<h2>CHAPTER XIX</h2>
<p>The library looked tranquil enough as I entered it, and the
Sibyl—if Sibyl she were—was seated snugly enough in
an easy-chair at the chimney-corner. She had on a red cloak
and a black bonnet: or rather, a broad-brimmed gipsy hat, tied
down with a striped handkerchief under her chin. An
extinguished candle stood on the table; she was bending over the
fire, and seemed reading in a little black book, like a
prayer-book, by the light of the blaze: she muttered the words to
herself, as most old women do, while she read; she did not desist
immediately on my entrance: it appeared she wished to finish a
paragraph.</p>
<p>I stood on the rug and warmed my hands, which were rather cold
with sitting at a distance from the drawing-room fire. I
felt now as composed as ever I did in my life: there was nothing
indeed in the gipsy’s appearance to trouble one’s
calm. She shut her book and slowly looked up; her hat-brim
partially shaded her face, yet I could see, as she raised it,
that it was a strange one. It looked all brown and black:
elf-locks bristled out from beneath a white band which passed
under her chin, and came half over her cheeks, or rather jaws:
her eye confronted me at once, with a bold and direct gaze.</p>
<p>“Well, and you want your fortune told?” she said,
in a voice as decided as her glance, as harsh as her
features.</p>
<p>“I don’t care about it, mother; you may please
yourself: but I ought to warn you, I have no faith.”</p>
<p>“It’s like your impudence to say so: I expected it
of you; I heard it in your step as you crossed the
threshold.”</p>
<p>“Did you? You’ve a quick ear.”</p>
<p>“I have; and a quick eye and a quick brain.”</p>
<p>“You need them all in your trade.”</p>
<p>“I do; especially when I’ve customers like you to
deal with. Why don’t you tremble?”</p>
<p>“I’m not cold.”</p>
<p>“Why don’t you turn pale?”</p>
<p>“I am not sick.”</p>
<p>“Why don’t you consult my art?”</p>
<p>“I’m not silly.”</p>
<p>The old crone “nichered” a laugh under her bonnet
and bandage; she then drew out a short black pipe, and lighting
it began to smoke. Having indulged a while in this
sedative, she raised her bent body, took the pipe from her lips,
and while gazing steadily at the fire, said very
deliberately—“You are cold; you are sick; and you are
silly.”</p>
<p>“Prove it,” I rejoined.</p>
<p>“I will, in few words. You are cold, because you
are alone: no contact strikes the fire from you that is in
you. You are sick; because the best of feelings, the
highest and the sweetest given to man, keeps far away from
you. You are silly, because, suffer as you may, you will
not beckon it to approach, nor will you stir one step to meet it
where it waits you.”</p>
<p>She again put her short black pipe to her lips, and renewed
her smoking with vigour.</p>
<p>“You might say all that to almost any one who you knew
lived as a solitary dependent in a great house.”</p>
<p>“I might say it to almost any one: but would it be true
of almost any one?”</p>
<p>“In my circumstances.”</p>
<p>“Yes; just so, in <i>your</i> circumstances: but find me
another precisely placed as you are.”</p>
<p>“It would be easy to find you thousands.”</p>
<p>“You could scarcely find me one. If you knew it,
you are peculiarly situated: very near happiness; yes, within
reach of it. The materials are all prepared; there only
wants a movement to combine them. Chance laid them somewhat
apart; let them be once approached and bliss results.”</p>
<p>“I don’t understand enigmas. I never could
guess a riddle in my life.”</p>
<p>“If you wish me to speak more plainly, show me your
palm.”</p>
<p>“And I must cross it with silver, I suppose?”</p>
<p>“To be sure.”</p>
<p>I gave her a shilling: she put it into an old stocking-foot
which she took out of her pocket, and having tied it round and
returned it, she told me to hold out my hand. I did.
She approached her face to the palm, and pored over it without
touching it.</p>
<p>“It is too fine,” said she. “I can
make nothing of such a hand as that; almost without lines:
besides, what is in a palm? Destiny is not written
there.”</p>
<p>“I believe you,” said I.</p>
<p>“No,” she continued, “it is in the face: on
the forehead, about the eyes, in the lines of the mouth.
