<SPAN name="chap31"></SPAN>
<h3>CHAPTER XXXI</h3>
<h2><i>BARTRAM-HAUGH</i></h2>
<p> </p>
<p>In a moment a tall, lithe girl, black-haired, black-eyed, and, as
I thought, inexpressibly handsome, was smiling, with such beautiful
rings of pearly teeth, at the window; and in her peculiar
accent, with a suspicion of something foreign in it, proposing
with many courtesies to tell the lady her fortune.</p>
<p>I had never seen this wild tribe of the human race before—children
of mystery and liberty. Such vagabondism and beauty
in the figure before me! I looked at their hovels and thought
of the night, and wondered at their independence, and felt my
inferiority. I could not resist. She held up her slim oriental
hand.</p>
<p>'Yes, I'll hear my fortune,' I said, returning the sibyl's smile
instinctively.</p>
<p>'Give me some money, Mary Quince. No, <i>not</i> that,' I said,
rejecting the thrifty sixpence she tendered, for I had heard that
the revelations of this weird sisterhood were bright in proportion
to the kindness of their clients, and was resolved to approach
<span class="pagenum"><SPAN name="page191" id="page191"></SPAN></span>
Bartram with cheerful auguries. 'That five-shilling
piece,' I insisted; and honest Mary reluctantly surrendered the
coin.</p>
<p>So the feline beauty took it, with courtesies and 'thankees,'
smiling still, and hid it away as if she stole it, and looked on
my open palm still smiling; and told me, to my surprise, that
there was <i>somebody</i> I liked very much, and I was almost afraid
she would name Captain Oakley; that he would grow very
rich, and that I should marry him; that I should move about
from place to place a great deal for a good while to come. That
I had some enemies, who should be sometimes so near as to be in
the same room with me, and yet they should not be able to hurt
me. That I should see blood spilt and yet not my own, and
finally be very happy and splendid, like the heroine of a fairy
tale.</p>
<p>Did this strange, girlish charlatan see in my face some signs of
shrinking when she spoke of enemies, and set me down for a
coward whose weakness might be profitable? Very likely. At
all events she plucked a long brass pin, with a round bead for a
head, from some part of her dress, and holding the point in her
fingers, and exhibiting the treasure before my eyes, she told me
that I must get a charmed pin like that, which her grandmother
had given to her, and she ran glibly through a story of all the
magic expended on it, and told me she could not part with it;
but its virtue was that you were to stick it through the blanket,
and while it was there neither rat, nor cat, nor snake—and then
came two more terms in the catalogue, which I suppose belonged
to the gipsy dialect, and which she explained to mean, as well
as I could understand, the first a malevolent spirit, and the second
'a cove to cut your throat,' could approach or hurt you.</p>
<p>A charm like that, she gave me to understand, I must by hook
or by crook obtain. She had not a second. None of her people
in the camp over there possessed one. I am ashamed to confess
that I actually paid her a pound for this brass pin! The purchase
was partly an indication of my temperament, which could
never let an opportunity pass away irrevocably without a struggle,
and always apprehended 'Some day or other I'll reproach
myself tor having neglected it!' and partly a record of the trepidations
of that period of my life. At all events I had her pin,
<span class="pagenum"><SPAN name="page192" id="page192"></SPAN></span>
and she my pound, and I venture to say I was the gladder of the
two.</p>
<p>She stood on the road-side bank courtseying and smiling, the
first enchantress I had encountered, and I watched the receding
picture, with its patches of firelight, its dusky groups and donkey
carts, white as skeletons in the moonlight, as we drove rapidly
away.</p>
<p>They, I suppose, had a wild sneer and a merry laugh over
my purchase, as they sat and ate their supper of stolen poultry,
about their fire, and were duly proud of belonging to the superior race.</p>
<p>Mary Quince, shocked at my prodigality, hinted a remonstrance.</p>
<p>'It went to my heart, Miss, it did. They're such a lot, young
and old, all alike thieves and vagabonds, and many a poor body
wanting.'</p>
<p>'Tut, Mary, never mind. Everyone has her fortune told some
time in her life, and you can't have a good one without paying. I
