<SPAN name="startofbook"></SPAN>
<h5 id="id00043">THE TRAGEDY OF ROMEO AND JULIET</h5>
<p id="id00044">by William Shakespeare</p>
<p id="id00045" style="margin-top: 3em">Dramatis Personae</p>
<p id="id00046"> Chorus.</p>
<p id="id00047"> Escalus, Prince of Verona.<br/>
Paris, a young Count, kinsman to the Prince.<br/>
Montague, heads of two houses at variance with each other.<br/>
Capulet, heads of two houses at variance with each other.<br/>
An old Man, of the Capulet family.<br/>
Romeo, son to Montague.<br/>
Tybalt, nephew to Lady Capulet.<br/>
Mercutio, kinsman to the Prince and friend to Romeo.<br/>
Benvolio, nephew to Montague, and friend to Romeo<br/>
Tybalt, nephew to Lady Capulet.<br/>
Friar Laurence, Franciscan.<br/>
Friar John, Franciscan.<br/>
Balthasar, servant to Romeo.<br/>
Abram, servant to Montague.<br/>
Sampson, servant to Capulet.<br/>
Gregory, servant to Capulet.<br/>
Peter, servant to Juliet's nurse.<br/>
An Apothecary.<br/>
Three Musicians.<br/>
An Officer.<br/></p>
<p id="id00048"> Lady Montague, wife to Montague.<br/>
Lady Capulet, wife to Capulet.<br/>
Juliet, daughter to Capulet.<br/>
Nurse to Juliet.<br/></p>
<p id="id00049"> Citizens of Verona; Gentlemen and Gentlewomen of both houses;<br/>
Maskers, Torchbearers, Pages, Guards, Watchmen, Servants, and<br/>
Attendants.<br/></p>
<h5 id="id00050"> SCENE.—Verona; Mantua.</h5>
<h3 id="id00051" style="margin-top: 3em"> THE PROLOGUE</h3>
<p id="id00052"> Enter Chorus.</p>
<p id="id00053"> Chor. Two households, both alike in dignity,<br/>
In fair Verona, where we lay our scene,<br/>
From ancient grudge break to new mutiny,<br/>
Where civil blood makes civil hands unclean.<br/>
From forth the fatal loins of these two foes<br/>
A pair of star-cross'd lovers take their life;<br/>
Whose misadventur'd piteous overthrows<br/>
Doth with their death bury their parents' strife.<br/>
The fearful passage of their death-mark'd love,<br/>
And the continuance of their parents' rage,<br/>
Which, but their children's end, naught could remove,<br/>
Is now the two hours' traffic of our stage;<br/>
The which if you with patient ears attend,<br/>
What here shall miss, our toil shall strive to mend.<br/>
[Exit.]<br/></p>
<h3 id="id00055" style="margin-top: 3em">ACT I. Scene I. Verona. A public place.</h3>
<p id="id00056">Enter Sampson and Gregory (with swords and bucklers) of the house
of Capulet.</p>
<p id="id00057"> Samp. Gregory, on my word, we'll not carry coals.<br/>
Greg. No, for then we should be colliers.<br/>
Samp. I mean, an we be in choler, we'll draw.<br/>
Greg. Ay, while you live, draw your neck out of collar.<br/>
Samp. I strike quickly, being moved.<br/>
Greg. But thou art not quickly moved to strike.<br/>
Samp. A dog of the house of Montague moves me.<br/>
Greg. To move is to stir, and to be valiant is to stand.<br/>
Therefore, if thou art moved, thou runn'st away.<br/>
Samp. A dog of that house shall move me to stand. I will take<br/>
the<br/>
wall of any man or maid of Montague's.<br/>
Greg. That shows thee a weak slave; for the weakest goes to the<br/>
wall.<br/>
Samp. 'Tis true; and therefore women, being the weaker vessels,<br/>
are<br/>
ever thrust to the wall. Therefore I will push Montague's men<br/>
from the wall and thrust his maids to the wall.<br/>
Greg. The quarrel is between our masters and us their men.<br/>
Samp. 'Tis all one. I will show myself a tyrant. When I have<br/>
fought<br/>
with the men, I will be cruel with the maids- I will cut off<br/>
their heads.<br/>
Greg. The heads of the maids?<br/>
Samp. Ay, the heads of the maids, or their maidenheads.<br/>
Take it in what sense thou wilt.<br/>
Greg. They must take it in sense that feel it.<br/>
Samp. Me they shall feel while I am able to stand; and 'tis<br/>
known I<br/>
am a pretty piece of flesh.<br/>
Greg. 'Tis well thou art not fish; if thou hadst, thou hadst<br/>
been<br/>
poor-John. Draw thy tool! Here comes two of the house of<br/>
Montagues.<br/></p>
<p id="id00058"> Enter two other Servingmen [Abram and Balthasar].</p>
<p id="id00059"> Samp. My naked weapon is out. Quarrel! I will back thee.<br/>
Greg. How? turn thy back and run?<br/>
Samp. Fear me not.<br/>
Greg. No, marry. I fear thee!<br/>
Samp. Let us take the law of our sides; let them begin.<br/>
Greg. I will frown as I pass by, and let them take it as they<br/>
list.<br/>
Samp. Nay, as they dare. I will bite my thumb at them; which is<br/>
disgrace to them, if they bear it.<br/>
Abr. Do you bite your thumb at us, sir?<br/>
Samp. I do bite my thumb, sir.<br/>
Abr. Do you bite your thumb at us, sir?<br/>
Samp. [aside to Gregory] Is the law of our side if I say ay?<br/>
Greg. [aside to Sampson] No.<br/>
Samp. No, sir, I do not bite my thumb at you, sir; but I bite<br/>
my<br/>
thumb, sir.<br/>
Greg. Do you quarrel, sir?<br/>
Abr. Quarrel, sir? No, sir.<br/>
Samp. But if you do, sir, am for you. I serve as good a man as<br/>
you.<br/>
Abr. No better.<br/>
Samp. Well, sir.<br/></p>