Kneel, and lift up your head.”</p>
<p>“Ah! now you are coming to reality,” I said, as I
obeyed her. “I shall begin to put some faith in you
presently.”</p>
<p>I knelt within half a yard of her. She stirred the fire,
so that a ripple of light broke from the disturbed coal: the
glare, however, as she sat, only threw her face into deeper
shadow: mine, it illumined.</p>
<p>“I wonder with what feelings you came to me
to-night,” she said, when she had examined me a
while. “I wonder what thoughts are busy in your heart
during all the hours you sit in yonder room with the fine people
flitting before you like shapes in a magic-lantern: just as
little sympathetic communion passing between you and them as if
they were really mere shadows of human forms, and not the actual
substance.”</p>
<p>“I feel tired often, sleepy sometimes, but seldom
sad.”</p>
<p>“Then you have some secret hope to buoy you up and
please you with whispers of the future?”</p>
<p>“Not I. The utmost I hope is, to save money enough
out of my earnings to set up a school some day in a little house
rented by myself.”</p>
<p>“A mean nutriment for the spirit to exist on: and
sitting in that window-seat (you see I know your habits
)—”</p>
<p>“You have learned them from the servants.”</p>
<p>“Ah! you think yourself sharp. Well, perhaps I
have: to speak truth, I have an acquaintance with one of them,
Mrs. Poole—”</p>
<p>I started to my feet when I heard the name.</p>
<p>“You have—have you?” thought I; “there
is diablerie in the business after all, then!”</p>
<p>“Don’t be alarmed,” continued the strange
being; “she’s a safe hand is Mrs. Poole: close and
quiet; any one may repose confidence in her. But, as I was
saying: sitting in that window-seat, do you think of nothing but
your future school? Have you no present interest in any of
the company who occupy the sofas and chairs before you? Is
there not one face you study? one figure whose movements you
follow with at least curiosity?”</p>
<p>“I like to observe all the faces and all the
figures.”</p>
<p>“But do you never single one from the rest—or it
may be, two?”</p>
<p>“I do frequently; when the gestures or looks of a pair
seem telling a tale: it amuses me to watch them.”</p>
<p>“What tale do you like best to hear?”</p>
<p>“Oh, I have not much choice! They generally run on
the same theme—courtship; and promise to end in the same
catastrophe—marriage.”</p>
<p>“And do you like that monotonous theme?”</p>
<p>“Positively, I don’t care about it: it is nothing
to me.”</p>
<p>“Nothing to you? When a lady, young and full of
life and health, charming with beauty and endowed with the gifts
of rank and fortune, sits and smiles in the eyes of a gentleman
you—”</p>
<p>“I what?”</p>
<p>“You know—and perhaps think well of.”</p>
<p>“I don’t know the gentlemen here. I have
scarcely interchanged a syllable with one of them; and as to
thinking well of them, I consider some respectable, and stately,
and middle-aged, and others young, dashing, handsome, and lively:
but certainly they are all at liberty to be the recipients of
whose smiles they please, without my feeling disposed to consider
the transaction of any moment to me.”</p>
<p>“You don’t know the gentlemen here? You have
not exchanged a syllable with one of them? Will you say
that of the master of the house!”</p>
<p>“He is not at home.”</p>
<p>“A profound remark! A most ingenious
quibble! He went to Millcote this morning, and will be back
here to-night or to-morrow: does that circumstance exclude him
from the list of your acquaintance—blot him, as it were,
out of existence?”</p>
<p>“No; but I can scarcely see what Mr. Rochester has to do
with the theme you had introduced.”</p>
<p>“I was talking of ladies smiling in the eyes of
gentlemen; and of late so many smiles have been shed into Mr.
Rochester’s eyes that they overflow like two cups filled
above the brim: have you never remarked that?”</p>
<p>“Mr. Rochester has a right to enjoy the society of his
guests.”</p>
<p>“No question about his right: but have you never
observed that, of all the tales told here about matrimony, Mr.