think, Mary, we must be near Bartram now.'</p>
<p>The road now traversed the side of a steep hill, parallel to
which, along the opposite side of a winding river, rose the dark
steeps of a corresponding upland, covered with forest that looked
awful and dim in the deep shadow, while the moonlight
rippled fitfully upon the stream beneath.</p>
<p>'It seems to be a beautiful country,' I said to Mary Quince,
who was munching a sandwich in the corner, and thus appealed
to, adjusted her bonnet, and made an inspection from <i>her</i>
window, which, however, commanded nothing but the heathy
slope of the hill whose side we were traversing.</p>
<p>'Well, Miss, I suppose it is; but there's a deal o' mountains—is
not there?'</p>
<p>And so saying, honest Mary leaned back again, and went on
with her sandwich.</p>
<p>We were now descending at a great pace. I knew we were
coming near. I stood up as well as I could in the carriage, to see
over the postilions' heads. I was eager, but frightened too; agitated
as the crisis of the arrival and meeting approached. At last,
a long stretch of comparatively level country below us, with
masses of wood as well as I could see irregularly overspreading
<span class="pagenum"><SPAN name="page193" id="page193"></SPAN></span>
it, became visible as the narrow valley through which we were
speeding made a sudden bend.</p>
<p>Down we drove, and now I did perceive a change. A great
grass-grown park-wall, overtopped with mighty trees; but still
on and on we came at a canter that seemed almost a gallop. The
old grey park-wall flanking us at one side, and a pretty pastoral
hedgerow of ash-trees, irregularly on the other.</p>
<p>At last the postilions began to draw bridle, and at a slight
angle, the moon shining full upon them, we wheeled into a wide
semicircle formed by the receding park-walls, and halted before
a great fantastic iron gate, and a pair of tall fluted piers, of
white stone, all grass-grown and ivy-bound, with great cornices,
surmounted with shields and supporters, the Ruthyn bearings
washed by the rains of Derbyshire for many a generation of
Ruthyns, almost smooth by this time, and looking bleached and
phantasmal, like giant sentinels, with each a hand clasped in
his comrade's, to bar our passage to the enchanted castle—the
florid tracery of the iron gate showing like the draperies of white
robes hanging from their extended arms to the earth.</p>
<p>Our courier got down and shoved the great gate open, and we
entered, between sombre files of magnificent forest trees, one of
those very broad straight avenues whose width measures the
front of the house. This was all built of white stone, resembling
that of Caen, which parts of Derbyshire produce in such abundance.</p>
<p>So this was Bartram, and here was Uncle Silas. I was almost
breathless as I approached. The bright moon shining full on the
white front of the old house revealed not only its highly decorated
style, its fluted pillars and doorway, rich and florid
carving, and balustraded summit, but also its stained and moss-grown
front. Two giant trees, overthrown at last by the recent
storm, lay with their upturned roots, and their yellow foliage
still flickering on the sprays that were to bloom no more, where
they had fallen, at the right side of the court-yard, which, like
the avenue, was studded with tufted weeds and grass.</p>
<p>All this gave to the aspect of Bartram a forlorn character of
desertion and decay, contrasting almost awfully with the grandeur
of its proportions and richness of its architecture.</p>
<p>There was a ruddy glow from a broad window in the
second row, and I thought I saw some one peep from it and disappear;
<span class="pagenum"><SPAN name="page194" id="page194"></SPAN></span>
at the same moment there was a furious barking of
dogs, some of whom ran scampering into the court-yard from
a half-closed side door; and amid their uproar, the bawling of
the man in the back seat, who jumped down to drive them off,
and the crack of the postilions' whips, who struck at them, we
drew up before the lordly door-steps of this melancholy mansion.</p>
<p>Just as our attendant had his hand on the knocker the door
opened, and we saw, by a not very brilliant candle-light, three
figures—a shabby little old man, thin, and very much stooped,
with a white cravat, and looking as if his black clothes were too
large, and made for some one else, stood with his hand upon the
