<SPAN name="chap08"></SPAN>
<h3> CHAPTER VIII </h3>
<h3> A Catapult and a Catastrophe </h3>
<p class="poem">
"Oh, sweet pale Margaret,<br/>
Oh, rare pale Margaret,<br/>
What lit your eyes with tearful power?"<br/></p>
<p>The dusk had fallen very softly and tenderly over the garden,
and the paddocks, and the river. There was just the faintest
wind at the waters edge, but it seemed almost too tired after the
hot, long day to breathe and make ripples. Very slowly the grey,
still light deepened, and a white star or two came out and blinked
up away in the high, far heavens. Down behind the gum trees,
across the river, there was a still whiter moon; a stretch of
water near was beginning to smile up to it. Meg hoped it
would not climb past the tree-tops before eight o'clock, or the
long paddocks would be flooded with light and she would be seen.
At tea-time, and during the early part of the evening, she was
preoccupied and inclined to be irritable in her anxiety, and she
snubbed Bunty two or three times quite unkindly.</p>
<p>He had been hovering about her ever since six o'clock in almost
a pitiable way.</p>
<p>It was characteristic of this small boy that when he had been tempted
into departing from the paths of truth he was absolutely wretched
until he had confessed, and rubbed his little unclean hands into
his wet eyes until he was "a sight to dream of, not to tell."</p>
<p>Pip said it was because he was a coward, and had not the moral
courage to go to sleep with a lie on his soul, for fear he might
wake up and see an angel with a fiery sword standing by his
bedside. And I must sorrowfully acknowledge this seemed a truer
view of the case than believing the boy was really impressed
with the heinousness of his offence and anxious to make amends.
For the very next day, if occasion sufficiently strong offered,
he would fall again, and the very next night would creep up to
somebody and whimper, with his knuckles in his eyes, that he had
"t—t—told a s—s—story, boo—hoo!"</p>
<p>By seven o'clock this particular evening he was miserably
repentant; several tears had trickled down, his cheeks and mingled
with the ink of the map he was engaged upon for Miss Marsh. He
established himself at Meg's elbow, and kept looking up into her
face in a yearning love-and-forgive-me kind of way that she found
infinitely embarrassing; for she had begun to suspect, from his
strange conduct, that he had in some way learned the contents
of her note, and was trying to discourage her from her enterprise.
The more he gazed at her the redder and more uncomfortable she
became.</p>
<p>"You can have my new c—c—catapult," he whispered once, giving
her a tearful, imploring look, that she interpreted as an entreaty
to stay safely at home.</p>
<p>At last the clock had travelled up to eight, and the children being
engaged in a wordy warfare over the possession of a certain stray
dog that had come to Misrule in the afternoon, she slipped out of
the room unobserved. No one was in the hall, and she picked up
the becoming, fleecy cloud she had hidden there, twisted it round
her head, and crept out of the side door and along the first path.</p>
<p>Down in the garden the ground was white with fallen rose leaves,
and the air full of their dying breath; a clump of pampas grass
stood tall and soft against the sky; some native trees, left
growing among the cultivated shrubs, stretched silver-white
arms up to the moon and gave the little hurrying figure a ghostly
kind of feeling. Out of the gate and into the first paddock,
where the rose scent did not come at all, and only a pungent smell
of wattle was in the thin, hushed air. More gum trees, and more
white, ghostly arms; then a sharp movement near the fence, a thick,
sepulchral whisper, and a stifled scream from Meg.</p>
<p>"Here's the c—c—c—catapult, M—Meg; t—take it," Bunty said,
his face white and miserable.</p>
<p>"You little stupid! What do you mean coming creeping here like
this?" Meg said, angry as soon as her heart began to beat
again.</p>
<p>"I only w—wanted to p—p—please you, M—M-Meggie," the little
boy said, with a bitter sob in his voice.</p>
<p>He had put both his arms round her waist, and was burying his nose
in her white muslin dress. She shook him off hastily.</p>
<p>"All right; there—thanks," she said. "Now go home, Bunty;
I want to have a quiet walk in the moonlight by myself."</p>
<p>He screwed his knuckles as far into his eyes as they would go,
his mouth opened, and his lower lip dropped down, down.</p>
<p>"I t—t—told y—y—you a b—b—big st—st—story;" he wept,
rocking to and fro where he stood.</p>
<p>"Did you? Oh, all right! Now go home," she said impatiently.
"You always ARE telling stories, Bunty, you know, so I'm not
surprised. There-go along."</p>
<p>"But—but I'm—must tell you all ab—ab—about it," he said,
still engaged in driving his eyes into his head.</p>
<p>"No, you needn't; I'll forgive you this time," she said
magnanimously, "only don't do it again. Now run away at once,
or you won't have your map done, and miss Marsh will punish you."</p>
<p>His eyes returned to their proper position, likewise his hands.
His heart was perfectly light again as he turned to go back to the
house. When he had gone a few steps he came back.</p>
<p>"D'ye want that catapult very much, Meg?" he said gently.