Rochester has been favoured with the most lively and the most
continuous?”</p>
<p>“The eagerness of a listener quickens the tongue of a
narrator.” I said this rather to myself than to the
gipsy, whose strange talk, voice, manner, had by this time
wrapped me in a kind of dream. One unexpected sentence came
from her lips after another, till I got involved in a web of
mystification; and wondered what unseen spirit had been sitting
for weeks by my heart watching its workings and taking record of
every pulse.</p>
<p>“Eagerness of a listener!” repeated she:
“yes; Mr. Rochester has sat by the hour, his ear inclined
to the fascinating lips that took such delight in their task of
communicating; and Mr. Rochester was so willing to receive and
looked so grateful for the pastime given him; you have noticed
this?”</p>
<p>“Grateful! I cannot remember detecting gratitude
in his face.”</p>
<p>“Detecting! You have analysed, then. And
what did you detect, if not gratitude?”</p>
<p>I said nothing.</p>
<p>“You have seen love: have you not?—and, looking
forward, you have seen him married, and beheld his bride
happy?”</p>
<p>“Humph! Not exactly. Your witch’s
skill is rather at fault sometimes.”</p>
<p>“What the devil have you seen, then?”</p>
<p>“Never mind: I came here to inquire, not to
confess. Is it known that Mr. Rochester is to be
married?”</p>
<p>“Yes; and to the beautiful Miss Ingram.”</p>
<p>“Shortly?”</p>
<p>“Appearances would warrant that conclusion: and, no
doubt (though, with an audacity that wants chastising out of you,
you seem to question it), they will be a superlatively happy
pair. He must love such a handsome, noble, witty,
accomplished lady; and probably she loves him, or, if not his
person, at least his purse. I know she considers the
Rochester estate eligible to the last degree; though (God pardon
me!) I told her something on that point about an hour ago which
made her look wondrous grave: the corners of her mouth fell half
an inch. I would advise her blackaviced suitor to look out:
if another comes, with a longer or clearer
rent-roll,—he’s dished—”</p>
<p>“But, mother, I did not come to hear Mr.
Rochester’s fortune: I came to hear my own; and you have
told me nothing of it.”</p>
<p>“Your fortune is yet doubtful: when I examined your
face, one trait contradicted another. Chance has meted you
a measure of happiness: that I know. I knew it before I
came here this evening. She has laid it carefully on one
side for you. I saw her do it. It depends on yourself
to stretch out your hand, and take it up: but whether you will do
so, is the problem I study. Kneel again on the
rug.”</p>
<p>“Don’t keep me long; the fire scorches
me.”</p>
<p style="text-align: center">
<SPAN href="images/p190b.jpg">
<ANTIMG alt="She did not stoop towards me, but only gazed, leaning back in her chair" src="images/p190s.jpg" /></SPAN></p>
<p>I knelt. She did not stoop towards me, but only gazed,
leaning back in her chair. She began muttering,—</p>
<p>“The flame flickers in the eye; the eye shines like dew;
it looks soft and full of feeling; it smiles at my jargon: it is
susceptible; impression follows impression through its clear
sphere; where it ceases to smile, it is sad; an unconscious
lassitude weighs on the lid: that signifies melancholy resulting
from loneliness. It turns from me; it will not suffer
further scrutiny; it seems to deny, by a mocking glance, the
truth of the discoveries I have already made,—to disown the
charge both of sensibility and chagrin: its pride and reserve
only confirm me in my opinion. The eye is favourable.</p>
<p>“As to the mouth, it delights at times in laughter; it
is disposed to impart all that the brain conceives; though I
daresay it would be silent on much the heart experiences.