door; a young, plump, but very pretty female figure, in unusually
short petticoats, with fattish legs, and nice ankles, in boots,
stood in the centre; and a dowdy maid, like an old charwoman,
behind her.</p>
<p>The household paraded for welcome was not certainly very
brilliant. Amid the riot the trunks were deliberately put down
by our attendant, who kept shouting to the old man at the door,
and to the dogs in turn; and the old man was talking and
pointing stiffly and tremulously, but I could not hear what he
said.</p>
<p>'Was it possible—could that mean-looking old man be Uncle
Silas?'</p>
<p>The idea stunned me; but I almost instantly perceived that he
was much too small, and I was relieved, and even grateful. It
was certainly an odd mode of procedure to devote primary attention
to the trunks and boxes, leaving the travellers still
shut up in the carriage, of which they were by this time pretty
well tired. I was not sorry for the reprieve, however: being nervous
about first impressions, and willing to defer mine, I sat
shyly back, peeping at the candle and moonlight picture before
me, myself unseen.</p>
<p>'Will you tell—yes or no—is my cousin in the coach?'
screamed the plump young lady, stamping her stout black boot,
in a momentary lull.</p>
<p>Yes, I was there, sure.</p>
<p>'And why the puck don't you let her out, you stupe, you?'</p>
<p>'Run down, Giblets, you never do nout without driving, and
let Cousin Maud out. You're very welcome to Bartram.' This
greeting was screamed at an amazing pitch, and repeated before
<span class="pagenum"><SPAN name="page195" id="page195"></SPAN></span>
I had time to drop the window, and say 'thank you.' 'I'd a let
you out myself—there's a good dog, you would na' bite Cousin'
(the parenthesis was to a huge mastiff, who thrust himself beside
her, by this time quite pacified)—'only I daren't go down the
steps, for the governor said I shouldn't.'</p>
<p>The venerable person who went by the name of Giblets had
by this time opened the carriage door, and our courier, or
'boots'—he looked more like the latter functionary—had lowered
the steps, and in greater trepidation than I experienced when in
after-days I was presented to my sovereign, I glided down, to offer
myself to the greeting and inspection of the plain-spoken
young lady who stood at the top of the steps to receive me.</p>
<p>She welcomed me with a hug and a hearty buss, as she called
that salutation, on each cheek, and pulled me into the hall, and
was evidently glad to see me.</p>
<p>'And you're tired a bit, I warrant; and who's the old 'un,
who?' she asked eagerly, in a stage whisper, which made my ear
numb for five minutes after. 'Oh, oh, the maid! and a precious
old 'un—ha, ha, ha! But lawk! how grand she is, with her black
silk, cloak and crape, and I only in twilled cotton, and rotten old
Coburg for Sundays. Odds! it's a shame; but you'll be tired,
you will. It's a smartish pull, they do say, from Knowl. I know
a spell of it, only so far as the "Cat and Fiddle," near the
Lunnon-road. Come up, will you? Would you like to come in
first and talk a bit wi' the governor? Father, you know, he's a
bit silly, he is, this while.' I found that the phrase meant only
<i>bodily</i> infirmity. 'He took a pain o' Friday, newralgie—something
or other he calls it—rheumatics it is when it takes old
"Giblets" there; and he's sitting in his own room; or maybe
you'd like better to come to your bedroom first, for it is dirty
work travelling, they do say.'</p>
<p>Yes; I preferred the preliminary adjustment. Mary Quince
was standing behind me; and as my voluble kinswoman talked
on, we had each ample time and opportunity to observe the personnel
of the other; and she made no scruple of letting me perceive
that she was improving it, for she stared me full in the
face, taking in evidently feature after feature; and she felt the
material of my mantle pretty carefully between her finger and
thumb, and manually examined my chain and trinkets, and
picked up my hand as she might a glove, to con over my rings.</p>
<span class="pagenum"><SPAN name="page196" id="page196"></SPAN></span>
<p>I can't say, of course, exactly what impression I may have produced
on her. But in my cousin Milly I saw a girl who looked
younger than her years, plump, but with a slender waist, with
light hair, lighter than mine, and very blue eyes, rather round;
