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<br/>At length it was the eve of Old Lady-Day, and the
agricultural world was in a fever of mobility such as
only occurs at that particular date of the year. It is
a day of fulfilment; agreements for outdoor service
during the ensuing year, entered into at Candlemas, are
to be now carried out. The labourers—or "work-folk",
as they used to call themselves immemorially till the
other word was introduced from without—who wish to
remain no longer in old places are removing to the new
farms.
<br/>These annual migrations from farm to farm were on the
increase here. When Tess's mother was a child the
majority of the field-folk about Marlott had remained
all their lives on one farm, which had been the home
also of their fathers and grandfathers; but latterly
the desire for yearly removal had risen to a high
pitch. With the younger families it was a pleasant
excitement which might possibly be an advantage. The
Egypt of one family was the Land of Promise to the
family who saw it from a distance, till by residence
there it became it turn their Egypt also; and so they
changed and changed.
<br/>However, all the mutations so increasingly discernible
in village life did not originate entirely in the
agricultural unrest. A depopulation was also going on.
The village had formerly contained, side by side with
the argicultural labourers, an interesting and
better-informed class, ranking distinctly above the
former—the class to which Tess's father and mother had
belonged—and including the carpenter, the smith, the
shoemaker, the huckster, together with nondescript
workers other than farm-labourers; a set of people who
owed a certain stability of aim and conduct to the fact
of their being lifeholders like Tess's father, or
copyholders, or occasionally, small freeholders. But
as the long holdings fell in, they were seldom again let
to similar tenants, and were mostly pulled down, if not
absolutely required by the farmer for his hands.
Cottagers who were not directly employed on the land
were looked upon with disfavour, and the banishment of
some starved the trade of others, who were thus obliged
to follow. These families, who had formed the backbone
of the village life in the past, who were the
depositaries of the village traditions, had to seek
refuge in the large centres; the process, humorously
designated by statisticians as "the tendency of the
rural population towards the large towns", being really
the tendency of water to flow uphill when forced by
machinery.
<br/>The cottage accommodation at Marlott having been in
this manner considerably curtailed by demolitions,
every house which remained standing was required by the
agriculturist for his work-people. Ever since the
occurrence of the event which had cast such a shadow
over Tess's life, the Durbeyfield family (whose descent
was not credited) had been tacitly looked on as one
which would have to go when their lease ended, if only
in the interests of morality. It was, indeed, quite
true that the household had not been shining examples
either of temperance, soberness, or chastity. The
father, and even the mother, had got drunk at times,
the younger children seldom had gone to church, and the
eldest daughter had made queer unions. By some means
the village had to be kept pure. So on this, the first
Lady-Day on which the Durbeyfields were expellable, the
house, being roomy, was required for a carter with a
large family; and Widow Joan, her daughters Tess and
'Liza-Lu, the boy Abraham, and the younger children had
to go elsewhere.
<br/>On the evening preceding their removal it was getting
dark betimes by reason of a drizzling rain which
blurred the sky. As it was the last night they would
spend in the village which had been their home and
birthplace, Mrs Durbeyfield, 'Liza-Lu, and Abraham had
gone out to bid some friends goodbye, and Tess was
keeping house till they should return.
<br/>She was kneeling in the window-bench, her face close to
the casement, where an outer pane of rain-water was
sliding down the inner pane of glass. Her eyes rested
on the web of a spider, probably starved long ago,
which had been mistakenly placed in a corner where no
flies ever came, and shivered in the slight draught
through the casement. Tess was reflecting on the
position of the household, in which she perceived her
own evil influence. Had she not come home, her mother
and the children might probably have been allowed to
stay on as weekly tenants. But she had been observed
almost immediately on her return by some people of
scrupulous character and great influence: they had seen
her idling in the churchyard, restoring as well as she
could with a little trowel a baby's obliterated grave.
By this means they had found that she was living here
again; her mother was scolded for "harbouring" her;
sharp retorts had ensued from Joan, who had
independently offered to leave at once; she had been
taken at her word; and here was the result.
<br/>"I ought never to have come home," said Tess to
herself, bitterly.
<br/>She was so intent upon these thoughts that she hardly
at first took note of a man in a white mackintosh whom
she saw riding down the street. Possibly it was owing
to her face being near to the pane that he saw her so
quickly, and directed his horse so close to the
cottage-front that his hoofs were almost upon the
narrow border for plants growing under the wall. It
was not till he touched the window with his riding-crop
that she observed him. The rain had nearly ceased, and
she opened the casement in obedience to his gesture.
<br/>"Didn't you see me?" asked d'Urberville.
