor was an inscription in
heavy white letters of icing: "Charlottens Geburtstag."</p>
<p>Reluctantly I tore my gaze from this imposing example of the German
confectioner's art, for Blackie was tugging impatiently at my sleeve.</p>
<p>"But Blackie," I marveled, "do you honestly suppose that that structure is
intended for some Charlotte's birthday?"</p>
<p>"In Milwaukee," explained Blackie, "w'en you got a birthday you got t'
have a geburtstag cake, with your name on it, and all the cousins and
aunts and members of the North Side Frauen Turner Verein Gesellchaft, in
for the day. It ain't considered decent if you don't. Are you ready to
fight your way into the main tent?"</p>
<p>It was holiday time, and the single narrow aisle of the front shop was
crowded. It was not easy to elbow one's way through the packed little
space. Men and women were ordering recklessly of the cakes of every
description that were heaped in cases and on shelves.</p>
<p>Cakes! What a pale; dry name to apply to those crumbling, melting,
indigestible German confections! Blackie grinned with enjoyment while I
gazed. There were cakes the like of which I had never seen and of which I
did not even know the names. There were little round cup cakes made of
almond paste that melts in the mouth; there were Schnecken glazed with a
delicious candied brown sugar; there were Bismarcks composed of layer upon
layer of flaky crust inlaid with an oozy custard that evades the eager
consumer at the first bite, and that slides down one's collar when chased
with a pursuing tongue. There were Pfeffernusse; there, were Lebkuchen;
there were cheese-kuchen; plum-kuchen, peach-kuchen, Apfelkuchen, the
juicy fruit stuck thickly into the crust, the whole dusted over with
powdered sugar. There were Torten, and Hornchen, and butter cookies.</p>
<p>Blackie touched my arm, and I tore my gaze from a cherry-studded
Schaumtorte that was being reverently packed for delivery.</p>
<p>"My, what a greedy girl! Now get your mind all made up. This is your
chance. You know you're supposed t' take a slant at th' things an' make up
your mind w'at you want before you go back w'ere th' tables are. Don't
fumble this thing. When Olga or Minna comes waddlin' up t' you an' says:
'Nu, Fraulein?' you gotta tell her whether your heart says plum-kuchen
oder Nusstorte, or both, see? Just like that. Now make up your mind. I'd
hate t' have you blunder. Have you decided?"</p>
<p>"Decided! How can I?" I moaned, watching a black-haired, black-eyed
Alsatian girl behind the counter as she rolled a piece of white paper into
a cone and dipped a spoonful of whipped cream from a great brown bowl
heaped high with the snowy stuff. She filled the paper cone, inserted the
point of it into one end of a hollow pastry horn, and gently squeezed.
Presto! A cream-filled Hornchen!</p>
<p>"Oh, Blackie!" I gasped. "Come on. I want to go in and eat."</p>
<p>As we elbowed our way to the rear room separated from the front shop only
by a flimsy wooden partition, I expected I know not what.</p>
<p>But surely this was not Blackie's much-vaunted Baumbach's! This long,
narrow, dingy room, with its bare floor and its iron-legged tables whose
bare marble tops were yellow with age and use! I said nothing as we seated
ourselves. Blackie was watching me out of the tail of his eye. My glance
wandered about the shabby, smoke-filled room, and slowly and surely the
charm of that fusty, dingy little cafe came upon me.</p>
<p>A huge stove glowed red in one corner. On the wall behind the stove was
suspended a wooden rack, black with age, its compartments holding German,
Austrian and Hungarian newspapers. Against the opposite wall stood an
ancient walnut mirror, and above it hung a colored print of Bismarck,
helmeted, uniformed, and fiercely mustached. The clumsy iron-legged tables
stood in two solemn rows down the length of the narrow room. Three or four
stout, blond girls plodded back and forth, from tables to front shop,
bearing trays of cakes and steaming cups of coffee. There was a rumble and
clatter of German. Every one seemed to know every one else. A game of
chess was in progress at one table, and between moves each contestant
would refresh himself with a long-drawn, sibilant mouthful of coffee.