on the whole very good-looking. She had an odd swaggering
walk, a toss of her head, and a saucy and imperious, but rather
good-natured and honest countenance. She talked rather loud,
with a good ringing voice, and a boisterous laugh when it came.</p>
<p>If <i>I</i> was behind the fashion, what would Cousin Monica have
thought of her? She was arrayed, as she had stated, in black
twilled cotton expressive of her affliction; but it was made almost
as short in the skirt as that of the prints of the Bavarian
broom girls. She had white cotton stockings, and a pair of black
leather boots, with leather buttons, and, for a lady, prodigiously
thick soles, which reminded me of the navvy boots I had so often
admired in <i>Punch</i>. I must add that the hands with which she
assisted her scrutiny of my dress, though pretty, were very much
sunburnt indeed.</p>
<p>'And what's <i>her</i> name?' she demanded, nodding to Mary
Quince, who was gazing on her awfully, with round eyes, as
an inland spinster might upon a whale beheld for the first
time.</p>
<p>Mary courtesied, and I answered.</p>
<p>'Mary Quince,' she repeated. 'You're welcome, Quince. What
shall I call her? I've a name for all o' them. Old Giles there,
is Giblets. He did not like it first, but he answers quick enough
now; and Old Lucy Wyat there,' nodding toward the old woman,
'is Lucia de l'Amour.' A slightly erroneous reading of Lammermoor,
for my cousin sometimes made mistakes, and was not
much versed in the Italian opera. 'You know it's a play, and I
call her L'Amour for shortness;' and she laughed hilariously,
and I could not forbear joining; and, winking at me, she called
aloud, 'L'Amour.'</p>
<p>To which the crone, with a high-cauled cap, resembling
Mother Hubbard, responded with a courtesy and 'Yes,'m.'</p>
<p>'Are all the trunks and boxes took up?'</p>
<p>They were.</p>
<p>'Well, we'll come now; and what shall I call you, Quince?
Let me see.'</p>
<span class="pagenum"><SPAN name="page197" id="page197"></SPAN></span>
<p>'According to your pleasure, Miss,' answered Mary, with
dignity, and a dry courtesy.</p>
<p>'Why, you're as hoarse as a frog, Quince. We'll call you
Quinzy for the present. That'll do. Come along, Quinzy.'</p>
<p>So my Cousin Milly took me under the arm, and pulled me
forward; but as we ascended, she let me go, leaning back to
make inspection of my attire from a new point of view.</p>
<p>'Hallo, cousin,' she cried, giving my dress a smack with her
open hand. 'What a plague do you want of all that bustle;
you'll leave it behind, lass, the first bush you jump over.'</p>
<p>I was a good deal astounded. I was also very near laughing,
for there was a sort of importance in her plump countenance,
and an indescribable grotesqueness in the fashion of her garments,
which heightened the outlandishness of her talk, in a
way which I cannot at all describe.</p>
<p>What palatial wide stairs those were which we ascended, with
their prodigious carved banisters of oak, and each huge pillar on
the landing-place crowned with a shield and carved heraldic
supporters; florid oak panelling covered the walls. But of the
house I could form no estimate, for Uncle Silas's housekeeping
did not provide light for hall and passages, and we were dependent
on the glimmer of a single candle; but there would be
quite enough of this kind of exploration in the daylight.</p>
<p>So along dark oak flooring we advanced to my room, and I had
now an opportunity of admiring, at my leisure, the lordly proportions
of the building. Two great windows, with dark and
tarnished curtains, rose half as high again as the windows of
Knowl; and yet Knowl, in its own style, is a fine house. The
door-frames, like the window-frames, were richly carved; the
fireplace was in the same massive style, and the mantelpiece
projected with a mass of very rich carving. On the whole I was
surprised. I had never slept in so noble a room before.</p>
<p>The furniture, I must confess, was by no means on a par with
the architectural pretensions of the apartment. A French bed, a
piece of carpet about three yards square, a small table, two
chairs, a toilet table—no wardrobe—no chest of drawers. The furniture
painted white, and of the light and diminutive kind, was
particularly ill adapted to the scale and style of the apartment,
one end only of which it occupied, and that but sparsely, leaving
the rest of the chamber in the nakedness of a stately desolation.