<br/>"I was not attending," she said. "I heard you, I
believe, though I fancied it was a carriage and horses.
I was in a sort of dream."
<br/>"Ah! you heard the d'Urberville Coach, perhaps.
You know the legend, I suppose?"
<br/>"No. My—somebody was going to tell it me once, but
didn't."
<br/>"If you are a genuine d'Urberville I ought not to tell
you either, I suppose. As for me, I'm a sham one, so
it doesn't matter. It is rather dismal. It is that
this sound of a non-existent coach can only be heard
by one of d'Urberville blood, and it is held to be of
ill-omen to the one who hears it. It has to do with a
murder, committed by one of the family, centuries ago."
<br/>"Now you have begun it, finish it."
<br/>"Very well. One of the family is said to have abducted
some beautiful woman, who tried to escape from the
coach in which he was carrying her off, and in the
struggle he killed her—or she killed him—I forget
which. Such is one version of the tale… I see that
your tubs and buckets are packed. Going away, aren't
you?"
<br/>"Yes, to-morrow—Old Lady Day."
<br/>"I heard you were, but could hardly believe it; it
seems so sudden. Why is it?"
<br/>"Father's was the last life on the property, and when
that dropped we had no further right to stay. Though
we might, perhaps, have stayed as weekly tenants—if it
had not been for me."
<br/>"What about you?"
<br/>"I am not a—proper woman."
<br/>D'Urberville's face flushed.
<br/>"What a blasted shame! Miserable snobs! May their
dirty souls be burnt to cinders!" he exclaimed in tones
of ironic resentment. "That's why you are going, is it?
Turned out?"
<br/>"We are not turned out exactly; but as they said we
should have to go soon, it was best to go now everybody
was moving, because there are better chances."
<br/>"Where are you going to?"
<br/>"Kingsbere. We have taken rooms there. Mother is so
foolish about father's people that she will go there."
<br/>"But your mother's family are not fit for lodgings, and
in a little hole of a town like that. Now why not come
to my garden-house at Trantridge? There are hardly
any poultry now, since my mother's death; but there's
the house, as you know it, and the garden. It can be
whitewashed in a day, and your mother can live there
quite comfortably; and I will put the children to a
good school. Really I ought to do something for you!"
<br/>"But we have already taken the rooms at Kingsbere!" she
declared. "And we can wait there—"
<br/>"Wait—what for? For that nice husband, no doubt. Now
look here, Tess, I know what men are, and, bearing in
mind the <i>grounds</i> of your separation, I am quite
positive he will never make it up with you. Now,
though I have been your enemy, I am your friend, even
if you won't believe it. Come to this cottage of mine.
We'll get up a regular colony of fowls, and your mother
can attend to them excellently; and the children can go
to school."
<br/>Tess breathed more and more quickly, and at length she
said—
<br/>"How do I know that you would do all this? Your views
may change—and then—we should be—my mother would
be—homeless again."
<br/>"O no—no. I would guarantee you against such as
that in writing, if necessary. Think it over."
<br/>Tess shook her head. But d'Urberville persisted; she
had seldom seen him so determined; he would not take a
negative.
<br/>"Please just tell your mother," he said, in emphatic
tones. "It is her business to judge—not yours. I
shall get the house swept out and whitened to-morrow
morning, and fires lit; and it will be dry by the
evening, so that you can come straight there. Now
mind, I shall expect you."
<br/>Tess again shook her head, her throat swelling with
complicated emotion. She could not look up at
d'Urberville.
<br/>"I owe you something for the past, you know," he
resumed. "And you cured me, too, of that craze; so I
am glad—"
<br/>"I would rather you had kept the craze, so that you had
kept the practice which went with it!"
<br/>"I am glad of this opportunity of repaying you a
little. To-morrow I shall expect to hear your mother's
goods unloading… Give me your hand on it now—dear,
beautiful Tess!"
<br/>With the last sentence he had dropped his voice to a
murmur, and put his hand in at the half-open casement.
With stormy eyes she pulled the stay-bar quickly, and,
in doing so, caught his arm between the casement and
the stone mullion.
<br/>"Damnation—you are very cruel!" he said, snatching out
his arm. "No, no!—I know you didn't do it on purpose.
Well I shall expect you, or your mother and children at
least."
<br/>"I shall not come—I have plenty of money!" she cried.
<br/>"Where?"
<br/>"At my father-in-law's, if I ask for it."
<br/>"<i>If</i> you ask for it. But you won't, Tess; I know
you; you'll never ask for it—you'll starve first!"
<br/>With these words he rode off. Just at the corner of
the street he met the man with the paint-pot, who asked
him if he had deserted the brethren.
