<p><SPAN name="link2HCH0110" id="link2HCH0110"></SPAN></p>
<h2> CHAPTER II—IT IS LUCKY THAT THE PONT D'AUSTERLITZ BEARS CARRIAGES </h2>
<p>Uncertainty was at an end for Jean Valjean: fortunately it still lasted
for the men. He took advantage of their hesitation. It was time lost for
them, but gained for him. He slipped from under the gate where he had
concealed himself, and went down the Rue des Postes, towards the region of
the Jardin des Plantes. Cosette was beginning to be tired. He took her in
his arms and carried her. There were no passers-by, and the street
lanterns had not been lighted on account of there being a moon.</p>
<p>He redoubled his pace.</p>
<p>In a few strides he had reached the Goblet potteries, on the front of
which the moonlight rendered distinctly legible the ancient inscription:—</p>
<p>De Goblet fils c'est ici la fabrique;<SPAN href="#linknote-14"<br/>
name="linknoteref-14" id="noteref-14">14</SPAN><br/>
Venez choisir des cruches et des brocs,<br/>
Des pots � fleurs, des tuyaux, de la brique.<br/>
A tout venant le Coeur vend des Carreaux.<br/></p>
<p>He left behind him the Rue de la Clef, then the Fountain Saint-Victor,
skirted the Jardin des Plantes by the lower streets, and reached the quay.
There he turned round. The quay was deserted. The streets were deserted.
There was no one behind him. He drew a long breath.</p>
<p>He gained the Pont d'Austerlitz.</p>
<p>Tolls were still collected there at that epoch.</p>
<p>He presented himself at the toll office and handed over a sou.</p>
<p>"It is two sous," said the old soldier in charge of the bridge. "You are
carrying a child who can walk. Pay for two."</p>
<p>He paid, vexed that his passage should have aroused remark. Every flight
should be an imperceptible slipping away.</p>
<p>A heavy cart was crossing the Seine at the same time as himself, and on
its way, like him, to the right bank. This was of use to him. He could
traverse the bridge in the shadow of the cart.</p>
<p>Towards the middle of the Bridge, Cosette, whose feet were benumbed,
wanted to walk. He set her on the ground and took her hand again.</p>
<p>The bridge once crossed, he perceived some timber-yards on his right. He
directed his course thither. In order to reach them, it was necessary to
risk himself in a tolerably large unsheltered and illuminated space. He
did not hesitate. Those who were on his track had evidently lost the
scent, and Jean Valjean believed himself to be out of danger. Hunted, yes;
followed, no.</p>
<p>A little street, the Rue du Chemin-Vert-Saint-Antoine, opened out between
two timber-yards enclosed in walls. This street was dark and narrow and
seemed made expressly for him. Before entering it he cast a glance behind
him.</p>
<p>From the point where he stood he could see the whole extent of the Pont
d'Austerlitz.</p>
<p>Four shadows were just entering on the bridge.</p>
<p>These shadows had their backs turned to the Jardin des Plantes and were on
their way to the right bank.</p>
<p>These four shadows were the four men.</p>
<p>Jean Valjean shuddered like the wild beast which is recaptured.</p>
<p>One hope remained to him; it was, that the men had not, perhaps, stepped
on the bridge, and had not caught sight of him while he was crossing the
large illuminated space, holding Cosette by the hand.</p>
<p>In that case, by plunging into the little street before him, he might
escape, if he could reach the timber-yards, the marshes, the
market-gardens, the uninhabited ground which was not built upon.</p>
<p>It seemed to him that he might commit himself to that silent little
street. He entered it.</p>
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