<p id="id00060"> Enter Benvolio.</p>
<p id="id00061"> Greg. [aside to Sampson] Say 'better.' Here comes one of my<br/>
master's kinsmen.<br/>
Samp. Yes, better, sir.<br/>
Abr. You lie.<br/>
Samp. Draw, if you be men. Gregory, remember thy swashing blow.<br/>
They fight.<br/>
Ben. Part, fools! [Beats down their swords.]<br/>
Put up your swords. You know not what you do.<br/></p>
<p id="id00062"> Enter Tybalt.</p>
<p id="id00063"> Tyb. What, art thou drawn among these heartless hinds?<br/>
Turn thee Benvolio! look upon thy death.<br/>
Ben. I do but keep the peace. Put up thy sword,<br/>
Or manage it to part these men with me.<br/>
Tyb. What, drawn, and talk of peace? I hate the word<br/>
As I hate hell, all Montagues, and thee.<br/>
Have at thee, coward! They fight.<br/></p>
<p id="id00064"> Enter an officer, and three or four Citizens with clubs or<br/>
partisans.<br/></p>
<p id="id00065"> Officer. Clubs, bills, and partisans! Strike! beat them down!<br/>
Citizens. Down with the Capulets! Down with the Montagues!<br/></p>
<p id="id00066"> Enter Old Capulet in his gown, and his Wife.</p>
<p id="id00067"> Cap. What noise is this? Give me my long sword, ho!<br/>
Wife. A crutch, a crutch! Why call you for a sword?<br/>
Cap. My sword, I say! Old Montague is come<br/>
And flourishes his blade in spite of me.<br/></p>
<p id="id00068"> Enter Old Montague and his Wife.</p>
<p id="id00069"> Mon. Thou villain Capulet!- Hold me not, let me go.<br/>
M. Wife. Thou shalt not stir one foot to seek a foe.<br/></p>
<p id="id00070"> Enter Prince Escalus, with his Train.</p>
<p id="id00071"> Prince. Rebellious subjects, enemies to peace,<br/>
Profaners of this neighbour-stained steel-<br/>
Will they not hear? What, ho! you men, you beasts,<br/>
That quench the fire of your pernicious rage<br/>
With purple fountains issuing from your veins!<br/>
On pain of torture, from those bloody hands<br/>
Throw your mistempered weapons to the ground<br/>
And hear the sentence of your moved prince.<br/>
Three civil brawls, bred of an airy word<br/>
By thee, old Capulet, and Montague,<br/>
Have thrice disturb'd the quiet of our streets<br/>
And made Verona's ancient citizens<br/>
Cast by their grave beseeming ornaments<br/>
To wield old partisans, in hands as old,<br/>
Cank'red with peace, to part your cank'red hate.<br/>
If ever you disturb our streets again,<br/>
Your lives shall pay the forfeit of the peace.<br/>
For this time all the rest depart away.<br/>
You, Capulet, shall go along with me;<br/>
And, Montague, come you this afternoon,<br/>
To know our farther pleasure in this case,<br/>
To old Freetown, our common judgment place.<br/>
Once more, on pain of death, all men depart.<br/>
Exeunt [all but Montague, his Wife, and Benvolio].<br/>
Mon. Who set this ancient quarrel new abroach?<br/>
Speak, nephew, were you by when it began?<br/>
Ben. Here were the servants of your adversary<br/>
And yours, close fighting ere I did approach.<br/>
I drew to part them. In the instant came<br/>
The fiery Tybalt, with his sword prepar'd;<br/>
Which, as he breath'd defiance to my ears,<br/>
He swung about his head and cut the winds,<br/>
Who, nothing hurt withal, hiss'd him in scorn.<br/>
While we were interchanging thrusts and blows,<br/>
Came more and more, and fought on part and part,<br/>
Till the Prince came, who parted either part.<br/>
M. Wife. O, where is Romeo? Saw you him to-day?<br/>
Right glad I am he was not at this fray.<br/>
Ben. Madam, an hour before the worshipp'd sun<br/>
Peer'd forth the golden window of the East,<br/>
A troubled mind drave me to walk abroad;<br/>
Where, underneath the grove of sycamore<br/>
That westward rooteth from the city's side,<br/>
So early walking did I see your son.<br/>
Towards him I made; but he was ware of me<br/>
And stole into the covert of the wood.<br/>
I- measuring his affections by my own,<br/>
Which then most sought where most might not be found,<br/>
Being one too many by my weary self-<br/>
Pursu'd my humour, not Pursuing his,<br/>
And gladly shunn'd who gladly fled from me.<br/>
Mon. Many a morning hath he there been seen,<br/>
With tears augmenting the fresh morning's dew,<br/>
Adding to clouds more clouds with his deep sighs;<br/>
But all so soon as the all-cheering sun<br/>
Should in the farthest East bean to draw<br/>
The shady curtains from Aurora's bed,<br/>
Away from light steals home my heavy son<br/>
And private in his chamber pens himself,<br/>
Shuts up his windows, locks fair daylight out<br/>
And makes himself an artificial night.<br/>
Black and portentous must this humour prove<br/>
Unless good counsel may the cause remove.<br/>
Ben. My noble uncle, do you know the cause?<br/>
Mon. I neither know it nor can learn of him.<br/>
Ben. Have you importun'd him by any means?<br/>
Mon. Both by myself and many other friends;<br/>
But he, his own affections' counsellor,<br/>
Is to himself- I will not say how true-<br/>
But to himself so secret and so close,<br/>