Mobile and flexible, it was never intended to be compressed in
the eternal silence of solitude: it is a mouth which should speak
much and smile often, and have human affection for its
interlocutor. That feature too is propitious.</p>
<p>“I see no enemy to a fortunate issue but in the brow;
and that brow professes to say,—‘I can live alone, if
self-respect, and circumstances require me so to do. I need
not sell my soul to buy bliss. I have an inward treasure
born with me, which can keep me alive if all extraneous delights
should be withheld, or offered only at a price I cannot afford to
give.’ The forehead declares, ‘Reason sits firm
and holds the reins, and she will not let the feelings burst away
and hurry her to wild chasms. The passions may rage
furiously, like true heathens, as they are; and the desires may
imagine all sorts of vain things: but judgment shall still have
the last word in every argument, and the casting vote in every
decision. Strong wind, earthquake-shock, and fire may pass
by: but I shall follow the guiding of that still small voice
which interprets the dictates of conscience.’</p>
<p>“Well said, forehead; your declaration shall be
respected. I have formed my plans—right plans I deem
them—and in them I have attended to the claims of
conscience, the counsels of reason. I know how soon youth
would fade and bloom perish, if, in the cup of bliss offered, but
one dreg of shame, or one flavour of remorse were detected; and I
do not want sacrifice, sorrow, dissolution—such is not my
taste. I wish to foster, not to blight—to earn
gratitude, not to wring tears of blood—no, nor of brine: my
harvest must be in smiles, in endearments, in sweet—That
will do. I think I rave in a kind of exquisite
delirium. I should wish now to protract this moment <i>ad
infinitum</i>; but I dare not. So far I have governed
myself thoroughly. I have acted as I inwardly swore I would
act; but further might try me beyond my strength. Rise,
Miss Eyre: leave me; the play is played out’.”</p>
<p>Where was I? Did I wake or sleep? Had I been
dreaming? Did I dream still? The old woman’s
voice had changed: her accent, her gesture, and all were familiar
to me as my own face in a glass—as the speech of my own
tongue. I got up, but did not go. I looked; I stirred
the fire, and I looked again: but she drew her bonnet and her
bandage closer about her face, and again beckoned me to
depart. The flame illuminated her hand stretched out:
roused now, and on the alert for discoveries, I at once noticed
that hand. It was no more the withered limb of eld than my
own; it was a rounded supple member, with smooth fingers,
symmetrically turned; a broad ring flashed on the little finger,
and stooping forward, I looked at it, and saw a gem I had seen a
hundred times before. Again I looked at the face; which was
no longer turned from me—on the contrary, the bonnet was
doffed, the bandage displaced, the head advanced.</p>
<p>“Well, Jane, do you know me?” asked the familiar
voice.</p>
<p>“Only take off the red cloak, sir, and
then—”</p>
<p>“But the string is in a knot—help me.”</p>
<p>“Break it, sir.”</p>
<p>“There, then—‘Off, ye
lendings!’” And Mr. Rochester stepped out of
his disguise.</p>
<p>“Now, sir, what a strange idea!”</p>
<p>“But well carried out, eh? Don’t you think
so?”</p>
<p>“With the ladies you must have managed well.”</p>
<p>“But not with you?”</p>
<p>“You did not act the character of a gipsy with
me.”</p>
<p>“What character did I act? My own?”</p>
<p>“No; some unaccountable one. In short, I believe
you have been trying to draw me out—or in; you have been
talking nonsense to make me talk nonsense. It is scarcely
fair, sir.”</p>
<p>“Do you forgive me, Jane?”</p>
<p>“I cannot tell till I have thought it all over.
If, on reflection, I find I have fallen into no great absurdity,
I shall try to forgive you; but it was not right.”</p>
<p>“Oh, you have been very correct—very careful, very
sensible.”</p>
<p>I reflected, and thought, on the whole, I had. It was a
comfort; but, indeed, I had been on my guard almost from the
beginning of the interview. Something of masquerade I
suspected. I knew gipsies and fortune-tellers did not
express themselves as this seeming old woman had expressed
herself; besides I had noted her feigned voice, her anxiety to
conceal her features. But my mind had been running on Grace
Poole—that living enigma, that mystery of mysteries, as I
considered her. I had never thought of Mr. Rochester.</p>
<p>“Well,” said he, “what are you musing
about? What does that grave smile signify?”</p>
<p>“Wonder and self-congratulation, sir. I have your
permission to retire now, I suppose?”</p>
<p>“No; stay a moment; and tell me what the people in the
drawing-room yonder are doing.”</p>