There was nothing about the place or its occupants to remind one of
America. This dim, smoky, cake-scented cafe was Germany.</p>
<p>"Time!" said Blackie. "Here comes Rosie to take our order. You can take
your choice of coffee or chocolate. That's as fancy as they get here."</p>
<p>An expansive blond girl paused at our table smiling a broad welcome at
Blackie.</p>
<p>"Wie geht's, Roschen?" he greeted her. Roschen's smile became still more
pervasive, so that her blue eyes disappeared in creases of good humor. She
wiped the marble table top with a large and careless gesture that
precipitated stray crumbs into our laps. "Gut!" murmured she, coyly, and
leaned one hand on a portly hip in an attitude of waiting.</p>
<p>"Coffee?" asked Blackie, turning to me. I nodded.</p>
<p>"Zweimal Kaffee?" beamed Roschen, grasping the idea.</p>
<p>"Now's your time to speak up," urged Blackie. "Go ahead an' order all the
cream gefillte things that looked good to you out in front."</p>
<p>But I leaned forward, lowering my voice discreetly. "Blackie, before I
plunge in too recklessly, tell me, are their prices very—"</p>
<p>"Sa-a-ay, child, you just can't spend half a dollar here if you try. The
flossiest kind of thing they got is only ten cents a order. They'll
smother you in whipped cream f'r a quarter. You c'n come in here an' eat
an' eat an' put away piles of cakes till you feel like a combination of
Little Jack Horner an' old Doc Johnson. An' w'en you're all through, they
hand yuh your check, an', say—it says forty-five cents. You can't
beat it, so wade right in an' spoil your complexion."</p>
<p>With enthusiasm I turned upon the patient Rosie. "O, bring me some of
those cunning little round things with the cream on 'em, you know—two
of those, eh Blackie? And a couple of those with the flaky crust and the
custard between, and a slice of that fluffy-looking cake and some of those
funny cocked-hat shaped cookies—"</p>
<p>But a pall of bewilderment was slowly settling over Rosie's erstwhile
smiling face. Her plump shoulders went up in a helpless shrug, and she
turned her round blue eyes appealingly to Blackie.</p>
<p>"Was meint sie alles?" she asked.</p>
<p>So I began all over again, with the assistance of Blackie. We went into
minute detail. We made elaborate gestures. We drew pictures of our desired
goodies on the marble-topped table, using a soft-lead pencil. Rosie's
countenance wore a distracted look. In desperation I was about to
accompany her to the crowded shop, there to point out my chosen dainties
when suddenly, as they would put it here, a light went her over.</p>
<p>"Ach, yes-s-s-s! Sie wollten vielleicht abgeruhrter Gugelhopf haben, und
auch Schaumtorte, und Bismarcks, und Hornchen mit cream gefullt, nicht?"</p>
<p>"Certainly," I murmured, quite crushed. Roschen waddled merrily off to the
shop.</p>
<p>Blackie was rolling a cigarette. He ran his funny little red tongue along
the edge of the paper and glanced up at me in glee. "Don't bother about
me," he generously observed. "Just set still and let the atmosphere soak
in."</p>
<p>But already I was lost in contemplation of a red-faced, pompadoured German
who was drinking coffee and reading the Fliegende Blatter at a table just
across the way. There were counterparts of my aborigines at Knapf's—thick
spectacled engineers with high foreheads—actors and actresses from
the German stock company—reporters from the English and German
newspapers—business men with comfortable German consciences—long-haired
musicians—dapper young lawyers—a giggling group of college
girls and boys—a couple of smartly dressed women nibbling
appreciatively at slices of Nusstorte—low-voiced lovers whose coffee
cups stood untouched at their elbows, while no fragrant cloud of steam
rose to indicate that there was warmth within. Their glances grow warmer
as the neglected Kaffee grows colder. The color comes and goes in the
girl's face and I watch it, a bit enviously, marveling that the old story
still should be so new.</p>
<p>At a large square table near the doorway a group of eight men were
absorbed in an animated political discussion, accompanied by much waving
of arms, and thundering of gutturals. It appeared to be a table of
importance, for the high-backed bench that ran along one side was
upholstered in worn red velvet, and every newcomer paused a moment to nod
or to say a word in greeting. It was not of American politics that they
talked, but of the politics of Austria and Hungary. Finally the argument
resolved itself into a duel of words between a handsome, red-faced German
whose rosy skin seemed to take on a deeper tone in contrast to the
whiteness of his hair and mustache, and a swarthy young fellow whose thick
spectacles and heavy mane of black hair gave him the look of a caricature
out of an illustrated German weekly. The red-faced man argued loudly, with
much rapping of bare knuckles on the table top. But the dark man spoke
seldom, and softly, with a little twisted half-smile on his lips; and
whenever he spoke the red-faced man grew redder, and there came a huge
laugh from the others who sat listening.</p>
<p>"Say, wouldn't it curdle your English?" Blackie laughed.</p>
<p>Solemnly I turned to him. "Blackie Griffith, these people do not even
realize that there is anything unusual about this."</p>
<p>"Sure not; that's the beauty of it. They don't need to make no artificial
atmosphere for this place; it just grows wild, like dandelions. Everybody
comes here for their coffee because their aunts an' uncles and
Grossmutters and Grosspapas used t' come, and come yet, if they're livin'!