So far from sounding and discovery,<br/>
As is the bud bit with an envious worm<br/>
Ere he can spread his sweet leaves to the air<br/>
Or dedicate his beauty to the sun.<br/>
Could we but learn from whence his sorrows grow,<br/>
We would as willingly give cure as know.<br/></p>
<p id="id00072"> Enter Romeo.</p>
<p id="id00073"> Ben. See, where he comes. So please you step aside,<br/>
I'll know his grievance, or be much denied.<br/>
Mon. I would thou wert so happy by thy stay<br/>
To hear true shrift. Come, madam, let's away,<br/>
Exeunt [Montague and Wife].<br/>
Ben. Good morrow, cousin.<br/>
Rom. Is the day so young?<br/>
Ben. But new struck nine.<br/>
Rom. Ah me! sad hours seem long.<br/>
Was that my father that went hence so fast?<br/>
Ben. It was. What sadness lengthens Romeo's hours?<br/>
Rom. Not having that which having makes them short.<br/>
Ben. In love?<br/>
Rom. Out-<br/>
Ben. Of love?<br/>
Rom. Out of her favour where I am in love.<br/>
Ben. Alas that love, so gentle in his view,<br/>
Should be so tyrannous and rough in proof!<br/>
Rom. Alas that love, whose view is muffled still,<br/>
Should without eyes see pathways to his will!<br/>
Where shall we dine? O me! What fray was here?<br/>
Yet tell me not, for I have heard it all.<br/>
Here's much to do with hate, but more with love.<br/>
Why then, O brawling love! O loving hate!<br/>
O anything, of nothing first create!<br/>
O heavy lightness! serious vanity!<br/>
Misshapen chaos of well-seeming forms!<br/>
Feather of lead, bright smoke, cold fire, sick health!<br/>
Still-waking sleep, that is not what it is<br/>
This love feel I, that feel no love in this.<br/>
Dost thou not laugh?<br/>
Ben. No, coz, I rather weep.<br/>
Rom. Good heart, at what?<br/>
Ben. At thy good heart's oppression.<br/>
Rom. Why, such is love's transgression.<br/>
Griefs of mine own lie heavy in my breast,<br/>
Which thou wilt propagate, to have it prest<br/>
With more of thine. This love that thou hast shown<br/>
Doth add more grief to too much of mine own.<br/>
Love is a smoke rais'd with the fume of sighs;<br/>
Being purg'd, a fire sparkling in lovers' eyes;<br/>
Being vex'd, a sea nourish'd with lovers' tears.<br/>
What is it else? A madness most discreet,<br/>
A choking gall, and a preserving sweet.<br/>
Farewell, my coz.<br/>
Ben. Soft! I will go along.<br/>
An if you leave me so, you do me wrong.<br/>
Rom. Tut! I have lost myself; I am not here:<br/>
This is not Romeo, he's some other where.<br/>
Ben. Tell me in sadness, who is that you love?<br/>
Rom. What, shall I groan and tell thee?<br/>
Ben. Groan? Why, no;<br/>
But sadly tell me who.<br/>
Rom. Bid a sick man in sadness make his will.<br/>
Ah, word ill urg'd to one that is so ill!<br/>
In sadness, cousin, I do love a woman.<br/>
Ben. I aim'd so near when I suppos'd you lov'd.<br/>
Rom. A right good markman! And she's fair I love.<br/>
Ben. A right fair mark, fair coz, is soonest hit.<br/>
Rom. Well, in that hit you miss. She'll not be hit<br/>
With Cupid's arrow. She hath Dian's wit,<br/>
And, in strong proof of chastity well arm'd,<br/>
From Love's weak childish bow she lives unharm'd.<br/>
She will not stay the siege of loving terms,<br/>
Nor bide th' encounter of assailing eyes,<br/>
Nor ope her lap to saint-seducing gold.<br/>
O, she's rich in beauty; only poor<br/>
That, when she dies, with beauty dies her store.<br/>
Ben. Then she hath sworn that she will still live chaste?<br/>
Rom. She hath, and in that sparing makes huge waste;<br/>
For beauty, starv'd with her severity,<br/>
Cuts beauty off from all posterity.<br/>
She is too fair, too wise, wisely too fair,<br/>
To merit bliss by making me despair.<br/>
She hath forsworn to love, and in that vow<br/>
Do I live dead that live to tell it now.<br/>
Ben. Be rul'd by me: forget to think of her.<br/>
Rom. O, teach me how I should forget to think!<br/>
Ben. By giving liberty unto thine eyes.<br/>
Examine other beauties.<br/>
Rom. 'Tis the way<br/>
To call hers (exquisite) in question more.<br/>
These happy masks that kiss fair ladies' brows,<br/>
Being black puts us in mind they hide the fair.<br/>
He that is strucken blind cannot forget<br/>
The precious treasure of his eyesight lost.<br/>
Show me a mistress that is passing fair,<br/>
What doth her beauty serve but as a note<br/>
Where I may read who pass'd that passing fair?<br/>
Farewell. Thou canst not teach me to forget.<br/>
Ben. I'll pay that doctrine, or else die in debt. Exeunt.<br/></p>
<h2 id="id00074" style="margin-top: 4em">Scene II. A Street.</h2>
<p id="id00075">Enter Capulet, County Paris, and [Servant] -the Clown.</p>
<p id="id00076"> Cap. But Montague is bound as well as I,<br/>
In penalty alike; and 'tis not hard, I think,<br/>
For men so old as we to keep the peace.<br/>
Par. Of honourable reckoning are you both,<br/>
And pity 'tis you liv'd at odds so long.<br/>
But now, my lord, what say you to my suit?<br/>
Cap. But saying o'er what I have said before:<br/>