<span class="pagenum"><SPAN name="page198" id="page198"></SPAN></span>
My cousin Milly ran away to report progress to 'the Governor,'
as she termed Uncle Silas.</p>
<p>'Well, Miss Maud, I never did expect to see the like o' that!'
exclaimed honest Mary Quince, 'Did you ever see such a young
lady? She's no more like one o' the family than I am. Law
bless us! and what's she dressed like? Well, well, well!' And
Mary, with a rueful shake of her head, clicked her tongue pathetically
to the back of her teeth, while I could not forbear laughing.</p>
<p>'And such a scrap o' furniture! Well, well, well!' and the
same ticking of the tongue followed.</p>
<p>But, in a few minutes, back came Cousin Milly, and, with a
barbarous sort of curiosity, assisted in unpacking my trunks,
and stowing away the treasures, on which she ventured a variety
of admiring criticisms, in the presses which, like cupboards,
filled recesses in the walls, with great oak doors, the keys of
which were in them.</p>
<p>As I was making my hurried toilet, she entertained me now
and then with more strictly personal criticisms.</p>
<p>'Your hair's a shade darker than mine—it's none the better o'
that though—is it? Mine's said to be the right shade. I don't
know—what do you say?'</p>
<p>I conceded the point with a good grace.</p>
<p>'I wish my hands was as white though—you do lick me there;
but it's all gloves, and I never could abide 'em. I think I'll try
though—they <i>are</i> very white, sure.'</p>
<p>'I wonder which is the prettiest, you or me? <i>I</i> don't know,
<i>I</i>'m sure—which do <i>you</i> think?'</p>
<p>I laughed outright at this challenge, and she blushed a little,
and for the first time seemed for a moment a little shy.</p>
<p>'Well, you <i>are</i> a half an inch longer than me, I think—don't
you?'</p>
<p>I was fully an inch taller, so I had no difficulty in making the
proposed admission.</p>
<p>'Well, you do look handsome! doesn't she, Quinzy, lass? but
your frock comes down almost to your heels—it does.'</p>
<p>And she glanced from mine to hers, and made a little kick
up with the heel of the navvy boot to assist her in measuring
the comparative distance.</p>
<p>'Maybe mine's a thought too short?' she suggested. 'Who's
<span class="pagenum"><SPAN name="page199" id="page199"></SPAN></span>
there? Oh! it's you, is it?' she cried as Mother Hubbard
appeared at the door. 'Come in, L'Amour—don't you know, lass,
you're always welcome?'</p>
<p>She had come to let us know that Uncle Silas would be happy
to see me whenever I was ready; and that my cousin Millicent
would conduct me to the room where he awaited me.</p>
<p>In an instant all the comic sensations awakened by my singular
cousin's eccentricities vanished, and I was thrilled with awe. I
was about to see in the flesh—faded, broken, aged, but still
identical—that being who had been the vision and the problem
of so many years of my short life.</p>
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