An', after all, what is it but a little German bakery?"</p>
<p>"But O, wise Herr Baumbach down in the kitchen! O, subtle Frau Baumbach
back of the desk!" said I. "Others may fit their shops with mirrors, and
cut-glass chandeliers and Oriental rugs and mahogany, but you sit serenely
by, and you smile, and you change nothing. You let the brown walls grow
dimmer with age; you see the marble-topped tables turning yellow; you
leave bare your wooden floor, and you smile, and smile, and smile."</p>
<p>"Fine!" applauded Blackie. "You're on. And here comes Rosie."</p>
<p>Rosie, the radiant, placed on the table cups and saucers of an
unbelievable thickness. She set them down on the marble surface with a
crash as one who knows well that no mere marble or granite could shatter
the solidity of those stout earthenware receptacles. Napkins there were
none. I was to learn that fingers were rid of any clinging remnants of
cream or crumb by the simple expedient of licking them.</p>
<p>Blackie emptied his pitcher of cream into his cup of black, black coffee,
sugared it, stirred, tasted, and then, with a wicked gleam in his black
eyes he lifted the heavy cup to his lips and took a long, gurgling
mouthful.</p>
<p>"Blackie," I hissed, "if you do that again I shall refuse to speak to
you!"</p>
<p>"Do what?" demanded he, all injured innocence.</p>
<p>"Snuffle up your coffee like that."</p>
<p>"Why, girl, that's th' proper way t' drink coffee here. Listen t'
everybody else." And while I glared he wrapped his hand lovingly about his
cup, holding the spoon imprisoned between first and second fingers, and
took another sibilant mouthful. "Any more of your back talk and I'll drink
it out of m' saucer an' blow on it like the hefty party over there in the
earrings is doin'. Calm yerself an' try a Bismarck."</p>
<p>I picked up one of the flaky confections and eyed it in despair. There
were no plates except that on which the cakes reposed.</p>
<p>"How does one eat them?" I inquired.</p>
<p>"Yuh don't really eat 'em. The motion is more like inhalin'. T' eat 'em
successful you really ought t' get into a bath-tub half-filled with water,
because as soon's you bite in at one end w'y the custard stuff slides out
at the other, an' no human mouth c'n be two places at oncet. Shut your
eyes girl, an' just wade in."</p>
<p>I waded. In silence I took a deep delicious bite, nimbly chased the coy
filling around a corner with my tongue, devoured every bit down to the
last crumb and licked the stickiness off my fingers. Then I investigated
the interior of the next cake.</p>
<p>"I'm coming here every day," I announced.</p>
<p>"Better not. Ruin your complexion and turn all your lines into bumps. Look
at the dame with the earrings. I've been keepin' count an' I've seen her
eat three Schnecken, two cream puffs, a Nusshornchen and a slice of Torte
with two cups of coffee. Ain't she a horrible example! And yet she's got
th' nerve t' wear a princess gown!"</p>
<p>"I don't care," I replied, recklessly, my voice choked with whipped cream
and butteriness. "I can just feel myself getting greasy. Haven't I done
beautifully for a new hand? Now tell me about some of these people. Who is
the funny little man in the checked suit with the black braid trimming,
and the green cravat, and the white spats, and the tan hat and the
eyeglasses?"</p>
<p>"Ain't them th' dizzy habiliments?" A note of envy crept into Blackie's
voice. "His name is Hugo Luders. Used t' be a reporter on the Germania,
but he's reformed and gone into advertisin', where there's real money.