My child is yet a stranger in the world,<br/>
She hath not seen the change of fourteen years;<br/>
Let two more summers wither in their pride<br/>
Ere we may think her ripe to be a bride.<br/>
Par. Younger than she are happy mothers made.<br/>
Cap. And too soon marr'd are those so early made.<br/>
The earth hath swallowed all my hopes but she;<br/>
She is the hopeful lady of my earth.<br/>
But woo her, gentle Paris, get her heart;<br/>
My will to her consent is but a part.<br/>
An she agree, within her scope of choice<br/>
Lies my consent and fair according voice.<br/>
This night I hold an old accustom'd feast,<br/>
Whereto I have invited many a guest,<br/>
Such as I love; and you among the store,<br/>
One more, most welcome, makes my number more.<br/>
At my poor house look to behold this night<br/>
Earth-treading stars that make dark heaven light.<br/>
Such comfort as do lusty young men feel<br/>
When well apparell'd April on the heel<br/>
Of limping Winter treads, even such delight<br/>
Among fresh female buds shall you this night<br/>
Inherit at my house. Hear all, all see,<br/>
And like her most whose merit most shall be;<br/>
Which, on more view of many, mine, being one,<br/>
May stand in number, though in reck'ning none.<br/>
Come, go with me. [To Servant, giving him a paper] Go,<br/>
sirrah,<br/>
trudge about<br/>
Through fair Verona; find those persons out<br/>
Whose names are written there, and to them say,<br/>
My house and welcome on their pleasure stay-<br/>
Exeunt [Capulet and Paris].<br/>
Serv. Find them out whose names are written here? It is written<br/>
that the shoemaker should meddle with his yard and the tailor<br/>
with his last, the fisher with his pencil and the painter<br/>
with<br/>
his nets; but I am sent to find those persons whose names are<br/>
here writ, and can never find what names the writing person<br/>
hath<br/>
here writ. I must to the learned. In good time!<br/></p>
<p id="id00077"> Enter Benvolio and Romeo.</p>
<p id="id00078"> Ben. Tut, man, one fire burns out another's burning;<br/>
One pain is lessened by another's anguish;<br/>
Turn giddy, and be holp by backward turning;<br/>
One desperate grief cures with another's languish.<br/>
Take thou some new infection to thy eye,<br/>
And the rank poison of the old will die.<br/>
Rom. Your plantain leaf is excellent for that.<br/>
Ben. For what, I pray thee?<br/>
Rom. For your broken shin.<br/>
Ben. Why, Romeo, art thou mad?<br/>
Rom. Not mad, but bound more than a madman is;<br/>
Shut up in prison, kept without my food,<br/>
Whipp'd and tormented and- God-den, good fellow.<br/>
Serv. God gi' go-den. I pray, sir, can you read?<br/>
Rom. Ay, mine own fortune in my misery.<br/>
Serv. Perhaps you have learned it without book. But I pray, can<br/>
you<br/>
read anything you see?<br/>
Rom. Ay, If I know the letters and the language.<br/>
Serv. Ye say honestly. Rest you merry!<br/>
Rom. Stay, fellow; I can read. He reads.<br/></p>
<p id="id00079"> 'Signior Martino and his wife and daughters;<br/>
County Anselmo and his beauteous sisters;<br/>
The lady widow of Vitruvio;<br/>
Signior Placentio and His lovely nieces;<br/>
Mercutio and his brother Valentine;<br/>
Mine uncle Capulet, his wife, and daughters;<br/>
My fair niece Rosaline and Livia;<br/>
Signior Valentio and his cousin Tybalt;<br/>
Lucio and the lively Helena.'<br/></p>
<p id="id00080"> [Gives back the paper.] A fair assembly. Whither should they<br/>
come?<br/>
Serv. Up.<br/>
Rom. Whither?<br/>
Serv. To supper, to our house.<br/>
Rom. Whose house?<br/>
Serv. My master's.<br/>
Rom. Indeed I should have ask'd you that before.<br/>
Serv. Now I'll tell you without asking. My master is the great<br/>
rich<br/>
Capulet; and if you be not of the house of Montagues, I pray<br/>
come<br/>
and crush a cup of wine. Rest you merry! Exit.<br/>
Ben. At this same ancient feast of Capulet's<br/>
Sups the fair Rosaline whom thou so lov'st;<br/>
With all the admired beauties of Verona.<br/>
Go thither, and with unattainted eye<br/>
Compare her face with some that I shall show,<br/>
And I will make thee think thy swan a crow.<br/>
Rom. When the devout religion of mine eye<br/>
Maintains such falsehood, then turn tears to fires;<br/>
And these, who, often drown'd, could never die,<br/>
Transparent heretics, be burnt for liars!<br/>
One fairer than my love? The all-seeing sun<br/>
Ne'er saw her match since first the world begun.<br/>
Ben. Tut! you saw her fair, none else being by,<br/>
Herself pois'd with herself in either eye;<br/>
But in that crystal scales let there be weigh'd<br/>
Your lady's love against some other maid<br/>
That I will show you shining at this feast,<br/>
And she shall scant show well that now seems best.<br/>
Rom. I'll go along, no such sight to be shown,<br/>
But to rejoice in splendour of my own. [Exeunt.]<br/></p>
<h2 id="id00081" style="margin-top: 4em">Scene III. Capulet's house.</h2>