"You're only a girl, so I don't 'spect it would be very much
good to you, would it?"</p>
<p>"No, I don't want it. Here, take it, and hurry back: think of
your map," Meg returned, in a very fever of impatience at his
slowness.</p>
<p>And then Bunty, utterly happy once more, turned and ran away gaily
up to the house. And Meg let down the slip-rail, put it back in
its place with trembling fingers, and fled in wild haste through
the two remaining paddocks.</p>
<p>The wattle-scrub at the end was very quiet; there was not a rustle,
not a sound of a voice, not a sound of the affected little laugh
that generally told when Aldith was near.</p>
<p>Meg stopped breathless, and peered among the bushes; there was a
tall figure leaning against the fence.</p>
<p>"Andrew!" she said in a sharp whisper, and forgetting in her
anxiety that she never called him by his Christian name—"where
are the others? Hasn't Aldith come?"</p>
<p>There was the smell of a cigar, and, looking closely, she saw to
her horror it was Alan.</p>
<p>"Oh!" she said, in an indescribable tone.</p>
<p>Her heart gave one frightened, shamed bound, and then seemed
to stop beating altogether.</p>
<p>She looked up, at him as if entreating him not to have too bad an
opinion of her; but his face wore the contemptuous look she had
grown to dread and his lips were finely curled.</p>
<p>"I—I only came out for a little walk; it is such a beautiful
evening," she said, with miserable lameness; and then in a tone
of justification she added, "it's my father's paddock, too."</p>
<p>He leaned back against he fence and looked down at her.</p>
<p>"Flossie gave me your note, and as it seemed addressed to me, and
I was told it was for me; I opened it," he said.</p>
<p>"You KNEW it was for Andrew," she said not looking at him, however.</p>
<p>"So I presumed when I had read it," he returned slowly; "but
Andrew has not come back to-night yet, so I came instead; it's all
the same as long as it's a boy, isn't it?"</p>
<p>The girl made no reply, only put her hand up and drew the cloud
more closely round her head.</p>
<p>His lips curled a little more.</p>
<p>"And I know how to kiss, too, I assure you. I am quite a good hand
at it, though you may not think so. Oh yes, I know you said you
did not want to be kissed; but then, girls always say that, don't
they?—even when they expect it most."</p>
<p>Still Meg did not speak, and the calm, merciless voice went on.</p>
<p>"I am afraid it is hardly dark enough for you, is it? The moon
is very much in the way, do you not think so? Still, perhaps we
can find a darker place farther on, and then I can kiss you without
danger. What is the matter?—are you always as quiet as this with
Andrew?"</p>
<p>"Oh, DON'T!" said Meg, in a choking voice.</p>
<p>The mocking tone died instantly out of his voice, "Miss Meg, you
used to seem such a nice little girl," he said quietly; "what
have you let that horrid MacCarthy girl spoil you for? For she is
horrid, though you may not think so."</p>
<p>Meg did not speak or move, and he went on with a gentle earnestness
that she had not thought him capable of..</p>
<p>"I have watched her on the boat, systematically going to work to
spoil you, and can't help thinking of the pity of it. I imagined
how I should feel if my little sister Flossie ever fell in with
such a girl, and began to flirt and make herself conspicuous,
and I wondered would you mind if I spoke to you about it.
Are you very angry with me, Miss Meg?"</p>
<p>But Meg leaned her head against the rough fence and began to
sob—little, dry, heartbroken sobs that went to the boy's warm
heart.</p>
<p>"I oughtn't to have spoken as I did at first—I was a perfect
brute," he said remorsefully; "forgive me, won't you? Please,
little Miss Meg—I would rather cut my hand off than really hurt
you."</p>
<p>This last was a little consoling, at any rate, and Meg lifted her
face half a second, white and pathetic in the moonlight, and all
wet with grievous tears.</p>
<p>"I—I—oh! indeed I have not been quite so horrid as you think,"
she said brokenly; "I didn't want to come this walk—and oh!
indeed, indeed, indeed I wouldn't allow ANYONE to kiss me. Oh,
PLEASE do believe me!"</p>
<p>"I do, I do indeed," he said eagerly; "I only said it because—well,
because I am a great rough brute, and don't know how to talk to a
little, tender girl. Dear Miss Meg, do shake hands and tell me you
forgive my boorishness."</p>
<p>Meg extended a small white hand, and he shook it warmly. Then
they walked up the paddocks together, and parted at a broken gate
leading into the garden.</p>
<p>"I'll never flirt again while I live," she said with great
earnestness, as he bade her good-bye; and he answered encouragingly,
"No, I am quite sure you won't—leave it to girls like Aldith, won't
you? you only wanted to be set straight. Good-bye, little Miss Meg."</p>
<br/><br/><br/>
<SPAN name="chap09"></SPAN>
<h3> CHAPTER IX </h3>
<h3> Consequences </h3>
<p class="poem">
"However could you do it?<br/>
Some day, no doubt, you'll rue it!"<br/></p>
<p>Meg's troubles were not quite over, however, even yet. When she
got into the house Nellie met her in the hall and stared at her.</p>
<p>"Where have you been?" she said, a slow wonder in her round eyes.