Some say he wears them clo'es on a bet, and some say his taste in dress is
a curse descended upon him from Joseph, the guy with the fancy coat, but I
think he wears'em because he fancies 'em. He's been coming here ever'
afternoon for twelve years, has a cup of coffee, game of chess, and a
pow-wow with a bunch of cronies. If Baumbach's ever decide to paint the
front of their shop or put in cut glass fixtures and handpainted china,
Hugo Luders would serve an injunction on 'em. Next!"</p>
<p>"Who's the woman with the leathery complexion and the belt to match, and
the untidy hair and the big feet? I like her face. And why does she sit at
a table with all those strange-looking men? And who are all the men? And
who is the fur-lined grand opera tenor just coming in—Oh!"</p>
<p>Blackie glanced over his shoulder just as the tall man in the doorway
turned his face toward us. "That? Why, girl, that's Von Gerhard, the man
who gives me one more year t' live. Look at everybody kowtowing to him. He
don't favor Baumbach's often. Too busy patching up the nervous wrecks that
are washed up on his shores."</p>
<p>The tall figure in the doorway was glancing from table to table, nodding
here and there to an acquaintance. His eyes traveled the length of the
room. Now they were nearing us. I felt a sudden, inexplicable tightening
at heart and throat, as though fingers were clutching there. Then his eyes
met mine, and I felt the blood rushing to my face as he came swiftly over
to our table and took my hand in his.</p>
<p>"So you have discovered Baumbach's," he said. "May I have my coffee and
cigar here with you?"</p>
<p>"Blackie here is responsible for my being initiated into the sticky
mysteries of Baumbach's. I never should have discovered it if he had not
offered to act as personal conductor. You know one another, I believe?"</p>
<p>The two men shook hands across the table. There was something forced and
graceless about the act. Blackie eyed Von Gerhard through a misty curtain
of cigarette smoke. Von Gerhard gazed at Blackie through narrowed lids as
he lighted his cigar. "I'm th' gink you killed off two or three years
back," Blackie explained.</p>
<p>"I remember you perfectly," Von Gerhard returned, courteously. "I rejoice
to see that I was mistaken."</p>
<p>"Well," drawled Blackie, a wicked gleam in his black eyes, "I'm some
rejoiced m'self, old top. Angel wings and a white kimono, worn bare-footy,
would go some rotten with my Spanish style of beauty, what? Didn't know
that you and m'dame friend here was acquainted. Known each other long?"</p>
<p>I felt myself flushing again.</p>
<p>"I knew Dr. von Gerhard back home. I've scarcely seen him since I have
been here. Famous specialists can't be bothered with middle-aged relatives
of their college friends, can they, Herr Doktor?"</p>
<p>And now it was Von Gerhard's face that flushed a deep and painful crimson.
He looked at me, in silence, and I felt very little, and insignificant,
and much like an impudent child who has stuck out its tongue at its
elders. Silent men always affect talkative women in that way.</p>
<p>"You know that what you say is not true," he said, slowly.</p>
<p>"Well, we won't quibble. We—we were just about to leave, weren't we
Blackie?"</p>
<p>"Just," said Blackie, rising. "Sorry t' see you drinkin' Baumbach's
coffee, Doc. It ain't fair t' your patients."</p>
<p>"Quite right," replied Von Gerhard; and rose with us. "I shall not drink
it. I shall walk home with Mrs. Orme instead, if she will allow me. That
will be more stimulating than coffee, and twice as dangerous, perhaps, but—"</p>
<p>"You know how I hate that sort of thing," I said, coldly, as we passed
from the warmth of the little front shop where the plump girls were still
filling pasteboard boxes with holiday cakes, to the brisk chill of the
winter street. The little black-and-gilt sign swung and creaked in the
wind. Whimsically, and with the memory of that last cream-filled cake
fresh in my mind, I saluted the letters that spelled "Franz Baumbach."</p>
<p>Blackie chuckled impishly. "Just the same, try a pinch of soda bicarb'nate
when you get home, Dawn," he advised. "Well, I'm off to the factory again.