<p id="id00082">Enter Capulet's Wife, and Nurse.</p>
<p id="id00083"> Wife. Nurse, where's my daughter? Call her forth to me.<br/>
Nurse. Now, by my maidenhead at twelve year old,<br/>
I bade her come. What, lamb! what ladybird!<br/>
God forbid! Where's this girl? What, Juliet!<br/></p>
<p id="id00084"> Enter Juliet.</p>
<p id="id00085"> Jul. How now? Who calls?<br/>
Nurse. Your mother.<br/>
Jul. Madam, I am here.<br/>
What is your will?<br/>
Wife. This is the matter- Nurse, give leave awhile,<br/>
We must talk in secret. Nurse, come back again;<br/>
I have rememb'red me, thou's hear our counsel.<br/>
Thou knowest my daughter's of a pretty age.<br/>
Nurse. Faith, I can tell her age unto an hour.<br/>
Wife. She's not fourteen.<br/>
Nurse. I'll lay fourteen of my teeth-<br/>
And yet, to my teen be it spoken, I have but four-<br/>
She is not fourteen. How long is it now<br/>
To Lammastide?<br/>
Wife. A fortnight and odd days.<br/>
Nurse. Even or odd, of all days in the year,<br/>
Come Lammas Eve at night shall she be fourteen.<br/>
Susan and she (God rest all Christian souls!)<br/>
Were of an age. Well, Susan is with God;<br/>
She was too good for me. But, as I said,<br/>
On Lammas Eve at night shall she be fourteen;<br/>
That shall she, marry; I remember it well.<br/>
'Tis since the earthquake now eleven years;<br/>
And she was wean'd (I never shall forget it),<br/>
Of all the days of the year, upon that day;<br/>
For I had then laid wormwood to my dug,<br/>
Sitting in the sun under the dovehouse wall.<br/>
My lord and you were then at Mantua.<br/>
Nay, I do bear a brain. But, as I said,<br/>
When it did taste the wormwood on the nipple<br/>
Of my dug and felt it bitter, pretty fool,<br/>
To see it tetchy and fall out with the dug!<br/>
Shake, quoth the dovehouse! 'Twas no need, I trow,<br/>
To bid me trudge.<br/>
And since that time it is eleven years,<br/>
For then she could stand alone; nay, by th' rood,<br/>
She could have run and waddled all about;<br/>
For even the day before, she broke her brow;<br/>
And then my husband (God be with his soul!<br/>
'A was a merry man) took up the child.<br/>
'Yea,' quoth he, 'dost thou fall upon thy face?<br/>
Thou wilt fall backward when thou hast more wit;<br/>
Wilt thou not, Jule?' and, by my holidam,<br/>
The pretty wretch left crying, and said 'Ay.'<br/>
To see now how a jest shall come about!<br/>
I warrant, an I should live a thousand yeas,<br/>
I never should forget it. 'Wilt thou not, Jule?' quoth he,<br/>
And, pretty fool, it stinted, and said 'Ay.'<br/>
Wife. Enough of this. I pray thee hold thy peace.<br/>
Nurse. Yes, madam. Yet I cannot choose but laugh<br/>
To think it should leave crying and say 'Ay.'<br/>
And yet, I warrant, it had upon its brow<br/>
A bump as big as a young cock'rel's stone;<br/>
A perilous knock; and it cried bitterly.<br/>
'Yea,' quoth my husband, 'fall'st upon thy face?<br/>
Thou wilt fall backward when thou comest to age;<br/>
Wilt thou not, Jule?' It stinted, and said 'Ay.'<br/>
Jul. And stint thou too, I pray thee, nurse, say I.<br/>
Nurse. Peace, I have done. God mark thee to his grace!<br/>
Thou wast the prettiest babe that e'er I nurs'd.<br/>
An I might live to see thee married once, I have my wish.<br/>
Wife. Marry, that 'marry' is the very theme<br/>
I came to talk of. Tell me, daughter Juliet,<br/>
How stands your disposition to be married?<br/>
Jul. It is an honour that I dream not of.<br/>
Nurse. An honour? Were not I thine only nurse,<br/>
I would say thou hadst suck'd wisdom from thy teat.<br/>
Wife. Well, think of marriage now. Younger than you,<br/>
Here in Verona, ladies of esteem,<br/>
Are made already mothers. By my count,<br/>
I was your mother much upon these years<br/>
That you are now a maid. Thus then in brief:<br/>
The valiant Paris seeks you for his love.<br/>
Nurse. A man, young lady! lady, such a man<br/>
As all the world- why he's a man of wax.<br/>
Wife. Verona's summer hath not such a flower.<br/>
Nurse. Nay, he's a flower, in faith- a very flower.<br/>
Wife. What say you? Can you love the gentleman?<br/>
This night you shall behold him at our feast.<br/>
Read o'er the volume of young Paris' face,<br/>
And find delight writ there with beauty's pen;<br/>
Examine every married lineament,<br/>
And see how one another lends content;<br/>
And what obscur'd in this fair volume lies<br/>
Find written in the margent of his eyes,<br/>
This precious book of love, this unbound lover,<br/>
To beautify him only lacks a cover.<br/>
The fish lives in the sea, and 'tis much pride<br/>
For fair without the fair within to hide.<br/>
That book in many's eyes doth share the glory,<br/>
That in gold clasps locks in the golden story;<br/>
So shall you share all that he doth possess,<br/>
By having him making yourself no less.<br/>
Nurse. No less? Nay, bigger! Women grow by men<br/>
Wife. Speak briefly, can you like of Paris' love?<br/>
Jul. I'll look to like, if looking liking move;<br/>
But no more deep will I endart mine eye<br/>