<br/>"You go to the devil!" said d'Urberville.
<br/>Tess remained where she was a long while, till a sudden
rebellious sense of injustice caused the region of her
eyes to swell with the rush of hot tears thither. Her
husband, Angel Clare himself, had, like others, dealt
out hard measure to her; surely he had! She had never
before admitted such a thought; but he had surely!
Never in her life—she could swear it from the bottom
of her soul—had she ever intended to do wrong; yet
these hard judgements had come. Whatever her sins,
they were not sins of intention, but of inadvertence,
and why should she have been punished so persistently?
<br/>She passionately seized the first piece of paper that
came to hand, and scribbled the following lines:
<br/><br/><br/>
<blockquote><blockquote>
<br/>O why have you treated me so monstrously, Angel! I do
not deserve it. I have thought it all over carefully,
and I can never, never forgive you! You know that I
did not intend to wrong you—why have you so wronged
me? You are cruel, cruel indeed! I will try to forget
you. It is all injustice I have received at your
hands!<br/>
T.<br/>
</blockquote></blockquote>
<br/>
<br/>She watched till the postman passed by, ran out to him
with her epistle, and then again took her listless
place inside the window-panes.
<br/>It was just as well to write like that as to write
tenderly. How could he give way to entreaty? The
facts had not changed: there was no new event to alter
his opinion.
<br/>It grew darker, the fire-light shining over the room.
The two biggest of the younger children had gone out
with their mother; the four smallest, their ages
ranging from three-and-a-half years to eleven, all in
black frocks, were gathered round the hearth babbling
their own little subjects. Tess at length joined them,
without lighting a candle.
<br/>"This is the last night that we shall sleep here,
dears, in the house where we were born," she said
quickly. "We ought to think of it, oughtn't we?"
<br/>They all became silent; with the impressibility of
their age they were ready to burst into tears at the
picture of finality she had conjured up, though all the
day hitherto they had been rejoicing in the idea of a
new place. Tess changed the subject.
<br/>"Sing to me, dears," she said.
<br/>"What shall we sing?"
<br/>"Anything you know; I don't mind."
<br/>There was a momentary pause; it was broken, first,
in one little tentative note; then a second voice
strengthened it, and a third and a fourth chimed in
unison, with words they had learnt at the
Sunday-school—
<br/><br/><br/>
<blockquote><blockquote>
Here we suffer grief and pain,<br/>
Here we meet to part again;<br/>
In Heaven we part no more.<br/>
</blockquote></blockquote>
<br/>
<br/>The four sang on with the phlegmatic passivity of
persons who had long ago settled the question, and
there being no mistake about it, felt that further
thought was not required. With features strained hard
to enunciate the syllables they continued to regard the
centre of the flickering fire, the notes of the
youngest straying over into the pauses of the rest.
<br/>Tess turned from them, and went to the window again.
Darkness had now fallen without, but she put her face
to the pane as though to peer into the gloom. It was
really to hide her tears. If she could only believe
what the children were singing; if she were only sure,
how different all would now be; how confidently she
would leave them to Providence and their future
kingdom! But, in default of that, it behoved her to do
something; to be their Providence; for to Tess, as to
not a few millions of others, there was ghastly satire
in the poet's lines—
<br/><br/><br/>
<blockquote><blockquote>
Not in utter nakedness<br/>
But trailing clouds of glory do we come.<br/>
</blockquote></blockquote>
<br/>
<br/>To her and her like, birth itself was an ordeal of
degrading personal compulsion, whose gratuitousness
nothing in the result seemed to justify, and at best
could only palliate.
<br/>In the shades of the wet road she soon discerned her
mother with tall 'Liza-Lu and Abraham. Mrs
Durbeyfield's pattens clicked up to the door, and Tess
opened it.
<br/>"I see the tracks of a horse outside the window," said
Joan. "Hev somebody called?"
<br/>"No," said Tess.
<br/>The children by the fire looked gravely at her, and one
murmured—
<br/>"Why, Tess, the gentleman a-horseback!"
<br/>"He didn't call," said Tess. "He spoke to me in
passing."
<br/>"Who was the gentleman?" asked the mother. "Your husband?"
<br/>"No. He'll never, never come," answered Tess in stony
hopelessness.
<br/>"Then who was it?"
<br/>"Oh, you needn't ask. You've seen him before, and so
have I."
<br/>"Ah! What did he say?" said Joan curiously.
<br/>"I will tell you when we are settled in our lodging at
Kingsbere to-morrow—every word."
<br/>It was not her husband, she had said. Yet a
consciousness that in a physical sense this man alone
was her husband seemed to weigh on her more and more.
<br/>
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