Got t' make up for time wasted on m' lady friend. Auf wiedersehen!"</p>
<p>And the little figure in the checked top-coat trotted off.</p>
<p>"But he called you—Dawn," broke from Von Gerhard.</p>
<p>"Mhum," I agreed. "My name's Dawn."</p>
<p>"Surely not to him. You have known him but a few weeks. I would not have
presumed—"</p>
<p>"Blackie never presumes," I laughed. "Blackie's just—Blackie.
Imagine taking offense at him! He knows every one by their given name,
from Jo, the boss of the pressroom, to the Chief, who imports his office
coats from London. Besides, Blackie and I are newspaper men. And people
don't scrape and bow in a newspaper office—especially when they're
fond of one another. You wouldn't understand."</p>
<p>As I looked at Von Gerhard in the light of the street lamp I saw a tense,
drawn look about the little group of muscles which show when the teeth are
set hard. When he spoke those muscles had relaxed but little.</p>
<p>"One man does not talk ill of another. But this is different. I want to
ask you—do you know what manner of man this—this Blackie is? I
ask you because I would have you safe and sheltered always from such as he—because
I—"</p>
<p>"Safe! From Blackie? Now listen. There never was a safer, saner, truer,
more generous friend. Oh, I know what his life has been. But what else
could it have been, beginning as he did? I have no wish to reform him. I
tried my hand at reforming one man, and made a glorious mess of it. So
I'll just take Blackie as he is, if you please—slang, wickedness,
pink shirt, red necktie, diamond rings and all. If there's any bad in him,
we all know it, for it's right down on the table, face up. You're just
angry because he called you Doc."</p>
<p>"Small one," said Von Gerhard, in his quaint German idiom, "we will not
quarrel, you and I. If I have been neglectful it was because edged tools
were never a chosen plaything of mine. Perhaps your little Blackie
realizes that he need have no fear of such things, for the Great Fear is
upon him."</p>
<p>"The Great Fear! You mean!—"</p>
<p>"I mean that there are too many fine little lines radiating from the
corners of the sunken eyes, and that his hand-clasp leaves a moisture in
the palm. Ach! you may laugh. Come, we will change the subject to
something more cheerful, yes? Tell me, how grows the book?"</p>
<p>"By inches. After working all day on a bulletin paper whose city editor is
constantly shouting: 'Boil it now, fellows! Keep it down! We're crowded!'
it is too much of a wrench to find myself seated calmly before my own
typewriter at night, privileged to write one hundred thousand words if I
choose. I can't get over the habit of crowding the story all into the
first paragraph. Whenever I flower into a descriptive passage I glance
nervously over my shoulder, expecting to find Norberg stationed behind me,
scissors and blue pencil in hand. Consequently the book, thus far, sounds
very much like a police reporter's story of a fire four minutes before the
paper is due to go to press."</p>
<p>Von Gerhard's face was unsmiling. "So," he said, slowly. "You burn the
candle at both ends. All day you write, is it not so? And at night you
come home to write still more? Ach, Kindchen!—Na, we shall change
all that. We will be better comrades, we two, yes? You remember that gay
little walk of last autumn, when we explored the Michigan country lane at
dusk? I shall be your Sunday Schatz, and there shall be more rambles like
that one, to bring the roses into your cheeks. We shall be good Kameraden,
as you and this little Griffith are—what is it they say—good
fellows? That is it—good fellows, yes? So, shall we shake hands on
it?"</p>
<p>But I snatched my hand away. "I don't want to be a good fellow," I cried.
"I'm tired of being a good fellow. I've been a good fellow for years and
years, while every other married woman in the world has been happy in her
own home, bringing up her babies. When I am old I want some sons to worry
me, too, and to stay awake nights for, and some daughters to keep me
young, and to prevent me from doing my hair in a knob and wearing bonnets!
I hate good-fellow women, and so do you, and so does every one else! I—I—"</p>
<p>"Dawn!" cried Von Gerhard. But I ran up the steps and into the house and
slammed the door behind me, leaving him standing there.</p>
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