Than your consent gives strength to make it fly.<br/></p>
<p id="id00086"> Enter Servingman.</p>
<p id="id00087"> Serv. Madam, the guests are come, supper serv'd up, you call'd,<br/>
my<br/>
young lady ask'd for, the nurse curs'd in the pantry, and<br/>
everything in extremity. I must hence to wait. I beseech you<br/>
follow straight.<br/>
Wife. We follow thee. Exit [Servingman].<br/>
Juliet, the County stays.<br/>
Nurse. Go, girl, seek happy nights to happy days.<br/>
Exeunt.<br/></p>
<h2 id="id00088" style="margin-top: 4em">Scene IV. A street.</h2>
<p id="id00089">Enter Romeo, Mercutio, Benvolio, with five or six other Maskers;<br/>
Torchbearers.<br/></p>
<p id="id00090"> Rom. What, shall this speech be spoke for our excuse?<br/>
Or shall we on without apology?<br/>
Ben. The date is out of such prolixity.<br/>
We'll have no Cupid hoodwink'd with a scarf,<br/>
Bearing a Tartar's painted bow of lath,<br/>
Scaring the ladies like a crowkeeper;<br/>
Nor no without-book prologue, faintly spoke<br/>
After the prompter, for our entrance;<br/>
But, let them measure us by what they will,<br/>
We'll measure them a measure, and be gone.<br/>
Rom. Give me a torch. I am not for this ambling.<br/>
Being but heavy, I will bear the light.<br/>
Mer. Nay, gentle Romeo, we must have you dance.<br/>
Rom. Not I, believe me. You have dancing shoes<br/>
With nimble soles; I have a soul of lead<br/>
So stakes me to the ground I cannot move.<br/>
Mer. You are a lover. Borrow Cupid's wings<br/>
And soar with them above a common bound.<br/>
Rom. I am too sore enpierced with his shaft<br/>
To soar with his light feathers; and so bound<br/>
I cannot bound a pitch above dull woe.<br/>
Under love's heavy burthen do I sink.<br/>
Mer. And, to sink in it, should you burthen love-<br/>
Too great oppression for a tender thing.<br/>
Rom. Is love a tender thing? It is too rough,<br/>
Too rude, too boist'rous, and it pricks like thorn.<br/>
Mer. If love be rough with you, be rough with love.<br/>
Prick love for pricking, and you beat love down.<br/>
Give me a case to put my visage in.<br/>
A visor for a visor! What care I<br/>
What curious eye doth quote deformities?<br/>
Here are the beetle brows shall blush for me.<br/>
Ben. Come, knock and enter; and no sooner in<br/>
But every man betake him to his legs.<br/>
Rom. A torch for me! Let wantons light of heart<br/>
Tickle the senseless rushes with their heels;<br/>
For I am proverb'd with a grandsire phrase,<br/>
I'll be a candle-holder and look on;<br/>
The game was ne'er so fair, and I am done.<br/>
Mer. Tut! dun's the mouse, the constable's own word!<br/>
If thou art Dun, we'll draw thee from the mire<br/>
Of this sir-reverence love, wherein thou stick'st<br/>
Up to the ears. Come, we burn daylight, ho!<br/>
Rom. Nay, that's not so.<br/>
Mer. I mean, sir, in delay<br/>
We waste our lights in vain, like lamps by day.<br/>
Take our good meaning, for our judgment sits<br/>
Five times in that ere once in our five wits.<br/>
Rom. And we mean well, in going to this masque;<br/>
But 'tis no wit to go.<br/>
Mer. Why, may one ask?<br/>
Rom. I dreamt a dream to-night.<br/>
Mer. And so did I.<br/>
Rom. Well, what was yours?<br/>
Mer. That dreamers often lie.<br/>
Rom. In bed asleep, while they do dream things true.<br/>
Mer. O, then I see Queen Mab hath been with you.<br/>
She is the fairies' midwife, and she comes<br/>
In shape no bigger than an agate stone<br/>
On the forefinger of an alderman,<br/>
Drawn with a team of little atomies<br/>
Athwart men's noses as they lie asleep;<br/>
Her wagon spokes made of long spinners' legs,<br/>
The cover, of the wings of grasshoppers;<br/>
Her traces, of the smallest spider's web;<br/>
Her collars, of the moonshine's wat'ry beams;<br/>
Her whip, of cricket's bone; the lash, of film;<br/>
Her wagoner, a small grey-coated gnat,<br/>
Not half so big as a round little worm<br/>
Prick'd from the lazy finger of a maid;<br/>
Her chariot is an empty hazelnut,<br/>
Made by the joiner squirrel or old grub,<br/>
Time out o' mind the fairies' coachmakers.<br/>
And in this state she gallops night by night<br/>
Through lovers' brains, and then they dream of love;<br/>
O'er courtiers' knees, that dream on cursies straight;<br/>
O'er lawyers' fingers, who straight dream on fees;<br/>
O'er ladies' lips, who straight on kisses dream,<br/>
Which oft the angry Mab with blisters plagues,<br/>
Because their breaths with sweetmeats tainted are.<br/>
Sometime she gallops o'er a courtier's nose,<br/>
And then dreams he of smelling out a suit;<br/>
And sometime comes she with a tithe-pig's tail<br/>
Tickling a parson's nose as 'a lies asleep,<br/>
Then dreams he of another benefice.<br/>
Sometimes she driveth o'er a soldier's neck,<br/>
And then dreams he of cutting foreign throats,<br/>
Of breaches, ambuscadoes, Spanish blades,<br/>
Of healths five fadom deep; and then anon<br/>
Drums in his ear, at which he starts and wakes,<br/>