<p>“Discussing the gipsy, I daresay.”</p>
<p>“Sit down!—Let me hear what they said about
me.”</p>
<p>“I had better not stay long, sir; it must be near eleven
o’clock. Oh, are you aware, Mr. Rochester, that a
stranger has arrived here since you left this morning?”</p>
<p>“A stranger!—no; who can it be? I expected
no one; is he gone?”</p>
<p>“No; he said he had known you long, and that he could
take the liberty of installing himself here till you
returned.”</p>
<p>“The devil he did! Did he give his
name?”</p>
<p>“His name is Mason, sir; and he comes from the West
Indies; from Spanish Town, in Jamaica, I think.”</p>
<p>Mr. Rochester was standing near me; he had taken my hand, as
if to lead me to a chair. As I spoke he gave my wrist a
convulsive grip; the smile on his lips froze: apparently a spasm
caught his breath.</p>
<p>“Mason!—the West Indies!” he said, in the
tone one might fancy a speaking automaton to enounce its single
words; “Mason!—the West Indies!” he reiterated;
and he went over the syllables three times, growing, in the
intervals of speaking, whiter than ashes: he hardly seemed to
know what he was doing.</p>
<p>“Do you feel ill, sir?” I inquired.</p>
<p>“Jane, I’ve got a blow; I’ve got a blow,
Jane!” He staggered.</p>
<p>“Oh, lean on me, sir.”</p>
<p>“Jane, you offered me your shoulder once before; let me
have it now.”</p>
<p>“Yes, sir, yes; and my arm.”</p>
<p>He sat down, and made me sit beside him. Holding my hand
in both his own, he chafed it; gazing on me, at the same time,
with the most troubled and dreary look.</p>
<p>“My little friend!” said he, “I wish I were
in a quiet island with only you; and trouble, and danger, and
hideous recollections removed from me.”</p>
<p>“Can I help you, sir?—I’d give my life to
serve you.”</p>
<p>“Jane, if aid is wanted, I’ll seek it at your
hands; I promise you that.”</p>
<p>“Thank you, sir. Tell me what to
do,—I’ll try, at least, to do it.”</p>
<p>“Fetch me now, Jane, a glass of wine from the
dining-room: they will be at supper there; and tell me if Mason
is with them, and what he is doing.”</p>
<p>I went. I found all the party in the dining-room at
supper, as Mr. Rochester had said; they were not seated at
table,—the supper was arranged on the sideboard; each had
taken what he chose, and they stood about here and there in
groups, their plates and glasses in their hands. Every one
seemed in high glee; laughter and conversation were general and
animated. Mr. Mason stood near the fire, talking to Colonel
and Mrs. Dent, and appeared as merry as any of them. I
filled a wine-glass (I saw Miss Ingram watch me frowningly as I
did so: she thought I was taking a liberty, I daresay), and I
returned to the library.</p>
<p>Mr. Rochester’s extreme pallor had disappeared, and he
looked once more firm and stern. He took the glass from my
hand.</p>
<p>“Here is to your health, ministrant spirit!” he
said. He swallowed the contents and returned it to
me. “What are they doing, Jane?”</p>
<p>“Laughing and talking, sir.”</p>
<p>“They don’t look grave and mysterious, as if they
had heard something strange?”</p>
<p>“Not at all: they are full of jests and
gaiety.”</p>
<p>“And Mason?”</p>
<p>“He was laughing too.”</p>
<p>“If all these people came in a body and spat at me, what
would you do, Jane?”</p>
<p>“Turn them out of the room, sir, if I could.”</p>
<p>He half smiled. “But if I were to go to them, and
they only looked at me coldly, and whispered sneeringly amongst
each other, and then dropped off and left me one by one, what
then? Would you go with them?”</p>
<p>“I rather think not, sir: I should have more pleasure in
staying with you.”</p>
<p>“To comfort me?”</p>
<p>“Yes, sir, to comfort you, as well as I
could.”</p>
<p>“And if they laid you under a ban for adhering to
me?”</p>
<p>“I, probably, should know nothing about their ban; and
if I did, I should care nothing about it.”</p>
<p>“Then, you could dare censure for my sake?”</p>
<p>“I could dare it for the sake of any friend who deserved
my adherence; as you, I am sure, do.”</p>
<p>“Go back now into the room; step quietly up to Mason,
and whisper in his ear that Mr. Rochester is come and wishes to
see him: show him in here and then leave me.”</p>
<p>“Yes, sir.”</p>
<p>I did his behest. The company all stared at me as I
passed straight among them. I sought Mr. Mason, delivered
the message, and preceded him from the room: I ushered him into
the library, and then I went upstairs.</p>
<p>At a late hour, after I had been in bed some time, I heard the
visitors repair to their chambers: I distinguished Mr.
Rochester’s voice, and heard him say, “This way,
Mason; this is your room.”</p>
<p>He spoke cheerfully: the gay tones set my heart at ease.
I was soon asleep.</p>
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