"I've been hunting and hunting for you."</p>
<p>"What for?" said Meg shortly.</p>
<p>"Oh, Dr. Gormeston and Mrs. Gormeston and two Miss Gormestons are in
the drawing-room, and I think they'll stay for ever and ever."</p>
<p>"Well?" said Meg.</p>
<p>"And the General is ill again, and Esther says she won't leave him
for a second, not if Gog and Magog were down there dying to see
her."</p>
<p>"Well?" said Meg again.</p>
<p>"And Father is as mad as he can be, and is having to keep them
all amused himself. He's sung 'My sweetheart when a boy' and
'Mona,' and he's told them all about his horses, and now I s'pose
he doesn't know what to do."</p>
<p>"Well, I can't help it," Meg said wearily, and as if the subject
had no interest for her.</p>
<p>"But you'll just have to!" Nell cried sharply, "I've done my
best: he sent out and said we were to go in, and you weren't
anywhere, so there was only Baby and me."</p>
<p>"And what did you do?" Meg asked, curious in spite of herself.</p>
<p>"Oh, Baby talked to Miss Gormeston, and they asked me to play,"
she returned, "so I played the 'Keel Row.' Only I forgot
till I had finished that it was in two sharps," she added sadly.
"And then Baby told Mrs. Gormeston all about Judy leaving the
General at the Barracks, and being sent to boarding school for it,
and about the green frog Bunty gave her, and, then Father said
we'd better go to bed, and asked why ever you didn't come in."</p>
<p>"I'll go, I'll go," Meg said hastily, "he'll be fearfully cross
to-morrow about it. Oh! and, Nell, go and tell Martha to
send in the wine and biscuits and things in half an hour."</p>
<p>She flung off her cloud, smoothed her ruffled hair, and peeped
in the hall-stand glass to see if the night wind had taken away
the traces of her recent tears. Then she went into the drawing-roam,
where her father was looking quite heated and unhappy over
his efforts to entertain four guests who were of the class
popularly known as "heavy in hand:"</p>
<p>"Play something, Meg," he said presently, when greetings were
finished, and a silence seemed settling down over them all again;
"or sing something that will be better—haven't you anything you
can sing?"</p>
<p>Now Meg on ordinary occasions had a pleasant, fresh little voice
of her own, that could be listened to with a certain amount of
pleasure, but this evening she was tired and excited and unhappy.
She sang "Within a mile of Edinboro' town," and was exceedingly
flat all through.</p>
<p>She knew her father was sitting on edge all the time, and that her
mistakes were grating on him, and at the end of the song, rather
than turn round immediately and face them all, she began to play
Kowalski's March Hongroise. But the keys seemed to be rising up
and hitting her hands, and the piano was growing unsteady, and
rocking to and fro in an alarming manner; she made a horrible
jangle as she clutched at the music-holder for safety, and the
next minute swayed from the stool and fell in a dead, faint right
into Dr. Gormeston's arms, providentially extended just in time.</p>
<p>The heavy, heated atmosphere had proved too much for her, in her
unhinged state of mind. Captain Woolcot was extraordinarily
upset by the occurrence; not one of his children had ever done
such a thing before, and as Meg lay on the sofa, with her
little fair head drooping against the red frilled cushions, her
face white and unconscious, she looked strangely like her mother,
whom he had buried out in the churchyard four years ago. He went
to the filter for a glass of water, and, as it trickled, wondered
in a dull, mechanical kind of way if his little dead wife thought
he had been too quick in appointing Esther to her kingdom. And
then, as he stood near the sofa and looked at the death-like face,
he wondered with a cold chill at his heart whether Meg was going
to die, too, and if so would she be able to tell the same little
wife that Esther received more tenderness at his hands than she
had done.</p>
<p>His reverie was interrupted by the doctor's sharp, surprised
voice. He was talking to Esther, who had been hastily summoned to
the scene, and who had helped to unfasten the pretty bodice.</p>
<p>"Why, the child is tight-laced!" he said; "surely you must
have noticed it, madam. That pressure, if it has been constant,
has been enough to half kill her. Chut, chut! faint indeed—I wonder
she has not taken fits or gone into a decline before this."</p>
<p>Then a cloud of trouble came over Esther's beautiful face—she had
failed again in her duty. Her husband was regarding her almost
gloomily from the sofa, where the little figure lay in its
crumpled muslin dress, and her heart told her these children
were not receiving a mother's care at her hands.</p>
<p>Afterwards, when Meg was safely in bed and the excitement
all over, she went up to her husband almost timidly.</p>
<p>"I'm only twenty; Jack; don't be too hard on me!" she said
with a little sob in her voice. "I can't be all to them that
she was, can I?"</p>
<p>He kissed the bright, beautiful head against his shoulder,
and comforted her with a tender word or two. But again and again
that night there came to him Meg's white, still face as it lay on
the scarlet cushions, and he knew the wind that stirred the
curtains at the window had been playing with the long grass in
the churchyard a few minutes since.</p>
<br/><br/><br/>
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