And being thus frighted, swears a prayer or two<br/>
And sleeps again. This is that very Mab<br/>
That plats the manes of horses in the night<br/>
And bakes the elflocks in foul sluttish, hairs,<br/>
Which once untangled much misfortune bodes<br/>
This is the hag, when maids lie on their backs,<br/>
That presses them and learns them first to bear,<br/>
Making them women of good carriage.<br/>
This is she-<br/>
Rom. Peace, peace, Mercutio, peace!<br/>
Thou talk'st of nothing.<br/>
Mer. True, I talk of dreams;<br/>
Which are the children of an idle brain,<br/>
Begot of nothing but vain fantasy;<br/>
Which is as thin of substance as the air,<br/>
And more inconstant than the wind, who wooes<br/>
Even now the frozen bosom of the North<br/>
And, being anger'd, puffs away from thence,<br/>
Turning his face to the dew-dropping South.<br/>
Ben. This wind you talk of blows us from ourselves.<br/>
Supper is done, and we shall come too late.<br/>
Rom. I fear, too early; for my mind misgives<br/>
Some consequence, yet hanging in the stars,<br/>
Shall bitterly begin his fearful date<br/>
With this night's revels and expire the term<br/>
Of a despised life, clos'd in my breast,<br/>
By some vile forfeit of untimely death.<br/>
But he that hath the steerage of my course<br/>
Direct my sail! On, lusty gentlemen!<br/>
Ben. Strike, drum.<br/>
They march about the stage. [Exeunt.]<br/></p>
<h2 id="id00091" style="margin-top: 4em">Scene V. Capulet's house.</h2>
<p id="id00092">Servingmen come forth with napkins.</p>
<p id="id00093"> 1. Serv. Where's Potpan, that he helps not to take away?<br/>
He shift a trencher! he scrape a trencher!<br/>
2. Serv. When good manners shall lie all in one or two men's<br/>
hands,<br/>
and they unwash'd too, 'tis a foul thing.<br/>
1. Serv. Away with the join-stools, remove the court-cubbert,<br/>
look<br/>
to the plate. Good thou, save me a piece of marchpane and, as<br/>
thou loves me, let the porter let in Susan Grindstone and<br/>
Nell.<br/>
Anthony, and Potpan!<br/>
2. Serv. Ay, boy, ready.<br/>
1. Serv. You are look'd for and call'd for, ask'd for and<br/>
sought<br/>
for, in the great chamber.<br/>
3. Serv. We cannot be here and there too. Cheerly, boys!<br/>
Be brisk awhile, and the longer liver take all. Exeunt.<br/></p>
<p id="id00094"> Enter the Maskers, Enter, [with Servants,] Capulet, his Wife,<br/>
Juliet, Tybalt, and all the Guests<br/>
and Gentlewomen to the Maskers.<br/></p>
<p id="id00095"> Cap. Welcome, gentlemen! Ladies that have their toes<br/>
Unplagu'd with corns will have a bout with you.<br/>
Ah ha, my mistresses! which of you all<br/>
Will now deny to dance? She that makes dainty,<br/>
She I'll swear hath corns. Am I come near ye now?<br/>
Welcome, gentlemen! I have seen the day<br/>
That I have worn a visor and could tell<br/>
A whispering tale in a fair lady's ear,<br/>
Such as would please. 'Tis gone, 'tis gone, 'tis gone!<br/>
You are welcome, gentlemen! Come, musicians, play.<br/>
A hall, a hall! give room! and foot it, girls.<br/>
Music plays, and they dance.<br/>
More light, you knaves! and turn the tables up,<br/>
And quench the fire, the room is grown too hot.<br/>
Ah, sirrah, this unlook'd-for sport comes well.<br/>
Nay, sit, nay, sit, good cousin Capulet,<br/>
For you and I are past our dancing days.<br/>
How long is't now since last yourself and I<br/>
Were in a mask?<br/>
2. Cap. By'r Lady, thirty years.<br/>
Cap. What, man? 'Tis not so much, 'tis not so much!<br/>
'Tis since the nuptial of Lucentio,<br/>
Come Pentecost as quickly as it will,<br/>
Some five-and-twenty years, and then we mask'd.<br/>
2. Cap. 'Tis more, 'tis more! His son is elder, sir;<br/>
His son is thirty.<br/>
Cap. Will you tell me that?<br/>
His son was but a ward two years ago.<br/>
Rom. [to a Servingman] What lady's that, which doth enrich the<br/>
hand<br/>
Of yonder knight?<br/>
Serv. I know not, sir.<br/>
Rom. O, she doth teach the torches to burn bright!<br/>
It seems she hangs upon the cheek of night<br/>
Like a rich jewel in an Ethiop's ear-<br/>
Beauty too rich for use, for earth too dear!<br/>
So shows a snowy dove trooping with crows<br/>
As yonder lady o'er her fellows shows.<br/>
The measure done, I'll watch her place of stand<br/>
And, touching hers, make blessed my rude hand.<br/>
Did my heart love till now? Forswear it, sight!<br/>
For I ne'er saw true beauty till this night.<br/>
Tyb. This, by his voice, should be a Montague.<br/>
Fetch me my rapier, boy. What, dares the slave<br/>
Come hither, cover'd with an antic face,<br/>
To fleer and scorn at our solemnity?<br/>
Now, by the stock and honour of my kin,<br/>
To strike him dead I hold it not a sin.<br/>
Cap. Why, how now, kinsman? Wherefore storm you so?<br/>
Tyb. Uncle, this is a Montague, our foe;<br/>
A villain, that is hither come in spite<br/>
To scorn at our solemnity this night.<br/>
Cap. Young Romeo is it?<br/>
Tyb. 'Tis he, that villain Romeo.<br/>
Cap. Content thee, gentle coz, let him alone.<br/>
'A bears him like a portly gentleman,<br/>
And, to say truth, Verona brags of him<br/>
To be a virtuous and well-govern'd youth.<br/>
I would not for the wealth of all this town<br/>
Here in my house do him disparagement.<br/>
Therefore be patient, take no note of him.<br/>
It is my will; the which if thou respect,<br/>
Show a fair presence and put off these frowns,<br/>
An ill-beseeming semblance for a feast.<br/>
Tyb. It fits when such a villain is a guest.<br/>
I'll not endure him.<br/>
Cap. He shall be endur'd.<br/>
What, goodman boy? I say he shall. Go to!<br/>
Am I the master here, or you? Go to!<br/>
You'll not endure him? God shall mend my soul!<br/>
You'll make a mutiny among my guests!<br/>
You will set cock-a-hoop! you'll be the man!<br/>
Tyb. Why, uncle, 'tis a shame.<br/>
Cap. Go to, go to!<br/>
You are a saucy boy. Is't so, indeed?<br/>
This trick may chance to scathe you. I know what.<br/>
You must contrary me! Marry, 'tis time.-<br/>
Well said, my hearts!- You are a princox- go!<br/>
Be quiet, or- More light, more light!- For shame!<br/>
I'll make you quiet; what!- Cheerly, my hearts!<br/>
Tyb. Patience perforce with wilful choler meeting<br/>
Makes my flesh tremble in their different greeting.<br/>
I will withdraw; but this intrusion shall,<br/>
Now seeming sweet, convert to bitt'rest gall. Exit.<br/>
Rom. If I profane with my unworthiest hand<br/>
This holy shrine, the gentle fine is this:<br/>
My lips, two blushing pilgrims, ready stand<br/>
To smooth that rough touch with a tender kiss.<br/>
Jul. Good pilgrim, you do wrong your hand too much,<br/>
Which mannerly devotion shows in this;<br/>
For saints have hands that pilgrims' hands do touch,<br/>
And palm to palm is holy palmers' kiss.<br/>
Rom. Have not saints lips, and holy palmers too?<br/>
Jul. Ay, pilgrim, lips that they must use in pray'r.<br/>
Rom. O, then, dear saint, let lips do what hands do!<br/>
They pray; grant thou, lest faith turn to despair.<br/>
Jul. Saints do not move, though grant for prayers' sake.<br/>
Rom. Then move not while my prayer's effect I take.<br/>
Thus from my lips, by thine my sin is purg'd. [Kisses her.]<br/>
Jul. Then have my lips the sin that they have took.<br/>
Rom. Sin from my lips? O trespass sweetly urg'd!<br/>
Give me my sin again. [Kisses her.]<br/>
Jul. You kiss by th' book.<br/>
Nurse. Madam, your mother craves a word with you.<br/>
Rom. What is her mother?<br/>
Nurse. Marry, bachelor,<br/>
Her mother is the lady of the house.<br/>
And a good lady, and a wise and virtuous.<br/>
I nurs'd her daughter that you talk'd withal.<br/>
I tell you, he that can lay hold of her<br/>
Shall have the chinks.<br/>
Rom. Is she a Capulet?<br/>
O dear account! my life is my foe's debt.<br/>
Ben. Away, be gone; the sport is at the best.<br/>
Rom. Ay, so I fear; the more is my unrest.<br/>
Cap. Nay, gentlemen, prepare not to be gone;<br/>
We have a trifling foolish banquet towards.<br/>
Is it e'en so? Why then, I thank you all.<br/>
I thank you, honest gentlemen. Good night.<br/>
More torches here! [Exeunt Maskers.] Come on then, let's to<br/>
bed.<br/>
Ah, sirrah, by my fay, it waxes late;<br/>
I'll to my rest.<br/>
Exeunt [all but Juliet and Nurse].<br/>
Jul. Come hither, nurse. What is yond gentleman?<br/>
Nurse. The son and heir of old Tiberio.<br/>
Jul. What's he that now is going out of door?<br/>
Nurse. Marry, that, I think, be young Petruchio.<br/>
Jul. What's he that follows there, that would not dance?<br/>
Nurse. I know not.<br/>
Jul. Go ask his name.- If he be married,<br/>
My grave is like to be my wedding bed.<br/>
Nurse. His name is Romeo, and a Montague,<br/>
The only son of your great enemy.<br/>
Jul. My only love, sprung from my only hate!<br/>
Too early seen unknown, and known too late!<br/>
Prodigious birth of love it is to me<br/>
That I must love a loathed enemy.<br/>
Nurse. What's this? what's this?<br/>
Jul. A rhyme I learnt even now<br/>
Of one I danc'd withal.<br/>
One calls within, 'Juliet.'<br/>
Nurse. Anon, anon!<br/>
Come, let's away; the strangers all are gone. Exeunt.<br/></p>
<h3 id="id00097" style="margin-top: 3em">PROLOGUE</h3>
<p id="id00098">Enter Chorus.</p>
<p id="id00099"> Chor. Now old desire doth in his deathbed lie,<br/>
And young affection gapes to be his heir;<br/>
That fair for which love groan'd for and would die,<br/>
With tender Juliet match'd, is now not fair.<br/>
Now Romeo is belov'd, and loves again,<br/>
Alike bewitched by the charm of looks;<br/>
But to his foe suppos'd he must complain,<br/>
And she steal love's sweet bait from fearful hooks.<br/>
Being held a foe, he may not have access<br/>
To breathe such vows as lovers use to swear,<br/>
And she as much in love, her means much less<br/>
To meet her new beloved anywhere;<br/>
But passion lends them power, time means, to meet,<br/>
Temp'ring extremities with extreme sweet.<br/>
Exit.<br/></p>
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